"Modern Lens Design" 2nd Edition by Warren J. Smith B9wp*:.
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Contents of Modern Lens Design 2nd Edition b<\$d4Qy
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1 Introduction :#Ty^-"]1
1.1 Lens Design Books "s% 686Vz
1.2 Reference Material rWJ*e Y
1.3 Specifications 5KK{%6#f\
1.4 Lens Design 0"TgLd
1.5 Lens Design Program Features g+.0c=G(
1.6 About This Book A xf^hBP
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2 Automatic Lens Design .U<F6I:<md
2.2 The Merit Function 6zuze0ud
2.3 Local Minima 6Hda]y
2.4 The Landscape Lens A&NqQ
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2.5 Types of Merit Function =w6}\ 'X
2.6 Stagnation 1ADv?+j)A/
2.7 Generalized Simulated Annealing +miR3~w.
2.8 Considerations about Variables for Optimization gd
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems M</Wd{.g"
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits > <X $#
2.11 Spectral Weighting YN/u9[=`
2.12 How to Get Started 0:. 6rp
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3 Improving a Design 9T$u+GX'
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Gh'X.?3
3.2 Glass Changes ( Index and V Values ) ~ibF M5m
3.3 Splitting Elements VxkEe z'|
3.4 Separating a Cemented Doublet \ p3v#0R{
3.5 Compounding an Element l/M[am
3.6 Vignetting and Its Uses hl**zF
3.7 Eliminating a Weak Element; the Concentric Problem iyc$)"w
3.8 Balancing Aberrations $]1qbE+
3.9 The Symmetrical Principle T RDxT
3.10 Aspheric Surfaces %uua_)
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4 Evaluation: How Good is This Design T!(sZf
4.1 The Uses of a Preliminary Evaluation rEmwKZF'
4.2 OPD versus Measures of Performance \TZ|S,FS
4.3 Geometric Blur Spot Size versus Certain Aberrations ^(DL+r,
4.4 Interpreting MTF - The Modulation Transfer Function G~(&3
4.5 Fabrication Considerations $7Cgo &J
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5 Lens Design Data
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5.1 About the Sample Lens Designs 7C?E z%a@
5.2 Lens Prescriptions, Drawings, and Aberration Plots :kt/$S^-
5.3 Estimating the Potential of a Redesign FD))'!>
5.4 Scaling a Desing, Its Aberrations, and Its MTF ncj!KyU
5.5 Notes on the Interpretation of Ray Intercept Plots UG # X/%p
5.6 Various Evaluation Plot j$mz3Yk
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6 Telescope Objective 6m@0;Ht
6.1 The Thin Airspaced Doublet ]q&tQJ/Fa
6.2 Merit Function for a Telescope Objective EWO /u.z
6.3 The Design of an f/7 Cemented Doublet Telescope Objective _-RyHgX
6.4 Spherochromatism d+e0;!s~O
6.5 Zonal Spherical Aberration 6^ab@GrN\
6.6 Induced Aberrations ~3d*b8
6.7 Three-Element Objectives 50*@.!^*
6.8 Secondary Spectrum (Apochromatic Systems) 7VY8CcL
6.9 The Design of an f/7 Apochromatic Triplet #Skj#)I"
6.10 The Diffractive Surface in Lens Design DLXL!-)z
6.11 A Final Note S}b~_}
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7 Eyepieces and Magnifiers x)$2nonM
7.1 Eyepieces {m'AY)
7.2 A Pair of Magnifier Designs +!><5
7.3 The Simple, Classical Eyepieces ;Gh>44UM[
7.4 Design Story of an Eyepiece for a 6*30 Binocular %mu>-h ac
7.5 Four-Element Eyepieces >uHb ^
7.6 Five-Element Eyepieces ?M~
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7.7 Very High Index Eyepiece/Magnifier 5VZjDg?
7.8 Six- and Seven-Element Eyepieces )(]Envb?A0
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8 Cooke Triplet Anastigmats x9D/s`!
8.1 Airspaced Triplet Anastigmats kIX)oD}c
8.2 Glass Choice -"tY{}z
8.3 Vertex Length and Residual Aberrations j76%UG\Ga
8.4 Other Design Considerations TL@mM
8.5 A Plastic, Aspheric Triplet Camera Lens e[8UH =`|
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet gH'3 dS!{
8.7 Possible Improvement to Our “Basic” Triplet {Zl4C;c
8.7 The Rear Earth (Lanthanum) Glasses t#~XLCE
8.9 Aspherizing the Surfaces |T
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8.10 Increasing the Element Thickness *uU4^E(
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9 Split Triplets +q-c8z
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10 The Tessar, Heliar, and Other Compounded Triplets d- kZt@DL=
10.1 The Classic Tessar t\%%d)d9
10.2 The Heliar/Pentac [T]Bf o
10.3 The Portrait Lens and the Enlarger Lens 6]ZO'Nwo
10.4 Other Compounded Triplets 32^#RlSu8
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar aj
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ju.OW`GM
11 Double-Meniscus Anastigmats ~bGC/I;W>
11.1 Meniscus Components )qd={
11.2 The Hypergon, Totogon, and Metrogon 37jQ'O
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens x`L+7,&n
11.4 Protar, Dagor, and Convertible Lenses 2LZS|fB9o
11.5 The Split Dagor S (tEwXy
11.6 The Dogmar ckWkZ
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens #g{Mne
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12 The Biotar or Double-Gauss Lens }^9paU
12.1 The Basic Six-Element Version 73)Ll"(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens %"+4
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12.3 The Seven-Element Biotar - Split-Rear Singlet &?r*p0MQC
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ,5w]\z
12.5 The Seven-Element Biotar - One Compounded Outer Element ~#4~_d.=L
12.6 The Eight-Element Biotar rKT)!o'
12.7 A “Doubled Double-Gauss” Relay PkO!'X
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13 Telephoto Lenses b!,ja?
13.1 The Basic Telephoto
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13.2 Close-up or Macro Lenses BUDGyl/=
13.3 Telephoto Designs 5{>>,pP&
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch {#9,j]<
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 'e85s%ru
14.1 The Reverse Telephoto Principle D:)~%wu Lt
14.2 The Basic Retrofocus Lens rei5{PC
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses #<]Iz'\`
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15 Wide Angle Lenses with Negative Outer Lenses \j:AR4
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16 The Petzval Lens; Head-up Display Lenses vzcz<i )
16.1 The Petzval Portrait Lens o X@nP?\
16.2 The Petzval Projection Lens <5k&)EoT
16.3 The Petzval with a Field Flattener UO1$UF!
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16.4 Very Height Speed Petzval Lenses I{EIHD<
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems kF?S 2(vH
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17 Microscope Objectives &rP~`4Mkp
17.1 General Considerations kfRJ\"`
17.2 Classic Objective Design Forms; The Aplanatic Front p+)C$2YK
17.3 Flat-Field Objectives #'8)u)!
17.4 Reflecting Objectives 71*>L}H
17.5 The Microscope Objective Designs @.1Qs`pt
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18 Mirror and Catadioptric Systems Yw1Y-M
18.1 The Good and Bad Points of Mirrors 6&mWIk^VC
18.2 The Classic Two-Mirror Systems eVrNYa1>H
18.3 Catadioptric Systems NZfd_? 3
18.4 Aspheric Correctors and Schmidt Systems H) cQO?B
18.5 Confocal Paraboloids s.KOBNCFa
18.6 Unobscured Systems 0R*}QXph
18.7 Design of a Schmidt-Cassegrain “from Scratch” ^Eu_NUFe
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19 Infrared and Ultraviolet Systems 77tZp @>hn
19.1 Infrared Optics RPY6Wh|4
19.2 IR Objective Lenses w a2~C [
19.3 IR Telescope ExQ--!AC=
19.4 Laser Beam Expanders O'fc/cvh='
19,5 Ultraviolet Systems 9>IsqYc
19.6 Microlithographic Lenses `BpCRKTG
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20 Zoom Lenses .T{U^0 )
20.1 Zoom Lenses q 7`
20.2 Zoom Lenses for Point and Shoot Cameras K)Ge
20.3 A 20X Video Zoom Lens .jCk#@+
20.4 A Zoom Scanner Lens "(N-h\7Ex9
20.5 A Possible Zoom Lens Design Procedure `u$24h'!
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21 Projection TV Lenses and Macro Lenses j ~.u>4
21.1 Projection TV Lenses pRmE ryR(U
21.2 Macro Lenses [XxA.S)x3
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22 Scanner/ , Laser Disk and Collimator Lenses 9'l.TcVm`,
22.1 Monochromatic Systems . rRc
22.2 Scanner Lenses =O;eY ?
22.3 Laser Disk, Focusing, and Collimator Lenses 4">84,-N
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23 Tolerance Budgeting {8_:4`YZ
23.1 The Tolerance Budget :ECw
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23.2 Additive Tolerances N!Rt;Xm2@
23.3 Establishing the Tolerance Budget pc^E'h:
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24 Formulary m[{nm95QZ
24.1 Sign Conventions, Symbols, and Definitions 3EO#EYAHiM
24.2 The Cardinal Points b\H/-7<
24.3 Image Equations U24V55ZnI
24.4 Paraxial Ray Tracing (Surface by Surface) D=<t;+|
24.5 Invariants i;gw=Be
24.6 Paraxial Ray Tracing (Component by Component) XPrY`,kN
24.7 Two-Componenet Relationships dr}O+7_7%-
24.8 Third-Order Aberrations – Surface Contributions Ed4_<:
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs
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24.10 Stop Shift Equations /]P%b K6B
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 3huzz<n3
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) e$gaE</
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Glossary [qq`cT@
Reference oVAOGHE
Index