"Modern Lens Design" 2nd Edition by Warren J. Smith toCxY+"nbU
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Contents of Modern Lens Design 2nd Edition "A6T'nOP
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1 Introduction ;Xw'WMb*=
1.1 Lens Design Books B8'e,9
1.2 Reference Material 8;C_@
1.3 Specifications LK1 r@
1.4 Lens Design RS>;$O_(M
1.5 Lens Design Program Features 5 uU.K3G7
1.6 About This Book ?zD?-
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2 Automatic Lens Design 3.
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2.2 The Merit Function D~i m1h;>
2.3 Local Minima m.}Yn,
2.4 The Landscape Lens t)*MLg<C
2.5 Types of Merit Function K5fL{2V?
2.6 Stagnation t'@qb~sf
2.7 Generalized Simulated Annealing JQhw>H9&
2.8 Considerations about Variables for Optimization
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems dBKceL v
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits KAucSd`
2.11 Spectral Weighting >J]^Rgn>
2.12 How to Get Started ;%_fQNFb
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3 Improving a Design w K_I"
3.1 Lens Design Tip Sheet: Standard Improvement Techniques xsPE UK&g
3.2 Glass Changes ( Index and V Values ) wm$1LZ8o-`
3.3 Splitting Elements H |1owmbD
3.4 Separating a Cemented Doublet fg mIx
3.5 Compounding an Element #Tjv(O[&
3.6 Vignetting and Its Uses py9HUyr5eZ
3.7 Eliminating a Weak Element; the Concentric Problem ~ "^]\3#
3.8 Balancing Aberrations S-^RZ"
3.9 The Symmetrical Principle I'_u4
3.10 Aspheric Surfaces 9D2}heTN
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4 Evaluation: How Good is This Design dsx'l0q 'i
4.1 The Uses of a Preliminary Evaluation |-W7n'n
4.2 OPD versus Measures of Performance c3X'Sv
4.3 Geometric Blur Spot Size versus Certain Aberrations <F=U(WWn9
4.4 Interpreting MTF - The Modulation Transfer Function x>?jfN,e
4.5 Fabrication Considerations y7;i4::A\
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5 Lens Design Data bvf}r
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5.1 About the Sample Lens Designs cBl
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5.2 Lens Prescriptions, Drawings, and Aberration Plots PfaBzi9?f
5.3 Estimating the Potential of a Redesign SxHj3,`#C
5.4 Scaling a Desing, Its Aberrations, and Its MTF GvL)SVv?
5.5 Notes on the Interpretation of Ray Intercept Plots \BV$p2m5-
5.6 Various Evaluation Plot NDJIaX:]
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6 Telescope Objective S}/?Lm}
6.1 The Thin Airspaced Doublet y&HfF~
6.2 Merit Function for a Telescope Objective 6/m|Sg.m
6.3 The Design of an f/7 Cemented Doublet Telescope Objective :
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6.4 Spherochromatism rNgFsFQ>.
6.5 Zonal Spherical Aberration [Ch)6p
6.6 Induced Aberrations yEnurq%J
6.7 Three-Element Objectives =@ '>|-w|
6.8 Secondary Spectrum (Apochromatic Systems) {Lex((
6.9 The Design of an f/7 Apochromatic Triplet JF%eC}[d
6.10 The Diffractive Surface in Lens Design O>Vb7`z0<
6.11 A Final Note hPs7mnSW
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7 Eyepieces and Magnifiers U#I8Rd I,
7.1 Eyepieces nN=o/z d
7.2 A Pair of Magnifier Designs qno8qF*
7.3 The Simple, Classical Eyepieces J33enQd
7.4 Design Story of an Eyepiece for a 6*30 Binocular =*VKp{5=
7.5 Four-Element Eyepieces "ooq1
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7.6 Five-Element Eyepieces ^
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7.7 Very High Index Eyepiece/Magnifier X=i^[?C
7.8 Six- and Seven-Element Eyepieces )T-C/ 3
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8 Cooke Triplet Anastigmats (v11;k dJB
8.1 Airspaced Triplet Anastigmats `D0>L'
8.2 Glass Choice XYJ7k7zc+Y
8.3 Vertex Length and Residual Aberrations 3D)gy9T&l
8.4 Other Design Considerations (]JZ1s|
8.5 A Plastic, Aspheric Triplet Camera Lens Y#>'.$(Az
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet %h)6o99{wF
8.7 Possible Improvement to Our “Basic” Triplet )20jZm*
8.7 The Rear Earth (Lanthanum) Glasses *hhPCYOm
8.9 Aspherizing the Surfaces 9] i$`y
8.10 Increasing the Element Thickness ]SqLF!S(=
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9 Split Triplets 9~bl
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10 The Tessar, Heliar, and Other Compounded Triplets ^BDM'
10.1 The Classic Tessar G~SgI>Q
10.2 The Heliar/Pentac g_kR5Wxpt
10.3 The Portrait Lens and the Enlarger Lens V/X4WZs|i
10.4 Other Compounded Triplets > 3<P^-9L
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar {u3eel
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11 Double-Meniscus Anastigmats _0~WT
11.1 Meniscus Components
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11.2 The Hypergon, Totogon, and Metrogon IO,ddVO
11.3 A Two Element Aspheric Thick Meniscus Camera Lens {[r}&^K15
11.4 Protar, Dagor, and Convertible Lenses |'w_5?|4
11.5 The Split Dagor aq'dC=y
11.6 The Dogmar hxIG0d!o
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens wA@y B"
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12 The Biotar or Double-Gauss Lens .AEOf0t
12.1 The Basic Six-Element Version \E9Hk{V:6
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens t7A '
12.3 The Seven-Element Biotar - Split-Rear Singlet _R&}CP
12.4 The Seven-Element Biotar - Broken Contact Front Doublet -8sm^A>C
12.5 The Seven-Element Biotar - One Compounded Outer Element 9}~WwmC|x
12.6 The Eight-Element Biotar I)
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12.7 A “Doubled Double-Gauss” Relay `t0?PpUo
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13 Telephoto Lenses 64qm
13.1 The Basic Telephoto Jr0D:
13.2 Close-up or Macro Lenses ^%)H;
13.3 Telephoto Designs Y)?dq(
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch PV_E3,RY
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses kOv2E]
14.1 The Reverse Telephoto Principle 5hNjJqu
14.2 The Basic Retrofocus Lens Q
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses F[q:jY
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15 Wide Angle Lenses with Negative Outer Lenses 5F@7A2ZR
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16 The Petzval Lens; Head-up Display Lenses
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16.1 The Petzval Portrait Lens B;SN}I
16.2 The Petzval Projection Lens S@AHI!"h=V
16.3 The Petzval with a Field Flattener DP2 ^(d<
16.4 Very Height Speed Petzval Lenses %s.hqr,I
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems fz%I'+!
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17 Microscope Objectives {`Ekv/XWa
17.1 General Considerations QPe+K61U
17.2 Classic Objective Design Forms; The Aplanatic Front >Ab>"!/'K
17.3 Flat-Field Objectives Ri$wt.b
17.4 Reflecting Objectives UjmBLXz@T
17.5 The Microscope Objective Designs J(BtGGU'
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18 Mirror and Catadioptric Systems T*,kBJ
18.1 The Good and Bad Points of Mirrors V^O
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18.2 The Classic Two-Mirror Systems # 2As-9
18.3 Catadioptric Systems .#"O VI]#
18.4 Aspheric Correctors and Schmidt Systems =bJj;bc'5
18.5 Confocal Paraboloids yNY *Fl!
18.6 Unobscured Systems 3"28=)o
18.7 Design of a Schmidt-Cassegrain “from Scratch” >KjyxJ7
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19 Infrared and Ultraviolet Systems (!h%)
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19.1 Infrared Optics -4P2 2
19.2 IR Objective Lenses E?c)WA2iH
19.3 IR Telescope {}Y QB'}
19.4 Laser Beam Expanders <8UqV.&
19,5 Ultraviolet Systems ld~8g,
19.6 Microlithographic Lenses FhJ8}at+e
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20 Zoom Lenses GarPnb
20.1 Zoom Lenses R|PFGhi6"A
20.2 Zoom Lenses for Point and Shoot Cameras F$kLft[:
20.3 A 20X Video Zoom Lens zk+&5d4(
20.4 A Zoom Scanner Lens qXPT1%+)y
20.5 A Possible Zoom Lens Design Procedure auOYi<<>W
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21 Projection TV Lenses and Macro Lenses b6Jv|1w'
21.1 Projection TV Lenses "yR56`=
21.2 Macro Lenses j%%l$i~
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22 Scanner/ , Laser Disk and Collimator Lenses NB]T~_?]*
22.1 Monochromatic Systems v:s.V>{"S
22.2 Scanner Lenses m?;aTSa
22.3 Laser Disk, Focusing, and Collimator Lenses \tc`Aj%K
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23 Tolerance Budgeting fMjn8.
23.1 The Tolerance Budget h.Cr;w,2R
23.2 Additive Tolerances S[fzy$">
23.3 Establishing the Tolerance Budget HR'r~ #j
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24 Formulary (>m3WI$d
24.1 Sign Conventions, Symbols, and Definitions xwxMVp`|o
24.2 The Cardinal Points Lu&2^USTO
24.3 Image Equations ${n=1-SMU
24.4 Paraxial Ray Tracing (Surface by Surface) l" y==y
24.5 Invariants ~__]E53F
24.6 Paraxial Ray Tracing (Component by Component) ]a|3"DP5
24.7 Two-Componenet Relationships }+U} [G
24.8 Third-Order Aberrations – Surface Contributions y}jX/Ln
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs t0Q/vp*/
24.10 Stop Shift Equations zGFo-C
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 41%B%K*
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) A3%s5`vNvH
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Glossary jyF0asb
Reference SJ1
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Index