[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith =UGyZV:z5  
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Contents of Modern Lens Design 2nd Edition cPFs K*w  
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1    Introduction         5G >{*K/  
1.1    Lens Design Books     g4Y1*`}2f  
1.2    Reference Material     nY]5pOF:  
1.3    Specifications     ~F gxhK2+  
1.4    Lens Design     ;\[n{<   
1.5    Lens Design Program Features     3sh
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1.6    About This Book     _>b=f  
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2    Automatic Lens Design         [;?CO<  
2.2    The Merit Function         Pdq}~um3{  
2.3    Local Minima     ,~z*V;y)  
2.4    The Landscape Lens     I&m C  
2.5    Types of Merit Function     } D'pyTf[  
2.6    Stagnation     ,>YW7+kY  
2.7    Generalized Simulated Annealing     q9)]R  
2.8    Considerations about Variables for Optimization     8>\tD  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems QD2;JI2  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     ECZ`I Z.  
2.11    Spectral Weighting     <D_UF1Pk  
2.12    How to Get Started     DG%vEM,y  
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3    Improving a Design     2LO8SJ#  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     50<QF  
3.2    Glass Changes ( Index and V Values )     Q%_QT0H9Kz  
3.3    Splitting Elements     ZNHlq5  
3.4    Separating a Cemented Doublet     <"GgqyRzv  
3.5    Compounding an Element     mz[Q]e~&i  
3.6    Vignetting and Its Uses     -o+<m4he  
3.7    Eliminating a Weak Element; the Concentric Problem     (uW$ch@2K  
3.8    Balancing Aberrations     W@bZ~Q9  
3.9    The Symmetrical Principle     [w1 4hHnq  
3.10    Aspheric Surfaces     })V^t3  
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4    Evaluation: How Good is This Design     ?:sk [f6  
4.1    The Uses of a Preliminary Evaluation     SS)9+0$  
4.2    OPD versus Measures of Performance     6Z}8"VJr {  
4.3    Geometric Blur Spot Size versus Certain Aberrations     PLb[U(
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4.4    Interpreting MTF - The Modulation Transfer Function     k_o$ Ci  
4.5    Fabrication Considerations     w \U?64  
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5    Lens Design Data     /h(bMbZ  
5.1    About the Sample Lens Designs     ~;V5*t  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     SsY:gp_  
5.3    Estimating the Potential of a Redesign     h/iL/Q=  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     <n;9IU  
5.5    Notes on the Interpretation of Ray Intercept Plots     pO_$8=G+  
5.6    Various Evaluation Plot     J,W<vrKOcN  
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6    Telescope Objective     a'Vz|SG  
6.1    The Thin Airspaced Doublet     -/g<A~+i]$  
6.2    Merit Function for a Telescope Objective     _9pcHhJux  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     ^b;3Jj  
6.4    Spherochromatism     >WcOY7  
6.5    Zonal Spherical Aberration     6?BV J  
6.6    Induced Aberrations     T4JG5  
6.7    Three-Element Objectives     =$wQA  
6.8    Secondary Spectrum (Apochromatic Systems)     Q?g#?z&Pu\  
6.9    The Design of an f/7 Apochromatic Triplet     X$Y\/|!z  
6.10    The Diffractive Surface in Lens Design     Q"Pl)Q\  
6.11    A Final Note     Qq|c%FZ  
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7    Eyepieces and Magnifiers     KHTRoXt  
7.1    Eyepieces     K_Q-9j  
7.2    A Pair of Magnifier Designs     y0R9[;b07  
7.3    The Simple, Classical Eyepieces     ~_]i'ii8  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     B>kVJK`X  
7.5    Four-Element Eyepieces     .',d*H))E7  
7.6    Five-Element Eyepieces     GzN /0:b  
7.7    Very High Index Eyepiece/Magnifier     =mp"=%  
7.8    Six- and Seven-Element Eyepieces     HYwtGj~5  
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8    Cooke Triplet Anastigmats     O'~>AC5
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8.1    Airspaced Triplet Anastigmats     A=f)ntH~  
8.2    Glass Choice     '3uN]-A>D  
8.3    Vertex Length and Residual Aberrations     0hpU9w}12  
8.4    Other Design Considerations     !q[r_wL  
8.5    A Plastic, Aspheric Triplet Camera Lens     KlGmO;k  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ) >H11o{&  
8.7    Possible Improvement to Our “Basic” Triplet     "Q.KBX v/  
8.7    The Rear Earth (Lanthanum) Glasses     kTfE*We9  
8.9    Aspherizing the Surfaces     :5-t$^R  
8.10    Increasing the Element Thickness     ZWb\^N  
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9    Split Triplets     9
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10    The Tessar, Heliar, and Other Compounded Triplets     ;[q>  
10.1    The Classic Tessar     "+Kp8n6  
10.2    The Heliar/Pentac     [NU@A>H  
10.3    The Portrait Lens and the Enlarger Lens     sHPK8Wsg  
10.4    Other Compounded Triplets     ~j36(`t  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 68()2v4X  
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11    Double-Meniscus Anastigmats     k fY0u  
11.1    Meniscus Components     Yc-gJI*1  
11.2    The Hypergon, Totogon, and Metrogon     QR\2%}9b  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     ] ]lN[J  
11.4    Protar, Dagor, and Convertible Lenses     J93@\b  
11.5    The Split Dagor     +ZJ1> n  
11.6    The Dogmar     [l*;+N+  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     iTVepYv4m  
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12    The Biotar or Double-Gauss Lens     _X~xfmU  
12.1    The Basic Six-Element Version     c{{RP6o/j=  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens Y?4N%c_;  
12.3    The Seven-Element Biotar - Split-Rear Singlet     fU>4Ip1?y/  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     zxrbEE Q  
12.5    The Seven-Element Biotar - One Compounded Outer Element     wqF_hs(O  
12.6    The Eight-Element Biotar     P0l.sVqL  
12.7    A “Doubled Double-Gauss” Relay     GDwijZw  
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13    Telephoto Lenses     KSR'X0'  
13.1    The Basic Telephoto     gJJBRn{MI  
13.2    Close-up or Macro Lenses     |o#pd\  
13.3    Telephoto Designs     @
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13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch LrhQG  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     )P#xny2  
14.1    The Reverse Telephoto Principle     q\d/-K  
14.2    The Basic Retrofocus Lens     4v#A#5+O E  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     a/gr1  
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15    Wide Angle Lenses with Negative Outer Lenses     1v'|%B;O  
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16    The Petzval Lens; Head-up Display Lenses     8.tp#x,A  
16.1    The Petzval Portrait Lens     [W8?ww%qT  
16.2    The Petzval Projection Lens     !U~S7h}  
16.3    The Petzval with a Field Flattener     wT&P].5n  
16.4    Very Height Speed Petzval Lenses     RX,c4;  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     nq*D91Q  
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17    Microscope Objectives     BUU ) Sz  
17.1    General Considerations     "[2D&\$  
17.2    Classic Objective Design Forms; The Aplanatic Front     xX\A&9m  
17.3    Flat-Field Objectives     hEfFMi=a`  
17.4    Reflecting Objectives     3 Bn9Ce=  
17.5    The Microscope Objective Designs     QV_Ep
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18    Mirror and Catadioptric Systems     I7{ Q\C4  
18.1    The Good and Bad Points of Mirrors     U>a~V"5,u  
18.2    The Classic Two-Mirror Systems FK,Jk04on  
18.3    Catadioptric Systems     VRvX^w0  
18.4    Aspheric Correctors and Schmidt Systems     1V;
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18.5    Confocal Paraboloids     ZnRE:=  
18.6    Unobscured Systems     %P`|kP
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18.7    Design of a Schmidt-Cassegrain “from Scratch”     ~uweBp~O  
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19    Infrared and Ultraviolet Systems     Q_FL8w9D~8  
19.1    Infrared Optics     (lLCAmK5?  
19.2    IR Objective Lenses     "/zDcZbL;  
19.3    IR Telescope     csms8J  
19.4    Laser Beam Expanders     QUi=
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19,5    Ultraviolet Systems     3.D|xE]g  
19.6    Microlithographic Lenses     +KHk`2{y~  
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20    Zoom Lenses     3R[,,WAj$  
20.1    Zoom Lenses     Ku;8Mx{  
20.2    Zoom Lenses for Point and Shoot Cameras     y*5$B.u`.  
20.3    A 20X Video Zoom Lens     ka[%p,H  
20.4    A Zoom Scanner Lens     jWerX -$  
20.5    A Possible Zoom Lens Design Procedure     xXNLUP  
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21    Projection TV Lenses and Macro Lenses     Y%YPR=j~ &  
21.1    Projection TV Lenses     RiCzH  
21.2    Macro Lenses     XFcIBWS  
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22    Scanner/ , Laser Disk and Collimator Lenses     :~B'6b  
22.1    Monochromatic Systems     b`X"yg+  
22.2    Scanner Lenses     \I~9%QJ>  
22.3    Laser Disk, Focusing, and Collimator Lenses     hxj[gE'R(  
    nuLxOd*n  
23    Tolerance Budgeting     6l?\iE  
23.1    The Tolerance Budget     mc}r15:<  
23.2    Additive Tolerances     }Oh@`xTxt  
23.3    Establishing the Tolerance Budget     he1OLk  
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24    Formulary t?cO>4*|  
24.1    Sign Conventions, Symbols, and Definitions     2F fwct:  
24.2    The Cardinal Points     2ZZF hj  
24.3    Image Equations     4I<U5@a  
24.4    Paraxial Ray Tracing (Surface by Surface)     Odj4)   
24.5    Invariants     S1a}9Z|  
24.6    Paraxial Ray Tracing (Component by Component)     So\f[/em  
24.7    Two-Componenet Relationships     zFGZ;?i  
24.8    Third-Order Aberrations – Surface Contributions     I\oI"\}U  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     pxO?:B  
24.10    Stop Shift Equations     :Y>M//0  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     eWwI@ASaA
 
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     yct^AN|%  
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Glossary $ h<l  
Reference _b1w<T `  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 )@]Y1r4U  
我怎么瞧不明白。

有没有人呀 tilL7  
有个问题想请教大家