"Modern Lens Design" 2nd Edition by Warren J. Smith >|yP`m
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Contents of Modern Lens Design 2nd Edition tY:
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1 Introduction `- (<Q;iO
1.1 Lens Design Books lQBEq"7$
1.2 Reference Material '#=0q
1.3 Specifications MTKNIv|
1.4 Lens Design P$Oj3HD LM
1.5 Lens Design Program Features -e_op'`
1.6 About This Book ZhoV,/\+
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2 Automatic Lens Design DR,7rT{$
2.2 The Merit Function b*H*(}A6"'
2.3 Local Minima ?~4x/d%
2.4 The Landscape Lens 5+;Mc[V3-
2.5 Types of Merit Function #9Ect@?N0
2.6 Stagnation 2ij&Db/
2.7 Generalized Simulated Annealing s]|tKQGl,
2.8 Considerations about Variables for Optimization 6B|i-b$~
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems {dm>]@"S
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits )RT?/N W
2.11 Spectral Weighting %ek0NBE7
2.12 How to Get Started x^1d9Z
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3 Improving a Design W`NF4 0)
3.1 Lens Design Tip Sheet: Standard Improvement Techniques C*3St`2@9
3.2 Glass Changes ( Index and V Values ) Em^~OM3U$q
3.3 Splitting Elements 8>Cf}TvErx
3.4 Separating a Cemented Doublet +:4>4=
3.5 Compounding an Element &$
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3.6 Vignetting and Its Uses _U-`/r o
3.7 Eliminating a Weak Element; the Concentric Problem vSC1n8 /
3.8 Balancing Aberrations y_w
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3.9 The Symmetrical Principle GqR|hg
3.10 Aspheric Surfaces B+mxM/U[c
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4 Evaluation: How Good is This Design /I!62?)-*
4.1 The Uses of a Preliminary Evaluation $#p5BQQ|
4.2 OPD versus Measures of Performance BAY e:0
4.3 Geometric Blur Spot Size versus Certain Aberrations
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4.4 Interpreting MTF - The Modulation Transfer Function p:5NMo
4.5 Fabrication Considerations Y0T :%
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5 Lens Design Data ()bQmNqmO=
5.1 About the Sample Lens Designs [l3\0e6-/
5.2 Lens Prescriptions, Drawings, and Aberration Plots 5RFro^S9E
5.3 Estimating the Potential of a Redesign , ?U)mYhI
5.4 Scaling a Desing, Its Aberrations, and Its MTF {H)hoAenA
5.5 Notes on the Interpretation of Ray Intercept Plots !%ju.Xs8
5.6 Various Evaluation Plot EJ#I7_
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6 Telescope Objective Nr~!5XO
6.1 The Thin Airspaced Doublet z<%bNnSO
6.2 Merit Function for a Telescope Objective z!O;s
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective <%Nf"p{K
6.4 Spherochromatism B=L!WGl<!
6.5 Zonal Spherical Aberration d"06
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6.6 Induced Aberrations !p!Qg1O6o
6.7 Three-Element Objectives A,~KrRd
6.8 Secondary Spectrum (Apochromatic Systems) TB* t^E
6.9 The Design of an f/7 Apochromatic Triplet 6XF Ufi+
6.10 The Diffractive Surface in Lens Design 2[ofz}k]r)
6.11 A Final Note R6od{#5H$
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7 Eyepieces and Magnifiers gac31,gH
7.1 Eyepieces QK[^G6TI
7.2 A Pair of Magnifier Designs ^tGAJ_b79
7.3 The Simple, Classical Eyepieces 5L[imO M0
7.4 Design Story of an Eyepiece for a 6*30 Binocular eyJWFJh
7.5 Four-Element Eyepieces KR?aL:RYb
7.6 Five-Element Eyepieces <O0tg[ub
7.7 Very High Index Eyepiece/Magnifier el*|@#k}
7.8 Six- and Seven-Element Eyepieces -0kMh.JYR
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8 Cooke Triplet Anastigmats Ig}hap]G
8.1 Airspaced Triplet Anastigmats 'g)f5n a[
8.2 Glass Choice tjwf;g}$
8.3 Vertex Length and Residual Aberrations x-k-Pd
8.4 Other Design Considerations RU7+$Z0K
8.5 A Plastic, Aspheric Triplet Camera Lens gfj_]
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet
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8.7 Possible Improvement to Our “Basic” Triplet %xCL&}bY
8.7 The Rear Earth (Lanthanum) Glasses JCnHEH
8.9 Aspherizing the Surfaces Y4 z
8.10 Increasing the Element Thickness PiM(QR
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9 Split Triplets '1LN)Yw
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10 The Tessar, Heliar, and Other Compounded Triplets t2)uJN`a$X
10.1 The Classic Tessar 6Q7=6
10.2 The Heliar/Pentac a<q9~QS
10.3 The Portrait Lens and the Enlarger Lens (0q`eO2
10.4 Other Compounded Triplets jn|NrvrX
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar aOGoJCt
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11 Double-Meniscus Anastigmats 0.x+ H9z
11.1 Meniscus Components =K} Pfh
11.2 The Hypergon, Totogon, and Metrogon y/Y}C.IWp)
11.3 A Two Element Aspheric Thick Meniscus Camera Lens U<0Wa>3zj
11.4 Protar, Dagor, and Convertible Lenses IF6$@Q
11.5 The Split Dagor _ikKOU^8
11.6 The Dogmar /B?wn=][
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens z0/+P
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12 The Biotar or Double-Gauss Lens 36(qe"s
12.1 The Basic Six-Element Version 2~f*o^%l
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens #Mn?Nn
12.3 The Seven-Element Biotar - Split-Rear Singlet #~-Xt!I
12.4 The Seven-Element Biotar - Broken Contact Front Doublet *W\ 3cS
12.5 The Seven-Element Biotar - One Compounded Outer Element ,4xNW:!j
12.6 The Eight-Element Biotar j[:70%X
12.7 A “Doubled Double-Gauss” Relay y4jiOhF<d
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13 Telephoto Lenses WLXt@dK*u
13.1 The Basic Telephoto f\=
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13.2 Close-up or Macro Lenses ,H"}Rw
13.3 Telephoto Designs F]6G<6T[
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch P_0X+Tz
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses O713'i
14.1 The Reverse Telephoto Principle A4@z+ebb l
14.2 The Basic Retrofocus Lens {z_cczJ-
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses L]z8'n,
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15 Wide Angle Lenses with Negative Outer Lenses 98 R/^\
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16 The Petzval Lens; Head-up Display Lenses >$rH,Er
16.1 The Petzval Portrait Lens \Qah*1
16.2 The Petzval Projection Lens vzI>:Bf
16.3 The Petzval with a Field Flattener (Ud"+a
16.4 Very Height Speed Petzval Lenses ;hq_}.
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems h\@X!Z,
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17 Microscope Objectives }rmr0Bh
17.1 General Considerations :!Q(v(M
17.2 Classic Objective Design Forms; The Aplanatic Front paV1o>_Rd
17.3 Flat-Field Objectives ;q9Y%*
17.4 Reflecting Objectives F~eYPaEKy!
17.5 The Microscope Objective Designs yxu7YGp%
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18 Mirror and Catadioptric Systems F-:AT$Ok
18.1 The Good and Bad Points of Mirrors ?SYmsaSr5
18.2 The Classic Two-Mirror Systems U~yPQ8jD
18.3 Catadioptric Systems igTs[q=Ak
18.4 Aspheric Correctors and Schmidt Systems :^?-bppYW
18.5 Confocal Paraboloids E.m2- P;4
18.6 Unobscured Systems -V2`[k
18.7 Design of a Schmidt-Cassegrain “from Scratch” {wSz >,
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19 Infrared and Ultraviolet Systems _X?_|!;J
19.1 Infrared Optics J3aom,$o
19.2 IR Objective Lenses 63\
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19.3 IR Telescope sSKD"
19.4 Laser Beam Expanders <bW~!lv
19,5 Ultraviolet Systems aj1g9y
19.6 Microlithographic Lenses X=?9-z]
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20 Zoom Lenses <^>
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20.1 Zoom Lenses s7}-j2riq
20.2 Zoom Lenses for Point and Shoot Cameras (bI/s'?K
20.3 A 20X Video Zoom Lens )Az0.}
20.4 A Zoom Scanner Lens eVMnI yr
20.5 A Possible Zoom Lens Design Procedure :&&s*_
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21 Projection TV Lenses and Macro Lenses bydI+pVMo
21.1 Projection TV Lenses GJU(1%-
21.2 Macro Lenses au=@]n#<(
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22 Scanner/ , Laser Disk and Collimator Lenses &$T7eOiZ
22.1 Monochromatic Systems Xajt][
22.2 Scanner Lenses KIY`3Fl09
22.3 Laser Disk, Focusing, and Collimator Lenses um/F:rp
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23 Tolerance Budgeting mmjWLrhlu
23.1 The Tolerance Budget w#BT/6W&G
23.2 Additive Tolerances D5Rp<PBq,
23.3 Establishing the Tolerance Budget 0r$n
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24 Formulary t&JOASYC
24.1 Sign Conventions, Symbols, and Definitions x5g&?2[
24.2 The Cardinal Points \L?A4Qx)_
24.3 Image Equations )j}#6r
24.4 Paraxial Ray Tracing (Surface by Surface) k&[6Ld0~56
24.5 Invariants 0RSzDgX
24.6 Paraxial Ray Tracing (Component by Component) ]T5\LNyN
24.7 Two-Componenet Relationships ?)<zzL",
24.8 Third-Order Aberrations – Surface Contributions Z-}A"n
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs eFy
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24.10 Stop Shift Equations R $dNdd9m
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces nRX'J5Q
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) GHi'ek <?^
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Glossary 9RSviIi$
Reference ]NW_oRH
Index