"Modern Lens Design" 2nd Edition by Warren J. Smith H
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Contents of Modern Lens Design 2nd Edition UZ iL NKc
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1 Introduction qS}{O0
1.1 Lens Design Books j" ;L {
1.2 Reference Material pkG8g5(w
1.3 Specifications H_Hr=_8}-
1.4 Lens Design _8`S&[E?
1.5 Lens Design Program Features Qd3ppJn
1.6 About This Book 7PfNPz<4+
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2 Automatic Lens Design o"N\l{ #s
2.2 The Merit Function +m}D. u*cp
2.3 Local Minima /NPx9cLW^
2.4 The Landscape Lens W>x.*K
2.5 Types of Merit Function Bq4@I_b
2.6 Stagnation E'+z.~+
2.7 Generalized Simulated Annealing 4|j Pr J
2.8 Considerations about Variables for Optimization Ttb ?x<)+8
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems n ]l3
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Y.52`s6F
2.11 Spectral Weighting n*AN/LBp
2.12 How to Get Started HsG3s? *
) TN G0[
3 Improving a Design b\NY! )B
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ~:0U.v_V
3.2 Glass Changes ( Index and V Values ) >"zN`
3.3 Splitting Elements Xe
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3.4 Separating a Cemented Doublet GIkVU6Q}
3.5 Compounding an Element nGJ+.z
3.6 Vignetting and Its Uses |D;I>O^"R
3.7 Eliminating a Weak Element; the Concentric Problem FV OPC:}bj
3.8 Balancing Aberrations _lH:%E*
3.9 The Symmetrical Principle 7/=r -
3.10 Aspheric Surfaces UY\E uA9
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4 Evaluation: How Good is This Design 4Dd]:2|D
4.1 The Uses of a Preliminary Evaluation }&l%>P
4.2 OPD versus Measures of Performance /I`-
4.3 Geometric Blur Spot Size versus Certain Aberrations >#;>6q9_
4.4 Interpreting MTF - The Modulation Transfer Function K9RRY,JB
4.5 Fabrication Considerations 7;#o?6!7
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5 Lens Design Data ,}^;q58
5.1 About the Sample Lens Designs );p:[=$71
5.2 Lens Prescriptions, Drawings, and Aberration Plots cGg ~+R2P
5.3 Estimating the Potential of a Redesign +=kz".$
5.4 Scaling a Desing, Its Aberrations, and Its MTF ZoqE,ucH
5.5 Notes on the Interpretation of Ray Intercept Plots .g_Kab3?L
5.6 Various Evaluation Plot Wjd_|K ui
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6 Telescope Objective PC?X E8o
6.1 The Thin Airspaced Doublet g` =Z%{z%
6.2 Merit Function for a Telescope Objective B1U7z1<
6.3 The Design of an f/7 Cemented Doublet Telescope Objective @7?L+.r$9
6.4 Spherochromatism `q y@Qo
6.5 Zonal Spherical Aberration =^ x1: Ak
6.6 Induced Aberrations 7x$VH5jie#
6.7 Three-Element Objectives hus9Zv4
6.8 Secondary Spectrum (Apochromatic Systems) s%z dP
6.9 The Design of an f/7 Apochromatic Triplet lxLEYDGFS
6.10 The Diffractive Surface in Lens Design {%Q+Pzl.
6.11 A Final Note O
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7 Eyepieces and Magnifiers 0*/[z~Z-1
7.1 Eyepieces 5 q}7#{A
7.2 A Pair of Magnifier Designs U ,\t2z
7.3 The Simple, Classical Eyepieces b5%T)hn=
7.4 Design Story of an Eyepiece for a 6*30 Binocular jxgs!B>
7.5 Four-Element Eyepieces R6irL!akAd
7.6 Five-Element Eyepieces S1 *xM
7.7 Very High Index Eyepiece/Magnifier u5P2*
7.8 Six- and Seven-Element Eyepieces E^Z?X2Z
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8 Cooke Triplet Anastigmats @aWd0e]
8.1 Airspaced Triplet Anastigmats Dgz^s^fxU
8.2 Glass Choice 14 hE <u
8.3 Vertex Length and Residual Aberrations ;c# jO:A5
8.4 Other Design Considerations vq5o?$ :-
8.5 A Plastic, Aspheric Triplet Camera Lens '!XVz$C
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6"c(5#H
8.7 Possible Improvement to Our “Basic” Triplet ALp|fZ\vp
8.7 The Rear Earth (Lanthanum) Glasses -=4:qQE w
8.9 Aspherizing the Surfaces yRldP k_
8.10 Increasing the Element Thickness 3ZL<6`Y F
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9 Split Triplets k4~2hD<|
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10 The Tessar, Heliar, and Other Compounded Triplets J4m2|H K
10.1 The Classic Tessar ;v%f +
10.2 The Heliar/Pentac = _/ XFN
10.3 The Portrait Lens and the Enlarger Lens sK|+&BC
10.4 Other Compounded Triplets ;Z-%'5hKM
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar %_ Vj'z~T
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11 Double-Meniscus Anastigmats 0{.[#!CSk
11.1 Meniscus Components
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11.2 The Hypergon, Totogon, and Metrogon bG!/%,s
11.3 A Two Element Aspheric Thick Meniscus Camera Lens iiTt{ab\Y
11.4 Protar, Dagor, and Convertible Lenses Y/,Cy0 !
11.5 The Split Dagor Qis/'9a
11.6 The Dogmar p2(Z(V7*
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ?%i~~hfH#N
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12 The Biotar or Double-Gauss Lens Kr@6m80E5
12.1 The Basic Six-Element Version 7) Qq
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ,^&amWey
12.3 The Seven-Element Biotar - Split-Rear Singlet H ie
12.4 The Seven-Element Biotar - Broken Contact Front Doublet DDp\*6y3l
12.5 The Seven-Element Biotar - One Compounded Outer Element {*K7P> &
12.6 The Eight-Element Biotar 9 wP,Z"
12.7 A “Doubled Double-Gauss” Relay =]W[{@P
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13 Telephoto Lenses A $ W~R
13.1 The Basic Telephoto \vqqs
13.2 Close-up or Macro Lenses D[p`1$E-1v
13.3 Telephoto Designs Y aAOP'p
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ^_G@a,
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 4~z-&>%
14.1 The Reverse Telephoto Principle rE9Nt9 }
14.2 The Basic Retrofocus Lens *w[ 0uQL5Z
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses o'|B|oZ
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15 Wide Angle Lenses with Negative Outer Lenses v] hu5t
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16 The Petzval Lens; Head-up Display Lenses #7p !xf^
16.1 The Petzval Portrait Lens b-HELS`nX
16.2 The Petzval Projection Lens U,7}VdO
16.3 The Petzval with a Field Flattener 5b;~&N4~
16.4 Very Height Speed Petzval Lenses U*7x81v?j
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems J3_Ou2cF`
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17 Microscope Objectives Gm-V/[29R
17.1 General Considerations V3q [ $~9
17.2 Classic Objective Design Forms; The Aplanatic Front +PKd
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17.3 Flat-Field Objectives 9G^gI}bY
17.4 Reflecting Objectives my%MXTm2
17.5 The Microscope Objective Designs >IJX=24Rc
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18 Mirror and Catadioptric Systems C !W0L`r
18.1 The Good and Bad Points of Mirrors /^=8?wK
18.2 The Classic Two-Mirror Systems 1;eWnb(
18.3 Catadioptric Systems y'm5Z-@o6
18.4 Aspheric Correctors and Schmidt Systems '>[Ut@lT;
18.5 Confocal Paraboloids W(Rp@=!C
18.6 Unobscured Systems 59BB-R ,V
18.7 Design of a Schmidt-Cassegrain “from Scratch” R$i-%3
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19 Infrared and Ultraviolet Systems -mLS\TF S
19.1 Infrared Optics LpN3c y>U
19.2 IR Objective Lenses 2 :wgt
19.3 IR Telescope B0D
19.4 Laser Beam Expanders !TO+[g!
19,5 Ultraviolet Systems /cZTj!M
19.6 Microlithographic Lenses j%=X
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20 Zoom Lenses &1Z UMc
20.1 Zoom Lenses sq?js#C5
20.2 Zoom Lenses for Point and Shoot Cameras a]
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20.3 A 20X Video Zoom Lens @;}vK=6L
20.4 A Zoom Scanner Lens U< <XeSp
20.5 A Possible Zoom Lens Design Procedure bD. KD)5
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21 Projection TV Lenses and Macro Lenses 2@Oz _?O=
21.1 Projection TV Lenses m~-O}i~)
21.2 Macro Lenses ;
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22 Scanner/ , Laser Disk and Collimator Lenses KkCsQ~po
22.1 Monochromatic Systems gFl@A }
22.2 Scanner Lenses {@hJPK8
22.3 Laser Disk, Focusing, and Collimator Lenses Uo;a$sR
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23 Tolerance Budgeting d .%2QkL
23.1 The Tolerance Budget p}8?#5`/w
23.2 Additive Tolerances q7<=1r+
23.3 Establishing the Tolerance Budget X0]{8v%
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24 Formulary #HZ W57"
24.1 Sign Conventions, Symbols, and Definitions "R gP!
24.2 The Cardinal Points N5zx# g
24.3 Image Equations MV] `[^xQ5
24.4 Paraxial Ray Tracing (Surface by Surface) ,0{x-S0jX<
24.5 Invariants w)&?9?~
24.6 Paraxial Ray Tracing (Component by Component) #4<=Ira5
24.7 Two-Componenet Relationships YdyTt5-
24.8 Third-Order Aberrations – Surface Contributions ZsSW{ffZ77
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 0#4A0[vV
24.10 Stop Shift Equations @0(%ayi 2Y
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces EvH/d4V;
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) @saK:z
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Glossary bOSqD[?
Reference =J|jCK[r
Index
