"Modern Lens Design" 2nd Edition by Warren J. Smith u&
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Contents of Modern Lens Design 2nd Edition widI
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1 Introduction 0K`ZX&K?W
1.1 Lens Design Books hq]xmM?&
1.2 Reference Material i)GeX:
1.3 Specifications p5D5%B/
1.4 Lens Design rSzQUn<
1.5 Lens Design Program Features @OBHAoz%/
1.6 About This Book nP5d?
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2 Automatic Lens Design $8EV,9^U
2.2 The Merit Function Gmqs`{tc
2.3 Local Minima v hR twi
2.4 The Landscape Lens `X3Xz!
2.5 Types of Merit Function JO}#f+w}
2.6 Stagnation ?' TA!MR
2.7 Generalized Simulated Annealing XX*'N+
2.8 Considerations about Variables for Optimization <[/PyNYK
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems |K'Gw}fX/
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits B-B?Ff>
2.11 Spectral Weighting V@LN
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2.12 How to Get Started .jLMl*6%:
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3 Improving a Design QQ5lW
3.1 Lens Design Tip Sheet: Standard Improvement Techniques x:=0.l#
3.2 Glass Changes ( Index and V Values ) wxH(&CB-{
3.3 Splitting Elements l7!U),x%/U
3.4 Separating a Cemented Doublet 782[yLyv
3.5 Compounding an Element kQqBHA
3.6 Vignetting and Its Uses "sz.v<F0:s
3.7 Eliminating a Weak Element; the Concentric Problem 6#OL
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3.8 Balancing Aberrations $'WapxF
3.9 The Symmetrical Principle 16a_GwfM
3.10 Aspheric Surfaces 200L
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4 Evaluation: How Good is This Design BUcaj.S
4.1 The Uses of a Preliminary Evaluation R>/QARX
4.2 OPD versus Measures of Performance M"k3zK,
4.3 Geometric Blur Spot Size versus Certain Aberrations fF8a 1XV
4.4 Interpreting MTF - The Modulation Transfer Function \f8P`oET~
4.5 Fabrication Considerations vgU hN_rK
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5 Lens Design Data j CTQsV
5.1 About the Sample Lens Designs HA$^ *qn
5.2 Lens Prescriptions, Drawings, and Aberration Plots V%X:1 8j
5.3 Estimating the Potential of a Redesign (#fm (@T
5.4 Scaling a Desing, Its Aberrations, and Its MTF o(B<!ji~'
5.5 Notes on the Interpretation of Ray Intercept Plots ;zfQ3$@9
5.6 Various Evaluation Plot
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6 Telescope Objective :t2 9`x
6.1 The Thin Airspaced Doublet gaLEhf^
6.2 Merit Function for a Telescope Objective c9Y2eetO
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ^yEj]]6
6.4 Spherochromatism o2[vM$]
6.5 Zonal Spherical Aberration : ;E7+m
6.6 Induced Aberrations UFzM#
6.7 Three-Element Objectives h,!G7V
6.8 Secondary Spectrum (Apochromatic Systems) M<SbVP|V"
6.9 The Design of an f/7 Apochromatic Triplet ``2QOu 1
6.10 The Diffractive Surface in Lens Design 1q}u?7nnSG
6.11 A Final Note yFPaWW
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7 Eyepieces and Magnifiers (>!]A6^L~
7.1 Eyepieces 0)6i~Mg lY
7.2 A Pair of Magnifier Designs +d6Aw}*
7.3 The Simple, Classical Eyepieces >|UrxJ7
7.4 Design Story of an Eyepiece for a 6*30 Binocular I]uOMWZs
7.5 Four-Element Eyepieces |Ak =-.
7.6 Five-Element Eyepieces =Do3#Xe2V
7.7 Very High Index Eyepiece/Magnifier !I~C\$^U
7.8 Six- and Seven-Element Eyepieces AHp830\
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8 Cooke Triplet Anastigmats =|qt!gY)Y
8.1 Airspaced Triplet Anastigmats RTPq8S"
8.2 Glass Choice w(vE2Y ?
8.3 Vertex Length and Residual Aberrations d'lr:=GQ
8.4 Other Design Considerations 'XZI{q2i
8.5 A Plastic, Aspheric Triplet Camera Lens S:2u3th7
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet A4 A6F<
8.7 Possible Improvement to Our “Basic” Triplet 6oTbn{=UUq
8.7 The Rear Earth (Lanthanum) Glasses }rj C_q
8.9 Aspherizing the Surfaces z^ a6%N
8.10 Increasing the Element Thickness P/C+L[X=
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9 Split Triplets
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10 The Tessar, Heliar, and Other Compounded Triplets $ +GFOO
10.1 The Classic Tessar |%2/I>o
10.2 The Heliar/Pentac epGX.
10.3 The Portrait Lens and the Enlarger Lens T/WmS?
10.4 Other Compounded Triplets pjKl)q
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar .%J?T5D
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11 Double-Meniscus Anastigmats XL. CJ5y>
11.1 Meniscus Components k+7M|t.?4
11.2 The Hypergon, Totogon, and Metrogon
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens YP$*;l
11.4 Protar, Dagor, and Convertible Lenses ; $ ?jR
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11.5 The Split Dagor xtIehr0{$I
11.6 The Dogmar MW",r;l<aM
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens iX>!ju'V
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12 The Biotar or Double-Gauss Lens bD-/ZZz
12.1 The Basic Six-Element Version )D"G3g.
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens *Sz{DE1U
12.3 The Seven-Element Biotar - Split-Rear Singlet V&4:nIS>z
12.4 The Seven-Element Biotar - Broken Contact Front Doublet evg 7d
12.5 The Seven-Element Biotar - One Compounded Outer Element )v!lP pe8
12.6 The Eight-Element Biotar Tk v
12.7 A “Doubled Double-Gauss” Relay iw~V_y4
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13 Telephoto Lenses QGbD=c7
13.1 The Basic Telephoto K9I,Q$&xX
13.2 Close-up or Macro Lenses eUKl
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13.3 Telephoto Designs _;J9q}X
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch +2au
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses -'H+lrmv
14.1 The Reverse Telephoto Principle 4MtqQq4%
14.2 The Basic Retrofocus Lens rlO%%Qn`
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses !6tC[W`
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15 Wide Angle Lenses with Negative Outer Lenses ]|$$:e^U9
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16 The Petzval Lens; Head-up Display Lenses {Y*]Qc
16.1 The Petzval Portrait Lens WKrZTPD'm
16.2 The Petzval Projection Lens Mly z><
16.3 The Petzval with a Field Flattener q5\LdI2
16.4 Very Height Speed Petzval Lenses D
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems wx"6",M
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17 Microscope Objectives t0V_ c'm
17.1 General Considerations
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17.2 Classic Objective Design Forms; The Aplanatic Front NKUI! [
17.3 Flat-Field Objectives 5KH'|z
17.4 Reflecting Objectives mZ5K hPvf8
17.5 The Microscope Objective Designs +/>YH-P=
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18 Mirror and Catadioptric Systems JbC\l
18.1 The Good and Bad Points of Mirrors xu?QK6D:
18.2 The Classic Two-Mirror Systems ^9*|_\3N
18.3 Catadioptric Systems xXU/m|
18.4 Aspheric Correctors and Schmidt Systems qn"T?
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18.5 Confocal Paraboloids *UL|{_)c
18.6 Unobscured Systems iUG/
18.7 Design of a Schmidt-Cassegrain “from Scratch” A%m`LKV~@
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19 Infrared and Ultraviolet Systems Obc3^pV&
19.1 Infrared Optics _g`0td>N
19.2 IR Objective Lenses /L|}Y242
19.3 IR Telescope dYqDL<se/I
19.4 Laser Beam Expanders X.AOp
19,5 Ultraviolet Systems (&]15 FJ$1
19.6 Microlithographic Lenses Ah>krE0t
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20 Zoom Lenses TnU$L3k
20.1 Zoom Lenses XX[Wwt
20.2 Zoom Lenses for Point and Shoot Cameras j_WF38o
20.3 A 20X Video Zoom Lens e$^!~+J7
20.4 A Zoom Scanner Lens oJ@PJvmR&a
20.5 A Possible Zoom Lens Design Procedure *T2&$W|_a
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21 Projection TV Lenses and Macro Lenses WmVw>.]@~
21.1 Projection TV Lenses +$=Wms-z
21.2 Macro Lenses D_ZBx+/_?
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22 Scanner/ , Laser Disk and Collimator Lenses x5 ~E'~_
22.1 Monochromatic Systems \HQb#f,
22.2 Scanner Lenses "A1yqK
22.3 Laser Disk, Focusing, and Collimator Lenses IK? $!jh
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23 Tolerance Budgeting v|RaB
23.1 The Tolerance Budget S w(
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23.2 Additive Tolerances UuqnL{
23.3 Establishing the Tolerance Budget \\G6c4fC
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24 Formulary ;Kq?*H
24.1 Sign Conventions, Symbols, and Definitions pH:|G
24.2 The Cardinal Points 8v=47G
24.3 Image Equations T\s#-f[x
24.4 Paraxial Ray Tracing (Surface by Surface) 8Bt-
24.5 Invariants JiLrwPex[
24.6 Paraxial Ray Tracing (Component by Component) :=7 '1H
24.7 Two-Componenet Relationships R:R@sU
24.8 Third-Order Aberrations – Surface Contributions )* nbEZm@
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Qn3+bF4
24.10 Stop Shift Equations ~ kJpB t7M
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces I64:-P[\
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) kZ[yv
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Glossary eC`f8=V
Reference <({eOh5N
Index