"Modern Lens Design" 2nd Edition by Warren J. Smith qkk!1W
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Contents of Modern Lens Design 2nd Edition JNZ O7s
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1 Introduction 'ZboLoS*-
1.1 Lens Design Books Td"_To@jd
1.2 Reference Material ?ot7_ vl
1.3 Specifications s}5,<|DL
1.4 Lens Design g=5vnY
1.5 Lens Design Program Features :497]c3#5C
1.6 About This Book U3UDA
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2 Automatic Lens Design &W@#pG
2.2 The Merit Function OPtFz6
2.3 Local Minima {InD/l'v6n
2.4 The Landscape Lens N& 683z
2.5 Types of Merit Function GjD^\d/
2.6 Stagnation zF-R$_]av
2.7 Generalized Simulated Annealing lk?@ =U~
2.8 Considerations about Variables for Optimization 2LqJ.HH
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems u{ +z?N
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ]W9 {<+&
2.11 Spectral Weighting w#Di
2.12 How to Get Started R@[gkj
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3 Improving a Design V^[B=|56
3.1 Lens Design Tip Sheet: Standard Improvement Techniques R$Or&:E ^
3.2 Glass Changes ( Index and V Values ) )=]u]7p}
3.3 Splitting Elements Q6lC :cB<
3.4 Separating a Cemented Doublet 2#hfBJg@
3.5 Compounding an Element kl0|22"Gz
3.6 Vignetting and Its Uses @cC@(M~Ru
3.7 Eliminating a Weak Element; the Concentric Problem '1r<g\l
3.8 Balancing Aberrations jMV9r-{*+
3.9 The Symmetrical Principle lCAD $Ia~
3.10 Aspheric Surfaces ]b6g Z<
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4 Evaluation: How Good is This Design ^0fe:ac;
4.1 The Uses of a Preliminary Evaluation (- QvlpZ
4.2 OPD versus Measures of Performance &4R-5i2a
4.3 Geometric Blur Spot Size versus Certain Aberrations ]?3-;D.eG
4.4 Interpreting MTF - The Modulation Transfer Function n&N>$c,T27
4.5 Fabrication Considerations qwomc28O
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5 Lens Design Data DbIn3/WNe
5.1 About the Sample Lens Designs &hco3HfW
5.2 Lens Prescriptions, Drawings, and Aberration Plots (l]_0-Z
5.3 Estimating the Potential of a Redesign |K,[[D<R
5.4 Scaling a Desing, Its Aberrations, and Its MTF -D&d1`N4
5.5 Notes on the Interpretation of Ray Intercept Plots Rxfhk,I
5.6 Various Evaluation Plot j+6`nN7L
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6 Telescope Objective %%h0 H[5*
6.1 The Thin Airspaced Doublet A/A;'9
6.2 Merit Function for a Telescope Objective XKQ\Ts2<k
6.3 The Design of an f/7 Cemented Doublet Telescope Objective La9:qpj
6.4 Spherochromatism H
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6.5 Zonal Spherical Aberration =_:Mx'7
6.6 Induced Aberrations > %B7/l$
6.7 Three-Element Objectives Y4j%K~lsY
6.8 Secondary Spectrum (Apochromatic Systems) aP}30E*Y
6.9 The Design of an f/7 Apochromatic Triplet ,GTIpPj
6.10 The Diffractive Surface in Lens Design L2}p<?f
6.11 A Final Note dZIruZ)x
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7 Eyepieces and Magnifiers dc=~EG-_rM
7.1 Eyepieces 3U!#rz"
7.2 A Pair of Magnifier Designs tYST&5Kh~
7.3 The Simple, Classical Eyepieces (D~NW*,9
7.4 Design Story of an Eyepiece for a 6*30 Binocular 3^-yw`
7.5 Four-Element Eyepieces }h=}!R'm
7.6 Five-Element Eyepieces <C{uodFll
7.7 Very High Index Eyepiece/Magnifier l`(pV ;{W
7.8 Six- and Seven-Element Eyepieces >uy(N
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8 Cooke Triplet Anastigmats R^+,D
8.1 Airspaced Triplet Anastigmats D wtvtglqV
8.2 Glass Choice gWLhO|y
8.3 Vertex Length and Residual Aberrations 5JggU
8.4 Other Design Considerations :9Mqwgk,;3
8.5 A Plastic, Aspheric Triplet Camera Lens v~`'!N8
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet m!LJK`gA
8.7 Possible Improvement to Our “Basic” Triplet m$!Ex}2
8.7 The Rear Earth (Lanthanum) Glasses hreG5g9{
8.9 Aspherizing the Surfaces w3E#v&"=Y
8.10 Increasing the Element Thickness ;oGpB#[zO
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9 Split Triplets cj@ar^=`K
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10 The Tessar, Heliar, and Other Compounded Triplets }J m~b9j
10.1 The Classic Tessar dSPye z
10.2 The Heliar/Pentac W0;MGBfb
10.3 The Portrait Lens and the Enlarger Lens I6lWB(H!u
10.4 Other Compounded Triplets 7I;A5f
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar $-p#4^dg
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11 Double-Meniscus Anastigmats Ro:)N:C
11.1 Meniscus Components +V;@)-
11.2 The Hypergon, Totogon, and Metrogon =QJI_veUG`
11.3 A Two Element Aspheric Thick Meniscus Camera Lens fA" VLQE
11.4 Protar, Dagor, and Convertible Lenses 07#e{
11.5 The Split Dagor }y&tF'qG
11.6 The Dogmar ZMGthI}~-
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens y\@INA^
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12 The Biotar or Double-Gauss Lens l,@rB+u
12.1 The Basic Six-Element Version kH" >(f
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Xn
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12.3 The Seven-Element Biotar - Split-Rear Singlet y41,T&ja
12.4 The Seven-Element Biotar - Broken Contact Front Doublet X3Yi|dyn T
12.5 The Seven-Element Biotar - One Compounded Outer Element }zyh!
12.6 The Eight-Element Biotar =.\PG[
12.7 A “Doubled Double-Gauss” Relay @;`d\lQ
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13 Telephoto Lenses CA]u3bf~
13.1 The Basic Telephoto u=f}t=3
13.2 Close-up or Macro Lenses n?}7vz;
13.3 Telephoto Designs ;Yu|LaI\<m
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch D0VbD" y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses SK t&BnW
14.1 The Reverse Telephoto Principle $9rQ w1#e
14.2 The Basic Retrofocus Lens ~jDf,a2
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses _0h)O
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15 Wide Angle Lenses with Negative Outer Lenses Rg\D-F6:
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16 The Petzval Lens; Head-up Display Lenses '@G=xYR
16.1 The Petzval Portrait Lens u}eLf'^ZCe
16.2 The Petzval Projection Lens <Wa7$ h F
16.3 The Petzval with a Field Flattener Vl`!6.F3
16.4 Very Height Speed Petzval Lenses XkEE55#>|
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems e!oL!Zg
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17 Microscope Objectives M+GtUE~"
17.1 General Considerations nNpXkI:
17.2 Classic Objective Design Forms; The Aplanatic Front `L7Cf&W\l8
17.3 Flat-Field Objectives O*udV E>
17.4 Reflecting Objectives 5# B M
17.5 The Microscope Objective Designs 4gh`
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18 Mirror and Catadioptric Systems @BoZZ
18.1 The Good and Bad Points of Mirrors s7"5NU-
18.2 The Classic Two-Mirror Systems g[ O6WZ!F_
18.3 Catadioptric Systems IXC2w*'m
18.4 Aspheric Correctors and Schmidt Systems O~4Q:#^c
18.5 Confocal Paraboloids :b"&Rc&s.
18.6 Unobscured Systems
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18.7 Design of a Schmidt-Cassegrain “from Scratch” `9mc+
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19 Infrared and Ultraviolet Systems >gf,8flgj
19.1 Infrared Optics 0s.X
19.2 IR Objective Lenses EFzPt?l
19.3 IR Telescope ;uN&yj<}a
19.4 Laser Beam Expanders 8 c5=Px2\
19,5 Ultraviolet Systems Uc( z|
19.6 Microlithographic Lenses nQ08(8
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20 Zoom Lenses .tA=5QY,
20.1 Zoom Lenses {-1N@*K
20.2 Zoom Lenses for Point and Shoot Cameras 04#<qd&ob@
20.3 A 20X Video Zoom Lens SlI
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20.4 A Zoom Scanner Lens `i)Pf WdBN
20.5 A Possible Zoom Lens Design Procedure dfWtLY
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21 Projection TV Lenses and Macro Lenses =k##*%
21.1 Projection TV Lenses k%?qN,Cl
21.2 Macro Lenses 3v>w$6
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22 Scanner/ , Laser Disk and Collimator Lenses %hi]oz
22.1 Monochromatic Systems V>& 1;n
22.2 Scanner Lenses C@!bd+'
22.3 Laser Disk, Focusing, and Collimator Lenses y/;DA=
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23 Tolerance Budgeting Q& S 7_
23.1 The Tolerance Budget SS!b`
23.2 Additive Tolerances jKb4d9aX
23.3 Establishing the Tolerance Budget UL]zuW/
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24 Formulary =kjD ]+l
24.1 Sign Conventions, Symbols, and Definitions g"v6UZ\
24.2 The Cardinal Points L b-xc]
24.3 Image Equations 58t~? 2E
24.4 Paraxial Ray Tracing (Surface by Surface) :;K Q]<
24.5 Invariants -%TwtO<$']
24.6 Paraxial Ray Tracing (Component by Component) J+l#!gk$!
24.7 Two-Componenet Relationships H^<?h6T
24.8 Third-Order Aberrations – Surface Contributions DWupLJpk;c
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs C=(~[ Y
24.10 Stop Shift Equations J~)JsAXAI
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces =Y*zF>#lP
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) TecWv@.
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Glossary 4@=[rZb9
Reference y(X^wC
Index