"Modern Lens Design" 2nd Edition by Warren J. Smith @tjZvRtZ
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Contents of Modern Lens Design 2nd Edition 63y':g
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1 Introduction x#}j3"
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1.1 Lens Design Books ^$&"<
1.2 Reference Material -f|+
1.3 Specifications q=E}#[EgY
1.4 Lens Design gne#v
1.5 Lens Design Program Features v&CO#vK5.
1.6 About This Book <76=H]h~
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2 Automatic Lens Design ;t@ 3Go
2.2 The Merit Function 6!Tf'#TV~!
2.3 Local Minima 5f^`4pT
2.4 The Landscape Lens :;hBq4h
2.5 Types of Merit Function ?+} E
2.6 Stagnation g8iB;%6
2.7 Generalized Simulated Annealing 3/SqXu
2.8 Considerations about Variables for Optimization |"tV["a
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems te)g',#lT
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ^) b7m
2.11 Spectral Weighting Jk6/i;4|
2.12 How to Get Started >`,#%MH#
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3 Improving a Design 1rm$@L
3.1 Lens Design Tip Sheet: Standard Improvement Techniques enD C#
3.2 Glass Changes ( Index and V Values ) UgP=k){
3.3 Splitting Elements BS<>gA
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3.4 Separating a Cemented Doublet aY1#K6(y
3.5 Compounding an Element -"JE-n
3.6 Vignetting and Its Uses Vo9)KxR
3.7 Eliminating a Weak Element; the Concentric Problem jtVPv]
3.8 Balancing Aberrations 0wE8GmG
3.9 The Symmetrical Principle "d^lS@~
3.10 Aspheric Surfaces hwol7B>
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4 Evaluation: How Good is This Design s)7`r6w
4.1 The Uses of a Preliminary Evaluation t;a}p_>
4.2 OPD versus Measures of Performance dU04/]modD
4.3 Geometric Blur Spot Size versus Certain Aberrations =B{$U~}
4.4 Interpreting MTF - The Modulation Transfer Function Ad N=y8T
4.5 Fabrication Considerations =L; n8~{@y
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5 Lens Design Data HIp {< M3
5.1 About the Sample Lens Designs LM`tNZ1Fc!
5.2 Lens Prescriptions, Drawings, and Aberration Plots Sm I8&c
5.3 Estimating the Potential of a Redesign MvjwP?J]
5.4 Scaling a Desing, Its Aberrations, and Its MTF >5@ 0lYhH
5.5 Notes on the Interpretation of Ray Intercept Plots W!9f'Yn
5.6 Various Evaluation Plot Yr(f iI
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6 Telescope Objective 93p9?4;n-
6.1 The Thin Airspaced Doublet WE8L?55_Au
6.2 Merit Function for a Telescope Objective ljR?* P
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 1nM?>j%k
6.4 Spherochromatism %^@0tT
6.5 Zonal Spherical Aberration l=OC?d*m
6.6 Induced Aberrations H(ftOd.y
6.7 Three-Element Objectives x: wq"X
6.8 Secondary Spectrum (Apochromatic Systems) PL B=%[
6.9 The Design of an f/7 Apochromatic Triplet nv|y@!(
6.10 The Diffractive Surface in Lens Design UtW3KvJ#=
6.11 A Final Note #(}_2x5
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7 Eyepieces and Magnifiers g=' 2~c
7.1 Eyepieces WRyv
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7.2 A Pair of Magnifier Designs KB-#):'
7.3 The Simple, Classical Eyepieces =|t1eSzc
7.4 Design Story of an Eyepiece for a 6*30 Binocular Vblf6qaBs
7.5 Four-Element Eyepieces |P?B AWYeQ
7.6 Five-Element Eyepieces #2t\>7]
7.7 Very High Index Eyepiece/Magnifier B!C32~[
7.8 Six- and Seven-Element Eyepieces Qz90 mb
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8 Cooke Triplet Anastigmats ?=o]Wx0(9
8.1 Airspaced Triplet Anastigmats o\YdL2:X
8.2 Glass Choice w0>)y-
8.3 Vertex Length and Residual Aberrations '`VO@a
8.4 Other Design Considerations /]58:euR
8.5 A Plastic, Aspheric Triplet Camera Lens SxQDqoA~
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet |vE#unA
8.7 Possible Improvement to Our “Basic” Triplet 20xGj?M
8.7 The Rear Earth (Lanthanum) Glasses R}mWHB_h"
8.9 Aspherizing the Surfaces 8k}CR)3@C
8.10 Increasing the Element Thickness 5N}|VGN
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9 Split Triplets .:Xe* Q
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10 The Tessar, Heliar, and Other Compounded Triplets yq^$H^_O
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10.1 The Classic Tessar {.'g!{SHp
10.2 The Heliar/Pentac fC:\Gh5
10.3 The Portrait Lens and the Enlarger Lens z>#$#:Z4
10.4 Other Compounded Triplets NY
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar i;
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11 Double-Meniscus Anastigmats m`6`a|Twp$
11.1 Meniscus Components )u:8Pv
11.2 The Hypergon, Totogon, and Metrogon a'.=.eDQ
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 3Jit2W4
11.4 Protar, Dagor, and Convertible Lenses wY)GX
11.5 The Split Dagor m#(x D~V
11.6 The Dogmar BU .G~0
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens o{,(`o.1O
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12 The Biotar or Double-Gauss Lens l1j
12.1 The Basic Six-Element Version ;L{y3CWT
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens hRiGW_t
12.3 The Seven-Element Biotar - Split-Rear Singlet ITOGD
12.4 The Seven-Element Biotar - Broken Contact Front Doublet N^>g=Ub
12.5 The Seven-Element Biotar - One Compounded Outer Element N1+]3kt ~
12.6 The Eight-Element Biotar K1yM'6Zw
12.7 A “Doubled Double-Gauss” Relay F=lj$?4{
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13 Telephoto Lenses +4Ra N`I
13.1 The Basic Telephoto
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13.2 Close-up or Macro Lenses Eu}A{[^\
13.3 Telephoto Designs cA^7}}?e
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 7E]l=Z`x
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses T{Q&