"Modern Lens Design" 2nd Edition by Warren J. Smith dtJ?J<m}
\:8
>@Q
Contents of Modern Lens Design 2nd Edition )A,MTi
I t",WFE.
1 Introduction |
X! d*4
1.1 Lens Design Books :W^
k3/t
1.2 Reference Material qEE
V&
1.3 Specifications 6,| !zaeS
1.4 Lens Design sZ_+6+ :
1.5 Lens Design Program Features [8[g_
1.6 About This Book ;~F&b:CyG
,-D3tleu`
2 Automatic Lens Design )ui]vS:>
2.2 The Merit Function r761vtC#
2.3 Local Minima oUoDj'JN{
2.4 The Landscape Lens s>ilxLSX]
2.5 Types of Merit Function JZB7?@h%
2.6 Stagnation |<gYzbq
2.7 Generalized Simulated Annealing qi!+Ceo}
2.8 Considerations about Variables for Optimization #L
ffmS
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems WTbq)D(&[_
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits <<4U:
2.11 Spectral Weighting 8(]*J8/wt
2.12 How to Get Started 22$M6Qof]n
p%[/
_ -7
3 Improving a Design $9bLD
>.
3.1 Lens Design Tip Sheet: Standard Improvement Techniques fgdqp8~
3.2 Glass Changes ( Index and V Values ) GUSEbIz):
3.3 Splitting Elements vq=nG]cE)
3.4 Separating a Cemented Doublet /6 QwV->
3.5 Compounding an Element GKIO@!@[
3.6 Vignetting and Its Uses m7!Mstu
3.7 Eliminating a Weak Element; the Concentric Problem 3RJsH:u8
3.8 Balancing Aberrations vnc-W3N
3.9 The Symmetrical Principle ^Y,nv,gYn
3.10 Aspheric Surfaces 7Ji|x{``
gaV>WF
4 Evaluation: How Good is This Design 05hjC
4.1 The Uses of a Preliminary Evaluation t>Lq
"]1
4.2 OPD versus Measures of Performance (ZSd7qH"
4.3 Geometric Blur Spot Size versus Certain Aberrations ip8%9fG\>
4.4 Interpreting MTF - The Modulation Transfer Function bf@H(gCW=
4.5 Fabrication Considerations t\S=u y
-aPRLHR
5 Lens Design Data K,j'!VQA4g
5.1 About the Sample Lens Designs $\Oc]%
5.2 Lens Prescriptions, Drawings, and Aberration Plots v(=?@tF}E
5.3 Estimating the Potential of a Redesign )xm[m vt
5.4 Scaling a Desing, Its Aberrations, and Its MTF JCFiKt9n
5.5 Notes on the Interpretation of Ray Intercept Plots <<w*_GM
5.6 Various Evaluation Plot 5v5)vv.kd
Sq:,6bcG
6 Telescope Objective z*k(` '
6.1 The Thin Airspaced Doublet ?&Ug"$v
6.2 Merit Function for a Telescope Objective v9*31Jx
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Q-<h)WTA
6.4 Spherochromatism lV".-:u_
6.5 Zonal Spherical Aberration =hY9lxW
6.6 Induced Aberrations #K&XY6cTj
6.7 Three-Element Objectives '9u(9S
6.8 Secondary Spectrum (Apochromatic Systems) 0#Ae<
6.9 The Design of an f/7 Apochromatic Triplet \~X:ffb =
6.10 The Diffractive Surface in Lens Design FdGnNDl*e
6.11 A Final Note 6U9FvPJ
/L{V3}[j
7 Eyepieces and Magnifiers Ahkq
7.1 Eyepieces \Vb|bw'e(
7.2 A Pair of Magnifier Designs 9x`1VR
:
7.3 The Simple, Classical Eyepieces k@Qd:I;;
7.4 Design Story of an Eyepiece for a 6*30 Binocular L9{y1'')
7.5 Four-Element Eyepieces q?y-s
7.6 Five-Element Eyepieces ;"B@QPX
7.7 Very High Index Eyepiece/Magnifier swKqsN.
7.8 Six- and Seven-Element Eyepieces mRO@ZY;5
;vG%[f`K
8 Cooke Triplet Anastigmats 70-nAv
8.1 Airspaced Triplet Anastigmats `l2h65\
8.2 Glass Choice nD.K*# u
8.3 Vertex Length and Residual Aberrations i"#pk"@`
8.4 Other Design Considerations ^ 6b27_=
8.5 A Plastic, Aspheric Triplet Camera Lens y**YFQ*sc
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet $+|.
@ss
8.7 Possible Improvement to Our “Basic” Triplet =O%'qUj`q
8.7 The Rear Earth (Lanthanum) Glasses IFsh"i
8.9 Aspherizing the Surfaces W#&BU-|2
8.10 Increasing the Element Thickness ',Y`\X
p~WX\;
9 Split Triplets !?)aZ |r
i^@hn>s$
10 The Tessar, Heliar, and Other Compounded Triplets *b7evU *1
10.1 The Classic Tessar m<sCRWa-
10.2 The Heliar/Pentac &G!~@\tMg
10.3 The Portrait Lens and the Enlarger Lens @>*r2=#14
10.4 Other Compounded Triplets }Qa
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar /Z~5bb(
O1Ynl`}
11 Double-Meniscus Anastigmats s2`} ~
11.1 Meniscus Components MbxJ3"@
11.2 The Hypergon, Totogon, and Metrogon .B?fG)'WsF
11.3 A Two Element Aspheric Thick Meniscus Camera Lens `m}G{ jfk
11.4 Protar, Dagor, and Convertible Lenses M1=eS@
11.5 The Split Dagor v:"Y
11.6 The Dogmar ''($E/
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 4k!>JQor
T9FGuit9
12 The Biotar or Double-Gauss Lens ;o158H$gz;
12.1 The Basic Six-Element Version [Lcy &+
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Rrrq>{D
12.3 The Seven-Element Biotar - Split-Rear Singlet K5 EJ#1ov
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 5/R
~<z
12.5 The Seven-Element Biotar - One Compounded Outer Element #+H3b!8=
12.6 The Eight-Element Biotar =om<* \vsO
12.7 A “Doubled Double-Gauss” Relay 9*P-k.Bl
FqZD'Uu7
13 Telephoto Lenses ~7gFddi=i
13.1 The Basic Telephoto M< H+$}[
13.2 Close-up or Macro Lenses f\FqZ?w
13.3 Telephoto Designs F$ckW'V
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch >,.\`.0
mA#;6?6
cqaq~
14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses )X3
|[4R
14.1 The Reverse Telephoto Principle cd`P'GDF
14.2 The Basic Retrofocus Lens XP[~ :+
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses V/xjI<