"Modern Lens Design" 2nd Edition by Warren J. Smith {hQ0=rv<
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Contents of Modern Lens Design 2nd Edition wK OljE6d
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1 Introduction m(CW3:|
1.1 Lens Design Books 0VsQ$4'V^
1.2 Reference Material o V"d%ks
1.3 Specifications p3>(ZWPNV
1.4 Lens Design *69{#qN
1.5 Lens Design Program Features AsFn% 8_I
1.6 About This Book p}q27<O*/
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2 Automatic Lens Design nOq?Q
2.2 The Merit Function hRA I7xk
2.3 Local Minima a&:1W83
2.4 The Landscape Lens Gk_% WY*
2.5 Types of Merit Function &"H xAK)f
2.6 Stagnation Mx9#YJ?t~
2.7 Generalized Simulated Annealing DUH\/<^g
2.8 Considerations about Variables for Optimization ?bFP' .
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems cUW>`F( S
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ?LJ$:u
2.11 Spectral Weighting *+(t2!yFmE
2.12 How to Get Started UNLmnj;-Q
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3 Improving a Design |;xm-AM4r
3.1 Lens Design Tip Sheet: Standard Improvement Techniques wEju`0#;
3.2 Glass Changes ( Index and V Values ) ( w4w
3.3 Splitting Elements q5
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3.4 Separating a Cemented Doublet FY;\1bt<<
3.5 Compounding an Element = 5:L#` .
3.6 Vignetting and Its Uses ` =m[(CLb
3.7 Eliminating a Weak Element; the Concentric Problem V~#e%&73FH
3.8 Balancing Aberrations kk|7{83O
3.9 The Symmetrical Principle aq~>$CHa
3.10 Aspheric Surfaces Zop3[-
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4 Evaluation: How Good is This Design '{]1!yMh
4.1 The Uses of a Preliminary Evaluation UN ;9h9
4.2 OPD versus Measures of Performance 1.S7MSpTV
4.3 Geometric Blur Spot Size versus Certain Aberrations
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4.4 Interpreting MTF - The Modulation Transfer Function WFWQ;U{|
4.5 Fabrication Considerations +'fy%/
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5 Lens Design Data _ #[~?g `
5.1 About the Sample Lens Designs ed3d 6/%HR
5.2 Lens Prescriptions, Drawings, and Aberration Plots +_^Rxx! XA
5.3 Estimating the Potential of a Redesign )m8ve)l
5.4 Scaling a Desing, Its Aberrations, and Its MTF R Ln sy,
5.5 Notes on the Interpretation of Ray Intercept Plots {
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5.6 Various Evaluation Plot Z_b^K^4
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6 Telescope Objective C]@v60I
6.1 The Thin Airspaced Doublet dA,irb I0W
6.2 Merit Function for a Telescope Objective E} Ir<\
6.3 The Design of an f/7 Cemented Doublet Telescope Objective RYhaQ &1i
6.4 Spherochromatism ~kD R9s7
6.5 Zonal Spherical Aberration :TU|;(p
6.6 Induced Aberrations JA]TO (x
6.7 Three-Element Objectives Q1ox<-
6.8 Secondary Spectrum (Apochromatic Systems) oZM6%-@qi
6.9 The Design of an f/7 Apochromatic Triplet $qz(9M(m#
6.10 The Diffractive Surface in Lens Design yH`4 sd
6.11 A Final Note /"~ D(bw0=
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7 Eyepieces and Magnifiers \R"} =7
7.1 Eyepieces K)-Gv|*t
7.2 A Pair of Magnifier Designs 4Cd#S9<ed
7.3 The Simple, Classical Eyepieces Y !3Mm*
7.4 Design Story of an Eyepiece for a 6*30 Binocular a#i85su
7.5 Four-Element Eyepieces Gp 8%n
7.6 Five-Element Eyepieces 6snDv4
7.7 Very High Index Eyepiece/Magnifier D8 S?xK 7[
7.8 Six- and Seven-Element Eyepieces ~Te9Lq |
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8 Cooke Triplet Anastigmats _ :R Q9x'
8.1 Airspaced Triplet Anastigmats VV_Zrje
8.2 Glass Choice T/ [8w
8.3 Vertex Length and Residual Aberrations )7X+T'?%
8.4 Other Design Considerations Kmk}Yz
8.5 A Plastic, Aspheric Triplet Camera Lens #sHA!@ |
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet N+)gYb6h
8.7 Possible Improvement to Our “Basic” Triplet 2/*F}w/
8.7 The Rear Earth (Lanthanum) Glasses [{s 1= c
8.9 Aspherizing the Surfaces XsH(8 -n0
8.10 Increasing the Element Thickness @M]uUL-ze
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9 Split Triplets F'v3c aE
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10 The Tessar, Heliar, and Other Compounded Triplets h;q= <[h\
10.1 The Classic Tessar 96NZ r T
10.2 The Heliar/Pentac oK-T@ &-
10.3 The Portrait Lens and the Enlarger Lens WO}l&Q
10.4 Other Compounded Triplets B #[UR Z9S
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Y N=dLr([<
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11 Double-Meniscus Anastigmats V XE85
11.1 Meniscus Components L&gC
11.2 The Hypergon, Totogon, and Metrogon mbf'xGO
11.3 A Two Element Aspheric Thick Meniscus Camera Lens i146@<\G{P
11.4 Protar, Dagor, and Convertible Lenses &1=Je$,
11.5 The Split Dagor Ffv v8x
11.6 The Dogmar ?M W *`U
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens bC V3h3<
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12 The Biotar or Double-Gauss Lens {2A| F{7>
12.1 The Basic Six-Element Version S1Z~-i*w
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens gY],U4_:p
12.3 The Seven-Element Biotar - Split-Rear Singlet ] "ZL<?3g
12.4 The Seven-Element Biotar - Broken Contact Front Doublet |JUb 1|gi
12.5 The Seven-Element Biotar - One Compounded Outer Element 3 s @6pI
12.6 The Eight-Element Biotar U@ ; W^Mt
12.7 A “Doubled Double-Gauss” Relay :,<G6"i
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13 Telephoto Lenses JYAtQTOR
13.1 The Basic Telephoto J|O=w(
13.2 Close-up or Macro Lenses & -S;.}
13.3 Telephoto Designs =up!lg^M
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch b]-~{' +
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses QU#u5sX A
14.1 The Reverse Telephoto Principle f1Z
14.2 The Basic Retrofocus Lens P!6 v0 ezN
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses `:aml+
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15 Wide Angle Lenses with Negative Outer Lenses A:-M RhE9X
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16 The Petzval Lens; Head-up Display Lenses %OV)O -
16.1 The Petzval Portrait Lens mJ'Q9x"
16.2 The Petzval Projection Lens mQbpv'N
16.3 The Petzval with a Field Flattener 1X ?9Ji)h
16.4 Very Height Speed Petzval Lenses m
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems tRUGgf`
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17 Microscope Objectives >}uDQwX8
17.1 General Considerations `4x nM`:L"
17.2 Classic Objective Design Forms; The Aplanatic Front b u2@~
17.3 Flat-Field Objectives )=k8W9i8b
17.4 Reflecting Objectives ! R
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17.5 The Microscope Objective Designs -T,/S^
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18 Mirror and Catadioptric Systems We8n20w f<
18.1 The Good and Bad Points of Mirrors %(P\"hE'
18.2 The Classic Two-Mirror Systems 71RG1,
18.3 Catadioptric Systems M0B6v} ^H
18.4 Aspheric Correctors and Schmidt Systems ?k 4|;DD
18.5 Confocal Paraboloids ,k9@%{4 l
18.6 Unobscured Systems O BCH%\;g
18.7 Design of a Schmidt-Cassegrain “from Scratch” B#A
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19 Infrared and Ultraviolet Systems F2N)|C<
19.1 Infrared Optics #1-2)ZO.
19.2 IR Objective Lenses T?DX|?2X
19.3 IR Telescope J2KULXF
19.4 Laser Beam Expanders [|vE*&:uO
19,5 Ultraviolet Systems A>bp P
19.6 Microlithographic Lenses dj; Zzt3
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20 Zoom Lenses $-=QT X
20.1 Zoom Lenses +,g"8&>
20.2 Zoom Lenses for Point and Shoot Cameras FX
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20.3 A 20X Video Zoom Lens hx5oTJR
20.4 A Zoom Scanner Lens z{>p< )h
20.5 A Possible Zoom Lens Design Procedure m|CB')
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21 Projection TV Lenses and Macro Lenses + Cf
21.1 Projection TV Lenses t_+Xt$Q7C
21.2 Macro Lenses >RTmfV
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22 Scanner/ , Laser Disk and Collimator Lenses @[2Go}VF
22.1 Monochromatic Systems d3IMQ_k
22.2 Scanner Lenses p`PBPlUn
22.3 Laser Disk, Focusing, and Collimator Lenses `\pv^#5HV9
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23 Tolerance Budgeting Cj +{%^#
23.1 The Tolerance Budget /A4^l]H;+3
23.2 Additive Tolerances {,9^k'9
23.3 Establishing the Tolerance Budget b@> MA
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24 Formulary ]zt77'J
24.1 Sign Conventions, Symbols, and Definitions h(>eHP
24.2 The Cardinal Points Ch;wvoy
24.3 Image Equations >QcIrq%=
24.4 Paraxial Ray Tracing (Surface by Surface) MT3TWWtZ:
24.5 Invariants ^'Z ?BK
24.6 Paraxial Ray Tracing (Component by Component) $oo`]R_
24.7 Two-Componenet Relationships Hf#VW ^
24.8 Third-Order Aberrations – Surface Contributions J}{a&3@Hm
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 2C & G' @>
24.10 Stop Shift Equations Nr(t 5TP^
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces h,palP6^
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) j MAZ4M
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Glossary [dXpz^Co
Reference \I[f@D-J
Index
