[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 7{F(NJUO1  
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Contents of Modern Lens Design 2nd Edition CR8a)X4j#  
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1    Introduction         lO=+V 6  
1.1    Lens Design Books     8 Z|c!QIU  
1.2    Reference Material     s+#|j;V<  
1.3    Specifications     74f3a|vx/  
1.4    Lens Design     b^
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1.5    Lens Design Program Features     /IQl  
1.6    About This Book     8/q6vk><  
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2    Automatic Lens Design         0zH^yx:ma  
2.2    The Merit Function         j{}-zQ]n  
2.3    Local Minima     x~1.;dBF  
2.4    The Landscape Lens     *;^!FBT  
2.5    Types of Merit Function     },1**_#<Br  
2.6    Stagnation     ~yacJU=  
2.7    Generalized Simulated Annealing     C-25\  
2.8    Considerations about Variables for Optimization     [f`^+,U  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ifA=qn0=}  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     ^Ej4^d  
2.11    Spectral Weighting     j5hM|\]  
2.12    How to Get Started     tF:'Y ~3 p  
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3    Improving a Design     jC_7cAsl  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     3Ee8_(E\  
3.2    Glass Changes ( Index and V Values )     /rMxl(wD'  
3.3    Splitting Elements     8R!3}kx  
3.4    Separating a Cemented Doublet     P "S=RX#+  
3.5    Compounding an Element     9{OH%bF  
3.6    Vignetting and Its Uses     s=)0y$  
3.7    Eliminating a Weak Element; the Concentric Problem     VyRU_<xP  
3.8    Balancing Aberrations     $lJu2omi1  
3.9    The Symmetrical Principle     [>`[1;aX  
3.10    Aspheric Surfaces     RX]x3-  
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4    Evaluation: How Good is This Design     %y@iA91K  
4.1    The Uses of a Preliminary Evaluation     'vgO`  
4.2    OPD versus Measures of Performance     OBF3)L]  
4.3    Geometric Blur Spot Size versus Certain Aberrations     k:?+75?$  
4.4    Interpreting MTF - The Modulation Transfer Function     &5*)r@+  
4.5    Fabrication Considerations     p)
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5    Lens Design Data     ]>utLi5dX  
5.1    About the Sample Lens Designs     iU)-YFO  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     R'E8>ee;^  
5.3    Estimating the Potential of a Redesign     m~K[+P  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     c[=%v]j:u  
5.5    Notes on the Interpretation of Ray Intercept Plots     Bjg 21bw^  
5.6    Various Evaluation Plot     mtfyhFk  
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6    Telescope Objective     [V#"7O vl  
6.1    The Thin Airspaced Doublet     Oto
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6.2    Merit Function for a Telescope Objective     E)(`Z0  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     Q@3.0Hf|{  
6.4    Spherochromatism     K;2]c3T  
6.5    Zonal Spherical Aberration     +MQvq\%tG  
6.6    Induced Aberrations     Q]*YIb~D  
6.7    Three-Element Objectives     K#"@nVWJ.m  
6.8    Secondary Spectrum (Apochromatic Systems)     uO$ujbWZ  
6.9    The Design of an f/7 Apochromatic Triplet     @5gZK[?|I  
6.10    The Diffractive Surface in Lens Design     nG#lrYZw  
6.11    A Final Note     &77]h%B>  
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7    Eyepieces and Magnifiers     Df_W>QC  
7.1    Eyepieces      FNZB M  
7.2    A Pair of Magnifier Designs     d}f| HOFq  
7.3    The Simple, Classical Eyepieces     nsyg>=j  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     MDkIaz\U  
7.5    Four-Element Eyepieces     .js4
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7.6    Five-Element Eyepieces     V07x+ovq  
7.7    Very High Index Eyepiece/Magnifier     inBd.%Yr  
7.8    Six- and Seven-Element Eyepieces     b("JgE`  
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8    Cooke Triplet Anastigmats     =#XsY,r  
8.1    Airspaced Triplet Anastigmats     3)f=Z2U>  
8.2    Glass Choice     XEqg%f  
8.3    Vertex Length and Residual Aberrations     ` n{rzenPX  
8.4    Other Design Considerations     dE5DH~ldV  
8.5    A Plastic, Aspheric Triplet Camera Lens     !2x"'o  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #
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8.7    Possible Improvement to Our “Basic” Triplet     M3Kpp_d_!  
8.7    The Rear Earth (Lanthanum) Glasses     v)JQb-<  
8.9    Aspherizing the Surfaces     K*J8(/WkD  
8.10    Increasing the Element Thickness     rL URP2~  
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9    Split Triplets     *f8,R"]-g  
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10    The Tessar, Heliar, and Other Compounded Triplets     |
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10.1    The Classic Tessar     ^&uWAQohL  
10.2    The Heliar/Pentac     yZ:|wxVY  
10.3    The Portrait Lens and the Enlarger Lens     ~QdwoeaD  
10.4    Other Compounded Triplets     #f|-l$a)3a  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar hBsjO3n  
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11    Double-Meniscus Anastigmats     9\)NFZ3Mz  
11.1    Meniscus Components     {s8''+Q#(-  
11.2    The Hypergon, Totogon, and Metrogon     qn@Qd9Sf  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     +2oZB]GPL  
11.4    Protar, Dagor, and Convertible Lenses     ,WOF)
  
11.5    The Split Dagor     whKr3)  
11.6    The Dogmar     !U`T;\,v5  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     Y tG
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12    The Biotar or Double-Gauss Lens     jn\\,n"6  
12.1    The Basic Six-Element Version     RA[` Cp"  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens LWbWj ^  
12.3    The Seven-Element Biotar - Split-Rear Singlet     ?p5RSt  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     7k6rhf7H  
12.5    The Seven-Element Biotar - One Compounded Outer Element     tBBN62^X  
12.6    The Eight-Element Biotar     {yyg=AMz  
12.7    A “Doubled Double-Gauss” Relay     o\]e}+1[o  
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13    Telephoto Lenses     q\#3G  
13.1    The Basic Telephoto     q){]fp.,@  
13.2    Close-up or Macro Lenses     !^axO  
13.3    Telephoto Designs     B_5q}Bp<  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch y8+?:=N.  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     6lT'%ho}B  
14.1    The Reverse Telephoto Principle     W\f7fVU  
14.2    The Basic Retrofocus Lens     ;JL@V}L,  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     \f66ipZK*  
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15    Wide Angle Lenses with Negative Outer Lenses     =As'vt 0  
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16    The Petzval Lens; Head-up Display Lenses     0^
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16.1    The Petzval Portrait Lens     }Pb!u9_  
16.2    The Petzval Projection Lens     h]EXD  
16.3    The Petzval with a Field Flattener     Zl,K#  
16.4    Very Height Speed Petzval Lenses     uaDU+ywL  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     *)]SsM1  
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17    Microscope Objectives     W>@%d`>o5  
17.1    General Considerations     rW\~sTH  
17.2    Classic Objective Design Forms; The Aplanatic Front     B8s|VI  
17.3    Flat-Field Objectives     3al5Vu2:  
17.4    Reflecting Objectives     CKBi-q FH  
17.5    The Microscope Objective Designs     oub4/0tN,~  
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18    Mirror and Catadioptric Systems     I
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18.1    The Good and Bad Points of Mirrors     8%xtb6#7M  
18.2    The Classic Two-Mirror Systems zV80r+y  
18.3    Catadioptric Systems     VGvOwd)E  
18.4    Aspheric Correctors and Schmidt Systems     ]lO$oO  
18.5    Confocal Paraboloids     ]ip
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18.6    Unobscured Systems     )d.7xY7!  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     ptDA))7M/  
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19    Infrared and Ultraviolet Systems     ^cAJCbp7  
19.1    Infrared Optics     O3BU.X1'%  
19.2    IR Objective Lenses     shn-Es*  
19.3    IR Telescope     t!iF(R\  
19.4    Laser Beam Expanders     }bnkTC
 
19,5    Ultraviolet Systems     b5)>h  
19.6    Microlithographic Lenses     / 9;Pbxn  
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20    Zoom Lenses     ^#t<ILUa  
20.1    Zoom Lenses     E Fv+[  
20.2    Zoom Lenses for Point and Shoot Cameras     r2Z`4tN:  
20.3    A 20X Video Zoom Lens     { o;0Fx  
20.4    A Zoom Scanner Lens     a0LX<}   
20.5    A Possible Zoom Lens Design Procedure     +_}2zc4  
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21    Projection TV Lenses and Macro Lenses     /nmfp&@  
21.1    Projection TV Lenses     ,pG63&?j  
21.2    Macro Lenses     PQ(%5c1e  
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22    Scanner/ , Laser Disk and Collimator Lenses     T a[74;VO  
22.1    Monochromatic Systems     Lul?@>T  
22.2    Scanner Lenses     0ND7F  
22.3    Laser Disk, Focusing, and Collimator Lenses     J~Ph)|AiS  
    `dNb%f>  
23    Tolerance Budgeting     PJ.jgN(r  
23.1    The Tolerance Budget     :OZhEBL&b  
23.2    Additive Tolerances     ]s SoIT  
23.3    Establishing the Tolerance Budget     ropiyT9;  
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24    Formulary 68>zO%  
24.1    Sign Conventions, Symbols, and Definitions     MtB:H*pM  
24.2    The Cardinal Points     3//v{ce1]  
24.3    Image Equations     CyU>S}t  
24.4    Paraxial Ray Tracing (Surface by Surface)     f:0n-me  
24.5    Invariants     ;C<A}  
24.6    Paraxial Ray Tracing (Component by Component)     CKur$$B  
24.7    Two-Componenet Relationships     NNdS:(  
24.8    Third-Order Aberrations – Surface Contributions     dEp=;b s  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     Bx)&MYY}[[  
24.10    Stop Shift Equations     &ivIv[LV  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     n 3]y$
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24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     e+WVN5"ID>  
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7L6M#B[)e5  
Glossary 1mV0AE538  
Reference `ouzeu9}  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 T}[vfIJD  
我怎么瞧不明白。

有没有人呀 U(4_X[qD  
有个问题想请教大家