"Modern Lens Design" 2nd Edition by Warren J. Smith 6G>loNM^
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Contents of Modern Lens Design 2nd Edition x8RiYi+
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1 Introduction ST[ E$XL6
1.1 Lens Design Books 2%~+c|TH.)
1.2 Reference Material p w=o}-P{
1.3 Specifications .-.b:gdO(
1.4 Lens Design _*u $U
1.5 Lens Design Program Features 4-W~ 1
1.6 About This Book #c`/ f6z
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2 Automatic Lens Design U/>l>J5
2.2 The Merit Function ;^ YpQP
2.3 Local Minima HXQ
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2.4 The Landscape Lens Ap!i-E,"J
2.5 Types of Merit Function Fz@U\ \94z
2.6 Stagnation J''lOj(@
2.7 Generalized Simulated Annealing 5_4 =(?<
2.8 Considerations about Variables for Optimization 9mB] \{^
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems He}"e&K
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits v=x)]<E" _
2.11 Spectral Weighting F&D ,y-CQ
2.12 How to Get Started LCok4N$o
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3 Improving a Design ]1|OQYG
3.1 Lens Design Tip Sheet: Standard Improvement Techniques B1z7r0Rm ,
3.2 Glass Changes ( Index and V Values ) eY3<LVAX
3.3 Splitting Elements %H=^U8WB
3.4 Separating a Cemented Doublet ,? V Yr L
3.5 Compounding an Element Ej$oRo{ IG
3.6 Vignetting and Its Uses k~=P0";
3.7 Eliminating a Weak Element; the Concentric Problem X@% 4N<
3.8 Balancing Aberrations OZ2faf
3.9 The Symmetrical Principle ^6PKSEba
3.10 Aspheric Surfaces G C p90
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4 Evaluation: How Good is This Design Fuo.8
4.1 The Uses of a Preliminary Evaluation }C5Fvy6uz
4.2 OPD versus Measures of Performance ez[ $;>
4.3 Geometric Blur Spot Size versus Certain Aberrations C0H @
4.4 Interpreting MTF - The Modulation Transfer Function <E7y:%L[Go
4.5 Fabrication Considerations 1A N)%
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5 Lens Design Data :-cqC|Y
5.1 About the Sample Lens Designs :<xf '.
5.2 Lens Prescriptions, Drawings, and Aberration Plots ro18%' RRI
5.3 Estimating the Potential of a Redesign #QiNSS
5.4 Scaling a Desing, Its Aberrations, and Its MTF E4xybVo@
5.5 Notes on the Interpretation of Ray Intercept Plots $QaEU="Z
5.6 Various Evaluation Plot BXUd
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6 Telescope Objective Hh &s.ja
6.1 The Thin Airspaced Doublet J&;' gT
6.2 Merit Function for a Telescope Objective [m9=e-KS$Q
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 2\G[U#~bi
6.4 Spherochromatism L}>ts(!q&
6.5 Zonal Spherical Aberration "_ON0._(/
6.6 Induced Aberrations ._`?ZJ
6.7 Three-Element Objectives &8hW~G>(m
6.8 Secondary Spectrum (Apochromatic Systems) gf lO0$i
6.9 The Design of an f/7 Apochromatic Triplet 6V-JyTcxGI
6.10 The Diffractive Surface in Lens Design &}FWpo!
6.11 A Final Note 6' 9zpe@`
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7 Eyepieces and Magnifiers l/56;f\IA
7.1 Eyepieces 6tup^Rlo;$
7.2 A Pair of Magnifier Designs (_eM:H=e>
7.3 The Simple, Classical Eyepieces %6TS_IpJ
7.4 Design Story of an Eyepiece for a 6*30 Binocular -Vj112 fI
7.5 Four-Element Eyepieces K]ds2Kp&
7.6 Five-Element Eyepieces GX%r-
7.7 Very High Index Eyepiece/Magnifier 2jyxP6t
7.8 Six- and Seven-Element Eyepieces {$v>3FG
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8 Cooke Triplet Anastigmats 3s_ $.
8.1 Airspaced Triplet Anastigmats H@`lM~T[
8.2 Glass Choice )D
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8.3 Vertex Length and Residual Aberrations gO k um_
8.4 Other Design Considerations i
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8.5 A Plastic, Aspheric Triplet Camera Lens @0iXqM#jH
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6R!AIOD>
8.7 Possible Improvement to Our “Basic” Triplet ;%O>= m'4
8.7 The Rear Earth (Lanthanum) Glasses Lg+cHaA
8.9 Aspherizing the Surfaces ( sEZNo5 n
8.10 Increasing the Element Thickness 5h p)Z7
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9 Split Triplets 9H D 5A$
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10 The Tessar, Heliar, and Other Compounded Triplets tdnd~ WSR
10.1 The Classic Tessar =[ `gfw
10.2 The Heliar/Pentac -<^ 3!C >
10.3 The Portrait Lens and the Enlarger Lens 3 /LW6W|
10.4 Other Compounded Triplets :bz;_DZP
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar }*56 DX
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11 Double-Meniscus Anastigmats It5n; ,n
11.1 Meniscus Components 64f6D"."
11.2 The Hypergon, Totogon, and Metrogon 4m6%HV8{}[
11.3 A Two Element Aspheric Thick Meniscus Camera Lens iayxN5,
11.4 Protar, Dagor, and Convertible Lenses \"$jj<gc
11.5 The Split Dagor I.)9:7
11.6 The Dogmar GD#W= O
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens CV *
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12 The Biotar or Double-Gauss Lens l# |M.V6G
12.1 The Basic Six-Element Version OCI{)r<O2m
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens YG>6;g)Zm
12.3 The Seven-Element Biotar - Split-Rear Singlet fx/If
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Xvn \~Vr
12.5 The Seven-Element Biotar - One Compounded Outer Element l7uEUMV
12.6 The Eight-Element Biotar >~@ABLp 6
12.7 A “Doubled Double-Gauss” Relay nLBi} T
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13 Telephoto Lenses \D}$foH g
13.1 The Basic Telephoto g
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13.2 Close-up or Macro Lenses 5z"[ { #/
13.3 Telephoto Designs ]VK9d;0D
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch )|<g\>/
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ^tl&FWF
14.1 The Reverse Telephoto Principle @D@'S :3
14.2 The Basic Retrofocus Lens &%@ >S.
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ,pVq / 1
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15 Wide Angle Lenses with Negative Outer Lenses aN ~ x3G
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16 The Petzval Lens; Head-up Display Lenses i|G /x
16.1 The Petzval Portrait Lens YPS,[F'B.
16.2 The Petzval Projection Lens UQCon d+K
16.3 The Petzval with a Field Flattener )-S;j)(+
16.4 Very Height Speed Petzval Lenses 8 Tm/gzx
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems %YI !{
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17 Microscope Objectives Y~I6ee,\
17.1 General Considerations t 2&}
17.2 Classic Objective Design Forms; The Aplanatic Front 6G>bZ+
17.3 Flat-Field Objectives "
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17.4 Reflecting Objectives zK&J2 P`
17.5 The Microscope Objective Designs 1xMD
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18 Mirror and Catadioptric Systems @wW)#!Mou
18.1 The Good and Bad Points of Mirrors 9XW[NY#)#
18.2 The Classic Two-Mirror Systems Ui;PmwQc&
18.3 Catadioptric Systems K]dX5vJw'
18.4 Aspheric Correctors and Schmidt Systems ,4kipJ!,yK
18.5 Confocal Paraboloids v{TI SgZ
18.6 Unobscured Systems
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18.7 Design of a Schmidt-Cassegrain “from Scratch” 5fud:k
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19 Infrared and Ultraviolet Systems `pYL/[5
19.1 Infrared Optics ^HNccr
19.2 IR Objective Lenses vX"jL
19.3 IR Telescope <N\#6m
19.4 Laser Beam Expanders _ @ @"'
19,5 Ultraviolet Systems Zj2tQ}N
19.6 Microlithographic Lenses ;#6j9M0
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20 Zoom Lenses SLI358]$<
20.1 Zoom Lenses -vBk ,;^>
20.2 Zoom Lenses for Point and Shoot Cameras Ix'GP7-m_
20.3 A 20X Video Zoom Lens 9/L J tM
20.4 A Zoom Scanner Lens ,Y 2){8#l
20.5 A Possible Zoom Lens Design Procedure -xc'P,`
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21 Projection TV Lenses and Macro Lenses aFwfF^\(|,
21.1 Projection TV Lenses J`{HM v
21.2 Macro Lenses K9 f7,/
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22 Scanner/ , Laser Disk and Collimator Lenses 5} _DyoV
22.1 Monochromatic Systems ?kM53zbT#
22.2 Scanner Lenses DSx D531[A
22.3 Laser Disk, Focusing, and Collimator Lenses ;/<J& #2.
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23 Tolerance Budgeting zj9 aaZ}
23.1 The Tolerance Budget XW9
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23.2 Additive Tolerances e+>& ?
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23.3 Establishing the Tolerance Budget + Ek('KOF
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24 Formulary j 1#T]CDs
24.1 Sign Conventions, Symbols, and Definitions Z
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24.2 The Cardinal Points p3(&9 ~ s
24.3 Image Equations t= oTU,<
24.4 Paraxial Ray Tracing (Surface by Surface) @Xe[5T
24.5 Invariants `jB2'
24.6 Paraxial Ray Tracing (Component by Component) sy.U] QG
24.7 Two-Componenet Relationships ;R .l?Bg
24.8 Third-Order Aberrations – Surface Contributions #3act )m
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs B#;yko
24.10 Stop Shift Equations YKs^aQm#
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces rC!~4xj-
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) D V!) n 6
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Glossary ;qT7BUh(%
Reference gKGM|0u|r
Index
