"Modern Lens Design" 2nd Edition by Warren J. Smith Im' :sJ31
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Contents of Modern Lens Design 2nd Edition N,sqr k]
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1 Introduction ,XBV }y
1.1 Lens Design Books QBPvGnb
1.2 Reference Material DO1N`7@o
1.3 Specifications TYJnQ2m
1.4 Lens Design @3expC
1.5 Lens Design Program Features #0YzPMV
1.6 About This Book e8P!/x-y
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2 Automatic Lens Design Hq"<vp
2.2 The Merit Function uz#eO|z@o
2.3 Local Minima ;+TF3av0zq
2.4 The Landscape Lens ~\@<8@N2a6
2.5 Types of Merit Function K+`-[v5\
2.6 Stagnation i Ks,i9j
2.7 Generalized Simulated Annealing 23u1nU[0
2.8 Considerations about Variables for Optimization #by9D&QP]
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems v{rK_jq
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits n[MIa]dK
2.11 Spectral Weighting u=v%7c2Mx}
2.12 How to Get Started [ilv/V<
abJ@>7V
3 Improving a Design qqom$H<
3.1 Lens Design Tip Sheet: Standard Improvement Techniques @cTZ`bg
3.2 Glass Changes ( Index and V Values ) WT ~dA95
3.3 Splitting Elements G(|(y=ck
3.4 Separating a Cemented Doublet p$b=r+1f
3.5 Compounding an Element Y=WN4w
3.6 Vignetting and Its Uses Cf1wM:K|8
3.7 Eliminating a Weak Element; the Concentric Problem pD}VB6=
3.8 Balancing Aberrations :9rhv{6Wp
3.9 The Symmetrical Principle /Y\E68_Fh
3.10 Aspheric Surfaces {GH`V}Ob
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4 Evaluation: How Good is This Design nGJIjo_I
4.1 The Uses of a Preliminary Evaluation Y5A~iGp8E
4.2 OPD versus Measures of Performance M-qxD"VtV=
4.3 Geometric Blur Spot Size versus Certain Aberrations GFc
4.4 Interpreting MTF - The Modulation Transfer Function 4k&O-70y4^
4.5 Fabrication Considerations Cp~3Jm3
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5 Lens Design Data +q_lYGTiO
5.1 About the Sample Lens Designs v[yTk[zd0
5.2 Lens Prescriptions, Drawings, and Aberration Plots cT=wJ
5.3 Estimating the Potential of a Redesign !wR{Y[Yu
5.4 Scaling a Desing, Its Aberrations, and Its MTF fF-\TW
5.5 Notes on the Interpretation of Ray Intercept Plots l^eNZ3:H
5.6 Various Evaluation Plot eze(>0\f
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6 Telescope Objective FnQ_=b
6.1 The Thin Airspaced Doublet ?D^,K`wY=B
6.2 Merit Function for a Telescope Objective 2p;}wYt
6.3 The Design of an f/7 Cemented Doublet Telescope Objective +@7x45;D
6.4 Spherochromatism u+tb83~[=
6.5 Zonal Spherical Aberration +D-+}&oW
6.6 Induced Aberrations \`%Y-!H+v
6.7 Three-Element Objectives ]{6yS9_tuI
6.8 Secondary Spectrum (Apochromatic Systems) qL;T&h
6.9 The Design of an f/7 Apochromatic Triplet G$kwc
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6.10 The Diffractive Surface in Lens Design $I6eHjYT
6.11 A Final Note 46?F+,Rzl
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7 Eyepieces and Magnifiers )! *M
71
7.1 Eyepieces Md?bAMnG+}
7.2 A Pair of Magnifier Designs 'St= izhd
7.3 The Simple, Classical Eyepieces hy&Hl
7.4 Design Story of an Eyepiece for a 6*30 Binocular $J0~2TV<
7.5 Four-Element Eyepieces UV8r&O
7.6 Five-Element Eyepieces k| cI!
7.7 Very High Index Eyepiece/Magnifier cxJK>%84
7.8 Six- and Seven-Element Eyepieces gWv+i/,
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8 Cooke Triplet Anastigmats ,JBw$C
8.1 Airspaced Triplet Anastigmats nh&<fnh
8.2 Glass Choice q{+poVX
8.3 Vertex Length and Residual Aberrations a*8.^SdzR
8.4 Other Design Considerations *u4X<oBS*
8.5 A Plastic, Aspheric Triplet Camera Lens >/`cmNmb
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ]GRq
8.7 Possible Improvement to Our “Basic” Triplet ?N?pe}
8.7 The Rear Earth (Lanthanum) Glasses dUtIAh-j
8.9 Aspherizing the Surfaces Oi[9b
8.10 Increasing the Element Thickness @[kM1:G-F{
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9 Split Triplets E!~2\qKT
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10 The Tessar, Heliar, and Other Compounded Triplets CU`Oc>;*T
10.1 The Classic Tessar 8*PAgPj a
10.2 The Heliar/Pentac MMr7,?,$
10.3 The Portrait Lens and the Enlarger Lens l}-`E@w
10.4 Other Compounded Triplets ~)8i5p;P/k
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar jv=f@:[`I
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11 Double-Meniscus Anastigmats v4##(~Tu
11.1 Meniscus Components wJR i;fvi
11.2 The Hypergon, Totogon, and Metrogon N3c)ce7[
11.3 A Two Element Aspheric Thick Meniscus Camera Lens
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11.4 Protar, Dagor, and Convertible Lenses rJQ|Oi&1i
11.5 The Split Dagor mS&\m#s<
11.6 The Dogmar 2xdJ(\JWM
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens (Dh;=xG
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12 The Biotar or Double-Gauss Lens +Y]*>afG
12.1 The Basic Six-Element Version |{IU<o
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens .-~%w
12.3 The Seven-Element Biotar - Split-Rear Singlet Z*aU2Kr`;
12.4 The Seven-Element Biotar - Broken Contact Front Doublet BOQV X&g%
12.5 The Seven-Element Biotar - One Compounded Outer Element j~f 7WJ
12.6 The Eight-Element Biotar =LY^3TlDj
12.7 A “Doubled Double-Gauss” Relay AbI*/|sY
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13 Telephoto Lenses =}GyI_br;8
13.1 The Basic Telephoto 8[`<u[Iv
13.2 Close-up or Macro Lenses 2pNJWYW"
13.3 Telephoto Designs iwjl--)@K
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Wy>\KrA1
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses t}+c/ C%b=
14.1 The Reverse Telephoto Principle PH%gX`N
14.2 The Basic Retrofocus Lens !;C(pnE
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 78~V/L;@S2
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15 Wide Angle Lenses with Negative Outer Lenses Eq;frnw>q
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16 The Petzval Lens; Head-up Display Lenses Ns8NaD
16.1 The Petzval Portrait Lens $v@$oPmMj
16.2 The Petzval Projection Lens 7#.PMyK9
16.3 The Petzval with a Field Flattener QGG(I7{-
16.4 Very Height Speed Petzval Lenses 2#M:JgWV
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems K5rj!*x.o
,;pX.Ob U
17 Microscope Objectives QjN3j*@
17.1 General Considerations Mf13@XEo
17.2 Classic Objective Design Forms; The Aplanatic Front !rGI),
17.3 Flat-Field Objectives -mo
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17.4 Reflecting Objectives rB|:r\Z(jG
17.5 The Microscope Objective Designs Awf=yE:
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18 Mirror and Catadioptric Systems B_jI!i{N%o
18.1 The Good and Bad Points of Mirrors f|1FqL+T]
18.2 The Classic Two-Mirror Systems BW=6gZ_
18.3 Catadioptric Systems b+apN ph
18.4 Aspheric Correctors and Schmidt Systems s(Bi&C\
18.5 Confocal Paraboloids \1D,Kx;Cb
18.6 Unobscured Systems '6J$X-
18.7 Design of a Schmidt-Cassegrain “from Scratch” yZaDNc9'
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19 Infrared and Ultraviolet Systems HTpd~W/\
19.1 Infrared Optics F4(U~n<
19.2 IR Objective Lenses ]=<@G.[=
19.3 IR Telescope 4GA-dtyV&
19.4 Laser Beam Expanders a3IB, dr5P
19,5 Ultraviolet Systems irj}:f;!eF
19.6 Microlithographic Lenses :S6 <v0`Z
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20 Zoom Lenses 8@
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20.1 Zoom Lenses -3U}
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20.2 Zoom Lenses for Point and Shoot Cameras LgKEg90w(
20.3 A 20X Video Zoom Lens #wuE30d
20.4 A Zoom Scanner Lens HOb\Hn|6jq
20.5 A Possible Zoom Lens Design Procedure 98nLj9
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21 Projection TV Lenses and Macro Lenses Mn;CG'FA
21.1 Projection TV Lenses _Fy:3,(
21.2 Macro Lenses 9 NSYrIQ"
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22 Scanner/ , Laser Disk and Collimator Lenses m]pvJJ@
22.1 Monochromatic Systems o!0a8i
22.2 Scanner Lenses sJ()ItU5i
22.3 Laser Disk, Focusing, and Collimator Lenses v3#47F)
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23 Tolerance Budgeting W7>_nK+g?
23.1 The Tolerance Budget ,W;8!n0
23.2 Additive Tolerances T,@7giQg@
23.3 Establishing the Tolerance Budget >g=:01z9
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24 Formulary )+R3C%
24.1 Sign Conventions, Symbols, and Definitions ( h,F{7
24.2 The Cardinal Points wj~8KHan
24.3 Image Equations x9s`H)
24.4 Paraxial Ray Tracing (Surface by Surface) R_DQtLI
24.5 Invariants C,.{y`s'
24.6 Paraxial Ray Tracing (Component by Component) u:?RdB}B_@
24.7 Two-Componenet Relationships hUc|Xm
24.8 Third-Order Aberrations – Surface Contributions `?m(Z6'
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs g;@PEZk1
24.10 Stop Shift Equations r${a
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces -ZJ:<
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) m!if_Iq
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Glossary V^5 t~)#46
Reference =2'^:4Z
Index