[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith  ^0{
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Contents of Modern Lens Design 2nd Edition <D& Ep  
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1    Introduction         jc32s}/H  
1.1    Lens Design Books     iig4JP'h  
1.2    Reference Material     ]w*`
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1.3    Specifications     oG hMO  
1.4    Lens Design     lwG)&qyVd  
1.5    Lens Design Program Features     18j>x3tn  
1.6    About This Book     b5~p:f-&4B  
2.{zfr  
2    Automatic Lens Design         ^!O!HMX0  
2.2    The Merit Function         o*~=NoR  
2.3    Local Minima     tJ7tZ~Ak  
2.4    The Landscape Lens     7^!iGhI]r  
2.5    Types of Merit Function     qs8^qn0A  
2.6    Stagnation     vEE\{1  
2.7    Generalized Simulated Annealing     mWP&N#vwh  
2.8    Considerations about Variables for Optimization     Q`O~f<a  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems P=P']\`p+  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     .f[z_%ar  
2.11    Spectral Weighting     `.~*pT*u  
2.12    How to Get Started     E
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3    Improving a Design     [k%u$  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     Tqs|2at<t  
3.2    Glass Changes ( Index and V Values )     &\ad.O/Q  
3.3    Splitting Elements     =pj3G?F#  
3.4    Separating a Cemented Doublet     D2Q0p(#%  
3.5    Compounding an Element     ?{L'd  
3.6    Vignetting and Its Uses     2H] 7=j  
3.7    Eliminating a Weak Element; the Concentric Problem     ,l,q;]C%  
3.8    Balancing Aberrations     EKuLt*a/  
3.9    The Symmetrical Principle     ym` 4v5w  
3.10    Aspheric Surfaces     qx0F*EH|  
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4    Evaluation: How Good is This Design     AYs
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4.1    The Uses of a Preliminary Evaluation     g^#,!e  
4.2    OPD versus Measures of Performance     #N"QTD|i  
4.3    Geometric Blur Spot Size versus Certain Aberrations     McbbEs=)  
4.4    Interpreting MTF - The Modulation Transfer Function     >~'z%  
4.5    Fabrication Considerations     lQRtsmZ0  
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5    Lens Design Data     )RWY("SUy1  
5.1    About the Sample Lens Designs     y34<B)Wy  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     w%oa={x  
5.3    Estimating the Potential of a Redesign     " w /Odd  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     yYTOp^  
5.5    Notes on the Interpretation of Ray Intercept Plots     3<1x>e2nT  
5.6    Various Evaluation Plot     #*S.26P^4  
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6    Telescope Objective     QM~~b=P,\  
6.1    The Thin Airspaced Doublet     fCX8s(
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6.2    Merit Function for a Telescope Objective     s?Gv/&  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     F{ C2% s#  
6.4    Spherochromatism     CLuQ=-[
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6.5    Zonal Spherical Aberration     OeZ"WO  
6.6    Induced Aberrations     Z;;A#h'%e  
6.7    Three-Element Objectives     U{@2kg-  
6.8    Secondary Spectrum (Apochromatic Systems)     Zx: h)I  
6.9    The Design of an f/7 Apochromatic Triplet     #oR@!?  
6.10    The Diffractive Surface in Lens Design     .rX,*|1x  
6.11    A Final Note     Bq-}BN?pz  
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7    Eyepieces and Magnifiers     G2sj<F=AV  
7.1    Eyepieces     `Hu2a]e9  
7.2    A Pair of Magnifier Designs     >$a;+v  
7.3    The Simple, Classical Eyepieces     ~g@}A  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     5Z:qU{[  
7.5    Four-Element Eyepieces     C/9]TkX}q  
7.6    Five-Element Eyepieces     e;|$nw-  
7.7    Very High Index Eyepiece/Magnifier     &2ty++gC  
7.8    Six- and Seven-Element Eyepieces     CHCT e  
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8    Cooke Triplet Anastigmats     :FmH=pI!=  
8.1    Airspaced Triplet Anastigmats     h$6~3^g:P  
8.2    Glass Choice     Czy}~;_Ay  
8.3    Vertex Length and Residual Aberrations     -I;\9r+  
8.4    Other Design Considerations     ;Z`R!  
8.5    A Plastic, Aspheric Triplet Camera Lens     b0x%#trA{  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet /?S^#q>m%  
8.7    Possible Improvement to Our “Basic” Triplet     LEX @hkh  
8.7    The Rear Earth (Lanthanum) Glasses     "];@N!dA  
8.9    Aspherizing the Surfaces     _~F 0i?  
8.10    Increasing the Element Thickness     ID{XZ  
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9    Split Triplets     Y|tK19  
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10    The Tessar, Heliar, and Other Compounded Triplets     cVr+Wp7K#|  
10.1    The Classic Tessar     T)ISDK4>S"  
10.2    The Heliar/Pentac     V"}Jsr  
10.3    The Portrait Lens and the Enlarger Lens     Z B!~@Vf  
10.4    Other Compounded Triplets    
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10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar n@q-f-2  
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11    Double-Meniscus Anastigmats     *{\))Zmhd  
11.1    Meniscus Components     YPCitGBl  
11.2    The Hypergon, Totogon, and Metrogon     UG}2q:ST  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     2n-kJl`: O  
11.4    Protar, Dagor, and Convertible Lenses     ?a1pO#{Dg  
11.5    The Split Dagor     XBO( *6"E  
11.6    The Dogmar     +!$`0v
  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     Zp9kxm'  
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12    The Biotar or Double-Gauss Lens     OkCAvRg  
12.1    The Basic Six-Element Version     ^r mQMjF  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens IcGX~zWr  
12.3    The Seven-Element Biotar - Split-Rear Singlet     "{Y6.)x  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     _c5*9')-)  
12.5    The Seven-Element Biotar - One Compounded Outer Element     ,@Kn@%?$  
12.6    The Eight-Element Biotar     /?Mr2!3N  
12.7    A “Doubled Double-Gauss” Relay     $q.}eb0  
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13    Telephoto Lenses     9b@yDq3hQ  
13.1    The Basic Telephoto     ;BKU _}k=  
13.2    Close-up or Macro Lenses     B<a` o&?  
13.3    Telephoto Designs     8lA,3'z  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch dep"$pys>  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     25@@-2h @  
14.1    The Reverse Telephoto Principle     1-&L-c.  
14.2    The Basic Retrofocus Lens     1i'y0]f  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     )OVa7[-T  
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15    Wide Angle Lenses with Negative Outer Lenses     brlbJFZ19  
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16    The Petzval Lens; Head-up Display Lenses     5}Xi`'g,  
16.1    The Petzval Portrait Lens     {Qn{w%!|  
16.2    The Petzval Projection Lens     !]RSG^%s{  
16.3    The Petzval with a Field Flattener     ;Me*#/  
16.4    Very Height Speed Petzval Lenses     7q5*grm  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems      _+(@?  
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17    Microscope Objectives     49c-`[d L  
17.1    General Considerations     Uqy/~n-v<  
17.2    Classic Objective Design Forms; The Aplanatic Front     fGRV]6?V  
17.3    Flat-Field Objectives     r9L--#=z  
17.4    Reflecting Objectives     0z4M/WrNt  
17.5    The Microscope Objective Designs     l=((>^i  
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18    Mirror and Catadioptric Systems     a ~W  
18.1    The Good and Bad Points of Mirrors     9
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18.2    The Classic Two-Mirror Systems 3JkdPh  
18.3    Catadioptric Systems     k}NM]9EAE  
18.4    Aspheric Correctors and Schmidt Systems     Hrph>v  
18.5    Confocal Paraboloids     N-Z=p)]  
18.6    Unobscured Systems     $ ]#WC\Hv  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     4RYH^9;>K  
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19    Infrared and Ultraviolet Systems     L[,19;(  
19.1    Infrared Optics     cCNRv$IO\  
19.2    IR Objective Lenses     D|Wlq~IpQ  
19.3    IR Telescope     zNdkwj p+  
19.4    Laser Beam Expanders     ~id:Rh>o  
19,5    Ultraviolet Systems     ;ko6igx)+  
19.6    Microlithographic Lenses     ={V@Y-5T  
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20    Zoom Lenses      (/,l0  
20.1    Zoom Lenses     slUi)@b  
20.2    Zoom Lenses for Point and Shoot Cameras     6)P.wW  
20.3    A 20X Video Zoom Lens     n+te5_F  
20.4    A Zoom Scanner Lens     /kg#i&bP~  
20.5    A Possible Zoom Lens Design Procedure     '[%#70*  
.R'M'a#*!A  
21    Projection TV Lenses and Macro Lenses     '%XYJr:H[  
21.1    Projection TV Lenses     L/`1K_\l  
21.2    Macro Lenses     .kn2M&P>=  
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22    Scanner/ , Laser Disk and Collimator Lenses     n-yUt72  
22.1    Monochromatic Systems     .g\Oj0Cbxh  
22.2    Scanner Lenses     D&D6!jz  
22.3    Laser Disk, Focusing, and Collimator Lenses     3}F>t{FDk  
    1gbFl/i6T  
23    Tolerance Budgeting     {\P%J:s#9  
23.1    The Tolerance Budget     &tvp)B?cWk  
23.2    Additive Tolerances     ck5cO-1>6  
23.3    Establishing the Tolerance Budget     /lu|FWbEw  
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24    Formulary b \ln XN  
24.1    Sign Conventions, Symbols, and Definitions     vZ"gCf3#?3  
24.2    The Cardinal Points     wlaPE8Gc  
24.3    Image Equations     6[c|14l  
24.4    Paraxial Ray Tracing (Surface by Surface)     /#H P;>!n  
24.5    Invariants     Rqp#-04*W  
24.6    Paraxial Ray Tracing (Component by Component)     )H{1Xjh-  
24.7    Two-Componenet Relationships     t^FE]$,  
24.8    Third-Order Aberrations – Surface Contributions     MJ1qU}+]  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     orH6R8P]  
24.10    Stop Shift Equations     40h$- VYT/  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     ~uty<fP  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     o,dp{+({  
J 3C^tV  
)&d=2M;3  
Glossary %HoD)OJe  
Reference e'G=.:
 
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 !?JZ^/u  
我怎么瞧不明白。

有没有人呀 FJtmRPP[r  
有个问题想请教大家