[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith v:otR%yt  
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Contents of Modern Lens Design 2nd Edition vY|{CBGbd  
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1    Introduction         s;oDwT1  
1.1    Lens Design Books     6zuWG0t  
1.2    Reference Material     -h=K]Y{`  
1.3    Specifications     _@U?;73"5  
1.4    Lens Design     vrVb/hhG  
1.5    Lens Design Program Features     :N!Fe7H,  
1.6    About This Book     *n9t~t6GHg  
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2    Automatic Lens Design         8GpPyG ],e  
2.2    The Merit Function         m1,?rqeb  
2.3    Local Minima     DRS68^  
2.4    The Landscape Lens     a<AT;Tc  
2.5    Types of Merit Function     s^5KFK1  
2.6    Stagnation     R7~H}>uaF  
2.7    Generalized Simulated Annealing     }
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2.8    Considerations about Variables for Optimization     Jpi\n- d!  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems #H]cb#  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     Y@)iPK@z  
2.11    Spectral Weighting     C.SGm  
2.12    How to Get Started     JNY;;9o  
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3    Improving a Design     ,E&PIbDL1  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     Wi a%rm  
3.2    Glass Changes ( Index and V Values )     h\+U+?u  
3.3    Splitting Elements     x13t@b  
3.4    Separating a Cemented Doublet     S`,(10Y  
3.5    Compounding an Element     qJq49}2  
3.6    Vignetting and Its Uses     8Ar5^.k  
3.7    Eliminating a Weak Element; the Concentric Problem     W<Ms0  
3.8    Balancing Aberrations     G2#={g{  
3.9    The Symmetrical Principle     CV/ei,=9  
3.10    Aspheric Surfaces     ` VL`8
  
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4    Evaluation: How Good is This Design     j$Tto
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4.1    The Uses of a Preliminary Evaluation     T KpX]H`  
4.2    OPD versus Measures of Performance     9uk}r; %9  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ]{->/.oB  
4.4    Interpreting MTF - The Modulation Transfer Function     j3j<01rq  
4.5    Fabrication Considerations     v7rEUS-  
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5    Lens Design Data     JZ#O"rF  
5.1    About the Sample Lens Designs     *Xh)22~T  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     unE h  
5.3    Estimating the Potential of a Redesign     =nQ"ye  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     "PA
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5.5    Notes on the Interpretation of Ray Intercept Plots     MB$K ?"Y  
5.6    Various Evaluation Plot     /S29\^  
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6    Telescope Objective     H{*~d+:ol  
6.1    The Thin Airspaced Doublet     bLMN9wGOgK  
6.2    Merit Function for a Telescope Objective     :1Jg;G  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     q,k/@@Qd9  
6.4    Spherochromatism     "9=F/o9  
6.5    Zonal Spherical Aberration     *P4G}9B|9:  
6.6    Induced Aberrations     y,$kU1yH7  
6.7    Three-Element Objectives     0cV=>|b>;  
6.8    Secondary Spectrum (Apochromatic Systems)     @4h{#  
6.9    The Design of an f/7 Apochromatic Triplet     J7q]|9Hus|  
6.10    The Diffractive Surface in Lens Design     lq2P10j@  
6.11    A Final Note    
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7    Eyepieces and Magnifiers     sFNBrL  
7.1    Eyepieces     *b+ef  
7.2    A Pair of Magnifier Designs     1EvAV,v"  
7.3    The Simple, Classical Eyepieces     L"Y_:l3"7  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     8l(_{Y5(-  
7.5    Four-Element Eyepieces     U 00}jH  
7.6    Five-Element Eyepieces     ]Lg$p  
7.7    Very High Index Eyepiece/Magnifier     hL:n9G  
7.8    Six- and Seven-Element Eyepieces     '1?
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8    Cooke Triplet Anastigmats     G(7!3a+  
8.1    Airspaced Triplet Anastigmats     zyNg?_SM  
8.2    Glass Choice     _tE`W96J  
8.3    Vertex Length and Residual Aberrations     #7S[Ch}O  
8.4    Other Design Considerations     UEeD Nl$^u  
8.5    A Plastic, Aspheric Triplet Camera Lens     O][R"5d  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ?+Sjt  
8.7    Possible Improvement to Our “Basic” Triplet     qaK9E@l  
8.7    The Rear Earth (Lanthanum) Glasses     2/.Euf   
8.9    Aspherizing the Surfaces     %{$iN|%J%$  
8.10    Increasing the Element Thickness     ~m~<xtoc  
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9    Split Triplets     H f}-
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10    The Tessar, Heliar, and Other Compounded Triplets     o"F=3b~:n  
10.1    The Classic Tessar     c]]OV7;)>  
10.2    The Heliar/Pentac     T_}
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10.3    The Portrait Lens and the Enlarger Lens     H+&c=~D\_  
10.4    Other Compounded Triplets     w}="}Cb  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar D$|@: mW  
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11    Double-Meniscus Anastigmats     ~(4;P%L:  
11.1    Meniscus Components     }EB/1
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11.2    The Hypergon, Totogon, and Metrogon     5[Sa7Mk  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     u~Zx9>f  
11.4    Protar, Dagor, and Convertible Lenses     /]~Oa#SQ:  
11.5    The Split Dagor     {ETuaFDM  
11.6    The Dogmar     ?[#nh@mI  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     >sW9n[  
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12    The Biotar or Double-Gauss Lens     [R$iX  
12.1    The Basic Six-Element Version     =b{wzx}e  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens HyKvDJ 3_  
12.3    The Seven-Element Biotar - Split-Rear Singlet     C*A!`Q?1Y  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     >BU"C+a8g  
12.5    The Seven-Element Biotar - One Compounded Outer Element     QkJAjmB  
12.6    The Eight-Element Biotar     LF\4>(C2g  
12.7    A “Doubled Double-Gauss” Relay     - inZX`afA  
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13    Telephoto Lenses     9VyY[&  
13.1    The Basic Telephoto     _tJp@\rOz=  
13.2    Close-up or Macro Lenses     *c<=IcA  
13.3    Telephoto Designs     :77dl/d%  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch cE3g7
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     /"w%?Ea  
14.1    The Reverse Telephoto Principle     15NeC7GAh  
14.2    The Basic Retrofocus Lens     !g=2U`j^  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     V/C":!;  
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15    Wide Angle Lenses with Negative Outer Lenses     b4o`eR  
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16    The Petzval Lens; Head-up Display Lenses     < {1'cx  
16.1    The Petzval Portrait Lens     #~(J J  
16.2    The Petzval Projection Lens     6_KO6O7g  
16.3    The Petzval with a Field Flattener     u-yVc*<,  
16.4    Very Height Speed Petzval Lenses     A.0eeX{  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     g\;&Z  
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17    Microscope Objectives     p:kHb@  
17.1    General Considerations     y7a84)j3  
17.2    Classic Objective Design Forms; The Aplanatic Front     Pc"g  
17.3    Flat-Field Objectives     Npq_1L  
17.4    Reflecting Objectives     W dM?{; #  
17.5    The Microscope Objective Designs     |$
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18    Mirror and Catadioptric Systems     b#XY.+ *0  
18.1    The Good and Bad Points of Mirrors     TGUlJLT  
18.2    The Classic Two-Mirror Systems ;onhc*{lv  
18.3    Catadioptric Systems     Ct-^-XD  
18.4    Aspheric Correctors and Schmidt Systems     PNNY_t +I  
18.5    Confocal Paraboloids     ozF173iI  
18.6    Unobscured Systems     jIpc^iu`,  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     Yz6+ x]  
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19    Infrared and Ultraviolet Systems     a!iG;:K   
19.1    Infrared Optics     QfHJZ7K.4  
19.2    IR Objective Lenses     y2nwDw(xF  
19.3    IR Telescope     a#Yo^"*1  
19.4    Laser Beam Expanders     Jat|n97$  
19,5    Ultraviolet Systems     'JA<q-Gn  
19.6    Microlithographic Lenses     M$@Donx  
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20    Zoom Lenses     ?H7YmN  
20.1    Zoom Lenses     9Tju+KcK  
20.2    Zoom Lenses for Point and Shoot Cameras     $F^p5EXkc6  
20.3    A 20X Video Zoom Lens     2<"kfan  
20.4    A Zoom Scanner Lens     jv<C#0E^  
20.5    A Possible Zoom Lens Design Procedure     6;JlA})  
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21    Projection TV Lenses and Macro Lenses     _VvXE572  
21.1    Projection TV Lenses     ,\2w+L5TD  
21.2    Macro Lenses     ~Vh< mt  
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22    Scanner/ , Laser Disk and Collimator Lenses     3rRN~$  
22.1    Monochromatic Systems     Tj[=E  
22.2    Scanner Lenses     \xtY\q,[  
22.3    Laser Disk, Focusing, and Collimator Lenses     -UTTJnu^  
    o8Q+hZB}A  
23    Tolerance Budgeting     {Z~5#<t  
23.1    The Tolerance Budget     a,>`ab%>  
23.2    Additive Tolerances     ;|a,1#x  
23.3    Establishing the Tolerance Budget     ;s$bVGHr  
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24    Formulary oM<Y o%n  
24.1    Sign Conventions, Symbols, and Definitions     d z-  
24.2    The Cardinal Points     reO^_q'  
24.3    Image Equations     *_Sx^`"X`l  
24.4    Paraxial Ray Tracing (Surface by Surface)     @'D ,
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24.5    Invariants     p|q}z/  
24.6    Paraxial Ray Tracing (Component by Component)     ysHmi{V~  
24.7    Two-Componenet Relationships     xRTr
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24.8    Third-Order Aberrations – Surface Contributions     =r?#,'a  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     .+.BNS   
24.10    Stop Shift Equations     KMU2PoqD  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     T?!D?YV  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     0\/cTNN  
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Glossary jE.yT(+lW  
Reference C;DR@'+q  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 E#T6rd P  
我怎么瞧不明白。

有没有人呀 [*jvvkAp  
有个问题想请教大家