"Modern Lens Design" 2nd Edition by Warren J. Smith gtIEpYN+
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Contents of Modern Lens Design 2nd Edition ^%m{yf#
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1 Introduction 2PSkLS&I M
1.1 Lens Design Books EnmMFxu<
1.2 Reference Material l](!2a=[
1.3 Specifications E@6gTx*
1.4 Lens Design | )br-?2
1.5 Lens Design Program Features F8#MI
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1.6 About This Book ,L
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2 Automatic Lens Design 7H|0 .
2.2 The Merit Function G`/4 n@
2.3 Local Minima 6@"E*-z$
2.4 The Landscape Lens 0~P]Fw ^w
2.5 Types of Merit Function mw Mu1#
2.6 Stagnation s IBP$9
2.7 Generalized Simulated Annealing a ^\ F9^j
2.8 Considerations about Variables for Optimization [ mj=m?j
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems v
V;]?
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits $Ld-lQsL
2.11 Spectral Weighting k2fJ
2.12 How to Get Started "a(e2H2&T4
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3 Improving a Design FS!9 j8
3.1 Lens Design Tip Sheet: Standard Improvement Techniques &g>M Z" Z|
3.2 Glass Changes ( Index and V Values ) ';}:*nZ//_
3.3 Splitting Elements vE1:;% Q
3.4 Separating a Cemented Doublet B.KK@
3.5 Compounding an Element Spu;
3.6 Vignetting and Its Uses 0 d+b<J,
3.7 Eliminating a Weak Element; the Concentric Problem I[b{*g2Zw
3.8 Balancing Aberrations !T2{xmHKv$
3.9 The Symmetrical Principle }x& X vI
3.10 Aspheric Surfaces feH&Ug4 ?G
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4 Evaluation: How Good is This Design `t44.=%
4.1 The Uses of a Preliminary Evaluation \Ui8gDJ8y5
4.2 OPD versus Measures of Performance C~ ?p85
4.3 Geometric Blur Spot Size versus Certain Aberrations `z.sWF|f!O
4.4 Interpreting MTF - The Modulation Transfer Function X"mPRnE330
4.5 Fabrication Considerations wkx #WC
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5 Lens Design Data .JTRFk{W
5.1 About the Sample Lens Designs bKsEXS
5.2 Lens Prescriptions, Drawings, and Aberration Plots gPA8A>U)[
5.3 Estimating the Potential of a Redesign t=My=p G
5.4 Scaling a Desing, Its Aberrations, and Its MTF x>,wmk5)
5.5 Notes on the Interpretation of Ray Intercept Plots +>AVxV=A#
5.6 Various Evaluation Plot . gN ziDO
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6 Telescope Objective
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6.1 The Thin Airspaced Doublet .:4*HB
6.2 Merit Function for a Telescope Objective MmU`i ,z
6.3 The Design of an f/7 Cemented Doublet Telescope Objective h?h)i>
6.4 Spherochromatism @P>>:002/
6.5 Zonal Spherical Aberration C3N1t
6.6 Induced Aberrations st~ l||
6.7 Three-Element Objectives kGC*\?<LmR
6.8 Secondary Spectrum (Apochromatic Systems) Z0O0Q =e\Y
6.9 The Design of an f/7 Apochromatic Triplet ;8f)p9vE
6.10 The Diffractive Surface in Lens Design t-n'I/^5
6.11 A Final Note s mn(q)tt
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7 Eyepieces and Magnifiers Vq/hk
7.1 Eyepieces 9~2iA,xs
7.2 A Pair of Magnifier Designs 2^75 |Q
7.3 The Simple, Classical Eyepieces ;CoD5F!
7.4 Design Story of an Eyepiece for a 6*30 Binocular Yt{Z+.;9OI
7.5 Four-Element Eyepieces S6C D K:
7.6 Five-Element Eyepieces m6H+4@Z-;(
7.7 Very High Index Eyepiece/Magnifier ! ,{N>{I
7.8 Six- and Seven-Element Eyepieces R?,v:S&i7;
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8 Cooke Triplet Anastigmats bD3 d T>(+
8.1 Airspaced Triplet Anastigmats 44 w
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8.2 Glass Choice @3 +
8.3 Vertex Length and Residual Aberrations aqI m W
8.4 Other Design Considerations <lU(9)
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8.5 A Plastic, Aspheric Triplet Camera Lens d_f*'M2Gv
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet <Wj /A/
8.7 Possible Improvement to Our “Basic” Triplet #6mw CA|
8.7 The Rear Earth (Lanthanum) Glasses =Lb(N61
8.9 Aspherizing the Surfaces bE=[P}E
8.10 Increasing the Element Thickness s &CK
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9 Split Triplets %F$ ]v
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10 The Tessar, Heliar, and Other Compounded Triplets "4T36 b
10.1 The Classic Tessar N6T
10.2 The Heliar/Pentac `K[r5;QFKf
10.3 The Portrait Lens and the Enlarger Lens |mdf u=
10.4 Other Compounded Triplets >{A)d<
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar iAPGP -<6
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11 Double-Meniscus Anastigmats Jy[rA<x$
11.1 Meniscus Components QW_v\GHx
11.2 The Hypergon, Totogon, and Metrogon (9'q/qgTO
11.3 A Two Element Aspheric Thick Meniscus Camera Lens >MhZ(&iD
11.4 Protar, Dagor, and Convertible Lenses %,@e- &>
11.5 The Split Dagor Se\iM s
11.6 The Dogmar q[Ey!h)xq
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Jvj* z6/a
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12 The Biotar or Double-Gauss Lens }dqOE-"I"n
12.1 The Basic Six-Element Version U+(qfa5(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens *IF ~ab2
12.3 The Seven-Element Biotar - Split-Rear Singlet *+2BZ ZwT
12.4 The Seven-Element Biotar - Broken Contact Front Doublet '!4\H"t
12.5 The Seven-Element Biotar - One Compounded Outer Element unnuSW#v=
12.6 The Eight-Element Biotar CPY|rV
12.7 A “Doubled Double-Gauss” Relay h CV(O2jL
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13 Telephoto Lenses 1-<?EOYaE
13.1 The Basic Telephoto ;2MdvHhz1
13.2 Close-up or Macro Lenses C nD3 %%
13.3 Telephoto Designs x
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]C|xo.=?]
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 0&Iu+hv
14.1 The Reverse Telephoto Principle 63t '|9^5
14.2 The Basic Retrofocus Lens <K/iX%b?
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses NID2 $ p
5twG2p8
15 Wide Angle Lenses with Negative Outer Lenses qA25P<
OKj\>3
16 The Petzval Lens; Head-up Display Lenses _? bF;R
16.1 The Petzval Portrait Lens {t: *Xu
16.2 The Petzval Projection Lens O\@0o|NM
16.3 The Petzval with a Field Flattener )sK _k
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16.4 Very Height Speed Petzval Lenses B7%m7GM
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems
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17 Microscope Objectives 3#F"UG2 ,_
17.1 General Considerations [W dxMU
17.2 Classic Objective Design Forms; The Aplanatic Front I=YZ!* f/`
17.3 Flat-Field Objectives w'mn O'%
17.4 Reflecting Objectives :/fT8KCwo
17.5 The Microscope Objective Designs cz$*6P<9J
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18 Mirror and Catadioptric Systems FuFICF7+C
18.1 The Good and Bad Points of Mirrors 6Q*zZ]kg
18.2 The Classic Two-Mirror Systems ytfr' sr/
18.3 Catadioptric Systems xp\6,Jyh
18.4 Aspheric Correctors and Schmidt Systems {Z~ze` N/
18.5 Confocal Paraboloids rC ,ZRFF
18.6 Unobscured Systems &iJ vkt
18.7 Design of a Schmidt-Cassegrain “from Scratch” mP_c-qD
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19 Infrared and Ultraviolet Systems /AUX7
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19.1 Infrared Optics 8` WaUB%
19.2 IR Objective Lenses o4aFgal1
19.3 IR Telescope UGA` `;f
19.4 Laser Beam Expanders 0!1cHB/c
19,5 Ultraviolet Systems 5j5} c`:
19.6 Microlithographic Lenses $n ::w c
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20 Zoom Lenses 1f2*S$[*L
20.1 Zoom Lenses QG XR< Y
20.2 Zoom Lenses for Point and Shoot Cameras V?jot<|$
20.3 A 20X Video Zoom Lens #[~f 6s9D
20.4 A Zoom Scanner Lens j[fY.>yt&
20.5 A Possible Zoom Lens Design Procedure AUr~b3< 6
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21 Projection TV Lenses and Macro Lenses TF@k{_f
21.1 Projection TV Lenses v%E!
21.2 Macro Lenses ;7mE% 1X
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22 Scanner/ , Laser Disk and Collimator Lenses ]%h |ox0
22.1 Monochromatic Systems X`k#/~+0
22.2 Scanner Lenses N[xa=
22.3 Laser Disk, Focusing, and Collimator Lenses C 4eQ.ep
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23 Tolerance Budgeting }#` -mRaU
23.1 The Tolerance Budget 6>Is-/hsy
23.2 Additive Tolerances .:SY:v r
23.3 Establishing the Tolerance Budget p8E6_ %Rw
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24 Formulary H+VjY MvK
24.1 Sign Conventions, Symbols, and Definitions tI+P&L"
24.2 The Cardinal Points R!RgQwEak
24.3 Image Equations -W1Apd%>
24.4 Paraxial Ray Tracing (Surface by Surface) #pWeMt'
24.5 Invariants h09fU5l
24.6 Paraxial Ray Tracing (Component by Component) jd}-&DN
24.7 Two-Componenet Relationships e >b|13X
24.8 Third-Order Aberrations – Surface Contributions F{
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Iv>4o~t
24.10 Stop Shift Equations
9Cq" Szs
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces PO ]c&}/
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) : v 8~'cZ
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Glossary G@1T!`
Reference U^9#uK6GM
Index
