[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith = 07Gy,=i  
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Contents of Modern Lens Design 2nd Edition (;. AS  
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1    Introduction         8@NH%zWBp  
1.1    Lens Design Books     @pGZLq  
1.2    Reference Material     D@EO=08<b  
1.3    Specifications     #k3t3az2{  
1.4    Lens Design     4'KOp&#l K  
1.5    Lens Design Program Features     o;b0m;~   
1.6    About This Book     )Qm[[pnj  
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2    Automatic Lens Design         C0=9K@FCb  
2.2    The Merit Function         5unG#szq  
2.3    Local Minima     Q4t(@0e}  
2.4    The Landscape Lens     xUF_1hY  
2.5    Types of Merit Function     ;X,1&#I  
2.6    Stagnation     5-)#f?  
2.7    Generalized Simulated Annealing     PL{Q!QJK'
 
2.8    Considerations about Variables for Optimization     sBv>E}*R  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems [<`SfE  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     'gQidf  
2.11    Spectral Weighting     39{{7(hh  
2.12    How to Get Started     M.h`&8  
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3    Improving a Design     (I@bkMp  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     !~_zm*CqbZ  
3.2    Glass Changes ( Index and V Values )     }0,>2TTDN  
3.3    Splitting Elements     uH3D{4   
3.4    Separating a Cemented Doublet     3cj3u4y  
3.5    Compounding an Element     $ _8g8r}  
3.6    Vignetting and Its Uses     hP J4Oj1O  
3.7    Eliminating a Weak Element; the Concentric Problem     )o!XWh  
3.8    Balancing Aberrations     j
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3.9    The Symmetrical Principle     Ba\6?K  
3.10    Aspheric Surfaces     &iN--~}!$  
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4    Evaluation: How Good is This Design     8\<jyJ  
4.1    The Uses of a Preliminary Evaluation     GFSt<k)  
4.2    OPD versus Measures of Performance     9iN.3/T8  
4.3    Geometric Blur Spot Size versus Certain Aberrations     %tA57Pn>  
4.4    Interpreting MTF - The Modulation Transfer Function     uGdp@]z&8Q  
4.5    Fabrication Considerations     F#xa`*AP  
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5    Lens Design Data     c41: !u^  
5.1    About the Sample Lens Designs     /8@m<CW2Y  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     bIt=v)%$  
5.3    Estimating the Potential of a Redesign     OPpjuIRv  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     W{XkVKe1a  
5.5    Notes on the Interpretation of Ray Intercept Plots     %/kyT%1  
5.6    Various Evaluation Plot     vUC!fIG  
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6    Telescope Objective     wLuv6\E  
6.1    The Thin Airspaced Doublet     XwM611  
6.2    Merit Function for a Telescope Objective     elJ)4Em  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     iq?#rb P#I  
6.4    Spherochromatism     A`O<6   
6.5    Zonal Spherical Aberration     a)*6gf<5  
6.6    Induced Aberrations     @|bP+8oU  
6.7    Three-Element Objectives     0f ER*.F  
6.8    Secondary Spectrum (Apochromatic Systems)     <(@Syv)  
6.9    The Design of an f/7 Apochromatic Triplet     \(I6_a_{  
6.10    The Diffractive Surface in Lens Design     Gt9wR  
6.11    A Final Note     &R+#W  
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7    Eyepieces and Magnifiers     "rXOsX\;  
7.1    Eyepieces     x}fn'iUnm  
7.2    A Pair of Magnifier Designs     vUQFQ  
7.3    The Simple, Classical Eyepieces     ,xJrXPW  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     ~Pk0u{,4XQ  
7.5    Four-Element Eyepieces     !- C'}  
7.6    Five-Element Eyepieces     ETv9k g  
7.7    Very High Index Eyepiece/Magnifier     5IVks
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7.8    Six- and Seven-Element Eyepieces     v4?iOD  
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8    Cooke Triplet Anastigmats     F-n"^.7  
8.1    Airspaced Triplet Anastigmats     %XhfXd'  
8.2    Glass Choice     'p)Q68;&  
8.3    Vertex Length and Residual Aberrations     ]/]ju$l9Z  
8.4    Other Design Considerations     qZ2&Xw.{1  
8.5    A Plastic, Aspheric Triplet Camera Lens     h -_&MD/J  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet .M|>u_<Qd  
8.7    Possible Improvement to Our “Basic” Triplet     {I%y;Aab8  
8.7    The Rear Earth (Lanthanum) Glasses     bv?0.{Z  
8.9    Aspherizing the Surfaces     OKuD"   
8.10    Increasing the Element Thickness     {}e^eJ  
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9    Split Triplets     ed~R>F>  
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10    The Tessar, Heliar, and Other Compounded Triplets     $]d*0^J 6  
10.1    The Classic Tessar     TmEYW<  
10.2    The Heliar/Pentac     <FFJzNc+  
10.3    The Portrait Lens and the Enlarger Lens     o|S)C<w  
10.4    Other Compounded Triplets     aP
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10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar #,f{Ok+  
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11    Double-Meniscus Anastigmats     ka7uK][  
11.1    Meniscus Components     34C``i  
11.2    The Hypergon, Totogon, and Metrogon     H^c0Kh+  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     #*IVlchA"B  
11.4    Protar, Dagor, and Convertible Lenses     .e[Tu|qo  
11.5    The Split Dagor     $B\E.ml.  
11.6    The Dogmar     _pDjg%A>n  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     ~bU7
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12    The Biotar or Double-Gauss Lens     G^h_YjR`*  
12.1    The Basic Six-Element Version     T@+ClZi  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens i1*C{Lf;%)  
12.3    The Seven-Element Biotar - Split-Rear Singlet     \&|CM8A  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     MB$a82bY  
12.5    The Seven-Element Biotar - One Compounded Outer Element     f>iuHR*EXB  
12.6    The Eight-Element Biotar     2PC5^Ni/9@  
12.7    A “Doubled Double-Gauss” Relay     Vb6K:ZnF  
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13    Telephoto Lenses     (}H ,ng'4  
13.1    The Basic Telephoto     744=3v  
13.2    Close-up or Macro Lenses     ~^o=a?L`<  
13.3    Telephoto Designs     Ghv{'5w  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 1 tfYsg=O  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     H:}}t]E  
14.1    The Reverse Telephoto Principle     }Jxq'B  
14.2    The Basic Retrofocus Lens     u*R7zY  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     }5S2p@W)  
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15    Wide Angle Lenses with Negative Outer Lenses     >[K?fJ$+  
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16    The Petzval Lens; Head-up Display Lenses     ;w6s<a@Zh  
16.1    The Petzval Portrait Lens     OhWC}s  
16.2    The Petzval Projection Lens     yj
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16.3    The Petzval with a Field Flattener     9]~PCZ2j  
16.4    Very Height Speed Petzval Lenses    
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16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     'C]jwxy  
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17    Microscope Objectives     Qilj/x68  
17.1    General Considerations     V9jFjc?  
17.2    Classic Objective Design Forms; The Aplanatic Front     70`M,``  
17.3    Flat-Field Objectives     cIZc:   
17.4    Reflecting Objectives     gduxA/aT  
17.5    The Microscope Objective Designs     ,VG9)K1K  
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18    Mirror and Catadioptric Systems     BR3mAF  
18.1    The Good and Bad Points of Mirrors     0VG=?dq  
18.2    The Classic Two-Mirror Systems 75Fp[Q-  
18.3    Catadioptric Systems     YRa4W.&Yn  
18.4    Aspheric Correctors and Schmidt Systems     Sr7@buF  
18.5    Confocal Paraboloids     nZW4}~0j  
18.6    Unobscured Systems     &q>h*w4O  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     &wGg6$  
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19    Infrared and Ultraviolet Systems     a-Y6w5  
19.1    Infrared Optics     M7p8^NL  
19.2    IR Objective Lenses     aJQXJ,>Lv  
19.3    IR Telescope     Q<'@V@H  
19.4    Laser Beam Expanders     "'aqb~j^  
19,5    Ultraviolet Systems     KZ\dB;W<|  
19.6    Microlithographic Lenses     S~&\o\"5  
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20    Zoom Lenses     7,su f }=  
20.1    Zoom Lenses     o[{&!t  
20.2    Zoom Lenses for Point and Shoot Cameras     /$*; >4=>f  
20.3    A 20X Video Zoom Lens     2mOfsn d@  
20.4    A Zoom Scanner Lens     PdjCv+R6?  
20.5    A Possible Zoom Lens Design Procedure     ORtg>az\%  
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21    Projection TV Lenses and Macro Lenses     +9~ZA3DiP  
21.1    Projection TV Lenses     0~.)GG%R>D  
21.2    Macro Lenses     cUV
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22    Scanner/ , Laser Disk and Collimator Lenses     e@+v9Bs]q  
22.1    Monochromatic Systems     |$w0+bV*  
22.2    Scanner Lenses     5F03y`@ u  
22.3    Laser Disk, Focusing, and Collimator Lenses     ZpTi:3>  
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23    Tolerance Budgeting     hgif]?:C<  
23.1    The Tolerance Budget     SNxz*`@4  
23.2    Additive Tolerances     s#`cX0L)  
23.3    Establishing the Tolerance Budget     @2|G|C/]O}  
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24    Formulary q|/!0MU"  
24.1    Sign Conventions, Symbols, and Definitions     W&LBh%"g  
24.2    The Cardinal Points     h+ TB]  
24.3    Image Equations     gm}C\q9  
24.4    Paraxial Ray Tracing (Surface by Surface)     -MUQ\pZ  
24.5    Invariants     B*BHF95!  
24.6    Paraxial Ray Tracing (Component by Component)     LNbx3W oC  
24.7    Two-Componenet Relationships     `^`9{@~  
24.8    Third-Order Aberrations – Surface Contributions     s|KfC>#  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     h bdEw=r?  
24.10    Stop Shift Equations     d^_itC;-,  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     P$F#,Cn  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     l#|J rU!  
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Glossary &F9OZMK=  
Reference )*+u\x_Hx  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 JUe K"|fA  
我怎么瞧不明白。

有没有人呀 tdMP,0u  
有个问题想请教大家