"Modern Lens Design" 2nd Edition by Warren J. Smith hA}~es=c
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Contents of Modern Lens Design 2nd Edition jCioE
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1 Introduction x}TS
1.1 Lens Design Books ,1oQ cC
1.2 Reference Material
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1.3 Specifications 2o3EHZ+]cm
1.4 Lens Design ~j>D=!
1.5 Lens Design Program Features {sVY`}p|
1.6 About This Book p5\]5bb
t2 3'x0 l
2 Automatic Lens Design z' 7[T ie
2.2 The Merit Function K4Sk+
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2.3 Local Minima :~F :/5
2.4 The Landscape Lens ( #D*P l
2.5 Types of Merit Function vxFTen{-F
2.6 Stagnation 6E ~g# (8
2.7 Generalized Simulated Annealing G7GZDi
2.8 Considerations about Variables for Optimization )+P]Vf\ jH
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems JL=U,Mr6
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 7F^#o-@=J
2.11 Spectral Weighting B9R(&<4
2.12 How to Get Started .zg8 i_
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3 Improving a Design N8toxRu
3.1 Lens Design Tip Sheet: Standard Improvement Techniques [AU
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3.2 Glass Changes ( Index and V Values ) NVKC' ==0
3.3 Splitting Elements }t9.N`xu
3.4 Separating a Cemented Doublet L< ^j"!0
3.5 Compounding an Element ^y!;xc$(Qs
3.6 Vignetting and Its Uses *N'K/36;
3.7 Eliminating a Weak Element; the Concentric Problem ;0rGiWC#
3.8 Balancing Aberrations T9W`?A
3.9 The Symmetrical Principle =GlVc cc
3.10 Aspheric Surfaces H}hFFI)#Oo
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4 Evaluation: How Good is This Design bmgn cwlz
4.1 The Uses of a Preliminary Evaluation Sr?#wev]rn
4.2 OPD versus Measures of Performance 7?j;7.i
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4.3 Geometric Blur Spot Size versus Certain Aberrations gr-9l0u
4.4 Interpreting MTF - The Modulation Transfer Function W%<LTWOc
4.5 Fabrication Considerations >F1k R\!
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5 Lens Design Data 5 @U<I
5.1 About the Sample Lens Designs vo>d!rVCV
5.2 Lens Prescriptions, Drawings, and Aberration Plots ^ d}gpin
5.3 Estimating the Potential of a Redesign l^GP3S
5.4 Scaling a Desing, Its Aberrations, and Its MTF hu_ ^OlF
5.5 Notes on the Interpretation of Ray Intercept Plots :x.7vZzxs
5.6 Various Evaluation Plot z>sbr<doa
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6 Telescope Objective [B@'kwD\l
6.1 The Thin Airspaced Doublet <q*oV
6.2 Merit Function for a Telescope Objective De7T s
6.3 The Design of an f/7 Cemented Doublet Telescope Objective F+R?a+ e
6.4 Spherochromatism pl@O
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6.5 Zonal Spherical Aberration 2M#M"LHo
6.6 Induced Aberrations glD cUCF3
6.7 Three-Element Objectives lC:k7<0Ji
6.8 Secondary Spectrum (Apochromatic Systems) ^b: ( jI*l
6.9 The Design of an f/7 Apochromatic Triplet theZ ]5_C
6.10 The Diffractive Surface in Lens Design 8 fA_p}wp
6.11 A Final Note 8n1'x;
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7 Eyepieces and Magnifiers ?
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7.1 Eyepieces S$ KFf=0
7.2 A Pair of Magnifier Designs P96pm6H_;
7.3 The Simple, Classical Eyepieces 5T sU Qc
7.4 Design Story of an Eyepiece for a 6*30 Binocular ]7-& V-Ct*
7.5 Four-Element Eyepieces `:N# 'i
7.6 Five-Element Eyepieces A-:O`RK
7.7 Very High Index Eyepiece/Magnifier +"9hWb5
7.8 Six- and Seven-Element Eyepieces RMMd#/A@}
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8 Cooke Triplet Anastigmats a ]Lp?
8.1 Airspaced Triplet Anastigmats \RNg|G
8.2 Glass Choice [MuEoWrq(}
8.3 Vertex Length and Residual Aberrations OL4z%mDZi
8.4 Other Design Considerations s4&^D<
8.5 A Plastic, Aspheric Triplet Camera Lens U
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet !9 fz(9
8.7 Possible Improvement to Our “Basic” Triplet z-M3
8.7 The Rear Earth (Lanthanum) Glasses +P.+_7+:
8.9 Aspherizing the Surfaces hi g2
8.10 Increasing the Element Thickness xsWur(> ]
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9 Split Triplets v<Bynd-
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10 The Tessar, Heliar, and Other Compounded Triplets j*~T1i
10.1 The Classic Tessar 6e &>rq6C
10.2 The Heliar/Pentac eQQ>
10.3 The Portrait Lens and the Enlarger Lens cuOvN"nuNj
10.4 Other Compounded Triplets (O0Urm
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 2^?:&1:
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11 Double-Meniscus Anastigmats
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11.1 Meniscus Components NcY6 08C
11.2 The Hypergon, Totogon, and Metrogon 'X shmZ0&
11.3 A Two Element Aspheric Thick Meniscus Camera Lens !^Q.VYY
11.4 Protar, Dagor, and Convertible Lenses &89 oO@5
11.5 The Split Dagor 1S@v Gq}
11.6 The Dogmar {Zp\^/
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens )BRK ZQN
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12 The Biotar or Double-Gauss Lens ZvcJK4hi
12.1 The Basic Six-Element Version DY[$"8Kxcp
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens qCv20#!"|
12.3 The Seven-Element Biotar - Split-Rear Singlet RT%pDym\
12.4 The Seven-Element Biotar - Broken Contact Front Doublet `a9L%z
12.5 The Seven-Element Biotar - One Compounded Outer Element qKJSj
12.6 The Eight-Element Biotar TX#m&vh
12.7 A “Doubled Double-Gauss” Relay >}(CEzc8
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13 Telephoto Lenses kI%%i>Y}
13.1 The Basic Telephoto k}~O}~-
13.2 Close-up or Macro Lenses mFHH515
13.3 Telephoto Designs jsNF#yE>
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch PTj&3`v
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses j(~ *'&|(
14.1 The Reverse Telephoto Principle 4b:s<$TZ
14.2 The Basic Retrofocus Lens m*mm\wN5
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses NV#FvM/#"
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15 Wide Angle Lenses with Negative Outer Lenses @)K %2Y`
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16 The Petzval Lens; Head-up Display Lenses je]}R>[r5
16.1 The Petzval Portrait Lens x \QY@9
16.2 The Petzval Projection Lens |{,K RO0P
16.3 The Petzval with a Field Flattener T~b>B`_
16.4 Very Height Speed Petzval Lenses f-r]
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems p019)X|vx
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17 Microscope Objectives *3D%<kVl
17.1 General Considerations {W##^L~
17.2 Classic Objective Design Forms; The Aplanatic Front g (#f:"
17.3 Flat-Field Objectives [V}S <Xp
17.4 Reflecting Objectives . BiCBp<
17.5 The Microscope Objective Designs uPniLx\t:
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18 Mirror and Catadioptric Systems T 6~_Q}6
18.1 The Good and Bad Points of Mirrors UQ4% Xp
18.2 The Classic Two-Mirror Systems Pzb|t+"$
18.3 Catadioptric Systems Rar"B*b;$
18.4 Aspheric Correctors and Schmidt Systems +kFxi2L6
18.5 Confocal Paraboloids ,~?YBLw@c
18.6 Unobscured Systems .$#rV?7
18.7 Design of a Schmidt-Cassegrain “from Scratch” pFJB '=c
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19 Infrared and Ultraviolet Systems san,|yrMn
19.1 Infrared Optics #Z5}2soA
19.2 IR Objective Lenses kCXdGhb
19.3 IR Telescope l9M 0cZ,
19.4 Laser Beam Expanders aj}(E +
19,5 Ultraviolet Systems xz:J
19.6 Microlithographic Lenses | `;54_f
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20 Zoom Lenses )$,"u4
20.1 Zoom Lenses 1nu^F,M
20.2 Zoom Lenses for Point and Shoot Cameras uB7 V ?A
20.3 A 20X Video Zoom Lens %sRUh0AL
20.4 A Zoom Scanner Lens pBw0"ff
20.5 A Possible Zoom Lens Design Procedure lvp8z ) G
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21 Projection TV Lenses and Macro Lenses ooV*I|wcI
21.1 Projection TV Lenses [g2;N,V#
21.2 Macro Lenses x\Y $+A,P
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22 Scanner/ , Laser Disk and Collimator Lenses KOwOIDt
22.1 Monochromatic Systems V"!G2&
22.2 Scanner Lenses <`0h|m'U
22.3 Laser Disk, Focusing, and Collimator Lenses 0T>H)c6:\
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23 Tolerance Budgeting )P| [r
23.1 The Tolerance Budget wYlf^~#"
23.2 Additive Tolerances %K]euEqs
23.3 Establishing the Tolerance Budget W}|'#nR
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24 Formulary z ;u
24.1 Sign Conventions, Symbols, and Definitions ,[A'tUl _
24.2 The Cardinal Points (os $B
24.3 Image Equations 46k?b|Q
24.4 Paraxial Ray Tracing (Surface by Surface) d9n?v)<v
24.5 Invariants >*wtbkU
24.6 Paraxial Ray Tracing (Component by Component) F"N60>>
24.7 Two-Componenet Relationships sZLT<6_B
24.8 Third-Order Aberrations – Surface Contributions 4Yl ;
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs cr;g5C
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24.10 Stop Shift Equations b^[F ""!e
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces oc^Br~ Th
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) dZ _zg<
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Glossary -)~SM&
Reference jVH|uX"M5Y
Index
