"Modern Lens Design" 2nd Edition by Warren J. Smith +E-CsNAZ*"
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Contents of Modern Lens Design 2nd Edition -G(#,rXk
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1 Introduction (0E<Fz
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1.1 Lens Design Books 1pAca Jzf
1.2 Reference Material otX/sg.B*
1.3 Specifications Zv wU
1.4 Lens Design L7]o^p{g}Q
1.5 Lens Design Program Features 2Q 5 -.2]
1.6 About This Book 4W#DLip9
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2 Automatic Lens Design H D'adj_,
2.2 The Merit Function JOH\K0=e
2.3 Local Minima 0D Lw
2.4 The Landscape Lens 'xLXj>
2.5 Types of Merit Function P$Q,t2$ A
2.6 Stagnation 25 cJA4
2.7 Generalized Simulated Annealing :b]
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2.8 Considerations about Variables for Optimization G=]ox*BY
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems f,x;t-o+R
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Y#QXvo%
2.11 Spectral Weighting mLx=Zes:.
2.12 How to Get Started QBh*x/J
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3 Improving a Design U(Tl$#Bt
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ;; 6$d{
3.2 Glass Changes ( Index and V Values ) Kq5i8L=u
3.3 Splitting Elements #Vu;R5GZ}
3.4 Separating a Cemented Doublet F ^Bk @
3.5 Compounding an Element vVP.9(
3.6 Vignetting and Its Uses cyo[HI?WM
3.7 Eliminating a Weak Element; the Concentric Problem Fv*Et-8tN5
3.8 Balancing Aberrations y^z
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3.9 The Symmetrical Principle 3" juj '
3.10 Aspheric Surfaces 1tLEKSo+
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4 Evaluation: How Good is This Design wJD'q\ n
4.1 The Uses of a Preliminary Evaluation 3b|= V
4.2 OPD versus Measures of Performance H32o7]lT
4.3 Geometric Blur Spot Size versus Certain Aberrations {Kf5a
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4.4 Interpreting MTF - The Modulation Transfer Function T B- dV'w
4.5 Fabrication Considerations pKno~jja
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5 Lens Design Data Y'5(exW
5.1 About the Sample Lens Designs YUHiD *
5.2 Lens Prescriptions, Drawings, and Aberration Plots :d pw r 9)
5.3 Estimating the Potential of a Redesign N6v?Qzvi
5.4 Scaling a Desing, Its Aberrations, and Its MTF vZW[y5
5.5 Notes on the Interpretation of Ray Intercept Plots $s4.A j
5.6 Various Evaluation Plot J ?EDz,
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6 Telescope Objective &_u.q/ ~
6.1 The Thin Airspaced Doublet _-3n' i8
6.2 Merit Function for a Telescope Objective l4dG=x}M]
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ;>L8&m)R5
6.4 Spherochromatism S~hu(x#
6.5 Zonal Spherical Aberration .rITzwgB
6.6 Induced Aberrations Uhr RB
6.7 Three-Element Objectives \A,zwdt
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6.8 Secondary Spectrum (Apochromatic Systems) W+/_0GgQ3
6.9 The Design of an f/7 Apochromatic Triplet TQmrL
6.10 The Diffractive Surface in Lens Design c#>(8#'.U
6.11 A Final Note 1;H"4u_IG&
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7 Eyepieces and Magnifiers kiyc ^s
7.1 Eyepieces El@*Fo
7.2 A Pair of Magnifier Designs V.z8
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7.3 The Simple, Classical Eyepieces 'A^q)hpax
7.4 Design Story of an Eyepiece for a 6*30 Binocular mL pM8~L
7.5 Four-Element Eyepieces n=bdV(?4
7.6 Five-Element Eyepieces M;,$
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7.7 Very High Index Eyepiece/Magnifier D%nd7
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7.8 Six- and Seven-Element Eyepieces 6o7t eX
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8 Cooke Triplet Anastigmats 9$Z 0mz k
8.1 Airspaced Triplet Anastigmats Z#L4n#TT
8.2 Glass Choice 5.oI yC^Ik
8.3 Vertex Length and Residual Aberrations L/r_Mt N
8.4 Other Design Considerations R6O v
8.5 A Plastic, Aspheric Triplet Camera Lens a!E22k?((z
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet UUlz3" `
8.7 Possible Improvement to Our “Basic” Triplet / De~K+w7o
8.7 The Rear Earth (Lanthanum) Glasses 4minzrKM\
8.9 Aspherizing the Surfaces U]~@_j
8.10 Increasing the Element Thickness %:d7Ts&?Z
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9 Split Triplets y'`/^>.
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10 The Tessar, Heliar, and Other Compounded Triplets v={{ $=/t
10.1 The Classic Tessar 1.F&gP)9
10.2 The Heliar/Pentac <3x%-m+p4
10.3 The Portrait Lens and the Enlarger Lens xBVOIc[4(
10.4 Other Compounded Triplets #mw !_]
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 3X`9&0:j%
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11 Double-Meniscus Anastigmats *uhQP47B
11.1 Meniscus Components <.QaOLD
11.2 The Hypergon, Totogon, and Metrogon % S^hqC
11.3 A Two Element Aspheric Thick Meniscus Camera Lens p8~lG uH
11.4 Protar, Dagor, and Convertible Lenses UxTLr-db^
11.5 The Split Dagor 6M*z` B{hV
11.6 The Dogmar C~qZ&
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens q()o|V
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12 The Biotar or Double-Gauss Lens Nh.+woFq4
12.1 The Basic Six-Element Version S)W xTE 9
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 2{rWAPHgz
12.3 The Seven-Element Biotar - Split-Rear Singlet K
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet Yub}AuU`v
12.5 The Seven-Element Biotar - One Compounded Outer Element ltNC ti{Q
12.6 The Eight-Element Biotar 0+FPAqX
12.7 A “Doubled Double-Gauss” Relay V#7,vas
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13 Telephoto Lenses 4^L;]v,|7
13.1 The Basic Telephoto "/Qz?1>l+
13.2 Close-up or Macro Lenses avR tYL
13.3 Telephoto Designs .5
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch M*zpl}
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses *4U_MM#rX
14.1 The Reverse Telephoto Principle v hfjZ
14.2 The Basic Retrofocus Lens 90Ki.K 0
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses X,k^p[Rcu
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15 Wide Angle Lenses with Negative Outer Lenses C
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16 The Petzval Lens; Head-up Display Lenses -#|;qFD]
16.1 The Petzval Portrait Lens %10ONe}
16.2 The Petzval Projection Lens Z}+}X|
16.3 The Petzval with a Field Flattener &u>dKf)5
16.4 Very Height Speed Petzval Lenses FCE y1^ u
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems fqgp{( `@>
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17 Microscope Objectives kB
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17.1 General Considerations {18hzhs
17.2 Classic Objective Design Forms; The Aplanatic Front W8d-4')|
17.3 Flat-Field Objectives eYUb>M)
17.4 Reflecting Objectives ;'7(gAE
17.5 The Microscope Objective Designs Z`S# > o
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18 Mirror and Catadioptric Systems =:]ps<Qx
18.1 The Good and Bad Points of Mirrors ZNQ x;51
18.2 The Classic Two-Mirror Systems t(z]4y
18.3 Catadioptric Systems =)Xj[NNRT
18.4 Aspheric Correctors and Schmidt Systems q1}!O kr"2
18.5 Confocal Paraboloids mLhM_=
18.6 Unobscured Systems p'R<yB)V
18.7 Design of a Schmidt-Cassegrain “from Scratch” b$_8 1i
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19 Infrared and Ultraviolet Systems `_\KN_-%Vu
19.1 Infrared Optics b>-DX
19.2 IR Objective Lenses 6<lo0PQ"Z
19.3 IR Telescope !..<_qfw
19.4 Laser Beam Expanders OC= &!<
19,5 Ultraviolet Systems bZ`v1d
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19.6 Microlithographic Lenses ,Z{\YAh1
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20 Zoom Lenses Q %o@s3~O
20.1 Zoom Lenses tV)CDA&Z
20.2 Zoom Lenses for Point and Shoot Cameras U oT`/.
20.3 A 20X Video Zoom Lens JS/'0.
20.4 A Zoom Scanner Lens q`<vY' &1
20.5 A Possible Zoom Lens Design Procedure }5
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21 Projection TV Lenses and Macro Lenses B>2R-pa4~
21.1 Projection TV Lenses 3TwjC:Yhv2
21.2 Macro Lenses b| L;*<KU
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22 Scanner/ , Laser Disk and Collimator Lenses aXe&c^AR
22.1 Monochromatic Systems 8C3k:
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22.2 Scanner Lenses (| QJ[@?q
22.3 Laser Disk, Focusing, and Collimator Lenses w ps/{h,
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23 Tolerance Budgeting R$&;
23.1 The Tolerance Budget jq~`rE
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23.2 Additive Tolerances _(m72o0g>>
23.3 Establishing the Tolerance Budget `D+zX
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24 Formulary u({^8: AYu
24.1 Sign Conventions, Symbols, and Definitions /2K"M pf8
24.2 The Cardinal Points @ m`C%7<
24.3 Image Equations fK/ :
24.4 Paraxial Ray Tracing (Surface by Surface) XCM!8x?K
24.5 Invariants hUMG} <
24.6 Paraxial Ray Tracing (Component by Component) UQ0!t Fx
24.7 Two-Componenet Relationships Gk:fw#R
24.8 Third-Order Aberrations – Surface Contributions D6ZHvY8R
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs d@3DsE.{i
24.10 Stop Shift Equations k {vj,#
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces J^+w]2`S
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) |V3 4;} \4
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Glossary +^7cS6"L
Reference > LPb>t5%p
Index
