"Modern Lens Design" 2nd Edition by Warren J. Smith bMBLXk
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Contents of Modern Lens Design 2nd Edition &j6erwaT
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1 Introduction 1mJHued=6
1.1 Lens Design Books d5 -qZ{W
1.2 Reference Material <naz+QK'
1.3 Specifications 8EY:tzw
1.4 Lens Design qSQ~D(tO
1.5 Lens Design Program Features ,u m|1dh
1.6 About This Book Ca-j?bb!
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2 Automatic Lens Design [ hsds\
2.2 The Merit Function #E]59_
2.3 Local Minima 31)&vf[[
2.4 The Landscape Lens z%kULTL
2.5 Types of Merit Function 92{\B-
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2.6 Stagnation JtZ7ti
2.7 Generalized Simulated Annealing S>{~nOYt-`
2.8 Considerations about Variables for Optimization X?Au/
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ]^]wP]R_
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits IA(5?7x`<
2.11 Spectral Weighting Ca\6vR
2.12 How to Get Started }7X%'Bg=M
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3 Improving a Design WhDJ7{D
3.1 Lens Design Tip Sheet: Standard Improvement Techniques {Ha57Wk8D
3.2 Glass Changes ( Index and V Values ) \v/[6&|X0s
3.3 Splitting Elements xC?h2hIt
3.4 Separating a Cemented Doublet @PU [:;
3.5 Compounding an Element r*Xuj=
3.6 Vignetting and Its Uses _*zt=zn>
3.7 Eliminating a Weak Element; the Concentric Problem _4f;<FL
3.8 Balancing Aberrations hOeRd#AQK
3.9 The Symmetrical Principle pJ{Y
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3.10 Aspheric Surfaces Debv4Gr;^
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4 Evaluation: How Good is This Design gFh*eC o
4.1 The Uses of a Preliminary Evaluation '<M{)?
4.2 OPD versus Measures of Performance EQ ttoOO
4.3 Geometric Blur Spot Size versus Certain Aberrations W8<%[-r
4.4 Interpreting MTF - The Modulation Transfer Function -YE^zzh
4.5 Fabrication Considerations 54/=G(F
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5 Lens Design Data <uJ@:oWG7
5.1 About the Sample Lens Designs ctUp=po
5.2 Lens Prescriptions, Drawings, and Aberration Plots Y$zSQ_k;U
5.3 Estimating the Potential of a Redesign +n)9Tz5
5.4 Scaling a Desing, Its Aberrations, and Its MTF OKV8zO
5.5 Notes on the Interpretation of Ray Intercept Plots ;\]@K6m/Ap
5.6 Various Evaluation Plot #1[u(<AS
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6 Telescope Objective v2?ZQeHr_(
6.1 The Thin Airspaced Doublet Xeajxcop#
6.2 Merit Function for a Telescope Objective /E>e"tvss
6.3 The Design of an f/7 Cemented Doublet Telescope Objective F5Va+z,jg
6.4 Spherochromatism y)pk6d
6.5 Zonal Spherical Aberration
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6.6 Induced Aberrations )*[3Vq
6.7 Three-Element Objectives @.C2LIb
6.8 Secondary Spectrum (Apochromatic Systems) {8OCXus3m
6.9 The Design of an f/7 Apochromatic Triplet Lv%x81]K
6.10 The Diffractive Surface in Lens Design 7 3m1
6.11 A Final Note ceV}WN19l
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7 Eyepieces and Magnifiers 4z? l
7.1 Eyepieces m2o0y++TjW
7.2 A Pair of Magnifier Designs hQi2U
7.3 The Simple, Classical Eyepieces $?Wb}DU7_L
7.4 Design Story of an Eyepiece for a 6*30 Binocular <qSC#[xu
7.5 Four-Element Eyepieces 40/Y\
7.6 Five-Element Eyepieces rKn~qVls
7.7 Very High Index Eyepiece/Magnifier 0mnw{fE8_
7.8 Six- and Seven-Element Eyepieces pFXEu=$3
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8 Cooke Triplet Anastigmats (?c-iKGc
8.1 Airspaced Triplet Anastigmats OH88n69
8.2 Glass Choice q@qsp&0/
8.3 Vertex Length and Residual Aberrations ~V-XEQA
8.4 Other Design Considerations g ?k=^C
8.5 A Plastic, Aspheric Triplet Camera Lens <m m[S
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet z}@7'_iJ
8.7 Possible Improvement to Our “Basic” Triplet `g,..Ns-r
8.7 The Rear Earth (Lanthanum) Glasses ~`/V(r;o
8.9 Aspherizing the Surfaces *Uh!>Iv;
8.10 Increasing the Element Thickness
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9 Split Triplets zTp"AuNHN
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10 The Tessar, Heliar, and Other Compounded Triplets Rv=YFo[B
10.1 The Classic Tessar ~zgGa:uU
10.2 The Heliar/Pentac y*? Jui Q
10.3 The Portrait Lens and the Enlarger Lens s S
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10.4 Other Compounded Triplets 0erNc'e
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar nu^436MSOa
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11 Double-Meniscus Anastigmats ZoeD:xnh[
11.1 Meniscus Components C}X\|J
11.2 The Hypergon, Totogon, and Metrogon 4W])}C %
11.3 A Two Element Aspheric Thick Meniscus Camera Lens !W\+#ez
11.4 Protar, Dagor, and Convertible Lenses SKtr tm
11.5 The Split Dagor !<oe=)Iz|
11.6 The Dogmar mR~&)QBP.
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens =-T]3!
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12 The Biotar or Double-Gauss Lens 9ati`-y2
12.1 The Basic Six-Element Version *_e3 @g
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens >usL*b0%
12.3 The Seven-Element Biotar - Split-Rear Singlet ZC?Xqp
12.4 The Seven-Element Biotar - Broken Contact Front Doublet >sF)BoLc
12.5 The Seven-Element Biotar - One Compounded Outer Element BWNi [^]
12.6 The Eight-Element Biotar i1085ztN
12.7 A “Doubled Double-Gauss” Relay 5N]"~w*
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13 Telephoto Lenses <$YlH@;)`a
13.1 The Basic Telephoto Z,=1buSz_
13.2 Close-up or Macro Lenses 5xBbrU;
13.3 Telephoto Designs 6LZCgdS{
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch .X&9Q9T=#
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses jCY%|
14.1 The Reverse Telephoto Principle z{543~Og59
14.2 The Basic Retrofocus Lens Pfh mo $
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses <%^&2UMg
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15 Wide Angle Lenses with Negative Outer Lenses *Ly6`HZ9
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16 The Petzval Lens; Head-up Display Lenses 3^ClAE"8
16.1 The Petzval Portrait Lens l}h!B_P'
16.2 The Petzval Projection Lens dQvcXl]
16.3 The Petzval with a Field Flattener [Pp'Ye~K@c
16.4 Very Height Speed Petzval Lenses =D(j)<9$A
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems MA\V[32H
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17 Microscope Objectives 54,er$$V
17.1 General Considerations xk5]^yDp
17.2 Classic Objective Design Forms; The Aplanatic Front bD^owa
17.3 Flat-Field Objectives =wJX0A|
17.4 Reflecting Objectives F@t3!bj9
17.5 The Microscope Objective Designs ,6/V"kqIP
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18 Mirror and Catadioptric Systems mq l
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18.1 The Good and Bad Points of Mirrors R_KH"`q
18.2 The Classic Two-Mirror Systems z}<^jgJ
18.3 Catadioptric Systems r%_djUd
18.4 Aspheric Correctors and Schmidt Systems :s,Z<^5a)g
18.5 Confocal Paraboloids W_=f'yb:E
18.6 Unobscured Systems OI*H,Z"
18.7 Design of a Schmidt-Cassegrain “from Scratch” hp2t"t
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19 Infrared and Ultraviolet Systems v19-./H^
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19.1 Infrared Optics 3Vwh|1?
19.2 IR Objective Lenses (Z*!#}z`
19.3 IR Telescope #E?4E1bnB
19.4 Laser Beam Expanders siaG'%@*r
19,5 Ultraviolet Systems ' QG?nu
19.6 Microlithographic Lenses M}a6Vu9
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20 Zoom Lenses !1k_PY5)
20.1 Zoom Lenses w]H->B29C
20.2 Zoom Lenses for Point and Shoot Cameras H|*m$|$,
20.3 A 20X Video Zoom Lens ~&T~1xsFJ
20.4 A Zoom Scanner Lens sB</DS
20.5 A Possible Zoom Lens Design Procedure bOB\--:]
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21 Projection TV Lenses and Macro Lenses IPk4
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21.1 Projection TV Lenses )4OxY[2J
21.2 Macro Lenses ixFi{_
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22 Scanner/ , Laser Disk and Collimator Lenses eDMO]5}Ht
22.1 Monochromatic Systems 6<]lW
22.2 Scanner Lenses rsQtMtS2
22.3 Laser Disk, Focusing, and Collimator Lenses |=w@H]r
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23 Tolerance Budgeting 7r!x1
23.1 The Tolerance Budget 2HdC |$_+
23.2 Additive Tolerances XUYtEf
23.3 Establishing the Tolerance Budget QY/w
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24 Formulary ?}0 ,o.
24.1 Sign Conventions, Symbols, and Definitions O?2DQY?jT
24.2 The Cardinal Points .3;;;K9a~]
24.3 Image Equations vt8By@]:
24.4 Paraxial Ray Tracing (Surface by Surface) *VcJ= b
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24.5 Invariants X,
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24.6 Paraxial Ray Tracing (Component by Component) JI}'dU>*U:
24.7 Two-Componenet Relationships rH-23S
24.8 Third-Order Aberrations – Surface Contributions \85i+q:LuA
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs "[J^YKoF
24.10 Stop Shift Equations UfGkTwoo=
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces tA;}h7/Lc~
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) oxs#866x
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Glossary t# i#(H
Reference SU0
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Index