[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith i^_#%L  
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Contents of Modern Lens Design 2nd Edition Rw6;Z  
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1    Introduction         HQUeWCN  
1.1    Lens Design Books     2:BF[c`  
1.2    Reference Material     ~go fQ  
1.3    Specifications     6*qL[m.F[o  
1.4    Lens Design     aWwPvd3  
1.5    Lens Design Program Features     R*oXmuOsYA  
1.6    About This Book     26dUA~
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2    Automatic Lens Design         ~_9n.C  
2.2    The Merit Function         n:0}utU4  
2.3    Local Minima    
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2.4    The Landscape Lens     $`8Ar,Xz`  
2.5    Types of Merit Function     9%iUG(DC  
2.6    Stagnation     "+z?x~rk  
2.7    Generalized Simulated Annealing     kM'"4[,nz  
2.8    Considerations about Variables for Optimization     [97KBoSU  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems RrhT'':[  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     &X|<@'933  
2.11    Spectral Weighting     J0 k  
2.12    How to Get Started     (faK+z,*6R  
rUlS'L;$"  
3    Improving a Design     t4qej  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     \.f}W_OF  
3.2    Glass Changes ( Index and V Values )     4<lQwV6=  
3.3    Splitting Elements     rrnNn'  
3.4    Separating a Cemented Doublet     ?\U!huu  
3.5    Compounding an Element     2>]a)  
3.6    Vignetting and Its Uses     c(U  
3.7    Eliminating a Weak Element; the Concentric Problem     $55U+)C<  
3.8    Balancing Aberrations     G
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3.9    The Symmetrical Principle     $s4Wkq  
3.10    Aspheric Surfaces     ;uqx@sx ;  
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4    Evaluation: How Good is This Design     zf.-I  
4.1    The Uses of a Preliminary Evaluation     ~"lJ'&J}  
4.2    OPD versus Measures of Performance     h6%[q x<  
4.3    Geometric Blur Spot Size versus Certain Aberrations     BR v+.(S  
4.4    Interpreting MTF - The Modulation Transfer Function     q8Nn%o=5V  
4.5    Fabrication Considerations     v!42DA)  
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5    Lens Design Data     \dlph  
5.1    About the Sample Lens Designs     !Y<oN~<%)  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     2/36dGFH  
5.3    Estimating the Potential of a Redesign     w-b' LP  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     g7CXlT0Q6  
5.5    Notes on the Interpretation of Ray Intercept Plots     BPqGJ7@  
5.6    Various Evaluation Plot     yMc:n"-[  
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6    Telescope Objective     .fzu"XAPu  
6.1    The Thin Airspaced Doublet     ,&7Wa-vf  
6.2    Merit Function for a Telescope Objective    
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6.3    The Design of an f/7 Cemented Doublet Telescope Objective     ?Pwx~[<1""  
6.4    Spherochromatism     3ta$L"a  
6.5    Zonal Spherical Aberration     b@t5`Y-+K  
6.6    Induced Aberrations     T#!lPH :&h  
6.7    Three-Element Objectives     >Z Ke  
6.8    Secondary Spectrum (Apochromatic Systems)     85|fyX  
6.9    The Design of an f/7 Apochromatic Triplet     CKlL~f EL  
6.10    The Diffractive Surface in Lens Design     WlV z,t'if  
6.11    A Final Note     6P`)%zj  
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7    Eyepieces and Magnifiers     |<`.fOxJP  
7.1    Eyepieces     maSgRf[g  
7.2    A Pair of Magnifier Designs     -$<O\5cAQ  
7.3    The Simple, Classical Eyepieces     (QB+%2v  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     7OVbP%n)d2  
7.5    Four-Element Eyepieces     h?UVDzI!O  
7.6    Five-Element Eyepieces     hzY[ G:  
7.7    Very High Index Eyepiece/Magnifier     G",.,Px  
7.8    Six- and Seven-Element Eyepieces     yg;_.4TpIO  
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8    Cooke Triplet Anastigmats     |%D%0TR&Q  
8.1    Airspaced Triplet Anastigmats     8I+d)(:  
8.2    Glass Choice     *Q}[ ]g  
8.3    Vertex Length and Residual Aberrations     c 5`US
 
8.4    Other Design Considerations     'GJVWpvUU  
8.5    A Plastic, Aspheric Triplet Camera Lens     w7-
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8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ~VTs:h  
8.7    Possible Improvement to Our “Basic” Triplet     Qbeeq6  
8.7    The Rear Earth (Lanthanum) Glasses     "DSPPE&[c  
8.9    Aspherizing the Surfaces     !q4x~G0d  
8.10    Increasing the Element Thickness     },+~F8B  
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9    Split Triplets     49 }{R/:  
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10    The Tessar, Heliar, and Other Compounded Triplets     jN/C'\QL  
10.1    The Classic Tessar     )%Y IGV;&  
10.2    The Heliar/Pentac     ujgLJ77  
10.3    The Portrait Lens and the Enlarger Lens     v })Q  
10.4    Other Compounded Triplets     {<w +3Va  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar AxCI 0  
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11    Double-Meniscus Anastigmats     6ri#Lw  
11.1    Meniscus Components     W7UtA.2LT  
11.2    The Hypergon, Totogon, and Metrogon     Jm(ixekp  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     G+"8l!dC?  
11.4    Protar, Dagor, and Convertible Lenses     V!|e#}1/  
11.5    The Split Dagor     ^[-> )  
11.6    The Dogmar      oYX{R  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     aW{L7N%  
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12    The Biotar or Double-Gauss Lens     BIWD/|LQ  
12.1    The Basic Six-Element Version     Pg^h,
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens
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12.3    The Seven-Element Biotar - Split-Rear Singlet     hSqMaX%G  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     P#G.lft"O  
12.5    The Seven-Element Biotar - One Compounded Outer Element     zp=!8Av  
12.6    The Eight-Element Biotar     o;J;*~g  
12.7    A “Doubled Double-Gauss” Relay     X<MpN5%|Wo  
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13    Telephoto Lenses     ~v:#zU  
13.1    The Basic Telephoto     8?jxDW a  
13.2    Close-up or Macro Lenses     ]TK=>;&  
13.3    Telephoto Designs     )&Z>@S^  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch T!( 4QRh[  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ZTf_#eS$  
14.1    The Reverse Telephoto Principle     #q4*]qGHm  
14.2    The Basic Retrofocus Lens     V 4qtaHf  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     mf*Nr0L;J  
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15    Wide Angle Lenses with Negative Outer Lenses     Xt(! a  
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16    The Petzval Lens; Head-up Display Lenses     ~8Sqa%F>  
16.1    The Petzval Portrait Lens     lL2-.!]R  
16.2    The Petzval Projection Lens     k
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16.3    The Petzval with a Field Flattener     QTh0SL  
16.4    Very Height Speed Petzval Lenses     Ysk,w,K  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     sX'U|)/pD  
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17    Microscope Objectives     ag]*DsBt  
17.1    General Considerations     Pc4R!Tc  
17.2    Classic Objective Design Forms; The Aplanatic Front     nGZ\<-  
17.3    Flat-Field Objectives     =49oU  
17.4    Reflecting Objectives     Ve:&'~F2 s  
17.5    The Microscope Objective Designs     ib50LCm  
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18    Mirror and Catadioptric Systems      Rkv  
18.1    The Good and Bad Points of Mirrors     iwz` x  
18.2    The Classic Two-Mirror Systems 'jbMTI  
18.3    Catadioptric Systems     4 ?2g&B\  
18.4    Aspheric Correctors and Schmidt Systems     7x+=7,BZd  
18.5    Confocal Paraboloids     'oi2Seq  
18.6    Unobscured Systems     RdkU2Y}V  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     9 x [X<  
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19    Infrared and Ultraviolet Systems     >40 GP#Vz  
19.1    Infrared Optics     Rkr^Z?/GH  
19.2    IR Objective Lenses     1E^{B8cm  
19.3    IR Telescope     =dn1}  
19.4    Laser Beam Expanders     |M _%QM.  
19,5    Ultraviolet Systems     -y<x!61  
19.6    Microlithographic Lenses     '^lUL) R  
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20    Zoom Lenses     ![q}BU4  
20.1    Zoom Lenses     x#o?>5Qg?  
20.2    Zoom Lenses for Point and Shoot Cameras     LI:?Y_r  
20.3    A 20X Video Zoom Lens     T:@7S  
20.4    A Zoom Scanner Lens     yr{5Rp05=  
20.5    A Possible Zoom Lens Design Procedure     D3]@i&^B  
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21    Projection TV Lenses and Macro Lenses     \vs%U}IrO  
21.1    Projection TV Lenses     _}z_yu#jY  
21.2    Macro Lenses     0i
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22    Scanner/ , Laser Disk and Collimator Lenses     MyM+C}  
22.1    Monochromatic Systems     cCYl$MskZ  
22.2    Scanner Lenses     >EeAPO4  
22.3    Laser Disk, Focusing, and Collimator Lenses     G/%Ubi6%  
    IPkA7VhFF  
23    Tolerance Budgeting     7zi"caY  
23.1    The Tolerance Budget     @!-aR u  
23.2    Additive Tolerances     Kd TE{].d  
23.3    Establishing the Tolerance Budget     w1.MhA  
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24    Formulary l92!2$]b  
24.1    Sign Conventions, Symbols, and Definitions     CElPU`J,\[  
24.2    The Cardinal Points     7rJ9 }/<I  
24.3    Image Equations     0~:eSWz=  
24.4    Paraxial Ray Tracing (Surface by Surface)     bA0uGLc  
24.5    Invariants     SkriX
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24.6    Paraxial Ray Tracing (Component by Component)     Y)5)s0}  
24.7    Two-Componenet Relationships     oFwG+W/  
24.8    Third-Order Aberrations – Surface Contributions     ^,~N7`  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     &s2#1  
24.10    Stop Shift Equations     &l?N:(r  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     %
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24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     K]%N-F>r  
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Glossary }=xI3;7  
Reference s&Z35IM8|  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 %igFHh?  
我怎么瞧不明白。

有没有人呀 ? 6yF{!F*  
有个问题想请教大家