"Modern Lens Design" 2nd Edition by Warren J. Smith >hcA:\UPk
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Contents of Modern Lens Design 2nd Edition !xs.[&u8
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1 Introduction O$}p}%%y7
1.1 Lens Design Books r<]Db&k
1.2 Reference Material Qe=,EXf
1.3 Specifications MWv_BXQ
1.4 Lens Design 6"^Yn.
1.5 Lens Design Program Features S Rs~p
1.6 About This Book 7Y$#*
7
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2 Automatic Lens Design G%
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2.2 The Merit Function *')g}2iB
2.3 Local Minima i6R2R8
2.4 The Landscape Lens i"=6n>\
2.5 Types of Merit Function 6Z~u2&
2.6 Stagnation v)|[=
2.7 Generalized Simulated Annealing z?$F2+f&
2.8 Considerations about Variables for Optimization =M"H~;f]
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems '=!@s1;{[;
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits e)dPv:oK3
2.11 Spectral Weighting
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2.12 How to Get Started -TKS`,#
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3 Improving a Design <rUH\z5cP
3.1 Lens Design Tip Sheet: Standard Improvement Techniques lWS@<j
3.2 Glass Changes ( Index and V Values ) 1:<= zqh0
3.3 Splitting Elements =[8EQdR
3.4 Separating a Cemented Doublet jU2Dpxkt
3.5 Compounding an Element yjZ]_.
3.6 Vignetting and Its Uses uU v yZ
3.7 Eliminating a Weak Element; the Concentric Problem BKDs3?&
3.8 Balancing Aberrations +TW9BU'a^
3.9 The Symmetrical Principle c$),/0td|
3.10 Aspheric Surfaces E"l&<U
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4 Evaluation: How Good is This Design ^R* _Q,o#
4.1 The Uses of a Preliminary Evaluation uP<w rlW
4.2 OPD versus Measures of Performance ZD{%0uh
4.3 Geometric Blur Spot Size versus Certain Aberrations :fI|>I
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4.4 Interpreting MTF - The Modulation Transfer Function @xKLRw
4.5 Fabrication Considerations Xg:w;#r,
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5 Lens Design Data zoXCMBg[
5.1 About the Sample Lens Designs 1PWs">*(
5.2 Lens Prescriptions, Drawings, and Aberration Plots T'9I&h%\
5.3 Estimating the Potential of a Redesign )(~s-x^\z@
5.4 Scaling a Desing, Its Aberrations, and Its MTF 8Xpf|?.
5.5 Notes on the Interpretation of Ray Intercept Plots \u@4eBAV
5.6 Various Evaluation Plot CW*Kdt
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6 Telescope Objective ~ZeF5
6.1 The Thin Airspaced Doublet mm-!UsT
6.2 Merit Function for a Telescope Objective x2p}0N
6.3 The Design of an f/7 Cemented Doublet Telescope Objective
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6.4 Spherochromatism O+I\Q?
6.5 Zonal Spherical Aberration :.kc1_veYS
6.6 Induced Aberrations a1Q|su{H
6.7 Three-Element Objectives C"bG?Mb
6.8 Secondary Spectrum (Apochromatic Systems) mG4myQ?$
6.9 The Design of an f/7 Apochromatic Triplet QC7Ceeh]4
6.10 The Diffractive Surface in Lens Design R;,&s!\<
6.11 A Final Note Uc,D&Og
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7 Eyepieces and Magnifiers / fBi9=}+
7.1 Eyepieces P7GuFn/p~2
7.2 A Pair of Magnifier Designs _2Sb?]Xn
7.3 The Simple, Classical Eyepieces SS?^-BI
7.4 Design Story of an Eyepiece for a 6*30 Binocular 9(?9yFbj5
7.5 Four-Element Eyepieces f%n],tE6
7.6 Five-Element Eyepieces A/n-.ci
7.7 Very High Index Eyepiece/Magnifier +2%ih!
7.8 Six- and Seven-Element Eyepieces z-<091,
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8 Cooke Triplet Anastigmats ~hi \*W6jg
8.1 Airspaced Triplet Anastigmats );T0n
8.2 Glass Choice }{>)2S
8.3 Vertex Length and Residual Aberrations \7W>3
8.4 Other Design Considerations r[xj,eIb
8.5 A Plastic, Aspheric Triplet Camera Lens %lVc7L2]
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ? b;_T,S[
8.7 Possible Improvement to Our “Basic” Triplet =O= 0 D
8.7 The Rear Earth (Lanthanum) Glasses Jt79M(Hp!
8.9 Aspherizing the Surfaces 8S2sNpLi-g
8.10 Increasing the Element Thickness MfNxd
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9 Split Triplets $4K(AEt[
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10 The Tessar, Heliar, and Other Compounded Triplets hdky:2^3
10.1 The Classic Tessar -#0(Jm'
10.2 The Heliar/Pentac V~j:!=b%v
10.3 The Portrait Lens and the Enlarger Lens P{YUW~
10.4 Other Compounded Triplets rQ~7BlE
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar D$C >ZF
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11 Double-Meniscus Anastigmats \Eq,4-q
11.1 Meniscus Components [ kI|Thx
11.2 The Hypergon, Totogon, and Metrogon W;~ f865
11.3 A Two Element Aspheric Thick Meniscus Camera Lens (,Zy2wr=
11.4 Protar, Dagor, and Convertible Lenses Y~ j.Kt
11.5 The Split Dagor Hc?8Q\O:
11.6 The Dogmar C:S*juK
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens tHF-OarUO
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12 The Biotar or Double-Gauss Lens %UIR GI
12.1 The Basic Six-Element Version ;Du+C%
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens AY]dwKw
12.3 The Seven-Element Biotar - Split-Rear Singlet 8MIn~
12.4 The Seven-Element Biotar - Broken Contact Front Doublet V_b"^911r
12.5 The Seven-Element Biotar - One Compounded Outer Element a!UQ]prT
12.6 The Eight-Element Biotar GM&< ?K1
12.7 A “Doubled Double-Gauss” Relay \G}02h
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13 Telephoto Lenses SU,S1C_q8
13.1 The Basic Telephoto 8 xfn$
13.2 Close-up or Macro Lenses +Sz%2Q
13.3 Telephoto Designs X.~z:W+
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch p
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses _v~c3y).
14.1 The Reverse Telephoto Principle Q-A:0F&{t
14.2 The Basic Retrofocus Lens yVF1*#"
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -Ky<P<@ezm
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15 Wide Angle Lenses with Negative Outer Lenses Po(Y',xI[
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16 The Petzval Lens; Head-up Display Lenses N=Q<mj;,
16.1 The Petzval Portrait Lens Fjnp0:p9X
16.2 The Petzval Projection Lens N.\?"n
16.3 The Petzval with a Field Flattener E}^np[u7
16.4 Very Height Speed Petzval Lenses >"LHr&;m&h
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems *\#/4_yB}
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17 Microscope Objectives qp#Is{=m
17.1 General Considerations Uc>kiWW
17.2 Classic Objective Design Forms; The Aplanatic Front c@SNbY4}%
17.3 Flat-Field Objectives k2bjBAT
17.4 Reflecting Objectives Y-Iu&H+\
17.5 The Microscope Objective Designs ^?+qNbK
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18 Mirror and Catadioptric Systems &,v-AL$:Q
18.1 The Good and Bad Points of Mirrors jl-2)<
18.2 The Classic Two-Mirror Systems AN193o
18.3 Catadioptric Systems rcq^mPdQ
18.4 Aspheric Correctors and Schmidt Systems PjwDth
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18.5 Confocal Paraboloids *R'r=C`
18.6 Unobscured Systems F747K);_
18.7 Design of a Schmidt-Cassegrain “from Scratch” d_v]mfUF
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19 Infrared and Ultraviolet Systems
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19.1 Infrared Optics `efC4#*!!
19.2 IR Objective Lenses !
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19.3 IR Telescope fnXYp
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19.4 Laser Beam Expanders -FOn%7r#Y
19,5 Ultraviolet Systems {^J/S}L]
19.6 Microlithographic Lenses [zC1LTXe
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20 Zoom Lenses LDDgg
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20.1 Zoom Lenses :k; c|MW
20.2 Zoom Lenses for Point and Shoot Cameras _h6j, )
20.3 A 20X Video Zoom Lens $ol]G`+
20.4 A Zoom Scanner Lens ~^{>!wU+
20.5 A Possible Zoom Lens Design Procedure $&25hvK,
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21 Projection TV Lenses and Macro Lenses XC(:O(jdA2
21.1 Projection TV Lenses MZ2/ks
21.2 Macro Lenses r5RUgt
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22 Scanner/ , Laser Disk and Collimator Lenses [Xa,|
22.1 Monochromatic Systems o*k.je1
22.2 Scanner Lenses 2Kkm-#p7
22.3 Laser Disk, Focusing, and Collimator Lenses ;\]&k
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23 Tolerance Budgeting @:dn\{Zsea
23.1 The Tolerance Budget Gye84C2E=
23.2 Additive Tolerances aM7e?.rU
23.3 Establishing the Tolerance Budget SD/=e3
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24 Formulary @=7[ KM b
24.1 Sign Conventions, Symbols, and Definitions ndmsXls
24.2 The Cardinal Points 8t;vZ&
24.3 Image Equations elqm/u
24.4 Paraxial Ray Tracing (Surface by Surface) JRw<v4pZ
24.5 Invariants QGCg~TV;
24.6 Paraxial Ray Tracing (Component by Component) > `1K0?_
24.7 Two-Componenet Relationships oW5Ov
24.8 Third-Order Aberrations – Surface Contributions 7z2Q!0Sz
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs '^n,)oA/G
24.10 Stop Shift Equations &ir|2"HV
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ~GLWhe-
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) w4Uo-zr@
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Glossary HJi
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Reference 6`h}#@ (
Index