"Modern Lens Design" 2nd Edition by Warren J. Smith "dt}k$Gr
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Contents of Modern Lens Design 2nd Edition ~Y~M}4
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1 Introduction S`b!sT-sD
1.1 Lens Design Books A*+gWn,4Y_
1.2 Reference Material ;Q vQ fV4
1.3 Specifications "eTALRL'o
1.4 Lens Design \DE,
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1.5 Lens Design Program Features I*>q7Hsu
1.6 About This Book O[U`(A:
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2 Automatic Lens Design ;!
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2.2 The Merit Function Y$,~"$su|
2.3 Local Minima >JA-G@3i
2.4 The Landscape Lens ~e,l2
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2.5 Types of Merit Function Z5U\>7@&8
2.6 Stagnation Zi]E!Tgn
2.7 Generalized Simulated Annealing 5cA:;{z];g
2.8 Considerations about Variables for Optimization
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems G~&8/ s
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits )n9,?F#l
2.11 Spectral Weighting a"O;DYh
2.12 How to Get Started ;q%z\gA
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3 Improving a Design &D-z|ZjgHi
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 7y30TU
3.2 Glass Changes ( Index and V Values ) 2x|FVp
3.3 Splitting Elements \X(*JNQ
3.4 Separating a Cemented Doublet ^K J#dT
3.5 Compounding an Element sxuP"4
3.6 Vignetting and Its Uses A+H8\ew2,
3.7 Eliminating a Weak Element; the Concentric Problem )
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3.8 Balancing Aberrations rZB='(?
3.9 The Symmetrical Principle r~QE}00@^
3.10 Aspheric Surfaces 1D[>oK\
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4 Evaluation: How Good is This Design `w4'DB-R)
4.1 The Uses of a Preliminary Evaluation ,S(Z\[x0
4.2 OPD versus Measures of Performance =Sr<d|\O
4.3 Geometric Blur Spot Size versus Certain Aberrations "B +F6
4.4 Interpreting MTF - The Modulation Transfer Function o>+ mw| {
4.5 Fabrication Considerations ct,;V/Dx
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5 Lens Design Data Br<lP#u=G
5.1 About the Sample Lens Designs T)q
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5.2 Lens Prescriptions, Drawings, and Aberration Plots /G]/zlUE
5.3 Estimating the Potential of a Redesign b$nev[`{6
5.4 Scaling a Desing, Its Aberrations, and Its MTF K3=0D!D q
5.5 Notes on the Interpretation of Ray Intercept Plots jvR(e"
5.6 Various Evaluation Plot H~fF;
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^ ~1QA
6 Telescope Objective S"^'ksL\
6.1 The Thin Airspaced Doublet _ 3>E+9TQ
6.2 Merit Function for a Telescope Objective o4yl3o
6.3 The Design of an f/7 Cemented Doublet Telescope Objective #k d9}
6.4 Spherochromatism y}={S,z%22
6.5 Zonal Spherical Aberration |9FrVO$M
6.6 Induced Aberrations eAP
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6.7 Three-Element Objectives 9 2D~trn
6.8 Secondary Spectrum (Apochromatic Systems) eYkg4 O'
6.9 The Design of an f/7 Apochromatic Triplet s7:_!Nd@8
6.10 The Diffractive Surface in Lens Design H13\8Te{
6.11 A Final Note )OQ<H.X
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7 Eyepieces and Magnifiers tfm3IX
7.1 Eyepieces 6'uCwAQU
7.2 A Pair of Magnifier Designs e_!Z-#\J%
7.3 The Simple, Classical Eyepieces {LA?v& b'
7.4 Design Story of an Eyepiece for a 6*30 Binocular Y+g(aak+.
7.5 Four-Element Eyepieces W)o*$cu
7.6 Five-Element Eyepieces qZV|}M>P)
7.7 Very High Index Eyepiece/Magnifier v}AjW%rB
7.8 Six- and Seven-Element Eyepieces WL,2<[)Ew
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8 Cooke Triplet Anastigmats z9
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8.1 Airspaced Triplet Anastigmats wm?%&V/#
8.2 Glass Choice !z2xm3s{]p
8.3 Vertex Length and Residual Aberrations jxhZOLG
8.4 Other Design Considerations HSU?4=Q
8.5 A Plastic, Aspheric Triplet Camera Lens `YZl2c<w*
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet >mMfZvxl%
8.7 Possible Improvement to Our “Basic” Triplet .qYQ3G'V
8.7 The Rear Earth (Lanthanum) Glasses `Z{s,!z
8.9 Aspherizing the Surfaces ~d\V>
8.10 Increasing the Element Thickness `]4(Z"R
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9 Split Triplets bF,.6iKI
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10 The Tessar, Heliar, and Other Compounded Triplets jRDvVV/-wr
10.1 The Classic Tessar Bzt:9hr6BO
10.2 The Heliar/Pentac ywyg(8>zE
10.3 The Portrait Lens and the Enlarger Lens EASmB
10.4 Other Compounded Triplets xA2I+r*o
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 3q@JhB
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11 Double-Meniscus Anastigmats 1#+|RL4o
11.1 Meniscus Components :1bDkoK
11.2 The Hypergon, Totogon, and Metrogon [C;Neslo
11.3 A Two Element Aspheric Thick Meniscus Camera Lens rHOhi|+
11.4 Protar, Dagor, and Convertible Lenses fsnZHL}=n
11.5 The Split Dagor HKO]_; :(
11.6 The Dogmar SH8zkAA7u}
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens X$P(8'[9A
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12 The Biotar or Double-Gauss Lens /yY} .S
12.1 The Basic Six-Element Version K:AP 0Te
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens w"QZ7EyJ
12.3 The Seven-Element Biotar - Split-Rear Singlet 7D'D7=Z.
12.4 The Seven-Element Biotar - Broken Contact Front Doublet k w
12.5 The Seven-Element Biotar - One Compounded Outer Element BE~-0g$W
12.6 The Eight-Element Biotar $[7/~I>m
12.7 A “Doubled Double-Gauss” Relay 9^Web~yi#
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13 Telephoto Lenses bt.3#aj
13.1 The Basic Telephoto Hmx.BBz
13.2 Close-up or Macro Lenses TVSCjI
13.3 Telephoto Designs vMJ(Ll7/
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 4Xt`L"f
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ^si[L52BZ
14.1 The Reverse Telephoto Principle 1:@ScHS
14.2 The Basic Retrofocus Lens N cGFPi(Z
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses cg9}T[A
Z6Kp-z(l3
15 Wide Angle Lenses with Negative Outer Lenses 5e7\tBab
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16 The Petzval Lens; Head-up Display Lenses :!?Fq/!
16.1 The Petzval Portrait Lens GY0OVAW6'c
16.2 The Petzval Projection Lens V+l7W
16.3 The Petzval with a Field Flattener OTJMS_IT
16.4 Very Height Speed Petzval Lenses Z
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems bF+j%=
Pv\8 \,B9
17 Microscope Objectives \6"=`H0}
17.1 General Considerations oEFo7X`t
17.2 Classic Objective Design Forms; The Aplanatic Front V U5</si+
17.3 Flat-Field Objectives (FgX9SV]p9
17.4 Reflecting Objectives /nX_Q?mo
17.5 The Microscope Objective Designs w&J_c8S
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18 Mirror and Catadioptric Systems ^L7!lzyo
18.1 The Good and Bad Points of Mirrors ) vVf- zU
18.2 The Classic Two-Mirror Systems $}z/BV1I
18.3 Catadioptric Systems h5-yhG
18.4 Aspheric Correctors and Schmidt Systems h9iQn<lp4.
18.5 Confocal Paraboloids F8Mf,jnPs
18.6 Unobscured Systems m!P<#
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18.7 Design of a Schmidt-Cassegrain “from Scratch” U^U
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19 Infrared and Ultraviolet Systems :h3n[%
19.1 Infrared Optics hk
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19.2 IR Objective Lenses `s Pk:cNz~
19.3 IR Telescope ~3f|-%Z
19.4 Laser Beam Expanders 734n1-F?I%
19,5 Ultraviolet Systems y}|E)
19.6 Microlithographic Lenses T3 4Z#PFwe
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20 Zoom Lenses AP1ZIc6
20.1 Zoom Lenses A:yql`&s
20.2 Zoom Lenses for Point and Shoot Cameras $\~cWpv
20.3 A 20X Video Zoom Lens ;#0$iE
20.4 A Zoom Scanner Lens 5ddfdIp
20.5 A Possible Zoom Lens Design Procedure
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21 Projection TV Lenses and Macro Lenses UK*v\TMv
21.1 Projection TV Lenses -Wh 2hWg+
21.2 Macro Lenses 3?L[ohKH?:
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22 Scanner/ , Laser Disk and Collimator Lenses %^nNt:N0
22.1 Monochromatic Systems f\.y z[
22.2 Scanner Lenses bQwG"N
22.3 Laser Disk, Focusing, and Collimator Lenses kp}[nehF
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23 Tolerance Budgeting Hz==,NR-W
23.1 The Tolerance Budget v9S=$Aj
23.2 Additive Tolerances C8|#
23.3 Establishing the Tolerance Budget x#zj0vI-8
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24 Formulary !"Q%I#8uh
24.1 Sign Conventions, Symbols, and Definitions )& Oxp&x
24.2 The Cardinal Points .]JIo&>5
24.3 Image Equations lQvgq
24.4 Paraxial Ray Tracing (Surface by Surface) B'`25u_e<
24.5 Invariants W3\E;C-g0
24.6 Paraxial Ray Tracing (Component by Component) j|N<6GSke
24.7 Two-Componenet Relationships #<Xq\yC51
24.8 Third-Order Aberrations – Surface Contributions e5n]@mu%
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs l(}L-:@A
24.10 Stop Shift Equations t,*1=S5
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces HIvSpO
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) la!U
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^~7Mv^A
Glossary 8e,F{>N
Reference mU?~s7
Index