[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith z>'vS+axV  
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Contents of Modern Lens Design 2nd Edition 5Z=GFKf|  
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1    Introduction         g(G$*#}o8A  
1.1    Lens Design Books     ]c]^(C  
1.2    Reference Material     9XUk.Nek  
1.3    Specifications     v`p@djM  
1.4    Lens Design     XQtV$Lw  
1.5    Lens Design Program Features     Zvr
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1.6    About This Book     u}rJqZ  
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2    Automatic Lens Design         u7 <VD  
2.2    The Merit Function         p=|S%  
2.3    Local Minima     .*z$vl  
2.4    The Landscape Lens     sN) xNz  
2.5    Types of Merit Function     RS@G.|  
2.6    Stagnation     SA%)xGRW  
2.7    Generalized Simulated Annealing     BaMF5f+  
2.8    Considerations about Variables for Optimization     :lK8i{o  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems lAo4)  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     7 ;2>kgf~  
2.11    Spectral Weighting     X0]$Ovq(l  
2.12    How to Get Started     F'JT7#eX  
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3    Improving a Design     Z&7Yl(|  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     }j!C+
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3.2    Glass Changes ( Index and V Values )     B$7Cjv  
3.3    Splitting Elements     /-(OJN5F^  
3.4    Separating a Cemented Doublet     ,F+,A].wG  
3.5    Compounding an Element     |qU~({=b  
3.6    Vignetting and Its Uses     6uX,J(V,  
3.7    Eliminating a Weak Element; the Concentric Problem     ZkNet>9  
3.8    Balancing Aberrations     Tr;&bX5]H  
3.9    The Symmetrical Principle     h<n2pz}  
3.10    Aspheric Surfaces     z.OJ1vY7  
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4    Evaluation: How Good is This Design     %MEWw  
4.1    The Uses of a Preliminary Evaluation     |;I"Oc.w^R  
4.2    OPD versus Measures of Performance     2Zg%4/u,Zp  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ^g.HJQ'vF  
4.4    Interpreting MTF - The Modulation Transfer Function     }FX:sa?5  
4.5    Fabrication Considerations     *?>52 -&b  
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5    Lens Design Data     ;*d?Qe:  
5.1    About the Sample Lens Designs     Q!I><u  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     :8N{;aui  
5.3    Estimating the Potential of a Redesign     K~fWZT3]  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     }Nma %6PfV  
5.5    Notes on the Interpretation of Ray Intercept Plots     =Q6JXp  
5.6    Various Evaluation Plot     ~D`  
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6    Telescope Objective     ( efxw  
6.1    The Thin Airspaced Doublet     w{4#Q[  
6.2    Merit Function for a Telescope Objective     o WAy[  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     1O1MB&5%  
6.4    Spherochromatism     G+\&8fi0  
6.5    Zonal Spherical Aberration     |D[LU[<C  
6.6    Induced Aberrations     Jyp7+M]  
6.7    Three-Element Objectives     8x8nQ*_  
6.8    Secondary Spectrum (Apochromatic Systems)     Fc|N6I'o  
6.9    The Design of an f/7 Apochromatic Triplet     :4LWm<P  
6.10    The Diffractive Surface in Lens Design     z$Qy<_l  
6.11    A Final Note     EOS[MjX+J  
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7    Eyepieces and Magnifiers     Dv4H^  
7.1    Eyepieces     /03?(n= 3  
7.2    A Pair of Magnifier Designs     PtGFLM9R  
7.3    The Simple, Classical Eyepieces     IBW-[lr7  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     \{qtdTd  
7.5    Four-Element Eyepieces     .}E@7^X  
7.6    Five-Element Eyepieces     JZJb&q){  
7.7    Very High Index Eyepiece/Magnifier     JM53sx4&  
7.8    Six- and Seven-Element Eyepieces     (-@I'CFd  
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8    Cooke Triplet Anastigmats     ~ cI`$kJ  
8.1    Airspaced Triplet Anastigmats     $8Z4jo  
8.2    Glass Choice     j@4]0o  
8.3    Vertex Length and Residual Aberrations     *o<|^,R  
8.4    Other Design Considerations     &4*f28 s  
8.5    A Plastic, Aspheric Triplet Camera Lens     j{/5i`5m  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Ci2*5n<  
8.7    Possible Improvement to Our “Basic” Triplet     CX; m8  
8.7    The Rear Earth (Lanthanum) Glasses     ?!3u?Kd  
8.9    Aspherizing the Surfaces     X9C:AGbp  
8.10    Increasing the Element Thickness     |\)Y,~;P  
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9    Split Triplets     ET%F+  
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10    The Tessar, Heliar, and Other Compounded Triplets     TiJ \J{  
10.1    The Classic Tessar     7Q~$&G  
10.2    The Heliar/Pentac     6B}V{2  
10.3    The Portrait Lens and the Enlarger Lens     ?ea5k*#a  
10.4    Other Compounded Triplets     y`cL3 xr4R  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar cmY `$=  
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11    Double-Meniscus Anastigmats     *g4Uo{  
11.1    Meniscus Components     J8[aVG  
11.2    The Hypergon, Totogon, and Metrogon     7'ws: #pC  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     -<tTT  
11.4    Protar, Dagor, and Convertible Lenses     Dj3,SJ*x  
11.5    The Split Dagor     (aB:P03  
11.6    The Dogmar     Pu'lp O  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     qVvnl  
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12    The Biotar or Double-Gauss Lens     ?iL-2I3*  
12.1    The Basic Six-Element Version     (Sj<>xgd  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens N5tFEV'G  
12.3    The Seven-Element Biotar - Split-Rear Singlet     c]|Tg9AW  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     8[a N5M]  
12.5    The Seven-Element Biotar - One Compounded Outer Element     >}d6)s|   
12.6    The Eight-Element Biotar      J@J`)  
12.7    A “Doubled Double-Gauss” Relay     yP34h*0B  
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13    Telephoto Lenses     $-(lp0\*  
13.1    The Basic Telephoto     ]#rNz"  
13.2    Close-up or Macro Lenses     WY26Iq@C  
13.3    Telephoto Designs     |{rhks~  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch %Kh}6   
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ~$1g"jIw  
14.1    The Reverse Telephoto Principle     r'@7aT&_  
14.2    The Basic Retrofocus Lens     SXV2Y-  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     C\ 34R  
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15    Wide Angle Lenses with Negative Outer Lenses     oMNBK/X_  
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16    The Petzval Lens; Head-up Display Lenses     BiZYGq  
16.1    The Petzval Portrait Lens     %-|$7?~  
16.2    The Petzval Projection Lens     u_*y~1^0  
16.3    The Petzval with a Field Flattener     1`Uu;m
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16.4    Very Height Speed Petzval Lenses     .4y44: T  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     d^"|ESQEU  
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17    Microscope Objectives     !VHw*fL|r  
17.1    General Considerations     d-I=xpB  
17.2    Classic Objective Design Forms; The Aplanatic Front     MI`<U:-lP  
17.3    Flat-Field Objectives     G%CS1#  
17.4    Reflecting Objectives     q{!ft9|K\d  
17.5    The Microscope Objective Designs     zXe]P(p<  
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18    Mirror and Catadioptric Systems     HLqDI
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18.1    The Good and Bad Points of Mirrors     w;:{  
18.2    The Classic Two-Mirror Systems @J6V,  
18.3    Catadioptric Systems     UAC"jy1D  
18.4    Aspheric Correctors and Schmidt Systems     ^ JU#_  
18.5    Confocal Paraboloids     z\K-KD{Ad  
18.6    Unobscured Systems     BNixp[Hc  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     qI[AsM+  
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19    Infrared and Ultraviolet Systems     #5X+.!L  
19.1    Infrared Optics     Yv[<c!\   
19.2    IR Objective Lenses     @2+'s;mUV  
19.3    IR Telescope     `U>]*D68  
19.4    Laser Beam Expanders     .RbPO#(  
19,5    Ultraviolet Systems     u!McPM8Yk  
19.6    Microlithographic Lenses      3X9  
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20    Zoom Lenses     ];u nR<H  
20.1    Zoom Lenses     $wk(4W8E  
20.2    Zoom Lenses for Point and Shoot Cameras     ZtpbKy!\$B  
20.3    A 20X Video Zoom Lens     j<h0`v  
20.4    A Zoom Scanner Lens     v5W-f0Jo  
20.5    A Possible Zoom Lens Design Procedure     m4R:KjN*  
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21    Projection TV Lenses and Macro Lenses     _t6.9CXl  
21.1    Projection TV Lenses     Zy>y7O(,  
21.2    Macro Lenses     o3le[6C/8=  
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22    Scanner/ , Laser Disk and Collimator Lenses     %KR2Vlh0  
22.1    Monochromatic Systems     Bey9P)_Of  
22.2    Scanner Lenses     }50s\H._C  
22.3    Laser Disk, Focusing, and Collimator Lenses     5+/XO>P1m|  
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23    Tolerance Budgeting     ~;oaW<"  
23.1    The Tolerance Budget     +,eF(VS!  
23.2    Additive Tolerances     )ZfbM|  
23.3    Establishing the Tolerance Budget     so@ijl4{Z  
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24    Formulary @680.+Kw  
24.1    Sign Conventions, Symbols, and Definitions     &p55Cg@e)  
24.2    The Cardinal Points     VrJf g  
24.3    Image Equations     I8\R7s3  
24.4    Paraxial Ray Tracing (Surface by Surface)     '.7ER  
24.5    Invariants     ZD<e$PxxCd  
24.6    Paraxial Ray Tracing (Component by Component)     2rM/kF >g  
24.7    Two-Componenet Relationships     S]gV!Q4%  
24.8    Third-Order Aberrations – Surface Contributions     ",S146Y+  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     kU{a!ca4  
24.10    Stop Shift Equations     }?9A:&  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     i8=+<d  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     3k:`7E.  
12}!oS~_  
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Glossary c']m5q39'  
Reference +]e) :J  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 ,8stEp9~h]  
我怎么瞧不明白。

有没有人呀 +#6f)H(P]  
有个问题想请教大家