[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 
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Contents of Modern Lens Design 2nd Edition ,R#pQ 4  
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1    Introduction         2FU+o\1%  
1.1    Lens Design Books     [% \>FT[  
1.2    Reference Material     )S@e&a|  
1.3    Specifications     Iv+JEuIi  
1.4    Lens Design     ]Wr2IM  
1.5    Lens Design Program Features     R
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1.6    About This Book     kw{dvE\K  
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2    Automatic Lens Design         6 <XQ'tM]N  
2.2    The Merit Function         `@TWZ%f6  
2.3    Local Minima     ]^:sV)  
2.4    The Landscape Lens     -@L7!,j  
2.5    Types of Merit Function     5.! OC5tO  
2.6    Stagnation     gR1vUad7  
2.7    Generalized Simulated Annealing     q)te/J@  
2.8    Considerations about Variables for Optimization     `yF6-F  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems diHK  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     Z*/{^ zsE  
2.11    Spectral Weighting     XuS3#L/3p  
2.12    How to Get Started     2^ uP[  
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3    Improving a Design     -UY5T@as  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     ,2oFt\`.r  
3.2    Glass Changes ( Index and V Values )     6<1 2j7  
3.3    Splitting Elements     m';j#j)w  
3.4    Separating a Cemented Doublet     mxD]`F  
3.5    Compounding an Element     [x{z}rYH  
3.6    Vignetting and Its Uses     " GRR,7A  
3.7    Eliminating a Weak Element; the Concentric Problem     idsBw!DB  
3.8    Balancing Aberrations     Znr6,[U+q
 
3.9    The Symmetrical Principle     ,Tp:. "  
3.10    Aspheric Surfaces    
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4    Evaluation: How Good is This Design     5"sd  
4.1    The Uses of a Preliminary Evaluation     )qSjI_qt5  
4.2    OPD versus Measures of Performance     xmVW6 ,<?  
4.3    Geometric Blur Spot Size versus Certain Aberrations     GmhfBW?  
4.4    Interpreting MTF - The Modulation Transfer Function     ~:FF"T>  
4.5    Fabrication Considerations     5 EhOvt8  
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5    Lens Design Data     ^_\S)P2c  
5.1    About the Sample Lens Designs     TOT#l6yqdd  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     u,RR|/@  
5.3    Estimating the Potential of a Redesign     tJBj9{  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     '+EtnWHs  
5.5    Notes on the Interpretation of Ray Intercept Plots     21k,{FB'?  
5.6    Various Evaluation Plot     K g6hySb  
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6    Telescope Objective     f/7on|bv
 
6.1    The Thin Airspaced Doublet     *kYJwO^  
6.2    Merit Function for a Telescope Objective     srlxp_^  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     b:WA}x V  
6.4    Spherochromatism     8:t!m>(*  
6.5    Zonal Spherical Aberration     rEHlo[7^
 
6.6    Induced Aberrations     $^:s)Yv  
6.7    Three-Element Objectives     []lMv ZW  
6.8    Secondary Spectrum (Apochromatic Systems)     !;3hN$5  
6.9    The Design of an f/7 Apochromatic Triplet     'm=TBNQTS  
6.10    The Diffractive Surface in Lens Design     knn9s0'Q  
6.11    A Final Note     *@I/TX'\rY  
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7    Eyepieces and Magnifiers     E3hXs6P  
7.1    Eyepieces     |)VNf.aJZ  
7.2    A Pair of Magnifier Designs     ="p,~ivrz  
7.3    The Simple, Classical Eyepieces     Ec9%RAxl  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     {x,d9I  
7.5    Four-Element Eyepieces     n\ 'PNB  
7.6    Five-Element Eyepieces     !C(U9p. 0  
7.7    Very High Index Eyepiece/Magnifier     mE\)j*Nnv  
7.8    Six- and Seven-Element Eyepieces     Mfn^v:Q#  
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8    Cooke Triplet Anastigmats     / Q| Z&-c  
8.1    Airspaced Triplet Anastigmats     |A.nP9hW  
8.2    Glass Choice     $^e(?Pq  
8.3    Vertex Length and Residual Aberrations     |&"/u7^  
8.4    Other Design Considerations     xX?9e3(  
8.5    A Plastic, Aspheric Triplet Camera Lens     ).)^\  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet `pb=y}  
8.7    Possible Improvement to Our “Basic” Triplet     w=_q<1a  
8.7    The Rear Earth (Lanthanum) Glasses     ToK=`0#LNK  
8.9    Aspherizing the Surfaces     z"nMR_TTu  
8.10    Increasing the Element Thickness     YEa<
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9    Split Triplets     ;V?3Hwl  
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10    The Tessar, Heliar, and Other Compounded Triplets     wP7 E8'  
10.1    The Classic Tessar     )[ QT?;  
10.2    The Heliar/Pentac     DH7]TRCMZ)  
10.3    The Portrait Lens and the Enlarger Lens     {[4.<|2
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10.4    Other Compounded Triplets     "!Qi$ ]  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar j.!5&^;u4  
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11    Double-Meniscus Anastigmats     C);3GPp  
11.1    Meniscus Components     j[Jwa*GQP  
11.2    The Hypergon, Totogon, and Metrogon     "8p<NsU  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     Q#F9&{'l  
11.4    Protar, Dagor, and Convertible Lenses     xS4?M<|L63  
11.5    The Split Dagor     "S+AkLe(  
11.6    The Dogmar     s)jNP\
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     2#   
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12    The Biotar or Double-Gauss Lens     O5MV&Zb(  
12.1    The Basic Six-Element Version     )<%CI#s#  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens ef7BG(  
12.3    The Seven-Element Biotar - Split-Rear Singlet     Q4Nut  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     jM-7  
12.5    The Seven-Element Biotar - One Compounded Outer Element     27i-B\r  
12.6    The Eight-Element Biotar     x~i\*Ox^  
12.7    A “Doubled Double-Gauss” Relay     PWeWz(]0Z4  
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13    Telephoto Lenses     d}aMdIF!e  
13.1    The Basic Telephoto     {e$@i  
13.2    Close-up or Macro Lenses     *~~J1.ja>  
13.3    Telephoto Designs     I s|_  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Ey.%: O-Dv  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     w`EC6ZN  
14.1    The Reverse Telephoto Principle     Pv=]7>e  
14.2    The Basic Retrofocus Lens     ._]*Y`5)d  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     p1[|5r5Day  
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15    Wide Angle Lenses with Negative Outer Lenses     1,:QrhC  
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16    The Petzval Lens; Head-up Display Lenses     ^;K"Y'f$  
16.1    The Petzval Portrait Lens     W9{i~.zo  
16.2    The Petzval Projection Lens     '9'f\  
16.3    The Petzval with a Field Flattener     \?wKs  
16.4    Very Height Speed Petzval Lenses     XI
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16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     WZn"I&Z  
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17    Microscope Objectives     ]heVR&bQ  
17.1    General Considerations     Lxn-M5RPQ  
17.2    Classic Objective Design Forms; The Aplanatic Front     @#*{* S8  
17.3    Flat-Field Objectives     l*(L"]  
17.4    Reflecting Objectives     WL|71?@C  
17.5    The Microscope Objective Designs     fu{v(^  
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18    Mirror and Catadioptric Systems     belBdxa{"  
18.1    The Good and Bad Points of Mirrors     Q@|"xKa  
18.2    The Classic Two-Mirror Systems 7Le-f  
18.3    Catadioptric Systems     d04gmc&*  
18.4    Aspheric Correctors and Schmidt Systems     {3SK|J`  
18.5    Confocal Paraboloids     m^
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18.6    Unobscured Systems     8#R%jjr%T  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     t<"`gM^|  
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19    Infrared and Ultraviolet Systems     |z8_]o+|r1  
19.1    Infrared Optics     1;?w#/&t  
19.2    IR Objective Lenses     ~.6% %1?  
19.3    IR Telescope     mE=Tj%+x  
19.4    Laser Beam Expanders     EuA352x  
19,5    Ultraviolet Systems     iaQfxQP1w%  
19.6    Microlithographic Lenses     `
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20    Zoom Lenses     \),zDO+  
20.1    Zoom Lenses     nET<u;  
20.2    Zoom Lenses for Point and Shoot Cameras     :?}>Q  
20.3    A 20X Video Zoom Lens     Sj:c {jyJd  
20.4    A Zoom Scanner Lens     t|9vb  
20.5    A Possible Zoom Lens Design Procedure     \acGSW .c  
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21    Projection TV Lenses and Macro Lenses     ,Y#f0  
21.1    Projection TV Lenses      fOKAy'  
21.2    Macro Lenses     S;/pm$?/  
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22    Scanner/ , Laser Disk and Collimator Lenses     DZ $O%  
22.1    Monochromatic Systems     zo8&(XS  
22.2    Scanner Lenses     U6o]7j&6  
22.3    Laser Disk, Focusing, and Collimator Lenses     _,v>P2)  
    9xK#(M  
23    Tolerance Budgeting     1D2RhM%  
23.1    The Tolerance Budget     *v: .]_;  
23.2    Additive Tolerances     D(&Zq7]n  
23.3    Establishing the Tolerance Budget     dtjb(*x  
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24    Formulary 9 &Ry51  
24.1    Sign Conventions, Symbols, and Definitions     . Y$xNLoP[  
24.2    The Cardinal Points     $VP\Ac,!  
24.3    Image Equations     U]B-B+
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24.4    Paraxial Ray Tracing (Surface by Surface)     h#dfhcU>  
24.5    Invariants     6OJhF7\0&  
24.6    Paraxial Ray Tracing (Component by Component)     c
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24.7    Two-Componenet Relationships     sk_xQo#Y 3  
24.8    Third-Order Aberrations – Surface Contributions     ,1.Td=lY$  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     IFZw54  
24.10    Stop Shift Equations     ~ 588md :  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     mVN\  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     LF)wn-C}  
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Glossary biForT_no  
Reference kn
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Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 C0>L<*C  
我怎么瞧不明白。

有没有人呀 H
7meI9L  
有个问题想请教大家