"Modern Lens Design" 2nd Edition by Warren J. Smith )MKzAAt~
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Contents of Modern Lens Design 2nd Edition {{?[b^
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1 Introduction ^rc!X]C9
1.1 Lens Design Books nKJJ7 R L
1.2 Reference Material G2%%$7Jj
1.3 Specifications ~ YKBxt
1.4 Lens Design n(gw%w+\7
1.5 Lens Design Program Features j 6~#_t[
1.6 About This Book VR/>V7*7@
4 }l,F
2 Automatic Lens Design /2 & jId
2.2 The Merit Function 3JiDi
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2.3 Local Minima zhDmZ
2.4 The Landscape Lens #qk A*WP
2.5 Types of Merit Function Z%Nl<i
2.6 Stagnation p*rB T,'
2.7 Generalized Simulated Annealing CqUK[#kW(
2.8 Considerations about Variables for Optimization ! Q`GA<ikv
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems h,q%MZ==^s
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits
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2.11 Spectral Weighting PX3rHKK {
2.12 How to Get Started f!~gfnn
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3 Improving a Design P+sxlf:0
3.1 Lens Design Tip Sheet: Standard Improvement Techniques .,pGW8Js
3.2 Glass Changes ( Index and V Values ) $-$^r;
3.3 Splitting Elements xV'\2n=1T
3.4 Separating a Cemented Doublet j5ZeYcQ-
3.5 Compounding an Element XQhBnam%
3.6 Vignetting and Its Uses )DsC:cP
3.7 Eliminating a Weak Element; the Concentric Problem L{|V13?
3.8 Balancing Aberrations > _1*/o
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3.9 The Symmetrical Principle <h2WM (n
3.10 Aspheric Surfaces 0+0+%#?
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4 Evaluation: How Good is This Design s% "MaDz
4.1 The Uses of a Preliminary Evaluation |~bl%g8xP
4.2 OPD versus Measures of Performance h5&l#>8&
4.3 Geometric Blur Spot Size versus Certain Aberrations u{'bd;.7
4.4 Interpreting MTF - The Modulation Transfer Function s#ijpc>h
4.5 Fabrication Considerations q28i9$Yqj\
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5 Lens Design Data 3~\mP\/4v
5.1 About the Sample Lens Designs o Q= Q}
5.2 Lens Prescriptions, Drawings, and Aberration Plots ewqfs/
5.3 Estimating the Potential of a Redesign aE6 I|6W?
5.4 Scaling a Desing, Its Aberrations, and Its MTF T=}(S4n#BX
5.5 Notes on the Interpretation of Ray Intercept Plots zR/d:P?
5.6 Various Evaluation Plot V?v,q'? $
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6 Telescope Objective ^ad
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6.1 The Thin Airspaced Doublet 2H_|Attoi
6.2 Merit Function for a Telescope Objective uh3%}2'P
6.3 The Design of an f/7 Cemented Doublet Telescope Objective +qe!KPk2
6.4 Spherochromatism w{Wz^= ';
6.5 Zonal Spherical Aberration t5#IiPp
6.6 Induced Aberrations h8oG5 |Y
6.7 Three-Element Objectives !CROc}
6.8 Secondary Spectrum (Apochromatic Systems) l [?o du4
6.9 The Design of an f/7 Apochromatic Triplet j0!Z 20
6.10 The Diffractive Surface in Lens Design [Z|R-{"
6.11 A Final Note HcA; 'L?Dw
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7 Eyepieces and Magnifiers *D1 ^Se
7.1 Eyepieces Jz
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7.2 A Pair of Magnifier Designs Y@N} XH<4R
7.3 The Simple, Classical Eyepieces 9D:p~_"g
7.4 Design Story of an Eyepiece for a 6*30 Binocular "o/:LCE
7.5 Four-Element Eyepieces m(E-?V MHo
7.6 Five-Element Eyepieces 3(G}IWPq<
7.7 Very High Index Eyepiece/Magnifier $*^Ms>Pa_
7.8 Six- and Seven-Element Eyepieces YYHtd,0 \+
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8 Cooke Triplet Anastigmats 3'6%P_S
8.1 Airspaced Triplet Anastigmats
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8.2 Glass Choice u?Jw) `
8.3 Vertex Length and Residual Aberrations o ^L 3Xiv
8.4 Other Design Considerations g4( B=G\j
8.5 A Plastic, Aspheric Triplet Camera Lens /=A?O\B7
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet t \E#8
8.7 Possible Improvement to Our “Basic” Triplet *z;4.
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8.7 The Rear Earth (Lanthanum) Glasses -`gqA%#+
8.9 Aspherizing the Surfaces D ::),,
8.10 Increasing the Element Thickness Juj"cjob
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9 Split Triplets abkl)X>k
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10 The Tessar, Heliar, and Other Compounded Triplets uyMxBc%6
10.1 The Classic Tessar = ;#?CAa:
10.2 The Heliar/Pentac m!5P5U
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10.3 The Portrait Lens and the Enlarger Lens XRCiv
10.4 Other Compounded Triplets J`a$"G B.
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ciVN-;vi
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11 Double-Meniscus Anastigmats N|5J-fR&
11.1 Meniscus Components PjNOeI @G
11.2 The Hypergon, Totogon, and Metrogon B)g7MG
11.3 A Two Element Aspheric Thick Meniscus Camera Lens JsI` #
11.4 Protar, Dagor, and Convertible Lenses 6/Y3#d
11.5 The Split Dagor HtB> #`'
11.6 The Dogmar Hj't.lg+j
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens p 9Zi}!
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12 The Biotar or Double-Gauss Lens ;rYL\`6L
12.1 The Basic Six-Element Version `"zXf -qeE
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens +<7~yZ[Z8
12.3 The Seven-Element Biotar - Split-Rear Singlet yEIM58l
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ?U.+S Q
12.5 The Seven-Element Biotar - One Compounded Outer Element hAtf)
12.6 The Eight-Element Biotar 9HrT>{@
12.7 A “Doubled Double-Gauss” Relay FIhq>L.q4
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13 Telephoto Lenses S[(Tpk2_
13.1 The Basic Telephoto U;u@\E@2
13.2 Close-up or Macro Lenses UZ7Zz c#g
13.3 Telephoto Designs Jt5 \
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch @dei} !e
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ,Bax0p
14.1 The Reverse Telephoto Principle V:Hx RMF2X
14.2 The Basic Retrofocus Lens X c~yr\%]
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 9`
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15 Wide Angle Lenses with Negative Outer Lenses UngDXD )
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16 The Petzval Lens; Head-up Display Lenses Vc0C@*fVM
16.1 The Petzval Portrait Lens "j-Z<F]]
16.2 The Petzval Projection Lens @-=0T!/
16.3 The Petzval with a Field Flattener EYWRTh
16.4 Very Height Speed Petzval Lenses t4(Z@X$
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems OQ>8Q`
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17 Microscope Objectives |8^53*f ?
17.1 General Considerations A)
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17.2 Classic Objective Design Forms; The Aplanatic Front vpnQ s#8O
17.3 Flat-Field Objectives R5OP=Q 8
17.4 Reflecting Objectives D! TFb E
17.5 The Microscope Objective Designs &z kuL
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18 Mirror and Catadioptric Systems 7L3:d7=MIW
18.1 The Good and Bad Points of Mirrors %L(;}sJ.
18.2 The Classic Two-Mirror Systems `o|Y5wQ@
18.3 Catadioptric Systems }#%3y&7M7
18.4 Aspheric Correctors and Schmidt Systems *-Y`7=^$
18.5 Confocal Paraboloids Sd[%$)scC
18.6 Unobscured Systems b7-M'-Km0_
18.7 Design of a Schmidt-Cassegrain “from Scratch” 2OT
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19 Infrared and Ultraviolet Systems jlaU3qXL
19.1 Infrared Optics Xa o*h(Q@L
19.2 IR Objective Lenses Z*uv~0a>9Q
19.3 IR Telescope h[eC i
19.4 Laser Beam Expanders (j<FS>##
19,5 Ultraviolet Systems @ ;T|`Y=7
19.6 Microlithographic Lenses J>D+/[mFt
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20 Zoom Lenses U'4 j+vUc
20.1 Zoom Lenses %vF,wQC
20.2 Zoom Lenses for Point and Shoot Cameras >- S? rXO
20.3 A 20X Video Zoom Lens HrOq>CSR
20.4 A Zoom Scanner Lens SXqWq
20.5 A Possible Zoom Lens Design Procedure *Wbs{>&No
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21 Projection TV Lenses and Macro Lenses r_R( kns
21.1 Projection TV Lenses rF@njw@
21.2 Macro Lenses D;?cf+6$
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22 Scanner/ , Laser Disk and Collimator Lenses \NZ(Xk
22.1 Monochromatic Systems # <?igtUO
22.2 Scanner Lenses OdKfU ^
22.3 Laser Disk, Focusing, and Collimator Lenses ,gO}H)v]t
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23 Tolerance Budgeting PI G3kJ
23.1 The Tolerance Budget ,5*Z<[*
23.2 Additive Tolerances ) |t;nK,
23.3 Establishing the Tolerance Budget {beu
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24 Formulary 0Y >5&
24.1 Sign Conventions, Symbols, and Definitions 4*0C_F@RX
24.2 The Cardinal Points r~[Bzw"c
24.3 Image Equations 7];AB ;0"
24.4 Paraxial Ray Tracing (Surface by Surface) yN@3uYBF
24.5 Invariants CJa`[;i0y
24.6 Paraxial Ray Tracing (Component by Component) $Wy(Wtrx|
24.7 Two-Componenet Relationships 7y?aw`Sw:
24.8 Third-Order Aberrations – Surface Contributions !l(D0 C
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs F>F2Yql&W
24.10 Stop Shift Equations &u`]Zn
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ?2(5 2?cJ
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 4 EE7gkM5
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Glossary 8(zE^W,[8"
Reference 8l.bT|# O
Index
