"Modern Lens Design" 2nd Edition by Warren J. Smith so!w !O@@
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Contents of Modern Lens Design 2nd Edition #*Yi4Cn<
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1 Introduction M[YTk=IM#
1.1 Lens Design Books JO2ZS6k[
1.2 Reference Material =f4[=C$&`
1.3 Specifications
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1.4 Lens Design =% q?Cr
1.5 Lens Design Program Features IpWy)B>Fl3
1.6 About This Book U Cn*UX
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2 Automatic Lens Design ;-K A UgL2
2.2 The Merit Function 0%xR<<gir
2.3 Local Minima yn/?=
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2.4 The Landscape Lens GOy=p3mQ
2.5 Types of Merit Function j3x^<a\gJ
2.6 Stagnation (C`FicY
2.7 Generalized Simulated Annealing pg~z UOY
2.8 Considerations about Variables for Optimization +Lm3vj_ N
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems aho'|%y)
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ,4^9cFVo
2.11 Spectral Weighting PI Z
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2.12 How to Get Started K*R)V/B/l
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3 Improving a Design f^W[; w
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ,vPe}OKj
3.2 Glass Changes ( Index and V Values ) I1Hw"G"&
3.3 Splitting Elements omM&{ }8 g
3.4 Separating a Cemented Doublet W@I
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3.5 Compounding an Element =n@F$/h
3.6 Vignetting and Its Uses R K "&l!o
3.7 Eliminating a Weak Element; the Concentric Problem $%7I:
3.8 Balancing Aberrations dB@Wn !Y
3.9 The Symmetrical Principle Qq#Ff\|4u(
3.10 Aspheric Surfaces q} ]'Q
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4 Evaluation: How Good is This Design Ts|--,
4.1 The Uses of a Preliminary Evaluation t)-*.qZh
4.2 OPD versus Measures of Performance WnD^F>
4.3 Geometric Blur Spot Size versus Certain Aberrations d"#gO,H0
4.4 Interpreting MTF - The Modulation Transfer Function Ua):y) A
4.5 Fabrication Considerations j?EskT 6
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5 Lens Design Data 3gb| x?
5.1 About the Sample Lens Designs )!t CC-Cr
5.2 Lens Prescriptions, Drawings, and Aberration Plots )O,wRd>5
5.3 Estimating the Potential of a Redesign 3`8dii
5.4 Scaling a Desing, Its Aberrations, and Its MTF >qR7'Q wP
5.5 Notes on the Interpretation of Ray Intercept Plots 8g\wVKkTQp
5.6 Various Evaluation Plot OnZF6yfN=3
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6 Telescope Objective
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6.1 The Thin Airspaced Doublet }$ o*
6.2 Merit Function for a Telescope Objective l B1#
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >;
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6.4 Spherochromatism fJaubDxa
6.5 Zonal Spherical Aberration /-h6`@[
6.6 Induced Aberrations gfi
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6.7 Three-Element Objectives *yJ[zXXjJ
6.8 Secondary Spectrum (Apochromatic Systems) y8G&Wg
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6.9 The Design of an f/7 Apochromatic Triplet Mr-DGLJ
6.10 The Diffractive Surface in Lens Design ujU=JlJ7dl
6.11 A Final Note !RS9%ES_?
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7 Eyepieces and Magnifiers {@?G 9UypA
7.1 Eyepieces N;uUx#z
7.2 A Pair of Magnifier Designs M R`:5e
7.3 The Simple, Classical Eyepieces wMGk!N
7.4 Design Story of an Eyepiece for a 6*30 Binocular OFA{
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7.5 Four-Element Eyepieces -K"4rz
7.6 Five-Element Eyepieces # kyl?E
7.7 Very High Index Eyepiece/Magnifier h;-a`@rO ;
7.8 Six- and Seven-Element Eyepieces !BDUv(
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8 Cooke Triplet Anastigmats -
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8.1 Airspaced Triplet Anastigmats @}WNKS&m
8.2 Glass Choice MU'@2c
8.3 Vertex Length and Residual Aberrations :p' VbQZ{
8.4 Other Design Considerations d{f@K71*
8.5 A Plastic, Aspheric Triplet Camera Lens ^(ScgoXva
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 2R]&v;A
8.7 Possible Improvement to Our “Basic” Triplet !YiuwFt
8.7 The Rear Earth (Lanthanum) Glasses +iy 7e6P
8.9 Aspherizing the Surfaces I]h-\;96
8.10 Increasing the Element Thickness h4/X
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9 Split Triplets Wqra8u#
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10 The Tessar, Heliar, and Other Compounded Triplets
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10.1 The Classic Tessar .-0%6]
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10.2 The Heliar/Pentac k@V#HC{t
10.3 The Portrait Lens and the Enlarger Lens } VEq:^o.
10.4 Other Compounded Triplets Bn?:w\%Ue
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar m
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11 Double-Meniscus Anastigmats G/ vC~6x
11.1 Meniscus Components 6 "U8V ?E
11.2 The Hypergon, Totogon, and Metrogon +Ng0WS_0
11.3 A Two Element Aspheric Thick Meniscus Camera Lens P}V=*g
11.4 Protar, Dagor, and Convertible Lenses |E TiLR=&
11.5 The Split Dagor 3$VxRz)
11.6 The Dogmar |9 Yi7.
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens QV qK
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12 The Biotar or Double-Gauss Lens Z)pz,
12.1 The Basic Six-Element Version ymWgf 6r<
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /RT%0!
12.3 The Seven-Element Biotar - Split-Rear Singlet 1f#mHt:(
12.4 The Seven-Element Biotar - Broken Contact Front Doublet [I l ~ K
12.5 The Seven-Element Biotar - One Compounded Outer Element WZZ4]cC
12.6 The Eight-Element Biotar wv MW|
12.7 A “Doubled Double-Gauss” Relay y{d^?(-
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13 Telephoto Lenses FB:<zmwR
13.1 The Basic Telephoto Zj*\"Ol
13.2 Close-up or Macro Lenses GKiukX$'
13.3 Telephoto Designs *1{S*`|cJy
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch f[sF:f(zI
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses l&$$w!n0w
14.1 The Reverse Telephoto Principle e- 5?p~>
14.2 The Basic Retrofocus Lens la
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses }P9Ap3?
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15 Wide Angle Lenses with Negative Outer Lenses EE=3
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16 The Petzval Lens; Head-up Display Lenses [zkikZy
16.1 The Petzval Portrait Lens ~ D[?$`x:
16.2 The Petzval Projection Lens ]3Dl)[R
16.3 The Petzval with a Field Flattener Ad$n4Z e
16.4 Very Height Speed Petzval Lenses AoaN22
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems xJZ@DR,#
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17 Microscope Objectives RDM`9&V!jp
17.1 General Considerations CHJ> {b`O
17.2 Classic Objective Design Forms; The Aplanatic Front (08I
17.3 Flat-Field Objectives a j\nrD1
17.4 Reflecting Objectives 2F`cv1 M
17.5 The Microscope Objective Designs i/So6jW
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18 Mirror and Catadioptric Systems C'A]i5
18.1 The Good and Bad Points of Mirrors ,`A ? !.K$
18.2 The Classic Two-Mirror Systems KvPX=/&Zu
18.3 Catadioptric Systems a`(a)9i
18.4 Aspheric Correctors and Schmidt Systems p4K.NdUH
18.5 Confocal Paraboloids 8Q{9>^
18.6 Unobscured Systems <plC_{Y:wu
18.7 Design of a Schmidt-Cassegrain “from Scratch” ul f2vD
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19 Infrared and Ultraviolet Systems -fI@])$9J
19.1 Infrared Optics 76cG90!Z
19.2 IR Objective Lenses 4Kwh?8.
19.3 IR Telescope A"5z6A4WB
19.4 Laser Beam Expanders z*$q8Z&7rg
19,5 Ultraviolet Systems Q7X3X,
19.6 Microlithographic Lenses SLfFqc+n0
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20 Zoom Lenses k>jbcSY(z<
20.1 Zoom Lenses llV3ka^ !
20.2 Zoom Lenses for Point and Shoot Cameras ;6ecrQMw&
20.3 A 20X Video Zoom Lens dsx]/49<
20.4 A Zoom Scanner Lens s@hRqGd:
20.5 A Possible Zoom Lens Design Procedure P^`duZ{T
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21 Projection TV Lenses and Macro Lenses ^D`v3d
21.1 Projection TV Lenses 3bZIYF2@
21.2 Macro Lenses iJ' xh n
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22 Scanner/ , Laser Disk and Collimator Lenses *+ '2?*
22.1 Monochromatic Systems "P-lSF?T
22.2 Scanner Lenses K_?W\Yg
22.3 Laser Disk, Focusing, and Collimator Lenses |t
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23 Tolerance Budgeting obrl# (\P
23.1 The Tolerance Budget mI*[>#q>
23.2 Additive Tolerances !o=U19)
23.3 Establishing the Tolerance Budget r0d35
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24 Formulary Z+j\a5d?,
24.1 Sign Conventions, Symbols, and Definitions [.hyZ}B
24.2 The Cardinal Points %CUGm$nH
24.3 Image Equations zA+~7;7E
24.4 Paraxial Ray Tracing (Surface by Surface) :c9U>1`g&
24.5 Invariants 3p2P=
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24.6 Paraxial Ray Tracing (Component by Component) ym e^b
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24.7 Two-Componenet Relationships ~c)~015`
24.8 Third-Order Aberrations – Surface Contributions DypFl M*
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Uw,2}yR
24.10 Stop Shift Equations o&AM2U/?
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 8t@p @Td|
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) P0H 6 mn *
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Glossary -V,v9h ^
Reference ?Kvl!F!`
Index
