"Modern Lens Design" 2nd Edition by Warren J. Smith I\JGs@I
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Contents of Modern Lens Design 2nd Edition [ )dXI IM
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1 Introduction r_6ZO&
1.1 Lens Design Books u'W8;G*~
1.2 Reference Material krvp&+uX
1.3 Specifications bPt!yI:
1.4 Lens Design 1gy.8i
1.5 Lens Design Program Features aAMVsE{
1.6 About This Book D"?fn<2
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2 Automatic Lens Design z] ?N+NHOA
2.2 The Merit Function wN-d'-z/rd
2.3 Local Minima |NC*7/}
2.4 The Landscape Lens \EtQ5T*u
2.5 Types of Merit Function Yqi4&~?db
2.6 Stagnation 0dhaAq`k
2.7 Generalized Simulated Annealing @A89eZbW
2.8 Considerations about Variables for Optimization H>B&|BO_[
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems c~uKsU
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits a (b#
2.11 Spectral Weighting ;J2z p*|
2.12 How to Get Started F!Q@u
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3 Improving a Design =4PV;>X
3.1 Lens Design Tip Sheet: Standard Improvement Techniques r^paD2&}
3.2 Glass Changes ( Index and V Values ) DBD%6o>]K
3.3 Splitting Elements &*G#H~\
3.4 Separating a Cemented Doublet <Fc;_GG
3.5 Compounding an Element +M$Q
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3.6 Vignetting and Its Uses iQ
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3.7 Eliminating a Weak Element; the Concentric Problem ~SF<,-Kg
3.8 Balancing Aberrations HbAkZP
3.9 The Symmetrical Principle -w_QJ_z_
3.10 Aspheric Surfaces ime\f*Fg
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4 Evaluation: How Good is This Design v+`N*\J_
4.1 The Uses of a Preliminary Evaluation iS Gq!D
4.2 OPD versus Measures of Performance V(6Z3g
4.3 Geometric Blur Spot Size versus Certain Aberrations ^,_w$H
4.4 Interpreting MTF - The Modulation Transfer Function ,\ k(x>oy
4.5 Fabrication Considerations lWc:$qnR-K
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5 Lens Design Data s<_)$}
5.1 About the Sample Lens Designs W7\f1}]H
5.2 Lens Prescriptions, Drawings, and Aberration Plots +hT:2TXn
5.3 Estimating the Potential of a Redesign ytoo~n
5.4 Scaling a Desing, Its Aberrations, and Its MTF @EpIh&
5.5 Notes on the Interpretation of Ray Intercept Plots Q/_f
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5.6 Various Evaluation Plot EzV96+
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6 Telescope Objective OJ$]V,Z00x
6.1 The Thin Airspaced Doublet ]0)|7TV*
6.2 Merit Function for a Telescope Objective VG5+CU
6.3 The Design of an f/7 Cemented Doublet Telescope Objective a]/>ra5{
6.4 Spherochromatism m~u5kbHOi=
6.5 Zonal Spherical Aberration !~&R"2/
6.6 Induced Aberrations +W\f(/ q0
6.7 Three-Element Objectives &[/w_|b
6.8 Secondary Spectrum (Apochromatic Systems) "a"]o
6.9 The Design of an f/7 Apochromatic Triplet pDcjwlA%
6.10 The Diffractive Surface in Lens Design 9Hu/u=vB<
6.11 A Final Note *
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7 Eyepieces and Magnifiers }mdAM6
7.1 Eyepieces mfo1+owT
7.2 A Pair of Magnifier Designs ^[XYFQ TL
7.3 The Simple, Classical Eyepieces hn=[1<#^(
7.4 Design Story of an Eyepiece for a 6*30 Binocular \":m!K;Z
7.5 Four-Element Eyepieces f[~L?B;_L
7.6 Five-Element Eyepieces ,7NZu0
7.7 Very High Index Eyepiece/Magnifier V8-oYwOR
7.8 Six- and Seven-Element Eyepieces [4C:r!
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8 Cooke Triplet Anastigmats Mt5PaTjj
8.1 Airspaced Triplet Anastigmats MP 2~;T}~
8.2 Glass Choice /)(#{i*
8.3 Vertex Length and Residual Aberrations Jesjtcy<*
8.4 Other Design Considerations fCtPu08{Z
8.5 A Plastic, Aspheric Triplet Camera Lens R Yl>
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet aZ'Lx:)R
8.7 Possible Improvement to Our “Basic” Triplet mB9r3[
8.7 The Rear Earth (Lanthanum) Glasses EC8b=B<DE
8.9 Aspherizing the Surfaces [7S} g
8.10 Increasing the Element Thickness r*_ZJ*h[
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9 Split Triplets #x3ujJ
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10 The Tessar, Heliar, and Other Compounded Triplets
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10.1 The Classic Tessar u[/m|z
10.2 The Heliar/Pentac 1u(.T0j7f
10.3 The Portrait Lens and the Enlarger Lens SD$h@p=!=
10.4 Other Compounded Triplets i21Gw41p:
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar GJp85B!PlO
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11 Double-Meniscus Anastigmats -3lb@ 6I6
11.1 Meniscus Components P7MeX(Tay
11.2 The Hypergon, Totogon, and Metrogon ql?=(b;D
11.3 A Two Element Aspheric Thick Meniscus Camera Lens pL%r,Y_^\x
11.4 Protar, Dagor, and Convertible Lenses 7=OQ8IM!
11.5 The Split Dagor P*Tx14xe4
11.6 The Dogmar >Ll$p0W
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens
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12 The Biotar or Double-Gauss Lens YH_7=0EJ
12.1 The Basic Six-Element Version mL`5 uf
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 0,rTdjH7
12.3 The Seven-Element Biotar - Split-Rear Singlet m[@Vf9
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 6]pX>Xho
12.5 The Seven-Element Biotar - One Compounded Outer Element Ttc[Q]Ri
12.6 The Eight-Element Biotar 0`A~HH}
12.7 A “Doubled Double-Gauss” Relay ZwerDkd
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13 Telephoto Lenses \Z/)Y;|mi0
13.1 The Basic Telephoto { e5/+W
13.2 Close-up or Macro Lenses ,qrQ"r9
13.3 Telephoto Designs S&Ee,((E(
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch gzD@cx?V
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses
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14.1 The Reverse Telephoto Principle p6XtTx
14.2 The Basic Retrofocus Lens <K4,7J$}h
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Ze3X$%kWi
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15 Wide Angle Lenses with Negative Outer Lenses F0UVo
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16 The Petzval Lens; Head-up Display Lenses (V% `k'N7f
16.1 The Petzval Portrait Lens la?Wnw
16.2 The Petzval Projection Lens rf%7b8[v
16.3 The Petzval with a Field Flattener ;kJA'|GX
16.4 Very Height Speed Petzval Lenses 5`RiS]IO]
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems d{de6 `
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17 Microscope Objectives %F*|;o7 s
17.1 General Considerations 1#4PG'H
17.2 Classic Objective Design Forms; The Aplanatic Front {Pu\?Cq
17.3 Flat-Field Objectives T'aec]u
17.4 Reflecting Objectives k') E/n
17.5 The Microscope Objective Designs 2',w[I
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18 Mirror and Catadioptric Systems yj(vkifEB
18.1 The Good and Bad Points of Mirrors b4""|P?L
18.2 The Classic Two-Mirror Systems fn/7wO$!
18.3 Catadioptric Systems S"hTE7`
18.4 Aspheric Correctors and Schmidt Systems tDCw-
18.5 Confocal Paraboloids d@3}U6,
18.6 Unobscured Systems EK$Kee}~
18.7 Design of a Schmidt-Cassegrain “from Scratch” ;u(Du-Os!
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19 Infrared and Ultraviolet Systems cbu@*NzY,
19.1 Infrared Optics 'XUKN/.
19.2 IR Objective Lenses q(5+xSg"gK
19.3 IR Telescope lw(e3j
19.4 Laser Beam Expanders *I?Eb-!t
19,5 Ultraviolet Systems ow' lRHZ
19.6 Microlithographic Lenses 56Z\-=KAU
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20 Zoom Lenses Wi}FY }f
20.1 Zoom Lenses `ZaT}#Y
20.2 Zoom Lenses for Point and Shoot Cameras xT)psM'CL
20.3 A 20X Video Zoom Lens 1lnU77;
20.4 A Zoom Scanner Lens DBs*Fx[
20.5 A Possible Zoom Lens Design Procedure [!VOw@uz
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21 Projection TV Lenses and Macro Lenses Fv)7c4
21.1 Projection TV Lenses j` /&r*zNq
21.2 Macro Lenses Ij'NC C
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22 Scanner/ , Laser Disk and Collimator Lenses zK+52jhi
22.1 Monochromatic Systems pNE(n4v
22.2 Scanner Lenses Z2bcCIq4
22.3 Laser Disk, Focusing, and Collimator Lenses U^Tp6vN d
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23 Tolerance Budgeting ksjUr 1o
23.1 The Tolerance Budget 9><mp]E4
23.2 Additive Tolerances -6Mm#sX
23.3 Establishing the Tolerance Budget (,xZGa
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24 Formulary ,A5) <}
24.1 Sign Conventions, Symbols, and Definitions <39!G7ny
24.2 The Cardinal Points 1[;@AE2Y
24.3 Image Equations oT|m1aGE
24.4 Paraxial Ray Tracing (Surface by Surface) p'{xoV
24.5 Invariants 2PSTGG8JV
24.6 Paraxial Ray Tracing (Component by Component) xqHL+W
24.7 Two-Componenet Relationships :'r6TVDW
24.8 Third-Order Aberrations – Surface Contributions ~mN%(w!^
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs zG
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24.10 Stop Shift Equations HpexH{.u)
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces fj'jNE
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) u; TvS
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Glossary Cj;/Uhs
Reference [ev-^[
Index