"Modern Lens Design" 2nd Edition by Warren J. Smith }. V!|R,
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Contents of Modern Lens Design 2nd Edition @4]dv> Z
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1 Introduction 9tCF m.m
1.1 Lens Design Books 7X .B
1.2 Reference Material !Bhs8eGr3
1.3 Specifications iR'Pc3
1.4 Lens Design M,DwBEF?
1.5 Lens Design Program Features 9t&m\J
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1.6 About This Book %
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2 Automatic Lens Design QnIF{TS=
2.2 The Merit Function h$ $i@IO0
2.3 Local Minima mnq1WU;<
2.4 The Landscape Lens ]%h|ox0
2.5 Types of Merit Function X`k#/~+0
2.6 Stagnation N[xa=
2.7 Generalized Simulated Annealing C4eQ.ep
2.8 Considerations about Variables for Optimization $# J
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems kY~o3p<
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits -8Uz8//A
2.11 Spectral Weighting Pbakw81!~
2.12 How to Get Started )Tf,G[z&ge
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3 Improving a Design "!PN +gB
3.1 Lens Design Tip Sheet: Standard Improvement Techniques z?C&,mv
3.2 Glass Changes ( Index and V Values ) -1]8f
3.3 Splitting Elements |6Qn/N$+f
3.4 Separating a Cemented Doublet U)qG]RI
3.5 Compounding an Element ;:w0%>X^
3.6 Vignetting and Its Uses CVGQ<,KVW
3.7 Eliminating a Weak Element; the Concentric Problem wv&%09U
3.8 Balancing Aberrations Y?IX V*J
3.9 The Symmetrical Principle ;PWx#v+vwF
3.10 Aspheric Surfaces W7q!F
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4 Evaluation: How Good is This Design 5_Oxl6#
4.1 The Uses of a Preliminary Evaluation }(w9[(K
4.2 OPD versus Measures of Performance V7,;N@FL
4.3 Geometric Blur Spot Size versus Certain Aberrations -D^v:aC
4.4 Interpreting MTF - The Modulation Transfer Function sN@=Ri?\
4.5 Fabrication Considerations - ]U2G:
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5 Lens Design Data s.>;(RiJd
5.1 About the Sample Lens Designs $ I|K<slV
5.2 Lens Prescriptions, Drawings, and Aberration Plots (L!#2Jy
5.3 Estimating the Potential of a Redesign x^6b$>1
5.4 Scaling a Desing, Its Aberrations, and Its MTF kD_616
5.5 Notes on the Interpretation of Ray Intercept Plots 7\EY&KI"0
5.6 Various Evaluation Plot <PpW.1w
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6 Telescope Objective jmn<gJ2Of
6.1 The Thin Airspaced Doublet A=\:b^\
6.2 Merit Function for a Telescope Objective I{uwT5QT-
6.3 The Design of an f/7 Cemented Doublet Telescope Objective })5I/
6.4 Spherochromatism Jm]P,jaLc
6.5 Zonal Spherical Aberration G!5~`v
6.6 Induced Aberrations xtX`3=s
6.7 Three-Element Objectives IF<<6.tz
6.8 Secondary Spectrum (Apochromatic Systems) 5<h:kZ"S^g
6.9 The Design of an f/7 Apochromatic Triplet h)sQ3B.}A
6.10 The Diffractive Surface in Lens Design [?moS!
6.11 A Final Note +y9WJ
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7 Eyepieces and Magnifiers ,];QzENw
7.1 Eyepieces ,g{Ob{qT
7.2 A Pair of Magnifier Designs tZ_D.syBAc
7.3 The Simple, Classical Eyepieces ;hJz'&UWQ
7.4 Design Story of an Eyepiece for a 6*30 Binocular yFjjpEpnFt
7.5 Four-Element Eyepieces ^(T_rEp
7.6 Five-Element Eyepieces #;F*rJ[XY
7.7 Very High Index Eyepiece/Magnifier ;.&k zzvJ
7.8 Six- and Seven-Element Eyepieces EOzw&M];r
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8 Cooke Triplet Anastigmats .dTXC'
8.1 Airspaced Triplet Anastigmats |,WP)
8.2 Glass Choice 0E/,l``p
8.3 Vertex Length and Residual Aberrations Xx
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8.4 Other Design Considerations dNT<![X\
8.5 A Plastic, Aspheric Triplet Camera Lens bTW#
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet noQS bI
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8.7 Possible Improvement to Our “Basic” Triplet +`l)W`zX
8.7 The Rear Earth (Lanthanum) Glasses ^#)]ICV
8.9 Aspherizing the Surfaces 3\0,>L9ET@
8.10 Increasing the Element Thickness aW;DfH
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9 Split Triplets ,]_<8@R
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10 The Tessar, Heliar, and Other Compounded Triplets UA(&_-C\
10.1 The Classic Tessar Q>
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10.2 The Heliar/Pentac 8;"HM5+
10.3 The Portrait Lens and the Enlarger Lens 4~J g\@
10.4 Other Compounded Triplets USJk
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar tDn:B$*}W,
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11 Double-Meniscus Anastigmats F8d:7`lO@/
11.1 Meniscus Components K%WG[p\Eu
11.2 The Hypergon, Totogon, and Metrogon 0vrx5E!
11.3 A Two Element Aspheric Thick Meniscus Camera Lens #-8%g{
11.4 Protar, Dagor, and Convertible Lenses tM3Q;8gB!
11.5 The Split Dagor Oe"nNvu/
11.6 The Dogmar Ln"D .gpq
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens W>y&
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12 The Biotar or Double-Gauss Lens nr- 32u
12.1 The Basic Six-Element Version Fb\ E39
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens J)._&O$
12.3 The Seven-Element Biotar - Split-Rear Singlet b&2N7%
12.4 The Seven-Element Biotar - Broken Contact Front Doublet kB-]SD#
12.5 The Seven-Element Biotar - One Compounded Outer Element 1}ws@hU
12.6 The Eight-Element Biotar OZ6:u^OS]
12.7 A “Doubled Double-Gauss” Relay s|!lw
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13 Telephoto Lenses <KBS ;t="1
13.1 The Basic Telephoto )8*}-z
13.2 Close-up or Macro Lenses k\KI#.>
13.3 Telephoto Designs hkl9EVO)
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch }0AoV&75
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ) m(!lDz3
14.1 The Reverse Telephoto Principle UOn:@Qn
14.2 The Basic Retrofocus Lens aI_[h
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses *NCkC
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15 Wide Angle Lenses with Negative Outer Lenses KtD
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16 The Petzval Lens; Head-up Display Lenses '9@AhiNV
16.1 The Petzval Portrait Lens >9<