"Modern Lens Design" 2nd Edition by Warren J. Smith P59uALi
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Contents of Modern Lens Design 2nd Edition E$&;]a
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1 Introduction I9:%@g]uYw
1.1 Lens Design Books 1Y2a*J
1.2 Reference Material L.Vq1RU\"
1.3 Specifications wJr/FE7c
1.4 Lens Design fcn_<Yh0W
1.5 Lens Design Program Features v5gQ9
1.6 About This Book L`JY4JM"
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2 Automatic Lens Design Y/!0Q6<[2Y
2.2 The Merit Function fX$6;Ae
2.3 Local Minima kz|[*%10
2.4 The Landscape Lens Z_!9iA:X
2.5 Types of Merit Function .1%i`+uZ
2.6 Stagnation *ig5Q(b*N
2.7 Generalized Simulated Annealing ~EPjZ3 ?
2.8 Considerations about Variables for Optimization ;p .j
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems @]yQJuXA&Z
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits !zl/0o
2.11 Spectral Weighting q2D`1nT
2.12 How to Get Started <|wmjW/D
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3 Improving a Design }"g@E-]N
3.1 Lens Design Tip Sheet: Standard Improvement Techniques _4g}kL02.
3.2 Glass Changes ( Index and V Values ) 1w6.
3.3 Splitting Elements uJ7,rq
3.4 Separating a Cemented Doublet u'{sB5_H
3.5 Compounding an Element ~mW>_[RT;
3.6 Vignetting and Its Uses WoJ]@Me8
3.7 Eliminating a Weak Element; the Concentric Problem $t%" Tr
3.8 Balancing Aberrations ^S3A10f,
3.9 The Symmetrical Principle KS8\F0q
3.10 Aspheric Surfaces b<48#Qy~l
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4 Evaluation: How Good is This Design ;Ce 2d+K
4.1 The Uses of a Preliminary Evaluation N n:m+ZDo^
4.2 OPD versus Measures of Performance 9n-RXVL+
4.3 Geometric Blur Spot Size versus Certain Aberrations fdvi}SS8
4.4 Interpreting MTF - The Modulation Transfer Function ]q@rGD85K
4.5 Fabrication Considerations `z5v}T
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5 Lens Design Data g(M(Hn7
5.1 About the Sample Lens Designs _dz:\v
5.2 Lens Prescriptions, Drawings, and Aberration Plots dVK@Fgo
5.3 Estimating the Potential of a Redesign 2I9{+>k
5.4 Scaling a Desing, Its Aberrations, and Its MTF -{.h\
5.5 Notes on the Interpretation of Ray Intercept Plots V:$[~)k8
5.6 Various Evaluation Plot a^(S!I
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6 Telescope Objective ntd
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6.1 The Thin Airspaced Doublet #IcT
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6.2 Merit Function for a Telescope Objective >0[qi1
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ^2P;CAjj-
6.4 Spherochromatism 9$}+-Z
6.5 Zonal Spherical Aberration >7eu'
6.6 Induced Aberrations Au%Wrk3j
6.7 Three-Element Objectives 0`zm>fh}
6.8 Secondary Spectrum (Apochromatic Systems) zhD`\&G.
6.9 The Design of an f/7 Apochromatic Triplet )i?{;%^
6.10 The Diffractive Surface in Lens Design mk$Yoz
6.11 A Final Note o%QhV6(F
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7 Eyepieces and Magnifiers 6+5(.z-[
7.1 Eyepieces uugzIV)
7.2 A Pair of Magnifier Designs V_ avaE
7.3 The Simple, Classical Eyepieces b3jU~L$
7.4 Design Story of an Eyepiece for a 6*30 Binocular ]*t*/j;N
7.5 Four-Element Eyepieces u:p:*u_^I
7.6 Five-Element Eyepieces kY0g}o'<
7.7 Very High Index Eyepiece/Magnifier Bil;@,Z#
7.8 Six- and Seven-Element Eyepieces K[Ws/yc^a
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8 Cooke Triplet Anastigmats $/-wgyP3m+
8.1 Airspaced Triplet Anastigmats /61ag9pN
8.2 Glass Choice BBZ)H6TzL
8.3 Vertex Length and Residual Aberrations w2RESpi
8.4 Other Design Considerations #m[w=Pu}
8.5 A Plastic, Aspheric Triplet Camera Lens GHJQ d&G8G
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Ynt&cdK9
8.7 Possible Improvement to Our “Basic” Triplet *+zy\AhkP
8.7 The Rear Earth (Lanthanum) Glasses 4%Z\G@0<'
8.9 Aspherizing the Surfaces r[i~4N=
8.10 Increasing the Element Thickness UeC%Wa<[
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9 Split Triplets n[S4180 9<
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10 The Tessar, Heliar, and Other Compounded Triplets &'oacV=
10.1 The Classic Tessar ) J:'5hz
10.2 The Heliar/Pentac (D+{0 /
10.3 The Portrait Lens and the Enlarger Lens rVIb'sa
10.4 Other Compounded Triplets @O*ev|o@x
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar eo}S01bt
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11 Double-Meniscus Anastigmats hBs>2u|z9
11.1 Meniscus Components 1&>nL`E[3
11.2 The Hypergon, Totogon, and Metrogon Iu)(Huv
11.3 A Two Element Aspheric Thick Meniscus Camera Lens {?kKpMNNn
11.4 Protar, Dagor, and Convertible Lenses WhVmycdv
11.5 The Split Dagor %i
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11.6 The Dogmar IU;pkgBj0Y
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ,nuDoc
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12 The Biotar or Double-Gauss Lens PSrt/y!
12.1 The Basic Six-Element Version {/[?YTDU
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens #uDBF
12.3 The Seven-Element Biotar - Split-Rear Singlet _<' kzOj
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 8-l)TTP&.
12.5 The Seven-Element Biotar - One Compounded Outer Element yvH#1F`{q
12.6 The Eight-Element Biotar P*qNRP%
12.7 A “Doubled Double-Gauss” Relay F.* snF
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13 Telephoto Lenses ,BN}H-W\2
13.1 The Basic Telephoto vNwSZ{JBd
13.2 Close-up or Macro Lenses ."#jN><t
13.3 Telephoto Designs I!
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch U*Q5ff7M6"
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses N#6A>
14.1 The Reverse Telephoto Principle :J)lC =
14.2 The Basic Retrofocus Lens yK2*~T,6@
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses E'kQ
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15 Wide Angle Lenses with Negative Outer Lenses Y.hH
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16 The Petzval Lens; Head-up Display Lenses 1Mhc1MU
16.1 The Petzval Portrait Lens MZ+IorZl
16.2 The Petzval Projection Lens g)G7
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16.3 The Petzval with a Field Flattener NbK?Dg8WJG
16.4 Very Height Speed Petzval Lenses m^s2kB4A[
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems V{^fH6;[
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17 Microscope Objectives mWFZg.#?
17.1 General Considerations Pc-8L]2oaF
17.2 Classic Objective Design Forms; The Aplanatic Front 9+;f1nV
17.3 Flat-Field Objectives (Vv[
17.4 Reflecting Objectives E*b[.vUp
17.5 The Microscope Objective Designs #$z -]i
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18 Mirror and Catadioptric Systems ,/?V+3l
18.1 The Good and Bad Points of Mirrors KD3To%
18.2 The Classic Two-Mirror Systems !Z2n;.w
18.3 Catadioptric Systems 0tL/:zID
18.4 Aspheric Correctors and Schmidt Systems Vv"wf;#
18.5 Confocal Paraboloids QNI|h;D
18.6 Unobscured Systems ^~IcQ!j/5
18.7 Design of a Schmidt-Cassegrain “from Scratch” s^X/
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19 Infrared and Ultraviolet Systems 8gKR<X.G
19.1 Infrared Optics jW0z|jr
19.2 IR Objective Lenses ->25$5#
19.3 IR Telescope 3g
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19.4 Laser Beam Expanders )BTs *7 j
19,5 Ultraviolet Systems <T% hfW
19.6 Microlithographic Lenses \6
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20 Zoom Lenses 8ch~UBq/
20.1 Zoom Lenses *b l{F\
20.2 Zoom Lenses for Point and Shoot Cameras M&T/vByTn_
20.3 A 20X Video Zoom Lens ok_{8z\#
20.4 A Zoom Scanner Lens fQA)r
20.5 A Possible Zoom Lens Design Procedure oK1[_ko|
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21 Projection TV Lenses and Macro Lenses |0!97*H5
21.1 Projection TV Lenses `A{~}6jw
21.2 Macro Lenses B148wh#r
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22 Scanner/ , Laser Disk and Collimator Lenses [hj'Yg 8{
22.1 Monochromatic Systems Ln%_8yth
22.2 Scanner Lenses #UN{
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22.3 Laser Disk, Focusing, and Collimator Lenses F"P:9`/
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23 Tolerance Budgeting hLD;U
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23.1 The Tolerance Budget "J:NW_U
23.2 Additive Tolerances &rWJg6/
23.3 Establishing the Tolerance Budget eQIi}\`
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24 Formulary 0A4|
24.1 Sign Conventions, Symbols, and Definitions 9)hC,)5
24.2 The Cardinal Points Ntrn("!
24.3 Image Equations 0x/V1?gm
24.4 Paraxial Ray Tracing (Surface by Surface) )_.H #|r
24.5 Invariants zO]dQ$r\Z
24.6 Paraxial Ray Tracing (Component by Component) C:EoUu
24.7 Two-Componenet Relationships '^Np<
24.8 Third-Order Aberrations – Surface Contributions d>-EtWd
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs #,{v Js~
24.10 Stop Shift Equations Ri0+nJ6
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ZKTBjOa]*
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) =gyK*F(RK
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Glossary 6FFv+{2^@
Reference % 7:
Index