"Modern Lens Design" 2nd Edition by Warren J. Smith JO\F-xO
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Contents of Modern Lens Design 2nd Edition =7&2-'(@
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1 Introduction n)]]g3y2
1.1 Lens Design Books
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1.2 Reference Material +6cOL48 "
1.3 Specifications k%UE^
1.4 Lens Design !j"r} c`
1.5 Lens Design Program Features tbbZGyg5b
1.6 About This Book MfzSoxCb
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2 Automatic Lens Design bUR; d78
2.2 The Merit Function sxac( L
2.3 Local Minima fTn
2.4 The Landscape Lens |8xu*dVAp4
2.5 Types of Merit Function R $vo
2.6 Stagnation TL%2?'G
2.7 Generalized Simulated Annealing I)@b#V=
2.8 Considerations about Variables for Optimization xiv1y4(%
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems -)S(eqq1
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 1: cD\
2.11 Spectral Weighting Yv="oG!xL
2.12 How to Get Started @EPO\\C"f
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3 Improving a Design Qfx:}zk{
3.1 Lens Design Tip Sheet: Standard Improvement Techniques x x^7
3.2 Glass Changes ( Index and V Values ) y[ikpp#ozY
3.3 Splitting Elements xj/Iq<'R*O
3.4 Separating a Cemented Doublet #=>t6B4af
3.5 Compounding an Element | Vl Q0{
3.6 Vignetting and Its Uses $JH_
3.7 Eliminating a Weak Element; the Concentric Problem s,KE,$5F
3.8 Balancing Aberrations La$*)qD,
3.9 The Symmetrical Principle y'gIx*6B@
3.10 Aspheric Surfaces V\C$/ 8v
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4 Evaluation: How Good is This Design q |Oz
4.1 The Uses of a Preliminary Evaluation |2oCEb1
4.2 OPD versus Measures of Performance =&kd| o/i
4.3 Geometric Blur Spot Size versus Certain Aberrations F (?A7
4.4 Interpreting MTF - The Modulation Transfer Function (%`R{Y
4.5 Fabrication Considerations V/
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5 Lens Design Data %hEhZW{:
5.1 About the Sample Lens Designs JqX+vRY;dd
5.2 Lens Prescriptions, Drawings, and Aberration Plots F\Qukn
5.3 Estimating the Potential of a Redesign w 0V =49
5.4 Scaling a Desing, Its Aberrations, and Its MTF KW1 7CJ@
5.5 Notes on the Interpretation of Ray Intercept Plots (]wd8M
5.6 Various Evaluation Plot c:%ll&Xtn
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6 Telescope Objective ;c ye
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6.1 The Thin Airspaced Doublet @j|B1:O
6.2 Merit Function for a Telescope Objective +7HM 7cw
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >^<%9{
6.4 Spherochromatism -+#QZ7b
6.5 Zonal Spherical Aberration :E$ <!q
6.6 Induced Aberrations Sdk:-Zuv
6.7 Three-Element Objectives WfnBWSA2 T
6.8 Secondary Spectrum (Apochromatic Systems) F_Pv\?35z
6.9 The Design of an f/7 Apochromatic Triplet @'
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6.10 The Diffractive Surface in Lens Design $)V_oQSqn
6.11 A Final Note G)vq+L5%
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7 Eyepieces and Magnifiers m^6& !`CD
7.1 Eyepieces !|SVRaS
7.2 A Pair of Magnifier Designs Bu :h_sV D
7.3 The Simple, Classical Eyepieces s ]D&):
7.4 Design Story of an Eyepiece for a 6*30 Binocular ncF|wz
7.5 Four-Element Eyepieces :P!"'&gCL
7.6 Five-Element Eyepieces #osP"~{
7.7 Very High Index Eyepiece/Magnifier 5)IJ|"]y
7.8 Six- and Seven-Element Eyepieces $i:wS=
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8 Cooke Triplet Anastigmats tEj-c@`"x-
8.1 Airspaced Triplet Anastigmats ?9F_E+!
8.2 Glass Choice |H!kU.f]
8.3 Vertex Length and Residual Aberrations FCk4[qOp7
8.4 Other Design Considerations i4',d#
8.5 A Plastic, Aspheric Triplet Camera Lens n0/H2>I [
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ?1+JBl~/d
8.7 Possible Improvement to Our “Basic” Triplet dtXA EL\q
8.7 The Rear Earth (Lanthanum) Glasses dZMOgZ.!yr
8.9 Aspherizing the Surfaces .Mn+ Bd4f
8.10 Increasing the Element Thickness 2HxT+|~d6
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9 Split Triplets }D/O cp~o
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10 The Tessar, Heliar, and Other Compounded Triplets ;q8tOv Q
10.1 The Classic Tessar M9 _G
10.2 The Heliar/Pentac W .B>"u
10.3 The Portrait Lens and the Enlarger Lens P|:* OM
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10.4 Other Compounded Triplets Aqc
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar GT -(r+u
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11 Double-Meniscus Anastigmats 'aq9]D_k
11.1 Meniscus Components CY"iP,nHl
11.2 The Hypergon, Totogon, and Metrogon U}6F B =
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 2
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11.4 Protar, Dagor, and Convertible Lenses 5tSR2gG#K,
11.5 The Split Dagor AGH7z
11.6 The Dogmar d]kP@flOV
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens \`nRgY SE
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12 The Biotar or Double-Gauss Lens k|ol+
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12.1 The Basic Six-Element Version } Fw/WD
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens +PCsp'D
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12.3 The Seven-Element Biotar - Split-Rear Singlet 1l8kuwH
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 4 ^=qc99
12.5 The Seven-Element Biotar - One Compounded Outer Element Ps0 g
12.6 The Eight-Element Biotar SkmL X @:(
12.7 A “Doubled Double-Gauss” Relay GaD]qeS-K
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13 Telephoto Lenses l zK J y
13.1 The Basic Telephoto ]m>N!Iu
13.2 Close-up or Macro Lenses &8l4A=l$
13.3 Telephoto Designs o(2tRDT\_b
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch wFgL\[$^|
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses +[=yLE#P%
14.1 The Reverse Telephoto Principle ^/)!)=?
14.2 The Basic Retrofocus Lens h`_ @eax
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses l$i^e|*
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15 Wide Angle Lenses with Negative Outer Lenses !hBzT7CO
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16 The Petzval Lens; Head-up Display Lenses oX2J2O
16.1 The Petzval Portrait Lens z_Nw%V4kr
16.2 The Petzval Projection Lens qkM<t?uS
16.3 The Petzval with a Field Flattener H-*"%SJ
16.4 Very Height Speed Petzval Lenses uV\ _j3,2
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 3\=iB&Gf|
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17 Microscope Objectives nDdF(|Qt
17.1 General Considerations C:]&V*d.v4
17.2 Classic Objective Design Forms; The Aplanatic Front :HJ @/ s!J
17.3 Flat-Field Objectives 5M.KF;P
17.4 Reflecting Objectives | bHId !d
17.5 The Microscope Objective Designs cY}Nr#%s@U
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18 Mirror and Catadioptric Systems 208 dr*6U
18.1 The Good and Bad Points of Mirrors 7 \BGeI
18.2 The Classic Two-Mirror Systems ]^= 'aQ
18.3 Catadioptric Systems ~-"<)XPe
18.4 Aspheric Correctors and Schmidt Systems F$Cf\#{3
18.5 Confocal Paraboloids @Ju!|G9z/p
18.6 Unobscured Systems c {iF
18.7 Design of a Schmidt-Cassegrain “from Scratch” 64#6L.Q-c
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19 Infrared and Ultraviolet Systems 4_#y l9+
19.1 Infrared Optics v {R:F
19.2 IR Objective Lenses [M^ur%H
19.3 IR Telescope |_Y[93 1<
19.4 Laser Beam Expanders JG2)-x;9
19,5 Ultraviolet Systems U9om}WKO
19.6 Microlithographic Lenses jY]hMQ/H
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20 Zoom Lenses IT`r&;5
20.1 Zoom Lenses {
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20.2 Zoom Lenses for Point and Shoot Cameras BjT0m k"P
20.3 A 20X Video Zoom Lens HMUn+kk+
20.4 A Zoom Scanner Lens s}~'o!}W
20.5 A Possible Zoom Lens Design Procedure _;A? w8z
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21 Projection TV Lenses and Macro Lenses hBSci|*f
21.1 Projection TV Lenses Q~5!c#r
21.2 Macro Lenses W^c> (d</
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22 Scanner/ , Laser Disk and Collimator Lenses n3-2;xuNKE
22.1 Monochromatic Systems +OUYQM mM
22.2 Scanner Lenses HWr")%EhD
22.3 Laser Disk, Focusing, and Collimator Lenses !wws9
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23 Tolerance Budgeting hL\g I(B
23.1 The Tolerance Budget TP6i SF
23.2 Additive Tolerances 9s5PJj "u
23.3 Establishing the Tolerance Budget V fJbexYT
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24 Formulary EDm,Y
24.1 Sign Conventions, Symbols, and Definitions sK#)wjj\^
24.2 The Cardinal Points htn "rY(
24.3 Image Equations G/F0 )M
24.4 Paraxial Ray Tracing (Surface by Surface) 6%mF iX
24.5 Invariants t~xp& LQiY
24.6 Paraxial Ray Tracing (Component by Component) yDt3)fP#
24.7 Two-Componenet Relationships ! MOgM
24.8 Third-Order Aberrations – Surface Contributions ZMSP8(V
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ToUeXU
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24.10 Stop Shift Equations e ;4y5i
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces k1A64?p
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ")l_>y ?
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Glossary a @&^t( 1
Reference wvAXt*R
Index
