"Modern Lens Design" 2nd Edition by Warren J. Smith @.dM1DN)
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Contents of Modern Lens Design 2nd Edition 3UQBIrQ
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1 Introduction .G<Or`K^i
1.1 Lens Design Books <P*7u\9&
1.2 Reference Material <I?f=[
1.3 Specifications %X\Rfn0J"
1.4 Lens Design gA5DEit
1.5 Lens Design Program Features e-xT.RnQ
1.6 About This Book b+dmJ]c
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2 Automatic Lens Design 96gaun J
2.2 The Merit Function gxVJH'[V5
2.3 Local Minima ZY6%%7?1
2.4 The Landscape Lens ,oEAWNbgQ
2.5 Types of Merit Function ,[_)BM
2.6 Stagnation ~X;sa,)L1+
2.7 Generalized Simulated Annealing p-z!i +
2.8 Considerations about Variables for Optimization e)L!4Y44K
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems t?;=\%^<
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits J|z ' <W
2.11 Spectral Weighting
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2.12 How to Get Started &Ci_wDJ
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3 Improving a Design o
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques {D]I[7f8Ev
3.2 Glass Changes ( Index and V Values ) Sx_j`Cgy
3.3 Splitting Elements 4i29nq^n
3.4 Separating a Cemented Doublet SS;'g4h\6
3.5 Compounding an Element *@YQr]~
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3.6 Vignetting and Its Uses n*~#]%4
3.7 Eliminating a Weak Element; the Concentric Problem ?.MlP,/K
3.8 Balancing Aberrations Kc3/*eu;
3.9 The Symmetrical Principle |g\CS4$
3.10 Aspheric Surfaces 3 "|A5>Vo
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4 Evaluation: How Good is This Design ?J"Y4,{
4.1 The Uses of a Preliminary Evaluation ^<aj~0v
4.2 OPD versus Measures of Performance Ds8x9v)^
4.3 Geometric Blur Spot Size versus Certain Aberrations grDz7\i:
4.4 Interpreting MTF - The Modulation Transfer Function )9!J
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4.5 Fabrication Considerations `KP}pi\
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5 Lens Design Data DVBsRV)/
5.1 About the Sample Lens Designs s6oIj$
5.2 Lens Prescriptions, Drawings, and Aberration Plots z2dW)_fU$
5.3 Estimating the Potential of a Redesign T
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5.4 Scaling a Desing, Its Aberrations, and Its MTF kChCo0Q>1
5.5 Notes on the Interpretation of Ray Intercept Plots ,^T0!k$
5.6 Various Evaluation Plot L%.=SbmS
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6 Telescope Objective w`Rt "d_B
6.1 The Thin Airspaced Doublet wY7+E/
6.2 Merit Function for a Telescope Objective /
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective ;:Y/"5h
6.4 Spherochromatism ^Ov+n1,)
6.5 Zonal Spherical Aberration qh wl
6.6 Induced Aberrations j<vU[J+gx~
6.7 Three-Element Objectives 7"{CBbT
6.8 Secondary Spectrum (Apochromatic Systems) \@j3/!=,n%
6.9 The Design of an f/7 Apochromatic Triplet Z^yn S
6.10 The Diffractive Surface in Lens Design sO&eV68
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6.11 A Final Note Mwd.S
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7 Eyepieces and Magnifiers oeG?2!Zh
7.1 Eyepieces jx];=IC3tt
7.2 A Pair of Magnifier Designs Ozc9y y!%
7.3 The Simple, Classical Eyepieces TfA;4^
7.4 Design Story of an Eyepiece for a 6*30 Binocular fH_Xm :%
7.5 Four-Element Eyepieces `?vI_>md'!
7.6 Five-Element Eyepieces .@f)#2
7.7 Very High Index Eyepiece/Magnifier J2$=H1-
7.8 Six- and Seven-Element Eyepieces 3;EBKGg|
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8 Cooke Triplet Anastigmats \
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8.1 Airspaced Triplet Anastigmats S2
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8.2 Glass Choice h&IF?h
8.3 Vertex Length and Residual Aberrations hhr>nuA
8.4 Other Design Considerations nZkMyRk
8.5 A Plastic, Aspheric Triplet Camera Lens .J9\Fr@
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet wafws*b%
8.7 Possible Improvement to Our “Basic” Triplet /C[XC7^4'
8.7 The Rear Earth (Lanthanum) Glasses 4' <y
8.9 Aspherizing the Surfaces a~`,zQ -@
8.10 Increasing the Element Thickness (7}Zh|@W
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9 Split Triplets
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10 The Tessar, Heliar, and Other Compounded Triplets @|Hx>|p
10.1 The Classic Tessar Y/34~lhyl
10.2 The Heliar/Pentac Z-z(SKL
10.3 The Portrait Lens and the Enlarger Lens (
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10.4 Other Compounded Triplets /d1V&Lj
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar [[8h*[:
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11 Double-Meniscus Anastigmats HAMps[D[
11.1 Meniscus Components H?dEgubg7]
11.2 The Hypergon, Totogon, and Metrogon qyYf&VC}
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 1s#GY<<
11.4 Protar, Dagor, and Convertible Lenses `k'Dm:*`u4
11.5 The Split Dagor ${, !L l7)
11.6 The Dogmar 6T A2
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens b]5S9^=LI
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12 The Biotar or Double-Gauss Lens 0:k
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12.1 The Basic Six-Element Version <e' l"3+9(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens :<E\&6# oC
12.3 The Seven-Element Biotar - Split-Rear Singlet $*dY f
12.4 The Seven-Element Biotar - Broken Contact Front Doublet VufG7%S{
12.5 The Seven-Element Biotar - One Compounded Outer Element Q02:qn?T
12.6 The Eight-Element Biotar ]7_O#MY1
12.7 A “Doubled Double-Gauss” Relay fm^)u"
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13 Telephoto Lenses ogKd}qTov
13.1 The Basic Telephoto G X>T~i\f8
13.2 Close-up or Macro Lenses Zl`sY5{1
13.3 Telephoto Designs e!*%U=[Q
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch rwepe 5
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses z`+j]NX]
14.1 The Reverse Telephoto Principle Kkz2N
14.2 The Basic Retrofocus Lens N&+DhKw
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses W/|C
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15 Wide Angle Lenses with Negative Outer Lenses
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9 k>=y n
16 The Petzval Lens; Head-up Display Lenses @IwVR
16.1 The Petzval Portrait Lens k34!*(`q
16.2 The Petzval Projection Lens U?Icyn3q0
16.3 The Petzval with a Field Flattener h ^6Yjy
16.4 Very Height Speed Petzval Lenses B[Fuy y?
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems K=C).5=U
Lg4I6 G
17 Microscope Objectives {^n\
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17.1 General Considerations k/ ZuFTN
17.2 Classic Objective Design Forms; The Aplanatic Front `mTc
17.3 Flat-Field Objectives -#?p16qz5
17.4 Reflecting Objectives ec` $2u
17.5 The Microscope Objective Designs ewcgg
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18 Mirror and Catadioptric Systems "ZyWU f
18.1 The Good and Bad Points of Mirrors ]tVXao
18.2 The Classic Two-Mirror Systems 2i~qihx5^
18.3 Catadioptric Systems g"Z X1X
18.4 Aspheric Correctors and Schmidt Systems R9z^=QKcH
18.5 Confocal Paraboloids f~D>
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18.6 Unobscured Systems N~An}QX|
18.7 Design of a Schmidt-Cassegrain “from Scratch” ZXj;ymC'
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19 Infrared and Ultraviolet Systems /y"Y o
19.1 Infrared Optics t7p`A8&
19.2 IR Objective Lenses Soa5TM
19.3 IR Telescope UMJ>6Ko8
19.4 Laser Beam Expanders |cBpX+D
19,5 Ultraviolet Systems !*gTC1bvB
19.6 Microlithographic Lenses {E~MqrX
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20 Zoom Lenses 6uijxia
20.1 Zoom Lenses b]h]h1~hHH
20.2 Zoom Lenses for Point and Shoot Cameras L){rv)?="
20.3 A 20X Video Zoom Lens lAwOp
20.4 A Zoom Scanner Lens uvrfR?%QK
20.5 A Possible Zoom Lens Design Procedure AT{ewb
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21 Projection TV Lenses and Macro Lenses d6.9]V?
21.1 Projection TV Lenses ,{{uRs/
21.2 Macro Lenses ;U|^Tsuc`
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22 Scanner/ , Laser Disk and Collimator Lenses 4JHFn [%
22.1 Monochromatic Systems z.[ Ok
22.2 Scanner Lenses j}?O
22.3 Laser Disk, Focusing, and Collimator Lenses sS $- PX
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23 Tolerance Budgeting I^{PnrB
23.1 The Tolerance Budget G'z&U?Ng
23.2 Additive Tolerances BK'!WX
23.3 Establishing the Tolerance Budget .Wq`qF(;
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24 Formulary eD, 7gC-
24.1 Sign Conventions, Symbols, and Definitions %&"_=Lc
24.2 The Cardinal Points iw(\]tMt
24.3 Image Equations qb
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24.4 Paraxial Ray Tracing (Surface by Surface) Z<|caT]Q(
24.5 Invariants qfY.X&]PU
24.6 Paraxial Ray Tracing (Component by Component) U"xI1fg%b
24.7 Two-Componenet Relationships dxkXt k
24.8 Third-Order Aberrations – Surface Contributions 0n_Cuh\
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs %xR;8IO
24.10 Stop Shift Equations >:s.`jV<
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces mLO{~ruu
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) w>X33Ff]8@
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Glossary N
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Reference )*^PMf
Index