"Modern Lens Design" 2nd Edition by Warren J. Smith o^b5E=?>C
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Contents of Modern Lens Design 2nd Edition 'u6n,yRm
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1 Introduction ywA7hm
1.1 Lens Design Books '1X^@]+6
1.2 Reference Material |BXp `
1.3 Specifications DSlO.)dHu
1.4 Lens Design /4KHf3Nr
1.5 Lens Design Program Features S{N=9934_
1.6 About This Book Z:YgG.z"
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2 Automatic Lens Design 9(lcQuE9
2.2 The Merit Function $Ww.^ym
2.3 Local Minima ?Cv([ ^Y.u
2.4 The Landscape Lens hp@F\9j
2.5 Types of Merit Function ?%$~Bb _
2.6 Stagnation $3*y)Ny^
2.7 Generalized Simulated Annealing ~/rKKc
2.8 Considerations about Variables for Optimization .9vt<<Kwh
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 15d'/f
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits k}!'@
2.11 Spectral Weighting K9+\Z
2.12 How to Get Started O)D$UG\<
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3 Improving a Design #"fn;
3.1 Lens Design Tip Sheet: Standard Improvement Techniques m@2=vq1f
3.2 Glass Changes ( Index and V Values ) tTT
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3.3 Splitting Elements "^wIixOH5
3.4 Separating a Cemented Doublet h=^UMat-
3.5 Compounding an Element 2 a*+mw
3.6 Vignetting and Its Uses m]c1DvQb
3.7 Eliminating a Weak Element; the Concentric Problem oA3;P]~[
3.8 Balancing Aberrations N_d{E/
3.9 The Symmetrical Principle ay]l\d2!3
3.10 Aspheric Surfaces rU|?3x
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4 Evaluation: How Good is This Design D;[%*q*
4.1 The Uses of a Preliminary Evaluation ]}n|5
4.2 OPD versus Measures of Performance t:b}Mo0
4.3 Geometric Blur Spot Size versus Certain Aberrations s"p\-Z
4.4 Interpreting MTF - The Modulation Transfer Function H-mQ{K^
4.5 Fabrication Considerations 4vV\vXT *
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5 Lens Design Data vOv"^X
5.1 About the Sample Lens Designs ^tIYr<I
5.2 Lens Prescriptions, Drawings, and Aberration Plots t#w,G
5.3 Estimating the Potential of a Redesign `26.+>Z7
5.4 Scaling a Desing, Its Aberrations, and Its MTF JL>DRIR%NV
5.5 Notes on the Interpretation of Ray Intercept Plots N%%trlDXD
5.6 Various Evaluation Plot E6M*o+Y
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6 Telescope Objective .o]9
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6.1 The Thin Airspaced Doublet Y*IKPnPot2
6.2 Merit Function for a Telescope Objective n3j_=(
6.3 The Design of an f/7 Cemented Doublet Telescope Objective (LJ7xoJ^
6.4 Spherochromatism ?Ezy0>j
6.5 Zonal Spherical Aberration 8U}+9
6.6 Induced Aberrations m#4h5_N
6.7 Three-Element Objectives }<&?t;
6.8 Secondary Spectrum (Apochromatic Systems) .[Qi4jm>`
6.9 The Design of an f/7 Apochromatic Triplet NE4]i
6.10 The Diffractive Surface in Lens Design ^m
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6.11 A Final Note HMDuP2Y
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7 Eyepieces and Magnifiers xzOn[.Fi
7.1 Eyepieces AGKT* l.-
7.2 A Pair of Magnifier Designs dI>cPqQ
7.3 The Simple, Classical Eyepieces .1z=VLKF'
7.4 Design Story of an Eyepiece for a 6*30 Binocular R<O Rw]
7.5 Four-Element Eyepieces Pq@-`sw
7.6 Five-Element Eyepieces ?bg
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7.7 Very High Index Eyepiece/Magnifier &3 Ki
7.8 Six- and Seven-Element Eyepieces 7P]i|Q{
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8 Cooke Triplet Anastigmats yXqC
8.1 Airspaced Triplet Anastigmats v*c"SI=@M=
8.2 Glass Choice Yq4nmr4
8.3 Vertex Length and Residual Aberrations U@D\+T0
8.4 Other Design Considerations 57O|e/2
8.5 A Plastic, Aspheric Triplet Camera Lens I
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet <N>7.G
8.7 Possible Improvement to Our “Basic” Triplet JSmg6l?[u
8.7 The Rear Earth (Lanthanum) Glasses G~ LQM
8.9 Aspherizing the Surfaces {Ppb ;
8.10 Increasing the Element Thickness 2
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9 Split Triplets {u-J?(s}
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10 The Tessar, Heliar, and Other Compounded Triplets lCBH3-0^
10.1 The Classic Tessar gZBKe!@a|
10.2 The Heliar/Pentac v#`>
10.3 The Portrait Lens and the Enlarger Lens ,Q.[Lc=w
10.4 Other Compounded Triplets Db;>MWt+e
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar H9(UzyN>i
4bL? V^@7
11 Double-Meniscus Anastigmats p"- %~%J=
11.1 Meniscus Components k8@bQ"#b
11.2 The Hypergon, Totogon, and Metrogon AEDBr <
11.3 A Two Element Aspheric Thick Meniscus Camera Lens IO]tO[P#
11.4 Protar, Dagor, and Convertible Lenses 0)7v_|z
11.5 The Split Dagor }RKsS3}
11.6 The Dogmar g3^:)$m
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens #2$wI^O
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12 The Biotar or Double-Gauss Lens Zsmv{p
12.1 The Basic Six-Element Version Gm \)1b
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens xg 8R>j
12.3 The Seven-Element Biotar - Split-Rear Singlet /3VO!V]u
12.4 The Seven-Element Biotar - Broken Contact Front Doublet >< P<k&
12.5 The Seven-Element Biotar - One Compounded Outer Element [_(uz,'
12.6 The Eight-Element Biotar w'XSkI_ay
12.7 A “Doubled Double-Gauss” Relay f8V
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13 Telephoto Lenses \I^"^'CP
13.1 The Basic Telephoto 3x7fa^umR
13.2 Close-up or Macro Lenses 8~~ k?
13.3 Telephoto Designs 33wVP}e5
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch GN=8;Kq%
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses >[wB|V5
14.1 The Reverse Telephoto Principle g0 ;;+z
14.2 The Basic Retrofocus Lens {P\Ob0)q
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses uEG4^
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15 Wide Angle Lenses with Negative Outer Lenses }_}
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16 The Petzval Lens; Head-up Display Lenses A f!`7l-
16.1 The Petzval Portrait Lens a/H5Y,b>
16.2 The Petzval Projection Lens 5wE6 gRJ
16.3 The Petzval with a Field Flattener J><hrZ
16.4 Very Height Speed Petzval Lenses g& f)WQ(
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems }NRt:JC
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17 Microscope Objectives 9}Za_ZgG
17.1 General Considerations -[pfLo
17.2 Classic Objective Design Forms; The Aplanatic Front Y,EF'Ot
17.3 Flat-Field Objectives %cDDu$9;
17.4 Reflecting Objectives +2}Ar<elP
17.5 The Microscope Objective Designs :#_k`{WG
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18 Mirror and Catadioptric Systems .sOZ "=tW
18.1 The Good and Bad Points of Mirrors &5sPw^{,H
18.2 The Classic Two-Mirror Systems SG&H^V8
18.3 Catadioptric Systems ygX!'evY
18.4 Aspheric Correctors and Schmidt Systems vRD(* S9^
18.5 Confocal Paraboloids e%4vvPp
18.6 Unobscured Systems ~X %cbFom=
18.7 Design of a Schmidt-Cassegrain “from Scratch” RBg2iG$8|
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19 Infrared and Ultraviolet Systems S4_ZG>\VT
19.1 Infrared Optics *f{4_ts
19.2 IR Objective Lenses yB=R7E7
19.3 IR Telescope Dq9f Fe
19.4 Laser Beam Expanders _ouZd.
19,5 Ultraviolet Systems b"`fS`@/MW
19.6 Microlithographic Lenses H!,V7R
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20 Zoom Lenses (!0_s48f
20.1 Zoom Lenses 3m2y<l<
20.2 Zoom Lenses for Point and Shoot Cameras n<HF]
20.3 A 20X Video Zoom Lens 2chT^3e
20.4 A Zoom Scanner Lens 3[l\l5'm8
20.5 A Possible Zoom Lens Design Procedure u`oJ3mS;
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21 Projection TV Lenses and Macro Lenses -;RAW1]}Y$
21.1 Projection TV Lenses gvo5^O+)HH
21.2 Macro Lenses kkj@!1q(wO
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22 Scanner/ , Laser Disk and Collimator Lenses {!{T,_ J
22.1 Monochromatic Systems QfM^J5j.M?
22.2 Scanner Lenses W?.xtQEv
22.3 Laser Disk, Focusing, and Collimator Lenses eecIF0hp
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23 Tolerance Budgeting ?qn4ea-\P
23.1 The Tolerance Budget e%{7CR'~TD
23.2 Additive Tolerances P9Eh,j0_
23.3 Establishing the Tolerance Budget upJy,|5
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24 Formulary *laFG<;
24.1 Sign Conventions, Symbols, and Definitions j.+,c#hFo
24.2 The Cardinal Points T2mZkK?rA
24.3 Image Equations y^kC2DS
24.4 Paraxial Ray Tracing (Surface by Surface) >qGWDCKr
24.5 Invariants $U. 2"
24.6 Paraxial Ray Tracing (Component by Component) -(}N-yu
24.7 Two-Componenet Relationships YhAO
24.8 Third-Order Aberrations – Surface Contributions r8FAV9A
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 4K4u]"1
24.10 Stop Shift Equations BP4vOZ0$
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces (>Pz3 7
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) a<+Rw{
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Glossary 6G-XZko~a
Reference U^-J_yq
Index