"Modern Lens Design" 2nd Edition by Warren J. Smith L_!}R
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Contents of Modern Lens Design 2nd Edition ^HHT>K-m
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1 Introduction |1T[P)Q
1.1 Lens Design Books 8{Vt8>4
1.2 Reference Material pz.fZV
1.3 Specifications \x"BgLSE
1.4 Lens Design vQ{mEaH
1.5 Lens Design Program Features cOP%R_ak?
1.6 About This Book n5*m x7
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2 Automatic Lens Design _~!c%_
2.2 The Merit Function 6{ pg^K
2.3 Local Minima &VVvZ@X;
2.4 The Landscape Lens a%wa3N=v
2.5 Types of Merit Function eW[](lGWM
2.6 Stagnation L0ZAF2O
2.7 Generalized Simulated Annealing y"ms;w'z
2.8 Considerations about Variables for Optimization DF"*[]^[
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems AHLXmQl
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits _147d5
2.11 Spectral Weighting j8ac8J,}c
2.12 How to Get Started -nB.
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3 Improving a Design L#/<y{
3.1 Lens Design Tip Sheet: Standard Improvement Techniques \~""<*Hz
3.2 Glass Changes ( Index and V Values ) _(KzjOMt
3.3 Splitting Elements ABhQ7
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3.4 Separating a Cemented Doublet .+-7 'ux
3.5 Compounding an Element R78lV-};Q
3.6 Vignetting and Its Uses 0y/P
3.7 Eliminating a Weak Element; the Concentric Problem -M`+hVs?
3.8 Balancing Aberrations 2Vg+Aly4D
3.9 The Symmetrical Principle |TuFx=~5v
3.10 Aspheric Surfaces v79\(BX
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4 Evaluation: How Good is This Design X1%_a.=VF
4.1 The Uses of a Preliminary Evaluation R9%"Kxm
4.2 OPD versus Measures of Performance qApf\o3[0
4.3 Geometric Blur Spot Size versus Certain Aberrations us^J!
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4.4 Interpreting MTF - The Modulation Transfer Function aX35^K /
4.5 Fabrication Considerations _MUSXB'
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5 Lens Design Data 2QV|NQSl
5.1 About the Sample Lens Designs +K"d\<
5.2 Lens Prescriptions, Drawings, and Aberration Plots /3d6Og
5.3 Estimating the Potential of a Redesign S{qsq\X
5.4 Scaling a Desing, Its Aberrations, and Its MTF 9 H~OC8R:
5.5 Notes on the Interpretation of Ray Intercept Plots `qj24ehc
5.6 Various Evaluation Plot fMRMQR=6B
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6 Telescope Objective 4G=KyRKh
6.1 The Thin Airspaced Doublet 'V:ah38
6.2 Merit Function for a Telescope Objective 5=P*<Dnj
6.3 The Design of an f/7 Cemented Doublet Telescope Objective CrEC@5j
6.4 Spherochromatism b'G!)n
6.5 Zonal Spherical Aberration >3y:cPTM5
6.6 Induced Aberrations qbQH1<yS<
6.7 Three-Element Objectives (/Dr=D{ `
6.8 Secondary Spectrum (Apochromatic Systems) &, WQr
6.9 The Design of an f/7 Apochromatic Triplet Z`kI6
6.10 The Diffractive Surface in Lens Design hN.{H:skL)
6.11 A Final Note 1Ozy;;\-9
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7 Eyepieces and Magnifiers |j7{zsH
7.1 Eyepieces |ea}+N
7.2 A Pair of Magnifier Designs k54Vh=p
7.3 The Simple, Classical Eyepieces 47
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7.4 Design Story of an Eyepiece for a 6*30 Binocular X##hSGQM
7.5 Four-Element Eyepieces UWq[K&vQZ
7.6 Five-Element Eyepieces $rmfE
7.7 Very High Index Eyepiece/Magnifier %8T"h
7.8 Six- and Seven-Element Eyepieces G^_fbrZjN
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8 Cooke Triplet Anastigmats f;%\4TH?
8.1 Airspaced Triplet Anastigmats Y`
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8.2 Glass Choice m}?(c)ST
8.3 Vertex Length and Residual Aberrations
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8.4 Other Design Considerations ##qs{s^]
8.5 A Plastic, Aspheric Triplet Camera Lens WY" `wM
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Ra^GbT|Z
8.7 Possible Improvement to Our “Basic” Triplet d@_|
8.7 The Rear Earth (Lanthanum) Glasses [f\TnXq24
8.9 Aspherizing the Surfaces \*6Ld%:h$
8.10 Increasing the Element Thickness SpiI9)gp
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9 Split Triplets 4Rev7Mc
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10 The Tessar, Heliar, and Other Compounded Triplets TSAVXng
10.1 The Classic Tessar :I^I=A%Pe(
10.2 The Heliar/Pentac k\wI^D
10.3 The Portrait Lens and the Enlarger Lens
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10.4 Other Compounded Triplets P|4qbm4%O,
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar #&ZwQw
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11 Double-Meniscus Anastigmats %,[p[`NRYR
11.1 Meniscus Components @`Foy
11.2 The Hypergon, Totogon, and Metrogon r__Y{&IO
11.3 A Two Element Aspheric Thick Meniscus Camera Lens V50FX}i
11.4 Protar, Dagor, and Convertible Lenses !`?*zf
11.5 The Split Dagor kA%"-$3
11.6 The Dogmar "] 0sR
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens $M 1/74
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12 The Biotar or Double-Gauss Lens XhEd9>#
12.1 The Basic Six-Element Version 2[R{IV8e
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens U k*HRudt
12.3 The Seven-Element Biotar - Split-Rear Singlet XKt">W
12.4 The Seven-Element Biotar - Broken Contact Front Doublet iN+Tig?c
12.5 The Seven-Element Biotar - One Compounded Outer Element .,5N/p"aV
12.6 The Eight-Element Biotar 2dUVHu= +
12.7 A “Doubled Double-Gauss” Relay rYYAZ(\8
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13 Telephoto Lenses C|W\qXCqu
13.1 The Basic Telephoto TwZASn]o
13.2 Close-up or Macro Lenses ^q=D!g
13.3 Telephoto Designs bhWH
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch iI(7{$y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ApxGrCu
14.1 The Reverse Telephoto Principle 9dFSppM
14.2 The Basic Retrofocus Lens qFD#D_O6
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ee|i
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15 Wide Angle Lenses with Negative Outer Lenses N-4k
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16 The Petzval Lens; Head-up Display Lenses ,AO]4Ec
16.1 The Petzval Portrait Lens $<(FZb=
16.2 The Petzval Projection Lens
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16.3 The Petzval with a Field Flattener ZfYva(zP{Q
16.4 Very Height Speed Petzval Lenses <p74U( V
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems "\9!9U#!
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17 Microscope Objectives uYv"5U]MFv
17.1 General Considerations - s,M+Q(<
17.2 Classic Objective Design Forms; The Aplanatic Front r)G^V&96
17.3 Flat-Field Objectives &eHhj9
17.4 Reflecting Objectives <s7OY`(8
17.5 The Microscope Objective Designs 2HemPth
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18 Mirror and Catadioptric Systems XH?}0D(
18.1 The Good and Bad Points of Mirrors "V;5Lp b
18.2 The Classic Two-Mirror Systems :DlgNR`bq
18.3 Catadioptric Systems 30fsVwE2
18.4 Aspheric Correctors and Schmidt Systems o"a~
18.5 Confocal Paraboloids y(!YN7_A
18.6 Unobscured Systems Z`=[hu
18.7 Design of a Schmidt-Cassegrain “from Scratch” cJnAwIs_e`
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19 Infrared and Ultraviolet Systems g{}{gBplnl
19.1 Infrared Optics xA-u%Vf7@
19.2 IR Objective Lenses IP 9{vk
19.3 IR Telescope !u0qF!/W
19.4 Laser Beam Expanders :q
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19,5 Ultraviolet Systems 8RfFP\ AP
19.6 Microlithographic Lenses ;%j1'VI
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20 Zoom Lenses ^ MUSq(
20.1 Zoom Lenses ,(6U3W*bu
20.2 Zoom Lenses for Point and Shoot Cameras IU8/B+hM~
20.3 A 20X Video Zoom Lens "AzA|zk')"
20.4 A Zoom Scanner Lens oP$l( k
20.5 A Possible Zoom Lens Design Procedure oTPPYi[r
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21 Projection TV Lenses and Macro Lenses i+2fWi6Z+
21.1 Projection TV Lenses 5jTBPct
21.2 Macro Lenses LvsNU0x
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22 Scanner/ , Laser Disk and Collimator Lenses 8KQ]3Z9p
22.1 Monochromatic Systems wIv_Z^%V
22.2 Scanner Lenses )L*6xTa~
22.3 Laser Disk, Focusing, and Collimator Lenses {p{TG5rwX
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23 Tolerance Budgeting \m3;<A/3n
23.1 The Tolerance Budget cZ@z]LY.g
23.2 Additive Tolerances a5v}w7vL
23.3 Establishing the Tolerance Budget q\P"AlpC!
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24 Formulary | Vtd!9
24.1 Sign Conventions, Symbols, and Definitions |]dA`e&y
24.2 The Cardinal Points 7g}lg8M
24.3 Image Equations N6"b
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24.4 Paraxial Ray Tracing (Surface by Surface) aIrQ=}
24.5 Invariants v[r5!,F
24.6 Paraxial Ray Tracing (Component by Component) FY^[?lj
24.7 Two-Componenet Relationships (o!v,=# 6{
24.8 Third-Order Aberrations – Surface Contributions Hqel1J
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ^r u1QDT
24.10 Stop Shift Equations u*I=.
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces eVobs2s
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) /.'tfy$
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Glossary *?zyF@K{%
Reference u}eqU%
Index