[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith [}q6bXM*  
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Contents of Modern Lens Design 2nd Edition ^_ L'I%%[  
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1    Introduction         =UYZ){rt9E  
1.1    Lens Design Books     fa9c!xDt  
1.2    Reference Material     Fl<|/DCg  
1.3    Specifications     0*S]m5#;  
1.4    Lens Design     *>,8+S33r{  
1.5    Lens Design Program Features    
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1.6    About This Book     e2CjZ"C  
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2    Automatic Lens Design         :5IbOpVM  
2.2    The Merit Function         H+y(W5|2/X  
2.3    Local Minima     &QFg=  
2.4    The Landscape Lens     aal5d_Y  
2.5    Types of Merit Function     Y ]&D;w  
2.6    Stagnation     SE/GT:}  
2.7    Generalized Simulated Annealing     k2DT+}u7G  
2.8    Considerations about Variables for Optimization     [F{q.mZj  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems m[7@l
 
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     q66!xhp;?  
2.11    Spectral Weighting     dlkxA^  
2.12    How to Get Started     It>8XKS  
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3    Improving a Design     ovJwor  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     F,}wQN  
3.2    Glass Changes ( Index and V Values )     N9@@n:JT  
3.3    Splitting Elements     dnt: U!TW@  
3.4    Separating a Cemented Doublet     $?RxmWsP  
3.5    Compounding an Element     &?C% -"|c  
3.6    Vignetting and Its Uses     e<o{3*%p)  
3.7    Eliminating a Weak Element; the Concentric Problem     ?EQ]f3
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3.8    Balancing Aberrations     CUIT)mF:  
3.9    The Symmetrical Principle     7
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3.10    Aspheric Surfaces     .`qw8e}y#'  
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4    Evaluation: How Good is This Design     
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4.1    The Uses of a Preliminary Evaluation     {`~uBz+dJq  
4.2    OPD versus Measures of Performance     <Vucr   
4.3    Geometric Blur Spot Size versus Certain Aberrations     %GS^=Qr  
4.4    Interpreting MTF - The Modulation Transfer Function     s/#L?[YH  
4.5    Fabrication Considerations     B^Y AKbY  
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5    Lens Design Data     +Y;/10p  
5.1    About the Sample Lens Designs     d7
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5.2    Lens Prescriptions, Drawings, and Aberration Plots     eT8(O36%  
5.3    Estimating the Potential of a Redesign     ~nO]R   
5.4    Scaling a Desing, Its Aberrations, and Its MTF     j6x1JM  
5.5    Notes on the Interpretation of Ray Intercept Plots     ]M%kt+u!  
5.6    Various Evaluation Plot     TY,5]*86I&  
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6    Telescope Objective     k~ Z9og  
6.1    The Thin Airspaced Doublet     nGb%mlb  
6.2    Merit Function for a Telescope Objective     ZH6#(;b  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     #+$pE@u7A  
6.4    Spherochromatism     >a;0<Ui&Q  
6.5    Zonal Spherical Aberration     s*%pNE U  
6.6    Induced Aberrations     .3Ex=aQcX  
6.7    Three-Element Objectives     ]6JI((  
6.8    Secondary Spectrum (Apochromatic Systems)     'u"r^o?  
6.9    The Design of an f/7 Apochromatic Triplet     cTlitf9  
6.10    The Diffractive Surface in Lens Design     xZ2^lsY  
6.11    A Final Note     
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7    Eyepieces and Magnifiers     2e~ud9,  
7.1    Eyepieces     2Lravb3  
7.2    A Pair of Magnifier Designs     up`.#GWm  
7.3    The Simple, Classical Eyepieces     : &! >.Y  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     <zUU`  
7.5    Four-Element Eyepieces     -<e8\Z`  
7.6    Five-Element Eyepieces     fd Vye|%  
7.7    Very High Index Eyepiece/Magnifier     %K@s0uQ  
7.8    Six- and Seven-Element Eyepieces     79}voDFd  
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8    Cooke Triplet Anastigmats     7,vvL8\NHu  
8.1    Airspaced Triplet Anastigmats     #"PI%&  
8.2    Glass Choice     %A 4F?/E  
8.3    Vertex Length and Residual Aberrations     #$/SM_X14C  
8.4    Other Design Considerations     o0SQJ1.a$  
8.5    A Plastic, Aspheric Triplet Camera Lens     St9+/Md=jQ  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet g$=y#<2?  
8.7    Possible Improvement to Our “Basic” Triplet     ~r(/)w\  
8.7    The Rear Earth (Lanthanum) Glasses     o]L
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8.9    Aspherizing the Surfaces     NR98I7  
8.10    Increasing the Element Thickness     V* :Q~ ^  
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9    Split Triplets     LHy-y%?i  
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10    The Tessar, Heliar, and Other Compounded Triplets     PH,MZ"Z%  
10.1    The Classic Tessar     /%O+]#$`0  
10.2    The Heliar/Pentac     \TchRSe  
10.3    The Portrait Lens and the Enlarger Lens     F|Y}X|x8Q  
10.4    Other Compounded Triplets     u+ wKs`  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar D)0pm?*5A  
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11    Double-Meniscus Anastigmats     |q0MM^%"  
11.1    Meniscus Components     Ojea~Y]Sr  
11.2    The Hypergon, Totogon, and Metrogon     }Z^r<-N  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     {u7%Z}<0  
11.4    Protar, Dagor, and Convertible Lenses     X9:4oMux7  
11.5    The Split Dagor     -wA^ao   
11.6    The Dogmar     D I` M  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     <W$Ig@4[.d  
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12    The Biotar or Double-Gauss Lens     4JOw@/nE  
12.1    The Basic Six-Element Version     MXQS6F#  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens A'jw;{8NpF  
12.3    The Seven-Element Biotar - Split-Rear Singlet     WziX1%0$n  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     hU3z4|~+  
12.5    The Seven-Element Biotar - One Compounded Outer Element     A4kYEA  
12.6    The Eight-Element Biotar     jGp|:!'w  
12.7    A “Doubled Double-Gauss” Relay     zYL</!6a[  
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13    Telephoto Lenses     I $5*Puy#  
13.1    The Basic Telephoto     ?/EyfTex  
13.2    Close-up or Macro Lenses     ,7wxVR%Ys  
13.3    Telephoto Designs     J~\`8cds  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch d-cK`pSB  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     }Y{aVn&C  
14.1    The Reverse Telephoto Principle     \QpH~&QIS  
14.2    The Basic Retrofocus Lens     /Dh[lgF0C  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     9!aQ@ J^  
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15    Wide Angle Lenses with Negative Outer Lenses     fJjtrvNy)  
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16    The Petzval Lens; Head-up Display Lenses     zAr@vBfC%  
16.1    The Petzval Portrait Lens     {e>E4(  
16.2    The Petzval Projection Lens     #5Zf6w  
16.3    The Petzval with a Field Flattener     ]GSs{'UhB  
16.4    Very Height Speed Petzval Lenses     s:4<wmu4=  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     #7wOr78  
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17    Microscope Objectives     uU7s4oJ|  
17.1    General Considerations     k1EAmA l  
17.2    Classic Objective Design Forms; The Aplanatic Front     .H.#W1`  
17.3    Flat-Field Objectives     {nl]F  
17.4    Reflecting Objectives     Oyfc!  
17.5    The Microscope Objective Designs     !A5UT-  
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18    Mirror and Catadioptric Systems     D$ >gAv  
18.1    The Good and Bad Points of Mirrors     3`W=rIMli  
18.2    The Classic Two-Mirror Systems %Q)3*L  
18.3    Catadioptric Systems     a0s6G3J+9  
18.4    Aspheric Correctors and Schmidt Systems     (3H'!P7|~  
18.5    Confocal Paraboloids     .6@qU}  
18.6    Unobscured Systems     ]i}3
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18.7    Design of a Schmidt-Cassegrain “from Scratch”     >:2Br(S  
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19    Infrared and Ultraviolet Systems     `L-GI{EJ  
19.1    Infrared Optics     L`fDc  
19.2    IR Objective Lenses     hx'p0HDta  
19.3    IR Telescope     rQW&$M  
19.4    Laser Beam Expanders     qac4GZ  
19,5    Ultraviolet Systems     "zT#*>U  
19.6    Microlithographic Lenses     kQr\ktN\  
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20    Zoom Lenses     <>jut  
20.1    Zoom Lenses     qre.^6
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20.2    Zoom Lenses for Point and Shoot Cameras     h{&X`$  
20.3    A 20X Video Zoom Lens     5CSihw/5  
20.4    A Zoom Scanner Lens     ?1r>t"e5  
20.5    A Possible Zoom Lens Design Procedure     >&1
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21    Projection TV Lenses and Macro Lenses     8veYs`  
21.1    Projection TV Lenses     Jgf73IX[  
21.2    Macro Lenses     ~AD%aHR  
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22    Scanner/ , Laser Disk and Collimator Lenses     Sdc yL%6!  
22.1    Monochromatic Systems     dkz79G}e  
22.2    Scanner Lenses     ' 9K4A'2[  
22.3    Laser Disk, Focusing, and Collimator Lenses     *?k~n9n5U  
    Lyx \s;  
23    Tolerance Budgeting     mP1EWh|  
23.1    The Tolerance Budget     f}4bnu3  
23.2    Additive Tolerances     CC(At.dd  
23.3    Establishing the Tolerance Budget     |@}Yady@C  
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24    Formulary 
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24.1    Sign Conventions, Symbols, and Definitions     1>JUI5 {  
24.2    The Cardinal Points     XQ+KI:g2  
24.3    Image Equations     L*A9a  
24.4    Paraxial Ray Tracing (Surface by Surface)     4FmT.P  
24.5    Invariants     De^GWO.?bT  
24.6    Paraxial Ray Tracing (Component by Component)     W!$aK)]4u  
24.7    Two-Componenet Relationships     0;*1g47\  
24.8    Third-Order Aberrations – Surface Contributions     t%<@k)hd~G  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     Rh
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24.10    Stop Shift Equations     LuM[*_8  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     w8|38m  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     B( ]=I@L=W  
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Glossary sqAZjfy@  
Reference YTiXUOj  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 clE_a?  
我怎么瞧不明白。

有没有人呀 [1pWg^  
有个问题想请教大家