"Modern Lens Design" 2nd Edition by Warren J. Smith c>|1%}"?
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Contents of Modern Lens Design 2nd Edition 12i<b
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1 Introduction _ez*dE%
1.1 Lens Design Books bI-uF8"
1.2 Reference Material x/pX?k
1.3 Specifications *M? [Gro/
1.4 Lens Design uGmv`R_
1.5 Lens Design Program Features m
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1.6 About This Book ]x1;uE?1J
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2 Automatic Lens Design NR>&1aRbyb
2.2 The Merit Function !.G knDT
2.3 Local Minima dEhFuNO<2
2.4 The Landscape Lens +F?}<P_v
2.5 Types of Merit Function |EGC1x]j=
2.6 Stagnation <(!~s><.
2.7 Generalized Simulated Annealing <e?1&5 6
2.8 Considerations about Variables for Optimization Ia[4P8Z
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 2/iBk'd
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 1!%T<!A.
2.11 Spectral Weighting q)l1tC72
2.12 How to Get Started *|9:
hS 9^Bi
3 Improving a Design Gw$Y`]ipy
3.1 Lens Design Tip Sheet: Standard Improvement Techniques #ZC9=
3.2 Glass Changes ( Index and V Values ) ^, &'
3.3 Splitting Elements Akdx1h,
3.4 Separating a Cemented Doublet c(kYCVc
3.5 Compounding an Element {/|tVc63
3.6 Vignetting and Its Uses OcE,E6LD
3.7 Eliminating a Weak Element; the Concentric Problem wX4gyr
3.8 Balancing Aberrations dHkI9;
3.9 The Symmetrical Principle {.j030Q
3.10 Aspheric Surfaces ?$ Dc>
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4 Evaluation: How Good is This Design 7Y%Si5
4.1 The Uses of a Preliminary Evaluation z41v5rB4
4.2 OPD versus Measures of Performance
/ M@[ 8
4.3 Geometric Blur Spot Size versus Certain Aberrations *=}\cw\A
4.4 Interpreting MTF - The Modulation Transfer Function <74r
4.5 Fabrication Considerations OJ1MV 7&
6zp]SPY
5 Lens Design Data "$n ff=]
5.1 About the Sample Lens Designs :'4",
5.2 Lens Prescriptions, Drawings, and Aberration Plots +w2 `
5.3 Estimating the Potential of a Redesign l`Ae&nc6
5.4 Scaling a Desing, Its Aberrations, and Its MTF 5K,=S
5.5 Notes on the Interpretation of Ray Intercept Plots KTE X]
5.6 Various Evaluation Plot hK UK#xx
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6 Telescope Objective c
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6.1 The Thin Airspaced Doublet Ck:+F+7_v
6.2 Merit Function for a Telescope Objective m@W>ku
6.3 The Design of an f/7 Cemented Doublet Telescope Objective g_JSgH!4
6.4 Spherochromatism [7\x(W-:@>
6.5 Zonal Spherical Aberration \iA.{,VX
6.6 Induced Aberrations d
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6.7 Three-Element Objectives =PjxMC._
6.8 Secondary Spectrum (Apochromatic Systems) 1'%n?\OK66
6.9 The Design of an f/7 Apochromatic Triplet HPXJRQBE
6.10 The Diffractive Surface in Lens Design iHT=ROL
6.11 A Final Note =u`tlN5pOT
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7 Eyepieces and Magnifiers v"l8[::
7.1 Eyepieces XE8%t=V!c$
7.2 A Pair of Magnifier Designs E5IS<.
7.3 The Simple, Classical Eyepieces LMNmG]#!
7.4 Design Story of an Eyepiece for a 6*30 Binocular mgTzwE_\
7.5 Four-Element Eyepieces )S`=y-L$
7.6 Five-Element Eyepieces txiX1o!/L
7.7 Very High Index Eyepiece/Magnifier #fDM{f0]R
7.8 Six- and Seven-Element Eyepieces \cdns;
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8 Cooke Triplet Anastigmats !tSh9L;<O
8.1 Airspaced Triplet Anastigmats +q%b'!&Q
8.2 Glass Choice 9TZ 6c
8.3 Vertex Length and Residual Aberrations 4N5\sdi
8.4 Other Design Considerations _h I81Lzq
8.5 A Plastic, Aspheric Triplet Camera Lens /z)Nz2W
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet p~v0pi
8.7 Possible Improvement to Our “Basic” Triplet lMgPwvs'
8.7 The Rear Earth (Lanthanum) Glasses (3 Z;c_N
8.9 Aspherizing the Surfaces m:c0S8#:
8.10 Increasing the Element Thickness VHG}'r9KC%
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9 Split Triplets 9TbbIP1
kz G W/
10 The Tessar, Heliar, and Other Compounded Triplets x->+wJm@s
10.1 The Classic Tessar S4pEBbV^n
10.2 The Heliar/Pentac Cg8
10.3 The Portrait Lens and the Enlarger Lens x2f=o|]D'
10.4 Other Compounded Triplets ?KWo1
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar |-HNHUF
@}s EP&$
11 Double-Meniscus Anastigmats X%T%N;P
11.1 Meniscus Components )SJ"IY\P
11.2 The Hypergon, Totogon, and Metrogon YRCOh:W*
11.3 A Two Element Aspheric Thick Meniscus Camera Lens *;F:6p4_
11.4 Protar, Dagor, and Convertible Lenses AwZz}J+
11.5 The Split Dagor vSY
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11.6 The Dogmar %a]Imsm
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens *-S?bv,T'
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12 The Biotar or Double-Gauss Lens M^lP`=sSv
12.1 The Basic Six-Element Version OlgM7Vrl
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens !;K zR&
12.3 The Seven-Element Biotar - Split-Rear Singlet ijDXh y
12.4 The Seven-Element Biotar - Broken Contact Front Doublet !="8ok+
12.5 The Seven-Element Biotar - One Compounded Outer Element D=SjCmG
12.6 The Eight-Element Biotar K)^8 :nt
12.7 A “Doubled Double-Gauss” Relay bq9/d4
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13 Telephoto Lenses _M^^0kf
13.1 The Basic Telephoto z0%tBgqY(
13.2 Close-up or Macro Lenses X|aD>CT
13.3 Telephoto Designs =2YXh,i
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch w&e3#p
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses n(i/jW~0w
14.1 The Reverse Telephoto Principle 13 %:3W(
14.2 The Basic Retrofocus Lens ErgWs Aw-
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses bz1AmNZG
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15 Wide Angle Lenses with Negative Outer Lenses %j2$ ezud
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16 The Petzval Lens; Head-up Display Lenses D G|v'#
16.1 The Petzval Portrait Lens DS_0p|2
16.2 The Petzval Projection Lens 2XEE/]^
16.3 The Petzval with a Field Flattener /<%EKu5
16.4 Very Height Speed Petzval Lenses y;(G%s1
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems u\"/EaQ{
QMy1!:Z&!
17 Microscope Objectives R7KV
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17.1 General Considerations +"1-W>HV
17.2 Classic Objective Design Forms; The Aplanatic Front xSDTO$U8%
17.3 Flat-Field Objectives c^&4m[?C[u
17.4 Reflecting Objectives 64vj6 &L
17.5 The Microscope Objective Designs |9p0"#4u
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18 Mirror and Catadioptric Systems +~= j3U
18.1 The Good and Bad Points of Mirrors R&$fWV;'
18.2 The Classic Two-Mirror Systems y.s\MWvv>u
18.3 Catadioptric Systems 3E0C$vKM
18.4 Aspheric Correctors and Schmidt Systems uKj(=Rqq
18.5 Confocal Paraboloids Yh Ow0 x
18.6 Unobscured Systems g1:%986jv
18.7 Design of a Schmidt-Cassegrain “from Scratch” G:@1.H`
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19 Infrared and Ultraviolet Systems t/3HX]B_
19.1 Infrared Optics nwzyL`kF
19.2 IR Objective Lenses Vol}wc
19.3 IR Telescope ,6o tm
19.4 Laser Beam Expanders H}q$6WE
19,5 Ultraviolet Systems Ps<k 2
19.6 Microlithographic Lenses ;.b^&h
gI"cZ h3}
20 Zoom Lenses D6"d\Fm<
20.1 Zoom Lenses [)kuu
20.2 Zoom Lenses for Point and Shoot Cameras BR_fOIDc
20.3 A 20X Video Zoom Lens KXpbee
20.4 A Zoom Scanner Lens .$
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20.5 A Possible Zoom Lens Design Procedure gVy`||z
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21 Projection TV Lenses and Macro Lenses ;lSsy
21.1 Projection TV Lenses 7j29wvSp5
21.2 Macro Lenses 7#Uzz"^
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22 Scanner/ , Laser Disk and Collimator Lenses J1Az+m
22.1 Monochromatic Systems /a9CqK
22.2 Scanner Lenses NqveL<r`
22.3 Laser Disk, Focusing, and Collimator Lenses $RunGaX!=N
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23 Tolerance Budgeting _Vf>>tuW
23.1 The Tolerance Budget mx}4iO:Xp
23.2 Additive Tolerances L"NfOST3'R
23.3 Establishing the Tolerance Budget l;&kX6 w
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24 Formulary kP5G}Bp
24.1 Sign Conventions, Symbols, and Definitions cV_-Bcb
24.2 The Cardinal Points x34GRe!!
24.3 Image Equations Jr= fc*f
24.4 Paraxial Ray Tracing (Surface by Surface) ^~6gkS
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24.5 Invariants c-!3wvt)
24.6 Paraxial Ray Tracing (Component by Component) =+I-9=
24.7 Two-Componenet Relationships a.RYRq4o
24.8 Third-Order Aberrations – Surface Contributions %<'.c9u5
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ZLdIEBi=
24.10 Stop Shift Equations YU!s;h
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces jSRi
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 5uOz #hN
JG7K-W|!c
N R4\TU
Glossary 7$t['2j3
Reference #0\* 86
Index