"Modern Lens Design" 2nd Edition by Warren J. Smith }^ G&n';J
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Contents of Modern Lens Design 2nd Edition 'P5|[du+
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1 Introduction sT"h)I)]*
1.1 Lens Design Books w=S7zzL)
1.2 Reference Material 8ncgTCH:
1.3 Specifications J>Uzd,
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1.4 Lens Design %Jc>joU
1.5 Lens Design Program Features h2C1'+Q{9
1.6 About This Book .+TriPL
Sk 10"D B/
2 Automatic Lens Design >o"3:/3
2.2 The Merit Function 8FY/57.W
2.3 Local Minima Z2dy|e(c
2.4 The Landscape Lens !.ot&EbE
2.5 Types of Merit Function bs_"Nn?
2.6 Stagnation M1f^Lx
2.7 Generalized Simulated Annealing \PB ~6
2.8 Considerations about Variables for Optimization {%;KkC8=R
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems `y!6(xI
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits (gl/NH!
2.11 Spectral Weighting "wPFQXU
2.12 How to Get Started K$..#]\TM
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3 Improving a Design &)p/cOiV
3.1 Lens Design Tip Sheet: Standard Improvement Techniques _ .%\czO
3.2 Glass Changes ( Index and V Values ) U&mJ_f#M
3.3 Splitting Elements 2\z"6
3.4 Separating a Cemented Doublet eiF!yk?2
3.5 Compounding an Element EMe6Z!k
3.6 Vignetting and Its Uses g&*pk5V>
3.7 Eliminating a Weak Element; the Concentric Problem dsP1Zq
3.8 Balancing Aberrations cmIAWFj-)e
3.9 The Symmetrical Principle d/G P.d
3.10 Aspheric Surfaces *My? l75
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4 Evaluation: How Good is This Design L30x2\C
4.1 The Uses of a Preliminary Evaluation .d5|Fs~B
4.2 OPD versus Measures of Performance W.ud<OKP90
4.3 Geometric Blur Spot Size versus Certain Aberrations zJ#e3o .
4.4 Interpreting MTF - The Modulation Transfer Function EO,;^RtB
4.5 Fabrication Considerations 6$>m s6g%
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5 Lens Design Data 2k[i7Rl \c
5.1 About the Sample Lens Designs _1c'~;
5.2 Lens Prescriptions, Drawings, and Aberration Plots *0y+=,"QU
5.3 Estimating the Potential of a Redesign 5( lE$&
5.4 Scaling a Desing, Its Aberrations, and Its MTF 1{% EQhNd
5.5 Notes on the Interpretation of Ray Intercept Plots }(-R`.e;
5.6 Various Evaluation Plot ke~O+]
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6 Telescope Objective +7o3TA]-
6.1 The Thin Airspaced Doublet kRskeMr:Rd
6.2 Merit Function for a Telescope Objective "gdmRE{x
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >.PLD} zE_
6.4 Spherochromatism mqk~Pno|<
6.5 Zonal Spherical Aberration uj&^W[s
6.6 Induced Aberrations 7I`e5\ u
6.7 Three-Element Objectives _"J-P={=
6.8 Secondary Spectrum (Apochromatic Systems) sRo%=7Z
6.9 The Design of an f/7 Apochromatic Triplet tCK%vd%
6.10 The Diffractive Surface in Lens Design pr/yDGia
6.11 A Final Note XN]kNJX
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7 Eyepieces and Magnifiers HPpKti7g
7.1 Eyepieces @6ZQkX/
7.2 A Pair of Magnifier Designs j0o_``
7.3 The Simple, Classical Eyepieces PR~ho&!
7.4 Design Story of an Eyepiece for a 6*30 Binocular "sf8~P9qy
7.5 Four-Element Eyepieces x!MYIaZ7
7.6 Five-Element Eyepieces T\b
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7.7 Very High Index Eyepiece/Magnifier j;1X-
7.8 Six- and Seven-Element Eyepieces \x)T_]Gcm
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8 Cooke Triplet Anastigmats ve=oH;zf
8.1 Airspaced Triplet Anastigmats //>f#8Ho
8.2 Glass Choice v%=G~kF}[
8.3 Vertex Length and Residual Aberrations
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8.4 Other Design Considerations {?l#*XH;
8.5 A Plastic, Aspheric Triplet Camera Lens 4&r^mGs,
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet <y \>[7Y
8.7 Possible Improvement to Our “Basic” Triplet G*mk 19Z
8.7 The Rear Earth (Lanthanum) Glasses d;9 X1`"
8.9 Aspherizing the Surfaces _*9eAeJ
8.10 Increasing the Element Thickness L=VJl[DL
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9 Split Triplets B:a&)Lwp0
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10 The Tessar, Heliar, and Other Compounded Triplets }9aYU;9D
10.1 The Classic Tessar
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10.2 The Heliar/Pentac &$qqF&
10.3 The Portrait Lens and the Enlarger Lens pqBd#
10.4 Other Compounded Triplets GG5wiN*2S
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar SQ]&nDd
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11 Double-Meniscus Anastigmats M8ZpNa
11.1 Meniscus Components Im+<oZ
11.2 The Hypergon, Totogon, and Metrogon ,mhO\P96ik
11.3 A Two Element Aspheric Thick Meniscus Camera Lens #O/ihRoaO
11.4 Protar, Dagor, and Convertible Lenses EQ-r
11.5 The Split Dagor |#L U"D
11.6 The Dogmar :&HrOdz
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens vXAO#'4tm%
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12 The Biotar or Double-Gauss Lens 0hnN>?
12.1 The Basic Six-Element Version !<Ma9%uC{
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens (Gp/^[.%&
12.3 The Seven-Element Biotar - Split-Rear Singlet D/'kYoAEO
12.4 The Seven-Element Biotar - Broken Contact Front Doublet >u
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12.5 The Seven-Element Biotar - One Compounded Outer Element JQj?+PI
12.6 The Eight-Element Biotar |77.Lqqy,
12.7 A “Doubled Double-Gauss” Relay *8M0h9S$
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13 Telephoto Lenses +)h *)
13.1 The Basic Telephoto J cL4q\g
13.2 Close-up or Macro Lenses 5 >S#ew
13.3 Telephoto Designs yl/-!
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ?n)d: )Ud"
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 47 xyS%X
14.1 The Reverse Telephoto Principle 2a|9D\
14.2 The Basic Retrofocus Lens 5ltEnvN
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Q1yMI8
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15 Wide Angle Lenses with Negative Outer Lenses {AUhF}O
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16 The Petzval Lens; Head-up Display Lenses &TJMop Vn
16.1 The Petzval Portrait Lens I
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16.2 The Petzval Projection Lens yB0xa%
16.3 The Petzval with a Field Flattener %Hx8%G!
16.4 Very Height Speed Petzval Lenses a9]F.Jm
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems r@b M3V_o
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17 Microscope Objectives m}ZkNWH
17.1 General Considerations H3\4&q
17.2 Classic Objective Design Forms; The Aplanatic Front ko<u0SjF)u
17.3 Flat-Field Objectives (mbC! !>
17.4 Reflecting Objectives p+M#hF5o
17.5 The Microscope Objective Designs qaJ$0,]H+
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18 Mirror and Catadioptric Systems qLC_p)
18.1 The Good and Bad Points of Mirrors [bM$n
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18.2 The Classic Two-Mirror Systems LX f r
18.3 Catadioptric Systems @jh\yj rW
18.4 Aspheric Correctors and Schmidt Systems K^32nQX
18.5 Confocal Paraboloids |Y|6`9;
18.6 Unobscured Systems j IO2uTM~
18.7 Design of a Schmidt-Cassegrain “from Scratch” ,~8&0p
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19 Infrared and Ultraviolet Systems @yV.Yx"p_
19.1 Infrared Optics <&w(%<;
19.2 IR Objective Lenses 7x>\/l(
19.3 IR Telescope WAq)1gwN
19.4 Laser Beam Expanders `-_kOxe3
19,5 Ultraviolet Systems F:$*0!
19.6 Microlithographic Lenses 9 +1}8"~
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20 Zoom Lenses I{nrOb1G(
20.1 Zoom Lenses GZxPh&BM?
20.2 Zoom Lenses for Point and Shoot Cameras >o/+z18x
20.3 A 20X Video Zoom Lens ]mzghH:E
20.4 A Zoom Scanner Lens 9U]3B)h%m
20.5 A Possible Zoom Lens Design Procedure m!Y4+KTwD`
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21 Projection TV Lenses and Macro Lenses \u4`6EYF?
21.1 Projection TV Lenses zrDcO~w
21.2 Macro Lenses q%S^3C&
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22 Scanner/ , Laser Disk and Collimator Lenses c`Q#4e]%_
22.1 Monochromatic Systems O'rz
22.2 Scanner Lenses } *:H\GL
22.3 Laser Disk, Focusing, and Collimator Lenses m'n<.1;1{j
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23 Tolerance Budgeting "?AJ(>wP
23.1 The Tolerance Budget /OD@Xl];K
23.2 Additive Tolerances #1)#W6 h\
23.3 Establishing the Tolerance Budget ~J:qG9|]}
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24 Formulary OC6v%@xa
24.1 Sign Conventions, Symbols, and Definitions [,yYr
24.2 The Cardinal Points )+ (GE
24.3 Image Equations W0+m A
24.4 Paraxial Ray Tracing (Surface by Surface) pgw_F
24.5 Invariants bHRRgR`,
24.6 Paraxial Ray Tracing (Component by Component) d-{1>\-_
24.7 Two-Componenet Relationships X..<U}e
24.8 Third-Order Aberrations – Surface Contributions DCP
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs wiP )"g.t
24.10 Stop Shift Equations ' e:rL.
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces !d
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) <4:%M
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Glossary FY9nVnIoI
Reference R ~? 9+
Index