[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith gNJ,Bj Pd  
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Contents of Modern Lens Design 2nd Edition |><hdBQXX<  
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1    Introduction         l\7NR  
1.1    Lens Design Books     'NF_!D  
1.2    Reference Material     {7&(2Z]z  
1.3    Specifications     =D.M}xqo  
1.4    Lens Design     ,@ A1eX}  
1.5    Lens Design Program Features     `An`"$z  
1.6    About This Book     B`)o?GcVN  
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2    Automatic Lens Design         R,CFU l7Q  
2.2    The Merit Function         W
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2.3    Local Minima    
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2.4    The Landscape Lens     -M}#-qwf  
2.5    Types of Merit Function     U2z1HIs  
2.6    Stagnation     \D(6
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2.7    Generalized Simulated Annealing     PLR[nB7K  
2.8    Considerations about Variables for Optimization     RWtD81(oC'  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ]5W0zNb*  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     a9PSg/p  
2.11    Spectral Weighting     PVvN
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2.12    How to Get Started     BsiHVr  
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3    Improving a Design     | Zx  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     iLw O4i  
3.2    Glass Changes ( Index and V Values )     2C^/;z  
3.3    Splitting Elements     u5^fiw]C  
3.4    Separating a Cemented Doublet     A\Rkt;:  
3.5    Compounding an Element     ko\VDyt,  
3.6    Vignetting and Its Uses     e`ti*1]q  
3.7    Eliminating a Weak Element; the Concentric Problem     DK 4 8  
3.8    Balancing Aberrations     s 7re  
3.9    The Symmetrical Principle     T8E=}!68w}  
3.10    Aspheric Surfaces     q y7
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4    Evaluation: How Good is This Design     wjW>#DE  
4.1    The Uses of a Preliminary Evaluation     :5hKE(3Q  
4.2    OPD versus Measures of Performance     KCd}N  
4.3    Geometric Blur Spot Size versus Certain Aberrations     {vh}f+2  
4.4    Interpreting MTF - The Modulation Transfer Function     r4/G&m[V  
4.5    Fabrication Considerations     <4SY'-w  
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5    Lens Design Data     WGFp<R  
5.1    About the Sample Lens Designs     W]MKc&R  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     ^6s<  
5.3    Estimating the Potential of a Redesign     |Fz/9+I  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     f<WP<!N%  
5.5    Notes on the Interpretation of Ray Intercept Plots     R=P=?U.  
5.6    Various Evaluation Plot     tcyami6D4  
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6    Telescope Objective     7K3S\oPej  
6.1    The Thin Airspaced Doublet     4E]w4BG)  
6.2    Merit Function for a Telescope Objective     M72.  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     X@KF}x's  
6.4    Spherochromatism     C o v,#j j  
6.5    Zonal Spherical Aberration     c?B@XIl  
6.6    Induced Aberrations     "&*O7cs$pA  
6.7    Three-Element Objectives     %LeG.~?  
6.8    Secondary Spectrum (Apochromatic Systems)     b,"gBg  
6.9    The Design of an f/7 Apochromatic Triplet     zu}oeAQc$  
6.10    The Diffractive Surface in Lens Design     ! iuDmL  
6.11    A Final Note     - y[nMEE  
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7    Eyepieces and Magnifiers     =W'a6)WE  
7.1    Eyepieces     *TQXE:vZ[  
7.2    A Pair of Magnifier Designs     1'DD9d{qN  
7.3    The Simple, Classical Eyepieces     "L^]a$&  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     3T^f#UT  
7.5    Four-Element Eyepieces     dPplZ,Y%  
7.6    Five-Element Eyepieces     .%;`:dtj  
7.7    Very High Index Eyepiece/Magnifier     sy`@q<h(  
7.8    Six- and Seven-Element Eyepieces     o?(({HH
 
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8    Cooke Triplet Anastigmats     ^`>,~$Q  
8.1    Airspaced Triplet Anastigmats     =Hplg>h)  
8.2    Glass Choice     ^\=
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8.3    Vertex Length and Residual Aberrations      tKOTQ8i4  
8.4    Other Design Considerations     3)\jUVuj  
8.5    A Plastic, Aspheric Triplet Camera Lens     l,j7I3&~%  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet wdg,dk9e$  
8.7    Possible Improvement to Our “Basic” Triplet     A;ip V :)  
8.7    The Rear Earth (Lanthanum) Glasses     iJ n<  
8.9    Aspherizing the Surfaces     C+ar]Vi
 
8.10    Increasing the Element Thickness     kt?G\H!}  
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9    Split Triplets     FG/".dU  
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10    The Tessar, Heliar, and Other Compounded Triplets     CT5\8C  
10.1    The Classic Tessar     Er/h:=  
10.2    The Heliar/Pentac     pu#h:nb>88  
10.3    The Portrait Lens and the Enlarger Lens     ZlQ@k{Es~  
10.4    Other Compounded Triplets     ~ 8L]!OQ9=  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar kI7c22OJ  
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11    Double-Meniscus Anastigmats     `{w.OK  
11.1    Meniscus Components     j}9][Fm1*  
11.2    The Hypergon, Totogon, and Metrogon     O[%"zO"S  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     cmG*"  
11.4    Protar, Dagor, and Convertible Lenses     FW* k O  
11.5    The Split Dagor     /}+VH_N1  
11.6    The Dogmar     |f5WN&c  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     pG"pvfEl9f  
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12    The Biotar or Double-Gauss Lens     cGF_|1`  
12.1    The Basic Six-Element Version     %siBCjvo=  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens s D
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12.3    The Seven-Element Biotar - Split-Rear Singlet     -u
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12.4    The Seven-Element Biotar - Broken Contact Front Doublet     P5$d
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12.5    The Seven-Element Biotar - One Compounded Outer Element     2J?ON|2M  
12.6    The Eight-Element Biotar     dCq-&3?t  
12.7    A “Doubled Double-Gauss” Relay     bO8>w9MF  
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13    Telephoto Lenses     WcRTv"4&  
13.1    The Basic Telephoto     Nr~9] S  
13.2    Close-up or Macro Lenses     VF#2I%R*  
13.3    Telephoto Designs     r?cDyQE  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch KX8$j$yW  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     vNdMPulr{  
14.1    The Reverse Telephoto Principle     T''PzY!Qf  
14.2    The Basic Retrofocus Lens     (!'=?B "  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     $MW-c*5a  
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15    Wide Angle Lenses with Negative Outer Lenses     {7EnM1]  
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16    The Petzval Lens; Head-up Display Lenses     !+bLhW`  
16.1    The Petzval Portrait Lens     `Uz2(zqS  
16.2    The Petzval Projection Lens     @:2<cn`  
16.3    The Petzval with a Field Flattener     d}d1]@Y\  
16.4    Very Height Speed Petzval Lenses     dP[vXhc  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     1#nR$  
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17    Microscope Objectives     ?HD eiJkX  
17.1    General Considerations     TNi4H:\  
17.2    Classic Objective Design Forms; The Aplanatic Front     sY|by\-c  
17.3    Flat-Field Objectives     8]G  
17.4    Reflecting Objectives     yT3q~#:  
17.5    The Microscope Objective Designs     ;dC>$_P?  
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18    Mirror and Catadioptric Systems     rN$U%\.I  
18.1    The Good and Bad Points of Mirrors     aL)}S%5o?  
18.2    The Classic Two-Mirror Systems oc|%|pmRd<  
18.3    Catadioptric Systems     %R|_o<(#MJ  
18.4    Aspheric Correctors and Schmidt Systems     2Ra}&ie  
18.5    Confocal Paraboloids     *s=jKV
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18.6    Unobscured Systems     G`;YB  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     Wi;wu*  
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19    Infrared and Ultraviolet Systems     N*^iOm]Y  
19.1    Infrared Optics     a9f!f %9  
19.2    IR Objective Lenses     to2#PXf]y  
19.3    IR Telescope     (ncm]W  
19.4    Laser Beam Expanders     UrC>n  
19,5    Ultraviolet Systems     wSV}{9}wr%  
19.6    Microlithographic Lenses     >]ghme  
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20    Zoom Lenses     H$@5\pP>  
20.1    Zoom Lenses     S]"U(JmW\  
20.2    Zoom Lenses for Point and Shoot Cameras     ,ORwMZtw{H  
20.3    A 20X Video Zoom Lens     H\>0jr`  
20.4    A Zoom Scanner Lens     MBIlt 1P  
20.5    A Possible Zoom Lens Design Procedure     fen~k#|l  
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21    Projection TV Lenses and Macro Lenses     pYRqV  
21.1    Projection TV Lenses     13JZ\`ceb  
21.2    Macro Lenses     e>zv+9'Q  
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22    Scanner/ , Laser Disk and Collimator Lenses     x$SxGc~4gb  
22.1    Monochromatic Systems     uc~/l4~N  
22.2    Scanner Lenses     z+5ZUS2~&  
22.3    Laser Disk, Focusing, and Collimator Lenses     `GpOS_;  
    23(j<  
23    Tolerance Budgeting     _o+z#Fnz  
23.1    The Tolerance Budget     qN=l$_UD  
23.2    Additive Tolerances     &s{" Vc9]  
23.3    Establishing the Tolerance Budget      /N8>>g  
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24    Formulary Yk^clCB{A(  
24.1    Sign Conventions, Symbols, and Definitions     QjIn0MJ)Xm  
24.2    The Cardinal Points     o5(~nQ  
24.3    Image Equations     _\ &N<  
24.4    Paraxial Ray Tracing (Surface by Surface)     *x<3=9V  
24.5    Invariants     c/'Cju W  
24.6    Paraxial Ray Tracing (Component by Component)     
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24.7    Two-Componenet Relationships     m~f J_  
24.8    Third-Order Aberrations – Surface Contributions     >WZ_) `R  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     (DnrJ.QU}t  
24.10    Stop Shift Equations     yQ03&{#  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     p"dK,A5#)  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     ;1MRBk,  
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Glossary }\?]uNH  
Reference q}+Fm?B   
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 Nu4PY@m]C  
我怎么瞧不明白。

有没有人呀 g'<ekY+V:  
有个问题想请教大家