"Modern Lens Design" 2nd Edition by Warren J. Smith l( ?B0
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Contents of Modern Lens Design 2nd Edition X_TjJmc
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1 Introduction ,-#MEr
1.1 Lens Design Books pbzFzL al
1.2 Reference Material \Fz9O-j b4
1.3 Specifications 0>sa{Z
1.4 Lens Design E 5&Z={
1.5 Lens Design Program Features DXiA4ihr=
1.6 About This Book 6{y7e L3!
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2 Automatic Lens Design d . wGO]"
2.2 The Merit Function *,\"}x*
2.3 Local Minima !g|O.mt
2.4 The Landscape Lens VL9w Ru;
2.5 Types of Merit Function ^c\O , *:
2.6 Stagnation E =s,-
2.7 Generalized Simulated Annealing y&NqVR=
2.8 Considerations about Variables for Optimization nje7?Vz
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems N(&{~*YE
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits n[3z_Q I
2.11 Spectral Weighting a: "1LnvR
2.12 How to Get Started }iUK`e
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3 Improving a Design 2LwJ%!
3.1 Lens Design Tip Sheet: Standard Improvement Techniques E]@&<TFq
3.2 Glass Changes ( Index and V Values ) p;+O/'/j
3.3 Splitting Elements =} `d
3.4 Separating a Cemented Doublet v~nKO?{
3.5 Compounding an Element ku]5sd >b
3.6 Vignetting and Its Uses A[Mke
3.7 Eliminating a Weak Element; the Concentric Problem b>07t!;
3.8 Balancing Aberrations 3B1\-ry1M
3.9 The Symmetrical Principle 24jf`1 XFW
3.10 Aspheric Surfaces 3V k8'
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4 Evaluation: How Good is This Design }'oU/@yG
4.1 The Uses of a Preliminary Evaluation Xh@K89` uX
4.2 OPD versus Measures of Performance yfG;OnkZ
4.3 Geometric Blur Spot Size versus Certain Aberrations KL &/Yt
4.4 Interpreting MTF - The Modulation Transfer Function s@\3|e5g
4.5 Fabrication Considerations v)5;~.+%
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5 Lens Design Data l/N<'T_G
5.1 About the Sample Lens Designs ]Ur/DRNS
5.2 Lens Prescriptions, Drawings, and Aberration Plots 4=yzf
5.3 Estimating the Potential of a Redesign \dk1a
5.4 Scaling a Desing, Its Aberrations, and Its MTF @;/Pl>$|'G
5.5 Notes on the Interpretation of Ray Intercept Plots c!Hz'W
5.6 Various Evaluation Plot LqWiw24#
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6 Telescope Objective (p{X.X+
6.1 The Thin Airspaced Doublet ,?GwA@~$k:
6.2 Merit Function for a Telescope Objective ytcLx77`:
6.3 The Design of an f/7 Cemented Doublet Telescope Objective |;gx;qp4cN
6.4 Spherochromatism z9o ]);dZ
6.5 Zonal Spherical Aberration lJK]S=cd
6.6 Induced Aberrations iuV4xyp
6.7 Three-Element Objectives ' @!&{N
6.8 Secondary Spectrum (Apochromatic Systems) c 9|4[_&B~
6.9 The Design of an f/7 Apochromatic Triplet V;SfW2`)
6.10 The Diffractive Surface in Lens Design % S31 2=w
6.11 A Final Note i /X3k&
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7 Eyepieces and Magnifiers yX&#
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7.1 Eyepieces : w^:Z$-hf
7.2 A Pair of Magnifier Designs g#I`P&
7.3 The Simple, Classical Eyepieces q`e0%^U
7.4 Design Story of an Eyepiece for a 6*30 Binocular $xu2ZBK
7.5 Four-Element Eyepieces : /5+p>Ep}
7.6 Five-Element Eyepieces t #(NfzN
7.7 Very High Index Eyepiece/Magnifier 2"6L\8hd2
7.8 Six- and Seven-Element Eyepieces @fd<
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8 Cooke Triplet Anastigmats #]Vw$X_S
8.1 Airspaced Triplet Anastigmats WA n@8!9
8.2 Glass Choice !{ &r|6
8.3 Vertex Length and Residual Aberrations Q=Q+*oog
8.4 Other Design Considerations 3U6QYD55]]
8.5 A Plastic, Aspheric Triplet Camera Lens !WyJ@pFU^
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 11PL1zzH
8.7 Possible Improvement to Our “Basic” Triplet JQ+Mg& &Q
8.7 The Rear Earth (Lanthanum) Glasses G]B0LUT6c
8.9 Aspherizing the Surfaces r'i99 ~
8.10 Increasing the Element Thickness I gJu/{:y^
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9 Split Triplets %jAc8~vW?
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10 The Tessar, Heliar, and Other Compounded Triplets Gb^63.}
10.1 The Classic Tessar N<#J!0w
10.2 The Heliar/Pentac M.g2y &8
10.3 The Portrait Lens and the Enlarger Lens H;=y R]E
10.4 Other Compounded Triplets . r/s.g
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar % 3#g-
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11 Double-Meniscus Anastigmats Rr LiH>
11.1 Meniscus Components a Mqt2{f+
11.2 The Hypergon, Totogon, and Metrogon 9No6\{ [M
11.3 A Two Element Aspheric Thick Meniscus Camera Lens c:${qY:!
11.4 Protar, Dagor, and Convertible Lenses W@}@5,}f>
11.5 The Split Dagor QmBHD;Gf
11.6 The Dogmar &Hw:65O
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens eGMw :H
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12 The Biotar or Double-Gauss Lens ;)rhx`"n
12.1 The Basic Six-Element Version -Ua 5anzB
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /8Lb_QH{
12.3 The Seven-Element Biotar - Split-Rear Singlet 0,0WdJAe
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ,5 8-h?B0v
12.5 The Seven-Element Biotar - One Compounded Outer Element @ !$xSH
12.6 The Eight-Element Biotar o=VZ7]
12.7 A “Doubled Double-Gauss” Relay wgSFL6Ei
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13 Telephoto Lenses #W:.Fsq
13.1 The Basic Telephoto ~ &/Nl_#
13.2 Close-up or Macro Lenses nR%w5oe
13.3 Telephoto Designs drCL7.j #L
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 2Jo|P A` 9
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses _WV13pnRu
14.1 The Reverse Telephoto Principle i (r Yc
14.2 The Basic Retrofocus Lens 5P* jGOg .
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses &IQNsJ L!e
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15 Wide Angle Lenses with Negative Outer Lenses HmXxM:[4;
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16 The Petzval Lens; Head-up Display Lenses FkaQVT
16.1 The Petzval Portrait Lens ILG&l<!E
16.2 The Petzval Projection Lens |$8N*7UD
16.3 The Petzval with a Field Flattener =j_4!^
16.4 Very Height Speed Petzval Lenses B <Jxj
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems gC6Gm':c
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17 Microscope Objectives ({4?RtYm
17.1 General Considerations pJ? y
17.2 Classic Objective Design Forms; The Aplanatic Front B_!S\?}$
17.3 Flat-Field Objectives p@$92> '
17.4 Reflecting Objectives sVO|Ghy65
17.5 The Microscope Objective Designs R]Fa?uQW
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18 Mirror and Catadioptric Systems rp ]H&5.*
18.1 The Good and Bad Points of Mirrors <{V{2V#
18.2 The Classic Two-Mirror Systems .ErR-p=-
18.3 Catadioptric Systems )x5w`N]lm
18.4 Aspheric Correctors and Schmidt Systems Y(JZP\Tf_N
18.5 Confocal Paraboloids j1JdG<n
18.6 Unobscured Systems ,[n=PJV w/
18.7 Design of a Schmidt-Cassegrain “from Scratch” lz).=N}m
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19 Infrared and Ultraviolet Systems y r zyus
19.1 Infrared Optics j97 c@
19.2 IR Objective Lenses nQw, /L k
19.3 IR Telescope "t{D5{q|[k
19.4 Laser Beam Expanders q|.0Ja
19,5 Ultraviolet Systems q!d7Ms{q
19.6 Microlithographic Lenses rp-.\Hl/a
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20 Zoom Lenses <t *3w
20.1 Zoom Lenses s 4 Uk5<
20.2 Zoom Lenses for Point and Shoot Cameras 5IG#-Q(6sp
20.3 A 20X Video Zoom Lens 6.v)q ,JL
20.4 A Zoom Scanner Lens \n0Gr\:
20.5 A Possible Zoom Lens Design Procedure mqQ//$Y
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21 Projection TV Lenses and Macro Lenses ~\R +p~>
21.1 Projection TV Lenses *xKY >E+
21.2 Macro Lenses G*VcAJ [
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22 Scanner/ , Laser Disk and Collimator Lenses e58tf3
22.1 Monochromatic Systems h>NuQo*
22.2 Scanner Lenses Jpe\
22.3 Laser Disk, Focusing, and Collimator Lenses {Cw>T-`
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23 Tolerance Budgeting ^@maF<Jb
23.1 The Tolerance Budget cj3P]2B#
23.2 Additive Tolerances | >p?Cm
23.3 Establishing the Tolerance Budget 9H%L;C5<
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24 Formulary 4H%Ai(F}_
24.1 Sign Conventions, Symbols, and Definitions /vPcg
24.2 The Cardinal Points *Q3q(rdrp
24.3 Image Equations Gy[m4n~Z5
24.4 Paraxial Ray Tracing (Surface by Surface) w#$Q?u ,G
24.5 Invariants A3e83g~L
24.6 Paraxial Ray Tracing (Component by Component) a/
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24.7 Two-Componenet Relationships X pf: I
24.8 Third-Order Aberrations – Surface Contributions XCZNvL G
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs _$qH\>se
24.10 Stop Shift Equations mvW,nM1Y
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces } W"/h )q
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ytGcigw(P
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Glossary RS[QZOoW}
Reference czp}-{4X
Index
