"Modern Lens Design" 2nd Edition by Warren J. Smith +$#YW5wy
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Contents of Modern Lens Design 2nd Edition qzVmsxBNP
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1 Introduction @)8QxI^3[
1.1 Lens Design Books web=AQ5I4
1.2 Reference Material M-!eL<
1.3 Specifications }mjJglK!N
1.4 Lens Design "+REv_:
1.5 Lens Design Program Features ?-g=Rfpag
1.6 About This Book K_iy^|0)5]
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2 Automatic Lens Design {d\erG(
2.2 The Merit Function -R,[/7zj
2.3 Local Minima O[3AI^2
2.4 The Landscape Lens [?<"SJ,`
2.5 Types of Merit Function # E'g{.N
2.6 Stagnation *f~X wy"
2.7 Generalized Simulated Annealing H!Y`?Rc
2.8 Considerations about Variables for Optimization rO%
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems rl^_RI
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ?-,v0#
2.11 Spectral Weighting P-L<D!25
2.12 How to Get Started bA-=au?o5
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3 Improving a Design @WX]K0$;
3.1 Lens Design Tip Sheet: Standard Improvement Techniques DT # 1*&-
3.2 Glass Changes ( Index and V Values ) }Po&6^
3.3 Splitting Elements q P@4KH}e
3.4 Separating a Cemented Doublet NIDK:qdR
3.5 Compounding an Element J!,5HJh1
3.6 Vignetting and Its Uses W'\{8&:!
3.7 Eliminating a Weak Element; the Concentric Problem H#8]Lb@@:
3.8 Balancing Aberrations 9YMUvd,u
3.9 The Symmetrical Principle [8/E ;h
3.10 Aspheric Surfaces br"p D-}
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4 Evaluation: How Good is This Design }%EQ
4.1 The Uses of a Preliminary Evaluation +XU*NAD,!
4.2 OPD versus Measures of Performance i=%wZHc;
4.3 Geometric Blur Spot Size versus Certain Aberrations *-bR~
4.4 Interpreting MTF - The Modulation Transfer Function cpB$b C](
4.5 Fabrication Considerations o}p6qB=;1
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5 Lens Design Data ^3QHB1I
5.1 About the Sample Lens Designs rr2'bf<]
5.2 Lens Prescriptions, Drawings, and Aberration Plots :8U=L'4
5.3 Estimating the Potential of a Redesign lhAwTOn`Q
5.4 Scaling a Desing, Its Aberrations, and Its MTF >Qc0g(w
5.5 Notes on the Interpretation of Ray Intercept Plots t&u,Od
5.6 Various Evaluation Plot q('O@-HA
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6 Telescope Objective E7+y
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6.1 The Thin Airspaced Doublet Z>Nr"7k
6.2 Merit Function for a Telescope Objective 4E:HO\
6.3 The Design of an f/7 Cemented Doublet Telescope Objective A>^\jIB>
6.4 Spherochromatism 'DlY8rEGP
6.5 Zonal Spherical Aberration +bvY*^i
6.6 Induced Aberrations )Y@
6.7 Three-Element Objectives GVZ/`^ndM
6.8 Secondary Spectrum (Apochromatic Systems) in -/
6.9 The Design of an f/7 Apochromatic Triplet G*e/Ft.wf8
6.10 The Diffractive Surface in Lens Design q@P5c
6.11 A Final Note XU.ZYYZ=
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7 Eyepieces and Magnifiers lyKV^7}
7.1 Eyepieces j& f-yc'i-
7.2 A Pair of Magnifier Designs zt!mx{l'
7.3 The Simple, Classical Eyepieces +L*2 6ar6
7.4 Design Story of an Eyepiece for a 6*30 Binocular =LuH:VM&
7.5 Four-Element Eyepieces dc_^
7.6 Five-Element Eyepieces ?s(%3_h
7.7 Very High Index Eyepiece/Magnifier t#oY|G3O}
7.8 Six- and Seven-Element Eyepieces TPp%II'*
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8 Cooke Triplet Anastigmats {) 4D1
8.1 Airspaced Triplet Anastigmats O'U0Y8HN
8.2 Glass Choice L~Epd.,Dt
8.3 Vertex Length and Residual Aberrations R>[2}R30
8.4 Other Design Considerations |~k=:sSz{
8.5 A Plastic, Aspheric Triplet Camera Lens URmx8=q
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet _S/bwPj|~y
8.7 Possible Improvement to Our “Basic” Triplet 4p&qH igG
8.7 The Rear Earth (Lanthanum) Glasses }S3m
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8.9 Aspherizing the Surfaces I-4csw<Qy
8.10 Increasing the Element Thickness vn~DtTp/
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9 Split Triplets J@(=#z8xS
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10 The Tessar, Heliar, and Other Compounded Triplets dx}()i\@
10.1 The Classic Tessar aB-*l
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10.2 The Heliar/Pentac }m/aigA[1
10.3 The Portrait Lens and the Enlarger Lens iN5~@8jAzz
10.4 Other Compounded Triplets e`'O!
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar jE2k\\<a
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11 Double-Meniscus Anastigmats 9mwL\j
11.1 Meniscus Components \TkBV?W
11.2 The Hypergon, Totogon, and Metrogon wx
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens )7c\wAs
11.4 Protar, Dagor, and Convertible Lenses qS>P,>C
11.5 The Split Dagor &6FRw0GX
11.6 The Dogmar #z-6mRB
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens fyT:I6*
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12 The Biotar or Double-Gauss Lens $jo}?Y+
12.1 The Basic Six-Element Version /"tVOv#
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 0FsGqFt
12.3 The Seven-Element Biotar - Split-Rear Singlet {-J/
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet S%-L!V ,
12.5 The Seven-Element Biotar - One Compounded Outer Element }3j/%oN.(
12.6 The Eight-Element Biotar / _-?NZ
12.7 A “Doubled Double-Gauss” Relay c^}gJ
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13 Telephoto Lenses Erl"X}P
13.1 The Basic Telephoto jY$Bns&.w
13.2 Close-up or Macro Lenses 1Jc-hrN-
13.3 Telephoto Designs U:c!9uhp
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch M' "S:
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses +dSe"W9
14.1 The Reverse Telephoto Principle "]JE]n}Ulg
14.2 The Basic Retrofocus Lens ]zmY]5
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses &9, 6<bToP
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15 Wide Angle Lenses with Negative Outer Lenses iW+ZI6@
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16 The Petzval Lens; Head-up Display Lenses YMj
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16.1 The Petzval Portrait Lens [IF3,C
16.2 The Petzval Projection Lens fxXZ^#2wX
16.3 The Petzval with a Field Flattener }N:0%Gk[;
16.4 Very Height Speed Petzval Lenses ,xuqQ;JX
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems >1T=Aw2Z.
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17 Microscope Objectives BC%t[H} >R
17.1 General Considerations f}Eoc>n
17.2 Classic Objective Design Forms; The Aplanatic Front acdaDY
17.3 Flat-Field Objectives ;t:B:4r(j
17.4 Reflecting Objectives 8k2prv^
17.5 The Microscope Objective Designs ox{)O/aj
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18 Mirror and Catadioptric Systems NcZ6!wWdE
18.1 The Good and Bad Points of Mirrors l131^48U
18.2 The Classic Two-Mirror Systems Dh BUMDoB
18.3 Catadioptric Systems fBR,Oneo
18.4 Aspheric Correctors and Schmidt Systems SWY?0Pu
18.5 Confocal Paraboloids HtgVD~[]
18.6 Unobscured Systems *^ \xH ,.
18.7 Design of a Schmidt-Cassegrain “from Scratch” 5 .0BaVwi
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19 Infrared and Ultraviolet Systems OvX z+C,
19.1 Infrared Optics 79n,bb5
19.2 IR Objective Lenses z,87;4-
19.3 IR Telescope =&U JFu
19.4 Laser Beam Expanders ':R)i.TS
19,5 Ultraviolet Systems UaiDo"i
19.6 Microlithographic Lenses ba1zu|@w
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20 Zoom Lenses {UQpD
20.1 Zoom Lenses D@rOX (m
20.2 Zoom Lenses for Point and Shoot Cameras |#^u%#'[2
20.3 A 20X Video Zoom Lens h2`W~g_
20.4 A Zoom Scanner Lens RvZi %)
20.5 A Possible Zoom Lens Design Procedure |F-_YR
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21 Projection TV Lenses and Macro Lenses >7!4o9)c
21.1 Projection TV Lenses dz5a! e
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21.2 Macro Lenses Os?G_ziIB
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22 Scanner/ , Laser Disk and Collimator Lenses HB\<nK
22.1 Monochromatic Systems UtIwrR[
22.2 Scanner Lenses ^SpD) O{
22.3 Laser Disk, Focusing, and Collimator Lenses #
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23 Tolerance Budgeting f$Q#xlQM
23.1 The Tolerance Budget cR 4xy26s
23.2 Additive Tolerances _*0!6?c
23.3 Establishing the Tolerance Budget <:-|>R".
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24 Formulary )a.w4dH
24.1 Sign Conventions, Symbols, and Definitions #.$p7]
24.2 The Cardinal Points -MbnYs)
24.3 Image Equations -_[n2\|we)
24.4 Paraxial Ray Tracing (Surface by Surface) INby0S
24.5 Invariants CN#`m]l.
24.6 Paraxial Ray Tracing (Component by Component) ;+>-uPT/1
24.7 Two-Componenet Relationships oL1m<cQo9
24.8 Third-Order Aberrations – Surface Contributions B=%cXW,
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs \m1r(*Ar
24.10 Stop Shift Equations *LOpbf
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces BB-E"<
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) V.Dqbv
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Glossary / *Z(;-
Reference K%P$#a
Index