[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith @2Xw17[f35  
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Contents of Modern Lens Design 2nd Edition nW2fB8yq  
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1    Introduction         g+BW~e)  
1.1    Lens Design Books     *44^M{ti<  
1.2    Reference Material     c/.U<  
1.3    Specifications     @F)51$Ld  
1.4    Lens Design     u )+;(Vd  
1.5    Lens Design Program Features     <;\T e4g[  
1.6    About This Book     ?_36uJo}  
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2    Automatic Lens Design         m=i8o `  
2.2    The Merit Function         ,lSt}Lml  
2.3    Local Minima     5]cmDk  
2.4    The Landscape Lens     e$>.x< Eq  
2.5    Types of Merit Function     td-2
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2.6    Stagnation     <)c/PI[j  
2.7    Generalized Simulated Annealing     Q" BIk =  
2.8    Considerations about Variables for Optimization     {>[,i`)  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems xC;b<~zN  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     /h'V1zL#  
2.11    Spectral Weighting     B$A`-  
2.12    How to Get Started     $I&DAGV0  
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3    Improving a Design     CuRYtY@9  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     [)U|HnAJ  
3.2    Glass Changes ( Index and V Values )     hX4&B  
3.3    Splitting Elements     nxH=Ut7{  
3.4    Separating a Cemented Doublet     ]S+NH[g+  
3.5    Compounding an Element     ZrJAfd\5c  
3.6    Vignetting and Its Uses     dr3
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3.7    Eliminating a Weak Element; the Concentric Problem     6jjmrc[#}X  
3.8    Balancing Aberrations     x5\C MWW  
3.9    The Symmetrical Principle     nQ>?{"  
3.10    Aspheric Surfaces     %rVC3}  
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4    Evaluation: How Good is This Design     ("UcjB^62  
4.1    The Uses of a Preliminary Evaluation     bL\ab  
4.2    OPD versus Measures of Performance     :f (UZmV$  
4.3    Geometric Blur Spot Size versus Certain Aberrations     zr%2oFeX,  
4.4    Interpreting MTF - The Modulation Transfer Function     E O^j,x g  
4.5    Fabrication Considerations     ~i 'Ib_%h  
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5    Lens Design Data     Yt79W  
5.1    About the Sample Lens Designs     *gMo(-tN  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     ]5W|^%  
5.3    Estimating the Potential of a Redesign     l<I.;FN^9@  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     v-u53Fy  
5.5    Notes on the Interpretation of Ray Intercept Plots     rvjPm5[t  
5.6    Various Evaluation Plot     @]ydWd  
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6    Telescope Objective     -[A4B)  
6.1    The Thin Airspaced Doublet     qP? V{N  
6.2    Merit Function for a Telescope Objective     RWM9cV5  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     0OLE/T<Xv  
6.4    Spherochromatism     Rn6;@Cw  
6.5    Zonal Spherical Aberration     yT<6b)&*&
 
6.6    Induced Aberrations     `7<4]#b^o  
6.7    Three-Element Objectives     *aF#on{  
6.8    Secondary Spectrum (Apochromatic Systems)     C}grY5:  
6.9    The Design of an f/7 Apochromatic Triplet     /c3A>  
6.10    The Diffractive Surface in Lens Design     aOZSX3;wg  
6.11    A Final Note     uCGJe1!Ai>  
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7    Eyepieces and Magnifiers     * S4IMfp  
7.1    Eyepieces     apsR26\^  
7.2    A Pair of Magnifier Designs     h:{rjXK  
7.3    The Simple, Classical Eyepieces     j} ^?3<
 
7.4    Design Story of an Eyepiece for a 6*30 Binocular     7=yV8.cD  
7.5    Four-Element Eyepieces     x {Z_rD  
7.6    Five-Element Eyepieces     .$nQD.X  
7.7    Very High Index Eyepiece/Magnifier     F)
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7.8    Six- and Seven-Element Eyepieces     o%dKi]  
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8    Cooke Triplet Anastigmats     7,0^|P  
8.1    Airspaced Triplet Anastigmats     &&Ruy(&]I  
8.2    Glass Choice     tQz=_;jy  
8.3    Vertex Length and Residual Aberrations     3ZRi@=kWz  
8.4    Other Design Considerations     }pk)\^/w/  
8.5    A Plastic, Aspheric Triplet Camera Lens     n.+%eYM<  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet m~`d<RM/  
8.7    Possible Improvement to Our “Basic” Triplet     jI})\5<R  
8.7    The Rear Earth (Lanthanum) Glasses     h/`]=kCl  
8.9    Aspherizing the Surfaces     }6zo1"  
8.10    Increasing the Element Thickness     9eOP:/'}w  
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9    Split Triplets     M\4pTcz{  
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10    The Tessar, Heliar, and Other Compounded Triplets     Cu*+E%P9`  
10.1    The Classic Tessar     _}8hEv  
10.2    The Heliar/Pentac     37C'knW  
10.3    The Portrait Lens and the Enlarger Lens     hp ?4w),
 
10.4    Other Compounded Triplets     ?\|QDJXY  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 8:*   
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11    Double-Meniscus Anastigmats     [6+iR  
11.1    Meniscus Components     5Ii`|?vg  
11.2    The Hypergon, Totogon, and Metrogon     ybsQ[9_36  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     U$zd3a_(  
11.4    Protar, Dagor, and Convertible Lenses     z?T;2/_7  
11.5    The Split Dagor      AT@m_d  
11.6    The Dogmar     l|WdJn o  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     i_/
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12    The Biotar or Double-Gauss Lens     `6bIxb{  
12.1    The Basic Six-Element Version     MR")  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens (i..7B:  
12.3    The Seven-Element Biotar - Split-Rear Singlet     ^qB a~  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     0j{Rsy  
12.5    The Seven-Element Biotar - One Compounded Outer Element     &6ymGo  
12.6    The Eight-Element Biotar     2H
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12.7    A “Doubled Double-Gauss” Relay     HpbSf1VvAf  
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13    Telephoto Lenses     h2k"iO}  
13.1    The Basic Telephoto     80(Olf@PE  
13.2    Close-up or Macro Lenses     [)efh9P*  
13.3    Telephoto Designs     ,|5|aVfh  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch g=G>4Ua3  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     Nuc;Y  
14.1    The Reverse Telephoto Principle     CjFnE  
14.2    The Basic Retrofocus Lens     *A<vrkHz  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     pCacm@(hG  
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15    Wide Angle Lenses with Negative Outer Lenses     3?%?J^/a  
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16    The Petzval Lens; Head-up Display Lenses     {J&[JA\  
16.1    The Petzval Portrait Lens     -BV8,1  
16.2    The Petzval Projection Lens     0H9UM*O  
16.3    The Petzval with a Field Flattener     dG8_3T}i  
16.4    Very Height Speed Petzval Lenses     r`dQ<U,  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     k-V3l  
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17    Microscope Objectives     {l0[`"EF  
17.1    General Considerations     8]@$7hy8  
17.2    Classic Objective Design Forms; The Aplanatic Front     [SKN}:D  
17.3    Flat-Field Objectives     `[)!4Jb  
17.4    Reflecting Objectives     Zk:Kux[7  
17.5    The Microscope Objective Designs     nrEG4X9  
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18    Mirror and Catadioptric Systems     2gasH11M  
18.1    The Good and Bad Points of Mirrors     @PL.7FM<v  
18.2    The Classic Two-Mirror Systems &~Hx!]uc  
18.3    Catadioptric Systems     j^1Yz}6nR  
18.4    Aspheric Correctors and Schmidt Systems     W1;QPdz:  
18.5    Confocal Paraboloids     FF5|qCV/z  
18.6    Unobscured Systems     ^RI&`5g  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     -){a
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19    Infrared and Ultraviolet Systems     {P{h|+;  
19.1    Infrared Optics     h_>DcVNIx  
19.2    IR Objective Lenses     7Gwo:s L  
19.3    IR Telescope     drwD3jx0xv  
19.4    Laser Beam Expanders     S+ 3lX7  
19,5    Ultraviolet Systems     d1qvS@  
19.6    Microlithographic Lenses     ljP<WD  
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20    Zoom Lenses     "@^^niSFl  
20.1    Zoom Lenses     "Snt~:W>  
20.2    Zoom Lenses for Point and Shoot Cameras     o#K*-jOfiH  
20.3    A 20X Video Zoom Lens     <B&vfKO^h  
20.4    A Zoom Scanner Lens     ,f@\Fs~n  
20.5    A Possible Zoom Lens Design Procedure     ]N;\AXZ7  
`s8o2"12  
21    Projection TV Lenses and Macro Lenses     PjG^L FX  
21.1    Projection TV Lenses     Y"Ut  
21.2    Macro Lenses     V(5*Dn84  
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22    Scanner/ , Laser Disk and Collimator Lenses     BUs={"Pa  
22.1    Monochromatic Systems     <kCOg8<y :  
22.2    Scanner Lenses     OLZs}N+;]  
22.3    Laser Disk, Focusing, and Collimator Lenses     ZLZh$eZZ  
    ;XIDu6  
23    Tolerance Budgeting     q o6~)Aws  
23.1    The Tolerance Budget     : i{tqY%  
23.2    Additive Tolerances     ?={S"qK(q  
23.3    Establishing the Tolerance Budget     8-"D.b4  
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24    Formulary KvH t`  
24.1    Sign Conventions, Symbols, and Definitions     6r.#/' "  
24.2    The Cardinal Points     3;JF5e\?x  
24.3    Image Equations     9Ca }+  
24.4    Paraxial Ray Tracing (Surface by Surface)     Sq SiuO.D  
24.5    Invariants     $@HW|Y  
24.6    Paraxial Ray Tracing (Component by Component)     P84=.*>  
24.7    Two-Componenet Relationships     P''>wjMH0  
24.8    Third-Order Aberrations – Surface Contributions     z2lT4SAv+  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     #62*'.B4  
24.10    Stop Shift Equations     ][dst@?8Oz  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     b]4\$rW7  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     D>-srzw  
f>iDqC4  
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Glossary N9#5 P!  
Reference /Un\P  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 c_>AbF{  
我怎么瞧不明白。

有没有人呀 } ,^p
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有个问题想请教大家