"Modern Lens Design" 2nd Edition by Warren J. Smith 34I;DUdcE
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Contents of Modern Lens Design 2nd Edition K6 c[W%Va
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1 Introduction [mFgo
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1.1 Lens Design Books :U,-v
1.2 Reference Material $ qTv2)W1{
1.3 Specifications !,O Y{='
1.4 Lens Design p?O6|q
1.5 Lens Design Program Features JOo+RA5d
1.6 About This Book m1DrT>oN'
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2 Automatic Lens Design P-\65]`C
2.2 The Merit Function q"u,r6ED
2.3 Local Minima TGZr
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2.4 The Landscape Lens Ao, <G.>R
2.5 Types of Merit Function T:3}W0s,
2.6 Stagnation A2''v3-h8
2.7 Generalized Simulated Annealing F- {hXM
2.8 Considerations about Variables for Optimization 4ah5}9{g
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Ki dbcZ
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits *})Np0k
2.11 Spectral Weighting GI%9Tif
2.12 How to Get Started qT^0
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3 Improving a Design _xGC0f (
3.1 Lens Design Tip Sheet: Standard Improvement Techniques :8U@KABH@h
3.2 Glass Changes ( Index and V Values ) xTy)qN]P
3.3 Splitting Elements = ,c!V
3.4 Separating a Cemented Doublet xiO10:L4
3.5 Compounding an Element z{nd4qOsD
3.6 Vignetting and Its Uses 7 b8pWM
3.7 Eliminating a Weak Element; the Concentric Problem I+rLKGZC
3.8 Balancing Aberrations /%AA\`:6
3.9 The Symmetrical Principle }1|FES
3.10 Aspheric Surfaces jZ0/@zOf
z}-8pDD'
4 Evaluation: How Good is This Design .RPh#FI6J
4.1 The Uses of a Preliminary Evaluation c@lH
4.2 OPD versus Measures of Performance r85j/YK
4.3 Geometric Blur Spot Size versus Certain Aberrations ZOy^TR
4.4 Interpreting MTF - The Modulation Transfer Function $AHdjQ[;6-
4.5 Fabrication Considerations V U~r~
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5 Lens Design Data >g,i"Kg
5.1 About the Sample Lens Designs .q'{3
5.2 Lens Prescriptions, Drawings, and Aberration Plots SHQgI<D7
5.3 Estimating the Potential of a Redesign Bkdt[qDn5P
5.4 Scaling a Desing, Its Aberrations, and Its MTF rSKZc`<^
5.5 Notes on the Interpretation of Ray Intercept Plots gp4@6HuUd
5.6 Various Evaluation Plot o)M<^b3KO
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_
6 Telescope Objective -+WE9
6.1 The Thin Airspaced Doublet V1\Rj0#G
6.2 Merit Function for a Telescope Objective s} oD?h:T3
6.3 The Design of an f/7 Cemented Doublet Telescope Objective <%m$
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6.4 Spherochromatism ldr~=<hsZ
6.5 Zonal Spherical Aberration ~N8$abQJV
6.6 Induced Aberrations 4S*dNYc
6.7 Three-Element Objectives i'z(`"
6.8 Secondary Spectrum (Apochromatic Systems) S'=}eeG
6.9 The Design of an f/7 Apochromatic Triplet tHFBLM
6.10 The Diffractive Surface in Lens Design R/kF,}^F
6.11 A Final Note *#j_nNM4
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7 Eyepieces and Magnifiers I~ e,']
7.1 Eyepieces ._6e#=
7.2 A Pair of Magnifier Designs 8>[o.xV
7.3 The Simple, Classical Eyepieces .QB)Y* z
7.4 Design Story of an Eyepiece for a 6*30 Binocular 2{4f>,][
7.5 Four-Element Eyepieces !"dAwG?S
7.6 Five-Element Eyepieces U<wM#l
P|Z
7.7 Very High Index Eyepiece/Magnifier +O@|bd\
7.8 Six- and Seven-Element Eyepieces Tb!jIe
Nq#B4Zx
8 Cooke Triplet Anastigmats c. }#.-b8
8.1 Airspaced Triplet Anastigmats j>Cp4
8.2 Glass Choice d8&T62Dnd4
8.3 Vertex Length and Residual Aberrations dg4q+
8.4 Other Design Considerations Z
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8.5 A Plastic, Aspheric Triplet Camera Lens mJ+mTA5bW
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6b\JD.r*{
8.7 Possible Improvement to Our “Basic” Triplet d*l2x[8}g-
8.7 The Rear Earth (Lanthanum) Glasses j>#ywh*A
8.9 Aspherizing the Surfaces SEIJ+u9XsA
8.10 Increasing the Element Thickness I[bWd{i:
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9 Split Triplets "8/BVW^bv
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10 The Tessar, Heliar, and Other Compounded Triplets 0}WDB_L
10.1 The Classic Tessar r\$`e7d}!
10.2 The Heliar/Pentac "/d
10.3 The Portrait Lens and the Enlarger Lens b&*N
10.4 Other Compounded Triplets H.&"~eH
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar U|+c&TY
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11 Double-Meniscus Anastigmats 8B3C[?
11.1 Meniscus Components UL`%Xx
11.2 The Hypergon, Totogon, and Metrogon ]4]AcJj
11.3 A Two Element Aspheric Thick Meniscus Camera Lens x2tcr+o
11.4 Protar, Dagor, and Convertible Lenses kn}bb*eZ
11.5 The Split Dagor .yQ<
11.6 The Dogmar R[}fr36>/
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens G x{G}9
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12 The Biotar or Double-Gauss Lens ebhV;Q.
12.1 The Basic Six-Element Version (BIg
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens \Yr&vX/[p
12.3 The Seven-Element Biotar - Split-Rear Singlet
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet .-GC,&RO
12.5 The Seven-Element Biotar - One Compounded Outer Element DUb8 HgcV}
12.6 The Eight-Element Biotar rAA?{(!9x
12.7 A “Doubled Double-Gauss” Relay o>A']+`Eu
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13 Telephoto Lenses 4VHX4A}CgA
13.1 The Basic Telephoto qq>Qi (>
13.2 Close-up or Macro Lenses ;:'A Bfs
13.3 Telephoto Designs H6<3'P
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch t""d^a#Dp
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 9
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14.1 The Reverse Telephoto Principle #BX}j&h_
14.2 The Basic Retrofocus Lens ]fJ9.Js
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses .Zr3!N.t
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15 Wide Angle Lenses with Negative Outer Lenses (Ji=fh+
fk\hrVP
16 The Petzval Lens; Head-up Display Lenses ](>YjE0
16.1 The Petzval Portrait Lens `:
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16.2 The Petzval Projection Lens Tfw5i,{
16.3 The Petzval with a Field Flattener 76b2 3|
16.4 Very Height Speed Petzval Lenses wexa\o
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems U3t)yr h
Pa"[&{ :
17 Microscope Objectives K[i&!Z&
17.1 General Considerations BQ(sjJ$v6F
17.2 Classic Objective Design Forms; The Aplanatic Front ';I(#J6
17.3 Flat-Field Objectives Vs(D(d,
17.4 Reflecting Objectives UH#S |o4
17.5 The Microscope Objective Designs #=#bv`
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18 Mirror and Catadioptric Systems 6NGQU%Hd
18.1 The Good and Bad Points of Mirrors g|5cO3m0'
18.2 The Classic Two-Mirror Systems L 7l"*w(
18.3 Catadioptric Systems i7\MVI8
18.4 Aspheric Correctors and Schmidt Systems ja^
18.5 Confocal Paraboloids yLQwG.,
18.6 Unobscured Systems "MgTfUIiyD
18.7 Design of a Schmidt-Cassegrain “from Scratch” s"(F({J
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19 Infrared and Ultraviolet Systems @m9dB P
19.1 Infrared Optics Wo6C0Z3g}
19.2 IR Objective Lenses Zz! yv(e)H
19.3 IR Telescope `$yi18F
19.4 Laser Beam Expanders bRI `ZT0
19,5 Ultraviolet Systems 3q.HZfN~
19.6 Microlithographic Lenses #|F5Kh"
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20 Zoom Lenses 0">9n9
20.1 Zoom Lenses 3#Xv))w1
20.2 Zoom Lenses for Point and Shoot Cameras =/(R_BFna
20.3 A 20X Video Zoom Lens h&x;#.SYK
20.4 A Zoom Scanner Lens G<`6S5J>hr
20.5 A Possible Zoom Lens Design Procedure "`
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21 Projection TV Lenses and Macro Lenses (*Q8!"D^6
21.1 Projection TV Lenses [y(<1]i-a
21.2 Macro Lenses F\-oZ#g
5wbR}`8
22 Scanner/ , Laser Disk and Collimator Lenses %APeQy"6#^
22.1 Monochromatic Systems 4']eJ==OH
22.2 Scanner Lenses 'v%v*Ujf[
22.3 Laser Disk, Focusing, and Collimator Lenses AP0z~e
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23 Tolerance Budgeting HA~BXxa/
23.1 The Tolerance Budget (~]0)J
23.2 Additive Tolerances .{"wliC2
23.3 Establishing the Tolerance Budget :Kk+wp}f#
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24 Formulary rM)#}eZK!
24.1 Sign Conventions, Symbols, and Definitions s \q
m
24.2 The Cardinal Points U^&y*gX1
24.3 Image Equations -"d&Ow7o
24.4 Paraxial Ray Tracing (Surface by Surface) fPab%>/T{
24.5 Invariants "T~A*a^
24.6 Paraxial Ray Tracing (Component by Component) W4]jx]
24.7 Two-Componenet Relationships Vs,
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24.8 Third-Order Aberrations – Surface Contributions :F?L,I,K
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs !%>(O@~"|
24.10 Stop Shift Equations CB>*(Mu
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces +%)bd
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) NH!x6p]n
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8 G:f[\^
Glossary l*+9R
Reference %D E_kwL
Index