"Modern Lens Design" 2nd Edition by Warren J. Smith hI Q 2s
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Contents of Modern Lens Design 2nd Edition h|Z%b_a
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1 Introduction -<MA\iSP
1.1 Lens Design Books |?=a84n1l
1.2 Reference Material 5:r*em
1.3 Specifications FWu[{X;
1.4 Lens Design F{;{o^Pv
1.5 Lens Design Program Features %40uw3
1.6 About This Book =mWr8p-H
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2 Automatic Lens Design P_{jZ}y(
2.2 The Merit Function g4"0:^/
2.3 Local Minima ,|u^-J@
2.4 The Landscape Lens wEu"X
2.5 Types of Merit Function S>y(3E]I
2.6 Stagnation AXmW7/Sj"
2.7 Generalized Simulated Annealing 9f/RD?(1O
2.8 Considerations about Variables for Optimization =iZj&B X
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems F[HMX4
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits CRKuN
2.11 Spectral Weighting -hjGPu
2.12 How to Get Started ~lSdWUk>
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3 Improving a Design e_iXR#bZc
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ;3 |Z}P
3.2 Glass Changes ( Index and V Values ) eq<giHJM
3.3 Splitting Elements 72;4
3.4 Separating a Cemented Doublet bU+
z(Eg6
3.5 Compounding an Element D;RZE
3.6 Vignetting and Its Uses W{6%Hhp
3.7 Eliminating a Weak Element; the Concentric Problem n@
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3.8 Balancing Aberrations h9J%NH
3.9 The Symmetrical Principle -kZOve|5
3.10 Aspheric Surfaces ;uK">L[u'
k 6)ThIG
4 Evaluation: How Good is This Design :j=/>d],%
4.1 The Uses of a Preliminary Evaluation sh|@X\EZO
4.2 OPD versus Measures of Performance _h7qS
4.3 Geometric Blur Spot Size versus Certain Aberrations %?`TyVt&0
4.4 Interpreting MTF - The Modulation Transfer Function qDzd_E@aR
4.5 Fabrication Considerations vi:IO
265sNaX
5 Lens Design Data NjL^FqA[
5.1 About the Sample Lens Designs ={GYJ.*Ah
5.2 Lens Prescriptions, Drawings, and Aberration Plots rElbzL"&<
5.3 Estimating the Potential of a Redesign >AsrPU[
5.4 Scaling a Desing, Its Aberrations, and Its MTF vXA+4 ?ZG
5.5 Notes on the Interpretation of Ray Intercept Plots fQ@k$W\
5.6 Various Evaluation Plot D-GI rw{>5
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6 Telescope Objective &q?A)R
6.1 The Thin Airspaced Doublet FN)vFQ#J
6.2 Merit Function for a Telescope Objective <+%#xi/_
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ?cF-w!>o8
6.4 Spherochromatism uk\-"dS
6.5 Zonal Spherical Aberration Uz&XqjS
6.6 Induced Aberrations yhBf %m
6.7 Three-Element Objectives :Jz@` s1n
6.8 Secondary Spectrum (Apochromatic Systems) No1*~EQ
6.9 The Design of an f/7 Apochromatic Triplet @fML.AT
6.10 The Diffractive Surface in Lens Design %I&[:
6.11 A Final Note :gvw5h%
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7 Eyepieces and Magnifiers [`u3SN/P
7.1 Eyepieces qxR7;/@j )
7.2 A Pair of Magnifier Designs { 4(E
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7.3 The Simple, Classical Eyepieces ;is *[r\|1
7.4 Design Story of an Eyepiece for a 6*30 Binocular eb uR-9
7.5 Four-Element Eyepieces @H?_x/qBT
7.6 Five-Element Eyepieces _ zh>q4M
7.7 Very High Index Eyepiece/Magnifier 9w%|Nk>=>
7.8 Six- and Seven-Element Eyepieces 0A7 qO1%xw
H /kSFf{
8 Cooke Triplet Anastigmats ^3qo%=i
8.1 Airspaced Triplet Anastigmats :=I@<@82W
8.2 Glass Choice 6jGPmOM/
8.3 Vertex Length and Residual Aberrations =h#3D?b0n
8.4 Other Design Considerations `k>h2(@9S
8.5 A Plastic, Aspheric Triplet Camera Lens RH+'"f
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet U!0 Qf7D
8.7 Possible Improvement to Our “Basic” Triplet tc_D8Q_
8.7 The Rear Earth (Lanthanum) Glasses pX nY=
8.9 Aspherizing the Surfaces yLo{^4a.
8.10 Increasing the Element Thickness ?Cu1"bl
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9 Split Triplets bg8<}~zg
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10 The Tessar, Heliar, and Other Compounded Triplets ikSm;.
10.1 The Classic Tessar ]Gm$0uS
10.2 The Heliar/Pentac Mk*&CNo3
10.3 The Portrait Lens and the Enlarger Lens m
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10.4 Other Compounded Triplets T2nbU6H
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar e2SU)Tr%b
5K~kzRL$r
11 Double-Meniscus Anastigmats b`4R`mo
11.1 Meniscus Components Or0eY#c
11.2 The Hypergon, Totogon, and Metrogon }P5zf$
11.3 A Two Element Aspheric Thick Meniscus Camera Lens | Q
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11.4 Protar, Dagor, and Convertible Lenses V
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11.5 The Split Dagor q*<Fy4j
11.6 The Dogmar @Gs*y1
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens X>n\@rTo
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12 The Biotar or Double-Gauss Lens [I`r[u
12.1 The Basic Six-Element Version ,@_$acm
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens S_z}h
12.3 The Seven-Element Biotar - Split-Rear Singlet ,C#Mf@b
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Bh9O<|E
12.5 The Seven-Element Biotar - One Compounded Outer Element yAu-BObD
12.6 The Eight-Element Biotar hLVS}HE2
12.7 A “Doubled Double-Gauss” Relay M NE{mV(
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13 Telephoto Lenses 6z^Kg~a
13.1 The Basic Telephoto Yfk){1
13.2 Close-up or Macro Lenses c
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13.3 Telephoto Designs O};U3=^0f
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]7QRelMiz+
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 9.KOrg5}L
14.1 The Reverse Telephoto Principle H!F Cerg
14.2 The Basic Retrofocus Lens UF[2Rb8?
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -%&_LE9ZtS
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15 Wide Angle Lenses with Negative Outer Lenses wff&ci28
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16 The Petzval Lens; Head-up Display Lenses 00') Ol&
16.1 The Petzval Portrait Lens Lp; {&=PIo
16.2 The Petzval Projection Lens _Ee`Uk
16.3 The Petzval with a Field Flattener &^ sgR$m
16.4 Very Height Speed Petzval Lenses vG(Gs=.U
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Y$%/H"1bk
Md \yXp
17 Microscope Objectives })V9d
17.1 General Considerations q16RPqfT
17.2 Classic Objective Design Forms; The Aplanatic Front tHSe>*eC
17.3 Flat-Field Objectives +Y!9)~f}7X
17.4 Reflecting Objectives ,x| 4nk_
17.5 The Microscope Objective Designs DWB.dP *8
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18 Mirror and Catadioptric Systems 7qB}Hvh
18.1 The Good and Bad Points of Mirrors _y}]j;e8>{
18.2 The Classic Two-Mirror Systems %]JSDb=C
18.3 Catadioptric Systems Le9^,B@Pb
18.4 Aspheric Correctors and Schmidt Systems 1}e1:m]r
18.5 Confocal Paraboloids Y{X79Rd
18.6 Unobscured Systems zcGeXX}V?
18.7 Design of a Schmidt-Cassegrain “from Scratch” \(t.|
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19 Infrared and Ultraviolet Systems k+>-?S,
19.1 Infrared Optics j2T
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19.2 IR Objective Lenses 7|6uY
19.3 IR Telescope @O}%sjC1
19.4 Laser Beam Expanders y4aSf2
19,5 Ultraviolet Systems _ x&Y'X|
19.6 Microlithographic Lenses nB ?$W4
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20 Zoom Lenses U2=l; R{
20.1 Zoom Lenses B$aA=+<S
20.2 Zoom Lenses for Point and Shoot Cameras ]KfjZ!Qh
20.3 A 20X Video Zoom Lens [HB>\
20.4 A Zoom Scanner Lens Hm|8ydNs
20.5 A Possible Zoom Lens Design Procedure sE$!MQb
.OM m"RtK
21 Projection TV Lenses and Macro Lenses f&glY`s#
21.1 Projection TV Lenses dxkq*
21.2 Macro Lenses ANEW^\
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22 Scanner/ , Laser Disk and Collimator Lenses B&&:A4
22.1 Monochromatic Systems [*U6L<JI
22.2 Scanner Lenses 4l+"J:,
22.3 Laser Disk, Focusing, and Collimator Lenses q3\
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23 Tolerance Budgeting K_
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23.1 The Tolerance Budget rvZXK<@#+
23.2 Additive Tolerances [psW+3{bG
23.3 Establishing the Tolerance Budget bX%9'O [-
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24 Formulary ~"89NVk"
24.1 Sign Conventions, Symbols, and Definitions
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24.2 The Cardinal Points +^n [B
24.3 Image Equations {)]5o| Hx
24.4 Paraxial Ray Tracing (Surface by Surface) b f.__3{
24.5 Invariants XTpYf
24.6 Paraxial Ray Tracing (Component by Component) (j;s6g0
24.7 Two-Componenet Relationships ?sV0T)uk
24.8 Third-Order Aberrations – Surface Contributions M<oIo036
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs mt$0p|B8
24.10 Stop Shift Equations 4(>|f_$
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 6m_
fEkS[
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Y.&nxT95=
A L|F
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Glossary iB1"aE3
Reference ?yop#tjCbY
Index