"Modern Lens Design" 2nd Edition by Warren J. Smith _$*-?*V&
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Contents of Modern Lens Design 2nd Edition leHKBu'd
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1 Introduction B#."cg4VR
1.1 Lens Design Books (a!E3y5,
1.2 Reference Material vasw@Uto)
1.3 Specifications '_g&!zi8~
1.4 Lens Design % /zHL?RqJ
1.5 Lens Design Program Features W9cvxsox
1.6 About This Book &/EZn xl
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2 Automatic Lens Design -C^qN7Bz
2.2 The Merit Function b c
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2.3 Local Minima iP7KM*ks
2.4 The Landscape Lens ^ &KH|qRrO
2.5 Types of Merit Function ~i^,Z&X:
2.6 Stagnation mp3 Dc
2.7 Generalized Simulated Annealing N0fE*xo
2.8 Considerations about Variables for Optimization j5Yli6r?3-
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems JF&$'
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits RW>F %P
2.11 Spectral Weighting z=k*D^X
2.12 How to Get Started 0wBr_b!
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3 Improving a Design &m(eMX0lU
3.1 Lens Design Tip Sheet: Standard Improvement Techniques @TKQ_7BcB
3.2 Glass Changes ( Index and V Values ) j@JY-^~K5
3.3 Splitting Elements EI9Yv>7 d{
3.4 Separating a Cemented Doublet y^p%/p%
3.5 Compounding an Element [u3^R]
3.6 Vignetting and Its Uses (I`<;
3.7 Eliminating a Weak Element; the Concentric Problem suj}A
3.8 Balancing Aberrations }xrrHp
3.9 The Symmetrical Principle /C<} :R
3.10 Aspheric Surfaces QqY42hR
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4 Evaluation: How Good is This Design jM@@N.
4.1 The Uses of a Preliminary Evaluation 8/34{2048
4.2 OPD versus Measures of Performance Q[O U`
4.3 Geometric Blur Spot Size versus Certain Aberrations HSl$ U0
4.4 Interpreting MTF - The Modulation Transfer Function Us9$,(3
4.5 Fabrication Considerations =7P; /EV
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5 Lens Design Data ;+qPV7Z
5.1 About the Sample Lens Designs Dc>)j s|"
5.2 Lens Prescriptions, Drawings, and Aberration Plots I(WND/&
5.3 Estimating the Potential of a Redesign A%M&{S'+|X
5.4 Scaling a Desing, Its Aberrations, and Its MTF 6ud<B
5.5 Notes on the Interpretation of Ray Intercept Plots gk6j5 $Y"<
5.6 Various Evaluation Plot D+_PyK~jc
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6 Telescope Objective &4MVk3SLx#
6.1 The Thin Airspaced Doublet 48%a${Nvvj
6.2 Merit Function for a Telescope Objective Ll&5#q
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 1[`l`Truz
6.4 Spherochromatism +FVcrL@
6.5 Zonal Spherical Aberration f4T-=` SO
6.6 Induced Aberrations [76m gj!K
6.7 Three-Element Objectives !"J*
6.8 Secondary Spectrum (Apochromatic Systems) 8CSvg{B
6.9 The Design of an f/7 Apochromatic Triplet 2|w.A!
6.10 The Diffractive Surface in Lens Design ;/{Q4X{
6.11 A Final Note Js#c9l{{
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7 Eyepieces and Magnifiers XWy
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7.1 Eyepieces |V~P6o(/
7.2 A Pair of Magnifier Designs &FvNz
7.3 The Simple, Classical Eyepieces #WpO9[b>
7.4 Design Story of an Eyepiece for a 6*30 Binocular Mw5!9@Fc7
7.5 Four-Element Eyepieces |-aj$u%~
7.6 Five-Element Eyepieces .r*b+rc;]
7.7 Very High Index Eyepiece/Magnifier ?R{?Qv
7.8 Six- and Seven-Element Eyepieces 6nSk,yE'hE
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8 Cooke Triplet Anastigmats Q}.y"|^
8.1 Airspaced Triplet Anastigmats K6oXnz}
8.2 Glass Choice LA@}{hU
8.3 Vertex Length and Residual Aberrations +`Bn]e8O
8.4 Other Design Considerations s*YFN#Wuc
8.5 A Plastic, Aspheric Triplet Camera Lens >a-+7{};
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ng<`2XgU
8.7 Possible Improvement to Our “Basic” Triplet quUJ%F
8.7 The Rear Earth (Lanthanum) Glasses E:E&Wv?r
8.9 Aspherizing the Surfaces =<_5gR
8.10 Increasing the Element Thickness 22r01qH
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9 Split Triplets h5l
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10 The Tessar, Heliar, and Other Compounded Triplets Z "=(uwM
10.1 The Classic Tessar EhUy7b,1_
10.2 The Heliar/Pentac |uZ=S]V@
10.3 The Portrait Lens and the Enlarger Lens y?@Y\ b
10.4 Other Compounded Triplets <d5vVn
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar r;T/
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11 Double-Meniscus Anastigmats 9G8QzIac
11.1 Meniscus Components IP;@unBl
11.2 The Hypergon, Totogon, and Metrogon ,]{NZ9
11.3 A Two Element Aspheric Thick Meniscus Camera Lens K]Cvk%
11.4 Protar, Dagor, and Convertible Lenses yl 8v&e{
11.5 The Split Dagor eo_T.q
11.6 The Dogmar @
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ?(<AT]h V:
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12 The Biotar or Double-Gauss Lens \
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12.1 The Basic Six-Element Version
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 2,;t%GB
12.3 The Seven-Element Biotar - Split-Rear Singlet fBOPd=
12.4 The Seven-Element Biotar - Broken Contact Front Doublet KJ)&(Yx
12.5 The Seven-Element Biotar - One Compounded Outer Element lmcDA,7
12.6 The Eight-Element Biotar
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12.7 A “Doubled Double-Gauss” Relay U
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13 Telephoto Lenses yrs3`/
13.1 The Basic Telephoto GKtQ>39B
13.2 Close-up or Macro Lenses !m|%4/
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13.3 Telephoto Designs =|%T E
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch JAz;_wS(k
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Madaxx
14.1 The Reverse Telephoto Principle ,s76]$%4
14.2 The Basic Retrofocus Lens RGLA}|
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses
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15 Wide Angle Lenses with Negative Outer Lenses *]6dV'
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16 The Petzval Lens; Head-up Display Lenses 6<Wr
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16.1 The Petzval Portrait Lens `7_LJ
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16.2 The Petzval Projection Lens sEN@q
16.3 The Petzval with a Field Flattener +3>4 ?,^g
16.4 Very Height Speed Petzval Lenses _64@zdL+
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems j2Y(Q/i
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17 Microscope Objectives Sh6Cw4 R
17.1 General Considerations `C?OAR44
17.2 Classic Objective Design Forms; The Aplanatic Front }aM`Jp-O
17.3 Flat-Field Objectives |pR$' HO
17.4 Reflecting Objectives $@kw>2
17.5 The Microscope Objective Designs \Agg6tYr
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18 Mirror and Catadioptric Systems 9`{2 h$U
18.1 The Good and Bad Points of Mirrors *^Y0}?]qT
18.2 The Classic Two-Mirror Systems >pvg0Fh
18.3 Catadioptric Systems }z+"3A|
18.4 Aspheric Correctors and Schmidt Systems p d3&AsU
18.5 Confocal Paraboloids n^02@Aw
18.6 Unobscured Systems p&mtKLv
18.7 Design of a Schmidt-Cassegrain “from Scratch” 3rg^R"&
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19 Infrared and Ultraviolet Systems kG$8E
19.1 Infrared Optics F5MPy[
19.2 IR Objective Lenses ]Hy PJ
19.3 IR Telescope E57{*C
19.4 Laser Beam Expanders H;|:r[d!
19,5 Ultraviolet Systems /$,=>
19.6 Microlithographic Lenses :[f`HY&
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20 Zoom Lenses UiZp-Y%ki
20.1 Zoom Lenses wP0+Xv,
20.2 Zoom Lenses for Point and Shoot Cameras O
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20.3 A 20X Video Zoom Lens
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20.4 A Zoom Scanner Lens lkg*AAR?'
20.5 A Possible Zoom Lens Design Procedure b|o!&9Yyr
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21 Projection TV Lenses and Macro Lenses p3FnYz-V
21.1 Projection TV Lenses O:tX0<6
21.2 Macro Lenses ;;hyjFGq%
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22 Scanner/ , Laser Disk and Collimator Lenses eSNSnh]'
22.1 Monochromatic Systems 6H,=S`V]EK
22.2 Scanner Lenses 0DVZRB
22.3 Laser Disk, Focusing, and Collimator Lenses 3,L3C9V'
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23 Tolerance Budgeting 1 3`0d
23.1 The Tolerance Budget 0(/D|
23.2 Additive Tolerances yPh2P5}H>
23.3 Establishing the Tolerance Budget >04>rn#},,
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24 Formulary UW[{d/.wC
24.1 Sign Conventions, Symbols, and Definitions D *I;|.=u
24.2 The Cardinal Points T)
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24.3 Image Equations Df:7P>
24.4 Paraxial Ray Tracing (Surface by Surface) 56SS
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24.5 Invariants #3yw
24.6 Paraxial Ray Tracing (Component by Component) Vy^yV|`v
24.7 Two-Componenet Relationships L\wpS1L(
24.8 Third-Order Aberrations – Surface Contributions Tb1}XvZ
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs "E)++\JL
24.10 Stop Shift Equations _OU.JrqC
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces DwY<qNWT
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) .n&
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Glossary BT#=Xh
Reference G k"L%Zt)
Index