"Modern Lens Design" 2nd Edition by Warren J. Smith B%tWi
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Contents of Modern Lens Design 2nd Edition e,,O
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1 Introduction kIX1u<M~
1.1 Lens Design Books ]jYFrOMy4S
1.2 Reference Material #?V rt,n
1.3 Specifications [h8s0
1.4 Lens Design I~:gi@OVV
1.5 Lens Design Program Features v+I-*,R
1.6 About This Book =~k
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2 Automatic Lens Design J/O{x
2.2 The Merit Function dt^h9I2O
2.3 Local Minima 0|J_'-<
2.4 The Landscape Lens ,uAp;"YJeV
2.5 Types of Merit Function y$_@C8?H
2.6 Stagnation (0B?OkQ
2.7 Generalized Simulated Annealing hHGuD2%
2.8 Considerations about Variables for Optimization j:xC\b47"
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems [:FiA?O]
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits #c5jCy}n
2.11 Spectral Weighting R(`:~@3\6
2.12 How to Get Started ^lAM /
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3 Improving a Design OQ7 `n<I<)
3.1 Lens Design Tip Sheet: Standard Improvement Techniques YZj*F-}
3.2 Glass Changes ( Index and V Values ) BHf$ %?3z,
3.3 Splitting Elements 0/b
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3.4 Separating a Cemented Doublet |1RVm?~i
3.5 Compounding an Element kQ lU.J>^
3.6 Vignetting and Its Uses jx]P: ]
3.7 Eliminating a Weak Element; the Concentric Problem @p
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3.8 Balancing Aberrations s4~[GO6>
3.9 The Symmetrical Principle i=cST8!8N
3.10 Aspheric Surfaces X!p`|i
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4 Evaluation: How Good is This Design aPVzOBp
4.1 The Uses of a Preliminary Evaluation XzHR^^;u"*
4.2 OPD versus Measures of Performance +a3E=GJ
4.3 Geometric Blur Spot Size versus Certain Aberrations V`1,s~"q
4.4 Interpreting MTF - The Modulation Transfer Function tqZ+2c<W3
4.5 Fabrication Considerations *y!O\-\S#>
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5 Lens Design Data BG+i tyH
5.1 About the Sample Lens Designs ?B1Zfu0
5.2 Lens Prescriptions, Drawings, and Aberration Plots iCE!TmDT
5.3 Estimating the Potential of a Redesign u3C_Xz
5.4 Scaling a Desing, Its Aberrations, and Its MTF M'PZ{6;
5.5 Notes on the Interpretation of Ray Intercept Plots R7kkth
5.6 Various Evaluation Plot &ASR2J
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6 Telescope Objective =/!lK&
6.1 The Thin Airspaced Doublet @"-\e|[N
6.2 Merit Function for a Telescope Objective wQSye*ec
6.3 The Design of an f/7 Cemented Doublet Telescope Objective G
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6.4 Spherochromatism gvA}s/
6.5 Zonal Spherical Aberration e@Lxduq
6.6 Induced Aberrations IT1YF.i
6.7 Three-Element Objectives x,!Dd
6.8 Secondary Spectrum (Apochromatic Systems) n^Ca?|}
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6.9 The Design of an f/7 Apochromatic Triplet YV<y-,Io
6.10 The Diffractive Surface in Lens Design kh5a >OX
6.11 A Final Note 94rSB}b.O
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7 Eyepieces and Magnifiers l1)~WqhE}
7.1 Eyepieces @up,5`
7.2 A Pair of Magnifier Designs RpQeQM=
7.3 The Simple, Classical Eyepieces .eR1\IAm
7.4 Design Story of an Eyepiece for a 6*30 Binocular >
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7.5 Four-Element Eyepieces zj1~[$
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7.6 Five-Element Eyepieces tWIs
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7.7 Very High Index Eyepiece/Magnifier m2c'r3 UEu
7.8 Six- and Seven-Element Eyepieces jYHn J}<
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8 Cooke Triplet Anastigmats >fH0>W+!
8.1 Airspaced Triplet Anastigmats >R+-mP!nj
8.2 Glass Choice j
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8.3 Vertex Length and Residual Aberrations {A/r)
8.4 Other Design Considerations 566!T_
8.5 A Plastic, Aspheric Triplet Camera Lens RbAl_xKI
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet a!9'yc
8.7 Possible Improvement to Our “Basic” Triplet fg^AEn1i
8.7 The Rear Earth (Lanthanum) Glasses Alxf;[s
8.9 Aspherizing the Surfaces 2:*15RH3
8.10 Increasing the Element Thickness 3iCe5VF
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9 Split Triplets --K)7
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10 The Tessar, Heliar, and Other Compounded Triplets 5/=$p:E>
10.1 The Classic Tessar q)?%END
10.2 The Heliar/Pentac uUI#^ A
10.3 The Portrait Lens and the Enlarger Lens FDMQLx f
10.4 Other Compounded Triplets V<QpC5
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar :_8K8Sa
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11 Double-Meniscus Anastigmats B\J[O5},
11.1 Meniscus Components Kh]es,$D
11.2 The Hypergon, Totogon, and Metrogon v$y\X3)mB
11.3 A Two Element Aspheric Thick Meniscus Camera Lens p&(0e,`z/
11.4 Protar, Dagor, and Convertible Lenses /Q1 b%C
11.5 The Split Dagor =Z\q``RBy
11.6 The Dogmar &}"kF\
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens y%TqH\RKv
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12 The Biotar or Double-Gauss Lens ?"yjgt7+y
12.1 The Basic Six-Element Version C'JI%HnQ
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Tn7Mt7 h
12.3 The Seven-Element Biotar - Split-Rear Singlet suN6(p(.
12.4 The Seven-Element Biotar - Broken Contact Front Doublet \.i7(J]
12.5 The Seven-Element Biotar - One Compounded Outer Element D!`[fjs6A
12.6 The Eight-Element Biotar |]&3*%b@
12.7 A “Doubled Double-Gauss” Relay )s!A\a`vEd
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13 Telephoto Lenses 7X$CJ%6b
13.1 The Basic Telephoto 3H#,qug$
13.2 Close-up or Macro Lenses >ywl()4O
13.3 Telephoto Designs 56pj(}eq
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch !VD$uT
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses w7MRuAJ4
14.1 The Reverse Telephoto Principle .\b.l@O<Z
14.2 The Basic Retrofocus Lens `wi+/^);
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses y" =?l
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15 Wide Angle Lenses with Negative Outer Lenses < se ~wR
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16 The Petzval Lens; Head-up Display Lenses ,a5q62)q
16.1 The Petzval Portrait Lens >!fTWdD^
16.2 The Petzval Projection Lens ;~F*2)
16.3 The Petzval with a Field Flattener (Yy#:r;U
16.4 Very Height Speed Petzval Lenses Te+#
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems C6>_wl]
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17 Microscope Objectives ) 8xbc&M
17.1 General Considerations jZ~girA
17.2 Classic Objective Design Forms; The Aplanatic Front k)+{Y v*
17.3 Flat-Field Objectives 8(? &=>@
17.4 Reflecting Objectives
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17.5 The Microscope Objective Designs rO}1E<g
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18 Mirror and Catadioptric Systems PcsYy]Q/
18.1 The Good and Bad Points of Mirrors u&*[
18.2 The Classic Two-Mirror Systems R*6TS"aL
18.3 Catadioptric Systems 5%TSUU+<I
18.4 Aspheric Correctors and Schmidt Systems 6GuTd
18.5 Confocal Paraboloids V dJ
18.6 Unobscured Systems HL{aqT2
18.7 Design of a Schmidt-Cassegrain “from Scratch” DlzL(p@r
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19 Infrared and Ultraviolet Systems i6bUJtL
19.1 Infrared Optics @Mya|zb
19.2 IR Objective Lenses "C}<umJ'
19.3 IR Telescope OTYkJEC8\N
19.4 Laser Beam Expanders 5]G%MB/|$
19,5 Ultraviolet Systems y_:{p5u
19.6 Microlithographic Lenses 7b~uU@L`
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20 Zoom Lenses ;Qt%>Uo8
20.1 Zoom Lenses `{ Ox=+]M
20.2 Zoom Lenses for Point and Shoot Cameras I?1BGaAA
20.3 A 20X Video Zoom Lens /\e_B6pF<
20.4 A Zoom Scanner Lens vAP1PQX;
20.5 A Possible Zoom Lens Design Procedure %S%UMA.
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21 Projection TV Lenses and Macro Lenses {yNeZXA>
21.1 Projection TV Lenses l>|scs;TI
21.2 Macro Lenses $mT)<N ;w
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22 Scanner/ , Laser Disk and Collimator Lenses ByE@4+9
22.1 Monochromatic Systems ,OrrGwp&
22.2 Scanner Lenses ?yG[VW
22.3 Laser Disk, Focusing, and Collimator Lenses #bcZ:D@FC
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23 Tolerance Budgeting sw9ri}oc
23.1 The Tolerance Budget 3Z~_6P^
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23.2 Additive Tolerances \hBzQ%0
23.3 Establishing the Tolerance Budget a?ete9Q+
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24 Formulary uNEl]Q]<e]
24.1 Sign Conventions, Symbols, and Definitions SWtqp(h]'
24.2 The Cardinal Points ;0|:.q
24.3 Image Equations j 0LZ )V
24.4 Paraxial Ray Tracing (Surface by Surface) ;eo}/-a_Xw
24.5 Invariants {^Q,G x(
24.6 Paraxial Ray Tracing (Component by Component) O:'qwJ#~
24.7 Two-Componenet Relationships N=U`BhL_
24.8 Third-Order Aberrations – Surface Contributions F7<u1Rx]
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs P@bPdw!JA
24.10 Stop Shift Equations oumbJ7X=L
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces X
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) {ZdF6~+H(!
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Glossary >tkz%;6
Reference ,yp#!gE~
Index