"Modern Lens Design" 2nd Edition by Warren J. Smith +M
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Contents of Modern Lens Design 2nd Edition $# @G!
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1 Introduction =+97VO(w]G
1.1 Lens Design Books 'rRo2oTN
1.2 Reference Material `,aPK/
1.3 Specifications ^M
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1.4 Lens Design &6PZX0M
1.5 Lens Design Program Features Uq~{=hMX
1.6 About This Book i=reJ(y-
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2 Automatic Lens Design iquB]z'
2.2 The Merit Function CY0|.x
2.3 Local Minima 4
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2.4 The Landscape Lens .jZmQtc
2.5 Types of Merit Function P
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2.6 Stagnation 4/S4bk*8
2.7 Generalized Simulated Annealing wtetB')yD
2.8 Considerations about Variables for Optimization 2JYyvJ>
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems %z J)mOu
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 5Qo\0YH
2.11 Spectral Weighting *Z KI02M
2.12 How to Get Started ^T)HRT-k
5 r"`c
3 Improving a Design Q{UR3U'Q
3.1 Lens Design Tip Sheet: Standard Improvement Techniques K!5QFO4
3.2 Glass Changes ( Index and V Values ) 4VSlgoz
3.3 Splitting Elements ?a7PxD.
3.4 Separating a Cemented Doublet >,y291p2
3.5 Compounding an Element 9loWh5_1Z
3.6 Vignetting and Its Uses {%9)l,
3.7 Eliminating a Weak Element; the Concentric Problem S WVeUL#5
3.8 Balancing Aberrations x
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3.9 The Symmetrical Principle GX&BUP\
3.10 Aspheric Surfaces "8&pT^
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4 Evaluation: How Good is This Design ?5Wj y
4.1 The Uses of a Preliminary Evaluation sk\U[#ohH
4.2 OPD versus Measures of Performance %UI.E=`n
4.3 Geometric Blur Spot Size versus Certain Aberrations '+?AaR&p?
4.4 Interpreting MTF - The Modulation Transfer Function e ,/I}W
4.5 Fabrication Considerations <h4"^9hL
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5 Lens Design Data 6B)(kPW
5.1 About the Sample Lens Designs wV+ W(
5.2 Lens Prescriptions, Drawings, and Aberration Plots bvuoGG*
5.3 Estimating the Potential of a Redesign &8_]omuNV
5.4 Scaling a Desing, Its Aberrations, and Its MTF bTHKMaGWC
5.5 Notes on the Interpretation of Ray Intercept Plots 0Jm6 r4s?
5.6 Various Evaluation Plot gD3s,<>o
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6 Telescope Objective h$)(-_c3
6.1 The Thin Airspaced Doublet Bq.@CxK
6.2 Merit Function for a Telescope Objective gS _)(
6.3 The Design of an f/7 Cemented Doublet Telescope Objective t
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6.4 Spherochromatism OXe+=Lp<
6.5 Zonal Spherical Aberration t.$3?"60~
6.6 Induced Aberrations K#rfQ0QK/!
6.7 Three-Element Objectives Py$Q]s?\1
6.8 Secondary Spectrum (Apochromatic Systems) Ehi)n)HhG"
6.9 The Design of an f/7 Apochromatic Triplet /:3:Ky3
6.10 The Diffractive Surface in Lens Design f]`#BE)V
6.11 A Final Note ^q5~;_z|
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7 Eyepieces and Magnifiers GL[#XB>n
7.1 Eyepieces NdGIH/Y;M
7.2 A Pair of Magnifier Designs ig<Eyr
7.3 The Simple, Classical Eyepieces fft FNHP
7.4 Design Story of an Eyepiece for a 6*30 Binocular T]-yTsto
7.5 Four-Element Eyepieces R*a5bKr
7.6 Five-Element Eyepieces #"-?+F=rk
7.7 Very High Index Eyepiece/Magnifier 0D/u`-
7.8 Six- and Seven-Element Eyepieces 6zh<PETa03
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8 Cooke Triplet Anastigmats x;)bp7
8.1 Airspaced Triplet Anastigmats BZq_om6
8.2 Glass Choice ;iR( Ir
8.3 Vertex Length and Residual Aberrations o`5p
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8.4 Other Design Considerations /_<`#?5T(
8.5 A Plastic, Aspheric Triplet Camera Lens aSdh5?
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet wgfA\7Z
8.7 Possible Improvement to Our “Basic” Triplet (;v)0&h
8.7 The Rear Earth (Lanthanum) Glasses uMVM- (g%
8.9 Aspherizing the Surfaces nfpkWyI u{
8.10 Increasing the Element Thickness Ri4t/H
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9 Split Triplets W9n0Jv
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10 The Tessar, Heliar, and Other Compounded Triplets )*#Pp )Q
10.1 The Classic Tessar u$ [R>l9
10.2 The Heliar/Pentac MJNY#v3
10.3 The Portrait Lens and the Enlarger Lens 3D_Ky Z~M+
10.4 Other Compounded Triplets CvfXm
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 0q'd }D W
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11 Double-Meniscus Anastigmats -YM#.lQ
11.1 Meniscus Components /~3~Xc~=p
11.2 The Hypergon, Totogon, and Metrogon Y.`
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens 0\v98g<[+
11.4 Protar, Dagor, and Convertible Lenses W}m-5L
11.5 The Split Dagor 3jF#f'*
11.6 The Dogmar Ci%u =%(
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens &:}e`u@5|
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12 The Biotar or Double-Gauss Lens ^0"^Xk*
12.1 The Basic Six-Element Version HScj
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens GMmz`O
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12.3 The Seven-Element Biotar - Split-Rear Singlet W>C!V
12.4 The Seven-Element Biotar - Broken Contact Front Doublet tP; &$y.8
12.5 The Seven-Element Biotar - One Compounded Outer Element `nBCCz'Y!
12.6 The Eight-Element Biotar zNSix!F
12.7 A “Doubled Double-Gauss” Relay @L^Fz$Sx
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13 Telephoto Lenses s2Gi4fY?
13.1 The Basic Telephoto zJ{?'kp
13.2 Close-up or Macro Lenses {\-rZb==F2
13.3 Telephoto Designs &gJKJ=7
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch n8(B%KF
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses i`o}*`//
14.1 The Reverse Telephoto Principle shW$V93<
14.2 The Basic Retrofocus Lens {MmHR
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 9k\`3SE
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15 Wide Angle Lenses with Negative Outer Lenses =PHl|^
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16 The Petzval Lens; Head-up Display Lenses H+ra w/"
16.1 The Petzval Portrait Lens QX(x6y>Q
16.2 The Petzval Projection Lens "bZV<;y6
16.3 The Petzval with a Field Flattener l@`D;m
16.4 Very Height Speed Petzval Lenses l,uYp"F,ps
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems z9:@~3k.
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17 Microscope Objectives 4GJ1P2
17.1 General Considerations tB.;T0n
17.2 Classic Objective Design Forms; The Aplanatic Front ZK5(_qW&i
17.3 Flat-Field Objectives 0
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17.4 Reflecting Objectives ^}; 4r
17.5 The Microscope Objective Designs XfA3Ez,}
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18 Mirror and Catadioptric Systems pTq,"}J!+
18.1 The Good and Bad Points of Mirrors *nNzhcuR
18.2 The Classic Two-Mirror Systems lJ]r%YlF
18.3 Catadioptric Systems P# 2&?.d\
18.4 Aspheric Correctors and Schmidt Systems /^96|
18.5 Confocal Paraboloids J*6I@_{/U
18.6 Unobscured Systems 3ojK2F(1D
18.7 Design of a Schmidt-Cassegrain “from Scratch” 04tUf3>
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19 Infrared and Ultraviolet Systems O%v(~&OSl
19.1 Infrared Optics FtN1ZZ"<*
19.2 IR Objective Lenses 6h>8^l
19.3 IR Telescope UCYhaD@sP
19.4 Laser Beam Expanders /rp4m&