"Modern Lens Design" 2nd Edition by Warren J. Smith |yi3y `f
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Contents of Modern Lens Design 2nd Edition D@yg)$;z
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1 Introduction _be*B+?2 t
1.1 Lens Design Books *=1;HN3
1.2 Reference Material R<gC,eV<=
1.3 Specifications u:pdY'`"#
1.4 Lens Design %:n1S]Vr
1.5 Lens Design Program Features ?gb"S,
1.6 About This Book 0KyujU?sF
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2 Automatic Lens Design \#[W8k<Z
2.2 The Merit Function r3l}I6
2.3 Local Minima Z1FO.[FV
2.4 The Landscape Lens "3{xa;c
2.5 Types of Merit Function z[DUktZl
2.6 Stagnation PXcpROg56
2.7 Generalized Simulated Annealing eB78z@
2.8 Considerations about Variables for Optimization Wiqy".YY
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems JEX{jf
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits C|Bk'<MI
2.11 Spectral Weighting >w jWX{&?
2.12 How to Get Started )^uLZMNaI
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3 Improving a Design cve(pkl
3.1 Lens Design Tip Sheet: Standard Improvement Techniques e0HG"z4
3.2 Glass Changes ( Index and V Values ) R0;c'W)
3.3 Splitting Elements $EbxV"b+
3.4 Separating a Cemented Doublet 36JVnW;
3.5 Compounding an Element =iRi9r'l
3.6 Vignetting and Its Uses 5nr}5bum
3.7 Eliminating a Weak Element; the Concentric Problem |EaGKC(
3.8 Balancing Aberrations -vI?b#
3.9 The Symmetrical Principle -gh',)R
3.10 Aspheric Surfaces %5*gsgeI
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4 Evaluation: How Good is This Design |H5){ 2V>K
4.1 The Uses of a Preliminary Evaluation
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4.2 OPD versus Measures of Performance ;h_"5/#
4.3 Geometric Blur Spot Size versus Certain Aberrations $nQ; ++
4.4 Interpreting MTF - The Modulation Transfer Function fcb:LPk;
4.5 Fabrication Considerations yw5MlZ4P=
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5 Lens Design Data ^aDos9SyV
5.1 About the Sample Lens Designs jK\2y|&&c
5.2 Lens Prescriptions, Drawings, and Aberration Plots ;)[RG\
5.3 Estimating the Potential of a Redesign B_M)<Ad
5.4 Scaling a Desing, Its Aberrations, and Its MTF m?xzx^xs/
5.5 Notes on the Interpretation of Ray Intercept Plots |hehROUn
5.6 Various Evaluation Plot 0G9@A8LU
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6 Telescope Objective 3mZX@h@
6.1 The Thin Airspaced Doublet TQ" [2cY
6.2 Merit Function for a Telescope Objective Z?[;Japg
6.3 The Design of an f/7 Cemented Doublet Telescope Objective X#5dd.RR
6.4 Spherochromatism bOux8OHt*
6.5 Zonal Spherical Aberration $I-$X?
6.6 Induced Aberrations *(L4rK\2
6.7 Three-Element Objectives h|dVVCsN
6.8 Secondary Spectrum (Apochromatic Systems) g8mVjM\B;
6.9 The Design of an f/7 Apochromatic Triplet jt
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6.10 The Diffractive Surface in Lens Design {g l-tRC3
6.11 A Final Note HGB96,o f9
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7 Eyepieces and Magnifiers Ka2U@fK"
7.1 Eyepieces 0F`@/C1y55
7.2 A Pair of Magnifier Designs mT5d[lz
7.3 The Simple, Classical Eyepieces 1[J&^@t[h6
7.4 Design Story of an Eyepiece for a 6*30 Binocular gPe*M =iF
7.5 Four-Element Eyepieces zUXqTcj
7.6 Five-Element Eyepieces q NU\XO`H
7.7 Very High Index Eyepiece/Magnifier s>~!r.GC
7.8 Six- and Seven-Element Eyepieces b.h~QyI/W
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8 Cooke Triplet Anastigmats aC X](sN
8.1 Airspaced Triplet Anastigmats X6!u(plVQ
8.2 Glass Choice M\,0<{
8.3 Vertex Length and Residual Aberrations B c*Rn3i@
8.4 Other Design Considerations XV)ej>A-V
8.5 A Plastic, Aspheric Triplet Camera Lens _+wou(1y
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet oj$D3
8.7 Possible Improvement to Our “Basic” Triplet X~5TA)h;~
8.7 The Rear Earth (Lanthanum) Glasses
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8.9 Aspherizing the Surfaces KI-E=<zt
8.10 Increasing the Element Thickness e<l Wel
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9 Split Triplets c_O|?1
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10 The Tessar, Heliar, and Other Compounded Triplets mR[J Xh9s
10.1 The Classic Tessar o9#
10.2 The Heliar/Pentac 8~EDmg[
10.3 The Portrait Lens and the Enlarger Lens %D\TLY
10.4 Other Compounded Triplets wz9V)_V*
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar hBz~FB];&
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11 Double-Meniscus Anastigmats p{t2pfb
11.1 Meniscus Components ov#/v\|0
11.2 The Hypergon, Totogon, and Metrogon /^DDU!=(<
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Ngu+V
11.4 Protar, Dagor, and Convertible Lenses +J]3)8y+
11.5 The Split Dagor :"3WCB
11.6 The Dogmar ]$4 k+)6
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens t}qoIxy)
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12 The Biotar or Double-Gauss Lens Xl2Fgg}#
12.1 The Basic Six-Element Version oA"t`,3
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens EfcoJgX
12.3 The Seven-Element Biotar - Split-Rear Singlet Zdl Z,vK^.
12.4 The Seven-Element Biotar - Broken Contact Front Doublet _|wgw^.LJ]
12.5 The Seven-Element Biotar - One Compounded Outer Element cA`R~o"
12.6 The Eight-Element Biotar OlRBvfoh8
12.7 A “Doubled Double-Gauss” Relay E%3WJ%A
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13 Telephoto Lenses ub{<m^|)
13.1 The Basic Telephoto c|:H/Y2n|
13.2 Close-up or Macro Lenses 7sC$hm]
13.3 Telephoto Designs [O&2!x
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch zr\I1v]?1#
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses c*1t<OAS~
14.1 The Reverse Telephoto Principle W~POS'1
14.2 The Basic Retrofocus Lens 8PDt 7
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses <3LyNG.
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15 Wide Angle Lenses with Negative Outer Lenses |UZ#2
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16 The Petzval Lens; Head-up Display Lenses <)uUAh
16.1 The Petzval Portrait Lens R4_4 FEo
16.2 The Petzval Projection Lens x5WFPY$wM
16.3 The Petzval with a Field Flattener /$! /F@^
16.4 Very Height Speed Petzval Lenses Gz+Bk5#{
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ^p|MkB?uM
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17 Microscope Objectives G=jdb@V/?
17.1 General Considerations &0It"17Ej
17.2 Classic Objective Design Forms; The Aplanatic Front .*r?zDV
17.3 Flat-Field Objectives cnnlEw/&
17.4 Reflecting Objectives zM|d9TS
17.5 The Microscope Objective Designs S?D|"#-,
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18 Mirror and Catadioptric Systems G+=euK2]
18.1 The Good and Bad Points of Mirrors ]~U4;
18.2 The Classic Two-Mirror Systems Ss@\'K3e
18.3 Catadioptric Systems IwZn%>1N
18.4 Aspheric Correctors and Schmidt Systems bVQLj}%
18.5 Confocal Paraboloids ;? '`XB!
18.6 Unobscured Systems .LIEZ^@
18.7 Design of a Schmidt-Cassegrain “from Scratch” ^Gq4Yr
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19 Infrared and Ultraviolet Systems \'q-Xr'}M
19.1 Infrared Optics hWJ\dwF
19.2 IR Objective Lenses ^e"BY(
19.3 IR Telescope Gk;==~
19.4 Laser Beam Expanders |<\o%89AM
19,5 Ultraviolet Systems sw[1T_S>
19.6 Microlithographic Lenses 6m_Y%&
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20 Zoom Lenses W|NzdxCY
20.1 Zoom Lenses ^cZF#%k
20.2 Zoom Lenses for Point and Shoot Cameras %ErLL@e
20.3 A 20X Video Zoom Lens "w*VyD
20.4 A Zoom Scanner Lens 2IFri|;-eb
20.5 A Possible Zoom Lens Design Procedure MSUkCWt!
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21 Projection TV Lenses and Macro Lenses *Y?rls `
21.1 Projection TV Lenses b*',(J94
21.2 Macro Lenses JX7_/P
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22 Scanner/ , Laser Disk and Collimator Lenses izebQVQO*
22.1 Monochromatic Systems W#P)v{K
22.2 Scanner Lenses Ett%Y*D+J
22.3 Laser Disk, Focusing, and Collimator Lenses T6=c9f?7
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23 Tolerance Budgeting MH.,dB&
23.1 The Tolerance Budget LcoJltY{5
23.2 Additive Tolerances Vk5}d[[l
23.3 Establishing the Tolerance Budget T\:Vu{|
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24 Formulary jX-v9eaA
24.1 Sign Conventions, Symbols, and Definitions KqG:o+V=
24.2 The Cardinal Points ()6(eRGJ
24.3 Image Equations
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24.4 Paraxial Ray Tracing (Surface by Surface) v?,_SVgAi
24.5 Invariants y#F( xm+L
24.6 Paraxial Ray Tracing (Component by Component) Ck%nNy29
24.7 Two-Componenet Relationships R+Dx#Wn I
24.8 Third-Order Aberrations – Surface Contributions jutEb@nog
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs &p8b4y_
24.10 Stop Shift Equations 3Wa^:8N
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 3lcd:=
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) TppR \[4]
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Glossary g,h'K
Reference )s5Q4m!
Index