"Modern Lens Design" 2nd Edition by Warren J. Smith KLrxlD4\
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Contents of Modern Lens Design 2nd Edition w3WBgH
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1 Introduction Qyx%:PE
1.1 Lens Design Books <F{EZ Ii
1.2 Reference Material xp7`[.
1.3 Specifications rozp
1.4 Lens Design | vL0}e
1.5 Lens Design Program Features NitsUg@<
1.6 About This Book 4+"2K-]
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2 Automatic Lens Design wVX]"o
2.2 The Merit Function <[Oe.0SGu
2.3 Local Minima H]As2$[
2.4 The Landscape Lens !tJQ75Hwv
2.5 Types of Merit Function 1fUg
2.6 Stagnation (?4m0Sn>#h
2.7 Generalized Simulated Annealing 0}H7Xdkp
2.8 Considerations about Variables for Optimization WR,MqM20
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems |C"(K-do
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits (dmLEt
2.11 Spectral Weighting &y_Ya%Z3*e
2.12 How to Get Started "sh*,K5x|
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3 Improving a Design i7D[5!
3.1 Lens Design Tip Sheet: Standard Improvement Techniques |iSd<
3.2 Glass Changes ( Index and V Values ) ?TTtGbvU
3.3 Splitting Elements t$~CLq5ad
3.4 Separating a Cemented Doublet W'lejOiw
3.5 Compounding an Element %n?_G|
3.6 Vignetting and Its Uses %x{jmZ$}
3.7 Eliminating a Weak Element; the Concentric Problem ,Y9bXC8+dU
3.8 Balancing Aberrations ISa}Km>Q
3.9 The Symmetrical Principle 6.5E
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3.10 Aspheric Surfaces &`x1_*l
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4 Evaluation: How Good is This Design r c++c,=
4.1 The Uses of a Preliminary Evaluation D]tI's1
4.2 OPD versus Measures of Performance JX!z,X?r4
4.3 Geometric Blur Spot Size versus Certain Aberrations ak1?MKV.
4.4 Interpreting MTF - The Modulation Transfer Function HE!"3S2S&+
4.5 Fabrication Considerations Z?JR6;@W
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5 Lens Design Data '_ZiZ4O
5.1 About the Sample Lens Designs +%Z#!1u
5.2 Lens Prescriptions, Drawings, and Aberration Plots
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5.3 Estimating the Potential of a Redesign UA4="/
5.4 Scaling a Desing, Its Aberrations, and Its MTF '`+8'3K~E
5.5 Notes on the Interpretation of Ray Intercept Plots ~cr##Ff5
5.6 Various Evaluation Plot A4{14Y;?
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6 Telescope Objective A_8Xhem${
6.1 The Thin Airspaced Doublet P*6h$T
6.2 Merit Function for a Telescope Objective l6_dVK;s
6.3 The Design of an f/7 Cemented Doublet Telescope Objective x&p.-Fi
6.4 Spherochromatism Fv_B(a
6.5 Zonal Spherical Aberration NJ^Bv`
6.6 Induced Aberrations CKE):kHu
6.7 Three-Element Objectives PPAcEXsIu
6.8 Secondary Spectrum (Apochromatic Systems) Uc%kyTBm1
6.9 The Design of an f/7 Apochromatic Triplet s,CN<`/>x
6.10 The Diffractive Surface in Lens Design
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6.11 A Final Note %fuV]
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7 Eyepieces and Magnifiers -#Bk
7.1 Eyepieces ^V}c8 P|
7.2 A Pair of Magnifier Designs O,PTY^
7.3 The Simple, Classical Eyepieces lxsn(- j
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;~,)6UX7
7.5 Four-Element Eyepieces P9
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7.6 Five-Element Eyepieces N
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7.7 Very High Index Eyepiece/Magnifier -xXdT$Xd
7.8 Six- and Seven-Element Eyepieces 3d`u!i?/
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8 Cooke Triplet Anastigmats +R8G*2
8.1 Airspaced Triplet Anastigmats :y.~IQN
8.2 Glass Choice A('o&H
8.3 Vertex Length and Residual Aberrations 70<{tjyc
8.4 Other Design Considerations #HDP ha
8.5 A Plastic, Aspheric Triplet Camera Lens w2H^q3*
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 9^+E$V1@
8.7 Possible Improvement to Our “Basic” Triplet ;#bDz}|\AN
8.7 The Rear Earth (Lanthanum) Glasses XEBeoOX/
8.9 Aspherizing the Surfaces G\z5Ue*
8.10 Increasing the Element Thickness dOT7;@
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9 Split Triplets 5<XWbGW
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10 The Tessar, Heliar, and Other Compounded Triplets mY[*(a
10.1 The Classic Tessar S2jn pf}
10.2 The Heliar/Pentac +'/C(5y)0X
10.3 The Portrait Lens and the Enlarger Lens 3a?|}zr4
10.4 Other Compounded Triplets ]f~!Qk!I7r
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar )DGJr/)
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11 Double-Meniscus Anastigmats F%f)oq`B
11.1 Meniscus Components %Yt;)q3U
11.2 The Hypergon, Totogon, and Metrogon p\P)
11.3 A Two Element Aspheric Thick Meniscus Camera Lens d#HlO}
11.4 Protar, Dagor, and Convertible Lenses WjBH2 v
11.5 The Split Dagor -TMg9M4
11.6 The Dogmar -^Qm_lN
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens "l{{H&d
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12 The Biotar or Double-Gauss Lens Jot7
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12.1 The Basic Six-Element Version =9h!K:,k
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ?AO22N|j
12.3 The Seven-Element Biotar - Split-Rear Singlet nAC>']K4$
12.4 The Seven-Element Biotar - Broken Contact Front Doublet iR"6VO
12.5 The Seven-Element Biotar - One Compounded Outer Element
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12.6 The Eight-Element Biotar &hUEOif
12.7 A “Doubled Double-Gauss” Relay y=0)vi{]
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13 Telephoto Lenses G8zbb
13.1 The Basic Telephoto ^xgqs $`7
13.2 Close-up or Macro Lenses + 9I|Fm
13.3 Telephoto Designs .D;6
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch DheQcM
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses j#U,zsv:
14.1 The Reverse Telephoto Principle p~NHf\
14.2 The Basic Retrofocus Lens )PkW,214#
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ~{$c|
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15 Wide Angle Lenses with Negative Outer Lenses +|x{?%.O
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16 The Petzval Lens; Head-up Display Lenses rog1
16.1 The Petzval Portrait Lens [mQdc?n\
16.2 The Petzval Projection Lens PCHKH
16.3 The Petzval with a Field Flattener mE=Ur
16.4 Very Height Speed Petzval Lenses N/'8W9#6
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems +f%"O?
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17 Microscope Objectives M.xZU\'ty
17.1 General Considerations h$}PQ
17.2 Classic Objective Design Forms; The Aplanatic Front %ZcS"/gf
17.3 Flat-Field Objectives (S4HU_,88
17.4 Reflecting Objectives @lq)L
17.5 The Microscope Objective Designs ExQ\qp3
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18 Mirror and Catadioptric Systems C_'EO<w$
18.1 The Good and Bad Points of Mirrors jABFdNjri
18.2 The Classic Two-Mirror Systems 8rx|7
18.3 Catadioptric Systems "h #/b}/
18.4 Aspheric Correctors and Schmidt Systems )&O6d .
18.5 Confocal Paraboloids [?hvx}
18.6 Unobscured Systems xjSzQ|k-
18.7 Design of a Schmidt-Cassegrain “from Scratch” V1,/qd_
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19 Infrared and Ultraviolet Systems \#xq$ygg
19.1 Infrared Optics `GkCOx,
19.2 IR Objective Lenses Faa>bc~E
19.3 IR Telescope 4U_+NC>b
19.4 Laser Beam Expanders BU4IN$d0Po
19,5 Ultraviolet Systems ^{{a
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19.6 Microlithographic Lenses }O>4XFj
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20 Zoom Lenses [& Z-
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20.1 Zoom Lenses iE}] E
20.2 Zoom Lenses for Point and Shoot Cameras Z#B}#*<C
20.3 A 20X Video Zoom Lens _5H~1G%q
20.4 A Zoom Scanner Lens L ph0C^8
20.5 A Possible Zoom Lens Design Procedure S0Io$\ha
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21 Projection TV Lenses and Macro Lenses 6%h%h: e
21.1 Projection TV Lenses x.Egl4b3
21.2 Macro Lenses nGe4IY\-w
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22 Scanner/ , Laser Disk and Collimator Lenses 2m]4
22.1 Monochromatic Systems KS<@;Tt
22.2 Scanner Lenses p"c6d'qe
22.3 Laser Disk, Focusing, and Collimator Lenses s9a`2Wm
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23 Tolerance Budgeting 4].o:d;`/
23.1 The Tolerance Budget |!9xL*A
23.2 Additive Tolerances Q(cLi:)X2
23.3 Establishing the Tolerance Budget _/z_
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24 Formulary ;l~a|KW0
24.1 Sign Conventions, Symbols, and Definitions z@,(^~C_
24.2 The Cardinal Points u:lBFVqk
24.3 Image Equations 6u #eLs
24.4 Paraxial Ray Tracing (Surface by Surface) %qz-b.
24.5 Invariants jrFPd
24.6 Paraxial Ray Tracing (Component by Component) k(pJVez
24.7 Two-Componenet Relationships n@ SUu7o
24.8 Third-Order Aberrations – Surface Contributions as]M%|/-I
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Exqz$'(W9
24.10 Stop Shift Equations [8UZ5_1W L
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces f|M^UHt8*
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) $kxP5q%9
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Glossary B*mZxY1
Reference |" WL
Index