"Modern Lens Design" 2nd Edition by Warren J. Smith V}Ce3wgvA
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Contents of Modern Lens Design 2nd Edition NJg )S2]7
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1 Introduction v4,Dt
1.1 Lens Design Books /z: mi
1.2 Reference Material YRU95K[
1.3 Specifications aAgQ^LY
1.4 Lens Design rbrh;\<jM
1.5 Lens Design Program Features zxeT{AFPr?
1.6 About This Book f'TEua_`
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2 Automatic Lens Design P[tYu:
2.2 The Merit Function ZKai*q4?
2.3 Local Minima \q^:$iY~
2.4 The Landscape Lens @I#uv|=N
2.5 Types of Merit Function ^ U~QQ
2.6 Stagnation t$rla_rbY
2.7 Generalized Simulated Annealing (QQkXlJ
2.8 Considerations about Variables for Optimization /|isRh|
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems S1U[{R?,
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits -\2hSIXj
2.11 Spectral Weighting q`UaJ_7
2.12 How to Get Started KtHkLYOCG
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3 Improving a Design L2OR<3*|Av
3.1 Lens Design Tip Sheet: Standard Improvement Techniques <(i5hmuVd
3.2 Glass Changes ( Index and V Values ) q}W})
3.3 Splitting Elements 'UM *7
3.4 Separating a Cemented Doublet }
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3.5 Compounding an Element oXUb_/
3.6 Vignetting and Its Uses U*?`tdXJ$
3.7 Eliminating a Weak Element; the Concentric Problem V)P8w#,
3.8 Balancing Aberrations a4pe wg'
3.9 The Symmetrical Principle 1x%B`d
3.10 Aspheric Surfaces ',/2J0_
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4 Evaluation: How Good is This Design W6B"QbHYz
4.1 The Uses of a Preliminary Evaluation }Eh &'
4.2 OPD versus Measures of Performance o7@C$R_#
4.3 Geometric Blur Spot Size versus Certain Aberrations <T&v\DN
4.4 Interpreting MTF - The Modulation Transfer Function B<0Kl.V
4.5 Fabrication Considerations l]OzE-*$b
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5 Lens Design Data kpxGC,I^*.
5.1 About the Sample Lens Designs Q!_d6-*u
5.2 Lens Prescriptions, Drawings, and Aberration Plots _n_()at)
5.3 Estimating the Potential of a Redesign g/VV2^,
5.4 Scaling a Desing, Its Aberrations, and Its MTF 7VL|\^Y `q
5.5 Notes on the Interpretation of Ray Intercept Plots
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5.6 Various Evaluation Plot GP^.h kVs
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6 Telescope Objective jcb&h@T8kv
6.1 The Thin Airspaced Doublet -&=dl_m
6.2 Merit Function for a Telescope Objective N1B$z3E*
6.3 The Design of an f/7 Cemented Doublet Telescope Objective y
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6.4 Spherochromatism vrcIwCa
6.5 Zonal Spherical Aberration V:vqt@
6.6 Induced Aberrations DTSf[zP/
6.7 Three-Element Objectives {Wu[e,p
6.8 Secondary Spectrum (Apochromatic Systems) Q<gUu^rq
6.9 The Design of an f/7 Apochromatic Triplet p4
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6.10 The Diffractive Surface in Lens Design {Ay dt8
6.11 A Final Note w
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7 Eyepieces and Magnifiers }
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7.1 Eyepieces D
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7.2 A Pair of Magnifier Designs )Yv=:+f
7.3 The Simple, Classical Eyepieces -$DfnAh
7.4 Design Story of an Eyepiece for a 6*30 Binocular FSn3p}FVa
7.5 Four-Element Eyepieces M&/%qF15
7.6 Five-Element Eyepieces Fk^N7EJ:$
7.7 Very High Index Eyepiece/Magnifier
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7.8 Six- and Seven-Element Eyepieces tRZ4\Bu
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8 Cooke Triplet Anastigmats m(*rMO>_
8.1 Airspaced Triplet Anastigmats U7?v4O]D[
8.2 Glass Choice ^'a#FbMtt
8.3 Vertex Length and Residual Aberrations ft$RF
8.4 Other Design Considerations CH&{x7$he
8.5 A Plastic, Aspheric Triplet Camera Lens a[ayr$Hk?
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet w jD<"p;P
8.7 Possible Improvement to Our “Basic” Triplet Fxc_s/^=t
8.7 The Rear Earth (Lanthanum) Glasses Cs7ol-\)
8.9 Aspherizing the Surfaces gWzslgO6
8.10 Increasing the Element Thickness P^Owgr=Y
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9 Split Triplets (:HT|gKoE
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10 The Tessar, Heliar, and Other Compounded Triplets c!/+0[
10.1 The Classic Tessar kS8?N`2}LV
10.2 The Heliar/Pentac o~)o/(>ox
10.3 The Portrait Lens and the Enlarger Lens mO;QT
10.4 Other Compounded Triplets [
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar w.a9}GC
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11 Double-Meniscus Anastigmats 7HBf^N.
11.1 Meniscus Components }cr'o"4
11.2 The Hypergon, Totogon, and Metrogon %l!?d`?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Uq$/Q7
11.4 Protar, Dagor, and Convertible Lenses :C(/yg
11.5 The Split Dagor #Pp:H/b
11.6 The Dogmar )Wr_*>xj
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens D2kmBZ3
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12 The Biotar or Double-Gauss Lens DZtpY{=Z
12.1 The Basic Six-Element Version d]`6N
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens kuD$]A
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12.3 The Seven-Element Biotar - Split-Rear Singlet dN)8r
12.4 The Seven-Element Biotar - Broken Contact Front Doublet tVEe) QX
12.5 The Seven-Element Biotar - One Compounded Outer Element fy4zBI@
12.6 The Eight-Element Biotar 2&>t,;v@
12.7 A “Doubled Double-Gauss” Relay Y~85Z0l
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13 Telephoto Lenses gTXpaB<
13.1 The Basic Telephoto $3G^}A"
13.2 Close-up or Macro Lenses [
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13.3 Telephoto Designs ZK+F<}
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Y?NL|cW4
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5@m
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14.1 The Reverse Telephoto Principle LhbdvJAk@
14.2 The Basic Retrofocus Lens Sv{n?BYq
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses J<QZ)<T,&
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15 Wide Angle Lenses with Negative Outer Lenses 1>j,v+
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16 The Petzval Lens; Head-up Display Lenses t4_yp_
16.1 The Petzval Portrait Lens 1vj@qw3
16.2 The Petzval Projection Lens -je} PwT
16.3 The Petzval with a Field Flattener XNWtX-[^@
16.4 Very Height Speed Petzval Lenses OW4j!W
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems $G9LaD#;M
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17 Microscope Objectives x?{UWh%
17.1 General Considerations eV|N@
17.2 Classic Objective Design Forms; The Aplanatic Front Lc{arhN
17.3 Flat-Field Objectives ES&u*X:
17.4 Reflecting Objectives Y:ly x-lj
17.5 The Microscope Objective Designs |6JKB'
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18 Mirror and Catadioptric Systems I.jqC2G
18.1 The Good and Bad Points of Mirrors ?f"5yQ-B
18.2 The Classic Two-Mirror Systems C!*!n^qA
18.3 Catadioptric Systems v"o"W[
18.4 Aspheric Correctors and Schmidt Systems <J&S[`U!
18.5 Confocal Paraboloids s Z[[ymu8
18.6 Unobscured Systems ~{/M_
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18.7 Design of a Schmidt-Cassegrain “from Scratch” wS*r<zj
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19 Infrared and Ultraviolet Systems d^aVP
19.1 Infrared Optics o{sv<$
19.2 IR Objective Lenses ls^Z"9P
19.3 IR Telescope "CJ~BJI%
19.4 Laser Beam Expanders %;k Hnl
19,5 Ultraviolet Systems 9E2iZt]
19.6 Microlithographic Lenses 1 P!)4W
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20 Zoom Lenses S\).0goOW
20.1 Zoom Lenses U"k$qZ[
20.2 Zoom Lenses for Point and Shoot Cameras P"_/P8
20.3 A 20X Video Zoom Lens 5)!g.8-!
20.4 A Zoom Scanner Lens lI=<lmM0|/
20.5 A Possible Zoom Lens Design Procedure Qu61$!
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21 Projection TV Lenses and Macro Lenses o6[.$C
21.1 Projection TV Lenses ^9[Q;=R
21.2 Macro Lenses a_>|Ny6{
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22 Scanner/ , Laser Disk and Collimator Lenses e?]5q ez
22.1 Monochromatic Systems *U[yeE].
22.2 Scanner Lenses @(,1}3s
22.3 Laser Disk, Focusing, and Collimator Lenses QhZg{v[d
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23 Tolerance Budgeting @L3XBV2
23.1 The Tolerance Budget YZg#H)w%
23.2 Additive Tolerances WTfjn|a
23.3 Establishing the Tolerance Budget la3B`p
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24 Formulary ,dIev<
24.1 Sign Conventions, Symbols, and Definitions D@bGJc0
24.2 The Cardinal Points 32YbBGDN!f
24.3 Image Equations Tlw'05\{J
24.4 Paraxial Ray Tracing (Surface by Surface) Du+W7]yCl
24.5 Invariants wh8';LZ>R
24.6 Paraxial Ray Tracing (Component by Component) b7QE
24.7 Two-Componenet Relationships YaC%69C'
24.8 Third-Order Aberrations – Surface Contributions U] LDi8
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Nc:s+ o
24.10 Stop Shift Equations N[e,){v
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces HuevDy4
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) $v0,)AL i
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Glossary %j7b0pb
Reference CvoFt=c$jE
Index