"Modern Lens Design" 2nd Edition by Warren J. Smith _LS=O@s^
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Contents of Modern Lens Design 2nd Edition uX p0D$a
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1 Introduction Y`_6Ny="
1.1 Lens Design Books [bZXzV(
1.2 Reference Material y)=Xo7j
1.3 Specifications _qGkTiP
1.4 Lens Design u=4tW:W,
1.5 Lens Design Program Features m*(8I=]q
1.6 About This Book VfQSfNsi
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2 Automatic Lens Design :${Lm&J
2.2 The Merit Function g.veHh|;_
2.3 Local Minima Mbi)mybM
2.4 The Landscape Lens JU~l
2.5 Types of Merit Function Xf.SJ8G
2.6 Stagnation $V@IRBm
2.7 Generalized Simulated Annealing P B`94W
2.8 Considerations about Variables for Optimization X0 9& S4
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems gXF.e.uU
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Ps TwJLY
2.11 Spectral Weighting M N#\P1
2.12 How to Get Started }3QEclZr
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3 Improving a Design >` t
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques UGAP$_j
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3.2 Glass Changes ( Index and V Values ) :V >Z|?[*H
3.3 Splitting Elements uRp-yu[nt%
3.4 Separating a Cemented Doublet 9]|cs
3.5 Compounding an Element uu'~[SZlL
3.6 Vignetting and Its Uses UD .$C
3.7 Eliminating a Weak Element; the Concentric Problem z Ea3a
3.8 Balancing Aberrations >y2gfD
3.9 The Symmetrical Principle 4Sw)IU~K(
3.10 Aspheric Surfaces WJl&Vyl2FL
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4 Evaluation: How Good is This Design /9i2@#J}W1
4.1 The Uses of a Preliminary Evaluation 2r\ f!m'
4.2 OPD versus Measures of Performance JH5ckgdZ
4.3 Geometric Blur Spot Size versus Certain Aberrations E QMn'>
4.4 Interpreting MTF - The Modulation Transfer Function <& Y7Q[
4.5 Fabrication Considerations eR =P
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5 Lens Design Data )%gi gQZ+
5.1 About the Sample Lens Designs U+URj <)
5.2 Lens Prescriptions, Drawings, and Aberration Plots m{; 2!
5.3 Estimating the Potential of a Redesign } c^ `!9
5.4 Scaling a Desing, Its Aberrations, and Its MTF %r?Y!=0
5.5 Notes on the Interpretation of Ray Intercept Plots }H\wed] F/
5.6 Various Evaluation Plot l7n c8K
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6 Telescope Objective oBpHmMzA
6.1 The Thin Airspaced Doublet pFx7U RZA
6.2 Merit Function for a Telescope Objective G
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective 3O y?_a$
6.4 Spherochromatism Nxp 7/Nn3
6.5 Zonal Spherical Aberration ~4<xTP\ *
6.6 Induced Aberrations lEh; MJ
6.7 Three-Element Objectives $@s&qi_&R
6.8 Secondary Spectrum (Apochromatic Systems) ;3't a!.c
6.9 The Design of an f/7 Apochromatic Triplet b:SjJA,HM
6.10 The Diffractive Surface in Lens Design FxW~Co
6.11 A Final Note zT
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7 Eyepieces and Magnifiers !g'kWE[
7.1 Eyepieces 'H0uvvhOp
7.2 A Pair of Magnifier Designs *?:V)!.2z
7.3 The Simple, Classical Eyepieces tZB" (\
7.4 Design Story of an Eyepiece for a 6*30 Binocular -XRn%4EX?
7.5 Four-Element Eyepieces ;p)RMRMg
7.6 Five-Element Eyepieces jb|al[p\
7.7 Very High Index Eyepiece/Magnifier yb\ T< *
7.8 Six- and Seven-Element Eyepieces oSq?. *w<
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8 Cooke Triplet Anastigmats =^\yE"a
8.1 Airspaced Triplet Anastigmats m&a.i
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8.2 Glass Choice 9 J+ p.N
8.3 Vertex Length and Residual Aberrations m<}> 'D T
8.4 Other Design Considerations 98 '/yZ
8.5 A Plastic, Aspheric Triplet Camera Lens
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet V"K-aO&
8.7 Possible Improvement to Our “Basic” Triplet n@[_lNa4GD
8.7 The Rear Earth (Lanthanum) Glasses >pdWR1ox
8.9 Aspherizing the Surfaces y(^t &tgjS
8.10 Increasing the Element Thickness @G,pM: t
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9 Split Triplets xq$(=WPI
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10 The Tessar, Heliar, and Other Compounded Triplets $lVR6|n
10.1 The Classic Tessar o^+2%S`]
10.2 The Heliar/Pentac 4&N#d;ErC
10.3 The Portrait Lens and the Enlarger Lens PDQEI55
10.4 Other Compounded Triplets kD;1+l Nz
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Bie#GKc
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11 Double-Meniscus Anastigmats `xv2,Z9<
11.1 Meniscus Components >-oB%T
11.2 The Hypergon, Totogon, and Metrogon x$hh H=
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Z uFk}R"x
11.4 Protar, Dagor, and Convertible Lenses
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11.5 The Split Dagor X\4d|VJ?m
11.6 The Dogmar w.X MyHj
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens b'r</ncZ
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12 The Biotar or Double-Gauss Lens 5-*hAOThg
12.1 The Basic Six-Element Version yxk:5L \A
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens #
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12.3 The Seven-Element Biotar - Split-Rear Singlet F+@ / "1c
12.4 The Seven-Element Biotar - Broken Contact Front Doublet |#(KP
12.5 The Seven-Element Biotar - One Compounded Outer Element 05>mR qVL
12.6 The Eight-Element Biotar f4 k
12.7 A “Doubled Double-Gauss” Relay H2kib4^i
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13 Telephoto Lenses a_Sp}s<J
13.1 The Basic Telephoto /aTW X
13.2 Close-up or Macro Lenses Q HU|aC{r
13.3 Telephoto Designs U1ZKJ<pv
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch I|n? 32F
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses O:E0htdWr
14.1 The Reverse Telephoto Principle {' 8td^JEE
14.2 The Basic Retrofocus Lens |E?PQ?P
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 3#A 4A0
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15 Wide Angle Lenses with Negative Outer Lenses #7Fdm nu`
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16 The Petzval Lens; Head-up Display Lenses fV#,<JG
16.1 The Petzval Portrait Lens ObPXVqG"?
16.2 The Petzval Projection Lens fZ aTckbE
16.3 The Petzval with a Field Flattener *"nN To
16.4 Very Height Speed Petzval Lenses J5TT+FQ
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems )-\C{>
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17 Microscope Objectives F MO O
17.1 General Considerations 4aP 96
17.2 Classic Objective Design Forms; The Aplanatic Front \wV^uS
17.3 Flat-Field Objectives % }IrZrh
17.4 Reflecting Objectives T>hrKn.!D:
17.5 The Microscope Objective Designs tVv/G ~(
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18 Mirror and Catadioptric Systems bN\;m^xfu
18.1 The Good and Bad Points of Mirrors )2 lB
18.2 The Classic Two-Mirror Systems C 547})
18.3 Catadioptric Systems 38 ] }+Bb
18.4 Aspheric Correctors and Schmidt Systems ^sKdN-{
18.5 Confocal Paraboloids 2YDD`:R
18.6 Unobscured Systems pwH*&YU
18.7 Design of a Schmidt-Cassegrain “from Scratch” =Vm 3f ^
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19 Infrared and Ultraviolet Systems a&Qr7tT Y"
19.1 Infrared Optics /3#h]5Y"T
19.2 IR Objective Lenses C$0rl74Wi
19.3 IR Telescope /a* 8z,x
19.4 Laser Beam Expanders &S=Qu?H
19,5 Ultraviolet Systems &MZ{B/;;H
19.6 Microlithographic Lenses 6gabnW3
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20 Zoom Lenses .-'_At4g
20.1 Zoom Lenses +z wS [P@
20.2 Zoom Lenses for Point and Shoot Cameras j0=F__H#@
20.3 A 20X Video Zoom Lens 2"T
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20.4 A Zoom Scanner Lens K?nQsT;3p
20.5 A Possible Zoom Lens Design Procedure TMGYNb%<bX
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21 Projection TV Lenses and Macro Lenses .i {yW
21.1 Projection TV Lenses w\mT ug
21.2 Macro Lenses aGOS 9
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22 Scanner/ , Laser Disk and Collimator Lenses [+d ~H e
22.1 Monochromatic Systems !</U"P:L
22.2 Scanner Lenses rd>>=~vx=/
22.3 Laser Disk, Focusing, and Collimator Lenses pIV |hb!G
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23 Tolerance Budgeting w/ ^_w5
23.1 The Tolerance Budget k')H5h+Q=
23.2 Additive Tolerances %K+hG=3O
23.3 Establishing the Tolerance Budget d~MY
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24 Formulary ? H!jKX
24.1 Sign Conventions, Symbols, and Definitions ])G| U A.
24.2 The Cardinal Points q44v I
24.3 Image Equations n=)LB&
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24.4 Paraxial Ray Tracing (Surface by Surface) nrA 4N1
24.5 Invariants +P nuWK$
24.6 Paraxial Ray Tracing (Component by Component) k( Ik+=u
24.7 Two-Componenet Relationships ]cv|d c=
24.8 Third-Order Aberrations – Surface Contributions q]C_idK=
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Q\}- MiI/
24.10 Stop Shift Equations [&4+
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 7sQHz.4
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) !;mn]wR>a
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Glossary rNJU &
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Reference tFc<f7k
Index
