"Modern Lens Design" 2nd Edition by Warren J. Smith [|P]St-
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Contents of Modern Lens Design 2nd Edition UJyiRP:#]>
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1 Introduction 3n=O8Fp
1.1 Lens Design Books JsoWaD
1.2 Reference Material `Q!FMv6Y^
1.3 Specifications }f0^9(
1.4 Lens Design V< 9em7
1.5 Lens Design Program Features X/?h!Y}
1.6 About This Book joSr,'x
t'_,9
2 Automatic Lens Design FC/>L
2.2 The Merit Function IhFw {=2*
2.3 Local Minima -
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2.4 The Landscape Lens G~mB=]
2.5 Types of Merit Function u9y-zhj_$
2.6 Stagnation 6nhfI\q3wY
2.7 Generalized Simulated Annealing hPCSLJ
2.8 Considerations about Variables for Optimization "}y3@ M^
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems /=O+/)l`
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Dv\:b*
2.11 Spectral Weighting P\G C8KV]
2.12 How to Get Started &VBD2_T
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3 Improving a Design ]jT[dX|?
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 2L{:H
3.2 Glass Changes ( Index and V Values ) bNPjefBF
3.3 Splitting Elements 4OESsN$O
3.4 Separating a Cemented Doublet .L5T4)
3.5 Compounding an Element p<^/T,&I
3.6 Vignetting and Its Uses &@.=)4Y
3.7 Eliminating a Weak Element; the Concentric Problem Z_ FL=S\
3.8 Balancing Aberrations t$kf'An}/
3.9 The Symmetrical Principle )]e d;V
3.10 Aspheric Surfaces V,*0<7h
:_[cT,3
4 Evaluation: How Good is This Design $>*/']>
4.1 The Uses of a Preliminary Evaluation [3;Y:&D
4.2 OPD versus Measures of Performance =S7C(;=4
4.3 Geometric Blur Spot Size versus Certain Aberrations J&0wl]w|O%
4.4 Interpreting MTF - The Modulation Transfer Function m{=~|I
4.5 Fabrication Considerations nr9#3Lb
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5 Lens Design Data !j\&BAxTEk
5.1 About the Sample Lens Designs :?of./Df|
5.2 Lens Prescriptions, Drawings, and Aberration Plots l`w|o
5.3 Estimating the Potential of a Redesign JqV<A3i
5.4 Scaling a Desing, Its Aberrations, and Its MTF l8
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5.5 Notes on the Interpretation of Ray Intercept Plots V%KW[v<G<
5.6 Various Evaluation Plot a(t<eN>b!
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6 Telescope Objective 1:l&&/Wy
6.1 The Thin Airspaced Doublet #(wzl
6.2 Merit Function for a Telescope Objective M97p.; ;
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 7-0twq
6.4 Spherochromatism ~}9H<K3V
6.5 Zonal Spherical Aberration 6'lT`E|
6.6 Induced Aberrations L08;z
6.7 Three-Element Objectives ,i((;/O6
6.8 Secondary Spectrum (Apochromatic Systems) Ognq*[om
6.9 The Design of an f/7 Apochromatic Triplet _ .
6.10 The Diffractive Surface in Lens Design [g
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6.11 A Final Note \(7# N<-
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7 Eyepieces and Magnifiers Qmh(+-Mp(
7.1 Eyepieces vWfef~}~
7.2 A Pair of Magnifier Designs ^
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7.3 The Simple, Classical Eyepieces TKutO0
7.4 Design Story of an Eyepiece for a 6*30 Binocular KKTfxNxJn
7.5 Four-Element Eyepieces we).8%)'
7.6 Five-Element Eyepieces )RKhEm%Vr2
7.7 Very High Index Eyepiece/Magnifier J+*Y)k
7.8 Six- and Seven-Element Eyepieces HC, 0"W
k |aOUW
8 Cooke Triplet Anastigmats 4!RI2?4V
8.1 Airspaced Triplet Anastigmats ,OFr]74\
8.2 Glass Choice Am^O{`r41
8.3 Vertex Length and Residual Aberrations -2u+m
8.4 Other Design Considerations
K`Zb;R
X
8.5 A Plastic, Aspheric Triplet Camera Lens \}Kp=8@nE
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet T%#P??k
8.7 Possible Improvement to Our “Basic” Triplet @x>2|`65Y
8.7 The Rear Earth (Lanthanum) Glasses lcJumV=%>
8.9 Aspherizing the Surfaces F[giq1#
8.10 Increasing the Element Thickness (ZR"O8
P VW9iT+c
9 Split Triplets #AnSjl
3 AF]en
10 The Tessar, Heliar, and Other Compounded Triplets Qvg"5_26v
10.1 The Classic Tessar |*| a~t
10.2 The Heliar/Pentac f9bz:_;W_
10.3 The Portrait Lens and the Enlarger Lens ![C$H5
10.4 Other Compounded Triplets =ZL}Av}
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar E|#R0n*
@+vTGjHA
11 Double-Meniscus Anastigmats )/^$JYz
11.1 Meniscus Components H/I`c>Zn
11.2 The Hypergon, Totogon, and Metrogon c|a|z}(/J
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ]xeyXw84k
11.4 Protar, Dagor, and Convertible Lenses L2A#OZZu
11.5 The Split Dagor O
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11.6 The Dogmar $
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens UR=s{nFd
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12 The Biotar or Double-Gauss Lens < tq9
12.1 The Basic Six-Element Version ;;H:$lx
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens D6:J*F&?
12.3 The Seven-Element Biotar - Split-Rear Singlet ]>i0;RME
12.4 The Seven-Element Biotar - Broken Contact Front Doublet }iloX#
12.5 The Seven-Element Biotar - One Compounded Outer Element %dR./{txT
12.6 The Eight-Element Biotar #a l^Uqd
12.7 A “Doubled Double-Gauss” Relay -+Dvyr
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13 Telephoto Lenses AWNd(B2o
13.1 The Basic Telephoto U.0/r!po
13.2 Close-up or Macro Lenses nU *fne?
13.3 Telephoto Designs X'4
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 1"6k5wrIA
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses B)`X7uG
14.1 The Reverse Telephoto Principle L`
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14.2 The Basic Retrofocus Lens j( :A
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 3?(p;
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15 Wide Angle Lenses with Negative Outer Lenses MF(~!SOIG
wpI4P:
16 The Petzval Lens; Head-up Display Lenses Q~{@3<yEI
16.1 The Petzval Portrait Lens P9^h>sV
16.2 The Petzval Projection Lens }O{"qs#)
16.3 The Petzval with a Field Flattener Al]9/ML/m
16.4 Very Height Speed Petzval Lenses 21 j+c{O
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems uK5Px!
pwC/&bu
17 Microscope Objectives Xlw=R2`)~
17.1 General Considerations v a;wQ~&
17.2 Classic Objective Design Forms; The Aplanatic Front d(Ou\7
17.3 Flat-Field Objectives (Mh\!rMg
17.4 Reflecting Objectives %C:XzK-x
17.5 The Microscope Objective Designs z+I-3v
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18 Mirror and Catadioptric Systems b2%[9)"I.
18.1 The Good and Bad Points of Mirrors w}b+vh^3Wy
18.2 The Classic Two-Mirror Systems C%>7mz-v5
18.3 Catadioptric Systems uy{KV"%"^g
18.4 Aspheric Correctors and Schmidt Systems vm4oaVi
18.5 Confocal Paraboloids $)~]4n=
18.6 Unobscured Systems e{:qW'%
18.7 Design of a Schmidt-Cassegrain “from Scratch” XQ+hTtP
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19 Infrared and Ultraviolet Systems
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19.1 Infrared Optics '3->G/Pu
19.2 IR Objective Lenses 5?MvO]_
19.3 IR Telescope 1gJ!!SHPo
19.4 Laser Beam Expanders Mw.+0R!T
19,5 Ultraviolet Systems GAlO<Mu
19.6 Microlithographic Lenses vGw}e&YI
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20 Zoom Lenses HfiM]^
20.1 Zoom Lenses i=T/}c)
20.2 Zoom Lenses for Point and Shoot Cameras 1P_bG47
20.3 A 20X Video Zoom Lens 3!L)7Z/
20.4 A Zoom Scanner Lens 48`<{|r{
20.5 A Possible Zoom Lens Design Procedure 8hg(6 XUG
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21 Projection TV Lenses and Macro Lenses Gov{jksr
21.1 Projection TV Lenses wSMgBRV#^
21.2 Macro Lenses QPEv@laM
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22 Scanner/ , Laser Disk and Collimator Lenses WXL.D_=+
22.1 Monochromatic Systems z-j \S7F
22.2 Scanner Lenses t;'.D @
22.3 Laser Disk, Focusing, and Collimator Lenses Y# #J
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23 Tolerance Budgeting .R,8<4
23.1 The Tolerance Budget _p.{|7
23.2 Additive Tolerances m.*+0NG
23.3 Establishing the Tolerance Budget t}nRW o
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24 Formulary 5\J;EWTU
24.1 Sign Conventions, Symbols, and Definitions 0&x)5^lG
24.2 The Cardinal Points Cu]X&l
24.3 Image Equations g:g>;"B
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24.4 Paraxial Ray Tracing (Surface by Surface) P+SCX#{y
24.5 Invariants o6R(BMwGa
24.6 Paraxial Ray Tracing (Component by Component) :jPAA`,
24.7 Two-Componenet Relationships ~0NZx8qG
24.8 Third-Order Aberrations – Surface Contributions wkGF&U
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs lI 8"o>-~
24.10 Stop Shift Equations 2i)y'+s
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces &}uO ]0bR
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 1jyWP#M#
8z-Td- R6
{IVqV6:
Glossary MqqS3
Reference pLU>vQA
Index