[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith o"D`_ER  
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Contents of Modern Lens Design 2nd Edition '@'~_BBZP  
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1    Introduction         l/[0N@r~  
1.1    Lens Design Books     ]|g{{PWH  
1.2    Reference Material     F,{M!dL  
1.3    Specifications     0JTDJZOz@#  
1.4    Lens Design     ]Cy1yAv={  
1.5    Lens Design Program Features     \F=w~ $)  
1.6    About This Book     .QX|:]|n  
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2    Automatic Lens Design         "orZje9AC  
2.2    The Merit Function         F[/Bp>P7  
2.3    Local Minima     l{wHu(1  
2.4    The Landscape Lens     v{4K$o  
2.5    Types of Merit Function     9Mo(3M  
2.6    Stagnation     oj*5m+:>a  
2.7    Generalized Simulated Annealing     Kd}cf0  
2.8    Considerations about Variables for Optimization     1GB$;0 W),  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Q`ERI5b6  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     3XY;g{`=q  
2.11    Spectral Weighting     +T:F :X`  
2.12    How to Get Started     F`,XB[}2  
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3    Improving a Design     5sui
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3.1    Lens Design Tip Sheet: Standard Improvement Techniques     +jD?h-]  
3.2    Glass Changes ( Index and V Values )     _U)BOE0o  
3.3    Splitting Elements     m}w~ d /  
3.4    Separating a Cemented Doublet     J^[>F{8!n  
3.5    Compounding an Element     C!xqp   
3.6    Vignetting and Its Uses     hEAt4z0P  
3.7    Eliminating a Weak Element; the Concentric Problem     }8cL+JJU  
3.8    Balancing Aberrations     )
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3.9    The Symmetrical Principle     8v)pPJr  
3.10    Aspheric Surfaces     K FV&Dt}<  
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4    Evaluation: How Good is This Design     g(xuA^~J  
4.1    The Uses of a Preliminary Evaluation     {IEc{y7?gO  
4.2    OPD versus Measures of Performance     A `\2]t$z  
4.3    Geometric Blur Spot Size versus Certain Aberrations     }R5>ja0  
4.4    Interpreting MTF - The Modulation Transfer Function     tWL3F?wd  
4.5    Fabrication Considerations     cA%70Y:AV  
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5    Lens Design Data     zOA{S~>  
5.1    About the Sample Lens Designs     2ILMf?}  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     0eq="|n^|  
5.3    Estimating the Potential of a Redesign     xZAc~~9tD  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     JmB7tRM8  
5.5    Notes on the Interpretation of Ray Intercept Plots     FC<aX[~&3  
5.6    Various Evaluation Plot     '6i"pJ0%  
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6    Telescope Objective     [ L% -lJ  
6.1    The Thin Airspaced Doublet     PY=(|2tb4  
6.2    Merit Function for a Telescope Objective     TJ9JIxnS  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     WP-?C<Iw  
6.4    Spherochromatism     |&Gm.[IX;q  
6.5    Zonal Spherical Aberration     Zh.5\&bm  
6.6    Induced Aberrations     NT?Gl(  
6.7    Three-Element Objectives     *BzqAi0  
6.8    Secondary Spectrum (Apochromatic Systems)     >?K@zsv}  
6.9    The Design of an f/7 Apochromatic Triplet     d5&avL\  
6.10    The Diffractive Surface in Lens Design     ` MIZqHM @  
6.11    A Final Note     K!^x+B|  
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7    Eyepieces and Magnifiers     bmN'{09@  
7.1    Eyepieces     $/</J
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7.2    A Pair of Magnifier Designs     j4H]HGHv  
7.3    The Simple, Classical Eyepieces     CDcZ6.f  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     n'a=@/  
7.5    Four-Element Eyepieces     ^(7<L<H  
7.6    Five-Element Eyepieces     <PL94  
7.7    Very High Index Eyepiece/Magnifier     T+p?VngF  
7.8    Six- and Seven-Element Eyepieces     urmx
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8    Cooke Triplet Anastigmats     t-_~jZ<  
8.1    Airspaced Triplet Anastigmats     {xb8H  
8.2    Glass Choice     ximW!y7  
8.3    Vertex Length and Residual Aberrations     iev02 8M  
8.4    Other Design Considerations     9xL8 ];-  
8.5    A Plastic, Aspheric Triplet Camera Lens     0OLE/T<Xv  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Rn6;@Cw  
8.7    Possible Improvement to Our “Basic” Triplet     yT<6b)&*&
 
8.7    The Rear Earth (Lanthanum) Glasses     `7<4]#b^o  
8.9    Aspherizing the Surfaces     *aF#on{  
8.10    Increasing the Element Thickness     C}grY5:  
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9    Split Triplets     \IB@*_G  
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10    The Tessar, Heliar, and Other Compounded Triplets     tow0/Jt  
10.1    The Classic Tessar     * S4IMfp  
10.2    The Heliar/Pentac     apsR26\^  
10.3    The Portrait Lens and the Enlarger Lens     h:{rjXK  
10.4    Other Compounded Triplets     j} ^?3<
 
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 7=yV8.cD  
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11    Double-Meniscus Anastigmats     .$nQD.X  
11.1    Meniscus Components     *`.h8gTD,  
11.2    The Hypergon, Totogon, and Metrogon     =+
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11.3    A Two Element Aspheric Thick Meniscus Camera Lens     :l~^un|<2Y  
11.4    Protar, Dagor, and Convertible Lenses     "b)Y5[nW  
11.5    The Split Dagor     .bcoH  
11.6    The Dogmar     )`;Q]?D   
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     wyF'B  
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12    The Biotar or Double-Gauss Lens     8w-2Q  
12.1    The Basic Six-Element Version     1.p2{  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens ]o}g~Xn  
12.3    The Seven-Element Biotar - Split-Rear Singlet     :&*Y Io  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     /SDN7M]m!  
12.5    The Seven-Element Biotar - One Compounded Outer Element     J^t-pU  
12.6    The Eight-Element Biotar     \@IEqm6  
12.7    A “Doubled Double-Gauss” Relay     O |45r  
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13    Telephoto Lenses     L9(mY `d>"  
13.1    The Basic Telephoto     G i1Jl"  
13.2    Close-up or Macro Lenses     Mf'T\^-!  
13.3    Telephoto Designs     LIzdP,^pc  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch byA
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     OP:i;%@c  
14.1    The Reverse Telephoto Principle     p5RnFe
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14.2    The Basic Retrofocus Lens     -*`7Q'}%  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     / =]h@m-`  
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15    Wide Angle Lenses with Negative Outer Lenses     ^y" #2Ov  
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16    The Petzval Lens; Head-up Display Lenses     Ltv!;
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16.1    The Petzval Portrait Lens     S5o\joc  
16.2    The Petzval Projection Lens     pxf(C<
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16.3    The Petzval with a Field Flattener     _p;>]0cc.  
16.4    Very Height Speed Petzval Lenses     N{/):O  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     \gz(C`4{j  
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17    Microscope Objectives     Q,pnh!.-c  
17.1    General Considerations     -"Mq<XO&51  
17.2    Classic Objective Design Forms; The Aplanatic Front     e@6]rl  
17.3    Flat-Field Objectives     +Cf"rN  
17.4    Reflecting Objectives     :#_Ne?\a@  
17.5    The Microscope Objective Designs     j!1 :+H_L  
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18    Mirror and Catadioptric Systems     >* Ag0.Az  
18.1    The Good and Bad Points of Mirrors     @aQ};~  
18.2    The Classic Two-Mirror Systems qr$h51C&  
18.3    Catadioptric Systems     l\f /(&,  
18.4    Aspheric Correctors and Schmidt Systems     oRDqN]  
18.5    Confocal Paraboloids     e3o?=;  
18.6    Unobscured Systems     q4y P\B  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     <'y}y}%  
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19    Infrared and Ultraviolet Systems     Ms4~P6;%  
19.1    Infrared Optics     ]1Wh3C  
19.2    IR Objective Lenses     #)3luf3G  
19.3    IR Telescope     ;?{[vLHDL  
19.4    Laser Beam Expanders     v3p'*81;  
19,5    Ultraviolet Systems    
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19.6    Microlithographic Lenses     ww
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20    Zoom Lenses     Py@/\V  
20.1    Zoom Lenses     P/!W']OO  
20.2    Zoom Lenses for Point and Shoot Cameras     ;!~&-I0l  
20.3    A 20X Video Zoom Lens     pY~/<lzW  
20.4    A Zoom Scanner Lens     `;~A  
20.5    A Possible Zoom Lens Design Procedure     Jn:h;|9w  
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21    Projection TV Lenses and Macro Lenses     e=ITAH3b  
21.1    Projection TV Lenses     |Eyn0\OA  
21.2    Macro Lenses     *\$m1g7b  
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22    Scanner/ , Laser Disk and Collimator Lenses     n0a|GZyO]  
22.1    Monochromatic Systems     E|,RM;7  
22.2    Scanner Lenses     EvP\;7B  
22.3    Laser Disk, Focusing, and Collimator Lenses     te[#FF3{  
    Svicw`uX0  
23    Tolerance Budgeting     |KMwK png  
23.1    The Tolerance Budget     [r#m +R"N  
23.2    Additive Tolerances     7g7[a/Bts  
23.3    Establishing the Tolerance Budget     uh<e-;vU  
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24    Formulary 6*&$ha}X  
24.1    Sign Conventions, Symbols, and Definitions     u
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24.2    The Cardinal Points     4'~zuUs
 
24.3    Image Equations     B?nw([4m  
24.4    Paraxial Ray Tracing (Surface by Surface)     :L+%5Jq  
24.5    Invariants     Ga]\~31NE  
24.6    Paraxial Ray Tracing (Component by Component)     GBY-WN4sc[  
24.7    Two-Componenet Relationships     \[9^,QP  
24.8    Third-Order Aberrations – Surface Contributions     cjp~I/U  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     vojXo|c  
24.10    Stop Shift Equations     Oq9
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24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     dW5@Z-9  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     /lS5B6NU  
$TX]*hNn  
d-cW47  
Glossary *'cyFu$  
Reference T -p~8=I  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 cw,|,uXq 6  
我怎么瞧不明白。

有没有人呀
XmaRg{22  
有个问题想请教大家