"Modern Lens Design" 2nd Edition by Warren J. Smith CJ9cCtA
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Contents of Modern Lens Design 2nd Edition "[jhaUAK
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1 Introduction cxXbo a
1.1 Lens Design Books oe(9mYWKa6
1.2 Reference Material 6kt]`H`cfJ
1.3 Specifications &GdL 9!hH
1.4 Lens Design 8%o~4u3
1.5 Lens Design Program Features Gr5`1`8|
1.6 About This Book T[0V%Br{d+
5Noe/6
2 Automatic Lens Design /x
2.2 The Merit Function LkJ$aW/
2.3 Local Minima -6rf( ER
2.4 The Landscape Lens N@Xg5huO
2.5 Types of Merit Function 81g9ZV(4
2.6 Stagnation `OKo=e~,
2.7 Generalized Simulated Annealing xi680'
2.8 Considerations about Variables for Optimization \f(Y:}9
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems / <JY:1|
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits j\2]M
2.11 Spectral Weighting m_Mwg
2.12 How to Get Started {UB%(E[Mr
<9ma(PFa
3 Improving a Design C
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques JAc@S20v\
3.2 Glass Changes ( Index and V Values ) "_ LkZBW.
3.3 Splitting Elements r_Lu~y|
3.4 Separating a Cemented Doublet S?*^>Y-e;
3.5 Compounding an Element C/F@ ]_y
3.6 Vignetting and Its Uses W`#gpi)7N
3.7 Eliminating a Weak Element; the Concentric Problem MWM
+hk1fs
3.8 Balancing Aberrations n}19?K]g
3.9 The Symmetrical Principle Dba+z-3Nzy
3.10 Aspheric Surfaces VR"u*
#hIEEkCp +
4 Evaluation: How Good is This Design @. "q
4.1 The Uses of a Preliminary Evaluation o
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4.2 OPD versus Measures of Performance A&N$tH
4.3 Geometric Blur Spot Size versus Certain Aberrations KzV.+f
4.4 Interpreting MTF - The Modulation Transfer Function YMi/uy
4.5 Fabrication Considerations 7g-Dfg.w
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5 Lens Design Data }A-{ 6Qe
5.1 About the Sample Lens Designs F
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5.2 Lens Prescriptions, Drawings, and Aberration Plots y'^F,WTM
5.3 Estimating the Potential of a Redesign y)P&]&"?
5.4 Scaling a Desing, Its Aberrations, and Its MTF rB,ldy,f
5.5 Notes on the Interpretation of Ray Intercept Plots Ujf,6=M
5.6 Various Evaluation Plot $nj\\,(g
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6 Telescope Objective v' C@jsxM
6.1 The Thin Airspaced Doublet -(!uC+BZX
6.2 Merit Function for a Telescope Objective +6
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective oWI!u 5
6.4 Spherochromatism @9aGz6k+
6.5 Zonal Spherical Aberration k!&:(]
6.6 Induced Aberrations v{r1E]rY
6.7 Three-Element Objectives *m*`}9
6.8 Secondary Spectrum (Apochromatic Systems) 22z1g(;@
6.9 The Design of an f/7 Apochromatic Triplet :WVSJ,. !
6.10 The Diffractive Surface in Lens Design IAYACmlN&
6.11 A Final Note (i\)|c/a7
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7 Eyepieces and Magnifiers l_6e I
7.1 Eyepieces B;V5x/
7.2 A Pair of Magnifier Designs ^ESUMXb
7.3 The Simple, Classical Eyepieces 7SaiS_{:
7.4 Design Story of an Eyepiece for a 6*30 Binocular M_Bu,<q^
7.5 Four-Element Eyepieces rS4%$p"
7.6 Five-Element Eyepieces RB[/q:
7.7 Very High Index Eyepiece/Magnifier ZNi
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7.8 Six- and Seven-Element Eyepieces })PO7:
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8 Cooke Triplet Anastigmats ;`+`#h3-V
8.1 Airspaced Triplet Anastigmats ]w!0u2K<Q\
8.2 Glass Choice s"WBw'_<<
8.3 Vertex Length and Residual Aberrations ;,k=<]
8.4 Other Design Considerations 1eHe~p ,
8.5 A Plastic, Aspheric Triplet Camera Lens yplG18
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Tpb"uBiXoo
8.7 Possible Improvement to Our “Basic” Triplet )&:L'N
8.7 The Rear Earth (Lanthanum) Glasses yPoSJzC=[
8.9 Aspherizing the Surfaces $Zxt&a
8.10 Increasing the Element Thickness z3W3=@
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9 Split Triplets ya.n'X14
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10 The Tessar, Heliar, and Other Compounded Triplets w.z<60%},0
10.1 The Classic Tessar TdFT];:
10.2 The Heliar/Pentac P6.!3%y
10.3 The Portrait Lens and the Enlarger Lens 2e59Ez%k6
10.4 Other Compounded Triplets vQgq]mA?
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar B$?^wo
O[FZq47
11 Double-Meniscus Anastigmats FAw1o
11.1 Meniscus Components {~_Y _-
11.2 The Hypergon, Totogon, and Metrogon &n>7Ir
11.3 A Two Element Aspheric Thick Meniscus Camera Lens *C7F2o
11.4 Protar, Dagor, and Convertible Lenses &iBNO,v
11.5 The Split Dagor oxzq!U
11.6 The Dogmar L5f$TLw
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens [9AM\n>g
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12 The Biotar or Double-Gauss Lens A?A9`w
12.1 The Basic Six-Element Version [EOVw%R
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens yQ%"U^.m
12.3 The Seven-Element Biotar - Split-Rear Singlet #K4*6LI
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ugLlI2 nJ
12.5 The Seven-Element Biotar - One Compounded Outer Element !),t"Ae?>
12.6 The Eight-Element Biotar I ]9C_
12.7 A “Doubled Double-Gauss” Relay
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13 Telephoto Lenses ~KPv7WfG
13.1 The Basic Telephoto ),`8eQC
13.2 Close-up or Macro Lenses `N'V#)Pi
13.3 Telephoto Designs 4MLH+/e
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch pRrHuLj^
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses :o8MUXH$
14.1 The Reverse Telephoto Principle I2[]A,f,
14.2 The Basic Retrofocus Lens n_23EcSy
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses [E|uY]DR
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15 Wide Angle Lenses with Negative Outer Lenses v0LGdX)/Y
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16 The Petzval Lens; Head-up Display Lenses "@yyXS
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16.1 The Petzval Portrait Lens 24B<[lSK
16.2 The Petzval Projection Lens h/m6)m.D
16.3 The Petzval with a Field Flattener Bm /YgQi
16.4 Very Height Speed Petzval Lenses ].m qxf
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems N'?u1P4G
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17 Microscope Objectives =;ICa~`C;
17.1 General Considerations Vte EDL/w
17.2 Classic Objective Design Forms; The Aplanatic Front VaR/o#
17.3 Flat-Field Objectives yWb4Ify
17.4 Reflecting Objectives J=H)JH3
17.5 The Microscope Objective Designs Ow/@Z7~
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18 Mirror and Catadioptric Systems uM S*(L_
18.1 The Good and Bad Points of Mirrors *C2R`gpBI
18.2 The Classic Two-Mirror Systems ^sClz*%?
18.3 Catadioptric Systems (CE7j<j
18.4 Aspheric Correctors and Schmidt Systems 5/@UVY9_
18.5 Confocal Paraboloids #*^+F?o,(
18.6 Unobscured Systems RUo9eQIPD
18.7 Design of a Schmidt-Cassegrain “from Scratch” :dwt1>
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19 Infrared and Ultraviolet Systems @~:8ye
19.1 Infrared Optics nc?B6IV
19.2 IR Objective Lenses tSHFm-q`
19.3 IR Telescope q.V-LXM
19.4 Laser Beam Expanders &JhX+'U
19,5 Ultraviolet Systems 7wVH8^|
19.6 Microlithographic Lenses DL8x":;
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20 Zoom Lenses +!yXTC
20.1 Zoom Lenses 6v732;^
20.2 Zoom Lenses for Point and Shoot Cameras )^x K
20.3 A 20X Video Zoom Lens (f#b7O-Wn
20.4 A Zoom Scanner Lens =RKSag&
20.5 A Possible Zoom Lens Design Procedure 8@\7&C(g17
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21 Projection TV Lenses and Macro Lenses /aqEJGG>
21.1 Projection TV Lenses j6YiE~
21.2 Macro Lenses qJv[MBjk3B
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22 Scanner/ , Laser Disk and Collimator Lenses ))T>jh
22.1 Monochromatic Systems #Dy?GB08
22.2 Scanner Lenses
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22.3 Laser Disk, Focusing, and Collimator Lenses A9:NKY{z
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23 Tolerance Budgeting CIC[1,
23.1 The Tolerance Budget nJFg^s1
23.2 Additive Tolerances h<l1U'Bn7
23.3 Establishing the Tolerance Budget mUP. rb6
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24 Formulary @N.jB#nEb
24.1 Sign Conventions, Symbols, and Definitions Acm<-de
24.2 The Cardinal Points A\sI<WrH
24.3 Image Equations ~r*P]*51x
24.4 Paraxial Ray Tracing (Surface by Surface) EbQa?
24.5 Invariants {2KFD\i\
24.6 Paraxial Ray Tracing (Component by Component) N{Qxq>6 G
24.7 Two-Componenet Relationships U5r}6D!)
24.8 Third-Order Aberrations – Surface Contributions G}zZQy
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs tkKJh !Q7
24.10 Stop Shift Equations kxB.,'
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 5Av=3[kh"%
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) BlC<`2S
7jG(<!,
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Glossary I PCGt{B~
Reference #f,y&\Xmf
Index