"Modern Lens Design" 2nd Edition by Warren J. Smith ?+c-m+;wj
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Contents of Modern Lens Design 2nd Edition mmC MsBfL
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1 Introduction SbtZhg=S_
1.1 Lens Design Books IQ JFL
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1.2 Reference Material '\pSUp
1.3 Specifications dphWxB
1.4 Lens Design H_iQR9Ak7
1.5 Lens Design Program Features 98|1K>C
1.6 About This Book `)i4ZmE|
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2 Automatic Lens Design ;F2"gTQS
2.2 The Merit Function Ch=jt*0
2.3 Local Minima T[ zEAj
2.4 The Landscape Lens 4{$ L]toP
2.5 Types of Merit Function uE#"wm'J
2.6 Stagnation kCZ'p
2.7 Generalized Simulated Annealing -ADb5-px
2.8 Considerations about Variables for Optimization <UW-fI)X
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ?;rRR48T9E
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Mf9x=K9
2.11 Spectral Weighting <?rdhx
2.12 How to Get Started t4zKI~cO
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3 Improving a Design pW<l9W
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 9KL)5_6 M
3.2 Glass Changes ( Index and V Values ) 9*a"^
3.3 Splitting Elements C61E=$
3.4 Separating a Cemented Doublet fo;^Jg.
3.5 Compounding an Element gp\o|igT
3.6 Vignetting and Its Uses C9%A?'`
3.7 Eliminating a Weak Element; the Concentric Problem RHI?_gf&
3.8 Balancing Aberrations s8*Q@0
3.9 The Symmetrical Principle >)F)@KAuN4
3.10 Aspheric Surfaces /p{$HkVw
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4 Evaluation: How Good is This Design ZjgfkZAS
4.1 The Uses of a Preliminary Evaluation dsZ-|C
4.2 OPD versus Measures of Performance ]%(X}]}
4.3 Geometric Blur Spot Size versus Certain Aberrations pQCW6X
4.4 Interpreting MTF - The Modulation Transfer Function \uOR1z
4.5 Fabrication Considerations %G,d&%f
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5 Lens Design Data d`xDv$QZ
5.1 About the Sample Lens Designs DPWnvd
5.2 Lens Prescriptions, Drawings, and Aberration Plots Q/l388'
5.3 Estimating the Potential of a Redesign kznm$2 b
5.4 Scaling a Desing, Its Aberrations, and Its MTF kI^Pu
5.5 Notes on the Interpretation of Ray Intercept Plots Ye\&_w"
5.6 Various Evaluation Plot wEix 8Ow*
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6 Telescope Objective {G-y7y+E
6.1 The Thin Airspaced Doublet rW2
6.2 Merit Function for a Telescope Objective Mir(
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective TdrRg''@
6.4 Spherochromatism `G>BvS5h
6.5 Zonal Spherical Aberration X> V`)
6.6 Induced Aberrations 810uxw{\
6.7 Three-Element Objectives K1*V \WRW5
6.8 Secondary Spectrum (Apochromatic Systems) @=6$ImU
6.9 The Design of an f/7 Apochromatic Triplet o=Kd9I#
6.10 The Diffractive Surface in Lens Design \x~},!l
6.11 A Final Note 8sU}[HH*1
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7 Eyepieces and Magnifiers Y#oY'S .;y
7.1 Eyepieces ~J1UzUxX2
7.2 A Pair of Magnifier Designs k mX:~KMb
7.3 The Simple, Classical Eyepieces >^adxXw.o
7.4 Design Story of an Eyepiece for a 6*30 Binocular &BRi& &f
7.5 Four-Element Eyepieces ,M9Hdm
7.6 Five-Element Eyepieces q4KYC!b
7.7 Very High Index Eyepiece/Magnifier N'M+Z=!
7.8 Six- and Seven-Element Eyepieces q=/ck
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8 Cooke Triplet Anastigmats fTV3lyk
8.1 Airspaced Triplet Anastigmats @l&>C#K\
8.2 Glass Choice
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8.3 Vertex Length and Residual Aberrations Kw&t\},8@
8.4 Other Design Considerations LVNJlRK
8.5 A Plastic, Aspheric Triplet Camera Lens pa6-3c
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet LX;" Mz>
8.7 Possible Improvement to Our “Basic” Triplet ?&$BQK
8.7 The Rear Earth (Lanthanum) Glasses ;
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8.9 Aspherizing the Surfaces
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8.10 Increasing the Element Thickness "S0WFP\P+
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9 Split Triplets Kd').w
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10 The Tessar, Heliar, and Other Compounded Triplets [UYE.$Y#(
10.1 The Classic Tessar 7Ezy-x2h
10.2 The Heliar/Pentac Hge0$6l
10.3 The Portrait Lens and the Enlarger Lens +{H0$4y
10.4 Other Compounded Triplets :eW`El
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 7\ kixfEg
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11 Double-Meniscus Anastigmats J4q_}^/2w
11.1 Meniscus Components N&-J,p~
11.2 The Hypergon, Totogon, and Metrogon W3 2]#M=
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Tj,1]_`=V$
11.4 Protar, Dagor, and Convertible Lenses |E9iG
11.5 The Split Dagor I@o42% w2
11.6 The Dogmar U|)CZcM
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens qI5`:PH%n
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12 The Biotar or Double-Gauss Lens 05/'qf7P,U
12.1 The Basic Six-Element Version cP`[/5R
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens NVq3h\[X
12.3 The Seven-Element Biotar - Split-Rear Singlet I?Ct@yxhF'
12.4 The Seven-Element Biotar - Broken Contact Front Doublet }(Dt,F`
12.5 The Seven-Element Biotar - One Compounded Outer Element &WoS(^
12.6 The Eight-Element Biotar -)$5[jM]
12.7 A “Doubled Double-Gauss” Relay ^*_|26
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13 Telephoto Lenses ad,pHJ`
13.1 The Basic Telephoto f,'9Bj.~
13.2 Close-up or Macro Lenses >m4Q*a4M
13.3 Telephoto Designs _!Ir|j.A
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 8)51p+a
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses eeu;A,@U
14.1 The Reverse Telephoto Principle
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14.2 The Basic Retrofocus Lens Vs@H>97,G
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses "=3bL>\<
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15 Wide Angle Lenses with Negative Outer Lenses 6z ,nt
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16 The Petzval Lens; Head-up Display Lenses
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16.1 The Petzval Portrait Lens O[<0\
16.2 The Petzval Projection Lens B4 +A
16.3 The Petzval with a Field Flattener 6PdLJ#LS
16.4 Very Height Speed Petzval Lenses hmM2c15T5
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems jltW@co2sV
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17 Microscope Objectives IJ#+"(?7,u
17.1 General Considerations v2;'F
17.2 Classic Objective Design Forms; The Aplanatic Front RA$q{$arb
17.3 Flat-Field Objectives SVJt= M
17.4 Reflecting Objectives RgTrj
17.5 The Microscope Objective Designs w
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18 Mirror and Catadioptric Systems e]q(fPK
18.1 The Good and Bad Points of Mirrors t)4AQ
18.2 The Classic Two-Mirror Systems o*
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18.3 Catadioptric Systems =@y
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18.4 Aspheric Correctors and Schmidt Systems #[ ?E,
18.5 Confocal Paraboloids Ic')L*i7O
18.6 Unobscured Systems ?:+sjHzXT
18.7 Design of a Schmidt-Cassegrain “from Scratch” c=#V*<
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19 Infrared and Ultraviolet Systems ;?.w!|6
19.1 Infrared Optics -0f,qNF
19.2 IR Objective Lenses /;clxtus
19.3 IR Telescope s5
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19.4 Laser Beam Expanders M"
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19,5 Ultraviolet Systems O
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19.6 Microlithographic Lenses =u
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20 Zoom Lenses L5 Q^cY]p
20.1 Zoom Lenses +
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20.2 Zoom Lenses for Point and Shoot Cameras ~Y 3X*
20.3 A 20X Video Zoom Lens ckdXla
20.4 A Zoom Scanner Lens Y4Y~ep
20.5 A Possible Zoom Lens Design Procedure 8"yZS)09
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21 Projection TV Lenses and Macro Lenses #bwGDF
21.1 Projection TV Lenses :b`ywSp`
21.2 Macro Lenses |*n
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22 Scanner/ , Laser Disk and Collimator Lenses #6*20w_u
22.1 Monochromatic Systems /_qW?LKG/
22.2 Scanner Lenses NE4 }!I
22.3 Laser Disk, Focusing, and Collimator Lenses 9>9,
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23 Tolerance Budgeting d3"QCl
23.1 The Tolerance Budget 7(l>Ck3B#
23.2 Additive Tolerances TX).*%f[r
23.3 Establishing the Tolerance Budget C2C1 @=w
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24 Formulary \[&&4CN{
24.1 Sign Conventions, Symbols, and Definitions s`gfz}/
24.2 The Cardinal Points L L?
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24.3 Image Equations G.3yuok9
24.4 Paraxial Ray Tracing (Surface by Surface) %&j\:X~A
24.5 Invariants d<Dm(
24.6 Paraxial Ray Tracing (Component by Component) -CLBf'a
24.7 Two-Componenet Relationships %ty`Oa2
24.8 Third-Order Aberrations – Surface Contributions y}1Pc*
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs DR7 JEE
24.10 Stop Shift Equations aM+Am,n`@
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 3?e~J"WXC5
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) qL4s@<|~
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Glossary ==AmL]*
Reference K<q#2G0{
Index