"Modern Lens Design" 2nd Edition by Warren J. Smith tAD{{GW9
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Contents of Modern Lens Design 2nd Edition ,|?-\?I
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1 Introduction du2q6"
1.1 Lens Design Books Ro+/=*ql~
1.2 Reference Material {e,m<mAi
1.3 Specifications w7Nb+/,sg
1.4 Lens Design 846j<fE
1.5 Lens Design Program Features pm<zw-
1.6 About This Book $KL5Z#K
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2 Automatic Lens Design ,RFcR[ak
2.2 The Merit Function [3`T/Wm
2.3 Local Minima 5m")GWQaP@
2.4 The Landscape Lens ]Xcqf9k
2.5 Types of Merit Function -Z&6PT7
2.6 Stagnation \LB =_W$
2.7 Generalized Simulated Annealing H27J kZ&
2.8 Considerations about Variables for Optimization x1)G!i
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ZOl
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits q_Td!?2?
2.11 Spectral Weighting =~YmM<L
2.12 How to Get Started E?|"?R,,,
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3 Improving a Design )L#C1DP#
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Wt+aW
3.2 Glass Changes ( Index and V Values ) R4,j
3.3 Splitting Elements hx$-d}W{
3.4 Separating a Cemented Doublet )f4D2c&VE
3.5 Compounding an Element X#mm
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3.6 Vignetting and Its Uses }zVPdBRfm
3.7 Eliminating a Weak Element; the Concentric Problem zECdj'/
3.8 Balancing Aberrations gkUG*Zw
3.9 The Symmetrical Principle CQfrAk4mu
3.10 Aspheric Surfaces {HeIY2
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4 Evaluation: How Good is This Design *a Y`[,4#$
4.1 The Uses of a Preliminary Evaluation #3maT*JY
4.2 OPD versus Measures of Performance EzY?=<Y(
4.3 Geometric Blur Spot Size versus Certain Aberrations #ej^K |Qx
4.4 Interpreting MTF - The Modulation Transfer Function }~dXz?{p8
4.5 Fabrication Considerations IWN:GFH(
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5 Lens Design Data 10dVV[=
5.1 About the Sample Lens Designs oo7&.HWf
5.2 Lens Prescriptions, Drawings, and Aberration Plots !]Z> T5$
5.3 Estimating the Potential of a Redesign a#W:SgE?Y
5.4 Scaling a Desing, Its Aberrations, and Its MTF DsY-JBDvoz
5.5 Notes on the Interpretation of Ray Intercept Plots tYyva
5.6 Various Evaluation Plot MP, l*wVd
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6 Telescope Objective D1bS=>
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6.1 The Thin Airspaced Doublet V%&t'H{
6.2 Merit Function for a Telescope Objective pRmnS;*z&
6.3 The Design of an f/7 Cemented Doublet Telescope Objective z<rdxn,9
6.4 Spherochromatism NLM ]KT
6.5 Zonal Spherical Aberration qOz,iR?}
6.6 Induced Aberrations H n+1I
6.7 Three-Element Objectives L'4ob4r{L
6.8 Secondary Spectrum (Apochromatic Systems) x Yr-,$/
6.9 The Design of an f/7 Apochromatic Triplet I,Q"<?&
6.10 The Diffractive Surface in Lens Design o9M[Zr1@k
6.11 A Final Note 0~RsdQGqC
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7 Eyepieces and Magnifiers WM BntB
7.1 Eyepieces ZC3b9:tk
7.2 A Pair of Magnifier Designs ]aq!@rDX
7.3 The Simple, Classical Eyepieces iC&=-$vu
7.4 Design Story of an Eyepiece for a 6*30 Binocular XhFa9RC
7.5 Four-Element Eyepieces u3kK!2cdP
7.6 Five-Element Eyepieces zLXmjrC
7.7 Very High Index Eyepiece/Magnifier mnL
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7.8 Six- and Seven-Element Eyepieces "+s#!Fh *
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8 Cooke Triplet Anastigmats X"b4U\A
8.1 Airspaced Triplet Anastigmats h{.KPK\
8.2 Glass Choice 1d!7GrD F
8.3 Vertex Length and Residual Aberrations 4vTO # F
8.4 Other Design Considerations joDnjz=
8.5 A Plastic, Aspheric Triplet Camera Lens Ld? tVi
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet gs 8w/
8.7 Possible Improvement to Our “Basic” Triplet ]CH@T9d5V
8.7 The Rear Earth (Lanthanum) Glasses {rGq|Bj
8.9 Aspherizing the Surfaces >ZkcL7t9
8.10 Increasing the Element Thickness XETY)<g
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9 Split Triplets N+l~r]: &
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10 The Tessar, Heliar, and Other Compounded Triplets dv-yZRU:
10.1 The Classic Tessar B{a:cz>0<
10.2 The Heliar/Pentac FQB)rxP
10.3 The Portrait Lens and the Enlarger Lens _~_04p
10.4 Other Compounded Triplets PC/fb-J
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Y32F{ z
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11 Double-Meniscus Anastigmats 8,YF>O&
11.1 Meniscus Components i9k7rEW^
11.2 The Hypergon, Totogon, and Metrogon zc]F
11.3 A Two Element Aspheric Thick Meniscus Camera Lens C=@BkneQ
11.4 Protar, Dagor, and Convertible Lenses <1&kCfE&
11.5 The Split Dagor Vj4
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11.6 The Dogmar (}O)pqZ>
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens hSaS2RLF
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12 The Biotar or Double-Gauss Lens Rp A76ug
12.1 The Basic Six-Element Version - t4"BD
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens J"|)?$d]z
12.3 The Seven-Element Biotar - Split-Rear Singlet 64s+
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet COFs?L.`
12.5 The Seven-Element Biotar - One Compounded Outer Element =nFT0];
12.6 The Eight-Element Biotar P~_CDh.N
12.7 A “Doubled Double-Gauss” Relay )(*A1C[
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13 Telephoto Lenses x`PIJE
13.1 The Basic Telephoto dJ?VN!B0
13.2 Close-up or Macro Lenses _@;2h`q ?
13.3 Telephoto Designs +^gh3Y
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 52m^jT Sx
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5h1!E
14.1 The Reverse Telephoto Principle vPmP<c)cb
14.2 The Basic Retrofocus Lens \qQ5x
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 2F!K
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15 Wide Angle Lenses with Negative Outer Lenses k(=\&T
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16 The Petzval Lens; Head-up Display Lenses fj0+a0h
16.1 The Petzval Portrait Lens qt/syF&s
16.2 The Petzval Projection Lens =/6.4;8
16.3 The Petzval with a Field Flattener Z/q%%(fh 0
16.4 Very Height Speed Petzval Lenses `m3@mJ!>\
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems z:u`W#Rf
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17 Microscope Objectives n8[sR;r5f
17.1 General Considerations jm RYL("
17.2 Classic Objective Design Forms; The Aplanatic Front ;DC0LJ
17.3 Flat-Field Objectives ?MKf=!w
17.4 Reflecting Objectives KblOP{I
17.5 The Microscope Objective Designs -/x +M-X#
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18 Mirror and Catadioptric Systems "1%<IqpU+
18.1 The Good and Bad Points of Mirrors :1_hQeq
18.2 The Classic Two-Mirror Systems |r}%AN6+
18.3 Catadioptric Systems IS&`O=7
18.4 Aspheric Correctors and Schmidt Systems vlyq2>TfR
18.5 Confocal Paraboloids YtW#MG$f
18.6 Unobscured Systems P|h<|Gcp
18.7 Design of a Schmidt-Cassegrain “from Scratch” ?[RG8,B
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19 Infrared and Ultraviolet Systems Redp'rXT<h
19.1 Infrared Optics enG6T
19.2 IR Objective Lenses Lom%eoH)
19.3 IR Telescope FVY,CeA.
19.4 Laser Beam Expanders 1Dt"Rcn"4
19,5 Ultraviolet Systems {6 #3`
19.6 Microlithographic Lenses 4c2P%X(
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20 Zoom Lenses L%B+V;<h3
20.1 Zoom Lenses iM8hGQ`
20.2 Zoom Lenses for Point and Shoot Cameras
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20.3 A 20X Video Zoom Lens 6\5U%~78
20.4 A Zoom Scanner Lens ~%#?;hJ
20.5 A Possible Zoom Lens Design Procedure !-N!80
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21 Projection TV Lenses and Macro Lenses tH_#q"@)
21.1 Projection TV Lenses 44%H? ,d
21.2 Macro Lenses u`bWn
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22 Scanner/ , Laser Disk and Collimator Lenses xR_]^Get
22.1 Monochromatic Systems l$zNsf.
22.2 Scanner Lenses <ht>>
22.3 Laser Disk, Focusing, and Collimator Lenses T{)!>)
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23 Tolerance Budgeting @J r
23.1 The Tolerance Budget 8z/ ^Ql
23.2 Additive Tolerances yLDHJ}R
23.3 Establishing the Tolerance Budget etTuukq_Z
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24 Formulary 3_h%g$04s
24.1 Sign Conventions, Symbols, and Definitions fLD9RZ8_
24.2 The Cardinal Points :+R5"my
24.3 Image Equations Rw/G =zV@2
24.4 Paraxial Ray Tracing (Surface by Surface) 9&d BL0
24.5 Invariants il#rdJ1@t
24.6 Paraxial Ray Tracing (Component by Component) Q'8v!/"}p{
24.7 Two-Componenet Relationships (vI7qD_
24.8 Third-Order Aberrations – Surface Contributions 2f:'~ P56
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs r p@=
24.10 Stop Shift Equations #5H@/o8!s=
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ;JZXSM-3
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) D>|:f-Z6Z
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Glossary NGze: gPmO
Reference >|iy= Zn%'
Index