"Modern Lens Design" 2nd Edition by Warren J. Smith ]8$8QQc<<5
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Contents of Modern Lens Design 2nd Edition 1ni+)p >]
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1 Introduction [-~pDkf:
1.1 Lens Design Books 1v@#b@NXM7
1.2 Reference Material xJq|,":gj
1.3 Specifications m$0W^u
1.4 Lens Design F>;Wbk&[|
1.5 Lens Design Program Features os V6 =
1.6 About This Book
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2 Automatic Lens Design `[ZswLE
2.2 The Merit Function \aSP7DzqQ
2.3 Local Minima wMa8HeBE\
2.4 The Landscape Lens |r9<aVlK
2.5 Types of Merit Function .Rr^AGA4
2.6 Stagnation TrI+F+;
2.7 Generalized Simulated Annealing #UGSn:D<i
2.8 Considerations about Variables for Optimization mc{z
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems c3]t"TA,
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits '%$Vmf)=
2.11 Spectral Weighting ) f?I{
2.12 How to Get Started +p u[JHF
>%/x~U Fc5
3 Improving a Design E@VQ xB7+
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 3%vXB=>T!
3.2 Glass Changes ( Index and V Values ) ||+~8z#+,
3.3 Splitting Elements z} fpV T
3.4 Separating a Cemented Doublet .?}M(mL
3.5 Compounding an Element +C~h(
3.6 Vignetting and Its Uses EJ:O 1
3.7 Eliminating a Weak Element; the Concentric Problem M/ S~"iD
3.8 Balancing Aberrations -CPtYG[s
3.9 The Symmetrical Principle ;i@S}LwL
3.10 Aspheric Surfaces Z\
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4 Evaluation: How Good is This Design OGZD$j
4.1 The Uses of a Preliminary Evaluation IDct!53~
4.2 OPD versus Measures of Performance VL%. maj
4.3 Geometric Blur Spot Size versus Certain Aberrations PD#,KqL:
4.4 Interpreting MTF - The Modulation Transfer Function 3W1Lh~Av
4.5 Fabrication Considerations i)#-VOhX)
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5 Lens Design Data +\!.X _Ij
5.1 About the Sample Lens Designs .}faWzRH9
5.2 Lens Prescriptions, Drawings, and Aberration Plots Dka,v
5.3 Estimating the Potential of a Redesign
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5.4 Scaling a Desing, Its Aberrations, and Its MTF RZ 6y5
5.5 Notes on the Interpretation of Ray Intercept Plots %QP[/5vQ
5.6 Various Evaluation Plot 0E.N3iU
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6 Telescope Objective j6%W+;{/pj
6.1 The Thin Airspaced Doublet EN m%(G$
6.2 Merit Function for a Telescope Objective 5lsslE+:J
6.3 The Design of an f/7 Cemented Doublet Telescope Objective -K|1 w'E
6.4 Spherochromatism <83Ky;ry
6.5 Zonal Spherical Aberration U4 XW
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6.6 Induced Aberrations vF\>; pcT
6.7 Three-Element Objectives qbyYNlXqm
6.8 Secondary Spectrum (Apochromatic Systems) ^\}MG!l
6.9 The Design of an f/7 Apochromatic Triplet 0/HFLz'
6.10 The Diffractive Surface in Lens Design $dM_uSt
6.11 A Final Note A v x`
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7 Eyepieces and Magnifiers H Z3;2k
7.1 Eyepieces w=KfkdAJ*/
7.2 A Pair of Magnifier Designs 8}n< 3_
7.3 The Simple, Classical Eyepieces %q5dV<X'c
7.4 Design Story of an Eyepiece for a 6*30 Binocular <]Td7-n
7.5 Four-Element Eyepieces rLTBBvV
7.6 Five-Element Eyepieces 7hJ X
7.7 Very High Index Eyepiece/Magnifier ]_ C"A
7.8 Six- and Seven-Element Eyepieces RV~t%Sw^
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8 Cooke Triplet Anastigmats Ysm RY=3
8.1 Airspaced Triplet Anastigmats @=kg K[t
9
8.2 Glass Choice v3"6'.f;bY
8.3 Vertex Length and Residual Aberrations i l^;2`]&
8.4 Other Design Considerations 8AR8u!;8
8.5 A Plastic, Aspheric Triplet Camera Lens [,Ehu<mEK
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet {
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8.7 Possible Improvement to Our “Basic” Triplet ]>M\|,wh
8.7 The Rear Earth (Lanthanum) Glasses |WB-N g
8.9 Aspherizing the Surfaces &S4*x|-C&
8.10 Increasing the Element Thickness T"xJY#)}
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9 Split Triplets }
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10 The Tessar, Heliar, and Other Compounded Triplets 1 Uup.(
10.1 The Classic Tessar ]I|(/+}M
10.2 The Heliar/Pentac @c^ Dl
10.3 The Portrait Lens and the Enlarger Lens I>?oVY6M@u
10.4 Other Compounded Triplets H H*y$
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar J~ %43!X\K
9#9 UzKX#
11 Double-Meniscus Anastigmats :
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11.1 Meniscus Components 8" %Es
11.2 The Hypergon, Totogon, and Metrogon DS?.'"n[u
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Vn5T Jw
11.4 Protar, Dagor, and Convertible Lenses !Cg j
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11.5 The Split Dagor ,rMDGZm?
11.6 The Dogmar _ [k
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens `D ;*.zrA
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12 The Biotar or Double-Gauss Lens z& ;8pZr
12.1 The Basic Six-Element Version WEwa<%Ss
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens "Not /8J
12.3 The Seven-Element Biotar - Split-Rear Singlet ^QN c!{ `
12.4 The Seven-Element Biotar - Broken Contact Front Doublet JuO47}i] 5
12.5 The Seven-Element Biotar - One Compounded Outer Element M50I. Rd
12.6 The Eight-Element Biotar u1meys a{0
12.7 A “Doubled Double-Gauss” Relay P<g(i 6]
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13 Telephoto Lenses F! =l
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13.1 The Basic Telephoto vM/*S
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13.2 Close-up or Macro Lenses ko9}?qs
13.3 Telephoto Designs Mj;V.Y
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch rZ?:$],U!
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Db" mq'vT
14.1 The Reverse Telephoto Principle F *P0=DD
14.2 The Basic Retrofocus Lens JmCMF q B9
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses {R_ > KE1
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15 Wide Angle Lenses with Negative Outer Lenses 1Ms]\<^j
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16 The Petzval Lens; Head-up Display Lenses Uxjc&o
16.1 The Petzval Portrait Lens x3ZF6)@
16.2 The Petzval Projection Lens ]s=|+tz\V
16.3 The Petzval with a Field Flattener 6:5K?Yo
16.4 Very Height Speed Petzval Lenses m?kiGC&m
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 4]r_K2.cc
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17 Microscope Objectives y?OP- 27y
17.1 General Considerations Z1 Ne p !
17.2 Classic Objective Design Forms; The Aplanatic Front vIpL8B86a
17.3 Flat-Field Objectives Z R!8hw8
17.4 Reflecting Objectives /x49!8
17.5 The Microscope Objective Designs IQJ"B6U)
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18 Mirror and Catadioptric Systems
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18.1 The Good and Bad Points of Mirrors c9+G
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18.2 The Classic Two-Mirror Systems *X .1b!
18.3 Catadioptric Systems kG D_w
18.4 Aspheric Correctors and Schmidt Systems {JfQQP&FV
18.5 Confocal Paraboloids [oh06_rB
18.6 Unobscured Systems @6UtnX'd
18.7 Design of a Schmidt-Cassegrain “from Scratch” vX:}tir[
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19 Infrared and Ultraviolet Systems L3{(B u
19.1 Infrared Optics z_>~=Mm
19.2 IR Objective Lenses v +4v
19.3 IR Telescope Xc-["y64
19.4 Laser Beam Expanders es7;eH*O9
19,5 Ultraviolet Systems egu{}5
19.6 Microlithographic Lenses aMI;; iL^
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20 Zoom Lenses _=$~l^Y[
20.1 Zoom Lenses l>\EkUT
20.2 Zoom Lenses for Point and Shoot Cameras j t}Re,
20.3 A 20X Video Zoom Lens 4|PWR_x
20.4 A Zoom Scanner Lens wlNL;W @w
20.5 A Possible Zoom Lens Design Procedure t/[lA=0 )2
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21 Projection TV Lenses and Macro Lenses >SXSrXyYX
21.1 Projection TV Lenses O&?i#@5#
21.2 Macro Lenses UPH#~D!
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22 Scanner/ , Laser Disk and Collimator Lenses eDpi0htm
22.1 Monochromatic Systems ]1++$E j
22.2 Scanner Lenses CA#g(SiZ
22.3 Laser Disk, Focusing, and Collimator Lenses R%.`h
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23 Tolerance Budgeting z)T-<zWO;
23.1 The Tolerance Budget v\@qMaPY
23.2 Additive Tolerances \d"\7SA
23.3 Establishing the Tolerance Budget }sxs-
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24 Formulary XH%pV
24.1 Sign Conventions, Symbols, and Definitions e=9/3?El
24.2 The Cardinal Points =%|`gZ
24.3 Image Equations i ~Tt\UA>
24.4 Paraxial Ray Tracing (Surface by Surface) B?%u< F
24.5 Invariants !l*A3qA
24.6 Paraxial Ray Tracing (Component by Component) 3uYLA4[-B
24.7 Two-Componenet Relationships SNqSp.>-U"
24.8 Third-Order Aberrations – Surface Contributions 30HUY?'K
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs yu6~: $%H
24.10 Stop Shift Equations
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces VV Q~;{L
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) z#+WK| a
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Glossary w9Yx 2
Reference tz]0F5
Index
