"Modern Lens Design" 2nd Edition by Warren J. Smith oupJJDpP
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Contents of Modern Lens Design 2nd Edition to99 _2
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1 Introduction KY4d+~2
1.1 Lens Design Books y#]}5gJ
1.2 Reference Material gB(9vhj $
1.3 Specifications &mh Ln4^
1.4 Lens Design 0zeUP {MQ
1.5 Lens Design Program Features uk`T+@ K
1.6 About This Book YHs?QsP
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2 Automatic Lens Design 7*zB*"B'1t
2.2 The Merit Function g~~m' ^
2.3 Local Minima )-0[ra]
2.4 The Landscape Lens -L@]I$Yo
2.5 Types of Merit Function d32@M~vD
2.6 Stagnation 90Xt_$_}s
2.7 Generalized Simulated Annealing ]UK`?J=t2g
2.8 Considerations about Variables for Optimization h6g=$8E
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems "Jb3&qdU
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits %lXbCE:[
2.11 Spectral Weighting WI,40&<
2.12 How to Get Started q&u$0XmV
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3 Improving a Design ( FM4 ^#6
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ,/~[ S
3.2 Glass Changes ( Index and V Values ) YV*b~6{d
3.3 Splitting Elements pPoH5CzcK
3.4 Separating a Cemented Doublet .j:i&j(
3.5 Compounding an Element [!^ cd%l
3.6 Vignetting and Its Uses W&<g} N+
3.7 Eliminating a Weak Element; the Concentric Problem h]qT1( I
3.8 Balancing Aberrations 'KSa8;:=C
3.9 The Symmetrical Principle LRWO BD
3.10 Aspheric Surfaces aw1P5aPmX
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4 Evaluation: How Good is This Design hQJo ~'W=
4.1 The Uses of a Preliminary Evaluation >W'j9+Va
4.2 OPD versus Measures of Performance [ 1NaH
4.3 Geometric Blur Spot Size versus Certain Aberrations <lFdexH"T
4.4 Interpreting MTF - The Modulation Transfer Function zEy&4Kl{+
4.5 Fabrication Considerations *%3oyWwCd
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5 Lens Design Data :JR<SFjm
5.1 About the Sample Lens Designs ~u! gUJ:
5.2 Lens Prescriptions, Drawings, and Aberration Plots &(g|="T
5.3 Estimating the Potential of a Redesign 5)mVy?Z
5.4 Scaling a Desing, Its Aberrations, and Its MTF 9x(}F <L
5.5 Notes on the Interpretation of Ray Intercept Plots 3 :UA<&=s
5.6 Various Evaluation Plot UIn^_}jF`
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6 Telescope Objective N3Z iGD
6.1 The Thin Airspaced Doublet q'.;W@m
6.2 Merit Function for a Telescope Objective N*f^Z#B]
6.3 The Design of an f/7 Cemented Doublet Telescope Objective TaOO q}8c#
6.4 Spherochromatism WJAYM2
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6.5 Zonal Spherical Aberration 3g;T?E
6.6 Induced Aberrations P 4Qk Y#v
6.7 Three-Element Objectives +I&J7ICV0
6.8 Secondary Spectrum (Apochromatic Systems) e[}],W
6.9 The Design of an f/7 Apochromatic Triplet B3Mx,uXT\
6.10 The Diffractive Surface in Lens Design 0rcjorWI
6.11 A Final Note u^l*5F%D K
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7 Eyepieces and Magnifiers $Buf#8)F*
7.1 Eyepieces Q TYYghz
7.2 A Pair of Magnifier Designs qp\BV #E
7.3 The Simple, Classical Eyepieces l]$40 j
7.4 Design Story of an Eyepiece for a 6*30 Binocular }C_|gd
7.5 Four-Element Eyepieces ] /_G-2.R
7.6 Five-Element Eyepieces r
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7.7 Very High Index Eyepiece/Magnifier b~j~
7.8 Six- and Seven-Element Eyepieces l&3k i!
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8 Cooke Triplet Anastigmats -1CEr_(P^
8.1 Airspaced Triplet Anastigmats *="m3:c'J
8.2 Glass Choice *2=W5LaK.
8.3 Vertex Length and Residual Aberrations {S *!B
8.4 Other Design Considerations Mb/L~gd "
8.5 A Plastic, Aspheric Triplet Camera Lens gH'_ymT=
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet /1[gn8V691
8.7 Possible Improvement to Our “Basic” Triplet UQ~4c,
8.7 The Rear Earth (Lanthanum) Glasses /$Z
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8.9 Aspherizing the Surfaces k-F dj5/
8.10 Increasing the Element Thickness <raG07{!*
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9 Split Triplets $3 4j6;oN
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10 The Tessar, Heliar, and Other Compounded Triplets ] 26 mB
10.1 The Classic Tessar yb?{LL-uy
10.2 The Heliar/Pentac
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10.3 The Portrait Lens and the Enlarger Lens sMm/4AY]
10.4 Other Compounded Triplets \vVS h
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar (Xo SG
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11 Double-Meniscus Anastigmats sP y2/7Wqd
11.1 Meniscus Components GRIa 8>
11.2 The Hypergon, Totogon, and Metrogon ^ df x~C
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 1ef'7a7e8
11.4 Protar, Dagor, and Convertible Lenses 7 2, "Cj
11.5 The Split Dagor q@kOTkHv)
11.6 The Dogmar _q)!B,y-/N
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens AK *N
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12 The Biotar or Double-Gauss Lens 9 mPIykAj8
12.1 The Basic Six-Element Version ~{M @?8wi
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens j o_
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12.3 The Seven-Element Biotar - Split-Rear Singlet ) * TF"
12.4 The Seven-Element Biotar - Broken Contact Front Doublet e\9g->DUs
12.5 The Seven-Element Biotar - One Compounded Outer Element Us-A+)r*!
12.6 The Eight-Element Biotar *b"CPg/\
12.7 A “Doubled Double-Gauss” Relay 7~b!4x|Z
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13 Telephoto Lenses P'tMu6+)
13.1 The Basic Telephoto Pz@/|&]
13.2 Close-up or Macro Lenses K%gP5>y*9>
13.3 Telephoto Designs *QH[,F`I
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch [N:BM% FQ
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses s x5r(0Z
14.1 The Reverse Telephoto Principle EgNH8i
14.2 The Basic Retrofocus Lens %LQ/ q 3?_
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -=)-s m'
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15 Wide Angle Lenses with Negative Outer Lenses 1,`H:%z%
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16 The Petzval Lens; Head-up Display Lenses ^VI,C |
16.1 The Petzval Portrait Lens XdsJwn F
16.2 The Petzval Projection Lens 9&K/GaG
16.3 The Petzval with a Field Flattener [AR>?6G-
16.4 Very Height Speed Petzval Lenses AmcC:5
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems .X
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17 Microscope Objectives m<: IFx#
17.1 General Considerations -@M3Dwsi3
17.2 Classic Objective Design Forms; The Aplanatic Front RUGv8 "j
17.3 Flat-Field Objectives vT7g<
17.4 Reflecting Objectives JE!("]&
17.5 The Microscope Objective Designs u 9]1X1wV
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18 Mirror and Catadioptric Systems = .`jjDJ
18.1 The Good and Bad Points of Mirrors l6 7KJ
18.2 The Classic Two-Mirror Systems )a cV -+{
18.3 Catadioptric Systems w`gyE
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18.4 Aspheric Correctors and Schmidt Systems (} gcY
18.5 Confocal Paraboloids ai;\@$ cq
18.6 Unobscured Systems Yc`<S
18.7 Design of a Schmidt-Cassegrain “from Scratch” ]V<-J
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19 Infrared and Ultraviolet Systems ;%zC@a~{
19.1 Infrared Optics 6sB$<#
19.2 IR Objective Lenses |J3NR` -R
19.3 IR Telescope K]fpGo
19.4 Laser Beam Expanders nl
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19,5 Ultraviolet Systems 6 h '&6
19.6 Microlithographic Lenses \VN=Ef\E
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20 Zoom Lenses L"vj0@n'0
20.1 Zoom Lenses H+l,)Se
20.2 Zoom Lenses for Point and Shoot Cameras u Z(? >
20.3 A 20X Video Zoom Lens G!Zyl^
20.4 A Zoom Scanner Lens S%l:kKD
20.5 A Possible Zoom Lens Design Procedure U7H9/<&o
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21 Projection TV Lenses and Macro Lenses pn\V +Rg'
21.1 Projection TV Lenses IR$ (_9z
21.2 Macro Lenses OW`STp!
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22 Scanner/ , Laser Disk and Collimator Lenses K+),?Q
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22.1 Monochromatic Systems T~ k)uQ
22.2 Scanner Lenses YV([2
22.3 Laser Disk, Focusing, and Collimator Lenses MFwO9"<A
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23 Tolerance Budgeting ? +`x e{k
23.1 The Tolerance Budget #jS[
23.2 Additive Tolerances %Kto.Xq
23.3 Establishing the Tolerance Budget DWf$X1M
5 DFZ ^~
24 Formulary <z) E (J\
24.1 Sign Conventions, Symbols, and Definitions W`L!N& fB
24.2 The Cardinal Points `\b+[Nes
24.3 Image Equations 3f&|h^\nD
24.4 Paraxial Ray Tracing (Surface by Surface) NP_?f%(
24.5 Invariants : F9|&q-W,
24.6 Paraxial Ray Tracing (Component by Component) BSzkW}3q9
24.7 Two-Componenet Relationships 7 NF/]y4w
24.8 Third-Order Aberrations – Surface Contributions ;p Z[|
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs BHr|.9g]%%
24.10 Stop Shift Equations li/aN
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ([LIjaoi
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) R$6qoqv{yG
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Glossary &u8z5pls8
Reference )#[|hb=o
Index
