"Modern Lens Design" 2nd Edition by Warren J. Smith 89 fT?tT
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Contents of Modern Lens Design 2nd Edition {5%<@<?)
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1 Introduction %eT/:I
1.1 Lens Design Books
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1.2 Reference Material ut\9@>*J=Q
1.3 Specifications }qlz^s
1.4 Lens Design ;H\,w/E9
1.5 Lens Design Program Features 4G`YZZQ
1.6 About This Book K8ThZY%
9d2$F9]:o
2 Automatic Lens Design 9MXauTKI
2.2 The Merit Function s{iYf :
2.3 Local Minima E&K8hY%5
2.4 The Landscape Lens 'QW 0K]il
2.5 Types of Merit Function ekAGzu
2.6 Stagnation vNtbb]')m
2.7 Generalized Simulated Annealing 2G'G45Q
2.8 Considerations about Variables for Optimization ?tSY=DK\n
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Y":hb;&
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ^d2g"L
2.11 Spectral Weighting ]}5jX^j
2.12 How to Get Started !8A5Y[(XD
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3 Improving a Design :YV!;dKJ
3.1 Lens Design Tip Sheet: Standard Improvement Techniques h2BD?y
3.2 Glass Changes ( Index and V Values ) BM3)`40[]
3.3 Splitting Elements i&bttSRNV
3.4 Separating a Cemented Doublet z+\>e~U6J}
3.5 Compounding an Element 49kY]z|"w
3.6 Vignetting and Its Uses hnY^Z_v!
3.7 Eliminating a Weak Element; the Concentric Problem Y*AHwc<w`
3.8 Balancing Aberrations "thu@~aC
3.9 The Symmetrical Principle Icr'l$PE
3.10 Aspheric Surfaces f,uxoAS
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4 Evaluation: How Good is This Design S%T1na^x
4.1 The Uses of a Preliminary Evaluation hB^"GYZ
4.2 OPD versus Measures of Performance )8N/t6Q
4.3 Geometric Blur Spot Size versus Certain Aberrations RdY #B;
4.4 Interpreting MTF - The Modulation Transfer Function .[_&>@bmrP
4.5 Fabrication Considerations :8)4:4$^
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5 Lens Design Data > voUh;L
5.1 About the Sample Lens Designs 43VuH
5.2 Lens Prescriptions, Drawings, and Aberration Plots IM@Qe|5
5.3 Estimating the Potential of a Redesign HL!-4kN
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5.4 Scaling a Desing, Its Aberrations, and Its MTF +5HO T{wj
5.5 Notes on the Interpretation of Ray Intercept Plots I7Eg$J&
5.6 Various Evaluation Plot }0!\%7-Q
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6 Telescope Objective cCj3,s/p
6.1 The Thin Airspaced Doublet c,-< 4e
6.2 Merit Function for a Telescope Objective r%a$u%)oD
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 4t+88e
6.4 Spherochromatism #?,cYh+
6.5 Zonal Spherical Aberration UHg^F4>4
6.6 Induced Aberrations |Y99s)2&N
6.7 Three-Element Objectives 0GG;o[<
6.8 Secondary Spectrum (Apochromatic Systems) ?O3G
6.9 The Design of an f/7 Apochromatic Triplet Ln:
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6.10 The Diffractive Surface in Lens Design Y/hay[6
6.11 A Final Note Y}[r`}={
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7 Eyepieces and Magnifiers D0-e,)G}V,
7.1 Eyepieces p75w^
7.2 A Pair of Magnifier Designs UnMDdJ\
7.3 The Simple, Classical Eyepieces C[s*Na-
7.4 Design Story of an Eyepiece for a 6*30 Binocular 8q0 .yhb
7.5 Four-Element Eyepieces k |Lm;g
7.6 Five-Element Eyepieces yZ P+
7.7 Very High Index Eyepiece/Magnifier kjmF-\
7.8 Six- and Seven-Element Eyepieces <0vvlOL5
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8 Cooke Triplet Anastigmats .Q#Eb %%
8.1 Airspaced Triplet Anastigmats iVl"H@m/
8.2 Glass Choice IrVeP&KM+
8.3 Vertex Length and Residual Aberrations T S.lFg:K
8.4 Other Design Considerations V]8fn MH
8.5 A Plastic, Aspheric Triplet Camera Lens 4 I~,B[|
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ULJI`I|m
8.7 Possible Improvement to Our “Basic” Triplet 4EELaP|%
8.7 The Rear Earth (Lanthanum) Glasses S%4hv*_c
8.9 Aspherizing the Surfaces FStfGN
8.10 Increasing the Element Thickness `BvcIn4do
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9 Split Triplets IW46-;l7
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10 The Tessar, Heliar, and Other Compounded Triplets ;F:(5GBi
10.1 The Classic Tessar N,O[pTwj
10.2 The Heliar/Pentac
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10.3 The Portrait Lens and the Enlarger Lens GphG/C (
10.4 Other Compounded Triplets +X&B'
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar #A/jGv^
X}Csl~W8in
11 Double-Meniscus Anastigmats J2R<'(
11.1 Meniscus Components \}2Wd`kD
11.2 The Hypergon, Totogon, and Metrogon f(C0&"4e
11.3 A Two Element Aspheric Thick Meniscus Camera Lens HOw][}M_w
11.4 Protar, Dagor, and Convertible Lenses -R8RAwsLG
11.5 The Split Dagor Vr^wesT\Hx
11.6 The Dogmar 'D-imLV<<
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens qB&*"gf
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12 The Biotar or Double-Gauss Lens l(`w]=t&
12.1 The Basic Six-Element Version e^FS/=
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens s810714
12.3 The Seven-Element Biotar - Split-Rear Singlet `K@
12.4 The Seven-Element Biotar - Broken Contact Front Doublet jy*wj7fj1
12.5 The Seven-Element Biotar - One Compounded Outer Element W t8 RC
12.6 The Eight-Element Biotar WFB2 Ub7
12.7 A “Doubled Double-Gauss” Relay QA%GK4F70
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13 Telephoto Lenses z(]*'0)P
13.1 The Basic Telephoto !pN,,H6Y
13.2 Close-up or Macro Lenses e*g; +nz
13.3 Telephoto Designs Qh *|mW
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch |hpm|eZG"h
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses XJlun l)(K
14.1 The Reverse Telephoto Principle %'>. R
14.2 The Basic Retrofocus Lens ?;*mSQA`J
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 55;xAsG
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15 Wide Angle Lenses with Negative Outer Lenses ,4\vi|
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16 The Petzval Lens; Head-up Display Lenses v-l):TL+=
16.1 The Petzval Portrait Lens Y,8M[UIK
16.2 The Petzval Projection Lens F|PYDC
16.3 The Petzval with a Field Flattener FCIT+8K
16.4 Very Height Speed Petzval Lenses >GjaA1,
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 9+/<[w7
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17 Microscope Objectives fLys$*^)^
17.1 General Considerations x=H*"L=
17.2 Classic Objective Design Forms; The Aplanatic Front hA"N&v~
17.3 Flat-Field Objectives ('gjfl
17.4 Reflecting Objectives %xg"e
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17.5 The Microscope Objective Designs sz)3
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18 Mirror and Catadioptric Systems m xWaXb
18.1 The Good and Bad Points of Mirrors
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18.2 The Classic Two-Mirror Systems [A3hrSw
18.3 Catadioptric Systems +28FB[W
18.4 Aspheric Correctors and Schmidt Systems ;hg]5r_
18.5 Confocal Paraboloids ou(9Qf zN
18.6 Unobscured Systems Z^h4%o-l{
18.7 Design of a Schmidt-Cassegrain “from Scratch” /fD)/x
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19 Infrared and Ultraviolet Systems fkx
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19.1 Infrared Optics q<7Nz]Td
19.2 IR Objective Lenses !q/?t XM!
19.3 IR Telescope Ii"cDH9
19.4 Laser Beam Expanders <}UqtDF 0
19,5 Ultraviolet Systems O<+C$J|
19.6 Microlithographic Lenses VRxBi!d
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20 Zoom Lenses H8\N~>
20.1 Zoom Lenses Xu'u"amt
20.2 Zoom Lenses for Point and Shoot Cameras beq)Frn^
20.3 A 20X Video Zoom Lens doe[f_\
20.4 A Zoom Scanner Lens O|OPdD
20.5 A Possible Zoom Lens Design Procedure N),Zb^~nw
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21 Projection TV Lenses and Macro Lenses ?5->F/f&
21.1 Projection TV Lenses :Z/ig%
21.2 Macro Lenses PvA%c<z
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22 Scanner/ , Laser Disk and Collimator Lenses SQliF[-
22.1 Monochromatic Systems x^SE>dy ?z
22.2 Scanner Lenses ."h;H^5
22.3 Laser Disk, Focusing, and Collimator Lenses Tn-H8;Hg
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23 Tolerance Budgeting #4|?;C)u\
23.1 The Tolerance Budget 2x`#
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23.2 Additive Tolerances V^f'4*~'
23.3 Establishing the Tolerance Budget H%/$Rqg
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24 Formulary FS20OD
24.1 Sign Conventions, Symbols, and Definitions ?49wq4L;a
24.2 The Cardinal Points - BocWq\
24.3 Image Equations 7#<|``]zNf
24.4 Paraxial Ray Tracing (Surface by Surface) zKI(yC
24.5 Invariants jOe %_R
24.6 Paraxial Ray Tracing (Component by Component) *rqih_j0
24.7 Two-Componenet Relationships [y:6vC
24.8 Third-Order Aberrations – Surface Contributions n'R
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 5 :AAqMa
24.10 Stop Shift Equations #ocT4
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ,@2O_O`:
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) cW3;5
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Glossary =si<OB
Reference "3!4 hiU9
Index