"Modern Lens Design" 2nd Edition by Warren J. Smith au#/Q
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Contents of Modern Lens Design 2nd Edition %:N;+1
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1 Introduction 45Lzq6
1.1 Lens Design Books ]]9VI0
1.2 Reference Material e/b
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1.3 Specifications sB0m^Y'
1.4 Lens Design `_e5pW=:>
1.5 Lens Design Program Features KM9H<;A
1.6 About This Book q{l %k
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2 Automatic Lens Design 4m!w<c0NL
2.2 The Merit Function j[4l'8Ek
2.3 Local Minima /h 4rW>8D2
2.4 The Landscape Lens w1LZ\nA<
2.5 Types of Merit Function Y-+JDrK
2.6 Stagnation
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2.7 Generalized Simulated Annealing Uf9L*Z'6il
2.8 Considerations about Variables for Optimization #giH`|#d
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ]F3fO5Z
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 70{B/ ($
2.11 Spectral Weighting CYYo+5x
2.12 How to Get Started O-!Q~;3][
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3 Improving a Design Y+eDE:4
3.1 Lens Design Tip Sheet: Standard Improvement Techniques <8^ws90Y
3.2 Glass Changes ( Index and V Values ) cNMDI
3.3 Splitting Elements =R)w=ce
3.4 Separating a Cemented Doublet HGF&'@dn
3.5 Compounding an Element <j1r6.E)
3.6 Vignetting and Its Uses `A<2wd;
3.7 Eliminating a Weak Element; the Concentric Problem 6?a z
3.8 Balancing Aberrations .\:MB7p
3.9 The Symmetrical Principle T.W^L'L`
3.10 Aspheric Surfaces Qe_C^(P
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4 Evaluation: How Good is This Design c]"w0a-`^@
4.1 The Uses of a Preliminary Evaluation \Nk578+AA
4.2 OPD versus Measures of Performance 7>h(M+
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4.3 Geometric Blur Spot Size versus Certain Aberrations J>"qeR
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4.4 Interpreting MTF - The Modulation Transfer Function dptfIBYc+
4.5 Fabrication Considerations ab`9MJc;
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5 Lens Design Data E{}J-_oS45
5.1 About the Sample Lens Designs >M0^R}v
5.2 Lens Prescriptions, Drawings, and Aberration Plots z]D/Qr
5.3 Estimating the Potential of a Redesign Y#+Ws0wN
5.4 Scaling a Desing, Its Aberrations, and Its MTF |T]&8Q)S
5.5 Notes on the Interpretation of Ray Intercept Plots FL4BdJ\
5.6 Various Evaluation Plot H?,Dv>.#*
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6 Telescope Objective ,5j3(Lk
6.1 The Thin Airspaced Doublet =uEpeL~d;+
6.2 Merit Function for a Telescope Objective <[w5M?n8
6.3 The Design of an f/7 Cemented Doublet Telescope Objective h50]%tp\
6.4 Spherochromatism 1 ^30]2'_
6.5 Zonal Spherical Aberration [WV&Y,E
6.6 Induced Aberrations X&i;WI
6.7 Three-Element Objectives 0|C !n+OK
6.8 Secondary Spectrum (Apochromatic Systems) cc>b#&s
6.9 The Design of an f/7 Apochromatic Triplet $zF%F.rln
6.10 The Diffractive Surface in Lens Design !b&+2y2i[W
6.11 A Final Note 3,2$Ny3N
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7 Eyepieces and Magnifiers %I{>H%CjE
7.1 Eyepieces VMe
7.2 A Pair of Magnifier Designs _+Sf+ta
7.3 The Simple, Classical Eyepieces Vw.)T/B_D
7.4 Design Story of an Eyepiece for a 6*30 Binocular \)6bLB!
7.5 Four-Element Eyepieces DuT6Od/f
7.6 Five-Element Eyepieces 6 EfBz
7.7 Very High Index Eyepiece/Magnifier ^2{ 6W6=
7.8 Six- and Seven-Element Eyepieces -7'|&zP
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8 Cooke Triplet Anastigmats `'>~(8&zE
8.1 Airspaced Triplet Anastigmats R MOs1<D
8.2 Glass Choice WRwx[[e6z
8.3 Vertex Length and Residual Aberrations 3 S*KjY'@
8.4 Other Design Considerations z>iXNwz"?
8.5 A Plastic, Aspheric Triplet Camera Lens ,zr,>^v
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet r :$*pC&{
8.7 Possible Improvement to Our “Basic” Triplet d:>'c=y
8.7 The Rear Earth (Lanthanum) Glasses nB5\ocJ
8.9 Aspherizing the Surfaces S=.%aB
8.10 Increasing the Element Thickness *W`7JL,
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9 Split Triplets -Eig#]Se3
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10 The Tessar, Heliar, and Other Compounded Triplets %<+uJ'pj
10.1 The Classic Tessar w{|`F>f9
10.2 The Heliar/Pentac rx 74v!
10.3 The Portrait Lens and the Enlarger Lens 4o;;'P
10.4 Other Compounded Triplets tm1&OY
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar O[eU{;P
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11 Double-Meniscus Anastigmats q
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11.1 Meniscus Components }* }F_Y+
11.2 The Hypergon, Totogon, and Metrogon /W-ges
11.3 A Two Element Aspheric Thick Meniscus Camera Lens n7G`b'
11.4 Protar, Dagor, and Convertible Lenses Ba5*]VGG
11.5 The Split Dagor t 4zUj%F
11.6 The Dogmar d$x vEm
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ?u?mSO/
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12 The Biotar or Double-Gauss Lens .9=4Af
12.1 The Basic Six-Element Version tP*GYWI48
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens >i >|]
12.3 The Seven-Element Biotar - Split-Rear Singlet ^b`-zFL7
12.4 The Seven-Element Biotar - Broken Contact Front Doublet L@=$0p41;
12.5 The Seven-Element Biotar - One Compounded Outer Element q m_m8
12.6 The Eight-Element Biotar *QWOWg4w
12.7 A “Doubled Double-Gauss” Relay ~|Ln9f-g
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13 Telephoto Lenses ^2 H-_
13.1 The Basic Telephoto _h \L6.
13.2 Close-up or Macro Lenses ~Js kA5h|&
13.3 Telephoto Designs 5p}j{f
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses .zt&HI.F
14.1 The Reverse Telephoto Principle DUl+Jqn4B
14.2 The Basic Retrofocus Lens ENr#3+m$;
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses +^esL9RG:
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15 Wide Angle Lenses with Negative Outer Lenses v{ohrpb0v
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16 The Petzval Lens; Head-up Display Lenses <bo)p6S&
16.1 The Petzval Portrait Lens cAwqIihZ
16.2 The Petzval Projection Lens cUG^^3!
16.3 The Petzval with a Field Flattener =. \hCgq
16.4 Very Height Speed Petzval Lenses Cm%I/4
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems R6fkc^
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17 Microscope Objectives zT6nC5E
17.1 General Considerations RC1bTM
17.2 Classic Objective Design Forms; The Aplanatic Front \ HUDZ2 s
17.3 Flat-Field Objectives 7rRI-wZ
17.4 Reflecting Objectives zz(|V
17.5 The Microscope Objective Designs Cx/J_Ro#
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18 Mirror and Catadioptric Systems wn.6l
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18.1 The Good and Bad Points of Mirrors F$
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18.2 The Classic Two-Mirror Systems d
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18.3 Catadioptric Systems U*Y]cohh
18.4 Aspheric Correctors and Schmidt Systems p2rT0gu!
18.5 Confocal Paraboloids |J:r]);@K
18.6 Unobscured Systems H9ES|ZJs
18.7 Design of a Schmidt-Cassegrain “from Scratch” 9,_~qWw
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19 Infrared and Ultraviolet Systems 62'9lriQ
19.1 Infrared Optics <2 [vR|Q*
19.2 IR Objective Lenses >%92,hg
19.3 IR Telescope }`QZV_
19.4 Laser Beam Expanders {p/Yz#
19,5 Ultraviolet Systems zo"L9&Hzo
19.6 Microlithographic Lenses 5&EBUl}
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20 Zoom Lenses zT&"rcT">
20.1 Zoom Lenses U@yhFj_y
20.2 Zoom Lenses for Point and Shoot Cameras N.z2eo
20.3 A 20X Video Zoom Lens %SIll
20.4 A Zoom Scanner Lens OZf@cOTWK
20.5 A Possible Zoom Lens Design Procedure aL&egM*
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21 Projection TV Lenses and Macro Lenses r7_%t_O|IL
21.1 Projection TV Lenses ju[y-am$/
21.2 Macro Lenses K7JZUS`C!
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22 Scanner/ , Laser Disk and Collimator Lenses f!YlYk5
22.1 Monochromatic Systems fP4P'eI
22.2 Scanner Lenses s92ol0`
22.3 Laser Disk, Focusing, and Collimator Lenses ?nL,Otz
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23 Tolerance Budgeting a)r["*bTx
23.1 The Tolerance Budget ;Q vQ fV4
23.2 Additive Tolerances -lfDoNRhQ
23.3 Establishing the Tolerance Budget fHZ9wK>
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24 Formulary l{^s4
24.1 Sign Conventions, Symbols, and Definitions D[]0/+,
24.2 The Cardinal Points v\G7V
24.3 Image Equations d#d&CJAfr
24.4 Paraxial Ray Tracing (Surface by Surface) 7;TMxO=bra
24.5 Invariants Q{=r9&&
24.6 Paraxial Ray Tracing (Component by Component) l*wGKg"x3
24.7 Two-Componenet Relationships -:r<sv$
24.8 Third-Order Aberrations – Surface Contributions 7>r[.g
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs *v8daF
24.10 Stop Shift Equations A+H8\ew2,
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces $E; Tj|W
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) J1gnR
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Glossary UB>BVBCt
Reference 3
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Index