"Modern Lens Design" 2nd Edition by Warren J. Smith +yCTH
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Contents of Modern Lens Design 2nd Edition ,6DD=w 0r
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1 Introduction *
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1.1 Lens Design Books l^ARW
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1.2 Reference Material vm|!{5l:=y
1.3 Specifications Vd21,~^>g
1.4 Lens Design cs
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1.5 Lens Design Program Features pL! a
1.6 About This Book mGO>""<:
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2 Automatic Lens Design MA$Xv`6I\
2.2 The Merit Function "NKf0F
2.3 Local Minima @7fm1b
2.4 The Landscape Lens Rnr#$C%
2.5 Types of Merit Function p!}ZdX[u
2.6 Stagnation G)8ChnJa!m
2.7 Generalized Simulated Annealing +>4^mE" \
2.8 Considerations about Variables for Optimization D;jK/2
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems sXiv,
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits l0Y?v 4
2.11 Spectral Weighting f|#8qiUS
2.12 How to Get Started tfA}`*$s
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3 Improving a Design
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques }a ^|L"
3.2 Glass Changes ( Index and V Values ) 5KJ%]B(H2
3.3 Splitting Elements BRa{\R^I
3.4 Separating a Cemented Doublet Pxqiv9D<R
3.5 Compounding an Element SRItE\"Xe
3.6 Vignetting and Its Uses =e{.yggE
3.7 Eliminating a Weak Element; the Concentric Problem LQqfi
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3.8 Balancing Aberrations 781]THY=
3.9 The Symmetrical Principle ) "[HZ/
3.10 Aspheric Surfaces iX%n0i
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4 Evaluation: How Good is This Design ;%Q&hwj
4.1 The Uses of a Preliminary Evaluation f?^S bp
4.2 OPD versus Measures of Performance w.uK?A>W,
4.3 Geometric Blur Spot Size versus Certain Aberrations 4sIXO
4.4 Interpreting MTF - The Modulation Transfer Function M&f#wQ
4.5 Fabrication Considerations `eC+% O
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5 Lens Design Data '_0
5.1 About the Sample Lens Designs hVM2/j
5.2 Lens Prescriptions, Drawings, and Aberration Plots Xk,>l6vc
5.3 Estimating the Potential of a Redesign kYlg4 .~M
5.4 Scaling a Desing, Its Aberrations, and Its MTF n P1GW6Pu
5.5 Notes on the Interpretation of Ray Intercept Plots 1"YpO"Rh
5.6 Various Evaluation Plot ^C7C$TZS
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6 Telescope Objective MMgx|"
6.1 The Thin Airspaced Doublet A=X-;N#
6.2 Merit Function for a Telescope Objective %i"}x/CD[
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 5g>wV
6.4 Spherochromatism =|,A%ZGF$
6.5 Zonal Spherical Aberration #\ #3r
6.6 Induced Aberrations Ri @`a
6.7 Three-Element Objectives ^A!$i$NON
6.8 Secondary Spectrum (Apochromatic Systems) OH6n^WKY
6.9 The Design of an f/7 Apochromatic Triplet 6t7fa<
6.10 The Diffractive Surface in Lens Design hcyO97@r
6.11 A Final Note "Pj}E=!k
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7 Eyepieces and Magnifiers X#ZgS!Mn
7.1 Eyepieces R ]P;sk5
7.2 A Pair of Magnifier Designs ]?&FOzN5$P
7.3 The Simple, Classical Eyepieces v{y{sA
7.4 Design Story of an Eyepiece for a 6*30 Binocular 4pPI'd&/7
7.5 Four-Element Eyepieces X;!~<~@Y
7.6 Five-Element Eyepieces QDE$E.a
7.7 Very High Index Eyepiece/Magnifier Qn|+eLY
7.8 Six- and Seven-Element Eyepieces p`P~i&_
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8 Cooke Triplet Anastigmats Mu2`ODe]
8.1 Airspaced Triplet Anastigmats Q9sl fQ
8.2 Glass Choice eW50s`bKY
8.3 Vertex Length and Residual Aberrations @Y-TOCadT
8.4 Other Design Considerations mQr0sI,o]
8.5 A Plastic, Aspheric Triplet Camera Lens fu]N""~
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet >qh?L#Fk
8.7 Possible Improvement to Our “Basic” Triplet Hg+
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8.7 The Rear Earth (Lanthanum) Glasses .'d2J> ~N
8.9 Aspherizing the Surfaces Fm3t'^SqF
8.10 Increasing the Element Thickness _Y!sVJ){,c
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9 Split Triplets kg>>D
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10 The Tessar, Heliar, and Other Compounded Triplets Z<"K_bj
10.1 The Classic Tessar Qf@iU%G
10.2 The Heliar/Pentac c\.P/~
10.3 The Portrait Lens and the Enlarger Lens M_|> kp
10.4 Other Compounded Triplets Ns=AjhLc z
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ,}J_:\j
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11 Double-Meniscus Anastigmats ; Lql_1
11.1 Meniscus Components \ZH&LPAY
11.2 The Hypergon, Totogon, and Metrogon b$-e\XB!
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Tlodn7%",
11.4 Protar, Dagor, and Convertible Lenses JhX=l-?
11.5 The Split Dagor o2uj =Gnx
11.6 The Dogmar Qh`:<KI
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens FxRXPt
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12 The Biotar or Double-Gauss Lens FWY2s(5p
12.1 The Basic Six-Element Version `78V%\
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens bx}fj#J]En
12.3 The Seven-Element Biotar - Split-Rear Singlet \#,t O%D
12.4 The Seven-Element Biotar - Broken Contact Front Doublet kWW w<cA
12.5 The Seven-Element Biotar - One Compounded Outer Element `xz&Scil
12.6 The Eight-Element Biotar L*JPe"N-e
12.7 A “Doubled Double-Gauss” Relay I%lE;'x
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13 Telephoto Lenses c`G&KCw)d
13.1 The Basic Telephoto z"
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13.2 Close-up or Macro Lenses ig_2={Q@
13.3 Telephoto Designs 11UB4CA
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch kXc25y'blP
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses vkcRm`.
14.1 The Reverse Telephoto Principle n(vDytrj;
14.2 The Basic Retrofocus Lens \2kPq>hu
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses B'weok
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15 Wide Angle Lenses with Negative Outer Lenses r\M9_s8
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16 The Petzval Lens; Head-up Display Lenses >e&