"Modern Lens Design" 2nd Edition by Warren J. Smith 0W> ",2|z
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Contents of Modern Lens Design 2nd Edition Lst5
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1 Introduction i^#RiCeo
1.1 Lens Design Books #7{a~-S
1.2 Reference Material N*fN&0r
1.3 Specifications I$$!YMm.N
1.4 Lens Design C$8=HM3
1.5 Lens Design Program Features 6%TV X
1.6 About This Book L6T_&AiL$
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2 Automatic Lens Design 4y'REC
2.2 The Merit Function *d(Dk*(
2.3 Local Minima M5]wU
2.4 The Landscape Lens -UO$$)Q
2.5 Types of Merit Function ]P.S5s'
2.6 Stagnation 5s;#C/ZZ
2.7 Generalized Simulated Annealing Ne%X:h
2.8 Considerations about Variables for Optimization ~0L>l J
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems #]rw@c
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits fOfp.`n
2.11 Spectral Weighting g(1'i 1
2.12 How to Get Started y^ohns5{
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3 Improving a Design [*fnTy
3.1 Lens Design Tip Sheet: Standard Improvement Techniques XIU2l}g
3.2 Glass Changes ( Index and V Values ) <T['J]k%
3.3 Splitting Elements ]^!#0(
3.4 Separating a Cemented Doublet Rzp-Q5@MY
3.5 Compounding an Element ws=y*7$y
3.6 Vignetting and Its Uses 0/c4%+
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3.7 Eliminating a Weak Element; the Concentric Problem 4_$f"6
3.8 Balancing Aberrations 1*Z}M%
3.9 The Symmetrical Principle QeGU]WU{
3.10 Aspheric Surfaces '?\Hm'8
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4 Evaluation: How Good is This Design V5=Injs*
4.1 The Uses of a Preliminary Evaluation fYwumx`J
4.2 OPD versus Measures of Performance I)clGMS,
4.3 Geometric Blur Spot Size versus Certain Aberrations *fE5Z;!}
4.4 Interpreting MTF - The Modulation Transfer Function
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4.5 Fabrication Considerations Xr@0RFdr[
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5 Lens Design Data bcQ$S;U)
5.1 About the Sample Lens Designs PWTAy\
5.2 Lens Prescriptions, Drawings, and Aberration Plots W*P/~U=
5.3 Estimating the Potential of a Redesign @ ~PL|Pp_
5.4 Scaling a Desing, Its Aberrations, and Its MTF 74Lq!e3hMF
5.5 Notes on the Interpretation of Ray Intercept Plots NS\'o
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5.6 Various Evaluation Plot 1_A< nt?'R
5z0SjQ
6 Telescope Objective @rE>D
6.1 The Thin Airspaced Doublet zDX-}t_'q
6.2 Merit Function for a Telescope Objective x,n;GR
6.3 The Design of an f/7 Cemented Doublet Telescope Objective xk#/J]j
6.4 Spherochromatism &Oe,$%{hBh
6.5 Zonal Spherical Aberration 'Ic$p>
6.6 Induced Aberrations /MA4Er r
6.7 Three-Element Objectives 905
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6.8 Secondary Spectrum (Apochromatic Systems) K1Uur>Pk%
6.9 The Design of an f/7 Apochromatic Triplet d35 ,[
6.10 The Diffractive Surface in Lens Design xR$xAcoSB
6.11 A Final Note 0 j6/H?OT
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7 Eyepieces and Magnifiers ,2"-G";!f\
7.1 Eyepieces vFQ'sd]C
7.2 A Pair of Magnifier Designs Y}PI{PN
7.3 The Simple, Classical Eyepieces 9mr99tA
7.4 Design Story of an Eyepiece for a 6*30 Binocular E#J+.&2
7.5 Four-Element Eyepieces jfk`%CEk=
7.6 Five-Element Eyepieces z`lDD
7.7 Very High Index Eyepiece/Magnifier 8dP^zjPj
7.8 Six- and Seven-Element Eyepieces a(F%M
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8 Cooke Triplet Anastigmats 60Y&)UR
8.1 Airspaced Triplet Anastigmats QD<f)JZK
8.2 Glass Choice JBp^@j{_
8.3 Vertex Length and Residual Aberrations kf';"
8.4 Other Design Considerations '(;`t1V8k
8.5 A Plastic, Aspheric Triplet Camera Lens Ig~lD>dnr'
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet b3W@{je
8.7 Possible Improvement to Our “Basic” Triplet c{zQX0
8.7 The Rear Earth (Lanthanum) Glasses phd,Jg[
8.9 Aspherizing the Surfaces NeQ/#[~g
8.10 Increasing the Element Thickness G;MmD?VJ g
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9 Split Triplets !M6*A1g5
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10 The Tessar, Heliar, and Other Compounded Triplets Pr9$(6MX
10.1 The Classic Tessar XB
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10.2 The Heliar/Pentac :A>cf}
10.3 The Portrait Lens and the Enlarger Lens {U>B\D
10.4 Other Compounded Triplets )bXiw3'A
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar M#UW#+*g!
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11 Double-Meniscus Anastigmats }O-|b#Q
11.1 Meniscus Components 5?{a=r9
11.2 The Hypergon, Totogon, and Metrogon 5$/ED3mcK
11.3 A Two Element Aspheric Thick Meniscus Camera Lens m\RU|Z
11.4 Protar, Dagor, and Convertible Lenses
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11.5 The Split Dagor K}LmU{/t/
11.6 The Dogmar JdF;*`_7*
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <`}Oi5nW
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12 The Biotar or Double-Gauss Lens (w}iEm\b
12.1 The Basic Six-Element Version u,I_p[`E
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens sA[hG*#/S
12.3 The Seven-Element Biotar - Split-Rear Singlet [LbUlNq^B@
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Y xp.`
12.5 The Seven-Element Biotar - One Compounded Outer Element j#rjYiYKy
12.6 The Eight-Element Biotar KEEHb2q
12.7 A “Doubled Double-Gauss” Relay cxn3e,d`
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13 Telephoto Lenses V4PI~"4q#1
13.1 The Basic Telephoto Dk[m)]w\
13.2 Close-up or Macro Lenses BIqZg$
13.3 Telephoto Designs Y[#EFM
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch V.?N29CA|
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 2dg+R)%
14.1 The Reverse Telephoto Principle &@NTedg!
14.2 The Basic Retrofocus Lens %5Q5xw]w3
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses LQ(z~M0B
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15 Wide Angle Lenses with Negative Outer Lenses e=e^;K4
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16 The Petzval Lens; Head-up Display Lenses Z<jio
16.1 The Petzval Portrait Lens I6@98w}"
16.2 The Petzval Projection Lens : .Y
16.3 The Petzval with a Field Flattener oe$&X&
16.4 Very Height Speed Petzval Lenses 1$mxMXNsJ
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 5P'o+Vwz
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17 Microscope Objectives E0?R,+>&4
17.1 General Considerations qRi;[`
17.2 Classic Objective Design Forms; The Aplanatic Front "x~VXU%xU
17.3 Flat-Field Objectives vMG >Xb
17.4 Reflecting Objectives x\0(l5>
17.5 The Microscope Objective Designs DD5S
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18 Mirror and Catadioptric Systems Zcst$Aro
18.1 The Good and Bad Points of Mirrors ML eo3
18.2 The Classic Two-Mirror Systems d^b(Uo=$
18.3 Catadioptric Systems cC@.&
18.4 Aspheric Correctors and Schmidt Systems k%2woHSu&
18.5 Confocal Paraboloids Zfwhg4G~
18.6 Unobscured Systems _7e ^
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18.7 Design of a Schmidt-Cassegrain “from Scratch” B"KDr_,,
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19 Infrared and Ultraviolet Systems t3LRmjL
19.1 Infrared Optics N!me:|Dn
19.2 IR Objective Lenses 0
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19.3 IR Telescope o9GtS$O\
19.4 Laser Beam Expanders )\K ;Ncp[
19,5 Ultraviolet Systems PH!^ww6
19.6 Microlithographic Lenses 'DLgOUvh
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20 Zoom Lenses i*ibx;s-
20.1 Zoom Lenses [k<"@[8)
20.2 Zoom Lenses for Point and Shoot Cameras o}^/Km+t
20.3 A 20X Video Zoom Lens pX 4:WV
20.4 A Zoom Scanner Lens s0D,n1x
20.5 A Possible Zoom Lens Design Procedure $4YyZ!_.@
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21 Projection TV Lenses and Macro Lenses 7c.96FA
21.1 Projection TV Lenses t?&@bs5~g
21.2 Macro Lenses Gz09#nFZk
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22 Scanner/ , Laser Disk and Collimator Lenses 1VXyn\
22.1 Monochromatic Systems J)kH$!csi
22.2 Scanner Lenses +F>9hA
22.3 Laser Disk, Focusing, and Collimator Lenses 0;J#".(KQ
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23 Tolerance Budgeting p*LG Y+
23.1 The Tolerance Budget }8lvi
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23.2 Additive Tolerances 5Yxs_t4
23.3 Establishing the Tolerance Budget PJ$C$G
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24 Formulary `qXCY^BH2
24.1 Sign Conventions, Symbols, and Definitions '
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24.2 The Cardinal Points An.Qi =Cv
24.3 Image Equations sLHUQ(S!
24.4 Paraxial Ray Tracing (Surface by Surface) hwD;1n
24.5 Invariants \Ei(HmEU
24.6 Paraxial Ray Tracing (Component by Component) Jm#mC
24.7 Two-Componenet Relationships ]'"aVGqa.
24.8 Third-Order Aberrations – Surface Contributions 1K&_t
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs BdMmeM2h
24.10 Stop Shift Equations 'gD,HX
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces {.HFB:<!}
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) O>vbAIu
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Glossary G=VbEL^H
Reference AcoU.tpP
Index