"Modern Lens Design" 2nd Edition by Warren J. Smith >]\I:T
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Contents of Modern Lens Design 2nd Edition G0E5Y;YIN$
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1 Introduction S6TNu+2w4
1.1 Lens Design Books :?>7Z6
1.2 Reference Material '<R>cN"
1.3 Specifications ^"WVE["
1.4 Lens Design e-nA>v
1.5 Lens Design Program Features i[v4[C=WB!
1.6 About This Book [nTI\17iA
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2 Automatic Lens Design &mwd0%4
2.2 The Merit Function /Mqhx_)>A
2.3 Local Minima S<tw5!tJ
2.4 The Landscape Lens WsI`!ez;D
2.5 Types of Merit Function Cn{Hk)6
2.6 Stagnation lW+mH=
2.7 Generalized Simulated Annealing $[ {5+ *
2.8 Considerations about Variables for Optimization VdLoi\-/L
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems a=iupXre9
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits JVZ-nHf(9
2.11 Spectral Weighting E}@C4pS
2.12 How to Get Started A,}M ^$@
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3 Improving a Design %;PpwI
3.1 Lens Design Tip Sheet: Standard Improvement Techniques '7Gv_G_
3.2 Glass Changes ( Index and V Values ) qJhsMo2IH
3.3 Splitting Elements t" .Ytz>
3.4 Separating a Cemented Doublet a`xq
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3.5 Compounding an Element L, JQ\!c
3.6 Vignetting and Its Uses G]^[i6PQs
3.7 Eliminating a Weak Element; the Concentric Problem _BczR:D*
3.8 Balancing Aberrations RB 5SK#z
3.9 The Symmetrical Principle sV\_DP/l
3.10 Aspheric Surfaces j[>cv;h
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4 Evaluation: How Good is This Design @~3--
4.1 The Uses of a Preliminary Evaluation #36QO
4.2 OPD versus Measures of Performance )t6]F6!_
4.3 Geometric Blur Spot Size versus Certain Aberrations h>N}M}8
4.4 Interpreting MTF - The Modulation Transfer Function Sc)^k
4.5 Fabrication Considerations z/@_?01T=
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5 Lens Design Data Z_d"<k}I
5.1 About the Sample Lens Designs h9vcN#22D
5.2 Lens Prescriptions, Drawings, and Aberration Plots i5,iJe0cA
5.3 Estimating the Potential of a Redesign ex3Qbr
5.4 Scaling a Desing, Its Aberrations, and Its MTF J2UQq 7-y
5.5 Notes on the Interpretation of Ray Intercept Plots zM'eqo>!c>
5.6 Various Evaluation Plot } M#e\neii
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6 Telescope Objective 5KCB^`|b>t
6.1 The Thin Airspaced Doublet Q;h.}N8W
6.2 Merit Function for a Telescope Objective 0RUk^
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 2MkrVQQ9g
6.4 Spherochromatism $.G 7Vt
6.5 Zonal Spherical Aberration 1!#85SMx
6.6 Induced Aberrations |V9[aa*c
6.7 Three-Element Objectives *@U{[J
6.8 Secondary Spectrum (Apochromatic Systems) ^ Ltho`
6.9 The Design of an f/7 Apochromatic Triplet H;H=8'
6.10 The Diffractive Surface in Lens Design Fn4v/)*H
6.11 A Final Note j8Z, :op
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7 Eyepieces and Magnifiers =L6#=7hcl
7.1 Eyepieces Bo 35L:r|
7.2 A Pair of Magnifier Designs fgLjF,Y
7.3 The Simple, Classical Eyepieces )>volP
7.4 Design Story of an Eyepiece for a 6*30 Binocular ,:_c-d#
7.5 Four-Element Eyepieces OM*_%UF
7.6 Five-Element Eyepieces #c"eff
7.7 Very High Index Eyepiece/Magnifier mH*ldf;J;=
7.8 Six- and Seven-Element Eyepieces FpoHm%+
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8 Cooke Triplet Anastigmats *$f=`sj
8.1 Airspaced Triplet Anastigmats Kxe\H'rR
8.2 Glass Choice Nw;qJ58@
8.3 Vertex Length and Residual Aberrations h2l;xt
8.4 Other Design Considerations X{9^$/XsJ
8.5 A Plastic, Aspheric Triplet Camera Lens SI (f&T(
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet &2'-v@kK
8.7 Possible Improvement to Our “Basic” Triplet 7Ai?}%b-
8.7 The Rear Earth (Lanthanum) Glasses 6j#JhcS+
8.9 Aspherizing the Surfaces ,75)
8.10 Increasing the Element Thickness KA3U W
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9 Split Triplets qi-XNB`b
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10 The Tessar, Heliar, and Other Compounded Triplets _Q V=3UWP
10.1 The Classic Tessar +WX/4_STV
10.2 The Heliar/Pentac }
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10.3 The Portrait Lens and the Enlarger Lens 9zaNfs
10.4 Other Compounded Triplets R@e'=z[%1
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar H]TdW;ZbZ
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11 Double-Meniscus Anastigmats 2YD\KXDo
11.1 Meniscus Components V<ESjK8
11.2 The Hypergon, Totogon, and Metrogon 4u{S?Ryy
11.3 A Two Element Aspheric Thick Meniscus Camera Lens <_?zln:4.
11.4 Protar, Dagor, and Convertible Lenses c*USA
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11.5 The Split Dagor 3%WB?kc
11.6 The Dogmar KK|w30\f
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens )^(*B6;z5
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12 The Biotar or Double-Gauss Lens {X{R]
12.1 The Basic Six-Element Version SZ` 7t=I2
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens W.wPy@yi
12.3 The Seven-Element Biotar - Split-Rear Singlet q0sf\|'<}
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 2y[Q
12.5 The Seven-Element Biotar - One Compounded Outer Element 6BE,L
12.6 The Eight-Element Biotar
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12.7 A “Doubled Double-Gauss” Relay u{1R=ML
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13 Telephoto Lenses mz?<t/$U
13.1 The Basic Telephoto qF)J#$4;6
13.2 Close-up or Macro Lenses woI5a ee|
13.3 Telephoto Designs 8R~<$xz
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch I&PJ[U#~a
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses _H] \
14.1 The Reverse Telephoto Principle g[xoS\d
14.2 The Basic Retrofocus Lens n ]%2Kx
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses w,|@e_|J
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15 Wide Angle Lenses with Negative Outer Lenses 8$FH;=
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16 The Petzval Lens; Head-up Display Lenses vHaM yA-
16.1 The Petzval Portrait Lens s{^98*
16.2 The Petzval Projection Lens cXweg;
16.3 The Petzval with a Field Flattener q~{)
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16.4 Very Height Speed Petzval Lenses w\C1Bh!
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems !z?
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17 Microscope Objectives )W\)37=.
17.1 General Considerations lg^'/8^f
17.2 Classic Objective Design Forms; The Aplanatic Front U1`5P!ov
17.3 Flat-Field Objectives 2- iY:r
17.4 Reflecting Objectives DYX{v`>f^
17.5 The Microscope Objective Designs Sv =YI
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18 Mirror and Catadioptric Systems 44CZl{pt
18.1 The Good and Bad Points of Mirrors 0aT:Gy;
18.2 The Classic Two-Mirror Systems =4TQ*;V:
18.3 Catadioptric Systems ~M~DH-aX
18.4 Aspheric Correctors and Schmidt Systems z']6C9m}
18.5 Confocal Paraboloids aZZ0eH
18.6 Unobscured Systems 1UQ,V`y
18.7 Design of a Schmidt-Cassegrain “from Scratch” g-3^</_fZ
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19 Infrared and Ultraviolet Systems 14$%v;Su4
19.1 Infrared Optics /R&`]9].s
19.2 IR Objective Lenses TE`5i~R*
19.3 IR Telescope Lf_Y4a#
19.4 Laser Beam Expanders qI'pjTMDY
19,5 Ultraviolet Systems Iv6 lE:)
19.6 Microlithographic Lenses d+n2
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20 Zoom Lenses @&T' h}|:
20.1 Zoom Lenses wd:Yy
20.2 Zoom Lenses for Point and Shoot Cameras nDi^s{
20.3 A 20X Video Zoom Lens zC50 @S3|
20.4 A Zoom Scanner Lens , ['}9:f9
20.5 A Possible Zoom Lens Design Procedure ?K$&|w%{3
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21 Projection TV Lenses and Macro Lenses 8W3zrnc
21.1 Projection TV Lenses [;m@A\F
21.2 Macro Lenses 0E\#!L
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22 Scanner/ , Laser Disk and Collimator Lenses &l6@C3N$
22.1 Monochromatic Systems w4fKh
22.2 Scanner Lenses S1|5+PPs
22.3 Laser Disk, Focusing, and Collimator Lenses w!lk&7Q7Z
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23 Tolerance Budgeting Xg~9<BGsi
23.1 The Tolerance Budget la;*>
23.2 Additive Tolerances w|dfl *
23.3 Establishing the Tolerance Budget j_C"O,WS
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24 Formulary <F^9ML+'
24.1 Sign Conventions, Symbols, and Definitions 2n.HmS
24.2 The Cardinal Points 628iN%[-
24.3 Image Equations =A!oLe$%
24.4 Paraxial Ray Tracing (Surface by Surface) A%#M#hD/
24.5 Invariants <zCWLj3
24.6 Paraxial Ray Tracing (Component by Component) GR|\OJ<2
24.7 Two-Componenet Relationships B/X$ZQ0
24.8 Third-Order Aberrations – Surface Contributions G=y~)B}
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs b}TvQ+W]2
24.10 Stop Shift Equations Z9:
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces YCRE- 5!
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) vom3C9o
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Glossary =`x }9|[
Reference BP..p ^EPN
Index