"Modern Lens Design" 2nd Edition by Warren J. Smith d4=u`2w
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Contents of Modern Lens Design 2nd Edition O%h
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1 Introduction eOnl
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1.1 Lens Design Books {*P 7)
1.2 Reference Material KKTfxNxJn
1.3 Specifications ykl=KR
1.4 Lens Design Fm+)mmJP
1.5 Lens Design Program Features N`GwL
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1.6 About This Book nf@u7*# 6
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2 Automatic Lens Design G Z[5m[
2.2 The Merit Function ;;J98G|1
2.3 Local Minima @<{ #v .T
2.4 The Landscape Lens V<I${i$]0
2.5 Types of Merit Function 03 jBN2[!
2.6 Stagnation 1OwkLy,P
2.7 Generalized Simulated Annealing 2Mi;}J1C{
2.8 Considerations about Variables for Optimization P VW9iT+c
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems #A nSjl
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ?4||L8j2^
2.11 Spectral Weighting g \h7`-#t
2.12 How to Get Started 4 sgwQ$m)
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3 Improving a Design D`ge3f8Wi
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 9&FV =}MO
3.2 Glass Changes ( Index and V Values ) I*ni )Px
3.3 Splitting Elements Wb(0Sz k;
3.4 Separating a Cemented Doublet {Ag}P0% '
3.5 Compounding an Element S; <?nz3
3.6 Vignetting and Its Uses e-av@a3
3.7 Eliminating a Weak Element; the Concentric Problem L#N.pd
3.8 Balancing Aberrations bo/!u
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3.9 The Symmetrical Principle I,uu>-
3.10 Aspheric Surfaces 6M|%nBN$|
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4 Evaluation: How Good is This Design 31 ;T$5 v1
4.1 The Uses of a Preliminary Evaluation uzA'D ~)P
4.2 OPD versus Measures of Performance RN3D:b +
4.3 Geometric Blur Spot Size versus Certain Aberrations W,J,h6{F
4.4 Interpreting MTF - The Modulation Transfer Function =5eDT~=2{U
4.5 Fabrication Considerations .T
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5 Lens Design Data #9"_|d=l
5.1 About the Sample Lens Designs E cz "O
5.2 Lens Prescriptions, Drawings, and Aberration Plots ^$
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5.3 Estimating the Potential of a Redesign aRP+?}b">
5.4 Scaling a Desing, Its Aberrations, and Its MTF / kGX 6hh
5.5 Notes on the Interpretation of Ray Intercept Plots X '4
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5.6 Various Evaluation Plot dz9-+C{m
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6 Telescope Objective pa73`Ca]
6.1 The Thin Airspaced Doublet >Tx;<G
6.2 Merit Function for a Telescope Objective 'Mqa2o'M
6.3 The Design of an f/7 Cemented Doublet Telescope Objective {G&g+9 c&
6.4 Spherochromatism iR OM?/$
6.5 Zonal Spherical Aberration 7y7y<`)I5
6.6 Induced Aberrations Z.(x|Q9
6.7 Three-Element Objectives _x{x#d;L3
6.8 Secondary Spectrum (Apochromatic Systems) jG :R\D}0
6.9 The Design of an f/7 Apochromatic Triplet a~"X.xT\R
6.10 The Diffractive Surface in Lens Design 0GVok$r@
6.11 A Final Note L ,/i%-J3c
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7 Eyepieces and Magnifiers O~xmz!? =
7.1 Eyepieces Xlw=R2`)~
7.2 A Pair of Magnifier Designs v a;wQ~&
7.3 The Simple, Classical Eyepieces d2C:3-4
7.4 Design Story of an Eyepiece for a 6*30 Binocular SLo/7$rct
7.5 Four-Element Eyepieces [{*#cr f
7.6 Five-Element Eyepieces Q(3 x"+
7.7 Very High Index Eyepiece/Magnifier {r8CzJ'f
7.8 Six- and Seven-Element Eyepieces r&DK> H
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8 Cooke Triplet Anastigmats C%>7mz-v5
8.1 Airspaced Triplet Anastigmats b4ivWb |`
8.2 Glass Choice ^*Fkt(ida
8.3 Vertex Length and Residual Aberrations dp+Y?ufr
8.4 Other Design Considerations #
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8.5 A Plastic, Aspheric Triplet Camera Lens [\yI<^_a
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet N';lc:Ah~
8.7 Possible Improvement to Our “Basic” Triplet 3MVZ*'1QM\
8.7 The Rear Earth (Lanthanum) Glasses MzG.Qh'z
8.9 Aspherizing the Surfaces iH=@``Z
8.10 Increasing the Element Thickness Oa
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9 Split Triplets w>s
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10 The Tessar, Heliar, and Other Compounded Triplets s q KkTG3
10.1 The Classic Tessar 4+ gA/<
10.2 The Heliar/Pentac dr o42#$Mo
10.3 The Portrait Lens and the Enlarger Lens ]Ox.6BKjDP
10.4 Other Compounded Triplets wP9C\W;
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar '3VrHL@@g
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11 Double-Meniscus Anastigmats IuF-bxA
11.1 Meniscus Components c[$oR,2b13
11.2 The Hypergon, Totogon, and Metrogon L\[jafb_`
11.3 A Two Element Aspheric Thick Meniscus Camera Lens MC@cT^Z^
11.4 Protar, Dagor, and Convertible Lenses JGe;$5|q8
11.5 The Split Dagor V'$
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11.6 The Dogmar t;'.D @
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Y# #J
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12 The Biotar or Double-Gauss Lens HPQ ,tlp6j
12.1 The Basic Six-Element Version _p.{|7
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens RFdN13sJ v
12.3 The Seven-Element Biotar - Split-Rear Singlet zU%aobZ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet y=Hl ~ev`9
12.5 The Seven-Element Biotar - One Compounded Outer Element z 4go a2@Z
12.6 The Eight-Element Biotar !l|Qyk[
12.7 A “Doubled Double-Gauss” Relay W8^gPW*c5
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13 Telephoto Lenses {65X37W
13.1 The Basic Telephoto 2h!3[ {M\
13.2 Close-up or Macro Lenses ES> 3Cf
13.3 Telephoto Designs )C@,mgh
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Y>+ D\|%Q
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses o%.cQo=v*
14.1 The Reverse Telephoto Principle rSk $]E ]Z
14.2 The Basic Retrofocus Lens 0)NHjKP
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ".u?-xcbJ
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15 Wide Angle Lenses with Negative Outer Lenses or<JjTJ\o_
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16 The Petzval Lens; Head-up Display Lenses %WNy=V9txp
16.1 The Petzval Portrait Lens u+9Mc u"
16.2 The Petzval Projection Lens (L jY<dQO
16.3 The Petzval with a Field Flattener N%a[Y
16.4 Very Height Speed Petzval Lenses L8fr
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Z%Gvf~u
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17 Microscope Objectives UnPSJ]VW
17.1 General Considerations #E1*1E
17.2 Classic Objective Design Forms; The Aplanatic Front I2 dt#
17.3 Flat-Field Objectives 8yo9$~u ;
17.4 Reflecting Objectives q )[g VL
17.5 The Microscope Objective Designs aE"t['
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18 Mirror and Catadioptric Systems y Z{YIy~
18.1 The Good and Bad Points of Mirrors O 6pjuhMx
18.2 The Classic Two-Mirror Systems JnZxP> 2B
18.3 Catadioptric Systems mNJB0B} ;m
18.4 Aspheric Correctors and Schmidt Systems #FcYJH
18.5 Confocal Paraboloids `y\:3bQ4
18.6 Unobscured Systems u{ng\d*KE}
18.7 Design of a Schmidt-Cassegrain “from Scratch” (<CLftQKg
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19 Infrared and Ultraviolet Systems
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19.1 Infrared Optics SnqLF
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19.2 IR Objective Lenses Rq*m x<HDX
19.3 IR Telescope Di6:r3sEO
19.4 Laser Beam Expanders o8,K1ic5#
19,5 Ultraviolet Systems >i~c> +R
19.6 Microlithographic Lenses g#AA.@/Z
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20 Zoom Lenses n RGH58
20.1 Zoom Lenses |'.SOm9)*
20.2 Zoom Lenses for Point and Shoot Cameras S("bN{7nE
20.3 A 20X Video Zoom Lens S8y4 p0mV
20.4 A Zoom Scanner Lens R[V%59#{Z
20.5 A Possible Zoom Lens Design Procedure 4-m%[ D
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21 Projection TV Lenses and Macro Lenses + $-a:zx`l
21.1 Projection TV Lenses 4MIVlg9
21.2 Macro Lenses Np<A ak
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22 Scanner/ , Laser Disk and Collimator Lenses IE6/
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22.1 Monochromatic Systems \ Q6Ip@?
22.2 Scanner Lenses WO{N@f^
22.3 Laser Disk, Focusing, and Collimator Lenses GA|q[<U
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23 Tolerance Budgeting M3Z y f
23.1 The Tolerance Budget 6Z"%vrH
23.2 Additive Tolerances ~t}:vGD j
23.3 Establishing the Tolerance Budget , 9rT|:N
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24 Formulary _EY :vv
24.1 Sign Conventions, Symbols, and Definitions L?P8/]DGp
24.2 The Cardinal Points 3EFk] X
24.3 Image Equations Cn"N5(i
24.4 Paraxial Ray Tracing (Surface by Surface) f 6q@
24.5 Invariants ._yr7uY[M
24.6 Paraxial Ray Tracing (Component by Component) YZk& 'w
24.7 Two-Componenet Relationships YMWy5 \
24.8 Third-Order Aberrations – Surface Contributions e\h:==f
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs U*b SM8)L*
24.10 Stop Shift Equations <Z&gAqj 2
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces N*x gVj*
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) J+T Ym%A;-
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Glossary B|Omz:c
Reference @@5u{K
Index
