"Modern Lens Design" 2nd Edition by Warren J. Smith w b+<a
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Contents of Modern Lens Design 2nd Edition ]PVto\B=
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1 Introduction <UK5eVQn
1.1 Lens Design Books V85.DK!
1.2 Reference Material |8;?
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1.3 Specifications >Fh#DmQ
1.4 Lens Design |UZOAGiBg
1.5 Lens Design Program Features ^je528%H
1.6 About This Book >W~=]&7{s4
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2 Automatic Lens Design X8.y4{5
2.2 The Merit Function 4(sttd_
2.3 Local Minima +
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2.4 The Landscape Lens a^/K?lAB8
2.5 Types of Merit Function MBv/
2.6 Stagnation 5%qH7[dx
2.7 Generalized Simulated Annealing %%x0w^
2.8 Considerations about Variables for Optimization k) 3s?
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems M%;"c?g
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits w%I8CU_}.
2.11 Spectral Weighting %OFj
2.12 How to Get Started $$~a=q,P[
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3 Improving a Design um{e&5jk
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 'W+i[Ep5Q
3.2 Glass Changes ( Index and V Values ) lG
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3.3 Splitting Elements mCG;[4gM
3.4 Separating a Cemented Doublet t}c v2S
3.5 Compounding an Element fT
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3.6 Vignetting and Its Uses \@:j
3.7 Eliminating a Weak Element; the Concentric Problem i)8g CDc
3.8 Balancing Aberrations GM77Z.Y
3.9 The Symmetrical Principle .CvFE~
3.10 Aspheric Surfaces +qZc}
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4 Evaluation: How Good is This Design ^K/G 5
4.1 The Uses of a Preliminary Evaluation `_0)kdu
4.2 OPD versus Measures of Performance "p`o]$Wv
4.3 Geometric Blur Spot Size versus Certain Aberrations Djyp3uUA/
4.4 Interpreting MTF - The Modulation Transfer Function m"q/,}DR
4.5 Fabrication Considerations
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5 Lens Design Data CY5w$E
5.1 About the Sample Lens Designs dGa@<hg
5.2 Lens Prescriptions, Drawings, and Aberration Plots Qv\bLR
5.3 Estimating the Potential of a Redesign O68b zi]
5.4 Scaling a Desing, Its Aberrations, and Its MTF WySNL#>a
5.5 Notes on the Interpretation of Ray Intercept Plots ?&XzW+(X
5.6 Various Evaluation Plot h2AGEg'g2[
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6 Telescope Objective -#daBx
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6.1 The Thin Airspaced Doublet t+jIHo
6.2 Merit Function for a Telescope Objective u9 %;{:]h
6.3 The Design of an f/7 Cemented Doublet Telescope Objective #Af)n(
6.4 Spherochromatism T 4vogoy
6.5 Zonal Spherical Aberration >
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6.6 Induced Aberrations ` v>/
6.7 Three-Element Objectives .$UTH@;7
6.8 Secondary Spectrum (Apochromatic Systems) C1n??Y[
6.9 The Design of an f/7 Apochromatic Triplet e{:86C!d)
6.10 The Diffractive Surface in Lens Design S'|lU@PCl
6.11 A Final Note B U'Ki \
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7 Eyepieces and Magnifiers /%-o.hT
7.1 Eyepieces IC\E,m
7.2 A Pair of Magnifier Designs +J%6bn)U
7.3 The Simple, Classical Eyepieces o}d2N/T
7.4 Design Story of an Eyepiece for a 6*30 Binocular " S ?Km
7.5 Four-Element Eyepieces cgzy0$8dj\
7.6 Five-Element Eyepieces B*32D8t`u
7.7 Very High Index Eyepiece/Magnifier F{kG
7.8 Six- and Seven-Element Eyepieces >s44
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8 Cooke Triplet Anastigmats *h>OW
8.1 Airspaced Triplet Anastigmats bJANZn|H
8.2 Glass Choice Zp^)_ 0
8.3 Vertex Length and Residual Aberrations |&9tU
8.4 Other Design Considerations `CPZPp,l6`
8.5 A Plastic, Aspheric Triplet Camera Lens t;h+Cf4
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet PpW
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8.7 Possible Improvement to Our “Basic” Triplet P>.Y)$`r
8.7 The Rear Earth (Lanthanum) Glasses vM5k4%D
8.9 Aspherizing the Surfaces [kVpzpGr
8.10 Increasing the Element Thickness zUe#Wp[
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9 Split Triplets 5T7_[{
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10 The Tessar, Heliar, and Other Compounded Triplets b (g_.1[
10.1 The Classic Tessar w2.qT+;v
10.2 The Heliar/Pentac 8[vl3C
10.3 The Portrait Lens and the Enlarger Lens @>d&5}F_>{
10.4 Other Compounded Triplets }]uB?
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar @ARAX\F
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11 Double-Meniscus Anastigmats 'SsPx&)l
11.1 Meniscus Components Ej-=y2j{g
11.2 The Hypergon, Totogon, and Metrogon y.L|rRe@P
11.3 A Two Element Aspheric Thick Meniscus Camera Lens cpP.7ZR
11.4 Protar, Dagor, and Convertible Lenses a.5zdoH_
11.5 The Split Dagor Uh<H*o6e 9
11.6 The Dogmar &f
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens jB}_Slh1j
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12 The Biotar or Double-Gauss Lens u40b?
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12.1 The Basic Six-Element Version ;}UIj{sj*
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens =e"H1^Ml
12.3 The Seven-Element Biotar - Split-Rear Singlet %#[r_QQ^
12.4 The Seven-Element Biotar - Broken Contact Front Doublet B^E2UNRA
12.5 The Seven-Element Biotar - One Compounded Outer Element {s9y@c*15.
12.6 The Eight-Element Biotar -MVNXAKnZ
12.7 A “Doubled Double-Gauss” Relay \9&YV;Ct
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13 Telephoto Lenses sDz)_;;%
13.1 The Basic Telephoto l4R<`b\Jt
13.2 Close-up or Macro Lenses |H3?ox*
13.3 Telephoto Designs <z~2d
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch (h'$3~
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses G}Qk!r
14.1 The Reverse Telephoto Principle Z<$E.##
14.2 The Basic Retrofocus Lens S)Ub/`f{s
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses '#pMEVP
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15 Wide Angle Lenses with Negative Outer Lenses vTe$77n
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16 The Petzval Lens; Head-up Display Lenses
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16.1 The Petzval Portrait Lens YUP%K!k
16.2 The Petzval Projection Lens {="Su{i}}
16.3 The Petzval with a Field Flattener *Bb|N--jI
16.4 Very Height Speed Petzval Lenses Y ;~~?[6
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems khKv5K#)
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17 Microscope Objectives K%aPl~e
17.1 General Considerations 7Y_fF1-wY
17.2 Classic Objective Design Forms; The Aplanatic Front zx_O"0{5
17.3 Flat-Field Objectives #NVF\
17.4 Reflecting Objectives qCxD{-9x{
17.5 The Microscope Objective Designs =2vMw]
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18 Mirror and Catadioptric Systems 5;sQ@
18.1 The Good and Bad Points of Mirrors Cnc\sMDJ\B
18.2 The Classic Two-Mirror Systems ]IbPWBX
18.3 Catadioptric Systems D=q;+,Pc
18.4 Aspheric Correctors and Schmidt Systems Tvksf!ba
18.5 Confocal Paraboloids 1b
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18.6 Unobscured Systems |R
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18.7 Design of a Schmidt-Cassegrain “from Scratch” 9FIe W[
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19 Infrared and Ultraviolet Systems #sm_.?P
19.1 Infrared Optics I!soV0VU]
19.2 IR Objective Lenses 3_jCsX
19.3 IR Telescope Ndug9j\2
19.4 Laser Beam Expanders SCt=OdP=
19,5 Ultraviolet Systems Vm,f3~
19.6 Microlithographic Lenses %M0mwty]
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20 Zoom Lenses ;ow~vO,x
20.1 Zoom Lenses ,SE$Rh
20.2 Zoom Lenses for Point and Shoot Cameras j~,LoGuPh
20.3 A 20X Video Zoom Lens 8y4D9_{
20.4 A Zoom Scanner Lens +DbWMm
20.5 A Possible Zoom Lens Design Procedure HHu7{,
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21 Projection TV Lenses and Macro Lenses tci%=3,)
21.1 Projection TV Lenses L->f=
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21.2 Macro Lenses d;NFkA(df
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22 Scanner/ , Laser Disk and Collimator Lenses ,Dii?P
22.1 Monochromatic Systems *|,ykb>
22.2 Scanner Lenses wMPw/a;
22.3 Laser Disk, Focusing, and Collimator Lenses ==jw3_W
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23 Tolerance Budgeting 7)(`
23.1 The Tolerance Budget :C:N]6_{SZ
23.2 Additive Tolerances $ DZQdhv
23.3 Establishing the Tolerance Budget 1J{z}yPHc
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24 Formulary )T};Q:
24.1 Sign Conventions, Symbols, and Definitions YaJ{"'}
24.2 The Cardinal Points $qUta<o2@
24.3 Image Equations b[[6X
24.4 Paraxial Ray Tracing (Surface by Surface) VgZaDd;
24.5 Invariants `d|bH;w
24.6 Paraxial Ray Tracing (Component by Component) g<T`F
24.7 Two-Componenet Relationships /4B4IT
24.8 Third-Order Aberrations – Surface Contributions MkNURy>n&
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ?"8A^
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24.10 Stop Shift Equations {EoyMJgz
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ZAM+4#@
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Zqs-I8y
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Glossary 4wj|
Reference hte9l)
Index