[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith n-Qpg  
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Contents of Modern Lens Design 2nd Edition qIIl,!&}A  
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1    Introduction         lh?TEQ  
1.1    Lens Design Books     oA1d8*i^E  
1.2    Reference Material     9/nS?>11  
1.3    Specifications     DKGZm<G>  
1.4    Lens Design     Q|`sYm'.  
1.5    Lens Design Program Features     $sX X6K),  
1.6    About This Book     6+;B2;*3  
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2    Automatic Lens Design         IT~pp_6g  
2.2    The Merit Function         Gap\~Z@L  
2.3    Local Minima     O)4P)KAO<  
2.4    The Landscape Lens     i[wEH1jR  
2.5    Types of Merit Function     /EpsJb`kj  
2.6    Stagnation     MCcWRbE5#  
2.7    Generalized Simulated Annealing     kr
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2.8    Considerations about Variables for Optimization     =p lG9  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 9J!@,Zsh  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     0f<$S$~h  
2.11    Spectral Weighting     NpIx\\d  
2.12    How to Get Started     N))G/m3  
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3    Improving a Design     -'9sn/  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     QE8aYPSFf  
3.2    Glass Changes ( Index and V Values )     =!RlU)w  
3.3    Splitting Elements     :$#";t|  
3.4    Separating a Cemented Doublet     @9wug!,  
3.5    Compounding an Element     cG`R\$  
3.6    Vignetting and Its Uses     n#|pR2  
3.7    Eliminating a Weak Element; the Concentric Problem     HP /@ _qk  
3.8    Balancing Aberrations     FLI0C  
3.9    The Symmetrical Principle     B[I a8t  
3.10    Aspheric Surfaces     xqua>!mqS  
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4    Evaluation: How Good is This Design     %Z"I=;=nxI  
4.1    The Uses of a Preliminary Evaluation     dt efDsK  
4.2    OPD versus Measures of Performance     dIUg e`O9  
4.3    Geometric Blur Spot Size versus Certain Aberrations     eI 6G  
4.4    Interpreting MTF - The Modulation Transfer Function     t*&O*T+fgy  
4.5    Fabrication Considerations     ?5>Ep:{+/  
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5    Lens Design Data     U6pG  
5.1    About the Sample Lens Designs     1gZW~6a}  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     m'Thm{Y,?n  
5.3    Estimating the Potential of a Redesign     ^nS'3g^"  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     O'G
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5.5    Notes on the Interpretation of Ray Intercept Plots     Ba9le|c5  
5.6    Various Evaluation Plot     Y;L
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6    Telescope Objective     f0^DsP  
6.1    The Thin Airspaced Doublet     1P'R-I  
6.2    Merit Function for a Telescope Objective     Wn9b</tf  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     5GP,J,J  
6.4    Spherochromatism     qOV6Kh)  
6.5    Zonal Spherical Aberration     z8
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6.6    Induced Aberrations     fgg;WXcT ~  
6.7    Three-Element Objectives     tyH*epanw  
6.8    Secondary Spectrum (Apochromatic Systems)     5Z`9L|3d  
6.9    The Design of an f/7 Apochromatic Triplet     P7||d@VW,  
6.10    The Diffractive Surface in Lens Design     "2}E ARa  
6.11    A Final Note     Lb'HM-d  
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7    Eyepieces and Magnifiers     jtMN)TM  
7.1    Eyepieces     8mCL3F  
7.2    A Pair of Magnifier Designs     ,DHiM-v  
7.3    The Simple, Classical Eyepieces     pm*6&,  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     Mpm#a0f  
7.5    Four-Element Eyepieces     {!B^nCSL  
7.6    Five-Element Eyepieces     ?W%9H\;  
7.7    Very High Index Eyepiece/Magnifier     vq df-i  
7.8    Six- and Seven-Element Eyepieces     (>OCLmV$  
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8    Cooke Triplet Anastigmats     k-v@sb24_  
8.1    Airspaced Triplet Anastigmats     H'L~8>  
8.2    Glass Choice     O~r.sJ}  
8.3    Vertex Length and Residual Aberrations     J&xH"U  
8.4    Other Design Considerations     QT5,_+ho  
8.5    A Plastic, Aspheric Triplet Camera Lens     PLi[T4u  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet &J\V !uVo  
8.7    Possible Improvement to Our “Basic” Triplet     a-t}L{~  
8.7    The Rear Earth (Lanthanum) Glasses    
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8.9    Aspherizing the Surfaces     `XwFH#_  
8.10    Increasing the Element Thickness     @bN`+DC!<  
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9    Split Triplets     6S;-fj  
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10    The Tessar, Heliar, and Other Compounded Triplets     24T
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10.1    The Classic Tessar     \X=?+| 9  
10.2    The Heliar/Pentac     IT3xX=|b  
10.3    The Portrait Lens and the Enlarger Lens     PD$gW`V  
10.4    Other Compounded Triplets     !,mv 7Yj  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar >-s\$8En'  
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11    Double-Meniscus Anastigmats     Y5}<7s\UDO  
11.1    Meniscus Components     7*e7P[LQU  
11.2    The Hypergon, Totogon, and Metrogon     vwZrvjP2  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     *}Al0\q0M  
11.4    Protar, Dagor, and Convertible Lenses     L6^Qn%:OTd  
11.5    The Split Dagor     IH;+pN  
11.6    The Dogmar     {xm^DT  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     H!y%FaTi  
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12    The Biotar or Double-Gauss Lens     $J>J@4  
12.1    The Basic Six-Element Version     Nw`}iR0i  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens ;:JTb2xbb  
12.3    The Seven-Element Biotar - Split-Rear Singlet     KJ Gh)  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     D\~*| J  
12.5    The Seven-Element Biotar - One Compounded Outer Element     wG1A]OJl1  
12.6    The Eight-Element Biotar     C F2*W).+  
12.7    A “Doubled Double-Gauss” Relay     *&b~cyC  
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13    Telephoto Lenses     F2/-
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13.1    The Basic Telephoto     b(lC7Xm  
13.2    Close-up or Macro Lenses     WXqrx*?*+  
13.3    Telephoto Designs     *5DOTWos  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch $7{|  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     H7 acT  
14.1    The Reverse Telephoto Principle     E>j*m}b  
14.2    The Basic Retrofocus Lens     ,t4g^67R{  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     c;w%R8z  
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15    Wide Angle Lenses with Negative Outer Lenses     FF:Y7wXW  
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16    The Petzval Lens; Head-up Display Lenses     rz c}2I  
16.1    The Petzval Portrait Lens     [KIK}:  
16.2    The Petzval Projection Lens     xP<cF  
16.3    The Petzval with a Field Flattener     p)d0
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16.4    Very Height Speed Petzval Lenses     nwlo,[  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     gf`uC0  
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17    Microscope Objectives     Ol4)*/oZ  
17.1    General Considerations     
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17.2    Classic Objective Design Forms; The Aplanatic Front     zi~_[l-  
17.3    Flat-Field Objectives     gn&jNuGg  
17.4    Reflecting Objectives     (>*<<a22  
17.5    The Microscope Objective Designs     |A_yr/f  
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18    Mirror and Catadioptric Systems     uJ<sa;  
18.1    The Good and Bad Points of Mirrors     v~>^c1:  
18.2    The Classic Two-Mirror Systems -(FVTWi0
 
18.3    Catadioptric Systems     41y}n{4n8  
18.4    Aspheric Correctors and Schmidt Systems     #/'5N|?  
18.5    Confocal Paraboloids     o<f[K}t9  
18.6    Unobscured Systems     _5I" %E;S  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     Fx']kn9  
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19    Infrared and Ultraviolet Systems     ag*RQ  
19.1    Infrared Optics     PJu)%al  
19.2    IR Objective Lenses     g2b%.X4  
19.3    IR Telescope     pEIc?i*  
19.4    Laser Beam Expanders     t.m65  
19,5    Ultraviolet Systems     ~8AcW?4Z  
19.6    Microlithographic Lenses     t?p[w&@M2  
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20    Zoom Lenses     9.R)iA  
20.1    Zoom Lenses     24_F`" :-=  
20.2    Zoom Lenses for Point and Shoot Cameras     wrq0fHwM  
20.3    A 20X Video Zoom Lens     7Wg0-{yK4  
20.4    A Zoom Scanner Lens     
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20.5    A Possible Zoom Lens Design Procedure     N%{&%C6{  
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21    Projection TV Lenses and Macro Lenses     -[?q?w!?  
21.1    Projection TV Lenses     YC\~PVG  
21.2    Macro Lenses     iJ_FJ[ U  
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22    Scanner/ , Laser Disk and Collimator Lenses     uGl+"/uDu  
22.1    Monochromatic Systems     dxlaoyv:  
22.2    Scanner Lenses     ^YzFEu$  
22.3    Laser Disk, Focusing, and Collimator Lenses     b'`8$;MII  
    TCJH^gDt  
23    Tolerance Budgeting     z5Hz-.  
23.1    The Tolerance Budget     1,fjdd8OM;  
23.2    Additive Tolerances      c#+JG  
23.3    Establishing the Tolerance Budget     HXF5fs  
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24    Formulary ^+cf  
24.1    Sign Conventions, Symbols, and Definitions     ETe,RY  
24.2    The Cardinal Points     3X,9K23T  
24.3    Image Equations     'M2Jw8i  
24.4    Paraxial Ray Tracing (Surface by Surface)     yjZxD[ Z  
24.5    Invariants     9|O#+_=+v  
24.6    Paraxial Ray Tracing (Component by Component)     1lu_<?O  
24.7    Two-Componenet Relationships     c,;-[s
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24.8    Third-Order Aberrations – Surface Contributions     )}\T~#Q]y  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     rJK3;d?E  
24.10    Stop Shift Equations     weC$\st:D  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     <\@JbL*  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     hH8:7i  
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Glossary
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Reference +9>t; Ty  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀
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我怎么瞧不明白。

有没有人呀 fOs}5J  
有个问题想请教大家