"Modern Lens Design" 2nd Edition by Warren J. Smith -i?-Xj#%
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Contents of Modern Lens Design 2nd Edition UYb:q
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1 Introduction viY &D
1.1 Lens Design Books [&
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1.2 Reference Material 4h~o>(Sq
1.3 Specifications "o[j'
1.4 Lens Design Ik4U+'z6
1.5 Lens Design Program Features vJfex,#lv
1.6 About This Book 3"hPplE
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2 Automatic Lens Design V"@]PI pr
2.2 The Merit Function }A`4ae=
2.3 Local Minima LY^pmak
2.4 The Landscape Lens Ol'Ct'_k,"
2.5 Types of Merit Function "V;M,/Q|
2.6 Stagnation q>*+.~
2.7 Generalized Simulated Annealing +
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2.8 Considerations about Variables for Optimization !8U\GR `
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems %9A6c(L
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits !7lS=D(?
2.11 Spectral Weighting zj^Ys`nl
2.12 How to Get Started V1j5jjck
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3 Improving a Design V4PD]5ZW
3.1 Lens Design Tip Sheet: Standard Improvement Techniques O?9&6x
3.2 Glass Changes ( Index and V Values ) :)\<
3.3 Splitting Elements k/yoRv%
3.4 Separating a Cemented Doublet gG^K\+S
3.5 Compounding an Element s^b2H
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3.6 Vignetting and Its Uses <OcD [5
3.7 Eliminating a Weak Element; the Concentric Problem T0ebW
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3.8 Balancing Aberrations qqSf17sW
3.9 The Symmetrical Principle !;^sIoRPV
3.10 Aspheric Surfaces /JfRy%31
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4 Evaluation: How Good is This Design [ENm(e$sI
4.1 The Uses of a Preliminary Evaluation a8Jn.!
4.2 OPD versus Measures of Performance fKMbOqU_
4.3 Geometric Blur Spot Size versus Certain Aberrations Lh6G"f(n
4.4 Interpreting MTF - The Modulation Transfer Function spV/+jy{
4.5 Fabrication Considerations *;wPAQE
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5 Lens Design Data "3A.x1uQ
5.1 About the Sample Lens Designs !K#Q[Ee
5.2 Lens Prescriptions, Drawings, and Aberration Plots <3iL5}
5.3 Estimating the Potential of a Redesign ~
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5.4 Scaling a Desing, Its Aberrations, and Its MTF CCOd4
5.5 Notes on the Interpretation of Ray Intercept Plots 2Ke?*
5.6 Various Evaluation Plot H\7Qf8s|{
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6 Telescope Objective 8C2s-%:
6.1 The Thin Airspaced Doublet oq4*m[
6.2 Merit Function for a Telescope Objective
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective T<"Hh.h
6.4 Spherochromatism y1!c:&
6.5 Zonal Spherical Aberration WUSkN;idVG
6.6 Induced Aberrations `g&<7~\=A
6.7 Three-Element Objectives A=/|f$s+
6.8 Secondary Spectrum (Apochromatic Systems) 'Jww}^h1
6.9 The Design of an f/7 Apochromatic Triplet E-_FxBw
6.10 The Diffractive Surface in Lens Design n0:Y*Op
6.11 A Final Note NWuS/Ur`9
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7 Eyepieces and Magnifiers G/Nb@pAy[
7.1 Eyepieces (-tF=wR,W
7.2 A Pair of Magnifier Designs Q=[AP+
7.3 The Simple, Classical Eyepieces uI^E9r/hB
7.4 Design Story of an Eyepiece for a 6*30 Binocular =#||&1U$
7.5 Four-Element Eyepieces )>$@cH
7.6 Five-Element Eyepieces lV/-jkR
7.7 Very High Index Eyepiece/Magnifier K'EGm #I
7.8 Six- and Seven-Element Eyepieces s_A<bW566F
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8 Cooke Triplet Anastigmats J fFOU!F\
8.1 Airspaced Triplet Anastigmats ^T83E}
8.2 Glass Choice e#MEDjm/)g
8.3 Vertex Length and Residual Aberrations C~F do0D
8.4 Other Design Considerations dHV3d'.P
8.5 A Plastic, Aspheric Triplet Camera Lens p.kJNPO\@
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet M}E0Msq_o
8.7 Possible Improvement to Our “Basic” Triplet GE]cH6E
8.7 The Rear Earth (Lanthanum) Glasses |[/[*hDZ9
8.9 Aspherizing the Surfaces 5T)qn`%
8.10 Increasing the Element Thickness s*.CJ
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9 Split Triplets E Z95)pk
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10 The Tessar, Heliar, and Other Compounded Triplets ]5X=u(}
10.1 The Classic Tessar OTs vox|(
10.2 The Heliar/Pentac #%t&f"j2
10.3 The Portrait Lens and the Enlarger Lens dGU io?
10.4 Other Compounded Triplets pJ Iq`)p5
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar zyyt`
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11 Double-Meniscus Anastigmats !PX`sIkT
11.1 Meniscus Components al<[iZ
11.2 The Hypergon, Totogon, and Metrogon E^z\b *
11.3 A Two Element Aspheric Thick Meniscus Camera Lens
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11.4 Protar, Dagor, and Convertible Lenses f$vWi&(
11.5 The Split Dagor B@Acm
11.6 The Dogmar X_yAx)Do
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens
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12 The Biotar or Double-Gauss Lens 7'g'qUW+~
12.1 The Basic Six-Element Version UV}\#86!
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens G9y
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12.3 The Seven-Element Biotar - Split-Rear Singlet UruD&=AMK
12.4 The Seven-Element Biotar - Broken Contact Front Doublet YY~BNQn6d
12.5 The Seven-Element Biotar - One Compounded Outer Element n\8;4]n
12.6 The Eight-Element Biotar ^V]DQ%v"I
12.7 A “Doubled Double-Gauss” Relay J
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13 Telephoto Lenses "J|_1! 9
13.1 The Basic Telephoto WqX#T
13.2 Close-up or Macro Lenses aChyl;#E
13.3 Telephoto Designs am>X7
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch EugQr<sM#
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses IR; DdF
14.1 The Reverse Telephoto Principle v0EF?$Wo
14.2 The Basic Retrofocus Lens K:Mm?28s
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses qI-q%]l
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15 Wide Angle Lenses with Negative Outer Lenses %n<u- {`
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16 The Petzval Lens; Head-up Display Lenses t[Dg)adc
16.1 The Petzval Portrait Lens -:92<G\D
16.2 The Petzval Projection Lens LwDm(gG
16.3 The Petzval with a Field Flattener gY'w=(/`
16.4 Very Height Speed Petzval Lenses OnGtIY
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems d5?"GFy
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17 Microscope Objectives 3,qq\gxB
17.1 General Considerations o(iv=(o
17.2 Classic Objective Design Forms; The Aplanatic Front |~Q`DdkX
17.3 Flat-Field Objectives lLD-QO}/
17.4 Reflecting Objectives VT.BHZ
17.5 The Microscope Objective Designs <