[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith ^-qz!ib  
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Contents of Modern Lens Design 2nd Edition mS &^xWPV  
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1    Introduction         6JE_rAab  
1.1    Lens Design Books     oSkvTK$&i  
1.2    Reference Material     ~Z$Ro/;l  
1.3    Specifications     #i-b|J+%  
1.4    Lens Design     lN[#+n  
1.5    Lens Design Program Features     %ERR^  
1.6    About This Book     z_nY>_L83*  
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2    Automatic Lens Design         vH>s2\V"  
2.2    The Merit Function         r<_qU3Eaj  
2.3    Local Minima     vk|xYDD  
2.4    The Landscape Lens     m~8=?R+m  
2.5    Types of Merit Function     7Q #A  
2.6    Stagnation     a} :2lL%  
2.7    Generalized Simulated Annealing     FLaj|Z~#)  
2.8    Considerations about Variables for Optimization     %[k"A  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 23P7%\  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     uB+:sX-L  
2.11    Spectral Weighting     $%?[f;S3,  
2.12    How to Get Started     +Al*MusS  
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3    Improving a Design     Ft
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3.1    Lens Design Tip Sheet: Standard Improvement Techniques     3ZX#6*(}2  
3.2    Glass Changes ( Index and V Values )     RtF!(gd  
3.3    Splitting Elements     \!Ap<  
3.4    Separating a Cemented Doublet     ;Bne=vjQp  
3.5    Compounding an Element     o:lMRP~  
3.6    Vignetting and Its Uses     $x(p:+TI\4  
3.7    Eliminating a Weak Element; the Concentric Problem     6MelN^\[7  
3.8    Balancing Aberrations     B8?j"AF  
3.9    The Symmetrical Principle     .}iRe}=  
3.10    Aspheric Surfaces     zl)r3#6hW  
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4    Evaluation: How Good is This Design     256V xn  
4.1    The Uses of a Preliminary Evaluation     ;!#IRR  
4.2    OPD versus Measures of Performance    
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4.3    Geometric Blur Spot Size versus Certain Aberrations     uUh6/=y  
4.4    Interpreting MTF - The Modulation Transfer Function     G
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4.5    Fabrication Considerations     agnEYdM_  
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5    Lens Design Data     p}|<EL}Z9  
5.1    About the Sample Lens Designs     3PaMq6Ca  
5.2    Lens Prescriptions, Drawings, and Aberration Plots    
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5.3    Estimating the Potential of a Redesign     XPMvAZL  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     d"}lh:L9  
5.5    Notes on the Interpretation of Ray Intercept Plots     "VA'W/yv!  
5.6    Various Evaluation Plot     '2m"ocaf  
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6    Telescope Objective     |5\: E}1  
6.1    The Thin Airspaced Doublet     WM GiV  
6.2    Merit Function for a Telescope Objective     ~!'T!g%C  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     @g1T??h   
6.4    Spherochromatism     ;tfGhHpQn  
6.5    Zonal Spherical Aberration     hGo/Ve+@  
6.6    Induced Aberrations     X92I==-w  
6.7    Three-Element Objectives     N`7+]T  
6.8    Secondary Spectrum (Apochromatic Systems)     xm> y3WC  
6.9    The Design of an f/7 Apochromatic Triplet     q`HK4~i,  
6.10    The Diffractive Surface in Lens Design     BXUd i&'O  
6.11    A Final Note     vw/GAljflu  
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7    Eyepieces and Magnifiers     OQ4rJ#b  
7.1    Eyepieces     tCQf `  
7.2    A Pair of Magnifier Designs     4&H&zST//m  
7.3    The Simple, Classical Eyepieces     r,wC5%&Za  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     K#dG'/M|Pb  
7.5    Four-Element Eyepieces     Ob|v$C  
7.6    Five-Element Eyepieces     ]v0=jm5A  
7.7    Very High Index Eyepiece/Magnifier     k j&hn  
7.8    Six- and Seven-Element Eyepieces     &}VVr
  
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8    Cooke Triplet Anastigmats     dSbz$Fct  
8.1    Airspaced Triplet Anastigmats     ^aY,Wq  
8.2    Glass Choice     p}q]G
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8.3    Vertex Length and Residual Aberrations     a-9sc6@  
8.4    Other Design Considerations     K#]FUUnj=  
8.5    A Plastic, Aspheric Triplet Camera Lens     %wIb@km  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet hu:x,;`9H  
8.7    Possible Improvement to Our “Basic” Triplet     oC(.u?  
8.7    The Rear Earth (Lanthanum) Glasses     C40W@*6S2  
8.9    Aspherizing the Surfaces     m<|fdS'@  
8.10    Increasing the Element Thickness     ^PowL:  
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9    Split Triplets     3s_$.  
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10    The Tessar, Heliar, and Other Compounded Triplets     )D ':bWP  
10.1    The Classic Tessar     gOkum_  
10.2    The Heliar/Pentac     i [6oqZ  
10.3    The Portrait Lens and the Enlarger Lens     @0iXqM#jH  
10.4    Other Compounded Triplets     6R!AIOD>  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ;%O>=m'4  
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11    Double-Meniscus Anastigmats     (sEZNo5n  
11.1    Meniscus Components     5hp)Z7  
11.2    The Hypergon, Totogon, and Metrogon     +$B#] ,  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     9HD5A$  
11.4    Protar, Dagor, and Convertible Lenses     +aRHMH
 
11.5    The Split Dagor     tdnd~WSR  
11.6    The Dogmar     =[`gfw  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     -<^3!C >  
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12    The Biotar or Double-Gauss Lens     Z8WBOf*~e  
12.1    The Basic Six-Element Version    
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens "mAMfV0  
12.3    The Seven-Element Biotar - Split-Rear Singlet     zCSLV>.F  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     Io<L! =>  
12.5    The Seven-Element Biotar - One Compounded Outer Element     {EVHkQ+o  
12.6    The Eight-Element Biotar     ;ZR^9%+y9  
12.7    A “Doubled Double-Gauss” Relay     H;RgYu2J  
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13    Telephoto Lenses     ':|?M B  
13.1    The Basic Telephoto     J24H}^~na  
13.2    Close-up or Macro Lenses     !-q)9K?  
13.3    Telephoto Designs     bdvVPjGc&  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch /4,U@s)"/  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     O\^D 6\ v  
14.1    The Reverse Telephoto Principle     G3de<?K.[V  
14.2    The Basic Retrofocus Lens     >TS=tK  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     ex)U'.^  
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15    Wide Angle Lenses with Negative Outer Lenses     pcPRkYT[M  
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16    The Petzval Lens; Head-up Display Lenses     WmZ,c_  
16.1    The Petzval Portrait Lens     }xytV5a^  
16.2    The Petzval Projection Lens     "oT]_WHqo  
16.3    The Petzval with a Field Flattener      Rlx  
16.4    Very Height Speed Petzval Lenses     ;e\K8*o  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     FO?I}G22  
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17    Microscope Objectives     Q&?B^[N*Q  
17.1    General Considerations     &Y$)s<u8.  
17.2    Classic Objective Design Forms; The Aplanatic Front     DWu~%U8  
17.3    Flat-Field Objectives     ~)]n67Or~  
17.4    Reflecting Objectives     /5C>7BC  
17.5    The Microscope Objective Designs     eHH9#Vrhc$  
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18    Mirror and Catadioptric Systems     #5_pE1  
18.1    The Good and Bad Points of Mirrors     a,\GOy(q{  
18.2    The Classic Two-Mirror Systems H^8t/h  
18.3    Catadioptric Systems     gBE1aw;  
18.4    Aspheric Correctors and Schmidt Systems     $lf\1)B~*  
18.5    Confocal Paraboloids     `-<m#HF:)d  
18.6    Unobscured Systems     M
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18.7    Design of a Schmidt-Cassegrain “from Scratch”     BaE}|4  
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19    Infrared and Ultraviolet Systems     X$ 76#x  
19.1    Infrared Optics     =lS@nRH  
19.2    IR Objective Lenses     4I3)eS%2  
19.3    IR Telescope     2%t!3F:  
19.4    Laser Beam Expanders     tq5o  
19,5    Ultraviolet Systems     t[x[X4  
19.6    Microlithographic Lenses     4mF=A$Q_/  
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20    Zoom Lenses     K<7 Db4H  
20.1    Zoom Lenses     ?XO}6q<tM  
20.2    Zoom Lenses for Point and Shoot Cameras     ]=m0@JTbG  
20.3    A 20X Video Zoom Lens     'K3%@,O  
20.4    A Zoom Scanner Lens     <zF/at  
20.5    A Possible Zoom Lens Design Procedure     &3'zG)  
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21    Projection TV Lenses and Macro Lenses     @!s(Zkpev  
21.1    Projection TV Lenses     YX19QG%  
21.2    Macro Lenses     Fs1ms)  
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22    Scanner/ , Laser Disk and Collimator Lenses     7\JA8mm  
22.1    Monochromatic Systems     X>VxE/  
22.2    Scanner Lenses     `jH0FJQ  
22.3    Laser Disk, Focusing, and Collimator Lenses     )lB*] n`Z]  
    Op:7EdT#  
23    Tolerance Budgeting     s h^&3}  
23.1    The Tolerance Budget     >?0f>I%\  
23.2    Additive Tolerances     8:4`q9  
23.3    Establishing the Tolerance Budget     Qv:J#uVw?O  
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24    Formulary cLCzLNyKl  
24.1    Sign Conventions, Symbols, and Definitions     9A1w5|X  
24.2    The Cardinal Points     "Kt[jV;6  
24.3    Image Equations     1dX)l  
24.4    Paraxial Ray Tracing (Surface by Surface)     d
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24.5    Invariants     NpF}~$2  
24.6    Paraxial Ray Tracing (Component by Component)     Gz
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24.7    Two-Componenet Relationships     XP_V  
24.8    Third-Order Aberrations – Surface Contributions     a+{95"4  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     ppo\cy;  
24.10    Stop Shift Equations     B=J/HiwV)  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     OgBZoTT  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     @X*r5hjc  
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B|n<{g[-cM  
Glossary 'Z(4Wuwb  
Reference 9:jZ3U  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 ''f07R  
我怎么瞧不明白。

有没有人呀 b&;1b<BwD  
有个问题想请教大家