[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith PEW^Vl-6q  
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Contents of Modern Lens Design 2nd Edition 4.$<o/M  
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1    Introduction         P6&@fwJ<  
1.1    Lens Design Books     4`)`%R$  
1.2    Reference Material     Pni  
1.3    Specifications     U=\ZeYK.  
1.4    Lens Design     y-m<&{q  
1.5    Lens Design Program Features     F<Js"z+  
1.6    About This Book     x* *]@v"g  
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2    Automatic Lens Design         &Ey5 H?U!  
2.2    The Merit Function         r&@#,g  
2.3    Local Minima     6QkdH7Qf=  
2.4    The Landscape Lens     $YSAD\a<  
2.5    Types of Merit Function     fdc ?`4  
2.6    Stagnation     ;:,h
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2.7    Generalized Simulated Annealing     P95U{   
2.8    Considerations about Variables for Optimization     "toyfZq@  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems sXDS_Q  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     i 2hP4<;h  
2.11    Spectral Weighting     4G"T{A`O  
2.12    How to Get Started     89*CoQ  
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3    Improving a Design     8u Tq0d6(  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     }J73{  
3.2    Glass Changes ( Index and V Values )     OJPxV~y  
3.3    Splitting Elements     [g`9C!P-G  
3.4    Separating a Cemented Doublet     WF,<7mx=-  
3.5    Compounding an Element     3[B*l@}j  
3.6    Vignetting and Its Uses     P+ONQN|  
3.7    Eliminating a Weak Element; the Concentric Problem     ~CIA6&  
3.8    Balancing Aberrations     @GDe{GG+  
3.9    The Symmetrical Principle     B38_1X7  
3.10    Aspheric Surfaces     xy)Y)yp  
CG*eo!Nw  
4    Evaluation: How Good is This Design     kW0|\
 
4.1    The Uses of a Preliminary Evaluation     92!1I$zi  
4.2    OPD versus Measures of Performance     $"1Unu&P  
4.3    Geometric Blur Spot Size versus Certain Aberrations     /yPFts_q  
4.4    Interpreting MTF - The Modulation Transfer Function     @8E mY,{;  
4.5    Fabrication Considerations     h}r*   
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5    Lens Design Data     teH.e!S  
5.1    About the Sample Lens Designs     @[h)M3DFd  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     'Vq <;.A  
5.3    Estimating the Potential of a Redesign     \ofWD{*j  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     /?uA{/8  
5.5    Notes on the Interpretation of Ray Intercept Plots     iU"jV*P]  
5.6    Various Evaluation Plot     >Eg/ir0  
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6    Telescope Objective     H&\[iZ|-N  
6.1    The Thin Airspaced Doublet     #=C!Xx&  
6.2    Merit Function for a Telescope Objective     Q%)da)0:c  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     c<-F_+[  
6.4    Spherochromatism     q}P< Ejq}  
6.5    Zonal Spherical Aberration     BwMi@r =  
6.6    Induced Aberrations     {`?C5<r  
6.7    Three-Element Objectives     1><@$kVMm~  
6.8    Secondary Spectrum (Apochromatic Systems)     {JTO Q 8&  
6.9    The Design of an f/7 Apochromatic Triplet     Z-X(.Q  
6.10    The Diffractive Surface in Lens Design     UJ0fYTeuI  
6.11    A Final Note     Br^4N9  
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7    Eyepieces and Magnifiers     :EJ8^'0Q  
7.1    Eyepieces     29{Ep  
7.2    A Pair of Magnifier Designs    
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7.3    The Simple, Classical Eyepieces     x&}pM}ea  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     l2H-E&'
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7.5    Four-Element Eyepieces     =v^LShD2^  
7.6    Five-Element Eyepieces     }dcXuX4{r  
7.7    Very High Index Eyepiece/Magnifier     +e VWTRG  
7.8    Six- and Seven-Element Eyepieces     qQK0s*^W  
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8    Cooke Triplet Anastigmats     7^1yZ1
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8.1    Airspaced Triplet Anastigmats     4@ EY+p  
8.2    Glass Choice     s zBlyT  
8.3    Vertex Length and Residual Aberrations     ffyDi1Q  
8.4    Other Design Considerations     U9^o"vT  
8.5    A Plastic, Aspheric Triplet Camera Lens     `! ~~Wf'  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6{Y3-Pxg  
8.7    Possible Improvement to Our “Basic” Triplet     <ua`WRQr  
8.7    The Rear Earth (Lanthanum) Glasses     {l/j?1Dxq  
8.9    Aspherizing the Surfaces     -M=#U\D  
8.10    Increasing the Element Thickness     ueI1O/Mi  
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9    Split Triplets     B=)&43)\  
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10    The Tessar, Heliar, and Other Compounded Triplets     99W-sV  
10.1    The Classic Tessar     mL\_C9k,n  
10.2    The Heliar/Pentac     Pnf|9?~$H  
10.3    The Portrait Lens and the Enlarger Lens     G bW1Lq&"  
10.4    Other Compounded Triplets     `zf,$67>1  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 0_nY70B  
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11    Double-Meniscus Anastigmats     |#_IAN  
11.1    Meniscus Components     kpF")0qr  
11.2    The Hypergon, Totogon, and Metrogon     &n6'r^[D  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     Ek'~i  
11.4    Protar, Dagor, and Convertible Lenses     4wLN#dpeEy  
11.5    The Split Dagor     A'A5.
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11.6    The Dogmar     tc-pVw:TV  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     u7PtGN0r%  
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12    The Biotar or Double-Gauss Lens     Ug :3)q[O  
12.1    The Basic Six-Element Version     M$Sq3m`{!  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens ~nQ=iB  
12.3    The Seven-Element Biotar - Split-Rear Singlet     cV;<!f+  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     U&F1}P$fb  
12.5    The Seven-Element Biotar - One Compounded Outer Element     qW~Z#Si  
12.6    The Eight-Element Biotar     WY>r9+A?W  
12.7    A “Doubled Double-Gauss” Relay     Hlh`d N  
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13    Telephoto Lenses     VkFvV><"  
13.1    The Basic Telephoto     _LVwjZ
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13.2    Close-up or Macro Lenses     )I~U&sT\/  
13.3    Telephoto Designs     l]g /rs  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 4o/}KUu(*  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     8x)&4o@  
14.1    The Reverse Telephoto Principle     hk5[ N=  
14.2    The Basic Retrofocus Lens     c>SFttbU  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     4lM)
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15    Wide Angle Lenses with Negative Outer Lenses     E&;[E  
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16    The Petzval Lens; Head-up Display Lenses     Np2I*l6W  
16.1    The Petzval Portrait Lens     a:q>7V|%$  
16.2    The Petzval Projection Lens     MWGs:tpL4  
16.3    The Petzval with a Field Flattener     c+BD37S  
16.4    Very Height Speed Petzval Lenses     EO.Se9ux  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     0f_+h %%=  
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17    Microscope Objectives     tfKf*Um  
17.1    General Considerations     wOMrUWB0  
17.2    Classic Objective Design Forms; The Aplanatic Front     `s )- lI  
17.3    Flat-Field Objectives     Etj0k} A  
17.4    Reflecting Objectives     9#;GG3  
17.5    The Microscope Objective Designs     :D|5E
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18    Mirror and Catadioptric Systems     )a7nr<)aU  
18.1    The Good and Bad Points of Mirrors     s'7PHP)LOJ  
18.2    The Classic Two-Mirror Systems c*m7'\  
18.3    Catadioptric Systems     "_
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18.4    Aspheric Correctors and Schmidt Systems     v3*y43  
18.5    Confocal Paraboloids     OfE>8*RI4  
18.6    Unobscured Systems     QLPb5{>KDS  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     KD<smwXjG  
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19    Infrared and Ultraviolet Systems     3BZa}Q_  
19.1    Infrared Optics     -n:
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19.2    IR Objective Lenses     `i
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19.3    IR Telescope     W>E/LBpE4  
19.4    Laser Beam Expanders     H1t`fyri2  
19,5    Ultraviolet Systems     8mm]>u$  
19.6    Microlithographic Lenses     #NyfE|MKBC  
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20    Zoom Lenses     w *pTK +  
20.1    Zoom Lenses     ;_K3/:  
20.2    Zoom Lenses for Point and Shoot Cameras     UR|Au'iu  
20.3    A 20X Video Zoom Lens     &FpoMW  
20.4    A Zoom Scanner Lens     >iV2>o_  
20.5    A Possible Zoom Lens Design Procedure     ZLGglT'EW>  
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21    Projection TV Lenses and Macro Lenses     q\$k'(k>35  
21.1    Projection TV Lenses     QomihQnc  
21.2    Macro Lenses     S
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22    Scanner/ , Laser Disk and Collimator Lenses     mx!EuF$I  
22.1    Monochromatic Systems     f=EWr8mno  
22.2    Scanner Lenses     mB5Sm|{  
22.3    Laser Disk, Focusing, and Collimator Lenses     w7%.EA{N  
    YlhyZ&a,  
23    Tolerance Budgeting     rj ] ~g  
23.1    The Tolerance Budget     !jTxMf  
23.2    Additive Tolerances     _2a)b(<tF  
23.3    Establishing the Tolerance Budget     (&KBYiwr  
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24    Formulary |V&E q>G  
24.1    Sign Conventions, Symbols, and Definitions     b[2 #t  
24.2    The Cardinal Points     | 9 <+!t\  
24.3    Image Equations     *}'3|e4w}  
24.4    Paraxial Ray Tracing (Surface by Surface)     xE5VXYU  
24.5    Invariants     M{jJ>S{g  
24.6    Paraxial Ray Tracing (Component by Component)     pSl4^$2XR  
24.7    Two-Componenet Relationships     ;L@p|]fu  
24.8    Third-Order Aberrations – Surface Contributions     .Cu0G1  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     3^,p$D<T:,  
24.10    Stop Shift Equations     [9;[g~;E%m  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     GboZ T68  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     [$D%]]/,  
ET[>kn^#  
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Glossary 6n:oEXM>  
Reference )eVn1U2*z.  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 f[q_eY  
我怎么瞧不明白。

有没有人呀 _k5$.f:Yj<  
有个问题想请教大家