"Modern Lens Design" 2nd Edition by Warren J. Smith NUnP'X=J,
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Contents of Modern Lens Design 2nd Edition mW-@-5Wda
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1 Introduction xY'g7<})$
1.1 Lens Design Books %9D@W*Z
1.2 Reference Material yX~[yH+Pn
1.3 Specifications >(*jbL]p
1.4 Lens Design 8S02
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1.5 Lens Design Program Features ?@#}%<yEq
1.6 About This Book f.P( {PN
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2 Automatic Lens Design 3QHZC0AY
2.2 The Merit Function 1I+5
2.3 Local Minima }[DAk~
2.4 The Landscape Lens ;&!dD6N
2.5 Types of Merit Function =5|5j!i=q
2.6 Stagnation 7}x-({bqy
2.7 Generalized Simulated Annealing qJ/C*Wqic
2.8 Considerations about Variables for Optimization 2>!ykUw^O
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems OX`n`+^D
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Kmnr}Lp9
2.11 Spectral Weighting ^`!Daqk
2.12 How to Get Started PW`Tuj
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3 Improving a Design Ax^'unfQ:
3.1 Lens Design Tip Sheet: Standard Improvement Techniques :9YQX(l8
3.2 Glass Changes ( Index and V Values ) S }n;..{
3.3 Splitting Elements []]3"n
3.4 Separating a Cemented Doublet c'B"Onu@m*
3.5 Compounding an Element heKI<[8l
3.6 Vignetting and Its Uses 31*6 ;(
3.7 Eliminating a Weak Element; the Concentric Problem Fq9[:
3.8 Balancing Aberrations vvM)Rb,
3.9 The Symmetrical Principle 0l=}v%D
3.10 Aspheric Surfaces A%PPG+IfA
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4 Evaluation: How Good is This Design 0|ps),
4.1 The Uses of a Preliminary Evaluation \$C4H
4.2 OPD versus Measures of Performance :65HMWy.
4.3 Geometric Blur Spot Size versus Certain Aberrations @,MdvR+a
4.4 Interpreting MTF - The Modulation Transfer Function eFio,
4.5 Fabrication Considerations E%^28}dN
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5 Lens Design Data <n\.S
5.1 About the Sample Lens Designs eC$v0Gtq
5.2 Lens Prescriptions, Drawings, and Aberration Plots {Pb^Lf >
5.3 Estimating the Potential of a Redesign K|G$s
5.4 Scaling a Desing, Its Aberrations, and Its MTF ~&}O|B()
5.5 Notes on the Interpretation of Ray Intercept Plots Z ~(XyaN
5.6 Various Evaluation Plot x3s^u~C)(w
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6 Telescope Objective <yS"c5D6
6.1 The Thin Airspaced Doublet [!&k?.*;<
6.2 Merit Function for a Telescope Objective z\tJ~
6.3 The Design of an f/7 Cemented Doublet Telescope Objective \Wc/kY3&
6.4 Spherochromatism Y*k<NeDyn
6.5 Zonal Spherical Aberration 17cW8\
6.6 Induced Aberrations q&E5[/VK:
6.7 Three-Element Objectives >t2b?(h/x
6.8 Secondary Spectrum (Apochromatic Systems) v)yimIHzo
6.9 The Design of an f/7 Apochromatic Triplet :6?&FzD`
6.10 The Diffractive Surface in Lens Design N
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6.11 A Final Note zb/Xfu.)?6
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7 Eyepieces and Magnifiers -YV4
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7.1 Eyepieces =BS'oBn^6
7.2 A Pair of Magnifier Designs <S$21NtM87
7.3 The Simple, Classical Eyepieces cf'}*$[S
7.4 Design Story of an Eyepiece for a 6*30 Binocular AfN
7.5 Four-Element Eyepieces Z5Ihc%J^
7.6 Five-Element Eyepieces LtztjAm.
7.7 Very High Index Eyepiece/Magnifier ennz/'
7.8 Six- and Seven-Element Eyepieces z[%v_S
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8 Cooke Triplet Anastigmats _-\s[p5
8.1 Airspaced Triplet Anastigmats #L.}CzAz
8.2 Glass Choice pqN[G=0
8.3 Vertex Length and Residual Aberrations q"D
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8.4 Other Design Considerations iwJ-<v_:h
8.5 A Plastic, Aspheric Triplet Camera Lens P$/A! r
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet oRThJ B
8.7 Possible Improvement to Our “Basic” Triplet 2U'JzE^Do
8.7 The Rear Earth (Lanthanum) Glasses &H1D!N
8.9 Aspherizing the Surfaces |/^aLj^u
8.10 Increasing the Element Thickness `U_>{p&x
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9 Split Triplets kQd[E-b7
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10 The Tessar, Heliar, and Other Compounded Triplets 8ex:OTzn|
10.1 The Classic Tessar Y"kS!!C>[
10.2 The Heliar/Pentac P .4b+9Tx
10.3 The Portrait Lens and the Enlarger Lens "!Oh#Vf
10.4 Other Compounded Triplets {2k<
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar %4|}&,%%r
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11 Double-Meniscus Anastigmats V1nZ M
11.1 Meniscus Components 1+tt'
11.2 The Hypergon, Totogon, and Metrogon T0v@mXBQ
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ~oA9+mT5
11.4 Protar, Dagor, and Convertible Lenses 11<@++,i
11.5 The Split Dagor PnIvk]"Ab
11.6 The Dogmar +'j*WVE%5
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ^xw [d}0S
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12 The Biotar or Double-Gauss Lens 8^/Ek<Qb|
12.1 The Basic Six-Element Version &iiK ZZ`_o
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 0rJ\e
12.3 The Seven-Element Biotar - Split-Rear Singlet W|rFl]~a
12.4 The Seven-Element Biotar - Broken Contact Front Doublet a^\- }4yR
12.5 The Seven-Element Biotar - One Compounded Outer Element *_/eAi/WG
12.6 The Eight-Element Biotar
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12.7 A “Doubled Double-Gauss” Relay EXW
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13 Telephoto Lenses Hv gK_'
13.1 The Basic Telephoto o*wC{VP_
13.2 Close-up or Macro Lenses ooU Sb
13.3 Telephoto Designs 2}`V c{\
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -?w v}o
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ,gL)~6!A
14.1 The Reverse Telephoto Principle E}b>7L&w
14.2 The Basic Retrofocus Lens &>zy_)
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 7{+Io
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15 Wide Angle Lenses with Negative Outer Lenses `k{ ff
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16 The Petzval Lens; Head-up Display Lenses 4`!
16.1 The Petzval Portrait Lens ^,Y~M_=
16.2 The Petzval Projection Lens j&[3Be'pQ
16.3 The Petzval with a Field Flattener vi! r8k
16.4 Very Height Speed Petzval Lenses FM"GK '
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Pvg
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17 Microscope Objectives 8A8xY446)
17.1 General Considerations 1f@U:<:
17.2 Classic Objective Design Forms; The Aplanatic Front o.A}``
17.3 Flat-Field Objectives iZ.&q
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17.4 Reflecting Objectives $;)noYo
17.5 The Microscope Objective Designs k$0|^GL8
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18 Mirror and Catadioptric Systems !skb=B#
18.1 The Good and Bad Points of Mirrors jWv3O&+?X
18.2 The Classic Two-Mirror Systems =2g[tsY
18.3 Catadioptric Systems # McK46B z
18.4 Aspheric Correctors and Schmidt Systems n$m]58w
18.5 Confocal Paraboloids SD|4ybK>d
18.6 Unobscured Systems 9-a2L JI
18.7 Design of a Schmidt-Cassegrain “from Scratch” ,p*ntj{
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19 Infrared and Ultraviolet Systems xu"94y+
19.1 Infrared Optics `hK>bHj
19.2 IR Objective Lenses }/7.+yD
19.3 IR Telescope Z}LOy^TL
19.4 Laser Beam Expanders c_-" Qo
19,5 Ultraviolet Systems HoIKx_
19.6 Microlithographic Lenses hk"9D<&i>b
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20 Zoom Lenses "
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20.1 Zoom Lenses `u p-m=zA
20.2 Zoom Lenses for Point and Shoot Cameras "9U+h2#]
20.3 A 20X Video Zoom Lens eHR&N.2
20.4 A Zoom Scanner Lens BYr_Lz|T
20.5 A Possible Zoom Lens Design Procedure *@ <8&M9x
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21 Projection TV Lenses and Macro Lenses a9?
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21.1 Projection TV Lenses X]zCTY=l
21.2 Macro Lenses ?O<`h~'$+
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22 Scanner/ , Laser Disk and Collimator Lenses oRT
22.1 Monochromatic Systems _gPVmGG
22.2 Scanner Lenses Wk\mgGn+
22.3 Laser Disk, Focusing, and Collimator Lenses |c06ix;).
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23 Tolerance Budgeting &AQg'|
23.1 The Tolerance Budget &prdlh=UE
23.2 Additive Tolerances ]/ZA/:Oa+
23.3 Establishing the Tolerance Budget $tDCS
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24 Formulary B&4fYpn
24.1 Sign Conventions, Symbols, and Definitions B91S
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24.2 The Cardinal Points PS_3Oq)
24.3 Image Equations %jbJ6c
24.4 Paraxial Ray Tracing (Surface by Surface) ;PfeP;z
24.5 Invariants "4Lg8qm
24.6 Paraxial Ray Tracing (Component by Component) Wz6]*P`qv
24.7 Two-Componenet Relationships ;xW8Z<\-
24.8 Third-Order Aberrations – Surface Contributions !F0rd9
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs PZ
24.10 Stop Shift Equations QQ^Gd8nQ
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces _"?c9
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) #;\L,a|>*
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Glossary ?r
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Reference F:[7^GQZ{
Index