"Modern Lens Design" 2nd Edition by Warren J. Smith BHIZHp
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Contents of Modern Lens Design 2nd Edition =P@M&Yy'
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1 Introduction
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1.1 Lens Design Books WMt&8W5
1.2 Reference Material ]0at2
1.3 Specifications &6=TtTp"9
1.4 Lens Design XY&]T'A
1.5 Lens Design Program Features (Q*2dd>
1.6 About This Book {m1t~ S
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2 Automatic Lens Design i!/h3%=
2.2 The Merit Function 1t}
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2.3 Local Minima !07FsPI#{
2.4 The Landscape Lens eWqVh[
2.5 Types of Merit Function Jv '3](
2.6 Stagnation OgzGkc@A
2.7 Generalized Simulated Annealing U~JG1#z6
2.8 Considerations about Variables for Optimization 81%qM7v9H
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems %tklup]LF8
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits LrmtPnL
2.11 Spectral Weighting #L).BM
2.12 How to Get Started tIg CF?
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3 Improving a Design %Hh &u
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques 0e7O#-
3.2 Glass Changes ( Index and V Values ) K{`2jK#
3.3 Splitting Elements Huug_E+
3.4 Separating a Cemented Doublet ~ ]m@k'n
3.5 Compounding an Element ?trt4Tbe/
3.6 Vignetting and Its Uses vh:UXE lm
3.7 Eliminating a Weak Element; the Concentric Problem oK(W)[u
3.8 Balancing Aberrations .wt>.mUH
3.9 The Symmetrical Principle w2M
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3.10 Aspheric Surfaces ps{&WT3a
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4 Evaluation: How Good is This Design 8O;rp(N.n
4.1 The Uses of a Preliminary Evaluation lL(}dbT~N
4.2 OPD versus Measures of Performance R+@sHsZ@
4.3 Geometric Blur Spot Size versus Certain Aberrations }hObtAS
4.4 Interpreting MTF - The Modulation Transfer Function Npg5Z%+y
4.5 Fabrication Considerations A+bubH,
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5 Lens Design Data F(J!dG5#
5.1 About the Sample Lens Designs ?L~=Z\H
5.2 Lens Prescriptions, Drawings, and Aberration Plots x"h)"Y[c5
5.3 Estimating the Potential of a Redesign *6\`A!C
5.4 Scaling a Desing, Its Aberrations, and Its MTF (0+ GLI8
5.5 Notes on the Interpretation of Ray Intercept Plots ^0BF2&Zx
5.6 Various Evaluation Plot XQ4^:3Yc
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6 Telescope Objective W0r5D9k
6.1 The Thin Airspaced Doublet aS1P]&
6.2 Merit Function for a Telescope Objective (fLbg,
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Hhce:E@K
6.4 Spherochromatism ko7-%+0|]
6.5 Zonal Spherical Aberration Ow&'sR'CX
6.6 Induced Aberrations ?-6x]l=]
6.7 Three-Element Objectives 0I
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6.8 Secondary Spectrum (Apochromatic Systems) BR0p0%
6.9 The Design of an f/7 Apochromatic Triplet szM=U$jKq
6.10 The Diffractive Surface in Lens Design S92!jp/
6.11 A Final Note 6u]OXPA|
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7 Eyepieces and Magnifiers s'fcAh,c6
7.1 Eyepieces `- uZv
7.2 A Pair of Magnifier Designs :8GxcqvCWq
7.3 The Simple, Classical Eyepieces E )Zd{9A5)
7.4 Design Story of an Eyepiece for a 6*30 Binocular e^l+#^fR
7.5 Four-Element Eyepieces YQ[&h
7.6 Five-Element Eyepieces bUg 2Bm!y
7.7 Very High Index Eyepiece/Magnifier :N'[de
7.8 Six- and Seven-Element Eyepieces 6[Pr<4J
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8 Cooke Triplet Anastigmats _tauhwu
8.1 Airspaced Triplet Anastigmats Wn9Mr2r!*,
8.2 Glass Choice iRr&'k
8.3 Vertex Length and Residual Aberrations {TN@KB
8.4 Other Design Considerations .qU%SmQ^
8.5 A Plastic, Aspheric Triplet Camera Lens pa> 2JF*
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 4>ce,*B1
8.7 Possible Improvement to Our “Basic” Triplet !E.lyz
8.7 The Rear Earth (Lanthanum) Glasses fB ,!|u
8.9 Aspherizing the Surfaces #L*@~M^]
8.10 Increasing the Element Thickness #p9z#kin
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9 Split Triplets .^+$w$
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10 The Tessar, Heliar, and Other Compounded Triplets gSo(PW)
10.1 The Classic Tessar p-03V"^&
10.2 The Heliar/Pentac W&re;?Z{ke
10.3 The Portrait Lens and the Enlarger Lens x jUH<LFxy
10.4 Other Compounded Triplets "OAZ<
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar DDCQ Af
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11 Double-Meniscus Anastigmats l?<z1Acd&
11.1 Meniscus Components N)I
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11.2 The Hypergon, Totogon, and Metrogon arH\QPaka'
11.3 A Two Element Aspheric Thick Meniscus Camera Lens hy`)]>9z~
11.4 Protar, Dagor, and Convertible Lenses N %/DN
11.5 The Split Dagor DO,&Foh\
11.6 The Dogmar s\1_-D5]Z
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens !5 :[X vI#
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12 The Biotar or Double-Gauss Lens Ol5xyj
12.1 The Basic Six-Element Version qN,FX#DP
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens %+W
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12.3 The Seven-Element Biotar - Split-Rear Singlet Z1lF[d,f;
12.4 The Seven-Element Biotar - Broken Contact Front Doublet JY8"TQ$x
12.5 The Seven-Element Biotar - One Compounded Outer Element s=@CeV@4W
12.6 The Eight-Element Biotar ~acK$.#
12.7 A “Doubled Double-Gauss” Relay ^3s&90
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13 Telephoto Lenses :Ty*i
13.1 The Basic Telephoto KcF+!;:
13.2 Close-up or Macro Lenses bvRGTOxO
13.3 Telephoto Designs .`#R%4Xl
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Gv3Fg[MA@c
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses BiCa "
14.1 The Reverse Telephoto Principle #]/T9:
14.2 The Basic Retrofocus Lens 05LQh
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses v23Uh2[@Yy
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15 Wide Angle Lenses with Negative Outer Lenses R'HA>?D
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16 The Petzval Lens; Head-up Display Lenses ;<R_j%*
16.1 The Petzval Portrait Lens O}!@28|3"
16.2 The Petzval Projection Lens To?
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16.3 The Petzval with a Field Flattener j;'Wf[V
16.4 Very Height Speed Petzval Lenses 5&Kn #
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems :Rx"WY
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17 Microscope Objectives Y rnqi-P
17.1 General Considerations 8J U~Q
17.2 Classic Objective Design Forms; The Aplanatic Front "(VcYQ+
17.3 Flat-Field Objectives 1Sk6[h'CL
17.4 Reflecting Objectives
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17.5 The Microscope Objective Designs L
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18 Mirror and Catadioptric Systems ?O
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18.1 The Good and Bad Points of Mirrors 2/N*Uk 0
18.2 The Classic Two-Mirror Systems fsuvg jlE
18.3 Catadioptric Systems .g?,:$`0D?
18.4 Aspheric Correctors and Schmidt Systems f+~!s 2uw
18.5 Confocal Paraboloids bu9&sQ;
18.6 Unobscured Systems 4ux5G`oL
18.7 Design of a Schmidt-Cassegrain “from Scratch” }Cg~::,"
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19 Infrared and Ultraviolet Systems `I{Q,HQ7
19.1 Infrared Optics CxQ,yd;>
19.2 IR Objective Lenses @23x;x
19.3 IR Telescope 0Ch._~Q+20
19.4 Laser Beam Expanders T^G<)IX`c
19,5 Ultraviolet Systems 'PbA/MN
19.6 Microlithographic Lenses e/\_F+jyc
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20 Zoom Lenses zD-8#H35X"
20.1 Zoom Lenses =upP3rw
20.2 Zoom Lenses for Point and Shoot Cameras dq(L1y870
20.3 A 20X Video Zoom Lens kn|l 3+
20.4 A Zoom Scanner Lens nQmYeM
20.5 A Possible Zoom Lens Design Procedure !S{<Xc'wv
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21 Projection TV Lenses and Macro Lenses 1zW6Pb
21.1 Projection TV Lenses <Rt@z|Zv
21.2 Macro Lenses )zV5KC{{
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22 Scanner/ , Laser Disk and Collimator Lenses pjM|}i<'Q
22.1 Monochromatic Systems NZP,hAUK,
22.2 Scanner Lenses 4gENV{L
22.3 Laser Disk, Focusing, and Collimator Lenses 1X.1t^HH:
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23 Tolerance Budgeting u)pBFs<dn
23.1 The Tolerance Budget RVnYe='
23.2 Additive Tolerances h]P$L>
23.3 Establishing the Tolerance Budget zt0 zKXw
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24 Formulary fh<G&E8
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24.1 Sign Conventions, Symbols, and Definitions {jG`l$$
24.2 The Cardinal Points YfKty0
24.3 Image Equations $0t
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24.4 Paraxial Ray Tracing (Surface by Surface) [NcOk,
24.5 Invariants ;0gpS y$#
24.6 Paraxial Ray Tracing (Component by Component) N/VIP0Kb
24.7 Two-Componenet Relationships 1[]cMyV
24.8 Third-Order Aberrations – Surface Contributions RoZV6U~
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs &@-glF5
24.10 Stop Shift Equations )' #(1
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces gId+hxFa:r
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 06$9Uz9
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Glossary 6 -}gqkR
Reference [4e5(!e
Index