"Modern Lens Design" 2nd Edition by Warren J. Smith ] *U+nG
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Contents of Modern Lens Design 2nd Edition
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1 Introduction 39m8iI%w[
1.1 Lens Design Books ^?_MIS`4N
1.2 Reference Material d}
5
1.3 Specifications PdEPDyFk h
1.4 Lens Design W0;QufV
1.5 Lens Design Program Features v-8{ mK`9\
1.6 About This Book S?zP;
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2 Automatic Lens Design o6RT 4`
2.2 The Merit Function Q E pCU)
2.3 Local Minima %__ @G_M
2.4 The Landscape Lens r oPC
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2.5 Types of Merit Function R%~~'/2V
2.6 Stagnation ++UxzUd
2.7 Generalized Simulated Annealing fT{jD_Q+3
2.8 Considerations about Variables for Optimization [VLq/lg*
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems :#\jx
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits JvEW0-B^l,
2.11 Spectral Weighting 9=FH2|Z
2.12 How to Get Started 4=%,0.yt
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3 Improving a Design $m-C6xC/
3.1 Lens Design Tip Sheet: Standard Improvement Techniques lYS "
3.2 Glass Changes ( Index and V Values ) aK(e%Ed t"
3.3 Splitting Elements >l=jJTJ;q
3.4 Separating a Cemented Doublet P8H2v_)X&
3.5 Compounding an Element Q );}1'c
3.6 Vignetting and Its Uses A/&u /?*C
3.7 Eliminating a Weak Element; the Concentric Problem O>I%O^
3.8 Balancing Aberrations G^z>2P
3.9 The Symmetrical Principle M04 u>|
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3.10 Aspheric Surfaces @\:@_}Z`_}
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4 Evaluation: How Good is This Design VZe' 6?#
4.1 The Uses of a Preliminary Evaluation %{UW!/
4.2 OPD versus Measures of Performance ]ncK M?'O
4.3 Geometric Blur Spot Size versus Certain Aberrations ~]Av$S
4.4 Interpreting MTF - The Modulation Transfer Function /XA *:8~!
4.5 Fabrication Considerations \ [M4[Qlq
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5 Lens Design Data I~E&::,
5.1 About the Sample Lens Designs 0'Qvis[kt
5.2 Lens Prescriptions, Drawings, and Aberration Plots ~eS/gF?
5.3 Estimating the Potential of a Redesign ug'^$geM
5.4 Scaling a Desing, Its Aberrations, and Its MTF .Iz
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5.5 Notes on the Interpretation of Ray Intercept Plots J9f]=1`
5.6 Various Evaluation Plot <[T{q
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6 Telescope Objective a<]vHC7
6.1 The Thin Airspaced Doublet #) i+'L8
6.2 Merit Function for a Telescope Objective X)= m4\R
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Su[(IMw
6.4 Spherochromatism {$ pi};
6.5 Zonal Spherical Aberration =s*4y$%I
6.6 Induced Aberrations W6r3v)~
6.7 Three-Element Objectives 5|`./+Ghk
6.8 Secondary Spectrum (Apochromatic Systems) c >T)Rc
6.9 The Design of an f/7 Apochromatic Triplet ]GsI|se
6.10 The Diffractive Surface in Lens Design <]_[o:nOP
6.11 A Final Note F7/%,vf
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7 Eyepieces and Magnifiers JV8*;n%}-
7.1 Eyepieces J l{My^I5
7.2 A Pair of Magnifier Designs 32y 9r z
7.3 The Simple, Classical Eyepieces '#oH1$W]
7.4 Design Story of an Eyepiece for a 6*30 Binocular #;+S AoN
7.5 Four-Element Eyepieces -G '3&L4
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7.6 Five-Element Eyepieces t! u>l
7.7 Very High Index Eyepiece/Magnifier cx FyN ;7
7.8 Six- and Seven-Element Eyepieces ccx0aC3@I
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8 Cooke Triplet Anastigmats ;#8 xR LW
8.1 Airspaced Triplet Anastigmats - a"b :Q
8.2 Glass Choice 5^CWF|
8.3 Vertex Length and Residual Aberrations (yeWArQ
8.4 Other Design Considerations i=hA. y`
8.5 A Plastic, Aspheric Triplet Camera Lens K( ?p]wh
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \.GA" _y
8.7 Possible Improvement to Our “Basic” Triplet " u b0}p4V
8.7 The Rear Earth (Lanthanum) Glasses gNkBHwv
8.9 Aspherizing the Surfaces K$s{e0
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8.10 Increasing the Element Thickness >svx
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9 Split Triplets TN08 ,:k
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10 The Tessar, Heliar, and Other Compounded Triplets 4af^SZ )l
10.1 The Classic Tessar v`Ja Bn
10.2 The Heliar/Pentac _Kh 8
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10.3 The Portrait Lens and the Enlarger Lens v-"nyy-&Z
10.4 Other Compounded Triplets /YvwQ
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar -zzT:C
9%0^fhrJ
11 Double-Meniscus Anastigmats V^><
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11.1 Meniscus Components Q )8I(*
11.2 The Hypergon, Totogon, and Metrogon G
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens 9Sa6v?sRor
11.4 Protar, Dagor, and Convertible Lenses ?+%bE Z`
11.5 The Split Dagor 5Q8s{WQ
11.6 The Dogmar RX^Xtc"
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ax K/YE7t
sv#b5,>9
12 The Biotar or Double-Gauss Lens *_HF %JYMZ
12.1 The Basic Six-Element Version ZXIz.GFy+
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens TQ%F\@"
12.3 The Seven-Element Biotar - Split-Rear Singlet t8. 3
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Bo'v!bI7
12.5 The Seven-Element Biotar - One Compounded Outer Element r0 29E-
12.6 The Eight-Element Biotar ZqjLZ9?q
12.7 A “Doubled Double-Gauss” Relay &]A0=h2{P*
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13 Telephoto Lenses 8_O?#JYi
13.1 The Basic Telephoto hDBo
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13.2 Close-up or Macro Lenses x0 %@u^BF
13.3 Telephoto Designs 3BF3$_u)o
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ''q#zEf6
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 8,e%=7h_e
14.1 The Reverse Telephoto Principle (rq(y$N
14.2 The Basic Retrofocus Lens mHH >qW{`
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 'tjqfR
9g. 5:
15 Wide Angle Lenses with Negative Outer Lenses YlR9
1L X
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16 The Petzval Lens; Head-up Display Lenses 1S yG
16.1 The Petzval Portrait Lens hZ "Sqm]
16.2 The Petzval Projection Lens m3& b)O7
16.3 The Petzval with a Field Flattener ocZ^rqo2w
16.4 Very Height Speed Petzval Lenses HXkXDX9&'.
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems }'n]C| gZ
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17 Microscope Objectives ["<'fq;PJ
17.1 General Considerations .Sv/0&O
17.2 Classic Objective Design Forms; The Aplanatic Front "M^mJl&*b
17.3 Flat-Field Objectives {A)9ePgv!
17.4 Reflecting Objectives Q5sJ|]Bc
17.5 The Microscope Objective Designs y'non 0P.
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18 Mirror and Catadioptric Systems >&^jKfY
18.1 The Good and Bad Points of Mirrors zw iS%-F
18.2 The Classic Two-Mirror Systems #u +~ ^M
18.3 Catadioptric Systems QFgKEUNgl
18.4 Aspheric Correctors and Schmidt Systems "98 j-L=F+
18.5 Confocal Paraboloids O]Y z7
18.6 Unobscured Systems Yn p#3 r
18.7 Design of a Schmidt-Cassegrain “from Scratch” 4Tb"+Y}
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19 Infrared and Ultraviolet Systems wrs r U
19.1 Infrared Optics P?zaut
19.2 IR Objective Lenses ?}, RN
19.3 IR Telescope k~,
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19.4 Laser Beam Expanders $R:Q R?
19,5 Ultraviolet Systems I~;H'7|e
19.6 Microlithographic Lenses 'u d[#@2
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20 Zoom Lenses *.Z~f"SZy*
20.1 Zoom Lenses 91nw1c!
20.2 Zoom Lenses for Point and Shoot Cameras a>Zp?*9
20.3 A 20X Video Zoom Lens J"TF@7{p
20.4 A Zoom Scanner Lens J93xxj
20.5 A Possible Zoom Lens Design Procedure qVjMflVoay
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21 Projection TV Lenses and Macro Lenses ~qK/w0=j
21.1 Projection TV Lenses aK
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21.2 Macro Lenses Ch:EL-L
G^eXJusOv
22 Scanner/ , Laser Disk and Collimator Lenses (%"9 LYv
22.1 Monochromatic Systems k|U2M p
22.2 Scanner Lenses xV=Tmu6l
22.3 Laser Disk, Focusing, and Collimator Lenses 2.
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23 Tolerance Budgeting \1QY=}
23.1 The Tolerance Budget ;|:R*(2
23.2 Additive Tolerances BfD& e`KI
23.3 Establishing the Tolerance Budget JV_VM{w{K
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24 Formulary qdxaP% p2
24.1 Sign Conventions, Symbols, and Definitions sz%_9;`dpL
24.2 The Cardinal Points qv'w 7T
24.3 Image Equations \ N$)Q.M
24.4 Paraxial Ray Tracing (Surface by Surface) qB&Je$_uh
24.5 Invariants e+MQmW A'F
24.6 Paraxial Ray Tracing (Component by Component) dlIYzO<
24.7 Two-Componenet Relationships M}Xf<:g)
24.8 Third-Order Aberrations – Surface Contributions ]'-y-kqY
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs i8 3[':
24.10 Stop Shift Equations L0GQH;Y,h
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 7R# }AQ
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) E%W w)P
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Glossary U3Z-1G~* r
Reference mrr~ #Bb>
Index
