"Modern Lens Design" 2nd Edition by Warren J. Smith .YRSd
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Contents of Modern Lens Design 2nd Edition H_FhHX.2(
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1 Introduction {9MYEN}FO
1.1 Lens Design Books r
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1.2 Reference Material ~T~v*'_h
1.3 Specifications :ux`*,zh
1.4 Lens Design ND>}t#^$
1.5 Lens Design Program Features p'*UM%@SIY
1.6 About This Book <9~qAq7^
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2 Automatic Lens Design rpmDr7G
2.2 The Merit Function (1^(V)@
2.3 Local Minima -tQ|&fl
2.4 The Landscape Lens i}19$x.D`
2.5 Types of Merit Function G
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2.6 Stagnation i_"I"5pBF
2.7 Generalized Simulated Annealing n C^'2z
2.8 Considerations about Variables for Optimization xo$ZPnf(zv
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ?H&p zY~H
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits F`u~Jx8.*
2.11 Spectral Weighting U?QO'H5
2.12 How to Get Started 5hAg*zJb5o
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3 Improving a Design H =jnCGk
3.1 Lens Design Tip Sheet: Standard Improvement Techniques G.}yNjL8
3.2 Glass Changes ( Index and V Values ) bBX~ZWw
3.3 Splitting Elements FQyiIT6
3.4 Separating a Cemented Doublet rxARJso
3.5 Compounding an Element qJ@?[|2R
3.6 Vignetting and Its Uses _,^sI%
3.7 Eliminating a Weak Element; the Concentric Problem H &JKja}`
3.8 Balancing Aberrations |};~YMH
3.9 The Symmetrical Principle iYf4 /1IG,
3.10 Aspheric Surfaces }W<L;yD
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4 Evaluation: How Good is This Design Q$%@.@
4.1 The Uses of a Preliminary Evaluation TI332,eL
4.2 OPD versus Measures of Performance Ogb_WO;)
4.3 Geometric Blur Spot Size versus Certain Aberrations [H6>] &
4.4 Interpreting MTF - The Modulation Transfer Function <Yc:,CU
4.5 Fabrication Considerations ~&x%;cnv_
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5 Lens Design Data j*5VJ:
5.1 About the Sample Lens Designs KJd;c.
5.2 Lens Prescriptions, Drawings, and Aberration Plots bA)Xjq)Rr
5.3 Estimating the Potential of a Redesign I9E@2[=!
5.4 Scaling a Desing, Its Aberrations, and Its MTF VxCH}&!
5.5 Notes on the Interpretation of Ray Intercept Plots VV
5.6 Various Evaluation Plot eZcm3=WV|
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6 Telescope Objective ^{w&&+#,q
6.1 The Thin Airspaced Doublet g@Zc'g/XB
6.2 Merit Function for a Telescope Objective 9YJb~tuZ73
6.3 The Design of an f/7 Cemented Doublet Telescope Objective A-W7!0
6.4 Spherochromatism W.a/k7 p
6.5 Zonal Spherical Aberration YblRwic
6.6 Induced Aberrations CqoL5qt
6.7 Three-Element Objectives UZ1lI>
6.8 Secondary Spectrum (Apochromatic Systems) 3X:F9x>y
6.9 The Design of an f/7 Apochromatic Triplet L8W3Tpi&(
6.10 The Diffractive Surface in Lens Design P}5aN_v\
6.11 A Final Note 78%2#;;G
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7 Eyepieces and Magnifiers 9hv\%_>o
7.1 Eyepieces 2C-u2;X2
7.2 A Pair of Magnifier Designs h2q]!01XP
7.3 The Simple, Classical Eyepieces AKpux,@xB
7.4 Design Story of an Eyepiece for a 6*30 Binocular /Hx\ gtV
7.5 Four-Element Eyepieces #'T|,xIr-Q
7.6 Five-Element Eyepieces G>,rf
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7.7 Very High Index Eyepiece/Magnifier 3EyN"Lvp{o
7.8 Six- and Seven-Element Eyepieces E8xXr>j>#
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8 Cooke Triplet Anastigmats |0&S>%=
8.1 Airspaced Triplet Anastigmats 4Mprc~ 7vr
8.2 Glass Choice {b?)|@)is
8.3 Vertex Length and Residual Aberrations uk1IT4+
8.4 Other Design Considerations ~ _raI7,
8.5 A Plastic, Aspheric Triplet Camera Lens ,Xn%-OT
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet j<!$ug9VA
8.7 Possible Improvement to Our “Basic” Triplet =y':VIVJC
8.7 The Rear Earth (Lanthanum) Glasses VY F4q9
8.9 Aspherizing the Surfaces +o/q@&v;Ax
8.10 Increasing the Element Thickness &(0iSS
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9 Split Triplets ecHy. 7H
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10 The Tessar, Heliar, and Other Compounded Triplets ZGf=/Ra
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10.1 The Classic Tessar &EQov9P7
10.2 The Heliar/Pentac {[$p}#7Y
10.3 The Portrait Lens and the Enlarger Lens +b{\v1b
10.4 Other Compounded Triplets [)*fN|Hy
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar :70oO}0m.
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11 Double-Meniscus Anastigmats `jV0;sPd;
11.1 Meniscus Components /`1zkBj<&
11.2 The Hypergon, Totogon, and Metrogon $]Q_x?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 8\yH7H
11.4 Protar, Dagor, and Convertible Lenses ?LZ)r^ger
11.5 The Split Dagor X)yTx8v4
11.6 The Dogmar 34oC285yc
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens =v_ju;C=
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12 The Biotar or Double-Gauss Lens ^D h2_vbI
12.1 The Basic Six-Element Version =3}+f-6"'
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens G q8/xxt
12.3 The Seven-Element Biotar - Split-Rear Singlet 7
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet 04(h!@!g:
12.5 The Seven-Element Biotar - One Compounded Outer Element rGN-jb)T+
12.6 The Eight-Element Biotar vOqYt42
12.7 A “Doubled Double-Gauss” Relay #>233<
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13 Telephoto Lenses S`J_}>
13.1 The Basic Telephoto "aP/214Ul
13.2 Close-up or Macro Lenses k<:!^_3H
13.3 Telephoto Designs 5Zq- |"|
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Oe5aNo
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses uU<Yf5
14.1 The Reverse Telephoto Principle _gc2h@x1O
14.2 The Basic Retrofocus Lens v.\&gn