"Modern Lens Design" 2nd Edition by Warren J. Smith +qS$t
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Contents of Modern Lens Design 2nd Edition fwl
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1 Introduction %|,j'V$
1.1 Lens Design Books \<z{@
1.2 Reference Material `,7BU??+u
1.3 Specifications C(gH}N4
1.4 Lens Design 8o4
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1.5 Lens Design Program Features :W'1Q2
1.6 About This Book LL,~&5{
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2 Automatic Lens Design HWs?,AJNxB
2.2 The Merit Function 4QDF%#~q^
2.3 Local Minima x&?35B
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2.4 The Landscape Lens #D}NT*w/
2.5 Types of Merit Function 9h9Y:i*Gh5
2.6 Stagnation 4Q!*h8O
2.7 Generalized Simulated Annealing @w|~:>/g
2.8 Considerations about Variables for Optimization fCF9 3,?$
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems *J%+zH
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits f:HRrKf9
2.11 Spectral Weighting 2#py>rF(
2.12 How to Get Started "2Ye\#BU6
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3 Improving a Design A>'o5+
3.1 Lens Design Tip Sheet: Standard Improvement Techniques LL:B
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3.2 Glass Changes ( Index and V Values ) g/T`4"p[H
3.3 Splitting Elements O"{NHNG\oT
3.4 Separating a Cemented Doublet K@?S0KMK
3.5 Compounding an Element oFY'Ek;d
3.6 Vignetting and Its Uses fHe3 :a5+W
3.7 Eliminating a Weak Element; the Concentric Problem Z4rK$B
3.8 Balancing Aberrations YgVZq\AV"
3.9 The Symmetrical Principle i*F^;-q)
3.10 Aspheric Surfaces L%=u&9DmU
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4 Evaluation: How Good is This Design Q+#, VuM
4.1 The Uses of a Preliminary Evaluation i #8)ad
4.2 OPD versus Measures of Performance L-$GQGk{
4.3 Geometric Blur Spot Size versus Certain Aberrations '5{gWV`
4.4 Interpreting MTF - The Modulation Transfer Function
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4.5 Fabrication Considerations Z}XA(;ck
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5 Lens Design Data `A?/Ww>;
5.1 About the Sample Lens Designs k2O==IG]6
5.2 Lens Prescriptions, Drawings, and Aberration Plots y5oiH
5.3 Estimating the Potential of a Redesign E*k=8$Y
5.4 Scaling a Desing, Its Aberrations, and Its MTF M|e@N
5.5 Notes on the Interpretation of Ray Intercept Plots R{Cj]:Ky
5.6 Various Evaluation Plot 6R"& !.ZF
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6 Telescope Objective %/~Sq?f-9@
6.1 The Thin Airspaced Doublet RD,`D!
6.2 Merit Function for a Telescope Objective {:!*1L
6.3 The Design of an f/7 Cemented Doublet Telescope Objective _W&.{
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6.4 Spherochromatism d+z8^$z"
6.5 Zonal Spherical Aberration hoPCbjkov
6.6 Induced Aberrations 3rOv j&2
6.7 Three-Element Objectives o2&mhT
6.8 Secondary Spectrum (Apochromatic Systems) 9'T
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6.9 The Design of an f/7 Apochromatic Triplet BK6oW3wD/
6.10 The Diffractive Surface in Lens Design
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6.11 A Final Note %~G)xK?W*
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7 Eyepieces and Magnifiers &@nI(PXv
7.1 Eyepieces W!htCwnkF
7.2 A Pair of Magnifier Designs kOeW,:&65
7.3 The Simple, Classical Eyepieces ".~,(*
7.4 Design Story of an Eyepiece for a 6*30 Binocular Ptn0;GC
7.5 Four-Element Eyepieces MT}9T
7.6 Five-Element Eyepieces w8$8P
7.7 Very High Index Eyepiece/Magnifier X`#vH8
7.8 Six- and Seven-Element Eyepieces 08cCrG
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8 Cooke Triplet Anastigmats UJ
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8.1 Airspaced Triplet Anastigmats g \&Z_
8.2 Glass Choice z'j4^Xz?%$
8.3 Vertex Length and Residual Aberrations RMDzPda.
8.4 Other Design Considerations ={B%qq
8.5 A Plastic, Aspheric Triplet Camera Lens d3<7t
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet /Rf:Z.L
8.7 Possible Improvement to Our “Basic” Triplet KZ>cfv-&a
8.7 The Rear Earth (Lanthanum) Glasses >-0Rq[)
8.9 Aspherizing the Surfaces 4*P#3 B'@V
8.10 Increasing the Element Thickness J>TNyVaoQ
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9 Split Triplets +d>?aqI\A
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10 The Tessar, Heliar, and Other Compounded Triplets T1_O~<
10.1 The Classic Tessar 8,7^@[bzXx
10.2 The Heliar/Pentac X @RS
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10.3 The Portrait Lens and the Enlarger Lens .J"QW~g^
10.4 Other Compounded Triplets TD!--l*gL
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar <Z5-?wgf9
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11 Double-Meniscus Anastigmats FC@h6\+a
11.1 Meniscus Components 3K!(/,`
11.2 The Hypergon, Totogon, and Metrogon O`K2mt\%
11.3 A Two Element Aspheric Thick Meniscus Camera Lens N:x--,2
11.4 Protar, Dagor, and Convertible Lenses J2adG+=
11.5 The Split Dagor 3:C)1q
11.6 The Dogmar ~t^
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens rP|~d}+I
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12 The Biotar or Double-Gauss Lens <-;/,uu
12.1 The Basic Six-Element Version 0Q?)?8_
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens B\S}*IE
12.3 The Seven-Element Biotar - Split-Rear Singlet @QteC@k
12.4 The Seven-Element Biotar - Broken Contact Front Doublet {ppzg`G\
12.5 The Seven-Element Biotar - One Compounded Outer Element K*I!:1;3N
12.6 The Eight-Element Biotar mX 3p
12.7 A “Doubled Double-Gauss” Relay Znr@-=xZO*
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13 Telephoto Lenses :^7>kJ5?
13.1 The Basic Telephoto hh8Grl;
13.2 Close-up or Macro Lenses xP4}LL9)
13.3 Telephoto Designs ;NU-\<Q{
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch @,Z0u2WLl6
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Ps!umV
14.1 The Reverse Telephoto Principle $vrkxn
14.2 The Basic Retrofocus Lens 5skxixG
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Z<^;Ybw{`Z
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15 Wide Angle Lenses with Negative Outer Lenses n,U?]mr
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16 The Petzval Lens; Head-up Display Lenses ])}a^]0q
16.1 The Petzval Portrait Lens H-vHcqFx3
16.2 The Petzval Projection Lens u
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16.3 The Petzval with a Field Flattener m _cRK}>
16.4 Very Height Speed Petzval Lenses ,qx^D
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems )fHr]#v
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17 Microscope Objectives JIhEkY
17.1 General Considerations e2f+Fv
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17.2 Classic Objective Design Forms; The Aplanatic Front q3AqU?f
17.3 Flat-Field Objectives 0:f]&Ng
17.4 Reflecting Objectives l+[:Cni
17.5 The Microscope Objective Designs NMe{1RM
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18 Mirror and Catadioptric Systems om`T/@_,
18.1 The Good and Bad Points of Mirrors M?!@L:b[
18.2 The Classic Two-Mirror Systems U.KQjBi
18.3 Catadioptric Systems MjU|XQS:
18.4 Aspheric Correctors and Schmidt Systems _Ao$)Gu)
18.5 Confocal Paraboloids l% T4:p4e
18.6 Unobscured Systems p}^5ru
18.7 Design of a Schmidt-Cassegrain “from Scratch” yVII<ImqIH
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19 Infrared and Ultraviolet Systems AH|gI2
19.1 Infrared Optics GL=}Vu`(*
19.2 IR Objective Lenses ,Klv[_x7
19.3 IR Telescope ;eN
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19.4 Laser Beam Expanders r/2=
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19,5 Ultraviolet Systems z@yTkH_
19.6 Microlithographic Lenses )P$|9<_q7x
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20 Zoom Lenses s{-gsSmE
20.1 Zoom Lenses fC[za,PXaE
20.2 Zoom Lenses for Point and Shoot Cameras b~J)LXj]w
20.3 A 20X Video Zoom Lens d=/0A\O
20.4 A Zoom Scanner Lens lj (y
20.5 A Possible Zoom Lens Design Procedure Zz0e4C
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21 Projection TV Lenses and Macro Lenses nN\H'{Wzd
21.1 Projection TV Lenses 83n%pS4x
21.2 Macro Lenses $@D a|d4
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22 Scanner/ , Laser Disk and Collimator Lenses L5-|-PP|;
22.1 Monochromatic Systems aYWWln
22.2 Scanner Lenses Ks-$:~?5":
22.3 Laser Disk, Focusing, and Collimator Lenses WwDM^}e
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23 Tolerance Budgeting 1z?}'&:
23.1 The Tolerance Budget %GHGd'KO&
23.2 Additive Tolerances Q?#I{l)V(
23.3 Establishing the Tolerance Budget Dwp,d~z
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24 Formulary >Icr4?zq
24.1 Sign Conventions, Symbols, and Definitions Mfj82rHg
24.2 The Cardinal Points H$KO[mW}
24.3 Image Equations vrkY7L3\
24.4 Paraxial Ray Tracing (Surface by Surface) FTf#"'O
24.5 Invariants n t}7|h|
24.6 Paraxial Ray Tracing (Component by Component) =]Vz=<
24.7 Two-Componenet Relationships Xw-[Sf]p
24.8 Third-Order Aberrations – Surface Contributions # ]7Lieh[5
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs FACw;/rW
24.10 Stop Shift Equations or/gx 3
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces G0E5Y;YIN$
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) vADiW~^Q^
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Glossary gc9R;B1
Reference #Wk=y?sn
Index