[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 3P <'F2o  
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Contents of Modern Lens Design 2nd Edition uO >x:*^8  
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1    Introduction         0m+8P$)C%  
1.1    Lens Design Books     D6Y6^eS-  
1.2    Reference Material     \NXQ  
1.3    Specifications     z8Q"%
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1.4    Lens Design     xq!IbVV/h  
1.5    Lens Design Program Features     BN@,/m9OQ%  
1.6    About This Book     YCw('i(|  
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2    Automatic Lens Design         )9P&=  
2.2    The Merit Function         ex?\c"  
2.3    Local Minima     TRKgBK$,  
2.4    The Landscape Lens     WA LGIW  
2.5    Types of Merit Function     `y
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2.6    Stagnation     5@XV6  
2.7    Generalized Simulated Annealing     X^< >6|)  
2.8    Considerations about Variables for Optimization     wH!#aB>kP  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems o6?l/nJ  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     j[P8  
2.11    Spectral Weighting     %^9:%ytt  
2.12    How to Get Started     5#_tE<uM  
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3    Improving a Design     B50 [O!  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     P Tnac  
3.2    Glass Changes ( Index and V Values )     Lm.`+W5  
3.3    Splitting Elements     CtT~0Y|  
3.4    Separating a Cemented Doublet     \]Z&P,}w  
3.5    Compounding an Element     u fw cF*  
3.6    Vignetting and Its Uses     kb|eQtH  
3.7    Eliminating a Weak Element; the Concentric Problem     NygI67  
3.8    Balancing Aberrations     (L|}`  
3.9    The Symmetrical Principle     d.pp3D9/  
3.10    Aspheric Surfaces     e`s
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4    Evaluation: How Good is This Design     i
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4.1    The Uses of a Preliminary Evaluation     $o^e:Y, a  
4.2    OPD versus Measures of Performance     "g `nsk  
4.3    Geometric Blur Spot Size versus Certain Aberrations     j 0 Y  
4.4    Interpreting MTF - The Modulation Transfer Function     Ko}2%4on  
4.5    Fabrication Considerations     u3Do~RyL[  
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5    Lens Design Data     3cu9[~K  
5.1    About the Sample Lens Designs     )!C7bTv 4  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     93I'cWN  
5.3    Estimating the Potential of a Redesign     G\1J _al  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     9Q
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5.5    Notes on the Interpretation of Ray Intercept Plots     ek[kq[U9  
5.6    Various Evaluation Plot     6;JP76PD  
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6    Telescope Objective     >38 Lt\  
6.1    The Thin Airspaced Doublet     C|6{fd4?  
6.2    Merit Function for a Telescope Objective     pGGV\zD^  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     Dq`~XS*  
6.4    Spherochromatism     '\L0xw4  
6.5    Zonal Spherical Aberration     ny`(f,)u*  
6.6    Induced Aberrations     ZT9IMihV  
6.7    Three-Element Objectives     #` +]{4hR  
6.8    Secondary Spectrum (Apochromatic Systems)     @*_ZoO7{  
6.9    The Design of an f/7 Apochromatic Triplet     M@O2 WB1ws  
6.10    The Diffractive Surface in Lens Design     6F`\YSn+  
6.11    A Final Note     kV
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7    Eyepieces and Magnifiers     NQ!<f\m4n  
7.1    Eyepieces     ,xj3w#`zaf  
7.2    A Pair of Magnifier Designs     
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7.3    The Simple, Classical Eyepieces     hrT%XJl  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     M;qb7Mu  
7.5    Four-Element Eyepieces    
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7.6    Five-Element Eyepieces     fN0bIE Y  
7.7    Very High Index Eyepiece/Magnifier     \ 522,n`  
7.8    Six- and Seven-Element Eyepieces     -,/3"}<^78  
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8    Cooke Triplet Anastigmats     e;;):\p4  
8.1    Airspaced Triplet Anastigmats    
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8.2    Glass Choice     M*H< n*  
8.3    Vertex Length and Residual Aberrations     l% |cB93  
8.4    Other Design Considerations     qwP$~Bj  
8.5    A Plastic, Aspheric Triplet Camera Lens     1$OVe4H1  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet jnDQ{D  
8.7    Possible Improvement to Our “Basic” Triplet     _-6e0srZ  
8.7    The Rear Earth (Lanthanum) Glasses     `A"Q3sf%  
8.9    Aspherizing the Surfaces     :p&IX"Hh  
8.10    Increasing the Element Thickness     cdN/Qy  

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9    Split Triplets     zS?n>ElI  
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10    The Tessar, Heliar, and Other Compounded Triplets     =Pj@g/25u  
10.1    The Classic Tessar     IW]*i?L  
10.2    The Heliar/Pentac     t]r7cA  
10.3    The Portrait Lens and the Enlarger Lens     lDlj+fK  
10.4    Other Compounded Triplets     oc((Yo+B  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Dh?vU~v(6  
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11    Double-Meniscus Anastigmats     77^ "xsa  
11.1    Meniscus Components     :4iU^6  
11.2    The Hypergon, Totogon, and Metrogon     (tpof 5a  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     } m6\C5  
11.4    Protar, Dagor, and Convertible Lenses     WT?bBf  
11.5    The Split Dagor     )+*{Y$/U  
11.6    The Dogmar     j,4,zA1j|  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     b^%?S8]h  
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12    The Biotar or Double-Gauss Lens     <g*.p@o  
12.1    The Basic Six-Element Version     Fj,
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens L=,Y1nO:p  
12.3    The Seven-Element Biotar - Split-Rear Singlet     n3*UgNg%fK  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     ) (+)Q'*  
12.5    The Seven-Element Biotar - One Compounded Outer Element     ;
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12.6    The Eight-Element Biotar     %P(;8sS  
12.7    A “Doubled Double-Gauss” Relay     PlF!cr7:4  
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13    Telephoto Lenses     q`cEA<~S  
13.1    The Basic Telephoto     ?LR"hZ>  
13.2    Close-up or Macro Lenses     @Mzz2&(dU  
13.3    Telephoto Designs     Vj/fAHR`>'  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch k3C"  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     z^gi[ mi  
14.1    The Reverse Telephoto Principle     v&e-`.xR  
14.2    The Basic Retrofocus Lens     L)1C'8).  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     U%h7h`=F?  
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15    Wide Angle Lenses with Negative Outer Lenses     w[e0wh`.  
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16    The Petzval Lens; Head-up Display Lenses     @T5YsX]qb7  
16.1    The Petzval Portrait Lens     \ibCR~
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16.2    The Petzval Projection Lens     C?{D"f`[]  
16.3    The Petzval with a Field Flattener     cJSVT8  
16.4    Very Height Speed Petzval Lenses     Gee~>:_Q{J  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     "$]ls9-%n  
T.J`S(oI  
17    Microscope Objectives     2rF?Q?$,B  
17.1    General Considerations     Sy4 mZ}:  
17.2    Classic Objective Design Forms; The Aplanatic Front     ^@M[t<  
17.3    Flat-Field Objectives     `}[VwQ  
17.4    Reflecting Objectives     p}96uaC1  
17.5    The Microscope Objective Designs     4U}zJP(L  
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18    Mirror and Catadioptric Systems     >'eB2  
18.1    The Good and Bad Points of Mirrors     lj4%(rB=  
18.2    The Classic Two-Mirror Systems *Yj~]E0`1  
18.3    Catadioptric Systems     1]_?$)$T  
18.4    Aspheric Correctors and Schmidt Systems     C:rRK*  
18.5    Confocal Paraboloids     D~5yj&&T;  
18.6    Unobscured Systems     GSC{F#:z  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     i5.?g<.H  
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19    Infrared and Ultraviolet Systems     gW'P`Oxw  
19.1    Infrared Optics     Hde]DK,d  
19.2    IR Objective Lenses     ;I[ht  
19.3    IR Telescope     N
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19.4    Laser Beam Expanders     )Y=w40Yzd  
19,5    Ultraviolet Systems     c!tvG*{  
19.6    Microlithographic Lenses     \m(ymp<c`  
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20    Zoom Lenses     rny@n^F  
20.1    Zoom Lenses     (m<R0  
20.2    Zoom Lenses for Point and Shoot Cameras     XyvZ&d6(d  
20.3    A 20X Video Zoom Lens     /_$~rW  
20.4    A Zoom Scanner Lens     NQDLI 1o  
20.5    A Possible Zoom Lens Design Procedure     $7msL#E7  
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21    Projection TV Lenses and Macro Lenses     ?(fQ<i n  
21.1    Projection TV Lenses     ;3 G~["DA  
21.2    Macro Lenses     oP+kAV#]  
N8,EI^W8Z  
22    Scanner/ , Laser Disk and Collimator Lenses     nu;}S!J  
22.1    Monochromatic Systems     [B}1z  
22.2    Scanner Lenses     !S~,>,y
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22.3    Laser Disk, Focusing, and Collimator Lenses     }5fU7&jA;3  
    0\?_lT2  
23    Tolerance Budgeting     8T8pAs0 p  
23.1    The Tolerance Budget     LN@lrC7X  
23.2    Additive Tolerances     ]jHgo](%  
23.3    Establishing the Tolerance Budget      ]#Y|   
H;b8I  
24    Formulary ^;0~6uBEJr  
24.1    Sign Conventions, Symbols, and Definitions     T[i7C3QS  
24.2    The Cardinal Points     ` (7N^@  
24.3    Image Equations     rFKo E%  
24.4    Paraxial Ray Tracing (Surface by Surface)     [ED!J~lg8  
24.5    Invariants     C>.]Bvg  
24.6    Paraxial Ray Tracing (Component by Component)     B`g<Ge~  
24.7    Two-Componenet Relationships     P3+)pOE-SI  
24.8    Third-Order Aberrations – Surface Contributions     <{$ev&bQ  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     )p^m}N 6M]  
24.10    Stop Shift Equations     e*Uz#w:  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     K)yCrEZ  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     fl} rz  
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Glossary *\=2KIF'  
Reference wm); aWP  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 e6{[o@aM{  
我怎么瞧不明白。

有没有人呀 E1l\~%A  
有个问题想请教大家