[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith ]EnB`g(4;  
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Contents of Modern Lens Design 2nd Edition Rf^$?D&^  
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1    Introduction         &-:ZM0Fl  
1.1    Lens Design Books     Yev] Lp  
1.2    Reference Material     2RFYnDN  
1.3    Specifications     :rk=(=@8`  
1.4    Lens Design     ='`z  
1.5    Lens Design Program Features     a:r8Jzr  
1.6    About This Book     -+A
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2    Automatic Lens Design         yH|[K=?S[  
2.2    The Merit Function         8`v+
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2.3    Local Minima     MRR5j;4GK  
2.4    The Landscape Lens     %YkJA:  
2.5    Types of Merit Function     f*,jhJ_I  
2.6    Stagnation     $A;j
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2.7    Generalized Simulated Annealing     (#k>cA(}  
2.8    Considerations about Variables for Optimization     Dq/_^a/1  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems qjFz}6  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     /BjM&v(5/  
2.11    Spectral Weighting     9]<p  
2.12    How to Get Started     P^&%T?Y6z  
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3    Improving a Design     {F6>XuS=u  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     m2F2  
3.2    Glass Changes ( Index and V Values )     V(I!HT5.W  
3.3    Splitting Elements     Ebw1 %W KC  
3.4    Separating a Cemented Doublet     UbNA|`H  
3.5    Compounding an Element     VG0Ty;bV  
3.6    Vignetting and Its Uses     Uy2NZ%rnt  
3.7    Eliminating a Weak Element; the Concentric Problem     *1"xvle  
3.8    Balancing Aberrations     4y\qJw)~U  
3.9    The Symmetrical Principle     Px{Cvc  
3.10    Aspheric Surfaces     YT'G#U1x~  
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4    Evaluation: How Good is This Design     gqV66xmJ3  
4.1    The Uses of a Preliminary Evaluation     F0:|uC4  
4.2    OPD versus Measures of Performance     !m"LIa#/Cs  
4.3    Geometric Blur Spot Size versus Certain Aberrations     O=~8+sa  
4.4    Interpreting MTF - The Modulation Transfer Function     Ir&rTGFN  
4.5    Fabrication Considerations     W; yNg  
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5    Lens Design Data     +Z> Y//  
5.1    About the Sample Lens Designs     HK&Ul=^VN|  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     fFDI qX  
5.3    Estimating the Potential of a Redesign     TRP#b 7nC  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     ~A@T_*0  
5.5    Notes on the Interpretation of Ray Intercept Plots     YXz*B5R  
5.6    Various Evaluation Plot     %J(y2 }  
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6    Telescope Objective     Ne<={u%  
6.1    The Thin Airspaced Doublet    
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6.2    Merit Function for a Telescope Objective     \d"JYym  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     G&,1 NjSi  
6.4    Spherochromatism     URU,&gy=  
6.5    Zonal Spherical Aberration     `_%UK=m  
6.6    Induced Aberrations     ha[c<e]uo[  
6.7    Three-Element Objectives     o>WB,i^G  
6.8    Secondary Spectrum (Apochromatic Systems)     =
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6.9    The Design of an f/7 Apochromatic Triplet     TL&`Ywy  
6.10    The Diffractive Surface in Lens Design     KuBN_bd  
6.11    A Final Note     ~o{GQ>  
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7    Eyepieces and Magnifiers     ?tzJ7PJ~B  
7.1    Eyepieces     kY>jp@wV  
7.2    A Pair of Magnifier Designs     S!+c1q: ].  
7.3    The Simple, Classical Eyepieces     mj{B_3b5  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     ;f;A"  
7.5    Four-Element Eyepieces     eTg8I/)%B  
7.6    Five-Element Eyepieces     di.yh3N$  
7.7    Very High Index Eyepiece/Magnifier     a8 X}r.  
7.8    Six- and Seven-Element Eyepieces     o;'E("!<Z  
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8    Cooke Triplet Anastigmats     /{1sU}k-  
8.1    Airspaced Triplet Anastigmats     ga?:k,xv  
8.2    Glass Choice     |Gp!#D0b
  
8.3    Vertex Length and Residual Aberrations     ?^Gi;d5  
8.4    Other Design Considerations     k+9*7y8w  
8.5    A Plastic, Aspheric Triplet Camera Lens     ->Z9j(JU  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet cp1-eR_&  
8.7    Possible Improvement to Our “Basic” Triplet     G^r`)ND  
8.7    The Rear Earth (Lanthanum) Glasses     @JW HG1qJ  
8.9    Aspherizing the Surfaces     EPEWyGw  
8.10    Increasing the Element Thickness     wnioIpRkh  
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9    Split Triplets     26M:D&|ZB  
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10    The Tessar, Heliar, and Other Compounded Triplets     I+oe{#
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10.1    The Classic Tessar     V}3'0  
10.2    The Heliar/Pentac     )Ehi8  
10.3    The Portrait Lens and the Enlarger Lens     o*MiKgQ&  
10.4    Other Compounded Triplets     @%lkRU)  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar j_I[k8z  
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11    Double-Meniscus Anastigmats     J.EBt3  
11.1    Meniscus Components     2[Ofa(mkkp  
11.2    The Hypergon, Totogon, and Metrogon     =Bg $OX  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     2LfiaHO  
11.4    Protar, Dagor, and Convertible Lenses     DCsamOA~  
11.5    The Split Dagor     Z8Iqgz7|y  
11.6    The Dogmar     !hs33@*u~  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens    
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12    The Biotar or Double-Gauss Lens     o3"Nxq"U  
12.1    The Basic Six-Element Version     ` 0$i^,}  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens tJG+k)EE  
12.3    The Seven-Element Biotar - Split-Rear Singlet     HLe/|x\@<  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     Iuyq!R4:7  
12.5    The Seven-Element Biotar - One Compounded Outer Element     a}e GB +  
12.6    The Eight-Element Biotar     dhX$b!DA  
12.7    A “Doubled Double-Gauss” Relay     {+~ JTrp  
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13    Telephoto Lenses     <x8I<K  
13.1    The Basic Telephoto     DsB30  
13.2    Close-up or Macro Lenses     ^B_SAZ&%%  
13.3    Telephoto Designs     iQJa6QF&:  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     eMV{rFmT  
14.1    The Reverse Telephoto Principle     e#U@n j6  
14.2    The Basic Retrofocus Lens     2Z-[x9t  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     !/a![Ne  
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15    Wide Angle Lenses with Negative Outer Lenses     E<ILZpP
 

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16    The Petzval Lens; Head-up Display Lenses     +CVB[r#hu  
16.1    The Petzval Portrait Lens     5tI#UBha  
16.2    The Petzval Projection Lens     S:K$fFcJ  
16.3    The Petzval with a Field Flattener     fsl ZJE  
16.4    Very Height Speed Petzval Lenses     s{Og3qUy  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     ?f$U8A4lp  
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17    Microscope Objectives     f\rE{%  
17.1    General Considerations     .L9g*q/}  
17.2    Classic Objective Design Forms; The Aplanatic Front     }4g$aTc  
17.3    Flat-Field Objectives     $bDaZGy  
17.4    Reflecting Objectives     YV8PybThc  
17.5    The Microscope Objective Designs     =P9Tc"2PN  
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18    Mirror and Catadioptric Systems     !|W.YbS  
18.1    The Good and Bad Points of Mirrors     VKtlAfXy~  
18.2    The Classic Two-Mirror Systems 2,Aw6h;  
18.3    Catadioptric Systems     C hQ] d  
18.4    Aspheric Correctors and Schmidt Systems     ? 'qyI^m@  
18.5    Confocal Paraboloids     W}y)vrL  
18.6    Unobscured Systems     No8-Hm  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     .VR~[aD  
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19    Infrared and Ultraviolet Systems     ^AShy`o^X  
19.1    Infrared Optics     `g_r<EY8/  
19.2    IR Objective Lenses     .l hS
 
19.3    IR Telescope     ;"2VU"  
19.4    Laser Beam Expanders     !>"fDz<w`  
19,5    Ultraviolet Systems     jo?[M  
19.6    Microlithographic Lenses     o[1#)&  
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20    Zoom Lenses     Z4X, D`s  
20.1    Zoom Lenses     1S(n3(KRk$  
20.2    Zoom Lenses for Point and Shoot Cameras    
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20.3    A 20X Video Zoom Lens     .R@s6}C`}=  
20.4    A Zoom Scanner Lens     Sgr. V)  
20.5    A Possible Zoom Lens Design Procedure     E]v]fy"  
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21    Projection TV Lenses and Macro Lenses     eIEL';N6  
21.1    Projection TV Lenses     p>O/H1US;  
21.2    Macro Lenses     o*artMkG  
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22    Scanner/ , Laser Disk and Collimator Lenses     @`#x:p:  
22.1    Monochromatic Systems     : h(Z\D_  
22.2    Scanner Lenses     Yg?BcY\  
22.3    Laser Disk, Focusing, and Collimator Lenses     Yo1]HG(kXB  
    pH2/."zE<  
23    Tolerance Budgeting     \4LTViY]  
23.1    The Tolerance Budget     Q lA?dXQ  
23.2    Additive Tolerances     QFnpp\K  
23.3    Establishing the Tolerance Budget     S8B?uU  
5]GgjQ  
24    Formulary /\_n5XI1  
24.1    Sign Conventions, Symbols, and Definitions     kxN O9w  
24.2    The Cardinal Points     eM 5#L,Y{  
24.3    Image Equations     ZW9OPwV  
24.4    Paraxial Ray Tracing (Surface by Surface)     ?:M4GY"gV  
24.5    Invariants     AAs&P+;  
24.6    Paraxial Ray Tracing (Component by Component)     |AacV  
24.7    Two-Componenet Relationships     p!~1~q
6  
24.8    Third-Order Aberrations – Surface Contributions     @e&0Wk  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     ,v 2^Ui  
24.10    Stop Shift Equations     SB08-G2  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     3u/AqL  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     $5/d?q-ts{  
G
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Glossary $qr6LIKGw  
Reference !zm;C@}ln  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 [8IO0lul+  
我怎么瞧不明白。

有没有人呀 UAhWJ$(C  
有个问题想请教大家