"Modern Lens Design" 2nd Edition by Warren J. Smith UuF(n$B
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Contents of Modern Lens Design 2nd Edition FY^Nn
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1 Introduction jf)l; \u
1.1 Lens Design Books SA=>9L,2
1.2 Reference Material 8 Zp^/43
1.3 Specifications ~Fwbi
1.4 Lens Design es x/{j;<u
1.5 Lens Design Program Features 3/ }
1.6 About This Book Kr|.I2?"
,5ZQPICF
2 Automatic Lens Design q-_!&kDK"
2.2 The Merit Function $7g+/3Fu^
2.3 Local Minima Av5:/c.B
2.4 The Landscape Lens Za3}:7`Gu
2.5 Types of Merit Function NT5'U
2.6 Stagnation 02*qf:kTnA
2.7 Generalized Simulated Annealing 0{8L^
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2.8 Considerations about Variables for Optimization !d!u{1Y&
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems kL0K[O
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits {N/%%O.b
2.11 Spectral Weighting |rZMcl/
2.12 How to Get Started E0&d*BI2
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3 Improving a Design 9`Fw}yAt
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ~) w4Tq
3.2 Glass Changes ( Index and V Values ) 0('ec60u
3.3 Splitting Elements ?8GS*I
3.4 Separating a Cemented Doublet r-.@MbBm
3.5 Compounding an Element ^V96lKt/
3.6 Vignetting and Its Uses *0eU_*A^zO
3.7 Eliminating a Weak Element; the Concentric Problem u{\'/c7G
3.8 Balancing Aberrations ,#&7+e!]>P
3.9 The Symmetrical Principle 5~ :/%+F0=
3.10 Aspheric Surfaces Px
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4 Evaluation: How Good is This Design *`Vm ncv3
4.1 The Uses of a Preliminary Evaluation ]- `wXi"
4.2 OPD versus Measures of Performance 1hGj?L0m.
4.3 Geometric Blur Spot Size versus Certain Aberrations )S2yU<6oOt
4.4 Interpreting MTF - The Modulation Transfer Function tLfhW1"
4.5 Fabrication Considerations a6e{bAuq
Xw!\,"{s
5 Lens Design Data xHJkzI
5.1 About the Sample Lens Designs ja';NIO-
5.2 Lens Prescriptions, Drawings, and Aberration Plots ow3.jHsLA
5.3 Estimating the Potential of a Redesign y5m2u8+
5.4 Scaling a Desing, Its Aberrations, and Its MTF KbvMp1'9P
5.5 Notes on the Interpretation of Ray Intercept Plots @CL#B98jl
5.6 Various Evaluation Plot g]2L[4
f6`GU$H
6 Telescope Objective C=r2fc~w
6.1 The Thin Airspaced Doublet M%!;5
6.2 Merit Function for a Telescope Objective 'OziP
6.3 The Design of an f/7 Cemented Doublet Telescope Objective "W(Ae="60
6.4 Spherochromatism S\&3t}_
6.5 Zonal Spherical Aberration ~:bdS 4w
6.6 Induced Aberrations '"\M`G
6.7 Three-Element Objectives M]/aW
6.8 Secondary Spectrum (Apochromatic Systems) |9c~kTjK
6.9 The Design of an f/7 Apochromatic Triplet /]xa}{^B
6.10 The Diffractive Surface in Lens Design cpltTJFg
6.11 A Final Note #T^2=7 w
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7 Eyepieces and Magnifiers crP2jF!
7.1 Eyepieces !ou#g5Q@z
7.2 A Pair of Magnifier Designs tZ9i/ =S
7.3 The Simple, Classical Eyepieces &9#m]Mz
7.4 Design Story of an Eyepiece for a 6*30 Binocular U-u?oU-.'
7.5 Four-Element Eyepieces gtA34iw
7.6 Five-Element Eyepieces 0^-1d2Z~
7.7 Very High Index Eyepiece/Magnifier chE!,gik
7.8 Six- and Seven-Element Eyepieces Kg$RT?q-C6
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8 Cooke Triplet Anastigmats /;Tc]
8.1 Airspaced Triplet Anastigmats ;X,u
8.2 Glass Choice &P|[YP37_
8.3 Vertex Length and Residual Aberrations E
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8.4 Other Design Considerations RQx8Du<
8.5 A Plastic, Aspheric Triplet Camera Lens Pj-INc96
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet '{,xQf*x
8.7 Possible Improvement to Our “Basic” Triplet Y7VO:o
8.7 The Rear Earth (Lanthanum) Glasses :-k|jt
8.9 Aspherizing the Surfaces Lqj
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8.10 Increasing the Element Thickness )O~[4xV~
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9 Split Triplets y!77gx?-
Z nc(Q
10 The Tessar, Heliar, and Other Compounded Triplets {q?&h'#y
10.1 The Classic Tessar ^hC'\09=c
10.2 The Heliar/Pentac LSJ?;Zg(=z
10.3 The Portrait Lens and the Enlarger Lens 6@J=n@J$p
10.4 Other Compounded Triplets c0@8KW[,
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ~.m<`~u
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11 Double-Meniscus Anastigmats 6gg8h>b
11.1 Meniscus Components AC)
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11.2 The Hypergon, Totogon, and Metrogon L8QWEFB|
11.3 A Two Element Aspheric Thick Meniscus Camera Lens @Iv;y*y
11.4 Protar, Dagor, and Convertible Lenses G21o@38e
11.5 The Split Dagor .w9LJ
11.6 The Dogmar HgF;[rq3Q
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens K T}
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12 The Biotar or Double-Gauss Lens iEr,ly
12.1 The Basic Six-Element Version pE4a ~:
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens T
pkSY`T
12.3 The Seven-Element Biotar - Split-Rear Singlet w
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet &7aWVKon
12.5 The Seven-Element Biotar - One Compounded Outer Element wSTulo: 9
12.6 The Eight-Element Biotar /8cRPB.
12.7 A “Doubled Double-Gauss” Relay $<^t][{
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13 Telephoto Lenses .V?:&_}_I6
13.1 The Basic Telephoto %z><)7
13.2 Close-up or Macro Lenses iq(PC3e`V
13.3 Telephoto Designs NK_|h%
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch I{`7 0
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses _IYaMo.n
14.1 The Reverse Telephoto Principle Ej(Jj\
14.2 The Basic Retrofocus Lens &XP(D5lf`B
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -u2i"I730
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15 Wide Angle Lenses with Negative Outer Lenses tMIYVHGy
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16 The Petzval Lens; Head-up Display Lenses 3$$E0`7.
16.1 The Petzval Portrait Lens 1o_kY"D<
16.2 The Petzval Projection Lens `FP?9R6Y
16.3 The Petzval with a Field Flattener 1 DWoL}Z
16.4 Very Height Speed Petzval Lenses CLb6XnkcA\
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 'y8{,R4C
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17 Microscope Objectives 3FEJ
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17.1 General Considerations Zp_(vOc
17.2 Classic Objective Design Forms; The Aplanatic Front ^.SYAwL
17.3 Flat-Field Objectives c?p^!zG
17.4 Reflecting Objectives Y::0v@&(
17.5 The Microscope Objective Designs Ykbg5Z
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18 Mirror and Catadioptric Systems %`vzQt`>
18.1 The Good and Bad Points of Mirrors 'Ts:.
18.2 The Classic Two-Mirror Systems BT$p~XB
18.3 Catadioptric Systems 5Wt){rG0Z
18.4 Aspheric Correctors and Schmidt Systems f-=\qSo
18.5 Confocal Paraboloids m7 =$*1k
18.6 Unobscured Systems iTVe8eI
18.7 Design of a Schmidt-Cassegrain “from Scratch” \U~4b_aN
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19 Infrared and Ultraviolet Systems (
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19.1 Infrared Optics L+%"ew
19.2 IR Objective Lenses TOYK'|lwM
19.3 IR Telescope hGR j
19.4 Laser Beam Expanders j=_rUc'Me
19,5 Ultraviolet Systems LSo!_tY
19.6 Microlithographic Lenses 8s%/5v"
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20 Zoom Lenses Qy,^'fSN
20.1 Zoom Lenses ));#oQol9
20.2 Zoom Lenses for Point and Shoot Cameras x%P|T3Qy5
20.3 A 20X Video Zoom Lens <P9fNBGa
20.4 A Zoom Scanner Lens (}"D x3K
20.5 A Possible Zoom Lens Design Procedure [\uR3$j#
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21 Projection TV Lenses and Macro Lenses ?HZp@&
21.1 Projection TV Lenses +>w]T\[1~
21.2 Macro Lenses T X`X5j
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22 Scanner/ , Laser Disk and Collimator Lenses q!c(~UVw
22.1 Monochromatic Systems 0bNvmZ$
22.2 Scanner Lenses 6 Z/`p~e
22.3 Laser Disk, Focusing, and Collimator Lenses ]`E+HLEQ'
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23 Tolerance Budgeting Ycm)PU ["
23.1 The Tolerance Budget ejRK-!
23.2 Additive Tolerances r;cDYg
23.3 Establishing the Tolerance Budget 0MQ= Rt
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24 Formulary -!\3;/
24.1 Sign Conventions, Symbols, and Definitions .{Y;6]9[
24.2 The Cardinal Points GnV0~?
24.3 Image Equations p:,Y6[gMo
24.4 Paraxial Ray Tracing (Surface by Surface) @0`A!5h?u
24.5 Invariants e_BG%+;G,
24.6 Paraxial Ray Tracing (Component by Component) Iw1Y?Qia
24.7 Two-Componenet Relationships @WJ;T= L
24.8 Third-Order Aberrations – Surface Contributions I8F+Z
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs NGra/s,9|
24.10 Stop Shift Equations A 'qe2]
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces yr]ja-Y
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ;#B(L=/
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Glossary 1CtUf7 `/Q
Reference aCQtE,.
Index