"Modern Lens Design" 2nd Edition by Warren J. Smith ]a=n(`l?
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Contents of Modern Lens Design 2nd Edition jNbU{Z%r
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1 Introduction L9Z\|L5
1.1 Lens Design Books xI>HY9i)
1.2 Reference Material u2o196,Ut
1.3 Specifications qh~$AJ9sB
1.4 Lens Design s#BSZP
1.5 Lens Design Program Features OCN:{
1.6 About This Book qk}Mb_*C)
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2 Automatic Lens Design >1*Dg?/=S
2.2 The Merit Function '/U% -/@
2.3 Local Minima # A#,]XP
2.4 The Landscape Lens KFhnv`a.0
2.5 Types of Merit Function 5>\Lk>rI
2.6 Stagnation +*`>7m<^
2.7 Generalized Simulated Annealing &iTTal.6
2.8 Considerations about Variables for Optimization boeIO\2}P0
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems -IE=?23Do?
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits |-Q="7b%
2.11 Spectral Weighting v;.w*x8Jw
2.12 How to Get Started
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3 Improving a Design c~)H" n
3.1 Lens Design Tip Sheet: Standard Improvement Techniques .22}=z
3.2 Glass Changes ( Index and V Values ) SYYg
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3.3 Splitting Elements &BOG&ot
3.4 Separating a Cemented Doublet 0f;`Zj0l8
3.5 Compounding an Element GhC%32F
3.6 Vignetting and Its Uses 4<btWbk5u*
3.7 Eliminating a Weak Element; the Concentric Problem rCsH
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3.8 Balancing Aberrations j"Z9}F@
3.9 The Symmetrical Principle L"It0C
3.10 Aspheric Surfaces $_+.D`vx`
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4 Evaluation: How Good is This Design ,|^ lqY
4.1 The Uses of a Preliminary Evaluation q^Ui2
4.2 OPD versus Measures of Performance NOQSL T=
4.3 Geometric Blur Spot Size versus Certain Aberrations jmr1e).];
4.4 Interpreting MTF - The Modulation Transfer Function #gSIa6z1W
4.5 Fabrication Considerations 3e?a$~9
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5 Lens Design Data A3A"^f$$
5.1 About the Sample Lens Designs AiUK#I
5.2 Lens Prescriptions, Drawings, and Aberration Plots gE$@:j
5.3 Estimating the Potential of a Redesign *n*po.Xr
5.4 Scaling a Desing, Its Aberrations, and Its MTF O[5u6heNMr
5.5 Notes on the Interpretation of Ray Intercept Plots xG8z4Yu
5.6 Various Evaluation Plot P~@.(hed
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6 Telescope Objective /_ RrNzqy
6.1 The Thin Airspaced Doublet D {N,7kT
6.2 Merit Function for a Telescope Objective ~+&Z4CYb
6.3 The Design of an f/7 Cemented Doublet Telescope Objective l.%[s6
6.4 Spherochromatism - -ZSl
6.5 Zonal Spherical Aberration %-O[%Dy
6.6 Induced Aberrations G]E-2 _t7
6.7 Three-Element Objectives Uq=!>C8
6.8 Secondary Spectrum (Apochromatic Systems) gVN&?`k*?
6.9 The Design of an f/7 Apochromatic Triplet +<7a$/L?4
6.10 The Diffractive Surface in Lens Design OcZ8:`=%
6.11 A Final Note K)nn;j=
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7 Eyepieces and Magnifiers *:,y`!F=y
7.1 Eyepieces 2@?\"kR"!
7.2 A Pair of Magnifier Designs o]WG8Mo-
7.3 The Simple, Classical Eyepieces /F_(&H!m
7.4 Design Story of an Eyepiece for a 6*30 Binocular !A#(bC
7.5 Four-Element Eyepieces P7y.:%DGD0
7.6 Five-Element Eyepieces *v0}S5^/"
7.7 Very High Index Eyepiece/Magnifier o(3`-ucD`
7.8 Six- and Seven-Element Eyepieces *K=Yrisz
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8 Cooke Triplet Anastigmats F:cenIaBF
8.1 Airspaced Triplet Anastigmats > m##JzWLr
8.2 Glass Choice RrRE$g
8.3 Vertex Length and Residual Aberrations iNEE2BPp
8.4 Other Design Considerations BLcsIyq
8.5 A Plastic, Aspheric Triplet Camera Lens t(\P8J
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet B$&&'i%
8.7 Possible Improvement to Our “Basic” Triplet Qh!h "]
8.7 The Rear Earth (Lanthanum) Glasses wf/DLAC
8.9 Aspherizing the Surfaces {GKq Ou
8.10 Increasing the Element Thickness Fa9gr/.F,@
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9 Split Triplets z]0UW\S/
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10 The Tessar, Heliar, and Other Compounded Triplets [LrA_N
10.1 The Classic Tessar &46Ro|XE`
10.2 The Heliar/Pentac 3`>nQ4zC
10.3 The Portrait Lens and the Enlarger Lens WG(%Pkowv
10.4 Other Compounded Triplets @Yzc?+x
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar "&N1$$
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11 Double-Meniscus Anastigmats V8IEfU
11.1 Meniscus Components U(u$5
11.2 The Hypergon, Totogon, and Metrogon r^$WX@ t&
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Bw8&Amxx:
11.4 Protar, Dagor, and Convertible Lenses @DK;i_i
11.5 The Split Dagor 7 J+cs^2
11.6 The Dogmar Y|y X]\,
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens D$PR<>=y
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12 The Biotar or Double-Gauss Lens =3<@{^Eg
12.1 The Basic Six-Element Version g9oYK
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Yn1CU
12.3 The Seven-Element Biotar - Split-Rear Singlet K!onV3mR
12.4 The Seven-Element Biotar - Broken Contact Front Doublet mZb[Fi
12.5 The Seven-Element Biotar - One Compounded Outer Element sN9
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12.6 The Eight-Element Biotar 6/&aBE=
12.7 A “Doubled Double-Gauss” Relay Ialbz\;F2%
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13 Telephoto Lenses oar`xH$C
13.1 The Basic Telephoto k{d)'\FM
13.2 Close-up or Macro Lenses 8
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13.3 Telephoto Designs A3c&VT6Q
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch m-)yQM8
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses &a];"2
14.1 The Reverse Telephoto Principle @gHWU>k,A
14.2 The Basic Retrofocus Lens v|K<3@J
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses s^Wh!:>r/
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15 Wide Angle Lenses with Negative Outer Lenses Gp5=cV'k
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16 The Petzval Lens; Head-up Display Lenses of>"qrdZ
16.1 The Petzval Portrait Lens >djTJ>dl_u
16.2 The Petzval Projection Lens 1E|~;wo\
16.3 The Petzval with a Field Flattener #(Ah>y
16.4 Very Height Speed Petzval Lenses pu9ub.
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems _;yi/)-2
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17 Microscope Objectives +ZxG<1&
17.1 General Considerations {9yW8&m
17.2 Classic Objective Design Forms; The Aplanatic Front !mLD`62.
17.3 Flat-Field Objectives m_n*_tX
17.4 Reflecting Objectives X`E3lgfqT
17.5 The Microscope Objective Designs WG?;Z
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18 Mirror and Catadioptric Systems &*r'Sx)V
18.1 The Good and Bad Points of Mirrors ZQQ0}
18.2 The Classic Two-Mirror Systems FELTmQUV
18.3 Catadioptric Systems sHi *\
18.4 Aspheric Correctors and Schmidt Systems }xE}I<M
18.5 Confocal Paraboloids 8>y!=+9_
18.6 Unobscured Systems >!7 \Rx
18.7 Design of a Schmidt-Cassegrain “from Scratch” 5gnmRd
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19 Infrared and Ultraviolet Systems 39zwPoN>
19.1 Infrared Optics [#hoW"'Q9
19.2 IR Objective Lenses qe\JO'g#e
19.3 IR Telescope aur4Ky> :
19.4 Laser Beam Expanders 9V5d=^
19,5 Ultraviolet Systems hRWRXC9
19.6 Microlithographic Lenses $7bl,~Z
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20 Zoom Lenses j(SBpM
20.1 Zoom Lenses KqH_?r`
20.2 Zoom Lenses for Point and Shoot Cameras a6&+>\o
20.3 A 20X Video Zoom Lens DD]e0 pa
20.4 A Zoom Scanner Lens L1i:hgq0]
20.5 A Possible Zoom Lens Design Procedure "X7;^yY
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21 Projection TV Lenses and Macro Lenses }co*%F{1
21.1 Projection TV Lenses Zg#VZg1
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21.2 Macro Lenses 3.^Tm+ C
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22 Scanner/ , Laser Disk and Collimator Lenses (T]<
22.1 Monochromatic Systems ]J%p&y+6
22.2 Scanner Lenses 2/]74d8
22.3 Laser Disk, Focusing, and Collimator Lenses &/7D4!N]
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23 Tolerance Budgeting Cm5:_K`;]
23.1 The Tolerance Budget 6]*~!al?
23.2 Additive Tolerances h*JzJ0X
23.3 Establishing the Tolerance Budget Q-:IE
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24 Formulary s/"?P/R
24.1 Sign Conventions, Symbols, and Definitions N3`EJY_|V
24.2 The Cardinal Points M_Qv{
24.3 Image Equations jbU=D:|
24.4 Paraxial Ray Tracing (Surface by Surface) U=a'(fX
24.5 Invariants ."#M
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24.6 Paraxial Ray Tracing (Component by Component) g[d.lJ=Q-N
24.7 Two-Componenet Relationships 0;bi*2U
24.8 Third-Order Aberrations – Surface Contributions And|T 6u
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs UJWkG^?
24.10 Stop Shift Equations U(jZf{`Mz
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces =Bq3O58+
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) c-a he;q
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Glossary wf=
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Reference B)bq@jM
Index