[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith mJDKxgGK  
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Contents of Modern Lens Design 2nd Edition %3l;bR>  
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1    Introduction         t+4Y3*WeGF  
1.1    Lens Design Books     +^&v5[$R  
1.2    Reference Material     U3j~}H.D1  
1.3    Specifications     E][{RTs  
1.4    Lens Design     vo( j@+dz  
1.5    Lens Design Program Features     (P>eWw\0  
1.6    About This Book     r)#"$Sm  
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2    Automatic Lens Design         /4B4IT  
2.2    The Merit Function         MkNURy>
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2.3    Local Minima     ?"8A^ ^  
2.4    The Landscape Lens     *A1TDc$  
2.5    Types of Merit Function     t{S{!SF4  
2.6    Stagnation      ZV q  
2.7    Generalized Simulated Annealing     YT(1 "{:  
2.8    Considerations about Variables for Optimization     )x:j5{>(  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems !{ESeBSCG  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     3Gd&=IJ  
2.11    Spectral Weighting     sQw`U{JG  
2.12    How to Get Started     ATmqq)\s  
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3    Improving a Design     t|U2ws#  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     i(f;'fb*  
3.2    Glass Changes ( Index and V Values )     !E:Vn *k;  
3.3    Splitting Elements     Y\z\{JW  
3.4    Separating a Cemented Doublet     GWqY$YT  
3.5    Compounding an Element     `i)ePiE  
3.6    Vignetting and Its Uses     5f*'
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3.7    Eliminating a Weak Element; the Concentric Problem     L|1zHDxQ  
3.8    Balancing Aberrations     Nb!6YY=Ez-  
3.9    The Symmetrical Principle     F3 l^^Mc  
3.10    Aspheric Surfaces     j]l}K*8(  
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4    Evaluation: How Good is This Design     c'#J{3d  
4.1    The Uses of a Preliminary Evaluation     X@AkA9'fq  
4.2    OPD versus Measures of Performance     eW*ae;-  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ;{q) |GRF  
4.4    Interpreting MTF - The Modulation Transfer Function     )(!Z90@  
4.5    Fabrication Considerations     /e?ux~f|  
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5    Lens Design Data     YG1`%,OW`  
5.1    About the Sample Lens Designs     S}[:;p?F`  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     +ZA\M:^b  
5.3    Estimating the Potential of a Redesign     Fx99"3`3  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     &aAo:pj  
5.5    Notes on the Interpretation of Ray Intercept Plots     O-lh\9{'R  
5.6    Various Evaluation Plot     ;6 qdOD6  
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6    Telescope Objective     a={qA4N  
6.1    The Thin Airspaced Doublet     "X(=  
6.2    Merit Function for a Telescope Objective     B{UoNm@  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     I nK)O';  
6.4    Spherochromatism     @$yYljP  
6.5    Zonal Spherical Aberration     MVv^KezD  
6.6    Induced Aberrations     >;r05,mc  
6.7    Three-Element Objectives     34^Cfh  
6.8    Secondary Spectrum (Apochromatic Systems)     VrE5^\k<a  
6.9    The Design of an f/7 Apochromatic Triplet     y^46z(I  
6.10    The Diffractive Surface in Lens Design     S=amjcC  
6.11    A Final Note     :;WDPRx  
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7    Eyepieces and Magnifiers     N b[o6AX  
7.1    Eyepieces     Ml/p{ *p  
7.2    A Pair of Magnifier Designs     5"~^;O  
7.3    The Simple, Classical Eyepieces     )$4DH:WN  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     5t#]lg[06'  
7.5    Four-Element Eyepieces     71&+
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7.6    Five-Element Eyepieces     (
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7.7    Very High Index Eyepiece/Magnifier     khIa9Nm  
7.8    Six- and Seven-Element Eyepieces     LbbQ3$@WD  
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8    Cooke Triplet Anastigmats     j"u)
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8.1    Airspaced Triplet Anastigmats     xy3
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8.2    Glass Choice     "}+/0$F  
8.3    Vertex Length and Residual Aberrations     fO(S+}  
8.4    Other Design Considerations     swq!Sp  
8.5    A Plastic, Aspheric Triplet Camera Lens     GiwA$^Hg\  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet >D4Ez  
8.7    Possible Improvement to Our “Basic” Triplet     SfL`JNi)  
8.7    The Rear Earth (Lanthanum) Glasses     . \0=1P:  
8.9    Aspherizing the Surfaces     I8]NY !'cW  
8.10    Increasing the Element Thickness     .%Q Ea_\  
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9    Split Triplets     ",V5*1w  
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10    The Tessar, Heliar, and Other Compounded Triplets     32P]0&_O  
10.1    The Classic Tessar     ^tcBxDC"]  
10.2    The Heliar/Pentac     1+}Ud.v3VW  
10.3    The Portrait Lens and the Enlarger Lens     2I7`  
10.4    Other Compounded Triplets     Bic { H  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar k+M-D~@5H  
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11    Double-Meniscus Anastigmats     :Rj,'uH+h)  
11.1    Meniscus Components     1ZFSz{  
11.2    The Hypergon, Totogon, and Metrogon     ea>\.D-S  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     m9cT}x&j  
11.4    Protar, Dagor, and Convertible Lenses     mxA )r5sx  
11.5    The Split Dagor     0w. _}Cz  
11.6    The Dogmar     \%Q rN+WQ  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     #zs\Z]3#  
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12    The Biotar or Double-Gauss Lens     G@!9)v]9  
12.1    The Basic Six-Element Version     g^UWf<xp  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens #'h CohL  
12.3    The Seven-Element Biotar - Split-Rear Singlet     r!,V_a4n  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     3*2pacHpE  
12.5    The Seven-Element Biotar - One Compounded Outer Element     U/o}{,$A  
12.6    The Eight-Element Biotar     s2=X>,kz?  
12.7    A “Doubled Double-Gauss” Relay     nn%xN\~<  
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13    Telephoto Lenses     !PIdw~YC  
13.1    The Basic Telephoto     5305N!  
13.2    Close-up or Macro Lenses     ye2Oh7  
13.3    Telephoto Designs     PzDgl6C  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -V<"Ay  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     )6+W6:  
14.1    The Reverse Telephoto Principle     L]<4{8H.  
14.2    The Basic Retrofocus Lens     7'uc;5:  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     t&]Mt7  
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15    Wide Angle Lenses with Negative Outer Lenses     0%+k>(@R  
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16    The Petzval Lens; Head-up Display Lenses     uK5x[m
 
16.1    The Petzval Portrait Lens     Mwc3@  
16.2    The Petzval Projection Lens     e*s{/a?,  
16.3    The Petzval with a Field Flattener     I0RWdOK8K  
16.4    Very Height Speed Petzval Lenses     dxWw%_Q  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     /Ql}jSKi  
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17    Microscope Objectives     l:f sZO4  
17.1    General Considerations     3vU (4}@  
17.2    Classic Objective Design Forms; The Aplanatic Front     j]&{ @Y  
17.3    Flat-Field Objectives     Q~_x%KN/`  
17.4    Reflecting Objectives     oD\+ 5[x  
17.5    The Microscope Objective Designs     }*.*{I  
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18    Mirror and Catadioptric Systems     '7s!NF2  
18.1    The Good and Bad Points of Mirrors     9To6Rc;  
18.2    The Classic Two-Mirror Systems @1@WB]mQQ  
18.3    Catadioptric Systems     m@~x*+Iz
 
18.4    Aspheric Correctors and Schmidt Systems     )zo ;r!eP  
18.5    Confocal Paraboloids     !d(V7`8  
18.6    Unobscured Systems     f lB2gr^  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     %A3Jd4DH  
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19    Infrared and Ultraviolet Systems     z?,5v`,t2  
19.1    Infrared Optics     ^dv>n]?  
19.2    IR Objective Lenses     p;Kr664  
19.3    IR Telescope     aK'r=NU
 
19.4    Laser Beam Expanders     ]mA?TwD  
19,5    Ultraviolet Systems     q=6Y2Q  
19.6    Microlithographic Lenses     4>*`26  
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20    Zoom Lenses     W(YJz#]6_  
20.1    Zoom Lenses     +E4_^  
20.2    Zoom Lenses for Point and Shoot Cameras    
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20.3    A 20X Video Zoom Lens     -S@:  
20.4    A Zoom Scanner Lens     _8 J(;7  
20.5    A Possible Zoom Lens Design Procedure     >kYyR.p.b  
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21    Projection TV Lenses and Macro Lenses     NO^(D+9  
21.1    Projection TV Lenses     )A%Y wI$  
21.2    Macro Lenses     kx[8#+P  
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22    Scanner/ , Laser Disk and Collimator Lenses     ~vmY2h\  
22.1    Monochromatic Systems     WM
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22.2    Scanner Lenses     pG&.Ye]j  
22.3    Laser Disk, Focusing, and Collimator Lenses     hM}2++V  
    uk,f}Xc  
23    Tolerance Budgeting     M_K&x-H0  
23.1    The Tolerance Budget     2lRZ/xaF%P  
23.2    Additive Tolerances     :Kiu*&{  
23.3    Establishing the Tolerance Budget     =%LS9e^7D  
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24    Formulary h%%'{^>~  
24.1    Sign Conventions, Symbols, and Definitions     k"J
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24.2    The Cardinal Points     AI2CfH#:C  
24.3    Image Equations     Sgj6tH2M  
24.4    Paraxial Ray Tracing (Surface by Surface)     o/R-1\Dn  
24.5    Invariants     X}$S|1CjO  
24.6    Paraxial Ray Tracing (Component by Component)     F <(Y  
24.7    Two-Componenet Relationships     6F2}|c  
24.8    Third-Order Aberrations – Surface Contributions     :[doYizk:  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     2 O%UT?R  
24.10    Stop Shift Equations     wr`eBPu  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     =E}/Z  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     *RPI$0
 
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Glossary ;XT$rtuX  
Reference eW/Hn  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 zDX-}t_'q  
我怎么瞧不明白。

有没有人呀 gP`8hNwR  
有个问题想请教大家