"Modern Lens Design" 2nd Edition by Warren J. Smith { Mv$~T|e7
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Contents of Modern Lens Design 2nd Edition af>^<q
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1 Introduction 2lu A F2
1.1 Lens Design Books d71|(`&
1.2 Reference Material x :? EL)(
1.3 Specifications 8[B0[2O
1.4 Lens Design mS9ITe
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1.5 Lens Design Program Features d#U~>wr
1.6 About This Book %.rVIc"
1sIPhOIys
2 Automatic Lens Design GbwqrH+
2.2 The Merit Function U/s! Tb>`
2.3 Local Minima xTGdh
2.4 The Landscape Lens AxAbU7m
2.5 Types of Merit Function E4cPCQyeH
2.6 Stagnation U)JwoO
2.7 Generalized Simulated Annealing
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2.8 Considerations about Variables for Optimization &&>Tfzh
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems jU}iQM
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits K/l*Saj
2.11 Spectral Weighting VBN=xg}
2.12 How to Get Started 0F-%C>&g
>4G~01
3 Improving a Design 3%(BZ23
3.1 Lens Design Tip Sheet: Standard Improvement Techniques -}CMNh
3.2 Glass Changes ( Index and V Values ) oXgi#(y
3.3 Splitting Elements _@D"XL#L
3.4 Separating a Cemented Doublet V6!1(|
3.5 Compounding an Element hQ80R B
3.6 Vignetting and Its Uses ,Zva^5
3.7 Eliminating a Weak Element; the Concentric Problem ?m\?
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3.8 Balancing Aberrations )qeed-{
3.9 The Symmetrical Principle 3Hi[Y[O`%P
3.10 Aspheric Surfaces le150;7
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4 Evaluation: How Good is This Design ]
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4.1 The Uses of a Preliminary Evaluation *%n(t+'q
4.2 OPD versus Measures of Performance s?7"iE
4.3 Geometric Blur Spot Size versus Certain Aberrations 1wLEkp!~
4.4 Interpreting MTF - The Modulation Transfer Function uwc@~=;
4.5 Fabrication Considerations fA"9eUu
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5 Lens Design Data _-:CU
5.1 About the Sample Lens Designs miB+'n"zS
5.2 Lens Prescriptions, Drawings, and Aberration Plots /_!Ed]
5.3 Estimating the Potential of a Redesign {lbNYjknS
5.4 Scaling a Desing, Its Aberrations, and Its MTF y41~
5.5 Notes on the Interpretation of Ray Intercept Plots gXvE^fE
5.6 Various Evaluation Plot 'j$n;3
m9mkZ:r(kV
6 Telescope Objective VJSkQ\KD
6.1 The Thin Airspaced Doublet zI$'D|A
6.2 Merit Function for a Telescope Objective s-Qq#T
6.3 The Design of an f/7 Cemented Doublet Telescope Objective %cl{J_}{&
6.4 Spherochromatism vEc<|t
6.5 Zonal Spherical Aberration 6B!v;93U
6.6 Induced Aberrations B4eV $~<
6.7 Three-Element Objectives )ml#2XP!f
6.8 Secondary Spectrum (Apochromatic Systems) 4Cp)!Bq?/
6.9 The Design of an f/7 Apochromatic Triplet gv7@4G
6.10 The Diffractive Surface in Lens Design u+m9DNPF
6.11 A Final Note E]0Qz?
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7 Eyepieces and Magnifiers "J{A}g[
7.1 Eyepieces ]Q -.Y-J/O
7.2 A Pair of Magnifier Designs ]92=PA>75
7.3 The Simple, Classical Eyepieces *YP:-
7.4 Design Story of an Eyepiece for a 6*30 Binocular KtcuGI/A
7.5 Four-Element Eyepieces 42=/$V
7.6 Five-Element Eyepieces /Q2HN(Y
7.7 Very High Index Eyepiece/Magnifier S{nBQB<
7.8 Six- and Seven-Element Eyepieces Rnw v/)
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8 Cooke Triplet Anastigmats T'-kG"l b
8.1 Airspaced Triplet Anastigmats (s,u9vj=>L
8.2 Glass Choice ut^6UdJ+`
8.3 Vertex Length and Residual Aberrations ;v5Jps2^]
8.4 Other Design Considerations [tkP2%1
8.5 A Plastic, Aspheric Triplet Camera Lens d0YQLh
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet BeFXC5-qat
8.7 Possible Improvement to Our “Basic” Triplet _xGC0f (
8.7 The Rear Earth (Lanthanum) Glasses :8U@KABH@h
8.9 Aspherizing the Surfaces xTy)qN]P
8.10 Increasing the Element Thickness = ,c!V
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9 Split Triplets Q6r7UM
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10 The Tessar, Heliar, and Other Compounded Triplets ok{
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10.1 The Classic Tessar ?ajVf./Ja
10.2 The Heliar/Pentac &%4A3.qE
10.3 The Portrait Lens and the Enlarger Lens EMf"rGXu(
10.4 Other Compounded Triplets Hv</Xam
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar w|:ev_c|
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11 Double-Meniscus Anastigmats a6'T]DW0W
11.1 Meniscus Components 7)*QX,4C
11.2 The Hypergon, Totogon, and Metrogon PoZxT-U
11.3 A Two Element Aspheric Thick Meniscus Camera Lens FO)`&s"&2
11.4 Protar, Dagor, and Convertible Lenses ;FnS=Z
11.5 The Split Dagor Hm]\.ZEy
11.6 The Dogmar Bkdt[qDn5P
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens _ .xicov
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12 The Biotar or Double-Gauss Lens f\~A72-
12.1 The Basic Six-Element Version <[V1z=Eo/]
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Nuaq{cl
12.3 The Seven-Element Biotar - Split-Rear Singlet f`-UC_(;
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ^4=%~Yx
12.5 The Seven-Element Biotar - One Compounded Outer Element iZ 9ed]mf
12.6 The Eight-Element Biotar lI;ACF^
12.7 A “Doubled Double-Gauss” Relay S5e"}.]|
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13 Telephoto Lenses U,V+qnS
13.1 The Basic Telephoto Sz>Lbs
13.2 Close-up or Macro Lenses ?pV!`vp^{
13.3 Telephoto Designs _CG
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch .Ix[&+LsY
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses bdHHOpXM
14.1 The Reverse Telephoto Principle 8b< 'jft
14.2 The Basic Retrofocus Lens Ie/dMB=t
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Wo~;h(6
T=VBKaSbU
15 Wide Angle Lenses with Negative Outer Lenses lMe+.P|
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16 The Petzval Lens; Head-up Display Lenses `It3X.^}
16.1 The Petzval Portrait Lens VJgYXPE
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16.2 The Petzval Projection Lens A }d\ND
16.3 The Petzval with a Field Flattener ageTv/
16.4 Very Height Speed Petzval Lenses N;*
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems TiD|.a8S
jAfqC@e
17 Microscope Objectives MGH2z:
17.1 General Considerations 6b\JD.r*{
17.2 Classic Objective Design Forms; The Aplanatic Front d*l2x[8}g-
17.3 Flat-Field Objectives j>#ywh*A
17.4 Reflecting Objectives SEIJ+u9XsA
17.5 The Microscope Objective Designs I[bWd{i:
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18 Mirror and Catadioptric Systems "8/BVW^bv
18.1 The Good and Bad Points of Mirrors &S8,-~U
18.2 The Classic Two-Mirror Systems [!U!
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18.3 Catadioptric Systems FLLfTkXdI
18.4 Aspheric Correctors and Schmidt Systems "/d
18.5 Confocal Paraboloids h/..cVD,K
18.6 Unobscured Systems o`{^ptu1q
18.7 Design of a Schmidt-Cassegrain “from Scratch” !H~PF*,hY
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19 Infrared and Ultraviolet Systems ?P(U/DS8
19.1 Infrared Optics ~$m:j];
19.2 IR Objective Lenses z~#d@c\
19.3 IR Telescope ;jFUtG
19.4 Laser Beam Expanders }B&+KO)
19,5 Ultraviolet Systems "-g5$v$de
19.6 Microlithographic Lenses HEF\TH9
8p PQ
20 Zoom Lenses nT=XWM
20.1 Zoom Lenses S.!K
20.2 Zoom Lenses for Point and Shoot Cameras =J'&.@Dwz
20.3 A 20X Video Zoom Lens ,y gDNF
20.4 A Zoom Scanner Lens *&~
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20.5 A Possible Zoom Lens Design Procedure X08[,P#I
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21 Projection TV Lenses and Macro Lenses eJE!\ucS2W
21.1 Projection TV Lenses 3 V$
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21.2 Macro Lenses A}_0iwG
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22 Scanner/ , Laser Disk and Collimator Lenses b?k6-r$j
22.1 Monochromatic Systems p']{WLDj2
22.2 Scanner Lenses j9&x#U
22.3 Laser Disk, Focusing, and Collimator Lenses u^( s0q
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23 Tolerance Budgeting t!o=-k
23.1 The Tolerance Budget yHn8t]{
23.2 Additive Tolerances IgPU^?sp
23.3 Establishing the Tolerance Budget jfpbD
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24 Formulary |N:kf&]b
24.1 Sign Conventions, Symbols, and Definitions C;oO=R3r
24.2 The Cardinal Points #2;8/"v
24.3 Image Equations LrdX^_,nt
24.4 Paraxial Ray Tracing (Surface by Surface) *kt%.wPJ
24.5 Invariants ESni r6HoU
24.6 Paraxial Ray Tracing (Component by Component) zin'&G>l
24.7 Two-Componenet Relationships X 1}U
24.8 Third-Order Aberrations – Surface Contributions Cw h[R
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs !r4B1fX
24.10 Stop Shift Equations T2 /u7<D-
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ;$FMOMR
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) <=@6UPsn2
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+ De-U.
Glossary R_b)2FU1y
Reference :a_MT
Index