"Modern Lens Design" 2nd Edition by Warren J. Smith {3N'D2N
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Contents of Modern Lens Design 2nd Edition E}%hz*Q)(
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1 Introduction L[5=h
1.1 Lens Design Books <~
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1.2 Reference Material :4v3\+T
1.3 Specifications P/&]?f0/
1.4 Lens Design q80S[au
1.5 Lens Design Program Features jA#/Z
1.6 About This Book p4V eRJk%
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2 Automatic Lens Design Kx_h1{
2.2 The Merit Function 'zh7_%
2.3 Local Minima K't]n{$
2.4 The Landscape Lens nx0K$Ptq
2.5 Types of Merit Function Scv#zuv_
2.6 Stagnation =@F&o4) r
2.7 Generalized Simulated Annealing e.c3nKXZ q
2.8 Considerations about Variables for Optimization Zo>]rKeV
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ?f/n0U4w
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits =IAsH85Q
2.11 Spectral Weighting Gycm,Cy
2.12 How to Get Started QRLt9L
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3 Improving a Design Z$J#|
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 1~$);US
3.2 Glass Changes ( Index and V Values ) #97h6m?
3.3 Splitting Elements u4Em%:Xj
3.4 Separating a Cemented Doublet :_M;E"9R
3.5 Compounding an Element ePIiF_X
3.6 Vignetting and Its Uses VY)s+Bx
3.7 Eliminating a Weak Element; the Concentric Problem tE7[Smzuf
3.8 Balancing Aberrations 6"dD2WV/
3.9 The Symmetrical Principle .jMq
3.10 Aspheric Surfaces ~}Rj$%_
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4 Evaluation: How Good is This Design .5
4.1 The Uses of a Preliminary Evaluation s`>[F@N7.o
4.2 OPD versus Measures of Performance Y2'cs~~$Ce
4.3 Geometric Blur Spot Size versus Certain Aberrations "kZ[N'z(
4.4 Interpreting MTF - The Modulation Transfer Function -.{g}R%
4.5 Fabrication Considerations ?k(\ApVHj
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5 Lens Design Data %c[ V
5.1 About the Sample Lens Designs -(K9s!C!.
5.2 Lens Prescriptions, Drawings, and Aberration Plots B7]MGXC
5.3 Estimating the Potential of a Redesign Pb*5eXk
5.4 Scaling a Desing, Its Aberrations, and Its MTF "Ky; a?Y
5.5 Notes on the Interpretation of Ray Intercept Plots Ks}Xgc\
5.6 Various Evaluation Plot 2k<;R':
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6 Telescope Objective Is+O
6.1 The Thin Airspaced Doublet >3&O::]3
6.2 Merit Function for a Telescope Objective "O(9 m.CZ
6.3 The Design of an f/7 Cemented Doublet Telescope Objective `=7j$#6U
6.4 Spherochromatism Y3O#Q)-j$
6.5 Zonal Spherical Aberration 'fPdpnJ<
6.6 Induced Aberrations LiKxq=K
6.7 Three-Element Objectives U T="2*3gz
6.8 Secondary Spectrum (Apochromatic Systems) w|Nz_3tI
6.9 The Design of an f/7 Apochromatic Triplet |hr]>P1
6.10 The Diffractive Surface in Lens Design 2<}NB?f`N
6.11 A Final Note VsA'de!V4[
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7 Eyepieces and Magnifiers qpXWi
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7.1 Eyepieces dXnl'pFS
7.2 A Pair of Magnifier Designs _/O25% l
7.3 The Simple, Classical Eyepieces +E1h#cc)
7.4 Design Story of an Eyepiece for a 6*30 Binocular 5ms""LD/
7.5 Four-Element Eyepieces <mAhr
7.6 Five-Element Eyepieces "U7qo}`I
7.7 Very High Index Eyepiece/Magnifier \_B[{e7z
7.8 Six- and Seven-Element Eyepieces PiA0]>
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8 Cooke Triplet Anastigmats )&!&AlLn
8.1 Airspaced Triplet Anastigmats 3$X'Y]5a
8.2 Glass Choice -{ZWo:,r~q
8.3 Vertex Length and Residual Aberrations B7!3-1<k>
8.4 Other Design Considerations F8apH{&t
8.5 A Plastic, Aspheric Triplet Camera Lens ooQQ-?"m
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ,{c?ym w?
8.7 Possible Improvement to Our “Basic” Triplet 5L!y-3
8.7 The Rear Earth (Lanthanum) Glasses x7$}8LZ"B
8.9 Aspherizing the Surfaces 4t)/
8.10 Increasing the Element Thickness |6<p(i7
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9 Split Triplets y99mC$"Ee`
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10 The Tessar, Heliar, and Other Compounded Triplets mrw=T.
10.1 The Classic Tessar [Vma^B$7Vj
10.2 The Heliar/Pentac Sy
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10.3 The Portrait Lens and the Enlarger Lens s~Te
10.4 Other Compounded Triplets rvw)-=qR[
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Gh}*q|Lz
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11 Double-Meniscus Anastigmats 87YyDWTn
11.1 Meniscus Components Bs?^2T~%{
11.2 The Hypergon, Totogon, and Metrogon 4F{70"a
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ^(FdXGs[
11.4 Protar, Dagor, and Convertible Lenses
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11.5 The Split Dagor \o^2y.q:>
11.6 The Dogmar r
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens VzVc37Z>6
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12 The Biotar or Double-Gauss Lens yYfsy?3
12.1 The Basic Six-Element Version R~6$oeWAw
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens .;N 1N^
12.3 The Seven-Element Biotar - Split-Rear Singlet S.f5v8
12.4 The Seven-Element Biotar - Broken Contact Front Doublet q*>&^V $M
12.5 The Seven-Element Biotar - One Compounded Outer Element X93!bB
12.6 The Eight-Element Biotar WILMH`
12.7 A “Doubled Double-Gauss” Relay kbe-1 <72
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13 Telephoto Lenses wY_)y
13.1 The Basic Telephoto 7yh/BZ1
13.2 Close-up or Macro Lenses c.e2 M/
13.3 Telephoto Designs $A-J,_:T<
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch %B.yW`,X
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