"Modern Lens Design" 2nd Edition by Warren J. Smith P _x(`H
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Contents of Modern Lens Design 2nd Edition Liv.i;-qE
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1 Introduction w!|jL
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1.1 Lens Design Books ia#8 ^z
1.2 Reference Material e.VQ!)>
1.3 Specifications zL!}YR@&u"
1.4 Lens Design IgyoBfj\d
1.5 Lens Design Program Features <Toy8-kj
1.6 About This Book xOt
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2 Automatic Lens Design -T=sY/O
2.2 The Merit Function [pxC3{|d$
2.3 Local Minima BVzMgn;
2.4 The Landscape Lens 7CwQmVe+
2.5 Types of Merit Function mJ>msI
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2.6 Stagnation JKTn
2.7 Generalized Simulated Annealing &dky_H
2.8 Considerations about Variables for Optimization )}$]~
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 2|A?9aE%0
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Qf($F,)K
2.11 Spectral Weighting p#0L@!,
2.12 How to Get Started 85:KlBe%+
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3 Improving a Design 3|Y2BAd
3.1 Lens Design Tip Sheet: Standard Improvement Techniques k+@,m\tE
3.2 Glass Changes ( Index and V Values ) 8 RA
3.3 Splitting Elements 6L<QKE=
3.4 Separating a Cemented Doublet 'Px}#f0IR
3.5 Compounding an Element ER,!`C]
3.6 Vignetting and Its Uses xnOd$]
3.7 Eliminating a Weak Element; the Concentric Problem 7 MS-Gs|
3.8 Balancing Aberrations b5)a6qtb
3.9 The Symmetrical Principle A5E^1j}h@
3.10 Aspheric Surfaces Yb\d(k$h
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4 Evaluation: How Good is This Design 8ByNaXMO6
4.1 The Uses of a Preliminary Evaluation VA5f+c/ %
4.2 OPD versus Measures of Performance zJ30ZY:
4.3 Geometric Blur Spot Size versus Certain Aberrations (L*<CV
4.4 Interpreting MTF - The Modulation Transfer Function 4^Og9}bm
4.5 Fabrication Considerations }R!t/8K
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5 Lens Design Data H=*lj.x
5.1 About the Sample Lens Designs w0X})&,{`m
5.2 Lens Prescriptions, Drawings, and Aberration Plots '{w[).c.
5.3 Estimating the Potential of a Redesign ns#v?D9NF
5.4 Scaling a Desing, Its Aberrations, and Its MTF Y|6gg
5.5 Notes on the Interpretation of Ray Intercept Plots M#k$[w}=
5.6 Various Evaluation Plot T3NH8nH9"z
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6 Telescope Objective }5AA}=
6.1 The Thin Airspaced Doublet LP'~7FG
6.2 Merit Function for a Telescope Objective VCzb[.
6.3 The Design of an f/7 Cemented Doublet Telescope Objective VwKfM MI8
6.4 Spherochromatism ~ycWcZi>
6.5 Zonal Spherical Aberration 3el/,v|qj
6.6 Induced Aberrations 3BSZz%va
6.7 Three-Element Objectives i9Eh1A3Y
6.8 Secondary Spectrum (Apochromatic Systems) hkOFPt&
6.9 The Design of an f/7 Apochromatic Triplet D63?f\
6.10 The Diffractive Surface in Lens Design pJJOy
6.11 A Final Note i&q_h>ZTg
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7 Eyepieces and Magnifiers +;,X?E] g
7.1 Eyepieces Bbtc[@"X
7.2 A Pair of Magnifier Designs 3hVuC1;"
7.3 The Simple, Classical Eyepieces &4wwp !J
7.4 Design Story of an Eyepiece for a 6*30 Binocular ~ike&k{
7.5 Four-Element Eyepieces z31g"
7.6 Five-Element Eyepieces A
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7.7 Very High Index Eyepiece/Magnifier >abpse
7.8 Six- and Seven-Element Eyepieces .X5A7 m
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8 Cooke Triplet Anastigmats BOD!0CR5
8.1 Airspaced Triplet Anastigmats {55f{5y3
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8.2 Glass Choice m%nRHT0KAf
8.3 Vertex Length and Residual Aberrations x*p'm[Tdtm
8.4 Other Design Considerations b2H-D!YO^
8.5 A Plastic, Aspheric Triplet Camera Lens >)HKruSW.
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet MEu{'[C
8.7 Possible Improvement to Our “Basic” Triplet :`>tCYy;
8.7 The Rear Earth (Lanthanum) Glasses FNs$k=*8
8.9 Aspherizing the Surfaces "ZL_
8.10 Increasing the Element Thickness G#~U\QlG-
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9 Split Triplets Z_a@,k:+[
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10 The Tessar, Heliar, and Other Compounded Triplets 6E2#VT>@/
10.1 The Classic Tessar `(/xj{"Fr}
10.2 The Heliar/Pentac ;U3K@_
10.3 The Portrait Lens and the Enlarger Lens VUOe7c=
10.4 Other Compounded Triplets P$]K
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 9Wg;M#c2Y|
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11 Double-Meniscus Anastigmats [dXa,
11.1 Meniscus Components f&txg,W,yv
11.2 The Hypergon, Totogon, and Metrogon <g&.U W4
11.3 A Two Element Aspheric Thick Meniscus Camera Lens q8uq%wf
11.4 Protar, Dagor, and Convertible Lenses ~Kl"V%>
11.5 The Split Dagor l;$FR4}d
11.6 The Dogmar #guK&?Fye
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <m0=bm{j
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12 The Biotar or Double-Gauss Lens mmG]|Cl@
12.1 The Basic Six-Element Version Z;[xaP\S
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens -zWNQp$
12.3 The Seven-Element Biotar - Split-Rear Singlet "3'a.b akw
12.4 The Seven-Element Biotar - Broken Contact Front Doublet hgbf"J6V8
12.5 The Seven-Element Biotar - One Compounded Outer Element v2a(yH
12.6 The Eight-Element Biotar ^y%8_r&
12.7 A “Doubled Double-Gauss” Relay
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13 Telephoto Lenses [e_<UF@A*
13.1 The Basic Telephoto #K*p1}rf
13.2 Close-up or Macro Lenses lANi$
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13.3 Telephoto Designs |
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch $Ld-lQsL
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses }{kn/m/
14.1 The Reverse Telephoto Principle FS!9 j8
14.2 The Basic Retrofocus Lens &g>MZ"Z|
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ';}:*nZ//_
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15 Wide Angle Lenses with Negative Outer Lenses s
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16 The Petzval Lens; Head-up Display Lenses TU;AO%5
16.1 The Petzval Portrait Lens 4.Fh4Y:$'
16.2 The Petzval Projection Lens 7HQL^Q
16.3 The Petzval with a Field Flattener <f =<r*6
16.4 Very Height Speed Petzval Lenses xAO\' #m
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems yE.st9m
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17 Microscope Objectives ,\i,2<hz.
17.1 General Considerations 2
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17.2 Classic Objective Design Forms; The Aplanatic Front xFJT&=Af W
17.3 Flat-Field Objectives v;-0^s/P
17.4 Reflecting Objectives W7(5z
17.5 The Microscope Objective Designs $at\aJ
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18 Mirror and Catadioptric Systems .3jijc j
18.1 The Good and Bad Points of Mirrors Dx=RLiU9
18.2 The Classic Two-Mirror Systems 0M)\([W9&
18.3 Catadioptric Systems P)XR9&o':
18.4 Aspheric Correctors and Schmidt Systems K>5bb
18.5 Confocal Paraboloids .gNziDO
18.6 Unobscured Systems L@jpid95
18.7 Design of a Schmidt-Cassegrain “from Scratch”
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19 Infrared and Ultraviolet Systems MmU`i ,z
19.1 Infrared Optics |'u BkL0q
19.2 IR Objective Lenses }}u`*&,g
19.3 IR Telescope mkPqxzxbrL
19.4 Laser Beam Expanders >e(@!\ x
19,5 Ultraviolet Systems O_GHvLO=
19.6 Microlithographic Lenses gwsOw [;k
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20 Zoom Lenses k {vd1,HZ
20.1 Zoom Lenses IP-M)_I
20.2 Zoom Lenses for Point and Shoot Cameras -e?n4YO*\
20.3 A 20X Video Zoom Lens [6
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20.4 A Zoom Scanner Lens N})vrB;1
20.5 A Possible Zoom Lens Design Procedure @HnahD
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21 Projection TV Lenses and Macro Lenses T00sYoK
21.1 Projection TV Lenses C-@M|K9A'
21.2 Macro Lenses L?P[{Ohh/
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22 Scanner/ , Laser Disk and Collimator Lenses 4~&X]/_'
22.1 Monochromatic Systems p&0 G
22.2 Scanner Lenses
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22.3 Laser Disk, Focusing, and Collimator Lenses >WJQxL4
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23 Tolerance Budgeting :oYSvK7>
23.1 The Tolerance Budget U#sv.r/L}3
23.2 Additive Tolerances (Rp5g}b
23.3 Establishing the Tolerance Budget p2fzbBt
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24 Formulary 1K)9fMr]
24.1 Sign Conventions, Symbols, and Definitions .QA1'_9
24.2 The Cardinal Points =h?%<2t9<
24.3 Image Equations /UY'E<wBx
24.4 Paraxial Ray Tracing (Surface by Surface) sFvYCRw
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24.5 Invariants l}T@Cgt
24.6 Paraxial Ray Tracing (Component by Component) 4PR&67|AH_
24.7 Two-Componenet Relationships ,%zE>^~
24.8 Third-Order Aberrations – Surface Contributions {j<?+o5A
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs %s5(''a.
24.10 Stop Shift Equations (KfQ'B+
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces x%T^:R
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 0R0_UvsXU
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Glossary /xr75|-8
Reference P1]F0fR
Index