"Modern Lens Design" 2nd Edition by Warren J. Smith ]z{f)`;I
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Contents of Modern Lens Design 2nd Edition ]`S35b
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1 Introduction h_{//W[
1.1 Lens Design Books T+9#&
1.2 Reference Material cI
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1.3 Specifications &N^^[
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1.4 Lens Design iR`c/
1.5 Lens Design Program Features p=-:Z?EW1
1.6 About This Book qDzd_E@aR
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2 Automatic Lens Design 265sNaX
2.2 The Merit Function bF#1'W&
2.3 Local Minima dDeImSeV
2.4 The Landscape Lens WOgPhJ
2.5 Types of Merit Function 1`;,_>8
2.6 Stagnation vxmz3ht,Q
2.7 Generalized Simulated Annealing l[)ZEEP
2.8 Considerations about Variables for Optimization '=^$;3Z
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems I,pI2
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 8&0+Az"{O
2.11 Spectral Weighting /!//i^
2.12 How to Get Started Fo0dz
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3 Improving a Design !VF.=\iH/
3.1 Lens Design Tip Sheet: Standard Improvement Techniques O_n) 2t(c?
3.2 Glass Changes ( Index and V Values ) T9,T'y>BD
3.3 Splitting Elements Sjogv
3.4 Separating a Cemented Doublet ^71!.b%
3.5 Compounding an Element |KM<\v(A{
3.6 Vignetting and Its Uses @\_l%/z{
3.7 Eliminating a Weak Element; the Concentric Problem f T&>L
3.8 Balancing Aberrations ELlTR/NW
3.9 The Symmetrical Principle :W++`f&
3.10 Aspheric Surfaces Ul41RNy)
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4 Evaluation: How Good is This Design gp/_# QVWC
4.1 The Uses of a Preliminary Evaluation 0!^vQ
4.2 OPD versus Measures of Performance +/L "A
4.3 Geometric Blur Spot Size versus Certain Aberrations PN$vBFjm
4.4 Interpreting MTF - The Modulation Transfer Function -wqnmK+G
4.5 Fabrication Considerations tBZ&h`
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5 Lens Design Data -X)KY_Xn@/
5.1 About the Sample Lens Designs ?\eq!bu
5.2 Lens Prescriptions, Drawings, and Aberration Plots w=r3QKm#K
5.3 Estimating the Potential of a Redesign D m|_;iO,
5.4 Scaling a Desing, Its Aberrations, and Its MTF 7i,Z c]
5.5 Notes on the Interpretation of Ray Intercept Plots DKcg
5.6 Various Evaluation Plot iyRB}[y
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6 Telescope Objective &?-LL{W{
6.1 The Thin Airspaced Doublet D~< 3
6.2 Merit Function for a Telescope Objective j\ dY
6.3 The Design of an f/7 Cemented Doublet Telescope Objective |#r[{2sS
6.4 Spherochromatism Mk*&CNo3
6.5 Zonal Spherical Aberration Q|^TR__
6.6 Induced Aberrations QzzV+YG$(4
6.7 Three-Element Objectives 0S{dnp
6.8 Secondary Spectrum (Apochromatic Systems) ZW]Q|vPh4U
6.9 The Design of an f/7 Apochromatic Triplet !+E|{Zj
6.10 The Diffractive Surface in Lens Design ]G0`W6;$]
6.11 A Final Note OYWW<N+R2
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7 Eyepieces and Magnifiers (Oc[j{6q
7.1 Eyepieces l>Nz]Ul%{
7.2 A Pair of Magnifier Designs #b~wIOR)Z
7.3 The Simple, Classical Eyepieces ^Ms)T3dM
7.4 Design Story of an Eyepiece for a 6*30 Binocular d" "GG/
7.5 Four-Element Eyepieces :uAW
7.6 Five-Element Eyepieces 9Yh0'
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7.7 Very High Index Eyepiece/Magnifier nbnbG0r:
7.8 Six- and Seven-Element Eyepieces n.[0#Ur&}
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8 Cooke Triplet Anastigmats G%a8'3d,
8.1 Airspaced Triplet Anastigmats :y?xS
8.2 Glass Choice v}=3
8.3 Vertex Length and Residual Aberrations }HM8VAH
8.4 Other Design Considerations T:$zNX<f
8.5 A Plastic, Aspheric Triplet Camera Lens blwdcdh
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet _.xT
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8.7 Possible Improvement to Our “Basic” Triplet I[~EQ{Iz
8.7 The Rear Earth (Lanthanum) Glasses h\ (z!7t*
8.9 Aspherizing the Surfaces {[~
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8.10 Increasing the Element Thickness +TzF*Np
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9 Split Triplets C-;y#a)
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10 The Tessar, Heliar, and Other Compounded Triplets _]"5]c&*3
10.1 The Classic Tessar wAr (5nEbx
10.2 The Heliar/Pentac dbkkx1{>Y
10.3 The Portrait Lens and the Enlarger Lens FuOP+r!H
10.4 Other Compounded Triplets VrF(0,-Z`3
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar `"0#lZ`n
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11 Double-Meniscus Anastigmats 5Rv6+d
11.1 Meniscus Components IT,TSs/Y
11.2 The Hypergon, Totogon, and Metrogon |~mi6 lJ6
11.3 A Two Element Aspheric Thick Meniscus Camera Lens `<Z5/;a5W
11.4 Protar, Dagor, and Convertible Lenses w ' E
11.5 The Split Dagor Ni5~Buf
11.6 The Dogmar FhgO5@BO
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens dbTPY`
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12 The Biotar or Double-Gauss Lens %}+!%A.3
12.1 The Basic Six-Element Version pV:c`1\`
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens {:&t;5qz^
12.3 The Seven-Element Biotar - Split-Rear Singlet f>)k<-<yj
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 6#xP[hlR[
12.5 The Seven-Element Biotar - One Compounded Outer Element q$EicH}k8
12.6 The Eight-Element Biotar aU]A#g
12.7 A “Doubled Double-Gauss” Relay c9\jELO
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13 Telephoto Lenses *rO#UE2
13.1 The Basic Telephoto n*6 b*fl
13.2 Close-up or Macro Lenses +/60$60[z
13.3 Telephoto Designs n'D1s:W^B
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]HP
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses %eCbH`
14.1 The Reverse Telephoto Principle <4z |"(
14.2 The Basic Retrofocus Lens 5qkG~YO-
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses B./Lp_QK
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15 Wide Angle Lenses with Negative Outer Lenses sE$!MQb
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16 The Petzval Lens; Head-up Display Lenses !/G2vF"
16.1 The Petzval Portrait Lens WJ$D]7
16.2 The Petzval Projection Lens SwV{t}I
16.3 The Petzval with a Field Flattener 4I7}
16.4 Very Height Speed Petzval Lenses +E7s[9/r
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems '~RP+
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17 Microscope Objectives `_C4L=q"
17.1 General Considerations dEU+\NY
17.2 Classic Objective Design Forms; The Aplanatic Front 2xvTijO0
17.3 Flat-Field Objectives T] \_[e:'
17.4 Reflecting Objectives l5ww-#6Z
17.5 The Microscope Objective Designs w-l:* EV8
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18 Mirror and Catadioptric Systems K'.aQ&2
18.1 The Good and Bad Points of Mirrors $pK2H0c
18.2 The Classic Two-Mirror Systems :R+}[|FV
18.3 Catadioptric Systems p\66`\\l
18.4 Aspheric Correctors and Schmidt Systems A+*M<W
18.5 Confocal Paraboloids XTpYf
18.6 Unobscured Systems (j;s6g0
18.7 Design of a Schmidt-Cassegrain “from Scratch” ?sV0T)uk
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19 Infrared and Ultraviolet Systems mt$0p|B8
19.1 Infrared Optics bhaIi>W~G
19.2 IR Objective Lenses ].=&^0cg
19.3 IR Telescope 5Jd(&k8%
19.4 Laser Beam Expanders +CL`]'~;E-
19,5 Ultraviolet Systems =n>&Bl-Bl
19.6 Microlithographic Lenses ?yop#tjCbY
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20 Zoom Lenses H^{Eh
20.1 Zoom Lenses x5_V5A/@LU
20.2 Zoom Lenses for Point and Shoot Cameras s Wk92x _l
20.3 A 20X Video Zoom Lens ehB (?
20.4 A Zoom Scanner Lens T:&
20.5 A Possible Zoom Lens Design Procedure e ?FjN 9
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21 Projection TV Lenses and Macro Lenses @&(0]kZ6
21.1 Projection TV Lenses v7x%V%K
21.2 Macro Lenses k@MAi*
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22 Scanner/ , Laser Disk and Collimator Lenses f& P'Kxj_
22.1 Monochromatic Systems t]LOBy-Kv
22.2 Scanner Lenses P%MYr"<$E
22.3 Laser Disk, Focusing, and Collimator Lenses T.\=R
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23 Tolerance Budgeting z\wY3pIr2
23.1 The Tolerance Budget &Z!O
23.2 Additive Tolerances r:fMd3;gq
23.3 Establishing the Tolerance Budget yf7p,_E/
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24 Formulary 57 (bd0@8
24.1 Sign Conventions, Symbols, and Definitions %mKM9>lf#
24.2 The Cardinal Points ASA ]7qyO
24.3 Image Equations m,YBk<Bx
24.4 Paraxial Ray Tracing (Surface by Surface) 0;9X`z
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24.5 Invariants 4eOS+&
24.6 Paraxial Ray Tracing (Component by Component) 3%gn:.9N
24.7 Two-Componenet Relationships ]\DZW4?'
24.8 Third-Order Aberrations – Surface Contributions r6_g/7.-
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs h"R{{yf2
24.10 Stop Shift Equations (55k70>i3
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces )Iu0MN&
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) L\;n[,.
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Glossary t!^ j0 q
Reference @`" UD
Index