"Modern Lens Design" 2nd Edition by Warren J. Smith S<Q1
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Contents of Modern Lens Design 2nd Edition G K&yP%Z3
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1 Introduction l $z Nsf.
1.1 Lens Design Books {_q2kk
1.2 Reference Material u Xhp+q\
1.3 Specifications ` 4k;`a
1.4 Lens Design 2~ 'Q#(
1.5 Lens Design Program Features s|,]Nb=z/
1.6 About This Book G!rcY5!J
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2 Automatic Lens Design fx;5j;
2.2 The Merit Function mceSUKI;L
2.3 Local Minima SN]/~>/
2.4 The Landscape Lens qWanr7n]@
2.5 Types of Merit Function [w{ZP4d>
2.6 Stagnation ZzKn,+
2.7 Generalized Simulated Annealing sm_:M| [D
2.8 Considerations about Variables for Optimization qS2%U?S7
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ?0?'
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits c<H4 rB
2.11 Spectral Weighting I*
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2.12 How to Get Started 92SB'T>
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3 Improving a Design Et l7V
3.1 Lens Design Tip Sheet: Standard Improvement Techniques +?.,pq n<=
3.2 Glass Changes ( Index and V Values ) ITsJjcYw
3.3 Splitting Elements } 2\"(_
3.4 Separating a Cemented Doublet Y4{`?UM&h
3.5 Compounding an Element `2@-'/$\I|
3.6 Vignetting and Its Uses mD=?C
3.7 Eliminating a Weak Element; the Concentric Problem C$tSsw?A
3.8 Balancing Aberrations hV,3xrm?P
3.9 The Symmetrical Principle t
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3.10 Aspheric Surfaces FdSa Ood8
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4 Evaluation: How Good is This Design 'sA&Pm
4.1 The Uses of a Preliminary Evaluation w+MdQ@'5
4.2 OPD versus Measures of Performance @"~\ [z5
4.3 Geometric Blur Spot Size versus Certain Aberrations ]Yj>~k:K
4.4 Interpreting MTF - The Modulation Transfer Function { c J6Lq&
4.5 Fabrication Considerations 0) /214^&
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5 Lens Design Data Y{O&- 5H^|
5.1 About the Sample Lens Designs 1z`,*eD7
5.2 Lens Prescriptions, Drawings, and Aberration Plots zJsoenU
5.3 Estimating the Potential of a Redesign 6
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5.4 Scaling a Desing, Its Aberrations, and Its MTF AzV5Re8M
5.5 Notes on the Interpretation of Ray Intercept Plots s{IoL_PJP
5.6 Various Evaluation Plot 7d<v\=J}
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6 Telescope Objective <VBw1|)$@
6.1 The Thin Airspaced Doublet W +e N%w5
6.2 Merit Function for a Telescope Objective ry T8*}o
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Q?tV:jogY
6.4 Spherochromatism e"2QV vB
6.5 Zonal Spherical Aberration OP&[5X+Y
6.6 Induced Aberrations 68!]q(!6F
6.7 Three-Element Objectives 7 dz E"m
6.8 Secondary Spectrum (Apochromatic Systems) VsmL#@E
6.9 The Design of an f/7 Apochromatic Triplet j~8+,:
6.10 The Diffractive Surface in Lens Design G !~BA*
6.11 A Final Note BmM,vllO
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7 Eyepieces and Magnifiers |-mazv A
7.1 Eyepieces M' HOw)U
7.2 A Pair of Magnifier Designs Y]lqtre*Y
7.3 The Simple, Classical Eyepieces em]K7B=
7.4 Design Story of an Eyepiece for a 6*30 Binocular w*
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7.5 Four-Element Eyepieces @Dy.H Q~
7.6 Five-Element Eyepieces {#%xq]r_
7.7 Very High Index Eyepiece/Magnifier 3dbf!
7.8 Six- and Seven-Element Eyepieces
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8 Cooke Triplet Anastigmats /'1y`j<
8.1 Airspaced Triplet Anastigmats l+6\U6_)B
8.2 Glass Choice aYgJTep>r
8.3 Vertex Length and Residual Aberrations gctaarB&
8.4 Other Design Considerations " uCQm '
8.5 A Plastic, Aspheric Triplet Camera Lens `[KhG)Y7t
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #SYWAcTkO}
8.7 Possible Improvement to Our “Basic” Triplet lP
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8.7 The Rear Earth (Lanthanum) Glasses -1:Z^&e/
8.9 Aspherizing the Surfaces SSXS
8.10 Increasing the Element Thickness @5wg' mM
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9 Split Triplets hkJZqUA
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10 The Tessar, Heliar, and Other Compounded Triplets R
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10.1 The Classic Tessar W,~1 KUTc
10.2 The Heliar/Pentac ~D5MAEazS
10.3 The Portrait Lens and the Enlarger Lens Q8x{V_Pot
10.4 Other Compounded Triplets 2FzS_\":I
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar w#T , g9
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11 Double-Meniscus Anastigmats CiuN26>
11.1 Meniscus Components !d\GD8|4
11.2 The Hypergon, Totogon, and Metrogon uE j6A
11.3 A Two Element Aspheric Thick Meniscus Camera Lens +][P*/ Ek
11.4 Protar, Dagor, and Convertible Lenses { 9 ".o,
11.5 The Split Dagor ra>`J _
11.6 The Dogmar ,7P^]V1
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ~-`02
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12 The Biotar or Double-Gauss Lens %B*dj 9n^q
12.1 The Basic Six-Element Version =LxmzQO#
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens uw= Ube(
12.3 The Seven-Element Biotar - Split-Rear Singlet <gLtX[v!CL
12.4 The Seven-Element Biotar - Broken Contact Front Doublet $0}bi :7
12.5 The Seven-Element Biotar - One Compounded Outer Element r6JkoP Mh
12.6 The Eight-Element Biotar ts<dUO
12.7 A “Doubled Double-Gauss” Relay YSo7~^ 1W"
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13 Telephoto Lenses 5V~p@vC x
13.1 The Basic Telephoto Zk
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13.2 Close-up or Macro Lenses ok[=1gA#h
13.3 Telephoto Designs 9M]"%E!s
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch suFOc
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Xp6*Y1Y
14.1 The Reverse Telephoto Principle ':D&c
14.2 The Basic Retrofocus Lens -5 /v`
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ACO4u<M)
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15 Wide Angle Lenses with Negative Outer Lenses b',bi.FH
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16 The Petzval Lens; Head-up Display Lenses @z)tC@
16.1 The Petzval Portrait Lens Tki/ d\!+
16.2 The Petzval Projection Lens e[m hbFf-
16.3 The Petzval with a Field Flattener ^r*%BUU9]%
16.4 Very Height Speed Petzval Lenses 6^O?p2xpo
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems h5rP]dbhXU
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17 Microscope Objectives qMES<UL>
17.1 General Considerations z-G7 Y#
17.2 Classic Objective Design Forms; The Aplanatic Front ?vn 0%e868
17.3 Flat-Field Objectives =8p+-8M[d
17.4 Reflecting Objectives &17 ,]# 3
17.5 The Microscope Objective Designs 6'Yn|A
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18 Mirror and Catadioptric Systems ~}-p5 q2
18.1 The Good and Bad Points of Mirrors @gSFvb bc
18.2 The Classic Two-Mirror Systems ^[}0&_L
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18.3 Catadioptric Systems OI_/7@L
18.4 Aspheric Correctors and Schmidt Systems VnSj:LUD
18.5 Confocal Paraboloids iW1ih Q X
18.6 Unobscured Systems QeeC 2
18.7 Design of a Schmidt-Cassegrain “from Scratch” Di<J6xu
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19 Infrared and Ultraviolet Systems M1 ]6lg[si
19.1 Infrared Optics &1 E~ \8U
19.2 IR Objective Lenses `bZU&A(`Be
19.3 IR Telescope 6!%d-Z7)
19.4 Laser Beam Expanders S2ppKlVv
19,5 Ultraviolet Systems *76viqY;dE
19.6 Microlithographic Lenses 0uIV6LI
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20 Zoom Lenses jUJT cL
20.1 Zoom Lenses FW)^O%2s
20.2 Zoom Lenses for Point and Shoot Cameras LlA`QLe
20.3 A 20X Video Zoom Lens dD^_^'i
20.4 A Zoom Scanner Lens pO/SV6N
20.5 A Possible Zoom Lens Design Procedure cxD}t'T
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21 Projection TV Lenses and Macro Lenses AO}i@Y Jth
21.1 Projection TV Lenses J`+`Kq1T
21.2 Macro Lenses ECS<l*i57&
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22 Scanner/ , Laser Disk and Collimator Lenses F7Dc!JNa
22.1 Monochromatic Systems P10p<@?
22.2 Scanner Lenses %kZ~xbY
22.3 Laser Disk, Focusing, and Collimator Lenses rX! +@>4_L
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23 Tolerance Budgeting otz_nF;E
23.1 The Tolerance Budget >2l Ay:B5
23.2 Additive Tolerances WE 5"A|
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23.3 Establishing the Tolerance Budget k>: /D
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24 Formulary +f\pk \Ith
24.1 Sign Conventions, Symbols, and Definitions 53`9^| :
24.2 The Cardinal Points /=muj9|+s
24.3 Image Equations pY)j0tdd
24.4 Paraxial Ray Tracing (Surface by Surface) hINnb7 o
24.5 Invariants Q"OV>kl k
24.6 Paraxial Ray Tracing (Component by Component) )iEa2uJ
24.7 Two-Componenet Relationships x0u?*5-t
24.8 Third-Order Aberrations – Surface Contributions ^A 11h 6I
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs %Rd~|$@>x
24.10 Stop Shift Equations KkdG. c'
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces MdV CD^B
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) vn0cKz@
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Glossary Y ( 1L>4
Reference Et}C`vZ+Ve
Index
