"Modern Lens Design" 2nd Edition by Warren J. Smith r0t4\d_&
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Contents of Modern Lens Design 2nd Edition CAg~K[
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1 Introduction G(gJtl
1.1 Lens Design Books (37dD!
1.2 Reference Material @i2"+_}*
1.3 Specifications }zC9;R(E
1.4 Lens Design ;]c@%LX
1.5 Lens Design Program Features -!i1xR(;h
1.6 About This Book )tYu3*'
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2 Automatic Lens Design E| eEAa
2.2 The Merit Function `t[b0; 'OH
2.3 Local Minima !jlLF:v|1A
2.4 The Landscape Lens <8;SSdoKi
2.5 Types of Merit Function EMy>X
2.6 Stagnation #C^)W/dP
2.7 Generalized Simulated Annealing 1%Hc/N-
2.8 Considerations about Variables for Optimization 3{c6)vR2
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ;B*im
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ls[0X82F
2.11 Spectral Weighting x6yYx_
2.12 How to Get Started )&/ecx"2Q
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3 Improving a Design h pf,44Kg
3.1 Lens Design Tip Sheet: Standard Improvement Techniques +}3l$L'bY
3.2 Glass Changes ( Index and V Values ) F(h
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3.3 Splitting Elements m8[XA!,
3.4 Separating a Cemented Doublet PU8>.9x
3.5 Compounding an Element NJ]AxFG
3.6 Vignetting and Its Uses zm>^!j
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3.7 Eliminating a Weak Element; the Concentric Problem 4# +i\H`
3.8 Balancing Aberrations \dAs<${(
3.9 The Symmetrical Principle aF8'^xF
3.10 Aspheric Surfaces 7b8+"5~
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4 Evaluation: How Good is This Design M02U,!di
4.1 The Uses of a Preliminary Evaluation (8"advc6
4.2 OPD versus Measures of Performance CghlyT
4.3 Geometric Blur Spot Size versus Certain Aberrations U80h0t%
4.4 Interpreting MTF - The Modulation Transfer Function *Aqd["q
4.5 Fabrication Considerations
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5 Lens Design Data h~EGRg
5.1 About the Sample Lens Designs q4MR9ig1E_
5.2 Lens Prescriptions, Drawings, and Aberration Plots JjMa
5.3 Estimating the Potential of a Redesign [L m
5.4 Scaling a Desing, Its Aberrations, and Its MTF [&(~{#}M:
5.5 Notes on the Interpretation of Ray Intercept Plots bW-sTGjRD
5.6 Various Evaluation Plot gOy;6\/
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6 Telescope Objective 8sus$:Ry
6.1 The Thin Airspaced Doublet <aQ<Wy=\
6.2 Merit Function for a Telescope Objective g1kYL$ o4
6.3 The Design of an f/7 Cemented Doublet Telescope Objective G!T_X*^q2U
6.4 Spherochromatism 0SjB&J
6.5 Zonal Spherical Aberration }3O 0nab
6.6 Induced Aberrations m?O~(6k@C
6.7 Three-Element Objectives a^o'KN{
6.8 Secondary Spectrum (Apochromatic Systems) C'7DG\pr
6.9 The Design of an f/7 Apochromatic Triplet Y_zMj`HE
6.10 The Diffractive Surface in Lens Design XCyU)[wY
6.11 A Final Note xlcL;e&^P
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7 Eyepieces and Magnifiers Sx8RH),k
7.1 Eyepieces |:w)$i& *
7.2 A Pair of Magnifier Designs "wy2u~
7.3 The Simple, Classical Eyepieces 1*GL;W~ix*
7.4 Design Story of an Eyepiece for a 6*30 Binocular q6PG=9d0B
7.5 Four-Element Eyepieces 5,R4:y ?cK
7.6 Five-Element Eyepieces Kn=0AdM
7.7 Very High Index Eyepiece/Magnifier 4mHk,Dd9,
7.8 Six- and Seven-Element Eyepieces r;^%D(
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8 Cooke Triplet Anastigmats >[2;
8.1 Airspaced Triplet Anastigmats A?bqDy
8.2 Glass Choice ZsNZ3;d@u(
8.3 Vertex Length and Residual Aberrations t"s$YB>}
8.4 Other Design Considerations UgLFU#
8.5 A Plastic, Aspheric Triplet Camera Lens pZcY[a
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Zg%tN#6y
8.7 Possible Improvement to Our “Basic” Triplet ?9;CC]D
8.7 The Rear Earth (Lanthanum) Glasses uUiS:Tp]
8.9 Aspherizing the Surfaces '%X29B5
8.10 Increasing the Element Thickness h/Yxm2
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9 Split Triplets efNscgi
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10 The Tessar, Heliar, and Other Compounded Triplets ]Cs=EZr
10.1 The Classic Tessar %VGW]!QR
10.2 The Heliar/Pentac z/]]u.UP
10.3 The Portrait Lens and the Enlarger Lens )@ofczl6
10.4 Other Compounded Triplets {O:{F?
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar eEBo:Rc9
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11 Double-Meniscus Anastigmats +T&YYO8>5
11.1 Meniscus Components km*Y#`{
11.2 The Hypergon, Totogon, and Metrogon x6)qs-
11.3 A Two Element Aspheric Thick Meniscus Camera Lens jGi{:} `lB
11.4 Protar, Dagor, and Convertible Lenses ,5V6=pr$
11.5 The Split Dagor le'
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11.6 The Dogmar Er;q s *f
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ,k_"T.w
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12 The Biotar or Double-Gauss Lens #UE}JR3g
12.1 The Basic Six-Element Version {P_i5V?
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens H|_@9V
12.3 The Seven-Element Biotar - Split-Rear Singlet vV xw*\`<6
12.4 The Seven-Element Biotar - Broken Contact Front Doublet b}DC|?~M
12.5 The Seven-Element Biotar - One Compounded Outer Element x`c7*q%
12.6 The Eight-Element Biotar nU' qE
12.7 A “Doubled Double-Gauss” Relay m_;fj~m
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13 Telephoto Lenses Y0Tad?iC
13.1 The Basic Telephoto tz8fZ*n
13.2 Close-up or Macro Lenses R[14scV
13.3 Telephoto Designs #IZ.px
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Yj'9|4%+|
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses N,Z*d
14.1 The Reverse Telephoto Principle Z.&/,UU:4
14.2 The Basic Retrofocus Lens W+GC3W
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses o">~ObR
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15 Wide Angle Lenses with Negative Outer Lenses z"T+J?V/
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16 The Petzval Lens; Head-up Display Lenses &TY74w*
16.1 The Petzval Portrait Lens !d<R=L
16.2 The Petzval Projection Lens 4BUG\~eI3
16.3 The Petzval with a Field Flattener }LCm_av
16.4 Very Height Speed Petzval Lenses bZ1*:k2
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems `kJ)E;v;3
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17 Microscope Objectives Pn^ `_
17.1 General Considerations `u}_O(A1pA
17.2 Classic Objective Design Forms; The Aplanatic Front ;py9,Wno
17.3 Flat-Field Objectives >O<a9wz
17.4 Reflecting Objectives aXQS0>G%(
17.5 The Microscope Objective Designs aPzn4}~/_
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18 Mirror and Catadioptric Systems U+*l!"O,
18.1 The Good and Bad Points of Mirrors -yB}(69
18.2 The Classic Two-Mirror Systems A"ATtid
18.3 Catadioptric Systems MOK}:^bSu
18.4 Aspheric Correctors and Schmidt Systems L /:^;j`c
18.5 Confocal Paraboloids "D8WdV(
18.6 Unobscured Systems \HbZ~I-
18.7 Design of a Schmidt-Cassegrain “from Scratch” EYn?YiVFU
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19 Infrared and Ultraviolet Systems g=[OH
19.1 Infrared Optics F$DA/ {.D
19.2 IR Objective Lenses iMJt8sd
19.3 IR Telescope ;YR/7
19.4 Laser Beam Expanders [:.wCG5
19,5 Ultraviolet Systems 'x{oAtCP9
19.6 Microlithographic Lenses >#$SaG!
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20 Zoom Lenses ~9 .=t '
20.1 Zoom Lenses ']TWWwj$
20.2 Zoom Lenses for Point and Shoot Cameras eJTU'aX*
20.3 A 20X Video Zoom Lens &muBSQ-
20.4 A Zoom Scanner Lens 6`O,mpPu4G
20.5 A Possible Zoom Lens Design Procedure ,IyQmN y
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21 Projection TV Lenses and Macro Lenses
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21.1 Projection TV Lenses x)*Lu">
21.2 Macro Lenses aSvv(iV
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22 Scanner/ , Laser Disk and Collimator Lenses 0t?o6e
22.1 Monochromatic Systems *0xL(
22.2 Scanner Lenses ppRmC,0f^
22.3 Laser Disk, Focusing, and Collimator Lenses y
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23 Tolerance Budgeting jcJ 4?
23.1 The Tolerance Budget D#L(ZlD4
23.2 Additive Tolerances $uHQl#!;
23.3 Establishing the Tolerance Budget GZ~Tl0U
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24 Formulary JY2<ECO
24.1 Sign Conventions, Symbols, and Definitions ySr,HXz
24.2 The Cardinal Points p/-du^:2
24.3 Image Equations #zTy7ZS,0
24.4 Paraxial Ray Tracing (Surface by Surface) n#g_)\
24.5 Invariants .qSDe+A
24.6 Paraxial Ray Tracing (Component by Component) &Gjpc>d
24.7 Two-Componenet Relationships 6 X~ ><r
24.8 Third-Order Aberrations – Surface Contributions e&;e<6l&{
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 04-_ K
24.10 Stop Shift Equations Z?{\34lPj
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces y017
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) :oZ<[#p"*
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Glossary UON=7}=$&
Reference 9>&zOITTaL
Index