"Modern Lens Design" 2nd Edition by Warren J. Smith .R@euIva
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Contents of Modern Lens Design 2nd Edition ("J_< p
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1 Introduction >LFj@YW_)
1.1 Lens Design Books NB&zBJ#
1.2 Reference Material T(*A0
1.3 Specifications #XAH`L\
1.4 Lens Design .zdmUS:
1.5 Lens Design Program Features PO0/C q)
1.6 About This Book Sr6?^>A@t
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2 Automatic Lens Design Dr#V^"Dte
2.2 The Merit Function u$1^=
2.3 Local Minima ${7s"IX
2.4 The Landscape Lens M3q7{w*bM
2.5 Types of Merit Function oeG?2!Zh
2.6 Stagnation o@|kq1m8
2.7 Generalized Simulated Annealing *18J$
2.8 Considerations about Variables for Optimization EJTa~
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems (/J %Huy
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Now2ad&
2.11 Spectral Weighting ^}hSsE
2.12 How to Get Started Eqt>_n8
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3 Improving a Design ?)"v~vs
3.1 Lens Design Tip Sheet: Standard Improvement Techniques R
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3.2 Glass Changes ( Index and V Values ) FVoKNaK-
3.3 Splitting Elements +
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3.4 Separating a Cemented Doublet bKPjxN?!9
3.5 Compounding an Element j(Tk6S
3.6 Vignetting and Its Uses
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3.7 Eliminating a Weak Element; the Concentric Problem -k@Uo(MB
3.8 Balancing Aberrations h,2?+}Fn
3.9 The Symmetrical Principle yTU'voE.|
3.10 Aspheric Surfaces (FNX>2Mv
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4 Evaluation: How Good is This Design ~fly6j|u
4.1 The Uses of a Preliminary Evaluation S L~5[f
4.2 OPD versus Measures of Performance S >\\n^SbT
4.3 Geometric Blur Spot Size versus Certain Aberrations x/#.%Ga#T
4.4 Interpreting MTF - The Modulation Transfer Function v7D3aWoe
4.5 Fabrication Considerations _v=zFpR
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5 Lens Design Data 2rX}A3%9^^
5.1 About the Sample Lens Designs X\]Dx./
5.2 Lens Prescriptions, Drawings, and Aberration Plots N+ ei)-
5.3 Estimating the Potential of a Redesign is=|rY9$
5.4 Scaling a Desing, Its Aberrations, and Its MTF _1HEGX\
5.5 Notes on the Interpretation of Ray Intercept Plots PAy7b7m~B
5.6 Various Evaluation Plot ^p #bxN")
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6 Telescope Objective ]hA]o7k
6.1 The Thin Airspaced Doublet Kl+4A}Uo
6.2 Merit Function for a Telescope Objective ;Q%3WD
6.3 The Design of an f/7 Cemented Doublet Telescope Objective [$%0[;jtS
6.4 Spherochromatism \W})Z72
6.5 Zonal Spherical Aberration U\", !S~<
6.6 Induced Aberrations ;i;;{j@$i
6.7 Three-Element Objectives [wjH;f>SQ
6.8 Secondary Spectrum (Apochromatic Systems) \E2S/1p
6.9 The Design of an f/7 Apochromatic Triplet ~Uaz;<"j0
6.10 The Diffractive Surface in Lens Design F5f1j]c
6.11 A Final Note #.~lt8F
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7 Eyepieces and Magnifiers /pnQKy.
7.1 Eyepieces PhC{Gg
7.2 A Pair of Magnifier Designs 8*yky
7.3 The Simple, Classical Eyepieces mi{ r7.e5I
7.4 Design Story of an Eyepiece for a 6*30 Binocular {c:ef@'U
7.5 Four-Element Eyepieces 2/FH9T;e".
7.6 Five-Element Eyepieces 7)v`l1
7.7 Very High Index Eyepiece/Magnifier +jz%:D
7.8 Six- and Seven-Element Eyepieces "0l7%@z*)q
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8 Cooke Triplet Anastigmats ZlsdO.G
8.1 Airspaced Triplet Anastigmats l j*J|%~
8.2 Glass Choice d9uT*5f
8.3 Vertex Length and Residual Aberrations Y@M
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8.4 Other Design Considerations {:d9q
8.5 A Plastic, Aspheric Triplet Camera Lens dq$CCOC^F
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet G,b1 u"
8.7 Possible Improvement to Our “Basic” Triplet <\5Y~!)
8.7 The Rear Earth (Lanthanum) Glasses r$.v"Wh)
8.9 Aspherizing the Surfaces ,4z?9@wQ
8.10 Increasing the Element Thickness Yo#F ;s7
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9 Split Triplets
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10 The Tessar, Heliar, and Other Compounded Triplets ;
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10.1 The Classic Tessar Z8Il3b*)
10.2 The Heliar/Pentac M4TFWOC1
10.3 The Portrait Lens and the Enlarger Lens }]?U.
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10.4 Other Compounded Triplets o+Kh2;$)
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar lw"5p)aB
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11 Double-Meniscus Anastigmats k/ ZuFTN
11.1 Meniscus Components E$84c+
11.2 The Hypergon, Totogon, and Metrogon :,(ZMx\
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 5&*B2ZBzH
11.4 Protar, Dagor, and Convertible Lenses A?sU[b6_
11.5 The Split Dagor #ZRplA~C7]
11.6 The Dogmar y:+s*x6Vg
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens g$ oe00b
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12 The Biotar or Double-Gauss Lens \V,;F!*#G
12.1 The Basic Six-Element Version +~A<&7[}
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens \3@A C7
12.3 The Seven-Element Biotar - Split-Rear Singlet \dag~b<
12.4 The Seven-Element Biotar - Broken Contact Front Doublet a,N?GxK~
12.5 The Seven-Element Biotar - One Compounded Outer Element |.Pl[y
12.6 The Eight-Element Biotar VX;tglu2
12.7 A “Doubled Double-Gauss” Relay zl!`*{T{
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13 Telephoto Lenses _('KNA~
13.1 The Basic Telephoto '{:Yg3K
13.2 Close-up or Macro Lenses W<D(M.61A
13.3 Telephoto Designs :J}@*>c
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch $yx34=
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses =Gq
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14.1 The Reverse Telephoto Principle ZSTpA,+6
14.2 The Basic Retrofocus Lens d>Z{TFY
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 1=t\|Th-
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15 Wide Angle Lenses with Negative Outer Lenses E@_M|=p&
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16 The Petzval Lens; Head-up Display Lenses yv<