[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith tBbOxMm0  

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Contents of Modern Lens Design 2nd Edition 0W(mx-[H/  
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1    Introduction         y QClq{A  
1.1    Lens Design Books     Iz1x|EQ  
1.2    Reference Material     7b+r LyS0  
1.3    Specifications     U xBd14-R_  
1.4    Lens Design     <a]i"s  
1.5    Lens Design Program Features     db~^Gqv6k  
1.6    About This Book     gYD1A\  
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2    Automatic Lens Design         HwHF8#D*l  
2.2    The Merit Function         _;BwP  
2.3    Local Minima     j@>D]j  
2.4    The Landscape Lens     Up{[baWF  
2.5    Types of Merit Function     *{3d+j/?/  
2.6    Stagnation     IplOXD  
2.7    Generalized Simulated Annealing     g3z/yj  
2.8    Considerations about Variables for Optimization     J-hJqR*;K  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 6@s!J8!  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     Ea&|k
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2.11    Spectral Weighting     mY.v:  
2.12    How to Get Started     ^1najUpQ_n  
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3    Improving a Design      !BsQJ_H  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     =0pt-FQ  
3.2    Glass Changes ( Index and V Values )     <{isWEW9]3  
3.3    Splitting Elements     iM@$uD$_Q2  
3.4    Separating a Cemented Doublet     umIGI  
3.5    Compounding an Element     i)?7+<X  
3.6    Vignetting and Its Uses     QselW]  
3.7    Eliminating a Weak Element; the Concentric Problem     .\ ;'>qy  
3.8    Balancing Aberrations     3PE.7-HF  
3.9    The Symmetrical Principle     {Sf[<I  
3.10    Aspheric Surfaces     C(ij_>  
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4    Evaluation: How Good is This Design     &"^F;z/  
4.1    The Uses of a Preliminary Evaluation     ,X.[37  
4.2    OPD versus Measures of Performance     8M99cx*K  
4.3    Geometric Blur Spot Size versus Certain Aberrations     WO_Uc_R  
4.4    Interpreting MTF - The Modulation Transfer Function     *4}_2"[  
4.5    Fabrication Considerations     <0})%V?-  
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5    Lens Design Data     r[S(VPo[()  
5.1    About the Sample Lens Designs     CRK%^3g  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     9MMCWMV  
5.3    Estimating the Potential of a Redesign     2!{D~Gfl=  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     yp#!$+a}  
5.5    Notes on the Interpretation of Ray Intercept Plots     AJ\&>6GZ(b  
5.6    Various Evaluation Plot     Cz0FA]-g  
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6    Telescope Objective     IrMHAM5K  
6.1    The Thin Airspaced Doublet     h[W`P%xZ  
6.2    Merit Function for a Telescope Objective     0$*7lQ<a#M  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     aKDY_D  
6.4    Spherochromatism     'JOUx_@z  
6.5    Zonal Spherical Aberration     {
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6.6    Induced Aberrations     50cVS)hG6d  
6.7    Three-Element Objectives     gJQ#j~'  
6.8    Secondary Spectrum (Apochromatic Systems)     6KMO*v  
6.9    The Design of an f/7 Apochromatic Triplet     (BEe^]f  
6.10    The Diffractive Surface in Lens Design     NoiB98g  
6.11    A Final Note     #L*\^ c  
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7    Eyepieces and Magnifiers     /eV)5`V  
7.1    Eyepieces     !*-|!Vz  
7.2    A Pair of Magnifier Designs     qYK^S4L  
7.3    The Simple, Classical Eyepieces     5#GMp  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     AY /9Io
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7.5    Four-Element Eyepieces     |0n )U(  
7.6    Five-Element Eyepieces     8ymdg\I+L  
7.7    Very High Index Eyepiece/Magnifier     )x6&Y  
7.8    Six- and Seven-Element Eyepieces     ]3LLlXtK[  
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8    Cooke Triplet Anastigmats     T#ls2UL*xh  
8.1    Airspaced Triplet Anastigmats     ,b*
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8.2    Glass Choice     1}d F,e  
8.3    Vertex Length and Residual Aberrations     Bgxk>Y  
8.4    Other Design Considerations     $e\s8$EO  
8.5    A Plastic, Aspheric Triplet Camera Lens     g88k@<Y  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet $|~<6A{y  
8.7    Possible Improvement to Our “Basic” Triplet     \D@j`o  
8.7    The Rear Earth (Lanthanum) Glasses     0Y8gUpe3P6  
8.9    Aspherizing the Surfaces     t\M6 d6  
8.10    Increasing the Element Thickness     &W45.2  
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9    Split Triplets     QLJ
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10    The Tessar, Heliar, and Other Compounded Triplets     }>{R<[I!G  
10.1    The Classic Tessar     ),x0G*oebj  
10.2    The Heliar/Pentac     2j-l<!s  
10.3    The Portrait Lens and the Enlarger Lens     3~`P8 9  
10.4    Other Compounded Triplets     "S;4hO  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar k-~}KlP  
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11    Double-Meniscus Anastigmats     A[l )>:  
11.1    Meniscus Components     2+&;jgBP  
11.2    The Hypergon, Totogon, and Metrogon     d]E=w6+;Q  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     &{Z+p(3Gj  
11.4    Protar, Dagor, and Convertible Lenses     nE]rPRU}[  
11.5    The Split Dagor     HhynU/36  
11.6    The Dogmar     bW
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     N3u06  
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12    The Biotar or Double-Gauss Lens     jkk%zu  
12.1    The Basic Six-Element Version     -b!?9T?}  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens %Xc,l Y1?  
12.3    The Seven-Element Biotar - Split-Rear Singlet     b$@I(.X:  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     e)}E&D;${  
12.5    The Seven-Element Biotar - One Compounded Outer Element     "]eB2k_>  
12.6    The Eight-Element Biotar     Ce+:9}[  
12.7    A “Doubled Double-Gauss” Relay     \|>%/P  
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13    Telephoto Lenses     XpANaqH\  
13.1    The Basic Telephoto     ;Rv WF )  
13.2    Close-up or Macro Lenses     q7CLxv &QG  
13.3    Telephoto Designs     Z66Xj-o  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch wqG#jC!5  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     y(DT^>0  
14.1    The Reverse Telephoto Principle     f>Rux1Je4  
14.2    The Basic Retrofocus Lens     dQ*^WNUB  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     ?b7ttlX{  
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15    Wide Angle Lenses with Negative Outer Lenses     Wrp~OF0k  
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16    The Petzval Lens; Head-up Display Lenses     JL {H3r&/S  
16.1    The Petzval Portrait Lens     E{)X ;kN=  
16.2    The Petzval Projection Lens     >$ZhhM/} J  
16.3    The Petzval with a Field Flattener     T'6`A<`3  
16.4    Very Height Speed Petzval Lenses     S:{xx`6K  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     +X#6dv$  
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17    Microscope Objectives     * K$U[$s  
17.1    General Considerations     |cd"cx+  
17.2    Classic Objective Design Forms; The Aplanatic Front     Yz;7g8HI  
17.3    Flat-Field Objectives     P<
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17.4    Reflecting Objectives     uG -+&MU?  
17.5    The Microscope Objective Designs     `a52{Wa  
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18    Mirror and Catadioptric Systems     b"\lF1Nf&o  
18.1    The Good and Bad Points of Mirrors     GLIY!BU<C  
18.2    The Classic Two-Mirror Systems ^U?Ac=  
18.3    Catadioptric Systems     =oVC*b  
18.4    Aspheric Correctors and Schmidt Systems     3rK\ f4'  
18.5    Confocal Paraboloids     nP[Z6h  
18.6    Unobscured Systems     0xZ^ f}@L  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     O)W+rmToI  
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19    Infrared and Ultraviolet Systems     4Q#{,y944  
19.1    Infrared Optics     8Dl(zYK;  
19.2    IR Objective Lenses     ekY)?$v3  
19.3    IR Telescope     _#
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19.4    Laser Beam Expanders     yT:2*sZRc
 
19,5    Ultraviolet Systems     P$z%:Q  
19.6    Microlithographic Lenses     Ytc[ kp  
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20    Zoom Lenses     Zr
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20.1    Zoom Lenses     --diG$x.  
20.2    Zoom Lenses for Point and Shoot Cameras     auGK2i  
20.3    A 20X Video Zoom Lens     =?W7OV^BE  
20.4    A Zoom Scanner Lens     \A^8KVE!  
20.5    A Possible Zoom Lens Design Procedure     LL);Ym9d  
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21    Projection TV Lenses and Macro Lenses     Lios1|5  
21.1    Projection TV Lenses     8VG}-  
21.2    Macro Lenses     8+Tv@  
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22    Scanner/ , Laser Disk and Collimator Lenses     r]-n,  
22.1    Monochromatic Systems     MtwlZg`c3  
22.2    Scanner Lenses     pq
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22.3    Laser Disk, Focusing, and Collimator Lenses     7C
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23    Tolerance Budgeting     f?ycZ  
23.1    The Tolerance Budget     UUDbOxD^w  
23.2    Additive Tolerances     4<tbZP3/6)  
23.3    Establishing the Tolerance Budget     EKO'S+~  
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24    Formulary CT_tJ  
24.1    Sign Conventions, Symbols, and Definitions     phG*It}  
24.2    The Cardinal Points     |%5pzYe  
24.3    Image Equations     /tG as  
24.4    Paraxial Ray Tracing (Surface by Surface)     ?7pn%_S  
24.5    Invariants     I++ Le%w  
24.6    Paraxial Ray Tracing (Component by Component)     Jw=7eay$F  
24.7    Two-Componenet Relationships     oQpGa>6U&  
24.8    Third-Order Aberrations – Surface Contributions     L8n?F#q  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     J<H]vs  
24.10    Stop Shift Equations     G>:v1lde  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     94O\M RQ*  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     Wm"q8-
<<  
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Glossary l z"o( %D  
Reference fe<7D\Sp@  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 XRkUv>Yk  
我怎么瞧不明白。

有没有人呀 ]D5Maid+  
有个问题想请教大家