"Modern Lens Design" 2nd Edition by Warren J. Smith KOv
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Contents of Modern Lens Design 2nd Edition BhJqMK>'S
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1 Introduction )/PvaL
1.1 Lens Design Books 8X][TJG$
1.2 Reference Material e2*0NT^R
1.3 Specifications ptQr8[FA
1.4 Lens Design 8K*X]Z h
1.5 Lens Design Program Features @g(N!n~
1.6 About This Book Mcj4GjV6:"
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2 Automatic Lens Design 1eZ">,F6<
2.2 The Merit Function S;M'qwN
2.3 Local Minima .qi$X!0
2.4 The Landscape Lens &<R8'
2.5 Types of Merit Function 8N4W}YBs
2.6 Stagnation qEX2K^y'4"
2.7 Generalized Simulated Annealing @4^5C-
2.8 Considerations about Variables for Optimization <.CO{L\e
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems }]>[FW
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits YN_#x
2.11 Spectral Weighting 6_=qpP-?
2.12 How to Get Started QbP
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3 Improving a Design 7)O?jc
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 5Qd |R
3.2 Glass Changes ( Index and V Values ) BWFl8
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3.3 Splitting Elements >};,Byv!%
3.4 Separating a Cemented Doublet okoD26tK
3.5 Compounding an Element A9qCaq{
3.6 Vignetting and Its Uses 4*&x% ~*
3.7 Eliminating a Weak Element; the Concentric Problem 25BW/23}e
3.8 Balancing Aberrations TC?kuQI
3.9 The Symmetrical Principle h>sz@\{
3.10 Aspheric Surfaces I.r&;
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4 Evaluation: How Good is This Design DQP#h5O
4.1 The Uses of a Preliminary Evaluation vD D !.i
4.2 OPD versus Measures of Performance xr&wV0O'
4.3 Geometric Blur Spot Size versus Certain Aberrations L!V`Sb
4.4 Interpreting MTF - The Modulation Transfer Function $SSE\+|3
4.5 Fabrication Considerations V.)y7B
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5 Lens Design Data N~{0QewMI'
5.1 About the Sample Lens Designs + L;[-]E8
5.2 Lens Prescriptions, Drawings, and Aberration Plots _s><>LH~
5.3 Estimating the Potential of a Redesign '!Ps4ZTn_
5.4 Scaling a Desing, Its Aberrations, and Its MTF `)\_
5.5 Notes on the Interpretation of Ray Intercept Plots Wv_5sPqLW
5.6 Various Evaluation Plot X_C9Z
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6 Telescope Objective g-E!*K
6.1 The Thin Airspaced Doublet KSIH1E
6.2 Merit Function for a Telescope Objective aO.'(kk8
6.3 The Design of an f/7 Cemented Doublet Telescope Objective u><ax
6.4 Spherochromatism bR?-B>EB
6.5 Zonal Spherical Aberration (M4~N)7<P5
6.6 Induced Aberrations Jc~^32
6.7 Three-Element Objectives ><"5
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6.8 Secondary Spectrum (Apochromatic Systems) pu=T
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6.9 The Design of an f/7 Apochromatic Triplet 1B'i7
6.10 The Diffractive Surface in Lens Design V[wEn9
6.11 A Final Note rtvuAFiH
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7 Eyepieces and Magnifiers K6KEdXM4
7.1 Eyepieces vY *p][$
7.2 A Pair of Magnifier Designs }U7>_b2
7.3 The Simple, Classical Eyepieces B
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7.4 Design Story of an Eyepiece for a 6*30 Binocular Ox?LVRvxI
7.5 Four-Element Eyepieces #jd?ocoY
7.6 Five-Element Eyepieces YH)Unql
7.7 Very High Index Eyepiece/Magnifier v|VY5vN
7.8 Six- and Seven-Element Eyepieces vF;6Y(h>
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8 Cooke Triplet Anastigmats XtT;UBE
8.1 Airspaced Triplet Anastigmats /4#.qq0\{c
8.2 Glass Choice UYW%%5p?
8.3 Vertex Length and Residual Aberrations %83PbH
8.4 Other Design Considerations [4
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8.5 A Plastic, Aspheric Triplet Camera Lens aBr%"&Z.MG
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet JnhHV(H
8.7 Possible Improvement to Our “Basic” Triplet *u>2" !+Ob
8.7 The Rear Earth (Lanthanum) Glasses $8_t.~q
8.9 Aspherizing the Surfaces KZ ?<&x
8.10 Increasing the Element Thickness kOVx]=
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9 Split Triplets +
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10 The Tessar, Heliar, and Other Compounded Triplets a: iIfdd4'
10.1 The Classic Tessar MgHyKn'rL
10.2 The Heliar/Pentac s.1(- "DU
10.3 The Portrait Lens and the Enlarger Lens AbZ:AJ(
10.4 Other Compounded Triplets ~Az20RrK)
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 6]T02;b>/,
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11 Double-Meniscus Anastigmats A&$!s)8z
11.1 Meniscus Components `C=!8q
11.2 The Hypergon, Totogon, and Metrogon ;Bcf~[ErM
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 1:My8
11.4 Protar, Dagor, and Convertible Lenses 5ez"B]&T
11.5 The Split Dagor _ H$Cm
11.6 The Dogmar RduA0@g0
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens i= ~HXr}
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12 The Biotar or Double-Gauss Lens 7*'_&0
12.1 The Basic Six-Element Version 3tnYK&
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens W} Nd3
12.3 The Seven-Element Biotar - Split-Rear Singlet &wNN| fH
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Zx}=c4I(y
12.5 The Seven-Element Biotar - One Compounded Outer Element 1Na CGD"
12.6 The Eight-Element Biotar YH':cze
12.7 A “Doubled Double-Gauss” Relay 4mshB
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13 Telephoto Lenses QV{Nq=%]
13.1 The Basic Telephoto b44H2A.
13.2 Close-up or Macro Lenses o"Ef>5N
13.3 Telephoto Designs kG?tgO?*
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses jJ55Az?t:
14.1 The Reverse Telephoto Principle &`@,mUi{Ac
14.2 The Basic Retrofocus Lens E'XFn'
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ]P(Eo|)m
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15 Wide Angle Lenses with Negative Outer Lenses Pl1:d{"d
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16 The Petzval Lens; Head-up Display Lenses {:6VJ0s\
16.1 The Petzval Portrait Lens .4_~ku
16.2 The Petzval Projection Lens VrF]X#\)
16.3 The Petzval with a Field Flattener jq.@<<j|$
16.4 Very Height Speed Petzval Lenses ]d$)G4X1
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems YLPiK
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17 Microscope Objectives ~JC``&6E=}
17.1 General Considerations gP/]05$e
17.2 Classic Objective Design Forms; The Aplanatic Front (5km]`7z
17.3 Flat-Field Objectives {y<_S]0
17.4 Reflecting Objectives eWwSD#N#
17.5 The Microscope Objective Designs %NeKDE
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18 Mirror and Catadioptric Systems HD=WHT&
18.1 The Good and Bad Points of Mirrors K\?vTgc(
18.2 The Classic Two-Mirror Systems ReSP)%oW
18.3 Catadioptric Systems 50_%Tl[
18.4 Aspheric Correctors and Schmidt Systems IH>+P]+3"3
18.5 Confocal Paraboloids xFg=Tyq:
18.6 Unobscured Systems 9oc[}k-M
18.7 Design of a Schmidt-Cassegrain “from Scratch” Bc t>EWQ
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19 Infrared and Ultraviolet Systems SvI
19.1 Infrared Optics ^gb2=gWZ<
19.2 IR Objective Lenses ;yHA.}
19.3 IR Telescope 7F+f6(hB
19.4 Laser Beam Expanders 2a?
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19,5 Ultraviolet Systems "G`)x+<~Z8
19.6 Microlithographic Lenses R?l>Vr
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20 Zoom Lenses <#`<Ys3b*!
20.1 Zoom Lenses E(u[?
20.2 Zoom Lenses for Point and Shoot Cameras nH[@EL
20.3 A 20X Video Zoom Lens "B+M5B0Z
20.4 A Zoom Scanner Lens .Ta$@sP h}
20.5 A Possible Zoom Lens Design Procedure zlSwKd(
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21 Projection TV Lenses and Macro Lenses (%I`EAR
21.1 Projection TV Lenses g1&GX(4[
21.2 Macro Lenses \;P Bx &
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22 Scanner/ , Laser Disk and Collimator Lenses k)S7SbQ
22.1 Monochromatic Systems Q@d X2
22.2 Scanner Lenses &3u*
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22.3 Laser Disk, Focusing, and Collimator Lenses jriliEz;f
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23 Tolerance Budgeting [bGdg
23.1 The Tolerance Budget F}sfk}rp
23.2 Additive Tolerances m4 4aKqw)
23.3 Establishing the Tolerance Budget 8(g:i#~
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24 Formulary snj+-'4T
24.1 Sign Conventions, Symbols, and Definitions rRsLl/d
24.2 The Cardinal Points 2OK%eVba
24.3 Image Equations A>d*<#x
24.4 Paraxial Ray Tracing (Surface by Surface)
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24.5 Invariants {H0B"i
24.6 Paraxial Ray Tracing (Component by Component) (U|W=@8`
24.7 Two-Componenet Relationships j\Q_NevV
24.8 Third-Order Aberrations – Surface Contributions Gia_B6*Y[
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs (a)d7y.oo
24.10 Stop Shift Equations )9@Ftzg|
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces N2~DxVJ5cT
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) /B1NcRS
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Glossary
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Reference pLk?<y
Index