"Modern Lens Design" 2nd Edition by Warren J. Smith Q^1#xBd
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Contents of Modern Lens Design 2nd Edition (?*mh?
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1 Introduction $.r}g\43P
1.1 Lens Design Books dFI.`pB
1.2 Reference Material n7`.<*:
1.3 Specifications Gpxb_}P
1.4 Lens Design C$2o
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1.5 Lens Design Program Features ?v )"%.
1.6 About This Book 7b7%(
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2 Automatic Lens Design \0*yxSg,^
2.2 The Merit Function )'K!)?&d
2.3 Local Minima iP#A-du
2.4 The Landscape Lens fr,CH{Uq
2.5 Types of Merit Function R
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2.6 Stagnation 8,H#t@+MT
2.7 Generalized Simulated Annealing st'?3A
2.8 Considerations about Variables for Optimization 9sO{1rF
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 0-t4+T
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits R+ #.bQg
2.11 Spectral Weighting ]mO+<{{4X
2.12 How to Get Started g`~lIt[=
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3 Improving a Design J<5vs3[9
3.1 Lens Design Tip Sheet: Standard Improvement Techniques RqX4ep5j
3.2 Glass Changes ( Index and V Values ) )qe$rD;N
3.3 Splitting Elements
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3.4 Separating a Cemented Doublet F"@'(b
3.5 Compounding an Element .2(@jx,[
3.6 Vignetting and Its Uses `aX}.{.!
3.7 Eliminating a Weak Element; the Concentric Problem N?U&(@p
3.8 Balancing Aberrations +}G>M=t::
3.9 The Symmetrical Principle *{;A\sL
3.10 Aspheric Surfaces 6q
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4 Evaluation: How Good is This Design v-r[~
4.1 The Uses of a Preliminary Evaluation /bNVgK`L5
4.2 OPD versus Measures of Performance -JyODW#j
4.3 Geometric Blur Spot Size versus Certain Aberrations RQK**
4.4 Interpreting MTF - The Modulation Transfer Function ~RR_[t2Z
4.5 Fabrication Considerations o7 -h'b-
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5 Lens Design Data B,VSFpPx
5.1 About the Sample Lens Designs $O]E$S${
5.2 Lens Prescriptions, Drawings, and Aberration Plots #35S7G^ @`
5.3 Estimating the Potential of a Redesign K7&8;So
5.4 Scaling a Desing, Its Aberrations, and Its MTF Vp-OGX[
5.5 Notes on the Interpretation of Ray Intercept Plots _I70qz8
5.6 Various Evaluation Plot 7i|hlk;
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6 Telescope Objective hk$nlc|$
6.1 The Thin Airspaced Doublet zC>(!fJqq
6.2 Merit Function for a Telescope Objective t+)GB=C
6.3 The Design of an f/7 Cemented Doublet Telescope Objective WCfe!P?g
6.4 Spherochromatism ,w58n%)H
6.5 Zonal Spherical Aberration szsZFyW)+
6.6 Induced Aberrations /jL{JF>I
6.7 Three-Element Objectives . =foXN
6.8 Secondary Spectrum (Apochromatic Systems) r;6YCI=z
6.9 The Design of an f/7 Apochromatic Triplet X)R]a]1A
6.10 The Diffractive Surface in Lens Design PS<tS_.
6.11 A Final Note ]#7Y@Yo
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7 Eyepieces and Magnifiers vM3|Ti>a'
7.1 Eyepieces Ynh4oWUp
7.2 A Pair of Magnifier Designs wM&x8 <
7.3 The Simple, Classical Eyepieces Sdu@!<?B
7.4 Design Story of an Eyepiece for a 6*30 Binocular Ew,wNR`
7.5 Four-Element Eyepieces >dC(~j{
7.6 Five-Element Eyepieces xY}j8~k
7.7 Very High Index Eyepiece/Magnifier <n~g+ps
7.8 Six- and Seven-Element Eyepieces b+j_EA_b
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8 Cooke Triplet Anastigmats )I
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8.1 Airspaced Triplet Anastigmats hG3$ ]i9
8.2 Glass Choice E,?aBRxy
8.3 Vertex Length and Residual Aberrations ;<)-*?m9
8.4 Other Design Considerations Gt%?[
8.5 A Plastic, Aspheric Triplet Camera Lens tlxjs]{0E
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet P :h4
8.7 Possible Improvement to Our “Basic” Triplet ^d$e^cU
8.7 The Rear Earth (Lanthanum) Glasses 8}`8lOE7
8.9 Aspherizing the Surfaces X qva&/-
8.10 Increasing the Element Thickness r_<i*l.
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9 Split Triplets /Ta0}Y(y
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10 The Tessar, Heliar, and Other Compounded Triplets 5OqsnL_V
10.1 The Classic Tessar ZC-evy
10.2 The Heliar/Pentac o>rlrqr?_
10.3 The Portrait Lens and the Enlarger Lens 8uD%]k=#!
10.4 Other Compounded Triplets oW1olmpp=
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar eS%6hUb
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11 Double-Meniscus Anastigmats [&kk
11.1 Meniscus Components Us~wv"L=UX
11.2 The Hypergon, Totogon, and Metrogon zyn =Xv@p
11.3 A Two Element Aspheric Thick Meniscus Camera Lens b020U>)v
11.4 Protar, Dagor, and Convertible Lenses (S 3kP5:F
11.5 The Split Dagor ' g!_Flk
11.6 The Dogmar Jj!tRZT
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <