"Modern Lens Design" 2nd Edition by Warren J. Smith (A?>U_@
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Contents of Modern Lens Design 2nd Edition 5mAb9F8@
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1 Introduction "w"a0nv
1.1 Lens Design Books $'\kK,=
1.2 Reference Material ?eTZ>o.p/
1.3 Specifications @ ]V cl"t
1.4 Lens Design - egTZW-
1.5 Lens Design Program Features ,It0brF
1.6 About This Book QuS=^,]
+j: &_
2 Automatic Lens Design w
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2.2 The Merit Function Pjh;;k|V
2.3 Local Minima DQ0S]:tC
2.4 The Landscape Lens [lIX &!T"
2.5 Types of Merit Function g} `g>&l5
2.6 Stagnation UI=v| <'-
2.7 Generalized Simulated Annealing pS8 \ B
2.8 Considerations about Variables for Optimization #_ulmB;
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems NzZ(N z5
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 3fLdceT
2.11 Spectral Weighting .+>fD0fW7Y
2.12 How to Get Started oJ M; CN
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3 Improving a Design P:g!~&Q
3.1 Lens Design Tip Sheet: Standard Improvement Techniques KF&8 l/f
3.2 Glass Changes ( Index and V Values ) =H7p&DhD [
3.3 Splitting Elements 1!1,{\9%
3.4 Separating a Cemented Doublet $/^Y(0
3.5 Compounding an Element r Hq1%)B
3.6 Vignetting and Its Uses <
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3.7 Eliminating a Weak Element; the Concentric Problem MVM Jl ">
3.8 Balancing Aberrations uNy-r`vg
3.9 The Symmetrical Principle %x#S?GMV<
3.10 Aspheric Surfaces eLT3b6'"?
# N3*SE
4 Evaluation: How Good is This Design ]+G\1SN~
4.1 The Uses of a Preliminary Evaluation nGGw(6c%>
4.2 OPD versus Measures of Performance P [aE3Felk
4.3 Geometric Blur Spot Size versus Certain Aberrations )* %uG{h
4.4 Interpreting MTF - The Modulation Transfer Function >W+,( kAS
4.5 Fabrication Considerations iM!V4Wih6
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5 Lens Design Data EE09 Er %\
5.1 About the Sample Lens Designs MZV bOcSAd
5.2 Lens Prescriptions, Drawings, and Aberration Plots 4 +qo=i
5.3 Estimating the Potential of a Redesign tY#&_%W
5.4 Scaling a Desing, Its Aberrations, and Its MTF 2 G|}ENC
5.5 Notes on the Interpretation of Ray Intercept Plots . +2:~%v6
5.6 Various Evaluation Plot @}jg5}
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6 Telescope Objective &7kLSb&|;
6.1 The Thin Airspaced Doublet 5<X"+`=9
6.2 Merit Function for a Telescope Objective W' Y<iA
6.3 The Design of an f/7 Cemented Doublet Telescope Objective j* 2/[Eq
6.4 Spherochromatism ral=`/p
6.5 Zonal Spherical Aberration ,PpVZq~
6.6 Induced Aberrations Af]BR_-
6.7 Three-Element Objectives gs}&a3d7k
6.8 Secondary Spectrum (Apochromatic Systems) V B ^1wm
6.9 The Design of an f/7 Apochromatic Triplet K4Ed ] hX
6.10 The Diffractive Surface in Lens Design ,P`:`XQ>_B
6.11 A Final Note 3I'7+?@@l
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7 Eyepieces and Magnifiers eOVl n1a
7.1 Eyepieces TH >uL;?=
7.2 A Pair of Magnifier Designs r
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7.3 The Simple, Classical Eyepieces J}Z\I Y,
7.4 Design Story of an Eyepiece for a 6*30 Binocular Z>`frL
7.5 Four-Element Eyepieces c(Xm~
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7.6 Five-Element Eyepieces XR =ebl
7.7 Very High Index Eyepiece/Magnifier
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7.8 Six- and Seven-Element Eyepieces m k~F@
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8 Cooke Triplet Anastigmats WO69Wo\C
8.1 Airspaced Triplet Anastigmats j~rW
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8.2 Glass Choice oeVI 6-_S
8.3 Vertex Length and Residual Aberrations 4 J9Y
8.4 Other Design Considerations MR,>]|
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8.5 A Plastic, Aspheric Triplet Camera Lens s Wj:m )
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 1h]nE/T.O
8.7 Possible Improvement to Our “Basic” Triplet 9u^za!pE
8.7 The Rear Earth (Lanthanum) Glasses ZdhA:}~^E
8.9 Aspherizing the Surfaces 4M$"0}O;[h
8.10 Increasing the Element Thickness +IGSOWL
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9 Split Triplets {Y+ e|B0
) WkN 34Q
10 The Tessar, Heliar, and Other Compounded Triplets $*fEgU% c
10.1 The Classic Tessar 7CU<R9Kl
10.2 The Heliar/Pentac 0CeBU(U+|R
10.3 The Portrait Lens and the Enlarger Lens ]7,0}q .
10.4 Other Compounded Triplets o
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar h ^zcM_
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11 Double-Meniscus Anastigmats {- &wV
11.1 Meniscus Components LK|rLoia:
11.2 The Hypergon, Totogon, and Metrogon x; &iLQZh
11.3 A Two Element Aspheric Thick Meniscus Camera Lens QF.M%she+
11.4 Protar, Dagor, and Convertible Lenses [ { F;4> g
11.5 The Split Dagor \!)1n[N
11.6 The Dogmar i:R_g]
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens hs)_h^P
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12 The Biotar or Double-Gauss Lens ,PWMl [X
12.1 The Basic Six-Element Version P1q nU
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens U N6nh T
12.3 The Seven-Element Biotar - Split-Rear Singlet jjoyMg95
12.4 The Seven-Element Biotar - Broken Contact Front Doublet c=B! \J<1
12.5 The Seven-Element Biotar - One Compounded Outer Element {us #(4O
12.6 The Eight-Element Biotar I&&[ ':
12.7 A “Doubled Double-Gauss” Relay F{17 K$y
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13 Telephoto Lenses b9 l%5a
13.1 The Basic Telephoto x*_'uP o S
13.2 Close-up or Macro Lenses p?<T
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13.3 Telephoto Designs Cm6%wAzC
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 0@ jhNtL
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5F 5 )Bh
14.1 The Reverse Telephoto Principle !y;xt?
14.2 The Basic Retrofocus Lens V*+Z=Y'
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ]#O~lq
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15 Wide Angle Lenses with Negative Outer Lenses yMe;
mm`yu$9gbP
16 The Petzval Lens; Head-up Display Lenses D14i]
16.1 The Petzval Portrait Lens G8 CM
16.2 The Petzval Projection Lens Q[% +y.
16.3 The Petzval with a Field Flattener FHyyZ{"
16.4 Very Height Speed Petzval Lenses Z2{G{]EV(
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 3B ;aoejHm
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17 Microscope Objectives D"s
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17.1 General Considerations ;LFs.Jc<
17.2 Classic Objective Design Forms; The Aplanatic Front :}~B;s0M\
17.3 Flat-Field Objectives uPL| 3ACS
17.4 Reflecting Objectives p M_oIH'8:
17.5 The Microscope Objective Designs #7,;/rtO7
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18 Mirror and Catadioptric Systems g 5hMZPOmP
18.1 The Good and Bad Points of Mirrors G+W0 X
18.2 The Classic Two-Mirror Systems 0bI}
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18.3 Catadioptric Systems b~EA&dc
18.4 Aspheric Correctors and Schmidt Systems 4wx _@8
18.5 Confocal Paraboloids d 7!,
18.6 Unobscured Systems =7%c* O <
18.7 Design of a Schmidt-Cassegrain “from Scratch” p V`)
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19 Infrared and Ultraviolet Systems J *"G*x#u
19.1 Infrared Optics #BwkbOgr
19.2 IR Objective Lenses 3q$"`w
19.3 IR Telescope ]w9\q*S]
19.4 Laser Beam Expanders U=\!`_f':
19,5 Ultraviolet Systems (GDW9:
19.6 Microlithographic Lenses r2x I bZ
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20 Zoom Lenses }*M>gvPo
20.1 Zoom Lenses qHra9yuSh
20.2 Zoom Lenses for Point and Shoot Cameras GUdVsZjz(
20.3 A 20X Video Zoom Lens .l ufE
20.4 A Zoom Scanner Lens )U u! x6
20.5 A Possible Zoom Lens Design Procedure "~ eF%}.
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21 Projection TV Lenses and Macro Lenses ?C UGJT
21.1 Projection TV Lenses M"<B@p]rk:
21.2 Macro Lenses :]k`;;vh
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22 Scanner/ , Laser Disk and Collimator Lenses e?)i c\K
22.1 Monochromatic Systems hy{1 Ea/T
22.2 Scanner Lenses L<M H:
22.3 Laser Disk, Focusing, and Collimator Lenses 6,UW5389
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23 Tolerance Budgeting }
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23.1 The Tolerance Budget `KUl
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23.2 Additive Tolerances "3X~BdH&J
23.3 Establishing the Tolerance Budget ;dE'# Kb
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24 Formulary %[H|3
24.1 Sign Conventions, Symbols, and Definitions ^OnZ9?C{R
24.2 The Cardinal Points F{"4cyoou
24.3 Image Equations 3"y,Ut KGa
24.4 Paraxial Ray Tracing (Surface by Surface) ] B3\IT
24.5 Invariants >7I"_#x1:
24.6 Paraxial Ray Tracing (Component by Component) W"*~1$vf
24.7 Two-Componenet Relationships h;?H4j
24.8 Third-Order Aberrations – Surface Contributions ?0k4l8R
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs IIIP <nyc
24.10 Stop Shift Equations v[I,N$ :
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces af<wUxM0
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 9s@$P7N5B
19.oW49Sw
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Glossary QC^ #ns&
Reference >% {H >?Hn
Index
