"Modern Lens Design" 2nd Edition by Warren J. Smith d7g3VF<j
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Contents of Modern Lens Design 2nd Edition +(a}S$C
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1 Introduction mpsi{%gA
1.1 Lens Design Books W~EDLL Z
1.2 Reference Material `$kKTc:f
1.3 Specifications itH`
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1.4 Lens Design G54,`uz2
1.5 Lens Design Program Features )GbVgYkk
1.6 About This Book hv]}b'M$
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2 Automatic Lens Design @ V_@r@A
2.2 The Merit Function 0!Zp4>l\Z
2.3 Local Minima |sG@Ku7~4
2.4 The Landscape Lens }&E'ox<S
2.5 Types of Merit Function #$W bYL|
2.6 Stagnation
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2.7 Generalized Simulated Annealing h;s~I/e(
2.8 Considerations about Variables for Optimization J83{&N2u
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems d]fo>[%Xr
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits p3e_:5k
2.11 Spectral Weighting 3U.?Jbm-8
2.12 How to Get Started ~s$
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3 Improving a Design <KBzZ
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques .u<i<S
3.2 Glass Changes ( Index and V Values ) ,_G((oS40
3.3 Splitting Elements 4`KQ@m
3.4 Separating a Cemented Doublet ?3=D-Xrb
3.5 Compounding an Element z_gjC%(y
3.6 Vignetting and Its Uses kdr?I9kwW
3.7 Eliminating a Weak Element; the Concentric Problem ,JLY
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3.8 Balancing Aberrations =|Q7k +b
3.9 The Symmetrical Principle :o2^?k8k
3.10 Aspheric Surfaces 4E"OD+
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4 Evaluation: How Good is This Design *5Mg^}ZC5
4.1 The Uses of a Preliminary Evaluation Qz[4M` M
4.2 OPD versus Measures of Performance vk^ /[eha
4.3 Geometric Blur Spot Size versus Certain Aberrations Q')0 T>F-
4.4 Interpreting MTF - The Modulation Transfer Function $ts%SDM
4.5 Fabrication Considerations oo+nqc`,O
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5 Lens Design Data J2vaKl
5.1 About the Sample Lens Designs iC$mb~G
5.2 Lens Prescriptions, Drawings, and Aberration Plots \!]Zq#*kH
5.3 Estimating the Potential of a Redesign ;|.~'':
5.4 Scaling a Desing, Its Aberrations, and Its MTF WNE=|z#|
5.5 Notes on the Interpretation of Ray Intercept Plots Q5!"tF p
5.6 Various Evaluation Plot 0EA<ip
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6 Telescope Objective XBTtfl
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6.1 The Thin Airspaced Doublet CyWaXp65
6.2 Merit Function for a Telescope Objective Msk^H7
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 7yp}*b{s
6.4 Spherochromatism QcXqMx
6.5 Zonal Spherical Aberration ME9jN{ le
6.6 Induced Aberrations n)~9
6.7 Three-Element Objectives x|TLMu=3=
6.8 Secondary Spectrum (Apochromatic Systems) xn=/SIS
6.9 The Design of an f/7 Apochromatic Triplet Wej'AR\NX
6.10 The Diffractive Surface in Lens Design Em(&cra
6.11 A Final Note xM#+jI
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7 Eyepieces and Magnifiers "b#L8kN
7.1 Eyepieces XAnN<
7.2 A Pair of Magnifier Designs BB>R=kt
7.3 The Simple, Classical Eyepieces 1TuN
7.4 Design Story of an Eyepiece for a 6*30 Binocular 52zD!(
7.5 Four-Element Eyepieces t+2!"Jr
7.6 Five-Element Eyepieces R cz;|h8
7.7 Very High Index Eyepiece/Magnifier &~6W!w
7.8 Six- and Seven-Element Eyepieces $_u9Y!
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8 Cooke Triplet Anastigmats 5Az4 <
8.1 Airspaced Triplet Anastigmats o'`:$
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8.2 Glass Choice O< \i{4}}
8.3 Vertex Length and Residual Aberrations Bq20U:f
8.4 Other Design Considerations R
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8.5 A Plastic, Aspheric Triplet Camera Lens 7Zf
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \dq}nOsX*
8.7 Possible Improvement to Our “Basic” Triplet tbNIl cAWS
8.7 The Rear Earth (Lanthanum) Glasses
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8.9 Aspherizing the Surfaces Pd~{XM,yfW
8.10 Increasing the Element Thickness h VQj$TA
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9 Split Triplets !:N&tuJEv
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10 The Tessar, Heliar, and Other Compounded Triplets .o&Vu,/H
10.1 The Classic Tessar |$)+h\h
10.2 The Heliar/Pentac ;mi+[`E
10.3 The Portrait Lens and the Enlarger Lens `u *:wJsv
10.4 Other Compounded Triplets LXGlG
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar %]iDhXLr
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11 Double-Meniscus Anastigmats 5i$iUDuT>(
11.1 Meniscus Components Pf 4b/w/
11.2 The Hypergon, Totogon, and Metrogon ^e1Ux
11.3 A Two Element Aspheric Thick Meniscus Camera Lens (9_O||ee
11.4 Protar, Dagor, and Convertible Lenses SGp}(j>
11.5 The Split Dagor "SV#e4C.
11.6 The Dogmar ,f]GOH
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens qrK\f
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12 The Biotar or Double-Gauss Lens }3Mnq?.-
12.1 The Basic Six-Element Version VY@6!9G
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens m"r=p
12.3 The Seven-Element Biotar - Split-Rear Singlet [s"e?Qee
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Z<Pf[C
12.5 The Seven-Element Biotar - One Compounded Outer Element )Gu:eYp+`
12.6 The Eight-Element Biotar E;m-^dxc
12.7 A “Doubled Double-Gauss” Relay mHY R?
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13 Telephoto Lenses TrEo5H ;
13.1 The Basic Telephoto i.(kX`~J1
13.2 Close-up or Macro Lenses vpoYb
13.3 Telephoto Designs )5O E~}>
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch CBVL/pxy
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses |BC/ERms
14.1 The Reverse Telephoto Principle qSg=[7XOO
14.2 The Basic Retrofocus Lens aYBc)LCd
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses [PI!.9H
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15 Wide Angle Lenses with Negative Outer Lenses 2j UEL=+Y
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16 The Petzval Lens; Head-up Display Lenses )qL UHE=
16.1 The Petzval Portrait Lens C~r(*nr
16.2 The Petzval Projection Lens .EXe3!J)!
16.3 The Petzval with a Field Flattener @uJ^k
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16.4 Very Height Speed Petzval Lenses fGz++;b<S
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems NY,ZTl_
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17 Microscope Objectives dYn<L/#
17.1 General Considerations q5UD!&W
17.2 Classic Objective Design Forms; The Aplanatic Front eBs4:R_i
17.3 Flat-Field Objectives _Z>I"m
17.4 Reflecting Objectives (z:DTe
17.5 The Microscope Objective Designs dP7nR1GS
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18 Mirror and Catadioptric Systems V(5=-8k
18.1 The Good and Bad Points of Mirrors b;K];o-/f
18.2 The Classic Two-Mirror Systems dHUcu@,
18.3 Catadioptric Systems cj5;XK
18.4 Aspheric Correctors and Schmidt Systems D J:N
18.5 Confocal Paraboloids %!vgAH4
18.6 Unobscured Systems JR_s-&