[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith Uy?X-"UR  
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Contents of Modern Lens Design 2nd Edition 9<o*aFgCa  
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1    Introduction         |W}D_2  
1.1    Lens Design Books     t ;fJ`.  
1.2    Reference Material     COj^pdE3  
1.3    Specifications     +^%)QH>9   
1.4    Lens Design     )|W6Z  
1.5    Lens Design Program Features     En4!-pWHQ  
1.6    About This Book     G/_xn5XDD  
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2    Automatic Lens Design         +o35${  
2.2    The Merit Function         gUYTVp Vf  
2.3    Local Minima     )~IOsTjI  
2.4    The Landscape Lens     6XnUs1O  
2.5    Types of Merit Function     2>f3nW  
2.6    Stagnation     w=^~M[%w  
2.7    Generalized Simulated Annealing     n*Hx"2XF  
2.8    Considerations about Variables for Optimization     T "#DhEM  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems =L`PP>"rW  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     h?vny->uJ  
2.11    Spectral Weighting     9t8ccr  
2.12    How to Get Started     8"rK  
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3    Improving a Design     09i77  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     r4fd@<=g  
3.2    Glass Changes ( Index and V Values )     ]hRs -x  
3.3    Splitting Elements     5C9 .h:c4y  
3.4    Separating a Cemented Doublet     {c7@`AV]  
3.5    Compounding an Element     - %?>1n  
3.6    Vignetting and Its Uses     YoZd,} i  
3.7    Eliminating a Weak Element; the Concentric Problem     >y$*|V}k  
3.8    Balancing Aberrations     Q8_5g$X\  
3.9    The Symmetrical Principle     Nh !U  
3.10    Aspheric Surfaces     5i'KGL  
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4    Evaluation: How Good is This Design     q(BRJ(  
4.1    The Uses of a Preliminary Evaluation     }4Q3S1|U  
4.2    OPD versus Measures of Performance     ?"kU+tCxg  
4.3    Geometric Blur Spot Size versus Certain Aberrations     Q+'fTmT[,  
4.4    Interpreting MTF - The Modulation Transfer Function     CY"i|s  
4.5    Fabrication Considerations     ?OGs+G  
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5    Lens Design Data     4-9cp=\PE  
5.1    About the Sample Lens Designs     D\E"v,Y\+O  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     ebLt:gGo  
5.3    Estimating the Potential of a Redesign     4$4Tx9C  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     Psm9hP :m  
5.5    Notes on the Interpretation of Ray Intercept Plots     wQM( |@zE}  
5.6    Various Evaluation Plot     W k"_lJ  
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6    Telescope Objective     Y 2^y73&k  
6.1    The Thin Airspaced Doublet     -$kbj*b##  
6.2    Merit Function for a Telescope Objective     0|{":i_s  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     (1'sBm7F  
6.4    Spherochromatism      h}}7_I9  
6.5    Zonal Spherical Aberration     #nKGU"$+  
6.6    Induced Aberrations     *48LQzc  
6.7    Three-Element Objectives     {@s6ly].  
6.8    Secondary Spectrum (Apochromatic Systems)     McN'J.Sxp  
6.9    The Design of an f/7 Apochromatic Triplet     6K >(n  
6.10    The Diffractive Surface in Lens Design     [?da BXS  
6.11    A Final Note     RG/P]  
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7    Eyepieces and Magnifiers     7e{w,.ny!  
7.1    Eyepieces     8:]5H}Hi  
7.2    A Pair of Magnifier Designs     fLgHQ  
7.3    The Simple, Classical Eyepieces     ]ij:>O@{$  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     "T}HH  
7.5    Four-Element Eyepieces     |+=ctpx9&  
7.6    Five-Element Eyepieces     wHQYBYKcd  
7.7    Very High Index Eyepiece/Magnifier     ^SS9BQ*m  
7.8    Six- and Seven-Element Eyepieces     _b &Aa%  
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8    Cooke Triplet Anastigmats     !DKl:8mx4  
8.1    Airspaced Triplet Anastigmats     W61:$y}8  
8.2    Glass Choice     54f?YR  
8.3    Vertex Length and Residual Aberrations     XLm@, A[  
8.4    Other Design Considerations     wh^I|D?"  
8.5    A Plastic, Aspheric Triplet Camera Lens     0JhUncx  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet uW,rmd  
8.7    Possible Improvement to Our “Basic” Triplet     WhV>]B2+"  
8.7    The Rear Earth (Lanthanum) Glasses     lPz5.(5'  
8.9    Aspherizing the Surfaces     [VOw:|Tt  
8.10    Increasing the Element Thickness     "azrcC  
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9    Split Triplets     |mz0 ]  
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10    The Tessar, Heliar, and Other Compounded Triplets     *Oy%($'  
10.1    The Classic Tessar     UZE%!OWpeK  
10.2    The Heliar/Pentac     > 'JWW*Y!  
10.3    The Portrait Lens and the Enlarger Lens     Ki3wqY  
10.4    Other Compounded Triplets     {dV!sQD  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ML X: S?  
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11    Double-Meniscus Anastigmats     u?8e>a  
11.1    Meniscus Components     o5NrDDH  
11.2    The Hypergon, Totogon, and Metrogon     "C+Fl /v  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     D&8*4>  
11.4    Protar, Dagor, and Convertible Lenses     _?>f
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11.5    The Split Dagor     (' i_Xe  
11.6    The Dogmar     zx5t gZd,N  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     9K{0x7~  
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12    The Biotar or Double-Gauss Lens     f=40_5a6  
12.1    The Basic Six-Element Version    
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens bJ6v5YA%  
12.3    The Seven-Element Biotar - Split-Rear Singlet     *\[GfTL  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     B 6,X)  
12.5    The Seven-Element Biotar - One Compounded Outer Element     hfQ
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12.6    The Eight-Element Biotar     O[&G6+  
12.7    A “Doubled Double-Gauss” Relay     [0n&?<<  
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13    Telephoto Lenses     1Q9eS&  
13.1    The Basic Telephoto     ]b@:?DX8  
13.2    Close-up or Macro Lenses     %MN>b[z  
13.3    Telephoto Designs     bC]GL$ph9*  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch MbC&u:@ "v  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     HoKN<w  
14.1    The Reverse Telephoto Principle     -ID!kZx  
14.2    The Basic Retrofocus Lens     iI%"]- 0@1  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     aAkO>X%[  
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15    Wide Angle Lenses with Negative Outer Lenses     jQ Of+ZE  
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16    The Petzval Lens; Head-up Display Lenses     _{'HY+M  
16.1    The Petzval Portrait Lens     ^'aMp}3iu  
16.2    The Petzval Projection Lens     1)wzSEV@  
16.3    The Petzval with a Field Flattener     :. a}pgh  
16.4    Very Height Speed Petzval Lenses     v#`P?B\  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     }\!38{&  
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17    Microscope Objectives      &+Pcu5  
17.1    General Considerations     1PJ8O|Zt8  
17.2    Classic Objective Design Forms; The Aplanatic Front     fmj-&6  
17.3    Flat-Field Objectives     vZpt}u  
17.4    Reflecting Objectives     }x1p~N+;  
17.5    The Microscope Objective Designs     slMWk;fmD}  
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18    Mirror and Catadioptric Systems     |^E#cI  
18.1    The Good and Bad Points of Mirrors     A?*_14&  
18.2    The Classic Two-Mirror Systems i<nUp1r(  
18.3    Catadioptric Systems     ryp@<}A]!d  
18.4    Aspheric Correctors and Schmidt Systems     E`SFr  
18.5    Confocal Paraboloids     9:tKRN_D  
18.6    Unobscured Systems     cB9`U4<  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     }x1*4+Y1  
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19    Infrared and Ultraviolet Systems     {!hA^[}|  
19.1    Infrared Optics     n.$wW =  
19.2    IR Objective Lenses     9L'R;H?L  
19.3    IR Telescope     wA<#E6^vG  
19.4    Laser Beam Expanders     lvz&7Zb  
19,5    Ultraviolet Systems     v1Lu.JQC$  
19.6    Microlithographic Lenses     I
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20    Zoom Lenses     X}v]iX  
20.1    Zoom Lenses     RHGs(d7-  
20.2    Zoom Lenses for Point and Shoot Cameras     wDV%.Cc  
20.3    A 20X Video Zoom Lens     T=w5FT  
20.4    A Zoom Scanner Lens     N8| ;X  
20.5    A Possible Zoom Lens Design Procedure     D'Gmua]
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21    Projection TV Lenses and Macro Lenses     L 59q\_|  
21.1    Projection TV Lenses     ,IW
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21.2    Macro Lenses     "7pd(p *C  
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22    Scanner/ , Laser Disk and Collimator Lenses     3%<xM/#  
22.1    Monochromatic Systems     *@r)3  
22.2    Scanner Lenses     q|. X[~e|  
22.3    Laser Disk, Focusing, and Collimator Lenses     1dF=BR8  
    -$4#eG%3  
23    Tolerance Budgeting     do9@6[{Sv  
23.1    The Tolerance Budget     ~E=.*: 5(  
23.2    Additive Tolerances     el*C8TWlw  
23.3    Establishing the Tolerance Budget     S/|'ggC  
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24    Formulary  ajayj|h  
24.1    Sign Conventions, Symbols, and Definitions     .4
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24.2    The Cardinal Points     $gN1&K  
24.3    Image Equations     0FFx  
24.4    Paraxial Ray Tracing (Surface by Surface)     x62b=k}  
24.5    Invariants     0k5;Qf6A  
24.6    Paraxial Ray Tracing (Component by Component)     &41=YnC6  
24.7    Two-Componenet Relationships     zR_#c3o  
24.8    Third-Order Aberrations – Surface Contributions     &LO<!WKQ  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     E+AEV`-  
24.10    Stop Shift Equations     j1)HIQE|5f  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     MmBM\Dnv  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     xGq,hCQHV  
P"%i 4-S  
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Glossary [{ak&{R,9{  
Reference I#D{6%~  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 ;Yyg(Ex  
我怎么瞧不明白。

有没有人呀 3k5OYUk  
有个问题想请教大家