"Modern Lens Design" 2nd Edition by Warren J. Smith }0Ie Kpu5
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Contents of Modern Lens Design 2nd Edition U0;pl2
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1 Introduction =/!RQQ|8o
1.1 Lens Design Books hS1I ;*t
1.2 Reference Material tE#;$Ss
1.3 Specifications kMx)G ]
1.4 Lens Design 3yrb7Rn 3
1.5 Lens Design Program Features SLW|)Q24
1.6 About This Book bXi!_'z$
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2 Automatic Lens Design #U(k K(uO
2.2 The Merit Function . 1+I8qj
2.3 Local Minima FeZ*c~q
2.4 The Landscape Lens p ,.6sk
2.5 Types of Merit Function '3 b'moy
2.6 Stagnation U=WS]
2.7 Generalized Simulated Annealing PJ YUD5
2.8 Considerations about Variables for Optimization "~mY4WVG
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems $^_6,uBM[
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ^I KT!"J&?
2.11 Spectral Weighting UqD ]@s`
2.12 How to Get Started Z (t 7QFd
4.p:$/GTS
3 Improving a Design NBL%5!'
3.1 Lens Design Tip Sheet: Standard Improvement Techniques oY+p;&H
3.2 Glass Changes ( Index and V Values ) THlQifA!
3.3 Splitting Elements W7. +
3.4 Separating a Cemented Doublet \(RD5@=!4#
3.5 Compounding an Element Bi2 c5[3
3.6 Vignetting and Its Uses ^
L]e]<h(
3.7 Eliminating a Weak Element; the Concentric Problem 3RanAT.nu:
3.8 Balancing Aberrations Re2&qxE
3.9 The Symmetrical Principle B Dp")[l
3.10 Aspheric Surfaces _, E/HAX
T%;V_iW-
4 Evaluation: How Good is This Design ! B92W
4.1 The Uses of a Preliminary Evaluation i),bAU!+m
4.2 OPD versus Measures of Performance tY>Zy1hlI
4.3 Geometric Blur Spot Size versus Certain Aberrations $
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4.4 Interpreting MTF - The Modulation Transfer Function d@p#{ -
4.5 Fabrication Considerations vz~Oi
5 1u\am'T
5 Lens Design Data +4
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5.1 About the Sample Lens Designs t.dr<
5.2 Lens Prescriptions, Drawings, and Aberration Plots C5~n^I|
5.3 Estimating the Potential of a Redesign | RXQ_|
5.4 Scaling a Desing, Its Aberrations, and Its MTF x0b=r!Duu
5.5 Notes on the Interpretation of Ray Intercept Plots KZTLIZxI-
5.6 Various Evaluation Plot #N "u 0
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6 Telescope Objective r^a:s]
6.1 The Thin Airspaced Doublet LRg]'?
6.2 Merit Function for a Telescope Objective t>AOF\
6.3 The Design of an f/7 Cemented Doublet Telescope Objective [}M!ez
6.4 Spherochromatism @TQ/Z$y
6.5 Zonal Spherical Aberration q Y$ [2]
6.6 Induced Aberrations #%2 d;V
6.7 Three-Element Objectives C[}UQod0
6.8 Secondary Spectrum (Apochromatic Systems) `IEA
6.9 The Design of an f/7 Apochromatic Triplet B;?)X&n|X
6.10 The Diffractive Surface in Lens Design }W'4(V;:
6.11 A Final Note Xl<iR]lda
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7 Eyepieces and Magnifiers h=0a9vIXF
7.1 Eyepieces A .Wf6o
7.2 A Pair of Magnifier Designs !\<a2>4$T
7.3 The Simple, Classical Eyepieces XPU>} 4{
7.4 Design Story of an Eyepiece for a 6*30 Binocular tfN[-3)Z
7.5 Four-Element Eyepieces b _<n]P*)
7.6 Five-Element Eyepieces oOaFA+0x
7.7 Very High Index Eyepiece/Magnifier e6>G8 d
7.8 Six- and Seven-Element Eyepieces MqB@}!
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8 Cooke Triplet Anastigmats +8C }%6aX
8.1 Airspaced Triplet Anastigmats t^KQ*8clG
8.2 Glass Choice s~].iQJ{B
8.3 Vertex Length and Residual Aberrations 3i7EF.
8.4 Other Design Considerations F Gx)?
8.5 A Plastic, Aspheric Triplet Camera Lens Z3weFbCH
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ~f(5 l.
8.7 Possible Improvement to Our “Basic” Triplet In^mE(8YO
8.7 The Rear Earth (Lanthanum) Glasses $TmEVC^ 0
8.9 Aspherizing the Surfaces v@soS1 V!
8.10 Increasing the Element Thickness B=r DU$z
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9 Split Triplets 9zb1t1[ W
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10 The Tessar, Heliar, and Other Compounded Triplets >]pZ ;e$
10.1 The Classic Tessar BLy V~
10.2 The Heliar/Pentac 60vmjm Xl
10.3 The Portrait Lens and the Enlarger Lens N.vWZ7l8
10.4 Other Compounded Triplets J?w_DQa
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar }q`9U !v
Ba@~:
11 Double-Meniscus Anastigmats V f&U`K
11.1 Meniscus Components tg@61V?>
11.2 The Hypergon, Totogon, and Metrogon U?sHh 2*
11.3 A Two Element Aspheric Thick Meniscus Camera Lens V!+iq*Z| =
11.4 Protar, Dagor, and Convertible Lenses r=5 S0
11.5 The Split Dagor oj -
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11.6 The Dogmar 9 L:wfg}8s
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens lG\uJxV
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12 The Biotar or Double-Gauss Lens ZK8)FmT_<O
12.1 The Basic Six-Element Version <rj'xv
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens } bv+^#
12.3 The Seven-Element Biotar - Split-Rear Singlet } +}nrJv
12.4 The Seven-Element Biotar - Broken Contact Front Doublet % -!%n= P
12.5 The Seven-Element Biotar - One Compounded Outer Element ~ tA ^[tK
12.6 The Eight-Element Biotar 1~c\J0h)d
12.7 A “Doubled Double-Gauss” Relay ng3ZK
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13 Telephoto Lenses <#h,_WP*
13.1 The Basic Telephoto ;
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13.2 Close-up or Macro Lenses +PjTT 6
13.3 Telephoto Designs bO\++zOF
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 5G}4z>-]F)
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 4{YA['
14.1 The Reverse Telephoto Principle ?Ts]zO%%Z
14.2 The Basic Retrofocus Lens b!] O]dk#
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses (<eLj Q
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15 Wide Angle Lenses with Negative Outer Lenses |@X^_L.!
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16 The Petzval Lens; Head-up Display Lenses wuH*a3(
16.1 The Petzval Portrait Lens + +}!Gfc?s
16.2 The Petzval Projection Lens R.rc h2
16.3 The Petzval with a Field Flattener %^@l5h.lqB
16.4 Very Height Speed Petzval Lenses Wlhh0uy
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems u2oS Ci
r >'tE7W9
17 Microscope Objectives 1?Y>Xz
17.1 General Considerations /y G34) aB
17.2 Classic Objective Design Forms; The Aplanatic Front $pES>>P
17.3 Flat-Field Objectives jw:z2:0~
17.4 Reflecting Objectives
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17.5 The Microscope Objective Designs 4u:SE
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18 Mirror and Catadioptric Systems { LvD\4h"
18.1 The Good and Bad Points of Mirrors z$?F^3>
18.2 The Classic Two-Mirror Systems Mk}T
18.3 Catadioptric Systems zWEPwOlI1P
18.4 Aspheric Correctors and Schmidt Systems ddfGR/1X
18.5 Confocal Paraboloids &>zH. 6%$
18.6 Unobscured Systems NfvPE ]S
18.7 Design of a Schmidt-Cassegrain “from Scratch” *6/IO&y1a
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19 Infrared and Ultraviolet Systems c*)T4n[e
19.1 Infrared Optics MT- Tt
19.2 IR Objective Lenses 9-;-jnDy
19.3 IR Telescope s(=wG|
19.4 Laser Beam Expanders (bb!VVA
19,5 Ultraviolet Systems vh a9,5_
19.6 Microlithographic Lenses |(.\J`_e
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20 Zoom Lenses Te-p0x?G .
20.1 Zoom Lenses 9lb?%UFe
20.2 Zoom Lenses for Point and Shoot Cameras /3ohm|!rW
20.3 A 20X Video Zoom Lens G,)zn9X
20.4 A Zoom Scanner Lens Z=]SAK`
20.5 A Possible Zoom Lens Design Procedure <,M"k F:
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21 Projection TV Lenses and Macro Lenses i(j / C
21.1 Projection TV Lenses EV?}oh"x
21.2 Macro Lenses |`LH|6/
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22 Scanner/ , Laser Disk and Collimator Lenses QOB^U-cW
22.1 Monochromatic Systems ^p3 G T6
22.2 Scanner Lenses E8!`d}\#
22.3 Laser Disk, Focusing, and Collimator Lenses UGO#o`.G}
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23 Tolerance Budgeting ( DiduS J
23.1 The Tolerance Budget iww/ s
23.2 Additive Tolerances ' h7Faj
23.3 Establishing the Tolerance Budget RrMEDMhk6
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24 Formulary 0fOhCxtL@
24.1 Sign Conventions, Symbols, and Definitions }X)vktE+|
24.2 The Cardinal Points cX b*d|-|N
24.3 Image Equations 1@|+l!rYF
24.4 Paraxial Ray Tracing (Surface by Surface) A8 m 06
24.5 Invariants pQiC#4b
24.6 Paraxial Ray Tracing (Component by Component) 7X>IS#W]
24.7 Two-Componenet Relationships $XF$ n#ua
24.8 Third-Order Aberrations – Surface Contributions (7R?T}
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs -Uo11'{
24.10 Stop Shift Equations h5P_kZJ
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces qfDG.Zee#
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) o X m
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Glossary :F:1(FDP
Reference uVEJV |^/
Index
