"Modern Lens Design" 2nd Edition by Warren J. Smith Qg X[?2
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Contents of Modern Lens Design 2nd Edition 1Aa=&B2
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1 Introduction &]/.=J
1.1 Lens Design Books H=9\B}
1.2 Reference Material aw/5#(1R
1.3 Specifications J)Td'iT(
1.4 Lens Design V?cUQg hHg
1.5 Lens Design Program Features 3836Di:{
1.6 About This Book aA.TlG@zP
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2 Automatic Lens Design YY<e]CriU
2.2 The Merit Function M3
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2.3 Local Minima Y~M H
2.4 The Landscape Lens \7,'o] >M-
2.5 Types of Merit Function \Tj( ]
2.6 Stagnation jDc5p3D&[]
2.7 Generalized Simulated Annealing tI(co5 W
2.8 Considerations about Variables for Optimization D<cHa |
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems \(bM L#I
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ^KMZB
2.11 Spectral Weighting KcjP39@I
2.12 How to Get Started uJ$!lyJ6L
u5FlT3hY.
3 Improving a Design 1%6}m`3
3.1 Lens Design Tip Sheet: Standard Improvement Techniques pc%_ :>
3.2 Glass Changes ( Index and V Values ) #VEHyz 6P
3.3 Splitting Elements }mC-SC)oSi
3.4 Separating a Cemented Doublet - gV'z5
3.5 Compounding an Element SSF4P&
3.6 Vignetting and Its Uses Oj0/[(D-
3.7 Eliminating a Weak Element; the Concentric Problem ),)]gw71QW
3.8 Balancing Aberrations oFV >b
3.9 The Symmetrical Principle Kq';[ Yc
3.10 Aspheric Surfaces b=+'i
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4 Evaluation: How Good is This Design ?79AB m
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4.1 The Uses of a Preliminary Evaluation |ldRs'c{
4.2 OPD versus Measures of Performance K(HP PM\
4.3 Geometric Blur Spot Size versus Certain Aberrations U{o0Posg
4.4 Interpreting MTF - The Modulation Transfer Function r#pC0Yj!3
4.5 Fabrication Considerations 5A6d ]
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5 Lens Design Data Ui 7S8c#tH
5.1 About the Sample Lens Designs Y75,{ 1\l0
5.2 Lens Prescriptions, Drawings, and Aberration Plots S 0Y$$r
5.3 Estimating the Potential of a Redesign ]W%<<S
5.4 Scaling a Desing, Its Aberrations, and Its MTF mPxph>o
5.5 Notes on the Interpretation of Ray Intercept Plots ; ,]T|> M
5.6 Various Evaluation Plot
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6 Telescope Objective ]|[oL6"
6.1 The Thin Airspaced Doublet \q qt /
6.2 Merit Function for a Telescope Objective $R7n1
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ?j8F5(HF?
6.4 Spherochromatism |}\et
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6.5 Zonal Spherical Aberration }cG!93
6.6 Induced Aberrations aQaO.K2
6.7 Three-Element Objectives iFW)}_.
6.8 Secondary Spectrum (Apochromatic Systems) N$ H0o+9-Y
6.9 The Design of an f/7 Apochromatic Triplet </|IgN$w`
6.10 The Diffractive Surface in Lens Design _{6QvD3kg.
6.11 A Final Note :'!,L0I|t
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7 Eyepieces and Magnifiers nmVL%66K
7.1 Eyepieces &/4W1=>(
7.2 A Pair of Magnifier Designs 4*_9Gl
7.3 The Simple, Classical Eyepieces @U(D&_H,K
7.4 Design Story of an Eyepiece for a 6*30 Binocular YZdp/X6x
7.5 Four-Element Eyepieces -V k+zEht
7.6 Five-Element Eyepieces EOjo >w>
7.7 Very High Index Eyepiece/Magnifier O s@ d&wm
7.8 Six- and Seven-Element Eyepieces ~w' M8(
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8 Cooke Triplet Anastigmats s3W )hU)
8.1 Airspaced Triplet Anastigmats Qj?FUxw
8.2 Glass Choice DGTSk9iK(
8.3 Vertex Length and Residual Aberrations k#% BxT
8.4 Other Design Considerations mV}
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8.5 A Plastic, Aspheric Triplet Camera Lens 2`Xy}9N/Y
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet x5k6yH n
8.7 Possible Improvement to Our “Basic” Triplet t7("geN]
8.7 The Rear Earth (Lanthanum) Glasses _U)DL=a'
8.9 Aspherizing the Surfaces
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8.10 Increasing the Element Thickness ]%3o" |
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9 Split Triplets 7^h?<X\
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10 The Tessar, Heliar, and Other Compounded Triplets r"SuE:D
10.1 The Classic Tessar 1y l2i |m+
10.2 The Heliar/Pentac Tz1St{s\
10.3 The Portrait Lens and the Enlarger Lens h&| |Ql1
10.4 Other Compounded Triplets %< JjftNQ
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 67Z|=B !7
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11 Double-Meniscus Anastigmats ig] * Z
11.1 Meniscus Components iK1<4)
11.2 The Hypergon, Totogon, and Metrogon HiEXw}Hkz
11.3 A Two Element Aspheric Thick Meniscus Camera Lens [L8Bg w1
11.4 Protar, Dagor, and Convertible Lenses !MNUp(:
11.5 The Split Dagor v&%GK5j7O
11.6 The Dogmar xCD|UC46?X
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens E%
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12 The Biotar or Double-Gauss Lens el39HB$
12.1 The Basic Six-Element Version f7}/ {}g
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Zi[ @xG8dm
12.3 The Seven-Element Biotar - Split-Rear Singlet p
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet {e
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12.5 The Seven-Element Biotar - One Compounded Outer Element Ps(3X@
12.6 The Eight-Element Biotar KD*,u{v;
12.7 A “Doubled Double-Gauss” Relay I2(5]85&]s
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13 Telephoto Lenses .HF+JHIUu
13.1 The Basic Telephoto mF [w-<:.d
13.2 Close-up or Macro Lenses _` |Hk2O
13.3 Telephoto Designs gR"'|c
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch J{Ei+@^/9
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses meT~b
14.1 The Reverse Telephoto Principle Id(o6 j^J_
14.2 The Basic Retrofocus Lens {BKu'A
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses R$4&>VBu
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15 Wide Angle Lenses with Negative Outer Lenses ]fI v{[A_
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16 The Petzval Lens; Head-up Display Lenses P
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16.1 The Petzval Portrait Lens Pfu2=2Ra
16.2 The Petzval Projection Lens _9wX8fh3D
16.3 The Petzval with a Field Flattener 2Otd
16.4 Very Height Speed Petzval Lenses Ry KsM.
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems r. 0IC*Y
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17 Microscope Objectives e3UGYwQ
17.1 General Considerations m+||t
17.2 Classic Objective Design Forms; The Aplanatic Front X90VJb]
17.3 Flat-Field Objectives @T
17.4 Reflecting Objectives }(z[
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17.5 The Microscope Objective Designs VG^*?62
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18 Mirror and Catadioptric Systems
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18.1 The Good and Bad Points of Mirrors #o k 1qT9_
18.2 The Classic Two-Mirror Systems M5s>;q)
18.3 Catadioptric Systems Uc%(#I]Mi
18.4 Aspheric Correctors and Schmidt Systems >
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18.5 Confocal Paraboloids \:-#,( .V
18.6 Unobscured Systems l7]:b8
18.7 Design of a Schmidt-Cassegrain “from Scratch” n]?Yv E
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19 Infrared and Ultraviolet Systems |}
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19.1 Infrared Optics q%%8oaEI
19.2 IR Objective Lenses z$$ E7i
19.3 IR Telescope 2%i_SX [
19.4 Laser Beam Expanders ] /hF!eO
19,5 Ultraviolet Systems kg?[
19.6 Microlithographic Lenses z^$DXl@)h
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20 Zoom Lenses xD v$z.=Y
20.1 Zoom Lenses ?pn<lW8d
20.2 Zoom Lenses for Point and Shoot Cameras (+ q#kKR
20.3 A 20X Video Zoom Lens N7:=%F y(
20.4 A Zoom Scanner Lens h3D~?Iom
20.5 A Possible Zoom Lens Design Procedure : kz*.1
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21 Projection TV Lenses and Macro Lenses 8+K=3=05#U
21.1 Projection TV Lenses 9W88_rE'e}
21.2 Macro Lenses EITA[Ba B`
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22 Scanner/ , Laser Disk and Collimator Lenses 1$T;u ~vg
22.1 Monochromatic Systems ZDuP|" ^
22.2 Scanner Lenses V/5.37FSb
22.3 Laser Disk, Focusing, and Collimator Lenses ?=,4 {(/)
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23 Tolerance Budgeting a,g3 /
23.1 The Tolerance Budget &HBqweI
23.2 Additive Tolerances IZ+kw.6e
23.3 Establishing the Tolerance Budget Xmr|k:z
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24 Formulary &J(+XJM%
24.1 Sign Conventions, Symbols, and Definitions IlQNo 1
24.2 The Cardinal Points .XDY1~w0
24.3 Image Equations 3SI:su
24.4 Paraxial Ray Tracing (Surface by Surface) "z Fv? ay
24.5 Invariants " !43,!<
24.6 Paraxial Ray Tracing (Component by Component) 8w 1TX [ b
24.7 Two-Componenet Relationships p|fSPSz
24.8 Third-Order Aberrations – Surface Contributions &c!d}pU}
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs mG4$
24.10 Stop Shift Equations 7{F(NJUO1
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces b-4g HW
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 0 kC}qru'
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Glossary #=@H-ZuD7
Reference ]gHxvT\E
Index
