"Modern Lens Design" 2nd Edition by Warren J. Smith =A=er1~%
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Contents of Modern Lens Design 2nd Edition 9^Wj<
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1 Introduction o*r\&!NIw
1.1 Lens Design Books ]u2!)vZh'
1.2 Reference Material JrCm >0g
1.3 Specifications hnG'L*HooE
1.4 Lens Design (h`||48d
1.5 Lens Design Program Features zL)m!:_
1.6 About This Book 'SOp!h$
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2 Automatic Lens Design `wk#5[Y_
2.2 The Merit Function W@pVP4F0xM
2.3 Local Minima Y
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2.4 The Landscape Lens S ._9
2.5 Types of Merit Function Ij{{Z;o3
2.6 Stagnation 0v',+-
2.7 Generalized Simulated Annealing O'$:wc#
2.8 Considerations about Variables for Optimization tlvLbP*r
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 2ht<"
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ^*}L9Ot~
2.11 Spectral Weighting ~} wPiu,
2.12 How to Get Started G9}[g)R*
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3 Improving a Design 5O*.qp?
3.1 Lens Design Tip Sheet: Standard Improvement Techniques l'-iIbKX
3.2 Glass Changes ( Index and V Values ) =%$ _)=}J
3.3 Splitting Elements SDdK5@1O4o
3.4 Separating a Cemented Doublet yrkd#m
3.5 Compounding an Element e&]XiV'
3.6 Vignetting and Its Uses bO^%#<7
3.7 Eliminating a Weak Element; the Concentric Problem #7gOtP#{
3.8 Balancing Aberrations ~u}[VP
3.9 The Symmetrical Principle rj<%_d'Z`
3.10 Aspheric Surfaces QGLfZvTT
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4 Evaluation: How Good is This Design yUEUIPL
4.1 The Uses of a Preliminary Evaluation n;O
3.2
4.2 OPD versus Measures of Performance "L{;=-e
4.3 Geometric Blur Spot Size versus Certain Aberrations Jq?ai8
4.4 Interpreting MTF - The Modulation Transfer Function 6RzTSb
4.5 Fabrication Considerations `\O[9.B
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5 Lens Design Data jC;XY !d6
5.1 About the Sample Lens Designs > -k$:[l
5.2 Lens Prescriptions, Drawings, and Aberration Plots ab3" ?.3m
5.3 Estimating the Potential of a Redesign |{ *ce<ip5
5.4 Scaling a Desing, Its Aberrations, and Its MTF Z@~8iAgE
5.5 Notes on the Interpretation of Ray Intercept Plots iM}cd$r{
5.6 Various Evaluation Plot B`T9dL[E4
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6 Telescope Objective 5l{_E:.1
6.1 The Thin Airspaced Doublet ^@L
6.2 Merit Function for a Telescope Objective qYbod+UX
6.3 The Design of an f/7 Cemented Doublet Telescope Objective .Jou09+
6.4 Spherochromatism CIYD'zR[2
6.5 Zonal Spherical Aberration -FE5sW
6.6 Induced Aberrations &/a/V
6.7 Three-Element Objectives !~>u\h
6.8 Secondary Spectrum (Apochromatic Systems) k]I<%
6.9 The Design of an f/7 Apochromatic Triplet S{fNeK
6.10 The Diffractive Surface in Lens Design M{hA`
6.11 A Final Note E%/E%9-7\
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7 Eyepieces and Magnifiers PJkEBdM.
7.1 Eyepieces > `z^AB
7.2 A Pair of Magnifier Designs zb:p,T@5
7.3 The Simple, Classical Eyepieces ~EX/IIa{
7.4 Design Story of an Eyepiece for a 6*30 Binocular ]9b*!n<z
7.5 Four-Element Eyepieces MPM_/dn-
7.6 Five-Element Eyepieces srg#<oH|{c
7.7 Very High Index Eyepiece/Magnifier {?eD7xL:-
7.8 Six- and Seven-Element Eyepieces +F+jC9j(<
5 _] i==M
8 Cooke Triplet Anastigmats }bjTb!
8.1 Airspaced Triplet Anastigmats \kC/)d
8.2 Glass Choice O%
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8.3 Vertex Length and Residual Aberrations %Ix^Xb0
8.4 Other Design Considerations cAIS?]1
8.5 A Plastic, Aspheric Triplet Camera Lens YzEa?F*$
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ' 71D:%p
8.7 Possible Improvement to Our “Basic” Triplet TLO-$>h
8.7 The Rear Earth (Lanthanum) Glasses z[CCgs&vqe
8.9 Aspherizing the Surfaces s}/YcUK
8.10 Increasing the Element Thickness /Xn I>
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9 Split Triplets 'B6D&xn'%&
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10 The Tessar, Heliar, and Other Compounded Triplets "64pVaT4
10.1 The Classic Tessar u3ce\
10.2 The Heliar/Pentac 3}Uae#oy
10.3 The Portrait Lens and the Enlarger Lens .XYSO
10.4 Other Compounded Triplets c69B[Vjb
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar &5C%5C~ch
k6G23p[9
11 Double-Meniscus Anastigmats GRlA9Q
11.1 Meniscus Components tAYu|\]
11.2 The Hypergon, Totogon, and Metrogon }7Pd\t G]
11.3 A Two Element Aspheric Thick Meniscus Camera Lens %qN8uQx
11.4 Protar, Dagor, and Convertible Lenses !"p,9
11.5 The Split Dagor /m9t2,KB
11.6 The Dogmar D:%$a]_f
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens H6e^"E
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12 The Biotar or Double-Gauss Lens >TK`s@jdSV
12.1 The Basic Six-Element Version Fda<cS]
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens RI-whA8+
12.3 The Seven-Element Biotar - Split-Rear Singlet 2t#9ih"9
12.4 The Seven-Element Biotar - Broken Contact Front Doublet scN}eg:5
12.5 The Seven-Element Biotar - One Compounded Outer Element &X +@,!
12.6 The Eight-Element Biotar 24|:VxO
12.7 A “Doubled Double-Gauss” Relay ];j8vts&
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13 Telephoto Lenses +.[#C5
13.1 The Basic Telephoto Y5Ey%Mm6
13.2 Close-up or Macro Lenses ]Jv Z:'g}
13.3 Telephoto Designs l,sYYU+iY
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -/7[_,
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses tHhY1[A8m
14.1 The Reverse Telephoto Principle 0.&gm@A~c$
14.2 The Basic Retrofocus Lens )pJ}o&J
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ,CwhpW\Y
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15 Wide Angle Lenses with Negative Outer Lenses x"U/M?l
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16 The Petzval Lens; Head-up Display Lenses "ve?7&G7U
16.1 The Petzval Portrait Lens >-+MWu=
16.2 The Petzval Projection Lens s7T=/SC54
16.3 The Petzval with a Field Flattener 28Q`O$=v
16.4 Very Height Speed Petzval Lenses 5F&i/8Ib
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems JEFW}M)UGv
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17 Microscope Objectives iHQFieZ.E
17.1 General Considerations _VR4|)1g
17.2 Classic Objective Design Forms; The Aplanatic Front
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17.3 Flat-Field Objectives eYR/kZ%<
17.4 Reflecting Objectives $m{\<A
17.5 The Microscope Objective Designs zz02F+H$Y
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18 Mirror and Catadioptric Systems /A##Yv!biR
18.1 The Good and Bad Points of Mirrors '_(oa<g
18.2 The Classic Two-Mirror Systems ?55('+{l
18.3 Catadioptric Systems @{t^8I#]
18.4 Aspheric Correctors and Schmidt Systems '!IX;OSjH
18.5 Confocal Paraboloids =>-b?F0(c
18.6 Unobscured Systems yHT}rRS8
18.7 Design of a Schmidt-Cassegrain “from Scratch” M(oW;^B
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19 Infrared and Ultraviolet Systems zA-?x1th&
19.1 Infrared Optics f\/};a
19.2 IR Objective Lenses ilFM+x@
19.3 IR Telescope Hk3HzN3
19.4 Laser Beam Expanders `b9oH^}n j
19,5 Ultraviolet Systems 0ZPPt(7
19.6 Microlithographic Lenses unjo&
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20 Zoom Lenses B}r@x z
20.1 Zoom Lenses Km\M/j|
20.2 Zoom Lenses for Point and Shoot Cameras QC ?8
20.3 A 20X Video Zoom Lens B-M|}T
20.4 A Zoom Scanner Lens H]@Zp"7
20.5 A Possible Zoom Lens Design Procedure Q Z9)uI
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21 Projection TV Lenses and Macro Lenses vs6`oW"{#
21.1 Projection TV Lenses HjnHl-
21.2 Macro Lenses !j7b7<wR
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22 Scanner/ , Laser Disk and Collimator Lenses kC LeHH|K
22.1 Monochromatic Systems SOP=
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22.2 Scanner Lenses Hi.JL
22.3 Laser Disk, Focusing, and Collimator Lenses G-,PsXSwe
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23 Tolerance Budgeting mHw1n=B
23.1 The Tolerance Budget `{tykYwCLc
23.2 Additive Tolerances q+)KY
23.3 Establishing the Tolerance Budget |fRajuA;
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24 Formulary &TC
24.1 Sign Conventions, Symbols, and Definitions Ep0Aogp29
24.2 The Cardinal Points Mc@p~5!M
24.3 Image Equations frGUT#9?n
24.4 Paraxial Ray Tracing (Surface by Surface) 9';0vrFeM
24.5 Invariants 5Vut4px
24.6 Paraxial Ray Tracing (Component by Component) |wK)(s
24.7 Two-Componenet Relationships qn4Dm ^
24.8 Third-Order Aberrations – Surface Contributions
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs /dWuHS
24.10 Stop Shift Equations r2U2pAy#
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces -AcQ_dS
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) )[qY|yu
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Glossary C'zMOR6c
Reference p8F|]6Z
Index