[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 7(]M`bBH  
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Contents of Modern Lens Design 2nd Edition ibv.M=  
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1    Introduction          d>}R3T  
1.1    Lens Design Books     %TS8 9/  
1.2    Reference Material     K&UTs$_cI  
1.3    Specifications     Uq:CM6q\  
1.4    Lens Design     T5? eb"  
1.5    Lens Design Program Features     BiCC72oig  
1.6    About This Book     CINC1Ll_24  
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2    Automatic Lens Design         G ,?l o=m  
2.2    The Merit Function         7f#r&~=  
2.3    Local Minima     ^^{7`X u  
2.4    The Landscape Lens     J6J|&Z~UT,  
2.5    Types of Merit Function     ]}s'`44J9e  
2.6    Stagnation     e2vLUlL8  
2.7    Generalized Simulated Annealing      Mt   
2.8    Considerations about Variables for Optimization     -efB8)A  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 2qe]1B;  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     (#5TM1/A  
2.11    Spectral Weighting     y5$AAas  
2.12    How to Get Started     b,o@m  
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3    Improving a Design     XpoEZ|0  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques    
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3.2    Glass Changes ( Index and V Values )     Ub%1OQ  
3.3    Splitting Elements     .|x"'3#  
3.4    Separating a Cemented Doublet     OYayTKxN  
3.5    Compounding an Element     JF-ew"o<E  
3.6    Vignetting and Its Uses     Yb=Z`)  
3.7    Eliminating a Weak Element; the Concentric Problem     U[WR?J4~LX  
3.8    Balancing Aberrations     ,n\'dMNii  
3.9    The Symmetrical Principle     #F25,:hY  
3.10    Aspheric Surfaces     GK
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4    Evaluation: How Good is This Design     Nx^r&pr  
4.1    The Uses of a Preliminary Evaluation     GZk
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4.2    OPD versus Measures of Performance     4}MZB*);0  
4.3    Geometric Blur Spot Size versus Certain Aberrations     Dvz}sQZ  
4.4    Interpreting MTF - The Modulation Transfer Function     ^yp`<=  
4.5    Fabrication Considerations     J'4V_Kjg-  
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5    Lens Design Data     Df_*W"(v  
5.1    About the Sample Lens Designs     x9B5@2J1  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     -9@/S$i  
5.3    Estimating the Potential of a Redesign     DqbU$jt`  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     U1~6o"1H  
5.5    Notes on the Interpretation of Ray Intercept Plots     ylVBK{w9  
5.6    Various Evaluation Plot     &I=F4 z  
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6    Telescope Objective     jI~GRk  
6.1    The Thin Airspaced Doublet     ("5Eed  
6.2    Merit Function for a Telescope Objective     G'0]m-)dw  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     &&er7_Q  
6.4    Spherochromatism     v dR6y  
6.5    Zonal Spherical Aberration     QZ^P2==x  
6.6    Induced Aberrations    

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6.7    Three-Element Objectives     pG0Ca](  
6.8    Secondary Spectrum (Apochromatic Systems)     ,!'L~{  
6.9    The Design of an f/7 Apochromatic Triplet     KQv97#n1  
6.10    The Diffractive Surface in Lens Design     mb_~ "}A  
6.11    A Final Note     g_2EH
  
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7    Eyepieces and Magnifiers    
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7.1    Eyepieces     7PG|e#  
7.2    A Pair of Magnifier Designs     p5PTuJ>q  
7.3    The Simple, Classical Eyepieces     +4--Dl?  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     .L'eVLQe  
7.5    Four-Element Eyepieces     >p,F
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7.6    Five-Element Eyepieces     D8,V'n>L  
7.7    Very High Index Eyepiece/Magnifier     Z9vJF.clO  
7.8    Six- and Seven-Element Eyepieces     :HTV8;yc  
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8    Cooke Triplet Anastigmats     T3#KuiwU9  
8.1    Airspaced Triplet Anastigmats     +PGtO9}B  
8.2    Glass Choice     3D*vNVI  
8.3    Vertex Length and Residual Aberrations     c"x-_Uk  
8.4    Other Design Considerations     %}x$YDO  
8.5    A Plastic, Aspheric Triplet Camera Lens     cJ#|mzup  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #V:28[  
8.7    Possible Improvement to Our “Basic” Triplet     Al1BnFB  
8.7    The Rear Earth (Lanthanum) Glasses     wS%aN@ay3  
8.9    Aspherizing the Surfaces     whdoG{/
  
8.10    Increasing the Element Thickness     'X@>U6s  
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9    Split Triplets     i!+Wv-  
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10    The Tessar, Heliar, and Other Compounded Triplets     %tC3@S  
10.1    The Classic Tessar     i!k5P".o^  
10.2    The Heliar/Pentac     01;  
10.3    The Portrait Lens and the Enlarger Lens     \~bx%VWW4  
10.4    Other Compounded Triplets     Pe<}kS m4  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar G"&yE.E5  
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11    Double-Meniscus Anastigmats     oM4Q_An  
11.1    Meniscus Components     Jkq?wpYp  
11.2    The Hypergon, Totogon, and Metrogon     s`E^1jC  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     E`aAPk_y  
11.4    Protar, Dagor, and Convertible Lenses     tP;^;nw  
11.5    The Split Dagor     XBF]|}%  
11.6    The Dogmar     nL]-]n;  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     ]x<`(  
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12    The Biotar or Double-Gauss Lens     X5`#da  
12.1    The Basic Six-Element Version     C\WU<!  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 1y)|m63&  
12.3    The Seven-Element Biotar - Split-Rear Singlet     2&Hn%q)  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     ? pkg1F7  
12.5    The Seven-Element Biotar - One Compounded Outer Element     @4%
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12.6    The Eight-Element Biotar     P.Uz[_&l6  
12.7    A “Doubled Double-Gauss” Relay     5C&]YT3)  
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13    Telephoto Lenses     S_EN,2'e  
13.1    The Basic Telephoto     R]y[n;aGC  
13.2    Close-up or Macro Lenses     RHOEyXhOA  
13.3    Telephoto Designs     ~=xS\@UY =  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch se:lKZZ]  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     _Uxt9 X  
14.1    The Reverse Telephoto Principle     *'q6#\#.  
14.2    The Basic Retrofocus Lens     4?s ~S. %  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     Spt]<~  
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15    Wide Angle Lenses with Negative Outer Lenses     ~c*$w O\  
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16    The Petzval Lens; Head-up Display Lenses     I8RPW:B;B  
16.1    The Petzval Portrait Lens     5u=(zg  
16.2    The Petzval Projection Lens     ]*M-8_D  
16.3    The Petzval with a Field Flattener     ?9)-?tZ^Q  
16.4    Very Height Speed Petzval Lenses     (E.,kcAJ  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     B9glPcy}SS  
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17    Microscope Objectives     6zfi\(fop  
17.1    General Considerations     I
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17.2    Classic Objective Design Forms; The Aplanatic Front     r?l7_aBv3  
17.3    Flat-Field Objectives     _3lci  
17.4    Reflecting Objectives     4)i(`/U  
17.5    The Microscope Objective Designs     >#Obhs|S{C  
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18    Mirror and Catadioptric Systems     N7b+GqYpF>  
18.1    The Good and Bad Points of Mirrors     v[O}~E7'  
18.2    The Classic Two-Mirror Systems !&k}YF  
18.3    Catadioptric Systems     86BY032H  
18.4    Aspheric Correctors and Schmidt Systems     ?^< E#2a  
18.5    Confocal Paraboloids     x=%p~$C  
18.6    Unobscured Systems     #J
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18.7    Design of a Schmidt-Cassegrain “from Scratch”     2{sx"/k\A  
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19    Infrared and Ultraviolet Systems     /4}B}"`Sl=  
19.1    Infrared Optics     TI9]v(  
19.2    IR Objective Lenses     88GS Bg:YH  
19.3    IR Telescope     /2n-q_  
19.4    Laser Beam Expanders     0E5
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19,5    Ultraviolet Systems     5ZXP$.  
19.6    Microlithographic Lenses     VT;Vm3\  
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20    Zoom Lenses     k\qF> =  
20.1    Zoom Lenses     *&d>Vk."]  
20.2    Zoom Lenses for Point and Shoot Cameras     M'n2j  
20.3    A 20X Video Zoom Lens     4zRz U  
20.4    A Zoom Scanner Lens     ~'[0-_]=f  
20.5    A Possible Zoom Lens Design Procedure     xxsax/h  
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21    Projection TV Lenses and Macro Lenses     #'@pL0dj  
21.1    Projection TV Lenses     tLz,t&h  
21.2    Macro Lenses     R@+%~"Z  
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22    Scanner/ , Laser Disk and Collimator Lenses     :?*|Dp1  
22.1    Monochromatic Systems     +p%!
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22.2    Scanner Lenses     M_+"RKp  
22.3    Laser Disk, Focusing, and Collimator Lenses     94>EA/+Ek  
    gtV^6(Y  
23    Tolerance Budgeting     w6RB|^  
23.1    The Tolerance Budget     )H'SU_YU  
23.2    Additive Tolerances     nI63Ns  
23.3    Establishing the Tolerance Budget     0I`)<o-  
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24    Formulary ~^{j
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24.1    Sign Conventions, Symbols, and Definitions     2+2Gl7" s  
24.2    The Cardinal Points     JjXuy7XQ  
24.3    Image Equations     C3XB'CL6  
24.4    Paraxial Ray Tracing (Surface by Surface)     .;1tu+S  
24.5    Invariants     N5yt'.d  
24.6    Paraxial Ray Tracing (Component by Component)     R7q\^Yzo  
24.7    Two-Componenet Relationships     /Vg=+FEO  
24.8    Third-Order Aberrations – Surface Contributions     |B<;4ISaRI  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     vpS&w  
24.10    Stop Shift Equations     3?do|>  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     &$1ifG   
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     . paA0j  
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Glossary YT*_ vmJV  
Reference &zxqVI$4  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 k6}M7&nY  
我怎么瞧不明白。

有没有人呀 AW R  
有个问题想请教大家