"Modern Lens Design" 2nd Edition by Warren J. Smith \;qW 3~
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Contents of Modern Lens Design 2nd Edition YG@t5j#b
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1 Introduction 3Z5D)zuc
1.1 Lens Design Books iV'k}rXC
1.2 Reference Material VH9dleZ
1.3 Specifications xTj|dza
1.4 Lens Design i~I%D%;
1.5 Lens Design Program Features $ M`hh{ -
1.6 About This Book [@J/eWB
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2 Automatic Lens Design cq}EZ@ .
2.2 The Merit Function =Xi07_8Ic<
2.3 Local Minima 4]?<hH 9
2.4 The Landscape Lens tnH2sHby
2.5 Types of Merit Function "P7nNa
2.6 Stagnation L^}_~PO N5
2.7 Generalized Simulated Annealing Jm xH"7hTE
2.8 Considerations about Variables for Optimization SxOC1+Oy
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems =/s>Q l
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits OGK}EI
2.11 Spectral Weighting |bTPtrT8
2.12 How to Get Started sDPs
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3 Improving a Design &J[:awQX
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 6 :b!F
3.2 Glass Changes ( Index and V Values ) `uOT+B%R
3.3 Splitting Elements 1S{D6#bE
3.4 Separating a Cemented Doublet 5gYRwuf
3.5 Compounding an Element L2\#w<d
3.6 Vignetting and Its Uses `[f*Zv w
3.7 Eliminating a Weak Element; the Concentric Problem r[|Xy>Zj
3.8 Balancing Aberrations A\4D79>x
3.9 The Symmetrical Principle
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3.10 Aspheric Surfaces 3{'Ne}5%I
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4 Evaluation: How Good is This Design S\:P-&dC
4.1 The Uses of a Preliminary Evaluation _zY#U9
4.2 OPD versus Measures of Performance aI P
4.3 Geometric Blur Spot Size versus Certain Aberrations .~~nUu+M
4.4 Interpreting MTF - The Modulation Transfer Function 4 ezEW|S
4.5 Fabrication Considerations 6 Q%jA7
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5 Lens Design Data Y~c|hfL
5.1 About the Sample Lens Designs CAfGH!l!
5.2 Lens Prescriptions, Drawings, and Aberration Plots W0dSsjNio
5.3 Estimating the Potential of a Redesign |Luqoa
5.4 Scaling a Desing, Its Aberrations, and Its MTF zd2)M@
5.5 Notes on the Interpretation of Ray Intercept Plots arIf'CG6
5.6 Various Evaluation Plot MqW7cjg
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6 Telescope Objective Vr]id
6.1 The Thin Airspaced Doublet 2;k*@k-t
6.2 Merit Function for a Telescope Objective JZ)RGSG i
6.3 The Design of an f/7 Cemented Doublet Telescope Objective vx>b^tJKC
6.4 Spherochromatism 4w*Skl=F}
6.5 Zonal Spherical Aberration \:b3~%Fz
6.6 Induced Aberrations }tRm] w
6.7 Three-Element Objectives 95ZyP!
6.8 Secondary Spectrum (Apochromatic Systems) LhA*F[6$M
6.9 The Design of an f/7 Apochromatic Triplet gZN8!#h}B
6.10 The Diffractive Surface in Lens Design 3
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6.11 A Final Note GZEc l'h*
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7 Eyepieces and Magnifiers RSfQNc9Z
7.1 Eyepieces "sS}N%!
7.2 A Pair of Magnifier Designs ?M8dP%&r
7.3 The Simple, Classical Eyepieces j]{_s"O
7.4 Design Story of an Eyepiece for a 6*30 Binocular nr95YSH
7.5 Four-Element Eyepieces fY{1F
7.6 Five-Element Eyepieces xcd#&
7.7 Very High Index Eyepiece/Magnifier '=39+*6?
7.8 Six- and Seven-Element Eyepieces C6VLy x
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8 Cooke Triplet Anastigmats bp*
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8.1 Airspaced Triplet Anastigmats BBaQ}{F8>2
8.2 Glass Choice t>L;kRujVJ
8.3 Vertex Length and Residual Aberrations R cAwrsd
8.4 Other Design Considerations Z?6%;n^ 54
8.5 A Plastic, Aspheric Triplet Camera Lens V[RF</2T
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet pV9IHs}
8.7 Possible Improvement to Our “Basic” Triplet p,
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8.7 The Rear Earth (Lanthanum) Glasses >=qf/K+#
8.9 Aspherizing the Surfaces 2y//'3[
8.10 Increasing the Element Thickness ap.K=-H
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9 Split Triplets bn#"?6Z2
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10 The Tessar, Heliar, and Other Compounded Triplets @ju@WY45$^
10.1 The Classic Tessar r A`V}>Xj
10.2 The Heliar/Pentac N nRD|A
10.3 The Portrait Lens and the Enlarger Lens pM+ AjPr
10.4 Other Compounded Triplets Tl%`P_J)-S
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ^UciW
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11 Double-Meniscus Anastigmats ,$@bE
11.1 Meniscus Components E-4b[xNj*+
11.2 The Hypergon, Totogon, and Metrogon i5en*)O8
11.3 A Two Element Aspheric Thick Meniscus Camera Lens @D.}\(
11.4 Protar, Dagor, and Convertible Lenses Sxnpq Vbk
11.5 The Split Dagor &b.=M>\9Q
11.6 The Dogmar v:f}XK<
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens -C;^3R[
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12 The Biotar or Double-Gauss Lens O[\iE5+$
12.1 The Basic Six-Element Version ?~l6K(*2
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 6w*dKInG[-
12.3 The Seven-Element Biotar - Split-Rear Singlet
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet v]'ztFA
12.5 The Seven-Element Biotar - One Compounded Outer Element RU'=ERYC
12.6 The Eight-Element Biotar Z 6t56"u
12.7 A “Doubled Double-Gauss” Relay $3W;=Id=+
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13 Telephoto Lenses cL-[ZvyVX
13.1 The Basic Telephoto f~t:L,\,
13.2 Close-up or Macro Lenses `EEL1[:BR
13.3 Telephoto Designs A^nvp!_
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Y#]+Tm(+
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses :iK(JE`
14.1 The Reverse Telephoto Principle 8Ry3`ct
14.2 The Basic Retrofocus Lens ++bf#qS<8D
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses LSm$dK
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15 Wide Angle Lenses with Negative Outer Lenses ",p;Sd
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16 The Petzval Lens; Head-up Display Lenses 7P%%p3
16.1 The Petzval Portrait Lens 4{}FL
16.2 The Petzval Projection Lens o906/5M
16.3 The Petzval with a Field Flattener ~De"?
16.4 Very Height Speed Petzval Lenses ^7>3a/
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems e2L0VXbb
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17 Microscope Objectives n#/_Nz
17.1 General Considerations a_[Eh fE
17.2 Classic Objective Design Forms; The Aplanatic Front BIb4h
17.3 Flat-Field Objectives s6ZuM/Q
17.4 Reflecting Objectives tf=6\p
17.5 The Microscope Objective Designs @d^Grm8E
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18 Mirror and Catadioptric Systems hv)x=e<
18.1 The Good and Bad Points of Mirrors [=x[ w70
18.2 The Classic Two-Mirror Systems Bt[/0>i
18.3 Catadioptric Systems 3T31kQv{
18.4 Aspheric Correctors and Schmidt Systems ]O Z5fd
18.5 Confocal Paraboloids K}2Erm%A@y
18.6 Unobscured Systems IW)()*8;/
18.7 Design of a Schmidt-Cassegrain “from Scratch” 5(Cl1Yse=r
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19 Infrared and Ultraviolet Systems ];} Wfl
19.1 Infrared Optics t$+?6E
19.2 IR Objective Lenses SIe="YG]<
19.3 IR Telescope ?42<J%p
19.4 Laser Beam Expanders iF*:d
19,5 Ultraviolet Systems E^Y#&skXp3
19.6 Microlithographic Lenses +~St !QV%
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20 Zoom Lenses B*qi_{Gp
20.1 Zoom Lenses pb^i^tA+A
20.2 Zoom Lenses for Point and Shoot Cameras 2^XGGB0
20.3 A 20X Video Zoom Lens Z<U6<{b
20.4 A Zoom Scanner Lens iz5CAxm
20.5 A Possible Zoom Lens Design Procedure 9*$t!r{B@
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21 Projection TV Lenses and Macro Lenses M])ZK
21.1 Projection TV Lenses 3sc+3-TF
21.2 Macro Lenses c@YI;HS_g
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22 Scanner/ , Laser Disk and Collimator Lenses RFKtr
22.1 Monochromatic Systems w^(<N7B3T
22.2 Scanner Lenses +_s #2
22.3 Laser Disk, Focusing, and Collimator Lenses ,9?BcD1
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23 Tolerance Budgeting d[r#-h>dS
23.1 The Tolerance Budget ]5BX:%
23.2 Additive Tolerances }{M#EP8q+
23.3 Establishing the Tolerance Budget fz;iOjr>
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24 Formulary B!
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24.1 Sign Conventions, Symbols, and Definitions mrTlXXz
24.2 The Cardinal Points |\w=u6jX
24.3 Image Equations rMXN[,|v
24.4 Paraxial Ray Tracing (Surface by Surface) KgV3j]d
24.5 Invariants =nz}XH%=
24.6 Paraxial Ray Tracing (Component by Component) JROM_>mC
24.7 Two-Componenet Relationships m[i+knYX
24.8 Third-Order Aberrations – Surface Contributions 2<li7c59
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs avjpA?Vz
24.10 Stop Shift Equations &
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces Yv
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) UYFwS/ RW}
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Glossary Gn&-X]Rrl
Reference W>!_|[a
Index