"Modern Lens Design" 2nd Edition by Warren J. Smith B!PT|
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Contents of Modern Lens Design 2nd Edition @^q|C&j
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1 Introduction |ZJ<J)y
1.1 Lens Design Books b\{34z,
1.2 Reference Material QmHj=s:x\
1.3 Specifications $!?tJ@{
1.4 Lens Design B7'rbc'
1.5 Lens Design Program Features %R?B=W7;Q
1.6 About This Book Ai*R%#
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2 Automatic Lens Design s)dL^lj;
2.2 The Merit Function jRn5)u
2.3 Local Minima blVt:XS{,m
2.4 The Landscape Lens ;FQ<4PR$
2.5 Types of Merit Function !sTOo
2.6 Stagnation aLo^f=S
2.7 Generalized Simulated Annealing UrC>n
2.8 Considerations about Variables for Optimization wSV}{9}wr%
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems >]ghme
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits \zx &5a
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2.11 Spectral Weighting }q$6^y
2.12 How to Get Started t[r<&1[&
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3 Improving a Design k vuSE
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ^i"~6QYE
3.2 Glass Changes ( Index and V Values ) bmid;X|
3.3 Splitting Elements !^Ly#$-X
3.4 Separating a Cemented Doublet <2.87:
3.5 Compounding an Element {M_*hR;lL
3.6 Vignetting and Its Uses Q
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3.7 Eliminating a Weak Element; the Concentric Problem `F(ghC
3.8 Balancing Aberrations L2ybL#dz
3.9 The Symmetrical Principle x$SxGc~4gb
3.10 Aspheric Surfaces uc~/l4~N
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4 Evaluation: How Good is This Design `GpOS_;
4.1 The Uses of a Preliminary Evaluation
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4.2 OPD versus Measures of Performance ;h"St0
4.3 Geometric Blur Spot Size versus Certain Aberrations qH=<8Iu
4.4 Interpreting MTF - The Modulation Transfer Function Y3 V9
4.5 Fabrication Considerations 0[
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5 Lens Design Data TXWYQ~]3w
5.1 About the Sample Lens Designs swTur
5.2 Lens Prescriptions, Drawings, and Aberration Plots o9XT_!Cwg
5.3 Estimating the Potential of a Redesign F
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5.4 Scaling a Desing, Its Aberrations, and Its MTF .%"s|
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5.5 Notes on the Interpretation of Ray Intercept Plots ?cB:1?\j
5.6 Various Evaluation Plot Iq?#kV9)
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6 Telescope Objective m>:zwz< ;
6.1 The Thin Airspaced Doublet $sxm MP
6.2 Merit Function for a Telescope Objective 2?}5U)Hg
6.3 The Design of an f/7 Cemented Doublet Telescope Objective o0)k5P~<~
6.4 Spherochromatism v<AFcY
6.5 Zonal Spherical Aberration ~u.((GM
6.6 Induced Aberrations svWQk9d
6.7 Three-Element Objectives 9 *+X^q'
6.8 Secondary Spectrum (Apochromatic Systems) j*fs [4
6.9 The Design of an f/7 Apochromatic Triplet ~Qm<w3oy
6.10 The Diffractive Surface in Lens Design +EOd9.X\~
6.11 A Final Note IQ]tcSQl
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7 Eyepieces and Magnifiers lh]Q\
7.1 Eyepieces s#*
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7.2 A Pair of Magnifier Designs {aoG60N
7.3 The Simple, Classical Eyepieces +FBUB
7.4 Design Story of an Eyepiece for a 6*30 Binocular \:5M0
7.5 Four-Element Eyepieces S2\|bs7;J,
7.6 Five-Element Eyepieces P 5_l&
7.7 Very High Index Eyepiece/Magnifier oD8X]R,
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7.8 Six- and Seven-Element Eyepieces y?-zQs0
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8 Cooke Triplet Anastigmats [B1h0IR
8.1 Airspaced Triplet Anastigmats Q~-M B]'
8.2 Glass Choice ^V?W'~
8.3 Vertex Length and Residual Aberrations ^ fqco9^;
8.4 Other Design Considerations 2'-!9!C
8.5 A Plastic, Aspheric Triplet Camera Lens 5<77o|
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet JBMJR
8.7 Possible Improvement to Our “Basic” Triplet }{S pV
8.7 The Rear Earth (Lanthanum) Glasses nsjrzO79L8
8.9 Aspherizing the Surfaces Y7GHIzX
8.10 Increasing the Element Thickness n1Fp$9%
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9 Split Triplets ><DXT nt'x
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10 The Tessar, Heliar, and Other Compounded Triplets TD^w|U.
10.1 The Classic Tessar p->b Vt
10.2 The Heliar/Pentac g+pj1ycw/
10.3 The Portrait Lens and the Enlarger Lens slH3c:j\
10.4 Other Compounded Triplets ~&%&Z
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar i7jI(VvB^
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11 Double-Meniscus Anastigmats 5~H}%W,P
11.1 Meniscus Components 1MYA/l$
11.2 The Hypergon, Totogon, and Metrogon UC*\3:>'n
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Z9p`78kYyh
11.4 Protar, Dagor, and Convertible Lenses =g^k$ Rc
11.5 The Split Dagor
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11.6 The Dogmar qu+Zl1~$]
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 9*CJWS;
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12 The Biotar or Double-Gauss Lens sA:k8aj
12.1 The Basic Six-Element Version ) mh,F#"L
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens H^JwaF
12.3 The Seven-Element Biotar - Split-Rear Singlet qGhwbg
12.4 The Seven-Element Biotar - Broken Contact Front Doublet )ad6>Y
12.5 The Seven-Element Biotar - One Compounded Outer Element :&\^r=D
12.6 The Eight-Element Biotar Cp!Qd e
12.7 A “Doubled Double-Gauss” Relay x~n]r[!L
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13 Telephoto Lenses ~0T,_N
13.1 The Basic Telephoto bU{lV<R,
13.2 Close-up or Macro Lenses 2E_d$nsJ
13.3 Telephoto Designs <-s5
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch g'<ekY+V:
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 6$x9@x8
14.1 The Reverse Telephoto Principle 5K[MKfT
14.2 The Basic Retrofocus Lens 9 =zZ,dg
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses
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15 Wide Angle Lenses with Negative Outer Lenses Y:KIaYkk
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