"Modern Lens Design" 2nd Edition by Warren J. Smith JI vo_7{
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Contents of Modern Lens Design 2nd Edition ]~Y<o
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1 Introduction NY?;erX
1.1 Lens Design Books ws^4?O
1.2 Reference Material oPPX&e@=s]
1.3 Specifications ZcYh) HD
1.4 Lens Design mS0udHod
1.5 Lens Design Program Features Ie% EH
1.6 About This Book 7=(Hy\Q5xH
E@Ad '_ H
2 Automatic Lens Design A/`%/0e
2.2 The Merit Function q{+_
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2.3 Local Minima &IlU|4`R%
2.4 The Landscape Lens qTQBt}
2.5 Types of Merit Function *{+G=d
2.6 Stagnation 2h%z ("3/
2.7 Generalized Simulated Annealing CW<N: F.9
2.8 Considerations about Variables for Optimization 2U-3Q]/I}
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ]5%/ 3P,/
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 8mQmi`
2.11 Spectral Weighting bu51$s?B
2.12 How to Get Started \( %Y%?dy
B-l'vVx
3 Improving a Design IIyI=Wl pG
3.1 Lens Design Tip Sheet: Standard Improvement Techniques H'HSD,>(
3.2 Glass Changes ( Index and V Values ) 36am-G
3.3 Splitting Elements u_rdmyq$x/
3.4 Separating a Cemented Doublet o: ;"w"G
3.5 Compounding an Element *_ ?dVhxf
3.6 Vignetting and Its Uses ]KJj6xn
3.7 Eliminating a Weak Element; the Concentric Problem ~jsLqY*(+
3.8 Balancing Aberrations R"K#7{p9
3.9 The Symmetrical Principle Onwp-!!.
3.10 Aspheric Surfaces Y/7 $1k
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4 Evaluation: How Good is This Design \m1~jMz*>k
4.1 The Uses of a Preliminary Evaluation !A%<#Gjt
4.2 OPD versus Measures of Performance Z>
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4.3 Geometric Blur Spot Size versus Certain Aberrations %RDI!e<e}
4.4 Interpreting MTF - The Modulation Transfer Function HF(KN{0.B
4.5 Fabrication Considerations 9*a=iL*Nw
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5 Lens Design Data Q f@
5.1 About the Sample Lens Designs __.+s32SS$
5.2 Lens Prescriptions, Drawings, and Aberration Plots ) Yd?m0m*
5.3 Estimating the Potential of a Redesign F8apH{&t
5.4 Scaling a Desing, Its Aberrations, and Its MTF &-;5*
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5.5 Notes on the Interpretation of Ray Intercept Plots 9:M`
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5.6 Various Evaluation Plot 4R\ H pt
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6 Telescope Objective "&3h2(#%
6.1 The Thin Airspaced Doublet f%*/cpA)
6.2 Merit Function for a Telescope Objective #f+$Ddg*
6.3 The Design of an f/7 Cemented Doublet Telescope Objective z^<"x |:
6.4 Spherochromatism 8w.YYo8`
6.5 Zonal Spherical Aberration rEF0oJ.
6.6 Induced Aberrations ghRVso(
6.7 Three-Element Objectives cb}[S:&|
6.8 Secondary Spectrum (Apochromatic Systems) _F`lq_C
6.9 The Design of an f/7 Apochromatic Triplet /3{b%0Aa
6.10 The Diffractive Surface in Lens Design D
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6.11 A Final Note cCxBzkH6
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7 Eyepieces and Magnifiers D"D<+
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7.1 Eyepieces Er {>p|n =
7.2 A Pair of Magnifier Designs 5D'\b}*lJ}
7.3 The Simple, Classical Eyepieces ctGL-kp
7.4 Design Story of an Eyepiece for a 6*30 Binocular yNbjoFM .i
7.5 Four-Element Eyepieces qo|WXwP2
7.6 Five-Element Eyepieces ~Rr~1I&mR,
7.7 Very High Index Eyepiece/Magnifier q7E~+p(>(
7.8 Six- and Seven-Element Eyepieces (I ./ Uu%
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8 Cooke Triplet Anastigmats {lc\,F* $
8.1 Airspaced Triplet Anastigmats _FWBUZ;N
8.2 Glass Choice .qZI$
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8.3 Vertex Length and Residual Aberrations &e!7Z40w@&
8.4 Other Design Considerations N}t
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8.5 A Plastic, Aspheric Triplet Camera Lens hr)B[<9
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \QCJ4}\CS
8.7 Possible Improvement to Our “Basic” Triplet ruld B,n
8.7 The Rear Earth (Lanthanum) Glasses 9c("x%nLpB
8.9 Aspherizing the Surfaces eYvWZJ a4
8.10 Increasing the Element Thickness NN ?`"Fww
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9 Split Triplets K9up:.{QQ
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10 The Tessar, Heliar, and Other Compounded Triplets <Pi|J-Y
10.1 The Classic Tessar 6g)G Y"49
10.2 The Heliar/Pentac =aTv! 8</
10.3 The Portrait Lens and the Enlarger Lens m * kl
10.4 Other Compounded Triplets 2V#>)R#k
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Zo ~
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11 Double-Meniscus Anastigmats jJPGrkr
11.1 Meniscus Components "9Q4 0w\
11.2 The Hypergon, Totogon, and Metrogon Fkd+pS\9g~
11.3 A Two Element Aspheric Thick Meniscus Camera Lens
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11.4 Protar, Dagor, and Convertible Lenses z+n,uHs
11.5 The Split Dagor )`(p9@,V
11.6 The Dogmar ] [p>Y>:b-
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens :BV6y|J9O^
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12 The Biotar or Double-Gauss Lens m()RU"WY
12.1 The Basic Six-Element Version !*B'?|a<\
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 9~/J35
12.3 The Seven-Element Biotar - Split-Rear Singlet ia+oX~W!VR
12.4 The Seven-Element Biotar - Broken Contact Front Doublet lUMS;H(
12.5 The Seven-Element Biotar - One Compounded Outer Element 4?q <e*W
12.6 The Eight-Element Biotar :x4|X8>
12.7 A “Doubled Double-Gauss” Relay 4p,EBn9(
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13 Telephoto Lenses J`].:IOh
13.1 The Basic Telephoto 8&qZ0GLaT
13.2 Close-up or Macro Lenses ;"~
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13.3 Telephoto Designs eEv@}1~
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch HOJs[mqB%
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses _8F`cuyW
14.1 The Reverse Telephoto Principle Ssou
14.2 The Basic Retrofocus Lens [`"ZjkR_J
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 0v D7v
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15 Wide Angle Lenses with Negative Outer Lenses ij( B,Y
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16 The Petzval Lens; Head-up Display Lenses < (fRn`)PT
16.1 The Petzval Portrait Lens 8"8t-E#?
16.2 The Petzval Projection Lens #(N+(():
16.3 The Petzval with a Field Flattener % ,@e^3B
16.4 Very Height Speed Petzval Lenses PIoLywpRn
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems P"IPcT%Ob%
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17 Microscope Objectives gv- xm
17.1 General Considerations Rnr(g;2
17.2 Classic Objective Design Forms; The Aplanatic Front 7'W%blg!V
17.3 Flat-Field Objectives ?R$F)g7<
17.4 Reflecting Objectives ~5%W:qwQ
17.5 The Microscope Objective Designs i%#+\F.&
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18 Mirror and Catadioptric Systems x7!L{(E3
18.1 The Good and Bad Points of Mirrors 7WkB>cn
18.2 The Classic Two-Mirror Systems KyYM fC
18.3 Catadioptric Systems
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18.4 Aspheric Correctors and Schmidt Systems g"p%C:NN
18.5 Confocal Paraboloids zuJ@E=7
18.6 Unobscured Systems #*K}IBz
18.7 Design of a Schmidt-Cassegrain “from Scratch” 8QLj["
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19 Infrared and Ultraviolet Systems mGJKvJF
19.1 Infrared Optics Oj3.q#)`Z
19.2 IR Objective Lenses S >X:ZYYC
19.3 IR Telescope 75f"'nJ)
19.4 Laser Beam Expanders mD$A4Y-'p
19,5 Ultraviolet Systems l1OE!W W
19.6 Microlithographic Lenses (_mnB W
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20 Zoom Lenses ]6(N@RC
20.1 Zoom Lenses Zw5Ni Xj
20.2 Zoom Lenses for Point and Shoot Cameras Sq/
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20.3 A 20X Video Zoom Lens ~J wb`g.
20.4 A Zoom Scanner Lens t{ ^*6XOcJ
20.5 A Possible Zoom Lens Design Procedure Ai =s e2
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21 Projection TV Lenses and Macro Lenses \ r^qL^
21.1 Projection TV Lenses *'.|9W
21.2 Macro Lenses m? J0i>H
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22 Scanner/ , Laser Disk and Collimator Lenses ;qafT@
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22.1 Monochromatic Systems "7'J &^|
22.2 Scanner Lenses |[<_GQl
22.3 Laser Disk, Focusing, and Collimator Lenses ([\
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23 Tolerance Budgeting eL10Q(;P`
23.1 The Tolerance Budget U\4g#!qj
23.2 Additive Tolerances :~e>Ob[,"
23.3 Establishing the Tolerance Budget wSzv | \
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24 Formulary ^ =bu(L
24.1 Sign Conventions, Symbols, and Definitions 5nv#+ap1 "
24.2 The Cardinal Points @=bLDTx;c)
24.3 Image Equations -LK
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24.4 Paraxial Ray Tracing (Surface by Surface) #^l L5=
24.5 Invariants Cc+t}"^
24.6 Paraxial Ray Tracing (Component by Component) R ]}}$R`j
24.7 Two-Componenet Relationships s @&`f{
24.8 Third-Order Aberrations – Surface Contributions :q$.,EZ4#n
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs =x%dNf$e{W
24.10 Stop Shift Equations _E &A {HkJ
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces lGPUIoUo
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) GY6`JWk
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Glossary eJF5n#
Reference 3m ]4=
Index
