"Modern Lens Design" 2nd Edition by Warren J. Smith (
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Contents of Modern Lens Design 2nd Edition d_}q.%*
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1 Introduction 09u@-
1.1 Lens Design Books d>NM4n[h8
1.2 Reference Material 6o/!H
1.3 Specifications w[wrZ:[
1.4 Lens Design n$y)F} .-
1.5 Lens Design Program Features [8Zvs=1
1.6 About This Book :vJ0Ypz-u
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2 Automatic Lens Design v81H!c.*
2.2 The Merit Function 'hi.$G_R
2.3 Local Minima $>fMu
2.4 The Landscape Lens :Vf :_;
2.5 Types of Merit Function \.<V~d?
2.6 Stagnation mN:p=.&
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2.7 Generalized Simulated Annealing nE3'm[)
2.8 Considerations about Variables for Optimization )9QeVf
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems AR-&c 3o
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits }[OOkYF#r
2.11 Spectral Weighting Bzw!,(u/
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2.12 How to Get Started KDX34Fr1
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3 Improving a Design jQ s"8[=s
3.1 Lens Design Tip Sheet: Standard Improvement Techniques #A2)]XvY
3.2 Glass Changes ( Index and V Values ) %kJ_o*"
3.3 Splitting Elements g0D(:_QXp:
3.4 Separating a Cemented Doublet '4nR ^,
3.5 Compounding an Element f 6h!wx
3.6 Vignetting and Its Uses sSMcF[]@2I
3.7 Eliminating a Weak Element; the Concentric Problem RMx$]wn_
3.8 Balancing Aberrations `'{>2d%\g
3.9 The Symmetrical Principle ,:QzF"MV
3.10 Aspheric Surfaces @;we4G5
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4 Evaluation: How Good is This Design j[fVF3v
4.1 The Uses of a Preliminary Evaluation (hn@+hc
4.2 OPD versus Measures of Performance crt
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4.3 Geometric Blur Spot Size versus Certain Aberrations g=
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4.4 Interpreting MTF - The Modulation Transfer Function $i+
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4.5 Fabrication Considerations
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5 Lens Design Data -&u2C}4s
5.1 About the Sample Lens Designs F`$V H^%V
5.2 Lens Prescriptions, Drawings, and Aberration Plots <I{)p;u1
5.3 Estimating the Potential of a Redesign f@%H"8w!
5.4 Scaling a Desing, Its Aberrations, and Its MTF %!G]H
5.5 Notes on the Interpretation of Ray Intercept Plots a;Q.R
5.6 Various Evaluation Plot :i&ZMH,O
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6 Telescope Objective y-TS?5Dr]
6.1 The Thin Airspaced Doublet 32r2<QrX
6.2 Merit Function for a Telescope Objective ESl-k2
6.3 The Design of an f/7 Cemented Doublet Telescope Objective h98_6Dw(]
6.4 Spherochromatism ,3t('SE
6.5 Zonal Spherical Aberration vPn( ~d_
6.6 Induced Aberrations 5m`@ 4%)zp
6.7 Three-Element Objectives .&AS-">Z
6.8 Secondary Spectrum (Apochromatic Systems) <303PPX^6
6.9 The Design of an f/7 Apochromatic Triplet p1
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6.10 The Diffractive Surface in Lens Design 3JiJ,<,7
6.11 A Final Note n y7G
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7 Eyepieces and Magnifiers J1^6p*]GX
7.1 Eyepieces meHAa`
7.2 A Pair of Magnifier Designs $DmWK_A
7.3 The Simple, Classical Eyepieces p#9.lFSX
7.4 Design Story of an Eyepiece for a 6*30 Binocular Lzzf`jN]
7.5 Four-Element Eyepieces 5JE8/CbH
7.6 Five-Element Eyepieces {CM%QMM
7.7 Very High Index Eyepiece/Magnifier =gCv`SFW
7.8 Six- and Seven-Element Eyepieces ZqHh$QBD
9
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8 Cooke Triplet Anastigmats W2VH? -Gw
8.1 Airspaced Triplet Anastigmats (%huWW
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8.2 Glass Choice ef\Pu\'U
8.3 Vertex Length and Residual Aberrations &wbe^Wp
8.4 Other Design Considerations ;&Q8xC2
8.5 A Plastic, Aspheric Triplet Camera Lens 2,c{Z$\kn
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet wz-9+VN6
8.7 Possible Improvement to Our “Basic” Triplet NrE&w H:
8.7 The Rear Earth (Lanthanum) Glasses rzH*| B0g
8.9 Aspherizing the Surfaces 4#$~gTc@
8.10 Increasing the Element Thickness n{dl-P
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9 Split Triplets M^\#(0^2@
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10 The Tessar, Heliar, and Other Compounded Triplets jg]_'^pVzr
10.1 The Classic Tessar j$ h.V#1z
10.2 The Heliar/Pentac *Z! #6(G
10.3 The Portrait Lens and the Enlarger Lens [HJ^'/bB'
10.4 Other Compounded Triplets PiMW29B^
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 7]t$t3I`
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11 Double-Meniscus Anastigmats nYJ)M
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11.1 Meniscus Components qEC-'sl<
11.2 The Hypergon, Totogon, and Metrogon cD&53FPXC
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 'u }|~u?m
11.4 Protar, Dagor, and Convertible Lenses >=|Dir
11.5 The Split Dagor G992{B
11.6 The Dogmar wu5]S)?*
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens hr&&"d {s
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12 The Biotar or Double-Gauss Lens P9~7GFas|
12.1 The Basic Six-Element Version q-%;~LF
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens A)/
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12.3 The Seven-Element Biotar - Split-Rear Singlet CeD O:J=,
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ,E{z+:Es
12.5 The Seven-Element Biotar - One Compounded Outer Element '!*,JG5_
12.6 The Eight-Element Biotar =B9Ama
12.7 A “Doubled Double-Gauss” Relay 0?} ),8v>
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13 Telephoto Lenses T/DKT1P-
13.1 The Basic Telephoto rPoPs@CBD
13.2 Close-up or Macro Lenses l+BJh1^
13.3 Telephoto Designs iUl5yq
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 8RJXY:%
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses RG [*:ReB9
14.1 The Reverse Telephoto Principle )UA$."~O
14.2 The Basic Retrofocus Lens lP*_dt9
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses %$/t`'&o-
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15 Wide Angle Lenses with Negative Outer Lenses H79XP. TtE
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16 The Petzval Lens; Head-up Display Lenses '_& Xemz
16.1 The Petzval Portrait Lens 5gnNgt~
16.2 The Petzval Projection Lens h2g|D(u)
16.3 The Petzval with a Field Flattener Y !e
16.4 Very Height Speed Petzval Lenses xc[LbaBG
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems <[O8{9j
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17 Microscope Objectives OfC0lb:c
17.1 General Considerations hGmJG,H
17.2 Classic Objective Design Forms; The Aplanatic Front u_[^gS7
17.3 Flat-Field Objectives FB{4& ;
17.4 Reflecting Objectives T
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17.5 The Microscope Objective Designs a+!#cQl
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18 Mirror and Catadioptric Systems o7"2"(
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18.1 The Good and Bad Points of Mirrors x<#Z3Kla
18.2 The Classic Two-Mirror Systems 0j*-ZvE)30
18.3 Catadioptric Systems PjriAlxD
18.4 Aspheric Correctors and Schmidt Systems H^cB?i
18.5 Confocal Paraboloids Ag1* .t|
18.6 Unobscured Systems CR*R'KX D%
18.7 Design of a Schmidt-Cassegrain “from Scratch” B{'x2I#,
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19 Infrared and Ultraviolet Systems B. Rc s
19.1 Infrared Optics qMT7g LB'1
19.2 IR Objective Lenses OZ\ ]6]L
19.3 IR Telescope 8s6~l.v
19.4 Laser Beam Expanders }t!,{ZryE1
19,5 Ultraviolet Systems pC 5J
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19.6 Microlithographic Lenses >vE1,JD)w
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20 Zoom Lenses EsR_J/:Qe
20.1 Zoom Lenses rb_ cm
20.2 Zoom Lenses for Point and Shoot Cameras RUHQ]@d#T
20.3 A 20X Video Zoom Lens 'V";"Ei
20.4 A Zoom Scanner Lens #~J)?JL
20.5 A Possible Zoom Lens Design Procedure :A%|'HxH3
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21 Projection TV Lenses and Macro Lenses /Po't(-x
21.1 Projection TV Lenses rbl EyCR
21.2 Macro Lenses 1 FTxbw@
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22 Scanner/ , Laser Disk and Collimator Lenses Kn~f$1
22.1 Monochromatic Systems &|( 'z\k
22.2 Scanner Lenses ~ _C[~-
22.3 Laser Disk, Focusing, and Collimator Lenses )-$Od2u2c
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23 Tolerance Budgeting # Vz9j
23.1 The Tolerance Budget ;WX)g&19x
23.2 Additive Tolerances bqEQP3t^
23.3 Establishing the Tolerance Budget C.I.f9s?R
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24 Formulary ;ru=z@
24.1 Sign Conventions, Symbols, and Definitions y/t{*a
24.2 The Cardinal Points *,g|I8?%VD
24.3 Image Equations j'Ry.8}
24.4 Paraxial Ray Tracing (Surface by Surface) "N'tmzifh
24.5 Invariants g:0-`,[
24.6 Paraxial Ray Tracing (Component by Component) + v. I|c
24.7 Two-Componenet Relationships }RX[J0Prq~
24.8 Third-Order Aberrations – Surface Contributions {@K>oaZ
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs }3sj{:z{
24.10 Stop Shift Equations @]r,cPx0Y
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces X`kTbIZ|
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) %00KOM:
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Glossary A[QUFk(
Reference 9W3zcL8
Index