"Modern Lens Design" 2nd Edition by Warren J. Smith @Z.Ne:*J
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Contents of Modern Lens Design 2nd Edition )vPce
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1 Introduction \
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1.1 Lens Design Books b8QW^Z
1.2 Reference Material Jbs:}]2
1.3 Specifications Qaagi
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1.4 Lens Design tD>m%1'&
1.5 Lens Design Program Features eIg2m <9u
1.6 About This Book )?4m}
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2 Automatic Lens Design M2V.FYV{j>
2.2 The Merit Function xaSkn
2.3 Local Minima u,oxUySeG
2.4 The Landscape Lens 21cIWvy
2.5 Types of Merit Function tkJ/h<
2.6 Stagnation s$Roe(J
2.7 Generalized Simulated Annealing _NZ)
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2.8 Considerations about Variables for Optimization EB\z:n5
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems KAUYE^
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits iUl{_vb
2.11 Spectral Weighting %DRDe
2.12 How to Get Started rJNf&x%6
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3 Improving a Design 8uCd|dJ
3.1 Lens Design Tip Sheet: Standard Improvement Techniques OFUN hbg
3.2 Glass Changes ( Index and V Values ) 9|#h )*
3.3 Splitting Elements EBebyQcon
3.4 Separating a Cemented Doublet S
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3.5 Compounding an Element #XmN&83_
3.6 Vignetting and Its Uses 8YYY *>
3.7 Eliminating a Weak Element; the Concentric Problem a(}jn|
3.8 Balancing Aberrations Xe+Hez,
3.9 The Symmetrical Principle V7^?jy&&
3.10 Aspheric Surfaces ^5GS!u"
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4 Evaluation: How Good is This Design r#{lpF,3Ib
4.1 The Uses of a Preliminary Evaluation /CZOO)n
4.2 OPD versus Measures of Performance dxASU|Yo9
4.3 Geometric Blur Spot Size versus Certain Aberrations [;X YT
4.4 Interpreting MTF - The Modulation Transfer Function *X<De
4.5 Fabrication Considerations s)To#
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5 Lens Design Data VK|!aqA{b
5.1 About the Sample Lens Designs FyY;F;4P
5.2 Lens Prescriptions, Drawings, and Aberration Plots $9b||L
5.3 Estimating the Potential of a Redesign _Juhl^LM;
5.4 Scaling a Desing, Its Aberrations, and Its MTF ? th+~dE
5.5 Notes on the Interpretation of Ray Intercept Plots tB1Qr**
5.6 Various Evaluation Plot Th!S?{v
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6 Telescope Objective Kfj*#)SZ
6.1 The Thin Airspaced Doublet -7+Fb^"L
6.2 Merit Function for a Telescope Objective -<<!eH
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 0 TS:o/{(a
6.4 Spherochromatism .{8lG^0U<
6.5 Zonal Spherical Aberration C{>?~@z&5
6.6 Induced Aberrations E+3~w?1
6.7 Three-Element Objectives GZ4{<QG
6.8 Secondary Spectrum (Apochromatic Systems) ?2G^6>O`
6.9 The Design of an f/7 Apochromatic Triplet rre;HJGEL
6.10 The Diffractive Surface in Lens Design Fx.uPY.a
6.11 A Final Note 1r.q]^Pq~
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7 Eyepieces and Magnifiers !BQ!]u
7.1 Eyepieces T]i~GkD\
7.2 A Pair of Magnifier Designs ivGxtx
7.3 The Simple, Classical Eyepieces bqLv81 V
7.4 Design Story of an Eyepiece for a 6*30 Binocular w{UU(
7.5 Four-Element Eyepieces 'kUrSM'*$N
7.6 Five-Element Eyepieces J7E/2Sl
7.7 Very High Index Eyepiece/Magnifier 5aWKyXBIx
7.8 Six- and Seven-Element Eyepieces 8[y7(Xw
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8 Cooke Triplet Anastigmats F,EHZ,<V
8.1 Airspaced Triplet Anastigmats i>w>UA*t
8.2 Glass Choice lX7#3ti:
8.3 Vertex Length and Residual Aberrations UbuxD })
8.4 Other Design Considerations 1yKf=LZ^
8.5 A Plastic, Aspheric Triplet Camera Lens dYO87n
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet m1`ln5(R
8.7 Possible Improvement to Our “Basic” Triplet :!#-k
8.7 The Rear Earth (Lanthanum) Glasses ;N,7#l|wi
8.9 Aspherizing the Surfaces >! c^
8.10 Increasing the Element Thickness SD697L9
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9 Split Triplets L' )(Zn1
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10 The Tessar, Heliar, and Other Compounded Triplets }k,Si9O
10.1 The Classic Tessar \tQi7yj4
10.2 The Heliar/Pentac O0Z'vbFG
10.3 The Portrait Lens and the Enlarger Lens ?s_q|d_
10.4 Other Compounded Triplets Q.8Jgel1
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar \ oL+O|
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11 Double-Meniscus Anastigmats I/@Xr
11.1 Meniscus Components D1Fc7!TV
11.2 The Hypergon, Totogon, and Metrogon |X_yL3`Zb
11.3 A Two Element Aspheric Thick Meniscus Camera Lens hz/5k%%UX
11.4 Protar, Dagor, and Convertible Lenses =!{dKz-&
11.5 The Split Dagor !}vz_6)
11.6 The Dogmar i\PN
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens lOEbh
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12 The Biotar or Double-Gauss Lens #}vcffgZ
12.1 The Basic Six-Element Version WFh!re%Z
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens &2Y>yFB
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12.3 The Seven-Element Biotar - Split-Rear Singlet W:tE ?Hu
12.4 The Seven-Element Biotar - Broken Contact Front Doublet zU}0AVlIL:
12.5 The Seven-Element Biotar - One Compounded Outer Element a-kU?&*
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12.6 The Eight-Element Biotar _mn4z+
12.7 A “Doubled Double-Gauss” Relay LAvAjvRc
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13 Telephoto Lenses T&{EqsI=B
13.1 The Basic Telephoto 9:esj{X
13.2 Close-up or Macro Lenses k/t4
13.3 Telephoto Designs "OWq]q#
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch )qxL@w.
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses %iX+"
14.1 The Reverse Telephoto Principle Yt{Y)=_t
14.2 The Basic Retrofocus Lens t;?
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses S]9xqiJW
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15 Wide Angle Lenses with Negative Outer Lenses apYf,"|9
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16 The Petzval Lens; Head-up Display Lenses ?Jx8z`(
16.1 The Petzval Portrait Lens |fa3;8!96
16.2 The Petzval Projection Lens 3)`}#` T
16.3 The Petzval with a Field Flattener >=B8PK+<
16.4 Very Height Speed Petzval Lenses ;1o"Oij
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems p2cKtk+
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17 Microscope Objectives $A-b-`X
17.1 General Considerations A\?O5#m:$
17.2 Classic Objective Design Forms; The Aplanatic Front K~Xt`
17.3 Flat-Field Objectives ABx0IdOcI
17.4 Reflecting Objectives Nlo*vu
17.5 The Microscope Objective Designs `zTVup&
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18 Mirror and Catadioptric Systems T}zOM%]]
18.1 The Good and Bad Points of Mirrors ~Ipl'cE
18.2 The Classic Two-Mirror Systems ~xA'-N/
18.3 Catadioptric Systems 8S)k]$ wf%
18.4 Aspheric Correctors and Schmidt Systems 4w\')@`[jk
18.5 Confocal Paraboloids {=&