"Modern Lens Design" 2nd Edition by Warren J. Smith #dvH0LX?
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Contents of Modern Lens Design 2nd Edition /|kR=
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1 Introduction (O$PJLI
1.1 Lens Design Books P
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1.2 Reference Material 3y[uH'
1.3 Specifications e(5 :XH e
1.4 Lens Design 4;rt|X77
1.5 Lens Design Program Features xla64Qld
1.6 About This Book H/rJ:3
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2 Automatic Lens Design j56#KNAha
2.2 The Merit Function Q)n6.%V/e
2.3 Local Minima < wI z8V
2.4 The Landscape Lens xg|\\i
2.5 Types of Merit Function 17\5 NgB
2.6 Stagnation u t<0-
2.7 Generalized Simulated Annealing JQo"<<[
2.8 Considerations about Variables for Optimization E8Rk
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems GG9YAu
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits n^a&@?( +
2.11 Spectral Weighting y1oQ4|KSI
2.12 How to Get Started C1x"q9| \`
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3 Improving a Design 4
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques pX\Y:hCug
3.2 Glass Changes ( Index and V Values ) D X*eN"z[
3.3 Splitting Elements &B3[:nS2
3.4 Separating a Cemented Doublet 3pV^O e^9
3.5 Compounding an Element cE|Z=}4I7
3.6 Vignetting and Its Uses 75^U<Hz-3{
3.7 Eliminating a Weak Element; the Concentric Problem _gLj(<^9
3.8 Balancing Aberrations LU7ia[T
3.9 The Symmetrical Principle _3 pME9l
3.10 Aspheric Surfaces VssD
*ommU(r8
4 Evaluation: How Good is This Design P 2 j"L#%
4.1 The Uses of a Preliminary Evaluation nx2iEXsa
4.2 OPD versus Measures of Performance 'l&),]|$)
4.3 Geometric Blur Spot Size versus Certain Aberrations -MCDX^ >P
4.4 Interpreting MTF - The Modulation Transfer Function
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4.5 Fabrication Considerations FC +}gJ(q
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5 Lens Design Data eB] R<a60
5.1 About the Sample Lens Designs T> !Y-e.q
5.2 Lens Prescriptions, Drawings, and Aberration Plots _#S CjFz
5.3 Estimating the Potential of a Redesign M9t`w-@_w
5.4 Scaling a Desing, Its Aberrations, and Its MTF 0m,3''Q5lO
5.5 Notes on the Interpretation of Ray Intercept Plots -;i vB R
5.6 Various Evaluation Plot 4P>4d +
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6 Telescope Objective BDO]-y
6.1 The Thin Airspaced Doublet # },4m
6.2 Merit Function for a Telescope Objective |e]2 >NjQa
6.3 The Design of an f/7 Cemented Doublet Telescope Objective "u H VX|`
6.4 Spherochromatism &nRbI:R
6.5 Zonal Spherical Aberration cl'#nLPz;
6.6 Induced Aberrations =B/Ac0Y
6.7 Three-Element Objectives 8+?| 4'\`
6.8 Secondary Spectrum (Apochromatic Systems) @[s+5_9nk
6.9 The Design of an f/7 Apochromatic Triplet cD6T 4
6.10 The Diffractive Surface in Lens Design G2,9$8qE
6.11 A Final Note BJL*Dih m[
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7 Eyepieces and Magnifiers -(Z%?]+
7.1 Eyepieces 2`]`nTz,
7.2 A Pair of Magnifier Designs RyN}Gz/YN
7.3 The Simple, Classical Eyepieces d~>d\K%v
7.4 Design Story of an Eyepiece for a 6*30 Binocular &|LP>'H;
7.5 Four-Element Eyepieces J/{ !_M-
7.6 Five-Element Eyepieces l>J>?b=x"[
7.7 Very High Index Eyepiece/Magnifier CZ~%qPwD w
7.8 Six- and Seven-Element Eyepieces "UVqHW1%K
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8 Cooke Triplet Anastigmats 6]mFw{6qn1
8.1 Airspaced Triplet Anastigmats e=).0S`*F
8.2 Glass Choice ;
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8.3 Vertex Length and Residual Aberrations F4#^jat{
8.4 Other Design Considerations ^p2_p9
8.5 A Plastic, Aspheric Triplet Camera Lens T``O!>J
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet mZg YR~
8.7 Possible Improvement to Our “Basic” Triplet |_H{ B+.
8.7 The Rear Earth (Lanthanum) Glasses (H*EZ
8.9 Aspherizing the Surfaces Z2t
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8.10 Increasing the Element Thickness >X$I:M<L
x V}ybRKV
9 Split Triplets 7/UdE:~]*=
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10 The Tessar, Heliar, and Other Compounded Triplets V lk a+$4!
10.1 The Classic Tessar (TF;+F R W
10.2 The Heliar/Pentac yf/c
10.3 The Portrait Lens and the Enlarger Lens m|%L[h1
10.4 Other Compounded Triplets 5{.g~3"
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar >~vZ +YO
4_i6q u(4
11 Double-Meniscus Anastigmats zNo( |;19
11.1 Meniscus Components ]CnqPLqL
11.2 The Hypergon, Totogon, and Metrogon EYaX@|)
11.3 A Two Element Aspheric Thick Meniscus Camera Lens A
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11.4 Protar, Dagor, and Convertible Lenses >+3tOv3:
11.5 The Split Dagor jWX^h^n7K
11.6 The Dogmar ZQ_&HmgRy
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens f'-)
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12 The Biotar or Double-Gauss Lens hj* Fn
12.1 The Basic Six-Element Version / iwL$xQQ
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens qbun P!
12.3 The Seven-Element Biotar - Split-Rear Singlet ' a6:3*
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 'C" ) X
12.5 The Seven-Element Biotar - One Compounded Outer Element LL}b]B[
12.6 The Eight-Element Biotar Zi4Ektj2
12.7 A “Doubled Double-Gauss” Relay |Ox !tvyr
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13 Telephoto Lenses x#0B
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13.1 The Basic Telephoto ZBf9Upg
13.2 Close-up or Macro Lenses `B GU
13.3 Telephoto Designs M .J
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch km[ PbC
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 2TZ+R7B?
14.1 The Reverse Telephoto Principle 'aAay*1
14.2 The Basic Retrofocus Lens iJsa ;|2/
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses n oLb
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15 Wide Angle Lenses with Negative Outer Lenses y~j YGN
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16 The Petzval Lens; Head-up Display Lenses xn`<g|"#
16.1 The Petzval Portrait Lens 6 lKM 5,Oa
16.2 The Petzval Projection Lens TXDb5ZCzM
16.3 The Petzval with a Field Flattener 9>1
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16.4 Very Height Speed Petzval Lenses S$egsK" ~
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems j}dev pO
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17 Microscope Objectives 1qgzb
17.1 General Considerations Dn9AOi!
17.2 Classic Objective Design Forms; The Aplanatic Front ap%
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17.3 Flat-Field Objectives $> M A
17.4 Reflecting Objectives ~H+W[r}
17.5 The Microscope Objective Designs SyWLPh
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18 Mirror and Catadioptric Systems *\5o0~~8 J
18.1 The Good and Bad Points of Mirrors -?K?P=B;X
18.2 The Classic Two-Mirror Systems ?4 &C)[^
18.3 Catadioptric Systems B<A=U r
18.4 Aspheric Correctors and Schmidt Systems .^}
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18.5 Confocal Paraboloids :+nECk
18.6 Unobscured Systems Jjgy;*hM
18.7 Design of a Schmidt-Cassegrain “from Scratch” m EM/}]2
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19 Infrared and Ultraviolet Systems f|&ga'5g&
19.1 Infrared Optics IxxA8[^V
19.2 IR Objective Lenses &\_cU?0d
19.3 IR Telescope 5csqu^/y
19.4 Laser Beam Expanders 6IQkP9P(
19,5 Ultraviolet Systems VSJ08Ngi
19.6 Microlithographic Lenses [61T$ .
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20 Zoom Lenses nG dEJ
20.1 Zoom Lenses XJ.ERLR.
20.2 Zoom Lenses for Point and Shoot Cameras nYv`{0S+m
20.3 A 20X Video Zoom Lens VIi/ =mO]
20.4 A Zoom Scanner Lens yN Bb(!u
20.5 A Possible Zoom Lens Design Procedure ?g5u#Q> !
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21 Projection TV Lenses and Macro Lenses -1>$3-ur~
21.1 Projection TV Lenses KJf~9w9U
21.2 Macro Lenses nU6WT |
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22 Scanner/ , Laser Disk and Collimator Lenses 7rdPA9
22.1 Monochromatic Systems )Fo1[:_B '
22.2 Scanner Lenses !83N.
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22.3 Laser Disk, Focusing, and Collimator Lenses I}@m6D|\
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23 Tolerance Budgeting `PY>p! E
23.1 The Tolerance Budget L< gp "e
23.2 Additive Tolerances H:DTvv 8e{
23.3 Establishing the Tolerance Budget 3V"y|q
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24 Formulary KP[H&4eoC
24.1 Sign Conventions, Symbols, and Definitions .$k2.-k
24.2 The Cardinal Points \40d? N#D
24.3 Image Equations H3?HQ>&O7
24.4 Paraxial Ray Tracing (Surface by Surface) PI~W6a7p
24.5 Invariants @YMQbjbr
24.6 Paraxial Ray Tracing (Component by Component) &Vtgh3I
24.7 Two-Componenet Relationships ;{Sgv^A
24.8 Third-Order Aberrations – Surface Contributions WG_20JdJY
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs xGzp}
24.10 Stop Shift Equations A/xWe
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 4G%!t`? q
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) XgfaTX*
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Glossary 3>`CZ]ip}
Reference AxN. k
Index
