"Modern Lens Design" 2nd Edition by Warren J. Smith FL0(q>$*8
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Contents of Modern Lens Design 2nd Edition $C(}
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1 Introduction ![U|2x
1.1 Lens Design Books gjL>FOe8u
1.2 Reference Material N$>g)Ml?
1.3 Specifications ~+QfP:G
1.4 Lens Design cRT@Cu
1.5 Lens Design Program Features *Yl9%x]3c
1.6 About This Book LurBqr
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2 Automatic Lens Design hM/|k0YV
2.2 The Merit Function ?o),F^ir
2.3 Local Minima bb+-R_3Kd
2.4 The Landscape Lens y&-j NOKLM
2.5 Types of Merit Function #s)6u?N
2.6 Stagnation /u*((AJ?Qv
2.7 Generalized Simulated Annealing L!c7$M5xJ
2.8 Considerations about Variables for Optimization t~Cul+
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems =+'4u
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits zg0)9br
2.11 Spectral Weighting D$I7Gz,w{
2.12 How to Get Started a%7%NN*i
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3 Improving a Design :JxShF:M
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 80&JEtRh
3.2 Glass Changes ( Index and V Values ) *Jmy:C<>
3.3 Splitting Elements R4]t D|
3.4 Separating a Cemented Doublet z6ArSLlZ
3.5 Compounding an Element q*mNVBy
3.6 Vignetting and Its Uses a 5:YP
3.7 Eliminating a Weak Element; the Concentric Problem %m t|Dl
3.8 Balancing Aberrations U<KvKg
3.9 The Symmetrical Principle iaLsIy#h
3.10 Aspheric Surfaces y5RcJM
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4 Evaluation: How Good is This Design +(`
4.1 The Uses of a Preliminary Evaluation 1<\@i{;xsU
4.2 OPD versus Measures of Performance 7Xw;TA
4.3 Geometric Blur Spot Size versus Certain Aberrations B'lWs;
4.4 Interpreting MTF - The Modulation Transfer Function tTLD6#
4.5 Fabrication Considerations '_@Y
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5 Lens Design Data .`)\GjDv
5.1 About the Sample Lens Designs fJH09:@^%
5.2 Lens Prescriptions, Drawings, and Aberration Plots V&eti2&zO
5.3 Estimating the Potential of a Redesign m`}!
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5.4 Scaling a Desing, Its Aberrations, and Its MTF 0;#%KC,
5.5 Notes on the Interpretation of Ray Intercept Plots ?76Wg::
5.6 Various Evaluation Plot 8&IsZPq%l
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6 Telescope Objective ^}8(o
6.1 The Thin Airspaced Doublet I_6?Q^_uZ
6.2 Merit Function for a Telescope Objective Nh^T,nv*l
6.3 The Design of an f/7 Cemented Doublet Telescope Objective sbjAZzrX2i
6.4 Spherochromatism D}>pl8ke~g
6.5 Zonal Spherical Aberration 1j`-lD
6.6 Induced Aberrations SsIy ;l
6.7 Three-Element Objectives +%OINMo.A
6.8 Secondary Spectrum (Apochromatic Systems) lF2im5nZ?
6.9 The Design of an f/7 Apochromatic Triplet t>)iC)^u
6.10 The Diffractive Surface in Lens Design /!=uM.
6.11 A Final Note j\B]>PP5
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7 Eyepieces and Magnifiers o8-BTq8
7.1 Eyepieces r/$+'~apTk
7.2 A Pair of Magnifier Designs 9TIyY`2!
7.3 The Simple, Classical Eyepieces 6iVjAxR
7.4 Design Story of an Eyepiece for a 6*30 Binocular Hzcy'
7.5 Four-Element Eyepieces 9%S{fd\#
7.6 Five-Element Eyepieces IEfzu L<v
7.7 Very High Index Eyepiece/Magnifier CC0@RU
7.8 Six- and Seven-Element Eyepieces J;W(}"cFq
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8 Cooke Triplet Anastigmats #=V%S
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8.1 Airspaced Triplet Anastigmats I?YTX
8.2 Glass Choice Sf);j0G,D
8.3 Vertex Length and Residual Aberrations m2E$[g
8.4 Other Design Considerations |NJe4lw+?
8.5 A Plastic, Aspheric Triplet Camera Lens SpPG
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet orVsMT[A
8.7 Possible Improvement to Our “Basic” Triplet *Z>Yv37P
8.7 The Rear Earth (Lanthanum) Glasses ]( V+ qj
8.9 Aspherizing the Surfaces M#LQz~E
8.10 Increasing the Element Thickness 3~z4#8=
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9 Split Triplets veFl0ILd
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10 The Tessar, Heliar, and Other Compounded Triplets vA2@Db}
10.1 The Classic Tessar `zGK$,[%
10.2 The Heliar/Pentac F1JSf&8
10.3 The Portrait Lens and the Enlarger Lens (#Z2
10.4 Other Compounded Triplets BIEc4k5(
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar M>D 3NY[,
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11 Double-Meniscus Anastigmats blNE$X+0|
11.1 Meniscus Components kT@RA}
11.2 The Hypergon, Totogon, and Metrogon :@jhe8'w
11.3 A Two Element Aspheric Thick Meniscus Camera Lens )SQ*"X4"
11.4 Protar, Dagor, and Convertible Lenses d"<Q}Ay
11.5 The Split Dagor U_v{Vs
11.6 The Dogmar Sj]k5(&
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens A ${b]
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12 The Biotar or Double-Gauss Lens sDT(3{)L7
12.1 The Basic Six-Element Version !8yw!hA
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /ZqBO*]
12.3 The Seven-Element Biotar - Split-Rear Singlet e48`cX\E
12.4 The Seven-Element Biotar - Broken Contact Front Doublet %;yDiQ !+
12.5 The Seven-Element Biotar - One Compounded Outer Element #DApdD9M
12.6 The Eight-Element Biotar -ZFeE[Z
12.7 A “Doubled Double-Gauss” Relay gYVk5d|8@4
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13 Telephoto Lenses }ddwL
13.1 The Basic Telephoto AWHB^}!}
13.2 Close-up or Macro Lenses |-4C[5rM
13.3 Telephoto Designs DnvJx!#R
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ZZOBMF7
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 2
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14.1 The Reverse Telephoto Principle 0* <gGC
14.2 The Basic Retrofocus Lens yn<H^c
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses sUN>uroi !
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15 Wide Angle Lenses with Negative Outer Lenses xnmIo?
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16 The Petzval Lens; Head-up Display Lenses ztf
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16.1 The Petzval Portrait Lens [RCUP.
16.2 The Petzval Projection Lens IG0$OtG
16.3 The Petzval with a Field Flattener drP2%u
16.4 Very Height Speed Petzval Lenses &I:[ 'l!
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems [Av#Z)R
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17 Microscope Objectives kF.!U/C
17.1 General Considerations ^0"NcOzzxl
17.2 Classic Objective Design Forms; The Aplanatic Front JW9^C
17.3 Flat-Field Objectives *')BP;|V`
17.4 Reflecting Objectives D.Rk{0se8
17.5 The Microscope Objective Designs jIJVl \i]
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18 Mirror and Catadioptric Systems A!Zjcp|
18.1 The Good and Bad Points of Mirrors `l@[8H%aw
18.2 The Classic Two-Mirror Systems x3=W{Fv@4
18.3 Catadioptric Systems ;8/w'oe*j
18.4 Aspheric Correctors and Schmidt Systems r \H+=2E'
18.5 Confocal Paraboloids !R;P"%PHV
18.6 Unobscured Systems 'Wjuv9)/
18.7 Design of a Schmidt-Cassegrain “from Scratch” t+Kxww58
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19 Infrared and Ultraviolet Systems ozH7c_ <
19.1 Infrared Optics _Z+tb]
19.2 IR Objective Lenses I\DmVc\l
19.3 IR Telescope @3KVYv,q
19.4 Laser Beam Expanders 'EU{%\qM
19,5 Ultraviolet Systems ;tTM3W-h
19.6 Microlithographic Lenses v{`Z
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20 Zoom Lenses :khl}|
20.1 Zoom Lenses 9|WBJ6
20.2 Zoom Lenses for Point and Shoot Cameras TEz)d=
20.3 A 20X Video Zoom Lens { 6Lkh
20.4 A Zoom Scanner Lens ^tX+<X
20.5 A Possible Zoom Lens Design Procedure n4\6\0jq6
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21 Projection TV Lenses and Macro Lenses mE)65@3%
21.1 Projection TV Lenses 2uFaAAT
21.2 Macro Lenses E{gu39 D
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22 Scanner/ , Laser Disk and Collimator Lenses =o;QvOS;
22.1 Monochromatic Systems X<@yt HBv
22.2 Scanner Lenses ,Hh7'`
22.3 Laser Disk, Focusing, and Collimator Lenses nL!h hseH
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23 Tolerance Budgeting XSt5s06TM
23.1 The Tolerance Budget ya5a7
23.2 Additive Tolerances vb/*ILS
23.3 Establishing the Tolerance Budget BF8n: }9U
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24 Formulary *V#v6r7<Y/
24.1 Sign Conventions, Symbols, and Definitions Fn$/ K
24.2 The Cardinal Points }l$M%Ps!a
24.3 Image Equations L(TO5Y]
24.4 Paraxial Ray Tracing (Surface by Surface) y@]4xLB]
24.5 Invariants cd{3JGgB
24.6 Paraxial Ray Tracing (Component by Component) 5~k-c Ua
24.7 Two-Componenet Relationships Pc{D,/EpR
24.8 Third-Order Aberrations – Surface Contributions .vNfbYH(
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs {YZ)IaqZ
24.10 Stop Shift Equations Q>7#</i\.
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ,e+.Q#r*Y
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 1 6;l,@
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Glossary Y<3s_
Reference ASY
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Index