"Modern Lens Design" 2nd Edition by Warren J. Smith tMXNi\Bj
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Contents of Modern Lens Design 2nd Edition %vbov}R
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1 Introduction z\YLO%M m
1.1 Lens Design Books 5Rp mR
1.2 Reference Material ErFt5%FN.O
1.3 Specifications QcX&q%*0
1.4 Lens Design J W"`i
1.5 Lens Design Program Features n4.\}% =z
1.6 About This Book "LH3Z PD
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2 Automatic Lens Design v=cX.^ L
2.2 The Merit Function x6ayFq=
2.3 Local Minima OTNI@jQ)
2.4 The Landscape Lens g?*D )W U
2.5 Types of Merit Function .3#Xjhebvu
2.6 Stagnation w|NI d,#f
2.7 Generalized Simulated Annealing (M{>9rk8
2.8 Considerations about Variables for Optimization I9x kqj
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems L uW"" P/
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits _C19eW'
2.11 Spectral Weighting yqR]9 "a
2.12 How to Get Started yCkX+{ki
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3 Improving a Design OLV3.~T
3.1 Lens Design Tip Sheet: Standard Improvement Techniques K[x=knFO
3.2 Glass Changes ( Index and V Values ) (iIzoEpb8W
3.3 Splitting Elements }}bMq.Q'
3.4 Separating a Cemented Doublet u|k_OUTq
3.5 Compounding an Element B
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3.6 Vignetting and Its Uses oE2VJKs<B
3.7 Eliminating a Weak Element; the Concentric Problem e
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3.8 Balancing Aberrations 1=e(g#Ajn\
3.9 The Symmetrical Principle w c\`2(
3.10 Aspheric Surfaces tY:,9eh7B
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4 Evaluation: How Good is This Design [.w `r>kZI
4.1 The Uses of a Preliminary Evaluation F!w|5,)
4.2 OPD versus Measures of Performance &wN}<G e6
4.3 Geometric Blur Spot Size versus Certain Aberrations U# <{RqY
4.4 Interpreting MTF - The Modulation Transfer Function Fc=6 * .hy
4.5 Fabrication Considerations K3h"oVn
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5 Lens Design Data (y1S*_D
5.1 About the Sample Lens Designs 1&vR7z]*
5.2 Lens Prescriptions, Drawings, and Aberration Plots mx#)iHY
5.3 Estimating the Potential of a Redesign j?g#8L;W\w
5.4 Scaling a Desing, Its Aberrations, and Its MTF 1QnaZhu'
5.5 Notes on the Interpretation of Ray Intercept Plots d(Hqj#`-31
5.6 Various Evaluation Plot "-j96
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6 Telescope Objective T0.sL9
6.1 The Thin Airspaced Doublet ooP {Q r
6.2 Merit Function for a Telescope Objective D&pX0
6.3 The Design of an f/7 Cemented Doublet Telescope Objective @\M^Zuo
6.4 Spherochromatism ;jO+<~YP!
6.5 Zonal Spherical Aberration /!y;h-
6.6 Induced Aberrations 5=}CZYWB
6.7 Three-Element Objectives `:jF%3ks+0
6.8 Secondary Spectrum (Apochromatic Systems) zU!d(ge.E
6.9 The Design of an f/7 Apochromatic Triplet PO^#G @
6.10 The Diffractive Surface in Lens Design EMdU4YnE"
6.11 A Final Note edZBQmx+#
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7 Eyepieces and Magnifiers ?6L8#"=
7.1 Eyepieces Vr;>Im
7.2 A Pair of Magnifier Designs ~QU N O~
7.3 The Simple, Classical Eyepieces .[1@wW&L
7.4 Design Story of an Eyepiece for a 6*30 Binocular )@! T_#
7.5 Four-Element Eyepieces <*P)" G
7.6 Five-Element Eyepieces .9Dncsnf,`
7.7 Very High Index Eyepiece/Magnifier ; 7QG]JX
7.8 Six- and Seven-Element Eyepieces & PFq (4
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8 Cooke Triplet Anastigmats {xTh!ih2 -
8.1 Airspaced Triplet Anastigmats tV4wkS=R|
8.2 Glass Choice |KO[[4b ?+
8.3 Vertex Length and Residual Aberrations ~PU}==*q
8.4 Other Design Considerations kf#S"[/E
8.5 A Plastic, Aspheric Triplet Camera Lens !f}D*8\f
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ~-uDN)
8.7 Possible Improvement to Our “Basic” Triplet t**d{ P+
8.7 The Rear Earth (Lanthanum) Glasses K4I/a#S'@6
8.9 Aspherizing the Surfaces I]3!M`IMG
8.10 Increasing the Element Thickness Hw6 2'%
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9 Split Triplets !1 A< jL
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10 The Tessar, Heliar, and Other Compounded Triplets D 5:'2i
10.1 The Classic Tessar H
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10.2 The Heliar/Pentac |CQ0{1R1
10.3 The Portrait Lens and the Enlarger Lens :" b :uQ
10.4 Other Compounded Triplets ,DEcCHr,
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar '+'h^
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11 Double-Meniscus Anastigmats v yt|x 5
11.1 Meniscus Components @=Dc(5`[
11.2 The Hypergon, Totogon, and Metrogon ,p! IFS`
11.3 A Two Element Aspheric Thick Meniscus Camera Lens r EbH< |
11.4 Protar, Dagor, and Convertible Lenses s0 Z)BR #
11.5 The Split Dagor +rhBC
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11.6 The Dogmar G|||.B 8
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens "D
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12 The Biotar or Double-Gauss Lens !X M*y
12.1 The Basic Six-Element Version I7#JT?\}
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens
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12.3 The Seven-Element Biotar - Split-Rear Singlet TefPxvd
12.4 The Seven-Element Biotar - Broken Contact Front Doublet $Zkk14
12.5 The Seven-Element Biotar - One Compounded Outer Element yJ6g{#X4K<
12.6 The Eight-Element Biotar E}<i?;
12.7 A “Doubled Double-Gauss” Relay C@<gCM j,"
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13 Telephoto Lenses oq|`;k
13.1 The Basic Telephoto z+CX$.Z
13.2 Close-up or Macro Lenses d>Nh<PqH6
13.3 Telephoto Designs c 6y>] 8_
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch <P@O{Xi+K
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses G)_Zls2 ;
14.1 The Reverse Telephoto Principle EWv[Sp
14.2 The Basic Retrofocus Lens :_ =YH+bZ
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses lvNi/jk
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15 Wide Angle Lenses with Negative Outer Lenses Q/ * |ADoq
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16 The Petzval Lens; Head-up Display Lenses 8#o2 qQ2+
16.1 The Petzval Portrait Lens ^L8:..+:
16.2 The Petzval Projection Lens $M+'jjnP
16.3 The Petzval with a Field Flattener +Yc@<$4
16.4 Very Height Speed Petzval Lenses N.ZuSkRM
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems }7P[%(T5
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17 Microscope Objectives ]mgpd}Y
17.1 General Considerations Pf?15POg&B
17.2 Classic Objective Design Forms; The Aplanatic Front ]9JH.fF
17.3 Flat-Field Objectives 7u 5H o`
17.4 Reflecting Objectives
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17.5 The Microscope Objective Designs ,e'"SVQ c
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18 Mirror and Catadioptric Systems 7VWy1
18.1 The Good and Bad Points of Mirrors |YfJ#Agm+
18.2 The Classic Two-Mirror Systems W
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18.3 Catadioptric Systems e#k)F.TZ:%
18.4 Aspheric Correctors and Schmidt Systems ?32i1F!
18.5 Confocal Paraboloids 'T3xZ?*q=
18.6 Unobscured Systems G- ; EB
18.7 Design of a Schmidt-Cassegrain “from Scratch” y=[{:
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19 Infrared and Ultraviolet Systems 3SPXJa\i
19.1 Infrared Optics x~{W(;`!
19.2 IR Objective Lenses #uCfXJ-
19.3 IR Telescope AR&l9R[{N
19.4 Laser Beam Expanders bk a%W@Y %
19,5 Ultraviolet Systems v-Q> I5D;:
19.6 Microlithographic Lenses J |U FuD
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20 Zoom Lenses GMoz$c6n_
20.1 Zoom Lenses + e f>ek
20.2 Zoom Lenses for Point and Shoot Cameras #T H(:I=[
20.3 A 20X Video Zoom Lens wx!2/I>
20.4 A Zoom Scanner Lens ! T8sWMY
20.5 A Possible Zoom Lens Design Procedure |B64%w>Y
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21 Projection TV Lenses and Macro Lenses {SRD\&J[
21.1 Projection TV Lenses ,]das
21.2 Macro Lenses kmtkh "
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22 Scanner/ , Laser Disk and Collimator Lenses $&Z#2
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22.1 Monochromatic Systems xj3{Ke`6
22.2 Scanner Lenses bT|-G2g7Z
22.3 Laser Disk, Focusing, and Collimator Lenses I{.t-3hp
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23 Tolerance Budgeting W ,v0~
23.1 The Tolerance Budget `@vksjxu
23.2 Additive Tolerances giW9b _
23.3 Establishing the Tolerance Budget P.1Z@HC
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24 Formulary kVG+Wr7l0F
24.1 Sign Conventions, Symbols, and Definitions '- #QK'p
24.2 The Cardinal Points s|TO9 N)pO
24.3 Image Equations $'<$:;4b3
24.4 Paraxial Ray Tracing (Surface by Surface) nHp$5|r<
24.5 Invariants 'SrDc'?
24.6 Paraxial Ray Tracing (Component by Component) Dqd2e &a\
24.7 Two-Componenet Relationships S 1C#5 =
24.8 Third-Order Aberrations – Surface Contributions t"e %'dFv
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ];N/KHeZ
24.10 Stop Shift Equations yF+mJ >kj
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces D Nyt_5j&:
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) [k qO6U
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Glossary }ov>b2H#<
Reference 5D
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Index
