"Modern Lens Design" 2nd Edition by Warren J. Smith u_@f$
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Contents of Modern Lens Design 2nd Edition JZ)RGSG i
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1 Introduction 94h]~GqNi
1.1 Lens Design Books -.1y(k^4E
1.2 Reference Material 5x5@t
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1.3 Specifications ,)0H3t
1.4 Lens Design ;Y00TGU
1.5 Lens Design Program Features sd*p/Q|4
1.6 About This Book h}[-'>{
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2 Automatic Lens Design 3x`|
2.2 The Merit Function *:Y%HAy*
2.3 Local Minima ,f~J`3(&
2.4 The Landscape Lens &Y!-%{e
2.5 Types of Merit Function Ur9?Td'*>
2.6 Stagnation 6/5YjO|a
2.7 Generalized Simulated Annealing ^H~h\,;zQ
2.8 Considerations about Variables for Optimization 6V$Avg\6\
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ?:vv50
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Z_$%.
2.11 Spectral Weighting d(\%Os
2.12 How to Get Started h{CL{>d
= I:.X ;
3 Improving a Design W<bGDh
3.1 Lens Design Tip Sheet: Standard Improvement Techniques MV5 _L3M
3.2 Glass Changes ( Index and V Values ) =m!-m\B/
3.3 Splitting Elements qyZ"
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3.4 Separating a Cemented Doublet ( Z619w
3.5 Compounding an Element FEW14U'O
3.6 Vignetting and Its Uses o*b] p-
3.7 Eliminating a Weak Element; the Concentric Problem O8+7g+J=!
3.8 Balancing Aberrations \z>fb%YW
3.9 The Symmetrical Principle \.0^n3y
3.10 Aspheric Surfaces Jb0`42
bn#"?6Z2
4 Evaluation: How Good is This Design SzAJ2:qhl
4.1 The Uses of a Preliminary Evaluation @ju@WY45$^
4.2 OPD versus Measures of Performance r A`V}>Xj
4.3 Geometric Blur Spot Size versus Certain Aberrations 8*W#DH!
4.4 Interpreting MTF - The Modulation Transfer Function pM+ AjPr
4.5 Fabrication Considerations Tl%`P_J)-S
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5 Lens Design Data };mA^xO]j
5.1 About the Sample Lens Designs wrc,b{{[iM
5.2 Lens Prescriptions, Drawings, and Aberration Plots VF&(8X\
5.3 Estimating the Potential of a Redesign /sUYU(3
5.4 Scaling a Desing, Its Aberrations, and Its MTF U\ ig:
5.5 Notes on the Interpretation of Ray Intercept Plots P60~V"/P
5.6 Various Evaluation Plot ];VA!++
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6 Telescope Objective 4-?C>
6.1 The Thin Airspaced Doublet lsgh#x
6.2 Merit Function for a Telescope Objective 9eGyyZg
6.3 The Design of an f/7 Cemented Doublet Telescope Objective o15-ZzE-
6.4 Spherochromatism KT_!d *
6.5 Zonal Spherical Aberration &4 {KV.
6.6 Induced Aberrations )fFb_U
6.7 Three-Element Objectives |v`AA?@{8
6.8 Secondary Spectrum (Apochromatic Systems) Cw
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6.9 The Design of an f/7 Apochromatic Triplet $~~Jw]
6.10 The Diffractive Surface in Lens Design US+Q~GTA
6.11 A Final Note aEFJ;n7m
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7 Eyepieces and Magnifiers Qk0R a_
7.1 Eyepieces c#XXp"7k2
7.2 A Pair of Magnifier Designs Hn7_FOC
7.3 The Simple, Classical Eyepieces ?L5zC+c!
7.4 Design Story of an Eyepiece for a 6*30 Binocular 18)'c?^.
7.5 Four-Element Eyepieces i{Uc6R6
7.6 Five-Element Eyepieces QHDXW1+|^
7.7 Very High Index Eyepiece/Magnifier &x=.$76
7.8 Six- and Seven-Element Eyepieces v6[!o<@"a
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8 Cooke Triplet Anastigmats cW~}:;D4
8.1 Airspaced Triplet Anastigmats 0QBiC]9
8.2 Glass Choice niiA7Ux
8.3 Vertex Length and Residual Aberrations 7P%%p3
8.4 Other Design Considerations 4{}FL
8.5 A Plastic, Aspheric Triplet Camera Lens
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet %G3h?3
8.7 Possible Improvement to Our “Basic” Triplet Hta y-PB }
8.7 The Rear Earth (Lanthanum) Glasses gD0eFTN
8.9 Aspherizing the Surfaces l3KVW5-!gS
8.10 Increasing the Element Thickness dl.N.P7}4
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9 Split Triplets Yw22z #K
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10 The Tessar, Heliar, and Other Compounded Triplets V("{)0~O
10.1 The Classic Tessar 3RiWZN
10.2 The Heliar/Pentac Rh3eLt~|(
10.3 The Portrait Lens and the Enlarger Lens @+;$jRwq
10.4 Other Compounded Triplets Bt[/0>i
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 3T31kQv{
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11 Double-Meniscus Anastigmats K}2Erm%A@y
11.1 Meniscus Components $[9%QQk5<L
11.2 The Hypergon, Totogon, and Metrogon -B>++r2A^
11.3 A Two Element Aspheric Thick Meniscus Camera Lens /Y*WBTV'
11.4 Protar, Dagor, and Convertible Lenses 1 da@3xaF
11.5 The Split Dagor JBD7h5|Lc
11.6 The Dogmar _geWE0
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens BmBj7
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12 The Biotar or Double-Gauss Lens anuL1fXO
12.1 The Basic Six-Element Version ^le<}
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens xpNH?#&
12.3 The Seven-Element Biotar - Split-Rear Singlet h~A/ y!s
12.4 The Seven-Element Biotar - Broken Contact Front Doublet B6=ebM`q
12.5 The Seven-Element Biotar - One Compounded Outer Element Bm.afsM;
12.6 The Eight-Element Biotar Q.bXM?V)
12.7 A “Doubled Double-Gauss” Relay i}b${no
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13 Telephoto Lenses 2;xIL]
13.1 The Basic Telephoto S,D8F&bg
13.2 Close-up or Macro Lenses 1ofKt=|=
13.3 Telephoto Designs gwNq
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Tb A}BFT`
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 6~OoFm5
14.1 The Reverse Telephoto Principle g6nkZyw
14.2 The Basic Retrofocus Lens p$SX
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses X#d~zk[r2
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15 Wide Angle Lenses with Negative Outer Lenses |yvQ[U~PQ
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16 The Petzval Lens; Head-up Display Lenses `id9j
16.1 The Petzval Portrait Lens 01[NX? qEa
16.2 The Petzval Projection Lens ,"2s` YC
16.3 The Petzval with a Field Flattener >AC]#'
16.4 Very Height Speed Petzval Lenses BW-`t-,E;
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems "BD~xP(
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17 Microscope Objectives \Fl+\?~D
17.1 General Considerations M=.:,wRm
17.2 Classic Objective Design Forms; The Aplanatic Front <wZQc
17.3 Flat-Field Objectives 2*rH?dz8E
17.4 Reflecting Objectives g"Ljm7
17.5 The Microscope Objective Designs m[i+knYX
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18 Mirror and Catadioptric Systems %?LOs
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18.1 The Good and Bad Points of Mirrors Q*~LCtrI
18.2 The Classic Two-Mirror Systems -7m:91x
18.3 Catadioptric Systems "b?v?V0%C
18.4 Aspheric Correctors and Schmidt Systems [N1hWcfvd
18.5 Confocal Paraboloids mt9.x
18.6 Unobscured Systems m_hN*v
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18.7 Design of a Schmidt-Cassegrain “from Scratch” Gn&-X]Rrl
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19 Infrared and Ultraviolet Systems )iq-yjO6
19.1 Infrared Optics Z1zVwHa_
19.2 IR Objective Lenses H|,Oswk~-
19.3 IR Telescope 5>VY LI
19.4 Laser Beam Expanders &lR 6sb\
19,5 Ultraviolet Systems L93l0eEt
19.6 Microlithographic Lenses ~SQ?BoCI[
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20 Zoom Lenses 0MV>"aV
20.1 Zoom Lenses 7:Ax(El
20.2 Zoom Lenses for Point and Shoot Cameras CxGx8*<X
20.3 A 20X Video Zoom Lens M@h|bN
20.4 A Zoom Scanner Lens e'~Zo9`r6
20.5 A Possible Zoom Lens Design Procedure m#ZO`W
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21 Projection TV Lenses and Macro Lenses .7zK@6i
21.1 Projection TV Lenses ;g6M%;1-
21.2 Macro Lenses b5,x1`#7k
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22 Scanner/ , Laser Disk and Collimator Lenses jlp:lX
22.1 Monochromatic Systems xAafm<L@!
22.2 Scanner Lenses Wf>zDW^"R
22.3 Laser Disk, Focusing, and Collimator Lenses ";BlIovT=R
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23 Tolerance Budgeting Av?2<
23.1 The Tolerance Budget {x:ZF_wbb
23.2 Additive Tolerances \Z^TXyu
23.3 Establishing the Tolerance Budget u583_k%
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24 Formulary :}r.
24.1 Sign Conventions, Symbols, and Definitions J\J?yo 6
24.2 The Cardinal Points q ud\K+
24.3 Image Equations ,REJt
24.4 Paraxial Ray Tracing (Surface by Surface) D,;\o7V
24.5 Invariants
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24.6 Paraxial Ray Tracing (Component by Component) !h(|\"
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24.7 Two-Componenet Relationships V~S0hqW[
24.8 Third-Order Aberrations – Surface Contributions M(RZ/x
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs `
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24.10 Stop Shift Equations <WjF*x p
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces hj
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) o[v\|Q`d
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Glossary Dw=gs{8D
Reference 6&DX] [G
Index