"Modern Lens Design" 2nd Edition by Warren J. Smith )4)iANH?
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Contents of Modern Lens Design 2nd Edition #oroY.o
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1 Introduction vx5o
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1.1 Lens Design Books cevV<Wy+
1.2 Reference Material @
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1.3 Specifications eN<pU%7
1.4 Lens Design /-K dCp~
1.5 Lens Design Program Features 0"<;You
1.6 About This Book Y5i`pY/}#?
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2 Automatic Lens Design ?tC}M;~
2.2 The Merit Function ?J@?,rZQ^V
2.3 Local Minima 88np/jvC{
2.4 The Landscape Lens h
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2.5 Types of Merit Function H=o-ScA
2.6 Stagnation %QsSR'`
2.7 Generalized Simulated Annealing !:5`im;i
2.8 Considerations about Variables for Optimization 1|EU5<
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems M`C~6Mf+
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits P$6f +{
2.11 Spectral Weighting v_ nBh,2
2.12 How to Get Started rxgVT4
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3 Improving a Design qtwT#z;Y
3.1 Lens Design Tip Sheet: Standard Improvement Techniques /romTK4
3.2 Glass Changes ( Index and V Values ) >.O*gv/_
3.3 Splitting Elements _KM $u>B8
3.4 Separating a Cemented Doublet ;+ Co!L
3.5 Compounding an Element YKw!pu=
3.6 Vignetting and Its Uses (:y,CsR}4
3.7 Eliminating a Weak Element; the Concentric Problem w-'D*dOi
3.8 Balancing Aberrations 3dX=xuQ%/
3.9 The Symmetrical Principle Ef_F#X0#
3.10 Aspheric Surfaces (|36!-(iK
cJHABdK-
4 Evaluation: How Good is This Design S QM(8*:X
4.1 The Uses of a Preliminary Evaluation kHJDX;
4.2 OPD versus Measures of Performance / 8WpX
4.3 Geometric Blur Spot Size versus Certain Aberrations FU(}=5n
4.4 Interpreting MTF - The Modulation Transfer Function 4l%?mvA^m
4.5 Fabrication Considerations tJh3$K\
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5 Lens Design Data YM`:L
5.1 About the Sample Lens Designs ph8Jn+|E
5.2 Lens Prescriptions, Drawings, and Aberration Plots hP4)8 >
5.3 Estimating the Potential of a Redesign (ifqwl62
5.4 Scaling a Desing, Its Aberrations, and Its MTF ER;lkF`RF
5.5 Notes on the Interpretation of Ray Intercept Plots h=K36a)
5.6 Various Evaluation Plot \C+*loLs
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6 Telescope Objective r(,= uLc
6.1 The Thin Airspaced Doublet (?!(0Ywbg
6.2 Merit Function for a Telescope Objective ebO`A2V'(
6.3 The Design of an f/7 Cemented Doublet Telescope Objective yBPt%EF
6.4 Spherochromatism ]{Mci]H6T
6.5 Zonal Spherical Aberration <=)D=Ax/_[
6.6 Induced Aberrations k%Ma4_Z
6.7 Three-Element Objectives q:2aPfo&
6.8 Secondary Spectrum (Apochromatic Systems) WbC0H78]
6.9 The Design of an f/7 Apochromatic Triplet 7Ykj#"BZ
6.10 The Diffractive Surface in Lens Design aDN6MZM
6.11 A Final Note h V|v6 _
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7 Eyepieces and Magnifiers H)`C ncB
7.1 Eyepieces |<j,Tr1[
7.2 A Pair of Magnifier Designs Xr@l+zr
7.3 The Simple, Classical Eyepieces 93E,
7.4 Design Story of an Eyepiece for a 6*30 Binocular %k3NT~
7.5 Four-Element Eyepieces S+) l[0
7.6 Five-Element Eyepieces SE,o7_k'S
7.7 Very High Index Eyepiece/Magnifier .%x"t>]
7.8 Six- and Seven-Element Eyepieces Sc;iAi
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8 Cooke Triplet Anastigmats *Fa)\.XX
8.1 Airspaced Triplet Anastigmats L,Ao.?j
8.2 Glass Choice toS(UM n
8.3 Vertex Length and Residual Aberrations NCowt|#t
8.4 Other Design Considerations 4
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8.5 A Plastic, Aspheric Triplet Camera Lens F\-B3i%0
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 5u2{n rc
8.7 Possible Improvement to Our “Basic” Triplet E;6Y? vJ
8.7 The Rear Earth (Lanthanum) Glasses 54
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8.9 Aspherizing the Surfaces .-SDo"K.h
8.10 Increasing the Element Thickness !Y ;H(.A/
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9 Split Triplets
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10 The Tessar, Heliar, and Other Compounded Triplets 9">zdFC'
10.1 The Classic Tessar *'UhlFed
10.2 The Heliar/Pentac U0NOU#
10.3 The Portrait Lens and the Enlarger Lens >.DF"]XM
10.4 Other Compounded Triplets
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar eV[`P&j_C
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11 Double-Meniscus Anastigmats 9
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11.1 Meniscus Components cZNi~
11.2 The Hypergon, Totogon, and Metrogon 0lX)Cl
11.3 A Two Element Aspheric Thick Meniscus Camera Lens q*~gWn>T
11.4 Protar, Dagor, and Convertible Lenses 5h_<R!jA
11.5 The Split Dagor [8,PO
11.6 The Dogmar H7{Q@D8
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens |ZS 57c:
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12 The Biotar or Double-Gauss Lens 6BDt.bG
12.1 The Basic Six-Element Version u~" siH
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Hu<p?mF#
12.3 The Seven-Element Biotar - Split-Rear Singlet cqeR<len
12.4 The Seven-Element Biotar - Broken Contact Front Doublet +O)]^"TG
12.5 The Seven-Element Biotar - One Compounded Outer Element @@'nit
12.6 The Eight-Element Biotar T#\p%w9d
12.7 A “Doubled Double-Gauss” Relay oS~}TR:}
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13 Telephoto Lenses +p13xc?#j
13.1 The Basic Telephoto M6J/mOVx5
13.2 Close-up or Macro Lenses wb]*u7G
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13.3 Telephoto Designs o:_^gJ+|
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 3rxo,pX94
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses O~.U:45t
14.1 The Reverse Telephoto Principle U);OR
14.2 The Basic Retrofocus Lens CE{z-_{^
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses fGb7=Fk
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15 Wide Angle Lenses with Negative Outer Lenses x Y| yI>
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16 The Petzval Lens; Head-up Display Lenses w TlGJ$D0
16.1 The Petzval Portrait Lens NjbwGcH%\
16.2 The Petzval Projection Lens 'V&2Xvl%
16.3 The Petzval with a Field Flattener ,E&Bn8L~O
16.4 Very Height Speed Petzval Lenses &ik$L!iX
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems WE")xhV6
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17 Microscope Objectives o
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17.1 General Considerations cqEHYJ;B
17.2 Classic Objective Design Forms; The Aplanatic Front I0DM=V>;
17.3 Flat-Field Objectives Y&s2C%jT
17.4 Reflecting Objectives L!g DFZr
17.5 The Microscope Objective Designs qbXz7s*{
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18 Mirror and Catadioptric Systems sMH#BCC
18.1 The Good and Bad Points of Mirrors ,<sm,!^<r
18.2 The Classic Two-Mirror Systems VpSEVd:n
18.3 Catadioptric Systems *xcP`
18.4 Aspheric Correctors and Schmidt Systems |1"!kA
18.5 Confocal Paraboloids W}h|K:-S
18.6 Unobscured Systems _S"f_W
18.7 Design of a Schmidt-Cassegrain “from Scratch” R uLvG+
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19 Infrared and Ultraviolet Systems {]^2R>0Q
19.1 Infrared Optics S8%n .<OB
19.2 IR Objective Lenses -l
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19.3 IR Telescope g]|_
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19.4 Laser Beam Expanders 7UKYmJk.
19,5 Ultraviolet Systems kM!V.e[g
19.6 Microlithographic Lenses 5 [4Z=RP
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20 Zoom Lenses cn%2OP:L^
20.1 Zoom Lenses f jI #-
20.2 Zoom Lenses for Point and Shoot Cameras H0a-(
20.3 A 20X Video Zoom Lens fYBH)E
20.4 A Zoom Scanner Lens ' "'Btxz
20.5 A Possible Zoom Lens Design Procedure
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21 Projection TV Lenses and Macro Lenses wVqd$nsY"
21.1 Projection TV Lenses ,)h)5o(?
21.2 Macro Lenses }>&KUl
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22 Scanner/ , Laser Disk and Collimator Lenses cXN _*%
22.1 Monochromatic Systems iCTQ]H3
22.2 Scanner Lenses qzK("d
22.3 Laser Disk, Focusing, and Collimator Lenses xhw-2dl*H
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23 Tolerance Budgeting knT.l"
23.1 The Tolerance Budget EvE,Dm?h
23.2 Additive Tolerances s-k_d<
23.3 Establishing the Tolerance Budget frN3S
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24 Formulary %y"J8;U
24.1 Sign Conventions, Symbols, and Definitions @Z;1 g
24.2 The Cardinal Points `HW:^T
24.3 Image Equations >fzwFNdo
24.4 Paraxial Ray Tracing (Surface by Surface) 1$ML #5+,
24.5 Invariants >qR~'$,$
24.6 Paraxial Ray Tracing (Component by Component) g:<?
24.7 Two-Componenet Relationships )"`!AerJ
24.8 Third-Order Aberrations – Surface Contributions J!h^egP
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs KrKu7]If6#
24.10 Stop Shift Equations }B q^3?,#{
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces f vLC_'M
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) }nud
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Glossary /smiopFcq
Reference Lw*]EG|?
Index