"Modern Lens Design" 2nd Edition by Warren J. Smith @aPu}Hi
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Contents of Modern Lens Design 2nd Edition \S@ =zII_
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1 Introduction =`.5b:e
1.1 Lens Design Books t:j07 ,1~
1.2 Reference Material ^)P5(fJ
1.3 Specifications <IkD= X
1.4 Lens Design K}*p(1$u
1.5 Lens Design Program Features 1X_!%Z
1.6 About This Book iO= uXN1g
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2 Automatic Lens Design xA1pDrfC/
2.2 The Merit Function DBrzw+;e3
2.3 Local Minima snzH}$Ls
2.4 The Landscape Lens v&/-&(+
2.5 Types of Merit Function D2*Q1n
2.6 Stagnation DdZ_2B2
2.7 Generalized Simulated Annealing o6yZ@R
2.8 Considerations about Variables for Optimization hD.wKX?oO
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems i2R]lE8
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 5N</Z6f'o
2.11 Spectral Weighting M
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2.12 How to Get Started ia.B@u1/
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3 Improving a Design * wZV*)}
3.1 Lens Design Tip Sheet: Standard Improvement Techniques u2m{Yx |
3.2 Glass Changes ( Index and V Values ) 2
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3.3 Splitting Elements BCDf9]X
3.4 Separating a Cemented Doublet 0J,d9a [1
3.5 Compounding an Element !F s) "?
3.6 Vignetting and Its Uses 0lq4
3.7 Eliminating a Weak Element; the Concentric Problem jl% e O.
3.8 Balancing Aberrations *ww(5 t
3.9 The Symmetrical Principle D7 '0o`|
3.10 Aspheric Surfaces (dnc7KrM
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4 Evaluation: How Good is This Design ED_5V@
4.1 The Uses of a Preliminary Evaluation /faP]J)
4.2 OPD versus Measures of Performance MBrVh6 z>
4.3 Geometric Blur Spot Size versus Certain Aberrations |y=F ( 6Z
4.4 Interpreting MTF - The Modulation Transfer Function Jy
NY *
4.5 Fabrication Considerations l]=$<
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5 Lens Design Data otVdx&%]
5.1 About the Sample Lens Designs ,colGth 54
5.2 Lens Prescriptions, Drawings, and Aberration Plots kF~e3A7C
5.3 Estimating the Potential of a Redesign
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5.4 Scaling a Desing, Its Aberrations, and Its MTF P[K
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5.5 Notes on the Interpretation of Ray Intercept Plots m&c(N
5.6 Various Evaluation Plot $ =a$z"
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6 Telescope Objective i_^NbC
6.1 The Thin Airspaced Doublet 9uoj3Rh<
6.2 Merit Function for a Telescope Objective TmH 13N]
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ;XuE Mq,Di
6.4 Spherochromatism ITPp T
6.5 Zonal Spherical Aberration <T[u i
6.6 Induced Aberrations p arG
6.7 Three-Element Objectives ``CADiM:S
6.8 Secondary Spectrum (Apochromatic Systems) >5W"a?(
6.9 The Design of an f/7 Apochromatic Triplet N2Hb19/k
6.10 The Diffractive Surface in Lens Design Y\S^DJy
6.11 A Final Note ]a~LA7 VHO
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7 Eyepieces and Magnifiers Tz~ ftf
7.1 Eyepieces l~c> jm8.
7.2 A Pair of Magnifier Designs V2skr_1
7.3 The Simple, Classical Eyepieces X}^gmu<Vla
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;itg>\ p3
7.5 Four-Element Eyepieces RL 8 wSK
7.6 Five-Element Eyepieces cYS+XBz
7.7 Very High Index Eyepiece/Magnifier o:*iT =l
7.8 Six- and Seven-Element Eyepieces zwK;6&(W
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8 Cooke Triplet Anastigmats 8 z7,W3b
8.1 Airspaced Triplet Anastigmats Lwk-
8.2 Glass Choice 1"PE@!]
8.3 Vertex Length and Residual Aberrations Q(7l<z
8.4 Other Design Considerations (j"MsCwE
8.5 A Plastic, Aspheric Triplet Camera Lens >xgd<
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet )S?}huX
8.7 Possible Improvement to Our “Basic” Triplet y5 h[^K3
8.7 The Rear Earth (Lanthanum) Glasses YN k|UwJi
8.9 Aspherizing the Surfaces IQv>{h}
8.10 Increasing the Element Thickness L@GD$F=<0
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9 Split Triplets I/|n
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10 The Tessar, Heliar, and Other Compounded Triplets Okc*)crw
10.1 The Classic Tessar 9x,+G['Zt
10.2 The Heliar/Pentac k JF HUR
10.3 The Portrait Lens and the Enlarger Lens !%9I%Ak^
10.4 Other Compounded Triplets pB LO
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Gj r2]t;E
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11 Double-Meniscus Anastigmats lNAHn<ht
11.1 Meniscus Components r U5'hK
11.2 The Hypergon, Totogon, and Metrogon }C}_
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens %Ski5q
11.4 Protar, Dagor, and Convertible Lenses Z Z7U^#RT
11.5 The Split Dagor ![%,pip2/&
11.6 The Dogmar G> >_G<x
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens W -&5
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12 The Biotar or Double-Gauss Lens H skN(Ho
12.1 The Basic Six-Element Version Hb VLL`06*
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 7 i/Cax
12.3 The Seven-Element Biotar - Split-Rear Singlet l[ k$O$jo
12.4 The Seven-Element Biotar - Broken Contact Front Doublet O2f2Fb$B7
12.5 The Seven-Element Biotar - One Compounded Outer Element {c; 3$
12.6 The Eight-Element Biotar Ymom 0g+ f
12.7 A “Doubled Double-Gauss” Relay 37Y]sJrs$
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13 Telephoto Lenses Hc9pWr "N
13.1 The Basic Telephoto ]9Hy
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13.2 Close-up or Macro Lenses W[s>TDc`v
13.3 Telephoto Designs g (k|"g`*
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch /G ;yxdb
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses p6'8l~W +
14.1 The Reverse Telephoto Principle A AcbY;
14.2 The Basic Retrofocus Lens HxaUVg0
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses _(foJRr
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15 Wide Angle Lenses with Negative Outer Lenses #C^m>o~R
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16 The Petzval Lens; Head-up Display Lenses C+5nft6:
16.1 The Petzval Portrait Lens bE~lc}%
16.2 The Petzval Projection Lens h;->i]
16.3 The Petzval with a Field Flattener 8n? .w:Y/
16.4 Very Height Speed Petzval Lenses cx}-tj"m-
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems F04Etf
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17 Microscope Objectives ,e2va7}3
17.1 General Considerations CCV~nf
17.2 Classic Objective Design Forms; The Aplanatic Front }|,y`ui\
17.3 Flat-Field Objectives Hik[pVK@
17.4 Reflecting Objectives s9iM hCu|
17.5 The Microscope Objective Designs iq$/ 6!t
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18 Mirror and Catadioptric Systems VzesqVx
18.1 The Good and Bad Points of Mirrors "dOzQz* E
18.2 The Classic Two-Mirror Systems n9fk{"y'G
18.3 Catadioptric Systems D 3PF(Wx
18.4 Aspheric Correctors and Schmidt Systems )T?ryp 3ev
18.5 Confocal Paraboloids /V&Y@j
18.6 Unobscured Systems }kpkHq"`f
18.7 Design of a Schmidt-Cassegrain “from Scratch” PW}.`
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19 Infrared and Ultraviolet Systems @_{"ho
19.1 Infrared Optics ( yfT kBy
19.2 IR Objective Lenses :9}* p@
19.3 IR Telescope 7nmo p 7
19.4 Laser Beam Expanders - g0> >{M'
19,5 Ultraviolet Systems !r<7]nwV
19.6 Microlithographic Lenses (Gc l,IW
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20 Zoom Lenses }M Nm>3
20.1 Zoom Lenses *D,T}N
20.2 Zoom Lenses for Point and Shoot Cameras #_d%hr~d
20.3 A 20X Video Zoom Lens L6m'u6:1{
20.4 A Zoom Scanner Lens isjkfl-!
20.5 A Possible Zoom Lens Design Procedure uT1x\Rt|e
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21 Projection TV Lenses and Macro Lenses X 6)L pMm
21.1 Projection TV Lenses )7^jq |
21.2 Macro Lenses 6{M.S}.^
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22 Scanner/ , Laser Disk and Collimator Lenses $IHa]9 {
22.1 Monochromatic Systems :|a[6Uwl\V
22.2 Scanner Lenses ?U |lZ ~o
22.3 Laser Disk, Focusing, and Collimator Lenses _PIk,!<
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23 Tolerance Budgeting ;bX{7j
23.1 The Tolerance Budget =F9-,"EAI
23.2 Additive Tolerances { T.VB~C
23.3 Establishing the Tolerance Budget `JR dOe
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24 Formulary G.Q+"+* ^
24.1 Sign Conventions, Symbols, and Definitions Sz
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24.2 The Cardinal Points 7% h Mf$KQ
24.3 Image Equations c& Dy{B!
24.4 Paraxial Ray Tracing (Surface by Surface) O%Mh
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24.5 Invariants <t8})
24.6 Paraxial Ray Tracing (Component by Component) rZLMY M
24.7 Two-Componenet Relationships .MKxHM7
24.8 Third-Order Aberrations – Surface Contributions Rh=h{O
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs C
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24.10 Stop Shift Equations w^~,M3(+)1
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces z8o Sh t`+
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) {S?.bT%&
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Glossary '
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Reference 8g3 6-8
Index
