"Modern Lens Design" 2nd Edition by Warren J. Smith Jv1.Yz
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Contents of Modern Lens Design 2nd Edition 9-Ikd>9
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1 Introduction {e<J}-/?
1.1 Lens Design Books G=jdb@V/?
1.2 Reference Material &0It"17Ej
1.3 Specifications .*r?zDV
1.4 Lens Design cnnlEw/&
1.5 Lens Design Program Features zM|d9TS
1.6 About This Book S?D|"#-,
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2 Automatic Lens Design T3@wNAAU
2.2 The Merit Function \%KJ+PJ
2.3 Local Minima &[3 xpi{v
2.4 The Landscape Lens fS>W-
2.5 Types of Merit Function KX"?3#U#Fm
2.6 Stagnation @rRBo:0%
2.7 Generalized Simulated Annealing >O&(G0!N+}
2.8 Considerations about Variables for Optimization R."<he ;
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ivb&J4?y
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits >e/;
2.11 Spectral Weighting w+=>b
2.12 How to Get Started !<h*\%;
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3 Improving a Design !?DPI)
3.1 Lens Design Tip Sheet: Standard Improvement Techniques <dV|N$WV
3.2 Glass Changes ( Index and V Values ) E=Ah_zKU
3.3 Splitting Elements _ ;O$ot\5
3.4 Separating a Cemented Doublet k v,'9z
3.5 Compounding an Element ^W eE%"
3.6 Vignetting and Its Uses ? #-"YO7
3.7 Eliminating a Weak Element; the Concentric Problem 7ib~04
3.8 Balancing Aberrations 6;dQ#wmg
3.9 The Symmetrical Principle 8+k\0fmy
3.10 Aspheric Surfaces lf4-Ci*X
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4 Evaluation: How Good is This Design 4rO07)~l
4.1 The Uses of a Preliminary Evaluation SuB;Nb7r`
4.2 OPD versus Measures of Performance -m(9*b{h@
4.3 Geometric Blur Spot Size versus Certain Aberrations ~%qHJ4C
4.4 Interpreting MTF - The Modulation Transfer Function S`8
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4.5 Fabrication Considerations 7m~+HM\
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5 Lens Design Data /+1+6MqRn*
5.1 About the Sample Lens Designs \L}Soe'
5.2 Lens Prescriptions, Drawings, and Aberration Plots B# |w}hj
5.3 Estimating the Potential of a Redesign H1yl88K
5.4 Scaling a Desing, Its Aberrations, and Its MTF r,(rWptf4
5.5 Notes on the Interpretation of Ray Intercept Plots ?SK1*; i
5.6 Various Evaluation Plot |#D3~au
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6 Telescope Objective \zR@FOl`q
6.1 The Thin Airspaced Doublet u>
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6.2 Merit Function for a Telescope Objective (@B
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective #Q.A)5_
6.4 Spherochromatism D.kLx@Z
6.5 Zonal Spherical Aberration KS!mzq-
6.6 Induced Aberrations -K0>^2hh
6.7 Three-Element Objectives J(ZYoJ
6.8 Secondary Spectrum (Apochromatic Systems) 8)s}>:}
6.9 The Design of an f/7 Apochromatic Triplet 1.+0=M[h
6.10 The Diffractive Surface in Lens Design s$4!?b$tw
6.11 A Final Note kl4FVZof
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7 Eyepieces and Magnifiers vR.=o*!%
7.1 Eyepieces Wz)s#
7.2 A Pair of Magnifier Designs mY*JNx
7.3 The Simple, Classical Eyepieces Y #E/"x%+
7.4 Design Story of an Eyepiece for a 6*30 Binocular :aI[
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7.5 Four-Element Eyepieces zlco?Rt
7.6 Five-Element Eyepieces NYA,
7.7 Very High Index Eyepiece/Magnifier ^# B`GV
7.8 Six- and Seven-Element Eyepieces /oKa?iT
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8 Cooke Triplet Anastigmats g
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8.1 Airspaced Triplet Anastigmats ~2+J]8@I]
8.2 Glass Choice &}_ $@
8.3 Vertex Length and Residual Aberrations xa5^h]o
8.4 Other Design Considerations as=Z_a:0N
8.5 A Plastic, Aspheric Triplet Camera Lens %ZF47P%6
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet v^1_'PAXu
8.7 Possible Improvement to Our “Basic” Triplet LG0+A}E=C
8.7 The Rear Earth (Lanthanum) Glasses X:+lD58
8.9 Aspherizing the Surfaces JnQ5r>!>3
8.10 Increasing the Element Thickness 89e<,f`h
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9 Split Triplets `n7*6l<k~4
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10 The Tessar, Heliar, and Other Compounded Triplets i}"Eu<
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10.1 The Classic Tessar Opx"'HC@G
10.2 The Heliar/Pentac L9ECF;)
10.3 The Portrait Lens and the Enlarger Lens j;6kN-jx
10.4 Other Compounded Triplets I!>pHF4
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar zO)A_s.6K
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11 Double-Meniscus Anastigmats VN6h:-&iY
11.1 Meniscus Components 1ml>
11.2 The Hypergon, Totogon, and Metrogon 8 SFw|
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ^h
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11.4 Protar, Dagor, and Convertible Lenses z/Z
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11.5 The Split Dagor CzDJbvv]
11.6 The Dogmar {ZQ|Ydpk
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens uv,&/,;S
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12 The Biotar or Double-Gauss Lens uU_lC5A|
12.1 The Basic Six-Element Version hDBVL"
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens P(AcDG6K
12.3 The Seven-Element Biotar - Split-Rear Singlet whFaL}2C
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 0}v_usP
12.5 The Seven-Element Biotar - One Compounded Outer Element _voU^-
12.6 The Eight-Element Biotar f/+UD-@%m
12.7 A “Doubled Double-Gauss” Relay zv/owK
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13 Telephoto Lenses ${ fJ]
13.1 The Basic Telephoto |hGi8
13.2 Close-up or Macro Lenses #$k6OlK-r"
13.3 Telephoto Designs Z
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch kq+`.
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 'KL!)}B$h
14.1 The Reverse Telephoto Principle ~Psv[b=]
14.2 The Basic Retrofocus Lens BhFyEY(
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses o}QtKf)W
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15 Wide Angle Lenses with Negative Outer Lenses oMdqg4HUF
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16 The Petzval Lens; Head-up Display Lenses * F[;D7sZ~
16.1 The Petzval Portrait Lens i_<