"Modern Lens Design" 2nd Edition by Warren J. Smith ]9 ArT$
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Contents of Modern Lens Design 2nd Edition ]E:P-xTwaI
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1 Introduction =8p *Ijs
1.1 Lens Design Books [8h~:.d`
1.2 Reference Material '1Z3MjX
1.3 Specifications X`+8rO[
1.4 Lens Design f\zu7,GU
1.5 Lens Design Program Features 8etNS~^
1.6 About This Book }[2|86,G;
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2 Automatic Lens Design G(*7hs
2.2 The Merit Function 'A#bBn,|
2.3 Local Minima %"C%pA
2.4 The Landscape Lens 9P)28\4
2.5 Types of Merit Function KJLC2,
2.6 Stagnation rDEdMT
2.7 Generalized Simulated Annealing [3~mil3rO
2.8 Considerations about Variables for Optimization ;LhNz ()b
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems +J+[fbqX
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits o=}vK[0u
2.11 Spectral Weighting /+p]VHP\
2.12 How to Get Started / Ml d.
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3 Improving a Design w%NT
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques p?#%G`dm
3.2 Glass Changes ( Index and V Values ) g3h:oQCS
3.3 Splitting Elements ?04$1n:
3.4 Separating a Cemented Doublet 8#_"WzDw
3.5 Compounding an Element yaw33/iN
3.6 Vignetting and Its Uses Aq5@k\[
3.7 Eliminating a Weak Element; the Concentric Problem 7XDze(O5
3.8 Balancing Aberrations Y;B#_}yF
3.9 The Symmetrical Principle fN-y8
3.10 Aspheric Surfaces l(fStpP
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4 Evaluation: How Good is This Design h]w5N2$}?
4.1 The Uses of a Preliminary Evaluation H"n@=DMLm
4.2 OPD versus Measures of Performance C>0='@LB@r
4.3 Geometric Blur Spot Size versus Certain Aberrations .o"FT~}z
4.4 Interpreting MTF - The Modulation Transfer Function 1^HUu"Kt
4.5 Fabrication Considerations Qk_Mx"
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5 Lens Design Data Rc.8j,]
5.1 About the Sample Lens Designs QN'v]z
5.2 Lens Prescriptions, Drawings, and Aberration Plots M?FbBJ`sF
5.3 Estimating the Potential of a Redesign Q*c |!<
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5.4 Scaling a Desing, Its Aberrations, and Its MTF 1}#RUqFrvS
5.5 Notes on the Interpretation of Ray Intercept Plots z!0}Kj
5.6 Various Evaluation Plot ;A3aUN;"I
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6 Telescope Objective Ze:Y"49S+>
6.1 The Thin Airspaced Doublet @?gN
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6.2 Merit Function for a Telescope Objective LqOjVQxz
6.3 The Design of an f/7 Cemented Doublet Telescope Objective +P//p$pE
6.4 Spherochromatism J ;e/S6l
6.5 Zonal Spherical Aberration uV'w0`$y
6.6 Induced Aberrations 7K\H_YY8#
6.7 Three-Element Objectives ,x.2kb
6.8 Secondary Spectrum (Apochromatic Systems) \NN5'DBx
6.9 The Design of an f/7 Apochromatic Triplet ]L?DV3N
6.10 The Diffractive Surface in Lens Design tc%0yr9
6.11 A Final Note N:yyDeGyW
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7 Eyepieces and Magnifiers w]Fi:kV
7.1 Eyepieces =nTNL .SX
7.2 A Pair of Magnifier Designs A!\-e*+W=
7.3 The Simple, Classical Eyepieces ~
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7.4 Design Story of an Eyepiece for a 6*30 Binocular G"'[dL)N>
7.5 Four-Element Eyepieces Dqu][~oQ
7.6 Five-Element Eyepieces Db5y";T
7.7 Very High Index Eyepiece/Magnifier -Z/'kYj?U
7.8 Six- and Seven-Element Eyepieces :: 2pDtMS
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8 Cooke Triplet Anastigmats ^9zFAY.|
8.1 Airspaced Triplet Anastigmats RgQ;fYS
8.2 Glass Choice k"V@9q;*
8.3 Vertex Length and Residual Aberrations V(LE4P1
8.4 Other Design Considerations lbg^ 2|o~~
8.5 A Plastic, Aspheric Triplet Camera Lens iOO1\9{@
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet aRh1Q=^@(4
8.7 Possible Improvement to Our “Basic” Triplet 0k7kmDW
8.7 The Rear Earth (Lanthanum) Glasses >aaHN1Ca
8.9 Aspherizing the Surfaces F~Z~OqCS
8.10 Increasing the Element Thickness G^ 2a<?Di
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9 Split Triplets 1sHaG
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10 The Tessar, Heliar, and Other Compounded Triplets ]rs7%$ZW
10.1 The Classic Tessar ~1`ZPLVG
10.2 The Heliar/Pentac
, 7kS#`P
10.3 The Portrait Lens and the Enlarger Lens D]h~\
10.4 Other Compounded Triplets YV 5kzq
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar R>YDn|cWI
k\J 6WT
11 Double-Meniscus Anastigmats >[U.P)7;
11.1 Meniscus Components V L&5TZtz
11.2 The Hypergon, Totogon, and Metrogon (6WSQqp
11.3 A Two Element Aspheric Thick Meniscus Camera Lens pJK}9p=4`
11.4 Protar, Dagor, and Convertible Lenses D#~S<>u@
11.5 The Split Dagor YVEin1]
11.6 The Dogmar W,[b:[~v
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens -}W`
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12 The Biotar or Double-Gauss Lens \>>^eZ
12.1 The Basic Six-Element Version LE"t'R
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens b)eKa40Z
12.3 The Seven-Element Biotar - Split-Rear Singlet ^6Std
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet ]q2g[D o5
12.5 The Seven-Element Biotar - One Compounded Outer Element J6)&b7
12.6 The Eight-Element Biotar A>c/q&WUk
12.7 A “Doubled Double-Gauss” Relay N]k(8K
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13 Telephoto Lenses 9b0M'x'W5
13.1 The Basic Telephoto kr_!AW<.tz
13.2 Close-up or Macro Lenses ;goR0PN
13.3 Telephoto Designs !Hk$ t
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch #xopJa Y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses .kGlUb?^Q
14.1 The Reverse Telephoto Principle P0En&g+~
14.2 The Basic Retrofocus Lens 9J$8=UuxWG
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Jhyb{i8RR
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15 Wide Angle Lenses with Negative Outer Lenses x 7;Zwd
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16 The Petzval Lens; Head-up Display Lenses DM-8azq $
16.1 The Petzval Portrait Lens 7sQw&yUL)
16.2 The Petzval Projection Lens % 1+\N
16.3 The Petzval with a Field Flattener XQ{G)
16.4 Very Height Speed Petzval Lenses ]vPa
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems mh#dnxeR
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17 Microscope Objectives 6G<t1?_yD
17.1 General Considerations 4@wH4H8
17.2 Classic Objective Design Forms; The Aplanatic Front \xH#X=J
17.3 Flat-Field Objectives o*_O1P
17.4 Reflecting Objectives }^Unx W
17.5 The Microscope Objective Designs 1D0_k
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18 Mirror and Catadioptric Systems ,u^S(vxyz
18.1 The Good and Bad Points of Mirrors x=>+.'K
18.2 The Classic Two-Mirror Systems \k=.w
18.3 Catadioptric Systems 5K;vdwSB
18.4 Aspheric Correctors and Schmidt Systems :.-z) C}
18.5 Confocal Paraboloids ,6zH;fi
18.6 Unobscured Systems +q==Y/z
18.7 Design of a Schmidt-Cassegrain “from Scratch” p<|I!n&9
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19 Infrared and Ultraviolet Systems 2o`a^'Iw
19.1 Infrared Optics Q}J'S5%
19.2 IR Objective Lenses ]to"X7/
19.3 IR Telescope i4Y_5
19.4 Laser Beam Expanders b"ypS7
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19,5 Ultraviolet Systems <bwsK,C
19.6 Microlithographic Lenses 8QeM6;^/5
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20 Zoom Lenses >b |TaQ
20.1 Zoom Lenses Fr}e-a
20.2 Zoom Lenses for Point and Shoot Cameras XIu3n9g^#
20.3 A 20X Video Zoom Lens '8NKrI
20.4 A Zoom Scanner Lens mGjxc}
20.5 A Possible Zoom Lens Design Procedure qzVmsxBNP
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21 Projection TV Lenses and Macro Lenses oh '\,zpL
21.1 Projection TV Lenses \(a9rZ9
21.2 Macro Lenses web=AQ5I4
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22 Scanner/ , Laser Disk and Collimator Lenses ];waK2'2
22.1 Monochromatic Systems JM#jg-z,~
22.2 Scanner Lenses `L(AvSR
22.3 Laser Disk, Focusing, and Collimator Lenses Vrf+~KO7
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23 Tolerance Budgeting e&C(IEZ/N;
23.1 The Tolerance Budget 7@MGs2
23.2 Additive Tolerances l-yQ3/:
23.3 Establishing the Tolerance Budget Ve,_;<F]S
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24 Formulary *v'&i) J
24.1 Sign Conventions, Symbols, and Definitions \o^M ,yI
24.2 The Cardinal Points ,Ty>sZ#/fz
24.3 Image Equations yA%(!v5UT
24.4 Paraxial Ray Tracing (Surface by Surface) uc?QS~H&w
24.5 Invariants D?rQQxb
24.6 Paraxial Ray Tracing (Component by Component) Y8I$JBO
24.7 Two-Componenet Relationships % Ke:%##Y
24.8 Third-Order Aberrations – Surface Contributions <^&NA<2
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs DT # 1*&-
24.10 Stop Shift Equations }Po&6^
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces q P@4KH}e
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) NIDK:qdR
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Glossary pR8]HNY0
Reference /xjHzva^ w
Index