"Modern Lens Design" 2nd Edition by Warren J. Smith zwlz zqV
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Contents of Modern Lens Design 2nd Edition e= ",58
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1 Introduction 3pkx3tp{
1.1 Lens Design Books }~ga86:n0
1.2 Reference Material xHn "D@
1.3 Specifications 1(a+ |
1.4 Lens Design @l~MY *hp
1.5 Lens Design Program Features B !1L W4^
1.6 About This Book ~:UAL}b{\~
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2 Automatic Lens Design , LDdL
2.2 The Merit Function HhUk9 >7
2.3 Local Minima JZ"XrS0 ?
2.4 The Landscape Lens 1KI5tf>>p
2.5 Types of Merit Function arn7<w0
2.6 Stagnation i uoZk5O
2.7 Generalized Simulated Annealing O6\t _.
2.8 Considerations about Variables for Optimization e[.JS6
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems | +aD%' |
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ue!wo-|#G
2.11 Spectral Weighting $ 4>x4*
2.12 How to Get Started %T~LK=m
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3 Improving a Design jbu+>
3.1 Lens Design Tip Sheet: Standard Improvement Techniques t[b Zg 9;
3.2 Glass Changes ( Index and V Values ) n'<F'1SWv
3.3 Splitting Elements l]geQl:7`r
3.4 Separating a Cemented Doublet 5G WC
3.5 Compounding an Element J<ZG&m362p
3.6 Vignetting and Its Uses ' n "n;
3.7 Eliminating a Weak Element; the Concentric Problem ;-{'d8
3.8 Balancing Aberrations I- WR6s=
3.9 The Symmetrical Principle -Rr Qv(
3.10 Aspheric Surfaces udX!R^8jE
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4 Evaluation: How Good is This Design +C`zI~8
4.1 The Uses of a Preliminary Evaluation )9V8&,
4.2 OPD versus Measures of Performance RjG=RfB'V
4.3 Geometric Blur Spot Size versus Certain Aberrations M{`uI8vD
4.4 Interpreting MTF - The Modulation Transfer Function bqm%@*fZo
4.5 Fabrication Considerations G\H |\i
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5 Lens Design Data SHUn<+/e
5.1 About the Sample Lens Designs _!E/ em
5.2 Lens Prescriptions, Drawings, and Aberration Plots {'q(a4
5.3 Estimating the Potential of a Redesign h[j(@P
5.4 Scaling a Desing, Its Aberrations, and Its MTF [7=?I.\Cr7
5.5 Notes on the Interpretation of Ray Intercept Plots )ZDqj
5.6 Various Evaluation Plot _{0 IX
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6 Telescope Objective 6vebGf
6.1 The Thin Airspaced Doublet |F52)<\
6.2 Merit Function for a Telescope Objective bc*CP0t|
6.3 The Design of an f/7 Cemented Doublet Telescope Objective |Ht~o(]&&/
6.4 Spherochromatism }F T8 [m<
6.5 Zonal Spherical Aberration ] d Q
6.6 Induced Aberrations } !RBH(m%
6.7 Three-Element Objectives oa8xuFu(n
6.8 Secondary Spectrum (Apochromatic Systems) \={A%pA;@{
6.9 The Design of an f/7 Apochromatic Triplet = s h]H$
6.10 The Diffractive Surface in Lens Design J I[9c,N
6.11 A Final Note |C.[eHe&D
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7 Eyepieces and Magnifiers WR fhxl
7.1 Eyepieces Vi\kB%
7.2 A Pair of Magnifier Designs aA&}=lm
7.3 The Simple, Classical Eyepieces {&s.* 5
7.4 Design Story of an Eyepiece for a 6*30 Binocular GF^ ?#Jh
7.5 Four-Element Eyepieces ]sV) '-
7.6 Five-Element Eyepieces ];au!
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7.7 Very High Index Eyepiece/Magnifier s<fzk1LZ
7.8 Six- and Seven-Element Eyepieces #)EVi7UP
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8 Cooke Triplet Anastigmats !ZT BiC5R
8.1 Airspaced Triplet Anastigmats #H/suQZN"g
8.2 Glass Choice 8YwSaBwO
8.3 Vertex Length and Residual Aberrations "}j v5j5
8.4 Other Design Considerations E3,Nc`'m9
8.5 A Plastic, Aspheric Triplet Camera Lens szU_,.\
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet *S{fyYyM
8.7 Possible Improvement to Our “Basic” Triplet WeRX ~
8.7 The Rear Earth (Lanthanum) Glasses k5]`: k6
8.9 Aspherizing the Surfaces _ 16IP
8.10 Increasing the Element Thickness | ;(0]
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9 Split Triplets wA7^
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10 The Tessar, Heliar, and Other Compounded Triplets 8+OcM
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10.1 The Classic Tessar CWS&f
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10.2 The Heliar/Pentac -@yu 9=DT
10.3 The Portrait Lens and the Enlarger Lens ,)7y? *D}
10.4 Other Compounded Triplets dSw%Qv*y
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar qB4 4;!(
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11 Double-Meniscus Anastigmats x*2I]4
11.1 Meniscus Components e95@4f^ K2
11.2 The Hypergon, Totogon, and Metrogon -|nHwSrCZ/
11.3 A Two Element Aspheric Thick Meniscus Camera Lens
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11.4 Protar, Dagor, and Convertible Lenses X*Cvh|
11.5 The Split Dagor -/ h'uG
11.6 The Dogmar 'r_NA!R
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens !Au 9C
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12 The Biotar or Double-Gauss Lens |\_d^U &`
12.1 The Basic Six-Element Version bf1EMai"
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ,CA3Q.y>|
12.3 The Seven-Element Biotar - Split-Rear Singlet a.!|A(zw
12.4 The Seven-Element Biotar - Broken Contact Front Doublet W2G@-`,
12.5 The Seven-Element Biotar - One Compounded Outer Element w*7BiZ{s<
12.6 The Eight-Element Biotar BARs1^pR4
12.7 A “Doubled Double-Gauss” Relay DQRr(r~2Kj
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13 Telephoto Lenses Ec; { N
13.1 The Basic Telephoto +1Ua`3dWN_
13.2 Close-up or Macro Lenses ?wQaM3 |^:
13.3 Telephoto Designs WyD L ah^/
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch UpIt"+d2&
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ej9|Y5D"S
14.1 The Reverse Telephoto Principle s`Z'5J;S
14.2 The Basic Retrofocus Lens P]b * hC
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -^+!:0';
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15 Wide Angle Lenses with Negative Outer Lenses )`B
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16 The Petzval Lens; Head-up Display Lenses I? o)X!
16.1 The Petzval Portrait Lens 3 A>Bnb
16.2 The Petzval Projection Lens 2 N$yn
16.3 The Petzval with a Field Flattener g<&n V>wF
16.4 Very Height Speed Petzval Lenses s#*T( pY
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 6~_ TXy/
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17 Microscope Objectives b ?-VZA:
17.1 General Considerations Y4.t :Uzr
17.2 Classic Objective Design Forms; The Aplanatic Front ollk {N
17.3 Flat-Field Objectives 4Cl41a
17.4 Reflecting Objectives q V +g Q
17.5 The Microscope Objective Designs hwR_<'!
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18 Mirror and Catadioptric Systems v Ol<
18.1 The Good and Bad Points of Mirrors ExDv7St1(k
18.2 The Classic Two-Mirror Systems &>]c"?C*
18.3 Catadioptric Systems uO,9h0y0W
18.4 Aspheric Correctors and Schmidt Systems j jLwHJ
18.5 Confocal Paraboloids $xl>YYEBMH
18.6 Unobscured Systems cB ,l= /?
18.7 Design of a Schmidt-Cassegrain “from Scratch” [)E.T,fjMQ
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19 Infrared and Ultraviolet Systems
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19.1 Infrared Optics
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19.2 IR Objective Lenses #-*#? -
19.3 IR Telescope 8:)W!tr
19.4 Laser Beam Expanders NEb M >1>^
19,5 Ultraviolet Systems BD (Y =g
19.6 Microlithographic Lenses g* & |Eq/
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20 Zoom Lenses 9AgTrP
20.1 Zoom Lenses m\hz Q9
20.2 Zoom Lenses for Point and Shoot Cameras {r,MRZaa
20.3 A 20X Video Zoom Lens L~PBD?l
20.4 A Zoom Scanner Lens 2Vn~o_ga
20.5 A Possible Zoom Lens Design Procedure f*IC ZM
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21 Projection TV Lenses and Macro Lenses XFiP8aX<
21.1 Projection TV Lenses 4%s6 d,6"
21.2 Macro Lenses ipThw p9
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22 Scanner/ , Laser Disk and Collimator Lenses X*^^W_LH.
22.1 Monochromatic Systems g$N/pg2>cT
22.2 Scanner Lenses i6Kcj
22.3 Laser Disk, Focusing, and Collimator Lenses CC8)yO
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23 Tolerance Budgeting \69h>h
23.1 The Tolerance Budget >-0\w P
23.2 Additive Tolerances $xK2M
23.3 Establishing the Tolerance Budget aGR!T{`
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24 Formulary EL?6x
24.1 Sign Conventions, Symbols, and Definitions b,tf]Z-
24.2 The Cardinal Points a bW[hp
24.3 Image Equations m/T3Um
24.4 Paraxial Ray Tracing (Surface by Surface) Q,f~7IVX
24.5 Invariants m'b9 f6
24.6 Paraxial Ray Tracing (Component by Component) 1#D &cx6
24.7 Two-Componenet Relationships iW
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24.8 Third-Order Aberrations – Surface Contributions 7^2
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Q/[g |"
24.10 Stop Shift Equations '=Z]mi/aw
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces k"z ~>
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) |g@n'^]
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Glossary y$R r,]L
Reference X^td`}F/=V
Index
