"Modern Lens Design" 2nd Edition by Warren J. Smith DY0G;L3
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Contents of Modern Lens Design 2nd Edition :W-"UW,
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1 Introduction Abd&p N
1.1 Lens Design Books K"#np!Y)
1.2 Reference Material G8Ns?
1.3 Specifications F{ B__Kf
1.4 Lens Design ixE72bX
1.5 Lens Design Program Features Ql3hq.E
1.6 About This Book Y!Wz7
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2 Automatic Lens Design x.xfMM2n
2.2 The Merit Function 7M=`Z{=9
2.3 Local Minima PIsMx -i0
2.4 The Landscape Lens : H0+} =
2.5 Types of Merit Function o!gl
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2.6 Stagnation ~4`LOROC
2.7 Generalized Simulated Annealing iRBUX`0
2.8 Considerations about Variables for Optimization _U|s!60'
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems p\WW~qD
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits m}'kxZTOm
2.11 Spectral Weighting %q`_vtUT
2.12 How to Get Started R'u M7,7
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3 Improving a Design
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques zdlysr#
3.2 Glass Changes ( Index and V Values ) $*\[I{Zau}
3.3 Splitting Elements )lTkqz8v
3.4 Separating a Cemented Doublet c7[|x%~
3.5 Compounding an Element `h+ sSIko
3.6 Vignetting and Its Uses _qR1M):yJ
3.7 Eliminating a Weak Element; the Concentric Problem ))K3pKyb
3.8 Balancing Aberrations H3H3UIIT_
3.9 The Symmetrical Principle N~=p+Ow[H
3.10 Aspheric Surfaces -WWa`,:
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4 Evaluation: How Good is This Design :-fCyF)EI
4.1 The Uses of a Preliminary Evaluation W`*S?QGzl@
4.2 OPD versus Measures of Performance Q"h/o"-h
4.3 Geometric Blur Spot Size versus Certain Aberrations 3<88j&9
4.4 Interpreting MTF - The Modulation Transfer Function +ng8!k
4.5 Fabrication Considerations b*+Od8r
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5 Lens Design Data PmZ-H>
5.1 About the Sample Lens Designs Gg]>S#^3
5.2 Lens Prescriptions, Drawings, and Aberration Plots {0 IEizQ|i
5.3 Estimating the Potential of a Redesign !_3Rd S
5.4 Scaling a Desing, Its Aberrations, and Its MTF KB0HM
5.5 Notes on the Interpretation of Ray Intercept Plots wf)T-]e
5.6 Various Evaluation Plot u]lf~EE
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6 Telescope Objective <5%x3e"7u
6.1 The Thin Airspaced Doublet wR@&C\}9
6.2 Merit Function for a Telescope Objective PHU#$LG
6.3 The Design of an f/7 Cemented Doublet Telescope Objective dMK|l
6.4 Spherochromatism rvgArFf}]
6.5 Zonal Spherical Aberration JL5
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6.6 Induced Aberrations %SaC[9=?
6.7 Three-Element Objectives OSY$qL2
6.8 Secondary Spectrum (Apochromatic Systems) 9lbe[w@
6.9 The Design of an f/7 Apochromatic Triplet b_ +dNoB
6.10 The Diffractive Surface in Lens Design 2Dgulx5kGZ
6.11 A Final Note iG( )"^G
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7 Eyepieces and Magnifiers DgQw`D)+
7.1 Eyepieces #EQwl6
7.2 A Pair of Magnifier Designs "xe % IS
7.3 The Simple, Classical Eyepieces KAVe~j"
7.4 Design Story of an Eyepiece for a 6*30 Binocular Wnm?a!j5
7.5 Four-Element Eyepieces \ bNN]=
7.6 Five-Element Eyepieces *8{PoD
7.7 Very High Index Eyepiece/Magnifier A Ch!D>C1
7.8 Six- and Seven-Element Eyepieces SIQ 7oxS4
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8 Cooke Triplet Anastigmats CV&+^_j'k
8.1 Airspaced Triplet Anastigmats 8@pY:AY
8.2 Glass Choice v[~e=^IIsl
8.3 Vertex Length and Residual Aberrations 0%$E^`
8.4 Other Design Considerations f86h"#4
8.5 A Plastic, Aspheric Triplet Camera Lens Z.TYi~d/9D
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet I-<U u2
8.7 Possible Improvement to Our “Basic” Triplet ;;#28nV
8.7 The Rear Earth (Lanthanum) Glasses WsO'4~X9
8.9 Aspherizing the Surfaces ++=t|ZS
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8.10 Increasing the Element Thickness /Z`("X?_Kf
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9 Split Triplets GG@GjP<_
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10 The Tessar, Heliar, and Other Compounded Triplets ^'9:n\SKQ
10.1 The Classic Tessar Hs,pY(l^
10.2 The Heliar/Pentac r1dP9MT\8
10.3 The Portrait Lens and the Enlarger Lens 0$Rl78>(
10.4 Other Compounded Triplets CEbZj
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar V/xGk9L~
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11 Double-Meniscus Anastigmats c4H5[LPF
11.1 Meniscus Components [HNWM/ff7+
11.2 The Hypergon, Totogon, and Metrogon R{={7.As+
11.3 A Two Element Aspheric Thick Meniscus Camera Lens H5wzzSV!:B
11.4 Protar, Dagor, and Convertible Lenses eb%`ox@&
11.5 The Split Dagor a^wGc+
11.6 The Dogmar B.
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ffDh0mDN
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12 The Biotar or Double-Gauss Lens XL
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12.1 The Basic Six-Element Version qI (<5Wxl
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens W\f u0^
12.3 The Seven-Element Biotar - Split-Rear Singlet ,n)f=q*%
12.4 The Seven-Element Biotar - Broken Contact Front Doublet BCUn[4Gp
12.5 The Seven-Element Biotar - One Compounded Outer Element ~\HGV+S!g}
12.6 The Eight-Element Biotar nKxu8YAJe
12.7 A “Doubled Double-Gauss” Relay i
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13 Telephoto Lenses NHI(}Ea|]
13.1 The Basic Telephoto =Rv!c+?
13.2 Close-up or Macro Lenses /XEt2,sI9
13.3 Telephoto Designs ?4QX;s7
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch FZdZGK
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses :`U@b
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14.1 The Reverse Telephoto Principle =]Gw9sge@
14.2 The Basic Retrofocus Lens -l)u`f^n|
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses .r=F'i}-j*
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15 Wide Angle Lenses with Negative Outer Lenses e$
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16 The Petzval Lens; Head-up Display Lenses J*I G]2'H
16.1 The Petzval Portrait Lens n*yVfI
16.2 The Petzval Projection Lens #H8% BZyV
16.3 The Petzval with a Field Flattener quky m3F
16.4 Very Height Speed Petzval Lenses jEaU;
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems .A6i?iROe
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17 Microscope Objectives xMOq/")
17.1 General Considerations 98Dg[O
17.2 Classic Objective Design Forms; The Aplanatic Front ],.1=iY
17.3 Flat-Field Objectives aFfd!a"n
17.4 Reflecting Objectives Ej;BI#gx=
17.5 The Microscope Objective Designs '=eG[#gy
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18 Mirror and Catadioptric Systems C~o\Q#*j
18.1 The Good and Bad Points of Mirrors o$4xinK
18.2 The Classic Two-Mirror Systems u[Ij4h.
18.3 Catadioptric Systems j*7#1<T
18.4 Aspheric Correctors and Schmidt Systems z&R
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18.5 Confocal Paraboloids SO!|wag$
18.6 Unobscured Systems o$Jop"To
18.7 Design of a Schmidt-Cassegrain “from Scratch” $27QY
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19 Infrared and Ultraviolet Systems Tl/!Dn
19.1 Infrared Optics kuX{2h*`
19.2 IR Objective Lenses /O*4/
19.3 IR Telescope &xg