"Modern Lens Design" 2nd Edition by Warren J. Smith 1K&l}/zUl
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Contents of Modern Lens Design 2nd Edition jNu`umS
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1 Introduction ('Doy1L
1.1 Lens Design Books /_.1f|{B
1.2 Reference Material 1b4/
1.3 Specifications "yA=Tw
1.4 Lens Design g;To}0H
1.5 Lens Design Program Features rIJv(&l
1.6 About This Book R-lpsvDDL2
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2 Automatic Lens Design fNnX{Wq
2.2 The Merit Function V4>qR{5
2.3 Local Minima %=EN 3>,
2.4 The Landscape Lens 1Q>D^yPI[
2.5 Types of Merit Function 3L1MMUACL
2.6 Stagnation -jdhdh
2.7 Generalized Simulated Annealing tX@G`Mr(
2.8 Considerations about Variables for Optimization `<x((@#
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems [ 30ta<-
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits i}E&mv'
2.11 Spectral Weighting b"7L
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2.12 How to Get Started rf= ndjrH
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3 Improving a Design ~H~iKl}|7
3.1 Lens Design Tip Sheet: Standard Improvement Techniques o`+$h:zm@
3.2 Glass Changes ( Index and V Values ) L2<IG)oXU
3.3 Splitting Elements eb#p-=^KP
3.4 Separating a Cemented Doublet tS:/:0HnA)
3.5 Compounding an Element k=M_2T'
3.6 Vignetting and Its Uses }K'gjs/N;
3.7 Eliminating a Weak Element; the Concentric Problem y 13Y,cz~B
3.8 Balancing Aberrations @:%p#$V
3.9 The Symmetrical Principle :HW\awv
3.10 Aspheric Surfaces J_eu(d[9
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4 Evaluation: How Good is This Design $z48~nu@j
4.1 The Uses of a Preliminary Evaluation =Owr
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4.2 OPD versus Measures of Performance ScCA8JgY
4.3 Geometric Blur Spot Size versus Certain Aberrations <TQ,7M4X
4.4 Interpreting MTF - The Modulation Transfer Function odsLFU(
4.5 Fabrication Considerations x*7Q
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5 Lens Design Data >Sc/E}3
5.1 About the Sample Lens Designs AJ"a
5.2 Lens Prescriptions, Drawings, and Aberration Plots tQ7:4._
5.3 Estimating the Potential of a Redesign XT` 2Z=
5.4 Scaling a Desing, Its Aberrations, and Its MTF JcJc&cG
5.5 Notes on the Interpretation of Ray Intercept Plots J{qsCJiB
5.6 Various Evaluation Plot lv!8)GX|
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6 Telescope Objective rm?C_
6.1 The Thin Airspaced Doublet Ouos f1
6.2 Merit Function for a Telescope Objective A!uO7".E
6.3 The Design of an f/7 Cemented Doublet Telescope Objective `)WC|= w2
6.4 Spherochromatism 6QM$aLLP?
6.5 Zonal Spherical Aberration P1qQ)-J
6.6 Induced Aberrations f(UB$^4
6.7 Three-Element Objectives j{&$_
6.8 Secondary Spectrum (Apochromatic Systems) L"Dos +
6.9 The Design of an f/7 Apochromatic Triplet M'|?*aNK
6.10 The Diffractive Surface in Lens Design |A, <m#C
6.11 A Final Note d\-v+'d*+
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7 Eyepieces and Magnifiers 8.ej65r*
7.1 Eyepieces des.TSZ
7.2 A Pair of Magnifier Designs C'.^2s#e8
7.3 The Simple, Classical Eyepieces M.3ULt8
7.4 Design Story of an Eyepiece for a 6*30 Binocular Dt:NBN
7.5 Four-Element Eyepieces 0`KR8# A@
7.6 Five-Element Eyepieces d.xT8l}sS
7.7 Very High Index Eyepiece/Magnifier 7Q0vwKC8>
7.8 Six- and Seven-Element Eyepieces T%]@R4z#q
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8 Cooke Triplet Anastigmats >J) 9&?
8.1 Airspaced Triplet Anastigmats ?M BOd9
8.2 Glass Choice y&L Lx[8^
8.3 Vertex Length and Residual Aberrations ]O&\P n0q
8.4 Other Design Considerations e4LJ3y&z"
8.5 A Plastic, Aspheric Triplet Camera Lens C Ef*:kr
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet eZ8DW6 l*
8.7 Possible Improvement to Our “Basic” Triplet au#/Q
8.7 The Rear Earth (Lanthanum) Glasses /*e6('9s
8.9 Aspherizing the Surfaces PS$g*x
8.10 Increasing the Element Thickness utU;M*
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9 Split Triplets 4L/nEZ!Nsu
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10 The Tessar, Heliar, and Other Compounded Triplets {J*|)-eAw
10.1 The Classic Tessar X:m m<4
10.2 The Heliar/Pentac }6"l`$=Ev
10.3 The Portrait Lens and the Enlarger Lens
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10.4 Other Compounded Triplets =wznkqyhi
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar y*e({fio_
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11 Double-Meniscus Anastigmats p0Pmmp7r
11.1 Meniscus Components #O N^6f2
11.2 The Hypergon, Totogon, and Metrogon L~("C
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 2$b JMx>
11.4 Protar, Dagor, and Convertible Lenses ^VsE2CX
11.5 The Split Dagor I#/"6%e
11.6 The Dogmar GG
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens x}~Z[ bx
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12 The Biotar or Double-Gauss Lens HdRwDW@7=
12.1 The Basic Six-Element Version -ND1+`yD
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /^$n&gI
12.3 The Seven-Element Biotar - Split-Rear Singlet S;j"@'gz9
12.4 The Seven-Element Biotar - Broken Contact Front Doublet %gu |
12.5 The Seven-Element Biotar - One Compounded Outer Element B&AF(e (
12.6 The Eight-Element Biotar J"K(nKXO_?
12.7 A “Doubled Double-Gauss” Relay QYps5zcn
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13 Telephoto Lenses _wUg+Xs]
13.1 The Basic Telephoto ?Xj@Sx
13.2 Close-up or Macro Lenses X7txAp.
13.3 Telephoto Designs 3LZvlcLb
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch X*M2 O%g`L
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5DJ!:QY!
14.1 The Reverse Telephoto Principle 5!BW!-q
14.2 The Basic Retrofocus Lens
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses hjz`0AS
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15 Wide Angle Lenses with Negative Outer Lenses piFZu/~Gq\
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16 The Petzval Lens; Head-up Display Lenses [Pl''[
16.1 The Petzval Portrait Lens _6 @GT
16.2 The Petzval Projection Lens j!"5,~
16.3 The Petzval with a Field Flattener vCUbbQz
16.4 Very Height Speed Petzval Lenses #'y&M t
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems XB]>Z)
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17 Microscope Objectives 8?ip,Q\
17.1 General Considerations &t6:1 T
17.2 Classic Objective Design Forms; The Aplanatic Front SPm2I(at7
17.3 Flat-Field Objectives t/@t_6m}*
17.4 Reflecting Objectives sF3@7~m4
17.5 The Microscope Objective Designs ^ywDa^;-
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18 Mirror and Catadioptric Systems QZJnb%]
18.1 The Good and Bad Points of Mirrors =t
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18.2 The Classic Two-Mirror Systems tAkv'.
18.3 Catadioptric Systems T.W^L'L`
18.4 Aspheric Correctors and Schmidt Systems ~=9S AJr]
18.5 Confocal Paraboloids `6(Zc"/
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18.6 Unobscured Systems VO~%O.>
18.7 Design of a Schmidt-Cassegrain “from Scratch” 39L_O RMH
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19 Infrared and Ultraviolet Systems j /@<=
19.1 Infrared Optics _jH./ @G
19.2 IR Objective Lenses *JAC+<~d
19.3 IR Telescope '(-H#D.oy'
19.4 Laser Beam Expanders R ^ZOcONd-
19,5 Ultraviolet Systems Mkr
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19.6 Microlithographic Lenses g_rk_4]
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20 Zoom Lenses l| y.6v
20.1 Zoom Lenses 3p]\l ]=
20.2 Zoom Lenses for Point and Shoot Cameras g _0| `Sm
20.3 A 20X Video Zoom Lens p_vldTIW
20.4 A Zoom Scanner Lens #CcEI
20.5 A Possible Zoom Lens Design Procedure "{Hl! Zq/
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21 Projection TV Lenses and Macro Lenses gf}*}8D
21.1 Projection TV Lenses NKTy!zWh
21.2 Macro Lenses BAi`{?z$<
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22 Scanner/ , Laser Disk and Collimator Lenses N`4XlD
22.1 Monochromatic Systems ].sD#~L_
22.2 Scanner Lenses 0|g@;Pc
22.3 Laser Disk, Focusing, and Collimator Lenses ^=8/I w
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23 Tolerance Budgeting CR;E*I${
23.1 The Tolerance Budget Ti7
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23.2 Additive Tolerances 9W,%[
23.3 Establishing the Tolerance Budget U.h2 (-p
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24 Formulary |kD69
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24.1 Sign Conventions, Symbols, and Definitions ?H>^X)Ph
24.2 The Cardinal Points M+%qVwp
24.3 Image Equations /%gMzF
24.4 Paraxial Ray Tracing (Surface by Surface) y:_>R=sw
24.5 Invariants o ZQ@ Yu3
24.6 Paraxial Ray Tracing (Component by Component) A8-a}0Gh
24.7 Two-Componenet Relationships R~eLEjezm
24.8 Third-Order Aberrations – Surface Contributions ]z#)XW3#i
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs *!E~4z=
24.10 Stop Shift Equations /F46Ac}I
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces %Y"pVBc
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) lr?SL\D
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Glossary # ,97 ]
Reference FM(EOsWk
Index