"Modern Lens Design" 2nd Edition by Warren J. Smith .@Jos^rxgJ
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Contents of Modern Lens Design 2nd Edition .1""U
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1 Introduction rGSi
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1.1 Lens Design Books /.m}y$@GV
1.2 Reference Material *zDL 5
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1.3 Specifications -k3WY&9,
1.4 Lens Design 5R#:ALwX:
1.5 Lens Design Program Features {?uswbk.
1.6 About This Book Q lhm:[
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2 Automatic Lens Design 3;EBKGg|
2.2 The Merit Function 3WY:Fn+#
2.3 Local Minima \
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2.4 The Landscape Lens $/P\@|MqYQ
2.5 Types of Merit Function ^|%7} =e
2.6 Stagnation j(Tk6S
2.7 Generalized Simulated Annealing
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2.8 Considerations about Variables for Optimization -k@Uo( MB
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems h,2?+}Fn
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits yTU'voE.|
2.11 Spectral Weighting (FNX>2Mv
2.12 How to Get Started RS
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3 Improving a Design S L~ 5[f
3.1 Lens Design Tip Sheet: Standard Improvement Techniques S >\\n^SbT
3.2 Glass Changes ( Index and V Values ) x/#.%Ga#T
3.3 Splitting Elements v7D3aWoe
3.4 Separating a Cemented Doublet _v=zF pR
3.5 Compounding an Element <+;
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3.6 Vignetting and Its Uses U{-[lpd
3.7 Eliminating a Weak Element; the Concentric Problem ltXGm)+
3.8 Balancing Aberrations {Gr"oO`&"
3.9 The Symmetrical Principle *|/kKvN
3.10 Aspheric Surfaces v!rOT/I
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4 Evaluation: How Good is This Design %967#XI[y
4.1 The Uses of a Preliminary Evaluation VV=6v;u`
4.2 OPD versus Measures of Performance Y@V6 /D} 1
4.3 Geometric Blur Spot Size versus Certain Aberrations Bd*\|M
4.4 Interpreting MTF - The Modulation Transfer Function 5?gZw;yiv%
4.5 Fabrication Considerations /Oa.@53tK6
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5 Lens Design Data 0:k
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5.1 About the Sample Lens Designs <e' l"3+9(
5.2 Lens Prescriptions, Drawings, and Aberration Plots <x1H:8 A
5.3 Estimating the Potential of a Redesign c jBHczkY
5.4 Scaling a Desing, Its Aberrations, and Its MTF 15`,kJSK
5.5 Notes on the Interpretation of Ray Intercept Plots +8V |
5.6 Various Evaluation Plot kZvh<NFh_
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6 Telescope Objective eq Wb>$
6.1 The Thin Airspaced Doublet .1?7)k
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6.2 Merit Function for a Telescope Objective -;o`(3wZq
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >oc& hT
6.4 Spherochromatism rZ7)sE5L
6.5 Zonal Spherical Aberration u&ozc
6.6 Induced Aberrations jT q@@y
6.7 Three-Element Objectives e!*%U= [Q
6.8 Secondary Spectrum (Apochromatic Systems) }WG -R
6.9 The Design of an f/7 Apochromatic Triplet FuZLE%gP
6.10 The Diffractive Surface in Lens Design Z~Z+Yt;,9a
6.11 A Final Note p4{3H+y
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7 Eyepieces and Magnifiers ~6:y@4&F
7.1 Eyepieces } T<oL vS
7.2 A Pair of Magnifier Designs p9$=."5
7.3 The Simple, Classical Eyepieces W/| C
7.4 Design Story of an Eyepiece for a 6*30 Binocular DM@&=c
7.5 Four-Element Eyepieces >iB-gj}>X
7.6 Five-Element Eyepieces Q\<^ih51
7.7 Very High Index Eyepiece/Magnifier .TWX ,#
7.8 Six- and Seven-Element Eyepieces 7u7 <"?v=
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8 Cooke Triplet Anastigmats ) _O 6_
8.1 Airspaced Triplet Anastigmats #pw=HHq*(
8.2 Glass Choice V{G9 E
8.3 Vertex Length and Residual Aberrations PyfOBse}r
8.4 Other Design Considerations C:d$
8.5 A Plastic, Aspheric Triplet Camera Lens ;P4tqY@
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet A4uDuB;;ZQ
8.7 Possible Improvement to Our “Basic” Triplet Eq?d+s>
8.7 The Rear Earth (Lanthanum) Glasses #5.L%F
8.9 Aspherizing the Surfaces XZ8;Ow=
8.10 Increasing the Element Thickness L]HYk }oD.
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9 Split Triplets (" >gLr
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10 The Tessar, Heliar, and Other Compounded Triplets R] {AJ "p
10.1 The Classic Tessar qP0_#l&
10.2 The Heliar/Pentac f@a@R$y
10.3 The Portrait Lens and the Enlarger Lens 5U/1Z{
10.4 Other Compounded Triplets i\?P>:)
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 5= .EngG
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11 Double-Meniscus Anastigmats %L9A6%gr
11.1 Meniscus Components mjqVP.
11.2 The Hypergon, Totogon, and Metrogon
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens 1$Pn;jg:
11.4 Protar, Dagor, and Convertible Lenses D%Y{(l+X
11.5 The Split Dagor jHx<}<
11.6 The Dogmar W}5 H'D
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens qm)KO 4
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12 The Biotar or Double-Gauss Lens Ilc FW
12.1 The Basic Six-Element Version b]h]h1~hHH
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens L){rv)?="
12.3 The Seven-Element Biotar - Split-Rear Singlet l AwOp
12.4 The Seven-Element Biotar - Broken Contact Front Doublet uvrfR?%QK
12.5 The Seven-Element Biotar - One Compounded Outer Element AT{ewb
12.6 The Eight-Element Biotar ,1YnWy *
12.7 A “Doubled Double-Gauss” Relay d6.9]V?
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13 Telephoto Lenses ;U|^Tsuc`
13.1 The Basic Telephoto z A xwM-`
13.2 Close-up or Macro Lenses -vfV;+3
13.3 Telephoto Designs x6ig,N~AO
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch E5M*Gs
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses B94m h
14.1 The Reverse Telephoto Principle u= K ?K
14.2 The Basic Retrofocus Lens ^J>jU`)CJ
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses [D H@>:"dd
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15 Wide Angle Lenses with Negative Outer Lenses B K'!WX
U RW'*\Xjb
16 The Petzval Lens; Head-up Display Lenses OZ q/ '*
16.1 The Petzval Portrait Lens g'`J' 6Pn
16.2 The Petzval Projection Lens eD, 7gC -
16.3 The Petzval with a Field Flattener eb)S <%R /
16.4 Very Height Speed Petzval Lenses kl| KFdA;
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems iw(\]tMt
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17 Microscope Objectives $s hlNW\
17.1 General Considerations NdQXQa?,
17.2 Classic Objective Design Forms; The Aplanatic Front Kk~0jP_ B9
17.3 Flat-Field Objectives 56o?=|
17.4 Reflecting Objectives 'Z7oPq 6
17.5 The Microscope Objective Designs 'B"kUh%3$5
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18 Mirror and Catadioptric Systems @Ns^?#u~
18.1 The Good and Bad Points of Mirrors x]k^JPX
18.2 The Classic Two-Mirror Systems P,O9On
18.3 Catadioptric Systems #TUsi ,jG
18.4 Aspheric Correctors and Schmidt Systems I/GZ
18.5 Confocal Paraboloids N
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18.6 Unobscured Systems sf?D 4UdIH
18.7 Design of a Schmidt-Cassegrain “from Scratch” dox QS ohS
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19 Infrared and Ultraviolet Systems / vge@bsE
19.1 Infrared Optics +gOCl*L
19.2 IR Objective Lenses WZCX&ui
19.3 IR Telescope m5zP|s1`['
19.4 Laser Beam Expanders 788q<7E
19,5 Ultraviolet Systems (J<@e!@NE
19.6 Microlithographic Lenses mw`%xID*
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20 Zoom Lenses G+'MT C_
20.1 Zoom Lenses GwwxSB&y
20.2 Zoom Lenses for Point and Shoot Cameras ygUvO3Z
20.3 A 20X Video Zoom Lens 4^alAq^
20.4 A Zoom Scanner Lens ^$_ifkkLz
20.5 A Possible Zoom Lens Design Procedure pLBp[GQ
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21 Projection TV Lenses and Macro Lenses _QBd3B %
21.1 Projection TV Lenses JO7IzD\
21.2 Macro Lenses z8>KY /c
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22 Scanner/ , Laser Disk and Collimator Lenses yi# Nrc5B
22.1 Monochromatic Systems n4k. tq
22.2 Scanner Lenses JeUFCWm
22.3 Laser Disk, Focusing, and Collimator Lenses Nf0b?jn-
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23 Tolerance Budgeting G+b $WQn2t
23.1 The Tolerance Budget ~@BV
23.2 Additive Tolerances Zu\#;O
23.3 Establishing the Tolerance Budget < 5[wP)K@
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24 Formulary w*#k&N[X
24.1 Sign Conventions, Symbols, and Definitions G ~a/g6M4
24.2 The Cardinal Points G5=(3 V%
24.3 Image Equations w69 `vK
24.4 Paraxial Ray Tracing (Surface by Surface) '/;#{("
24.5 Invariants LD_a J^(d
24.6 Paraxial Ray Tracing (Component by Component) {
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24.7 Two-Componenet Relationships qg:1
24.8 Third-Order Aberrations – Surface Contributions -&))$h3o\
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs +Z$X5Th
24.10 Stop Shift Equations [JMz~~ F
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces w:'$Uf8]
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) x gaN0!
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Glossary U@m<
Reference *[ W! ng
Index
