[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith Z'"tB/=W  
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Contents of Modern Lens Design 2nd Edition ;M)QwF1  
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1    Introduction         ,P;Pm68V  
1.1    Lens Design Books     Tj:B!>>  
1.2    Reference Material     D)L+7N0D~  
1.3    Specifications     U4d:] z  
1.4    Lens Design     Qk:
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1.5    Lens Design Program Features     o,_?^'@  
1.6    About This Book     e 9;~P}
  
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2    Automatic Lens Design         uG,5BV.M  
2.2    The Merit Function         f|\onHI)>  
2.3    Local Minima     f&Gt|  
2.4    The Landscape Lens     KrQ1GepJ  
2.5    Types of Merit Function     E=nIRG|g  
2.6    Stagnation     bbE!qk;hEP  
2.7    Generalized Simulated Annealing     '@_d(N1jTw  
2.8    Considerations about Variables for Optimization     4 o Fel.o  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ynthDEo  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     37s0e;aF  
2.11    Spectral Weighting     sB7# ~pA  
2.12    How to Get Started     1*\o.  
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3    Improving a Design     MN\HDKN  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     4K\G16'$v  
3.2    Glass Changes ( Index and V Values )     ~E17L]ete  
3.3    Splitting Elements     fU/>z]K  
3.4    Separating a Cemented Doublet     \NPmym_6J  
3.5    Compounding an Element     }
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3.6    Vignetting and Its Uses     s~^5kgPA  
3.7    Eliminating a Weak Element; the Concentric Problem     +S o4rA*9  
3.8    Balancing Aberrations     G?O1>?4C  
3.9    The Symmetrical Principle     dYJ(!V&  
3.10    Aspheric Surfaces     EJMM9(DQ7  
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4    Evaluation: How Good is This Design     Te"ioU?.  
4.1    The Uses of a Preliminary Evaluation     GeH#I5y  
4.2    OPD versus Measures of Performance     bCRV\myd`  
4.3    Geometric Blur Spot Size versus Certain Aberrations     :D~DU,e'  
4.4    Interpreting MTF - The Modulation Transfer Function     Lt64JH^lz  
4.5    Fabrication Considerations     Bs^aII$  
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5    Lens Design Data     ~vm%6CABM  
5.1    About the Sample Lens Designs     ]cHgleHQ  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     t}r' k/[  
5.3    Estimating the Potential of a Redesign     f6hnTbJ  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     |d{PA.@33  
5.5    Notes on the Interpretation of Ray Intercept Plots     (ZUHvvL  
5.6    Various Evaluation Plot     lXW%FH6c+  
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6    Telescope Objective     ]L5@,E4.  
6.1    The Thin Airspaced Doublet     y%"{I7
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6.2    Merit Function for a Telescope Objective     W+I!q:p4H  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     Ag-
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6.4    Spherochromatism     (KjoSN( K  
6.5    Zonal Spherical Aberration     n]._uza  
6.6    Induced Aberrations     *#,7d"6W5  
6.7    Three-Element Objectives     R@1xt@?  
6.8    Secondary Spectrum (Apochromatic Systems)     <FV1Wz  
6.9    The Design of an f/7 Apochromatic Triplet     #NEE7'&S  
6.10    The Diffractive Surface in Lens Design     {'7B6  
6.11    A Final Note     kMIcK4.MH  
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7    Eyepieces and Magnifiers     6AAz  
7.1    Eyepieces     V'z1  
7.2    A Pair of Magnifier Designs     Vh|*p&  
7.3    The Simple, Classical Eyepieces     t%d Z-Ym  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     cuax;0{%  
7.5    Four-Element Eyepieces     g];!&R-  
7.6    Five-Element Eyepieces     p$S*dr  
7.7    Very High Index Eyepiece/Magnifier     ER%^!xA  
7.8    Six- and Seven-Element Eyepieces     ~[t[y~Hup  
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8    Cooke Triplet Anastigmats     %z=le7  
8.1    Airspaced Triplet Anastigmats     Q*D;U[  
8.2    Glass Choice     Kg{+T`  
8.3    Vertex Length and Residual Aberrations     {&&z-^  
8.4    Other Design Considerations     =x/X:;)>  
8.5    A Plastic, Aspheric Triplet Camera Lens     R$R*'l  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \j$&DCv
 
8.7    Possible Improvement to Our “Basic” Triplet     ">\?&0  
8.7    The Rear Earth (Lanthanum) Glasses     {5Q!Y&N.%  
8.9    Aspherizing the Surfaces     ~nmoz/L  
8.10    Increasing the Element Thickness     x+\`gK5  
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9    Split Triplets     Tf>bX_L?  
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10    The Tessar, Heliar, and Other Compounded Triplets     )HEa<P^kJl  
10.1    The Classic Tessar     O%\*@4zM  
10.2    The Heliar/Pentac     NDN7[7E  
10.3    The Portrait Lens and the Enlarger Lens     `}p0VmD{NE  
10.4    Other Compounded Triplets     A @i  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar W_JlOc!y  
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11    Double-Meniscus Anastigmats     s n8Qk=K  
11.1    Meniscus Components     akmkyrz'&  
11.2    The Hypergon, Totogon, and Metrogon     D(~U6SR  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     xB@ T|EP  
11.4    Protar, Dagor, and Convertible Lenses     bTI|F]^!  
11.5    The Split Dagor     z}.e]|b^H  
11.6    The Dogmar     dn&s*  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     6,pnw  
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12    The Biotar or Double-Gauss Lens     0j^Kgx  
12.1    The Basic Six-Element Version     4j-Xi  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 4VHn \  
12.3    The Seven-Element Biotar - Split-Rear Singlet     R!HXhQ  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     YX!iL6?~  
12.5    The Seven-Element Biotar - One Compounded Outer Element     T~-ycVc  
12.6    The Eight-Element Biotar     m&d|t>3<  
12.7    A “Doubled Double-Gauss” Relay     &j;wCvE4+  
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13    Telephoto Lenses     (O\)_#-D
 
13.1    The Basic Telephoto     <;lkUU(WT2  
13.2    Close-up or Macro Lenses     Q1Kfi8h}'  
13.3    Telephoto Designs     \<bx[,?  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]>!K3kB  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     HVRZ[Y<^  
14.1    The Reverse Telephoto Principle     6W/`07'  
14.2    The Basic Retrofocus Lens     P1!qbFDv8  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     [z:
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15    Wide Angle Lenses with Negative Outer Lenses     7P} W *  
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16    The Petzval Lens; Head-up Display Lenses     [+^1.N  
16.1    The Petzval Portrait Lens     "MeVE#O  
16.2    The Petzval Projection Lens     `>o{P/HN  
16.3    The Petzval with a Field Flattener     t5Sy V:fP  
16.4    Very Height Speed Petzval Lenses     fuW\bo3  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     Cp\6W[2+B  
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17    Microscope Objectives     sJKI!  
17.1    General Considerations     !aUs>1i  
17.2    Classic Objective Design Forms; The Aplanatic Front     gt)I(  
17.3    Flat-Field Objectives     .xCZ1|+gG  
17.4    Reflecting Objectives     -OV&Md:~  
17.5    The Microscope Objective Designs     Ov@gh kr  
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18    Mirror and Catadioptric Systems     2DA]i5  
18.1    The Good and Bad Points of Mirrors     }dX*[I  
18.2    The Classic Two-Mirror Systems X0HZH?V+  
18.3    Catadioptric Systems     b!t0w{^w  
18.4    Aspheric Correctors and Schmidt Systems     h4gXvPS&r  
18.5    Confocal Paraboloids     : $1?i)  
18.6    Unobscured Systems     b`Zx!^  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     #\{l"-  
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19    Infrared and Ultraviolet Systems     { l/U6](  
19.1    Infrared Optics     b=C*W,Q_#  
19.2    IR Objective Lenses     aqZi:icFa  
19.3    IR Telescope     %@b0[ZC  
19.4    Laser Beam Expanders     qz_7%c]K[  
19,5    Ultraviolet Systems     )rU  
19.6    Microlithographic Lenses     >58YjLXb  
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20    Zoom Lenses     xK[ou'  
20.1    Zoom Lenses     K8|r&`X0  
20.2    Zoom Lenses for Point and Shoot Cameras     ELoDd&d8  
20.3    A 20X Video Zoom Lens     z_$%-6  
20.4    A Zoom Scanner Lens     $S6`}3  
20.5    A Possible Zoom Lens Design Procedure     ,_ H:J.ik  
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21    Projection TV Lenses and Macro Lenses     ktXM
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21.1    Projection TV Lenses     +HpA:]#Y  
21.2    Macro Lenses     {lzWrUGO  
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22    Scanner/ , Laser Disk and Collimator Lenses     QE+g j8  
22.1    Monochromatic Systems     `,(4]tlL  
22.2    Scanner Lenses     J[|
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22.3    Laser Disk, Focusing, and Collimator Lenses     x;.Jw6g  
    rBzuKQK}J  
23    Tolerance Budgeting     k9R4Y\8P  
23.1    The Tolerance Budget     ?=msH=N<l  
23.2    Additive Tolerances     >h9IM$2  
23.3    Establishing the Tolerance Budget     Tk[ $5u*,  
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24    Formulary p<FzJ  
24.1    Sign Conventions, Symbols, and Definitions     nc29j_Id  
24.2    The Cardinal Points     oCv.Ln1;Z  
24.3    Image Equations     x8B}ZIbT9  
24.4    Paraxial Ray Tracing (Surface by Surface)     r|8d 4  
24.5    Invariants     n38p!oS  
24.6    Paraxial Ray Tracing (Component by Component)     @i_FTN  
24.7    Two-Componenet Relationships     sE<V5`Z=  
24.8    Third-Order Aberrations – Surface Contributions     Q$W  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     $)i")=Hy  
24.10    Stop Shift Equations     05#1w#i  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     &BLJT9Frx  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     gs[uD5oo<  
k"%~"9  
eKgBy8tNS0  
Glossary ,-LwtePJ0  
Reference tS5hv@9cWx  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 ;>yxNGV`  
我怎么瞧不明白。

有没有人呀 F=e8IUr  
有个问题想请教大家