[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith sS$- PX C  
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Contents of Modern Lens Design 2nd Edition ]AGJPuX  
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1    Introduction         4>gMe3]0  
1.1    Lens Design Books     qu[x=LZ_  
1.2    Reference Material     <bf^'$l  
1.3    Specifications     k:w\4Oqd  
1.4    Lens Design     r^?%N3  
1.5    Lens Design Program Features     OwQ 9y<v  
1.6    About This Book     E$FXs~a  
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2    Automatic Lens Design         MQQ!@I`  
2.2    The Merit Function         J|Lk::Ri  
2.3    Local Minima     [JGa
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2.4    The Landscape Lens     f#l/N%VoBZ  
2.5    Types of Merit Function     (iK0T.  
2.6    Stagnation     VPf*>ph=  
2.7    Generalized Simulated Annealing     ~`MGXd"o  
2.8    Considerations about Variables for Optimization     u+zq:2)H6  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems flLC\  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     n\ma5"n0=\  
2.11    Spectral Weighting     ?|:!PF*L~z  
2.12    How to Get Started     }@OykN  
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3    Improving a Design     #cQ[ vE)y  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     Lvc*L6  
3.2    Glass Changes ( Index and V Values )     1C=}4^Pu  
3.3    Splitting Elements     f$k#\=2%  
3.4    Separating a Cemented Doublet     XTyn[n  
3.5    Compounding an Element     QH4nb h4  
3.6    Vignetting and Its Uses     "_C^Bc  
3.7    Eliminating a Weak Element; the Concentric Problem     y-"*[5{W  
3.8    Balancing Aberrations     F5J=+Q%8[&  
3.9    The Symmetrical Principle     5-w6(uu  
3.10    Aspheric Surfaces     A{;b^IK  
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4    Evaluation: How Good is This Design     /PIU@$DV  
4.1    The Uses of a Preliminary Evaluation     jjz<V(Sk  
4.2    OPD versus Measures of Performance     gB<p  
4.3    Geometric Blur Spot Size versus Certain Aberrations     \nx^=4*yk  
4.4    Interpreting MTF - The Modulation Transfer Function     e9q/[xMi  
4.5    Fabrication Considerations     `a2Oj@jP  
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5    Lens Design Data     slHlfWHq  
5.1    About the Sample Lens Designs     q!<`ci,uS  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     (>>pla^  
5.3    Estimating the Potential of a Redesign     N:clwmo  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     mxQS9y
 
5.5    Notes on the Interpretation of Ray Intercept Plots     OR( )D~:n  
5.6    Various Evaluation Plot     X?Omk, '  
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6    Telescope Objective     )u]<8  
6.1    The Thin Airspaced Doublet     \
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6.2    Merit Function for a Telescope Objective     *`);_EVc  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     u3 ?+Hu|*T  
6.4    Spherochromatism     R8\y|p#c  
6.5    Zonal Spherical Aberration     8{JTR|yB  
6.6    Induced Aberrations     K~@-*8%  
6.7    Three-Element Objectives     e
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6.8    Secondary Spectrum (Apochromatic Systems)     kd'qYh  
6.9    The Design of an f/7 Apochromatic Triplet     =}r&>|rrJ  
6.10    The Diffractive Surface in Lens Design     c.,:rX0S  
6.11    A Final Note     p0$K.f| ^  
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7    Eyepieces and Magnifiers     0} liK  
7.1    Eyepieces     >H5BY9]I  
7.2    A Pair of Magnifier Designs     cPI #XPM=  
7.3    The Simple, Classical Eyepieces     @OFl^
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7.4    Design Story of an Eyepiece for a 6*30 Binocular     <W/-[ M  
7.5    Four-Element Eyepieces     g=b[V   
7.6    Five-Element Eyepieces     tJ.LPgfZ  
7.7    Very High Index Eyepiece/Magnifier     {)ZbOq2  
7.8    Six- and Seven-Element Eyepieces     4m#i4  
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8    Cooke Triplet Anastigmats     Lvv`
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8.1    Airspaced Triplet Anastigmats     U`<EpO{j|  
8.2    Glass Choice     .XURI#b  
8.3    Vertex Length and Residual Aberrations     #&r^~>,#L-  
8.4    Other Design Considerations     Zi@?g IiX  
8.5    A Plastic, Aspheric Triplet Camera Lens     2;[75(l6|}  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet $NG}YOP)@  
8.7    Possible Improvement to Our “Basic” Triplet     WU#bA|Cf  
8.7    The Rear Earth (Lanthanum) Glasses     UH%?{>oRh  
8.9    Aspherizing the Surfaces     in#qV  
8.10    Increasing the Element Thickness     PM=I
 
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9    Split Triplets     w:'$Uf8]  
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10    The Tessar, Heliar, and Other Compounded Triplets     9Wx q  
10.1    The Classic Tessar     _h@7>+vl~  
10.2    The Heliar/Pentac     }[D~#Z!k  
10.3    The Portrait Lens and the Enlarger Lens     8xg:ItJaA0  
10.4    Other Compounded Triplets     _*bXVJ ]  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar c !P9`l~MQ  
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11    Double-Meniscus Anastigmats     f:"es: Fb  
11.1    Meniscus Components     cy^6g?ew  
11.2    The Hypergon, Totogon, and Metrogon     Yq`r>g  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     c4L5"_#`x-  
11.4    Protar, Dagor, and Convertible Lenses     .yi.GRk  
11.5    The Split Dagor     nsw.\(#  
11.6    The Dogmar     a2Q9tt>Q  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     ,!%[CpM3  
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12    The Biotar or Double-Gauss Lens    
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12.1    The Basic Six-Element Version     jW
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 6=A++H@  
12.3    The Seven-Element Biotar - Split-Rear Singlet     aKH\8O4L5  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     >?U(w<  
12.5    The Seven-Element Biotar - One Compounded Outer Element     Rc?wIL)  
12.6    The Eight-Element Biotar     vj?9X5A_  
12.7    A “Doubled Double-Gauss” Relay     ?PyI#G   
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13    Telephoto Lenses     vWe)cJ  
13.1    The Basic Telephoto     Ik;~u8j1e  
13.2    Close-up or Macro Lenses     Zn#ri 8S  
13.3    Telephoto Designs     i1 SP  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch "St,4b  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     e *;"$7o9  
14.1    The Reverse Telephoto Principle     ^x4,}'(  
14.2    The Basic Retrofocus Lens     vhWj_\m  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     'cH),~ z  
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15    Wide Angle Lenses with Negative Outer Lenses     1mI)xDi9  
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16    The Petzval Lens; Head-up Display Lenses     qx0J}6+NlU  
16.1    The Petzval Portrait Lens     v8 6ls[lzu  
16.2    The Petzval Projection Lens     QhpE2ICU  
16.3    The Petzval with a Field Flattener     v`y{l>r,  
16.4    Very Height Speed Petzval Lenses     tBrd+}
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16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     A"_;.e`  
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17    Microscope Objectives     xiA9X]FB  
17.1    General Considerations     ih ,8'D4  
17.2    Classic Objective Design Forms; The Aplanatic Front     wAkoX  
17.3    Flat-Field Objectives     ^U~YG=!ww  
17.4    Reflecting Objectives     iOki ZN+d>  
17.5    The Microscope Objective Designs     J&8l1{gd  
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18    Mirror and Catadioptric Systems     &~$^a1D6  
18.1    The Good and Bad Points of Mirrors     ix7N q7!N  
18.2    The Classic Two-Mirror Systems A[oi?.D  
18.3    Catadioptric Systems     v,+2CVdW  
18.4    Aspheric Correctors and Schmidt Systems     [|k@Suv |z  
18.5    Confocal Paraboloids     N<N!it  
18.6    Unobscured Systems     >-y'N.l^  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     Bj%{PK  
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19    Infrared and Ultraviolet Systems     H1hj` '\"<  
19.1    Infrared Optics     J]N-^ld\\  
19.2    IR Objective Lenses     _4%+TN6z  
19.3    IR Telescope     wk8XD(&  
19.4    Laser Beam Expanders     
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19,5    Ultraviolet Systems     I"T_<  
19.6    Microlithographic Lenses     #<v3G)|aS  
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20    Zoom Lenses     lQ!6n  
20.1    Zoom Lenses     x]y~KbdeB  
20.2    Zoom Lenses for Point and Shoot Cameras     mKxQU0`  
20.3    A 20X Video Zoom Lens     $stJ+uh  
20.4    A Zoom Scanner Lens     zJdlHa{  
20.5    A Possible Zoom Lens Design Procedure     ajkRL|^  
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21    Projection TV Lenses and Macro Lenses     ?LvZEiJ  
21.1    Projection TV Lenses     ZZl)p\r  
21.2    Macro Lenses     :j?Lil%R  
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22    Scanner/ , Laser Disk and Collimator Lenses     bhuA,}  
22.1    Monochromatic Systems     7U?x8%H*  
22.2    Scanner Lenses     O]^E%;(]}i  
22.3    Laser Disk, Focusing, and Collimator Lenses     c(YNv4*X  
    'H*S-d6V  
23    Tolerance Budgeting     q1NAKcA<U  
23.1    The Tolerance Budget     6\b B#a  
23.2    Additive Tolerances     Q !S"=2  
23.3    Establishing the Tolerance Budget     3&3S*1b-H  
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24    Formulary a#j0N5<Nl  
24.1    Sign Conventions, Symbols, and Definitions     ir%/9=^d  
24.2    The Cardinal Points     M@s2T|bQw  
24.3    Image Equations     P"3{s+ r  
24.4    Paraxial Ray Tracing (Surface by Surface)     4Hk
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24.5    Invariants     WI}P(!h\J  
24.6    Paraxial Ray Tracing (Component by Component)     _?O'65  
24.7    Two-Componenet Relationships     Bv!j.$0d{  
24.8    Third-Order Aberrations – Surface Contributions     aSKI%<?xN  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     #.FtPR  
24.10    Stop Shift Equations     =wI,H@  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     }1d 6d3b  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     _~5{l_v|I  
_j<46^  
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Glossary vxZz9+UbF  
Reference h7I_{v8  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 iV(B0z  
我怎么瞧不明白。

有没有人呀 OZQhT)nS]  
有个问题想请教大家