"Modern Lens Design" 2nd Edition by Warren J. Smith ItI0x
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Contents of Modern Lens Design 2nd Edition K(nS$x1G
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1 Introduction :}y9$p
1.1 Lens Design Books 3CR@'
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1.2 Reference Material b?_e+:\UV
1.3 Specifications fdlvn*H
1.4 Lens Design YD&|1h
1.5 Lens Design Program Features m\>|C1oRy
1.6 About This Book 60!1D>,
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2 Automatic Lens Design .L9']zXc`
2.2 The Merit Function #6Jc}g<?g
2.3 Local Minima L0rip5[;d
2.4 The Landscape Lens wfgqgPo!v
2.5 Types of Merit Function [SVhtrx|%
2.6 Stagnation L7'%;?Z
2.7 Generalized Simulated Annealing wV(AT$
2.8 Considerations about Variables for Optimization |]`hXr
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems kv6Cp0uFg
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits vCw<G6tD
2.11 Spectral Weighting X) V7bVW
2.12 How to Get Started +`@M*kd
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3 Improving a Design r-}-C!
3.1 Lens Design Tip Sheet: Standard Improvement Techniques `vd= ec
3.2 Glass Changes ( Index and V Values ) 'JieIKu
3.3 Splitting Elements r9#
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3.4 Separating a Cemented Doublet h.)h@$d
3.5 Compounding an Element dBSbu=^$ )
3.6 Vignetting and Its Uses _A98
3.7 Eliminating a Weak Element; the Concentric Problem j9d!yW
3.8 Balancing Aberrations {:Aw_z:'
3.9 The Symmetrical Principle &?0:v`4Y
3.10 Aspheric Surfaces W+Xz$j/u
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4 Evaluation: How Good is This Design 'fx UV<K&
4.1 The Uses of a Preliminary Evaluation Qck|#tc
4.2 OPD versus Measures of Performance &$'z
4.3 Geometric Blur Spot Size versus Certain Aberrations .~>?*}
4.4 Interpreting MTF - The Modulation Transfer Function +uo{ m~_4
4.5 Fabrication Considerations eujK4s
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5 Lens Design Data
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5.1 About the Sample Lens Designs .B72C[' c
5.2 Lens Prescriptions, Drawings, and Aberration Plots ]5Qy
5.3 Estimating the Potential of a Redesign
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5.4 Scaling a Desing, Its Aberrations, and Its MTF )@gZ;`n
5.5 Notes on the Interpretation of Ray Intercept Plots %zBCq"y
5.6 Various Evaluation Plot iD`d99f8O
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6 Telescope Objective fX~'Zk\u
6.1 The Thin Airspaced Doublet -d+aV1n
6.2 Merit Function for a Telescope Objective 5| B(\wqG
6.3 The Design of an f/7 Cemented Doublet Telescope Objective urBc=3Rz
6.4 Spherochromatism y [#pC<^
6.5 Zonal Spherical Aberration 7O5`v(<9n>
6.6 Induced Aberrations t5B7I59
6.7 Three-Element Objectives \1"'E@+
6.8 Secondary Spectrum (Apochromatic Systems) ko;>#::
6.9 The Design of an f/7 Apochromatic Triplet q h/F
6.10 The Diffractive Surface in Lens Design 7 c|bc6?
6.11 A Final Note =GlVc cc
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7 Eyepieces and Magnifiers Tm}rH]F&
7.1 Eyepieces aNcd`
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7.2 A Pair of Magnifier Designs FBx_c;)9Z
7.3 The Simple, Classical Eyepieces N|N3x7=gs
7.4 Design Story of an Eyepiece for a 6*30 Binocular KWAb-yB
7.5 Four-Element Eyepieces Snp|!e
7.6 Five-Element Eyepieces :Z`:nq.a
7.7 Very High Index Eyepiece/Magnifier SIO&rrT.
7.8 Six- and Seven-Element Eyepieces }En
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8 Cooke Triplet Anastigmats :B3[:MpL}
8.1 Airspaced Triplet Anastigmats 1b=lpw1}
8.2 Glass Choice Lbe\@S
8.3 Vertex Length and Residual Aberrations vEf4HZ&w
8.4 Other Design Considerations XL#[%X9
8.5 A Plastic, Aspheric Triplet Camera Lens !cKz7?w
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet zp\8_ U@
8.7 Possible Improvement to Our “Basic” Triplet kEwaT$
8.7 The Rear Earth (Lanthanum) Glasses 3bO(?l`3h
8.9 Aspherizing the Surfaces C{TA.\
8.10 Increasing the Element Thickness %ZHP2j
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9 Split Triplets a]Lp?
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10 The Tessar, Heliar, and Other Compounded Triplets wFG3KzEq ~
10.1 The Classic Tessar h -iJlm
10.2 The Heliar/Pentac +`3!I
10.3 The Portrait Lens and the Enlarger Lens
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10.4 Other Compounded Triplets Gy=B&bo