[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 0~XZ  
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Contents of Modern Lens Design 2nd Edition M>g\Y  
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1    Introduction         6d3-GMUQ  
1.1    Lens Design Books     vvG#O[
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1.2    Reference Material     O%kX=6  
1.3    Specifications     jkIgEF2d*  
1.4    Lens Design     '`Z5.<n7p  
1.5    Lens Design Program Features     :AB$d~${M>  
1.6    About This Book     F.JvMy3  
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2    Automatic Lens Design         i~6qOlLD-  
2.2    The Merit Function         F&lvofy23  
2.3    Local Minima     +Te;L
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2.4    The Landscape Lens     "M.vu}~>  
2.5    Types of Merit Function     +O@0gl  
2.6    Stagnation     wg=ge]E5  
2.7    Generalized Simulated Annealing     }A%Sx!7
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2.8    Considerations about Variables for Optimization     #Hr>KQ5mJQ  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 4`7:gfrO,  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     9IC|2w66  
2.11    Spectral Weighting     G? "6[w/p  
2.12    How to Get Started     Ytnk^/Z1L  
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3    Improving a Design     >h7qI-  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     (TV ye4Z  
3.2    Glass Changes ( Index and V Values )     bgjo_!J+Pp  
3.3    Splitting Elements     64>o3Hb2  
3.4    Separating a Cemented Doublet     Xo>P?^c4?  
3.5    Compounding an Element     {\L /?#  
3.6    Vignetting and Its Uses     ]QS?fs Z  
3.7    Eliminating a Weak Element; the Concentric Problem     Hinz6k6!  
3.8    Balancing Aberrations     G_~w0r#  
3.9    The Symmetrical Principle     yb#NB)+E@  
3.10    Aspheric Surfaces     t .&YD x  
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4    Evaluation: How Good is This Design     gI qYIt  
4.1    The Uses of a Preliminary Evaluation     nDSmr  
4.2    OPD versus Measures of Performance     [g:ZIl4p\P  
4.3    Geometric Blur Spot Size versus Certain Aberrations     w"O^CR)  
4.4    Interpreting MTF - The Modulation Transfer Function     [ENm(e$sI  
4.5    Fabrication Considerations     Ii/#cdgF  
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5    Lens Design Data     w

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5.1    About the Sample Lens Designs     uf (`I  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     shO
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5.3    Estimating the Potential of a Redesign     M3
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5.4    Scaling a Desing, Its Aberrations, and Its MTF     ^E8XPK]-~  
5.5    Notes on the Interpretation of Ray Intercept Plots     $4
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5.6    Various Evaluation Plot     \4`~J@5Y  
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6    Telescope Objective     EC2KK)=n}  
6.1    The Thin Airspaced Doublet     I_
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6.2    Merit Function for a Telescope Objective     Ms.1RCup  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     i*'6"  
6.4    Spherochromatism     jX79Nm|  
6.5    Zonal Spherical Aberration     aCe<*;b@  
6.6    Induced Aberrations     F`;oe[wfk  
6.7    Three-Element Objectives     T<"Hh.h  
6.8    Secondary Spectrum (Apochromatic Systems)     N*N@wJy:5  
6.9    The Design of an f/7 Apochromatic Triplet     NZSP*#!B  
6.10    The Diffractive Surface in Lens Design     j^}p'w Tu{  
6.11    A Final Note     Tp&03  
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7    Eyepieces and Magnifiers     VQO6!ToKY  
7.1    Eyepieces     #`rvL6W q}  
7.2    A Pair of Magnifier Designs     oO-kO!59y  
7.3    The Simple, Classical Eyepieces     UW*[)yw]  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     G%w hOIFRq  
7.5    Four-Element Eyepieces     qr[H0f]  
7.6    Five-Element Eyepieces     z^to"j  
7.7    Very High Index Eyepiece/Magnifier     ixZ w;+h  
7.8    Six- and Seven-Element Eyepieces     Gk0f#;  
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8    Cooke Triplet Anastigmats     Bkvh]k;F8  
8.1    Airspaced Triplet Anastigmats     q$Z.5EN
 
8.2    Glass Choice     u;m[,  
8.3    Vertex Length and Residual Aberrations     <taN3  
8.4    Other Design Considerations     3zU!5
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8.5    A Plastic, Aspheric Triplet Camera Lens     Z> jk\[  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ,rT62w*e  
8.7    Possible Improvement to Our “Basic” Triplet     M/XxiF  
8.7    The Rear Earth (Lanthanum) Glasses     vq|o}6Et  
8.9    Aspherizing the Surfaces     $bRakF1'S  
8.10    Increasing the Element Thickness     3>Ts7 wM  
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9    Split Triplets     8jW"8~Y#0  
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10    The Tessar, Heliar, and Other Compounded Triplets     LwQq0<v  
10.1    The Classic Tessar     SR@yG:~  
10.2    The Heliar/Pentac     ZtPq*/'  
10.3    The Portrait Lens and the Enlarger Lens     L|Zja*  
10.4    Other Compounded Triplets     c`94a SnV  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar E Z95)pk  
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11    Double-Meniscus Anastigmats     :uE:mY%R  
11.1    Meniscus Components     OTs vox|(  
11.2    The Hypergon, Totogon, and Metrogon     #%t&f"j2  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     dGU io?  
11.4    Protar, Dagor, and Convertible Lenses     pJ Iq`)p5  
11.5    The Split Dagor     zyyt`  
11.6    The Dogmar     v|:2U8YREf  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     !PX`sIkT  
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12    The Biotar or Double-Gauss Lens     E^z\b *  
12.1    The Basic Six-Element Version      'k[O?}  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens f$vWi&(  
12.3    The Seven-Element Biotar - Split-Rear Singlet     x9V

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12.4    The Seven-Element Biotar - Broken Contact Front Doublet     RN(>37B
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12.5    The Seven-Element Biotar - One Compounded Outer Element     I^>m-M.  
12.6    The Eight-Element Biotar     ?-m
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12.7    A “Doubled Double-Gauss” Relay     qP6YnJWl  
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13    Telephoto Lenses     [jb3lO$Xa  
13.1    The Basic Telephoto     W<<{}'Db/#  
13.2    Close-up or Macro Lenses     wg<UCmfu!  
13.3    Telephoto Designs     ]PQ] f*Ik>  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch f;1DhAS  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ck-ab0n  
14.1    The Reverse Telephoto Principle     Ml`tDt|;  
14.2    The Basic Retrofocus Lens     jiS|ara"  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     ]B'Ac%Rx  
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15    Wide Angle Lenses with Negative Outer Lenses     ~^#F5w"  
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16    The Petzval Lens; Head-up Display Lenses     U40adP? a  
16.1    The Petzval Portrait Lens     o4I&?d7;"  
16.2    The Petzval Projection Lens     z8W@N8IqC  
16.3    The Petzval with a Field Flattener     LgN\%5f-  
16.4    Very Height Speed Petzval Lenses     P|mV((/m4  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     jx_n$D  
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17    Microscope Objectives     _jkH}o '  
17.1    General Considerations     "Uy==~  
17.2    Classic Objective Design Forms; The Aplanatic Front     }1<_  
17.3    Flat-Field Objectives     q:A{@kFq_  
17.4    Reflecting Objectives     `uRf*-   
17.5    The Microscope Objective Designs     Pe_mX*0  
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18    Mirror and Catadioptric Systems     Z]-C,8MM  
18.1    The Good and Bad Points of Mirrors     ="fq.Tt  
18.2    The Classic Two-Mirror Systems #P:o  
18.3    Catadioptric Systems     0@;kD]Z  
18.4    Aspheric Correctors and Schmidt Systems     -oGJPl{r  
18.5    Confocal Paraboloids     2p3ep,  
18.6    Unobscured Systems     3fC|}<Wzt  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     1eG@?~G  
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19    Infrared and Ultraviolet Systems     2K/+6t}  
19.1    Infrared Optics     Yv0;UKd  
19.2    IR Objective Lenses    
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19.3    IR Telescope     .eQIU$Kw!O  
19.4    Laser Beam Expanders     @bu5{b+8  
19,5    Ultraviolet Systems     9d ZE#l!Q  
19.6    Microlithographic Lenses     qucw%hJr  
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20    Zoom Lenses     wm@/>X  
20.1    Zoom Lenses     z0ULB?*"  
20.2    Zoom Lenses for Point and Shoot Cameras     HA}pr6Z  
20.3    A 20X Video Zoom Lens     6*@\Qsp615  
20.4    A Zoom Scanner Lens     :/e=J  
20.5    A Possible Zoom Lens Design Procedure     &=SP"@D  
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21    Projection TV Lenses and Macro Lenses     *ml&}9  
21.1    Projection TV Lenses     lNV%R(  
21.2    Macro Lenses     ]V9z)uz  
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22    Scanner/ , Laser Disk and Collimator Lenses     .\*3t/R=X  
22.1    Monochromatic Systems     ![H!Y W'  
22.2    Scanner Lenses     0>D:
 
22.3    Laser Disk, Focusing, and Collimator Lenses     #L\t)W  
    ;bJ2miO"e  
23    Tolerance Budgeting     D}Jhg`9  
23.1    The Tolerance Budget     LM_/:
  
23.2    Additive Tolerances     !X 3/2KRP7  
23.3    Establishing the Tolerance Budget     i?^Cc\gH  
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24    Formulary 6MC*2}W  
24.1    Sign Conventions, Symbols, and Definitions     Up|\&2_  
24.2    The Cardinal Points     ,}&E=5MF\  
24.3    Image Equations     U].u) g$  
24.4    Paraxial Ray Tracing (Surface by Surface)     Ck,.4@\tK  
24.5    Invariants     $mA+4ISK  
24.6    Paraxial Ray Tracing (Component by Component)     ns.[PJ"8  
24.7    Two-Componenet Relationships     1k@k2rE  
24.8    Third-Order Aberrations – Surface Contributions     &JoMrcEZ  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     A[juzOn\  
24.10    Stop Shift Equations     {},rbQ -  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     }K=TB}yY  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     /Cd`h;#@  
K7&A^$`  
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Glossary l'~]8Wo1  
Reference )Qve[O  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 'KQ]7  
我怎么瞧不明白。

有没有人呀 ~B(]0:  
有个问题想请教大家