"Modern Lens Design" 2nd Edition by Warren J. Smith $\u\4n
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Contents of Modern Lens Design 2nd Edition B=cA$620
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1 Introduction "B3jq^
1.1 Lens Design Books a}@b2Wc*
1.2 Reference Material 4!/QB6
1.3 Specifications p :xyy*I
1.4 Lens Design 2_wpj;E
1.5 Lens Design Program Features <W0(!<U
1.6 About This Book {bXN[=j
l!,tssQ
2 Automatic Lens Design M+&~sX*a
2.2 The Merit Function 6y^
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2.3 Local Minima
:tZsSK
2.4 The Landscape Lens %r[`HF>
2.5 Types of Merit Function >>{):r
Z
2.6 Stagnation ^&<M""Z
2.7 Generalized Simulated Annealing li%@HdA!
2.8 Considerations about Variables for Optimization *O$|,EsY
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems jemb/:E
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits QP'sS*saJ
2.11 Spectral Weighting ]0R*F30]
2.12 How to Get Started !}6'vq
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3 Improving a Design E 3'I;
3.1 Lens Design Tip Sheet: Standard Improvement Techniques xo@1((|z
3.2 Glass Changes ( Index and V Values ) 2Z{?3mAb;
3.3 Splitting Elements `<tRfl}qs
3.4 Separating a Cemented Doublet h{)m}"n<R
3.5 Compounding an Element zLl-{Kk
3.6 Vignetting and Its Uses :P-H8*n""
3.7 Eliminating a Weak Element; the Concentric Problem 1`?o#w
3.8 Balancing Aberrations X4o#kW
3.9 The Symmetrical Principle G
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3.10 Aspheric Surfaces nq_$!aB_K
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4 Evaluation: How Good is This Design \IQG%L{
4.1 The Uses of a Preliminary Evaluation C
O6}D
4.2 OPD versus Measures of Performance cpk\;1&t
4.3 Geometric Blur Spot Size versus Certain Aberrations ]2-Qj)mZ]
4.4 Interpreting MTF - The Modulation Transfer Function sNx_9pJs4
4.5 Fabrication Considerations %i?
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5 Lens Design Data '_?Z{|
5.1 About the Sample Lens Designs S5JMt;O
5.2 Lens Prescriptions, Drawings, and Aberration Plots )Cdw_Yx
5.3 Estimating the Potential of a Redesign pBAAwHD
5.4 Scaling a Desing, Its Aberrations, and Its MTF fExFpR,`
5.5 Notes on the Interpretation of Ray Intercept Plots Ihf>FMl:
5.6 Various Evaluation Plot J0Yb_(w
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6 Telescope Objective gbMA-r:IC
6.1 The Thin Airspaced Doublet ;I5P<7VW
6.2 Merit Function for a Telescope Objective ;C-ds
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Ho(MO!(
6.4 Spherochromatism 6OE
xAn8
6.5 Zonal Spherical Aberration |~A*?6:@
6.6 Induced Aberrations ;X+0,K3c
6.7 Three-Element Objectives ;^:8F
6.8 Secondary Spectrum (Apochromatic Systems) GpPM ?
6.9 The Design of an f/7 Apochromatic Triplet ds*gL ~k^
6.10 The Diffractive Surface in Lens Design JX'}+.\
6.11 A Final Note uyEk1)HC
Q7u|^Gu,5
7 Eyepieces and Magnifiers nOyG7:
7.1 Eyepieces @~gPZm
7.2 A Pair of Magnifier Designs ,%Z&*/*Oh
7.3 The Simple, Classical Eyepieces X(Af`KOg[
7.4 Design Story of an Eyepiece for a 6*30 Binocular y={ k7
7.5 Four-Element Eyepieces *ssw`}yE'
7.6 Five-Element Eyepieces UZ/LR
7.7 Very High Index Eyepiece/Magnifier %(s|
7.8 Six- and Seven-Element Eyepieces HCr}|DxyK
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8 Cooke Triplet Anastigmats Yjo$vQi
8.1 Airspaced Triplet Anastigmats YAR$6&
8.2 Glass Choice 9V)cf
8.3 Vertex Length and Residual Aberrations ecm+33C
8.4 Other Design Considerations T.De1Q|
8.5 A Plastic, Aspheric Triplet Camera Lens hcU^!mp
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet -0a3eg)Z*
8.7 Possible Improvement to Our “Basic” Triplet 7VfXE/
8.7 The Rear Earth (Lanthanum) Glasses =_&,^h@'3e
8.9 Aspherizing the Surfaces eAO@B
8.10 Increasing the Element Thickness +Q"s!\5
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9 Split Triplets \>su97
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10 The Tessar, Heliar, and Other Compounded Triplets v$` 3}<3-
10.1 The Classic Tessar "LYhYkI
10.2 The Heliar/Pentac @<P;F
10.3 The Portrait Lens and the Enlarger Lens atZNX1LD[/
10.4 Other Compounded Triplets j^/<:e c.
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar E>@]"O)=M,
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11 Double-Meniscus Anastigmats Y".?j5f?
11.1 Meniscus Components ?/}IDwuh
11.2 The Hypergon, Totogon, and Metrogon 0<A*I{,4L
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Q~^v=ye
11.4 Protar, Dagor, and Convertible Lenses 860y9wzU
11.5 The Split Dagor %>nAPO+e
11.6 The Dogmar =WF@S1
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens xz:
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12 The Biotar or Double-Gauss Lens ;U0w<>4L
12.1 The Basic Six-Element Version [)X( Qtk
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens cl23y}J_?
12.3 The Seven-Element Biotar - Split-Rear Singlet Y)8 Py1}
12.4 The Seven-Element Biotar - Broken Contact Front Doublet G{pF! q
12.5 The Seven-Element Biotar - One Compounded Outer Element z xgDaT
12.6 The Eight-Element Biotar e}gGl<((g
12.7 A “Doubled Double-Gauss” Relay /"!ck2d&1
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13 Telephoto Lenses /5KY6XxR
13.1 The Basic Telephoto 1=_?Wg:
13.2 Close-up or Macro Lenses {niV63$m
13.3 Telephoto Designs T*k{^=6"!
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch (CAVOed
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses /L`qOr2E
14.1 The Reverse Telephoto Principle *ax&}AHK[/
14.2 The Basic Retrofocus Lens abe5 As r
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ^~B#r#
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15 Wide Angle Lenses with Negative Outer Lenses 1A]
s7`2ky()kz
16 The Petzval Lens; Head-up Display Lenses u<\Sf" fs
16.1 The Petzval Portrait Lens \= 6dF,V
16.2 The Petzval Projection Lens 3cqc<
16.3 The Petzval with a Field Flattener W'zI~'K
16.4 Very Height Speed Petzval Lenses 6C_H0a/h&
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems NljcHe}Qy
gf;B&MM6
17 Microscope Objectives %Q93n {?
17.1 General Considerations Np
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17.2 Classic Objective Design Forms; The Aplanatic Front xs)SKG*
17.3 Flat-Field Objectives ]o9^?iU]
17.4 Reflecting Objectives _Pw5n
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17.5 The Microscope Objective Designs \!)1n[N
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18 Mirror and Catadioptric Systems MR":aT
18.1 The Good and Bad Points of Mirrors 30cb+)h(
18.2 The Classic Two-Mirror Systems AhVV
18.3 Catadioptric Systems Y0Rk:Njc
18.4 Aspheric Correctors and Schmidt Systems r*Z p-}
18.5 Confocal Paraboloids R4f_Kio
18.6 Unobscured Systems ,7Q b24A
18.7 Design of a Schmidt-Cassegrain “from Scratch” qaBL
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19 Infrared and Ultraviolet Systems yEL5U{
19.1 Infrared Optics 8(@(G_skp
19.2 IR Objective Lenses r [n vgzv@
19.3 IR Telescope XJ1<!tl
19.4 Laser Beam Expanders :N=S nyz
19,5 Ultraviolet Systems "V4ru&a
19.6 Microlithographic Lenses QlnI &o
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20 Zoom Lenses 8 }OII\
20.1 Zoom Lenses /:w.Zf>B9
20.2 Zoom Lenses for Point and Shoot Cameras sc# q03
20.3 A 20X Video Zoom Lens Kb#Z(C9
20.4 A Zoom Scanner Lens K"=I,Vr:
20.5 A Possible Zoom Lens Design Procedure ?h-:,icR
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21 Projection TV Lenses and Macro Lenses <QRRD*\
21.1 Projection TV Lenses 2$>
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21.2 Macro Lenses JN<u4\e{-&
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22 Scanner/ , Laser Disk and Collimator Lenses X|pOw,"
22.1 Monochromatic Systems \ci[<CP
22.2 Scanner Lenses :&=`xAX-
22.3 Laser Disk, Focusing, and Collimator Lenses }ILg_>uq[
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23 Tolerance Budgeting >KCnmi
23.1 The Tolerance Budget D]5cijO6
23.2 Additive Tolerances `< cn
23.3 Establishing the Tolerance Budget 5cSqo{|En
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24 Formulary tq8rG@-C
24.1 Sign Conventions, Symbols, and Definitions `^CIOCK%
24.2 The Cardinal Points /: }"Z b
24.3 Image Equations )tR@\G >%
24.4 Paraxial Ray Tracing (Surface by Surface) @]:GTrs
24.5 Invariants aL0,=g%
24.6 Paraxial Ray Tracing (Component by Component) \oV g(J&o
24.7 Two-Componenet Relationships j?oh~7Ki
24.8 Third-Order Aberrations – Surface Contributions `Ct fe8
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs :)Z.!
24.10 Stop Shift Equations 5|bc*iqU
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 6nHyd<o
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 0r'<aA`=I
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Glossary {);<2]o| 6
Reference ;{K/W.R
Index