"Modern Lens Design" 2nd Edition by Warren J. Smith }lP;U$
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Contents of Modern Lens Design 2nd Edition !z 53OT!
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1 Introduction 1TS0X:TCn
1.1 Lens Design Books MP^ d}FL
1.2 Reference Material !8
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1.3 Specifications
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1.4 Lens Design /J3ZL[o?Q
1.5 Lens Design Program Features Aw5pd7qKL
1.6 About This Book !}f1`/
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2 Automatic Lens Design {sVY`}p|
2.2 The Merit Function p5\]5bb
2.3 Local Minima t23'x0l
2.4 The Landscape Lens z'7[T ie
2.5 Types of Merit Function K4Sk+
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2.6 Stagnation :~F :/5
2.7 Generalized Simulated Annealing (#D*Pl
2.8 Considerations about Variables for Optimization ke_[
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ^T5X)Nu{=C
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ~]HN9R^&
2.11 Spectral Weighting yWDTjY/
2.12 How to Get Started 6at1bQ$
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3 Improving a Design '3 33Ctxy
3.1 Lens Design Tip Sheet: Standard Improvement Techniques =<}<Ny
3.2 Glass Changes ( Index and V Values ) ({s6eqMhDd
3.3 Splitting Elements 0AK,&nbF
3.4 Separating a Cemented Doublet mLh kI!4[
3.5 Compounding an Element 2P#=a?~[
3.6 Vignetting and Its Uses /E;y,o75
3.7 Eliminating a Weak Element; the Concentric Problem #[{3} %b
3.8 Balancing Aberrations wh6yPVVF/
3.9 The Symmetrical Principle 8:=n*
3.10 Aspheric Surfaces E/M_lvQ
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4 Evaluation: How Good is This Design x5}'7,A
4.1 The Uses of a Preliminary Evaluation =m89z}Ot
4.2 OPD versus Measures of Performance #Z+i~t{e(
4.3 Geometric Blur Spot Size versus Certain Aberrations r;BT,jiX
4.4 Interpreting MTF - The Modulation Transfer Function ~{hxR)x9
4.5 Fabrication Considerations E>b2+;Jv
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5 Lens Design Data :W#rhuzC
5.1 About the Sample Lens Designs YB<*"HxM)}
5.2 Lens Prescriptions, Drawings, and Aberration Plots fmqb`%
5.3 Estimating the Potential of a Redesign C+[%7vF1
5.4 Scaling a Desing, Its Aberrations, and Its MTF ) J]9 lW&y
5.5 Notes on the Interpretation of Ray Intercept Plots [^CV>RuO
5.6 Various Evaluation Plot Y3.$G1{#0w
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6 Telescope Objective W1fW}0
6.1 The Thin Airspaced Doublet 5oEV-6
6.2 Merit Function for a Telescope Objective CTX9zrY*T
6.3 The Design of an f/7 Cemented Doublet Telescope Objective qm/Q65>E
6.4 Spherochromatism ZkL8 e
6.5 Zonal Spherical Aberration :B3[:MpL}
6.6 Induced Aberrations )?+$x[f!*
6.7 Three-Element Objectives P-F)%T[
6.8 Secondary Spectrum (Apochromatic Systems) 0a8/B>
6.9 The Design of an f/7 Apochromatic Triplet b@RHc!,>jV
6.10 The Diffractive Surface in Lens Design :w}{$v}#D;
6.11 A Final Note \(226^|j
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7 Eyepieces and Magnifiers sn7AR88M;
7.1 Eyepieces QaUm1i#
7.2 A Pair of Magnifier Designs rpeJkG@+
7.3 The Simple, Classical Eyepieces CYOI.#m2
7.4 Design Story of an Eyepiece for a 6*30 Binocular >U F
7.5 Four-Element Eyepieces +]=e;LN $0
7.6 Five-Element Eyepieces HeBcT^a
7.7 Very High Index Eyepiece/Magnifier DZzN>9<)^
7.8 Six- and Seven-Element Eyepieces hxce\OuU0h
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8 Cooke Triplet Anastigmats (c0A.L)
8.1 Airspaced Triplet Anastigmats W3`>8v1?o
8.2 Glass Choice 21k5I #U
8.3 Vertex Length and Residual Aberrations fXrXV~'8
8.4 Other Design Considerations 6'\6OsH
8.5 A Plastic, Aspheric Triplet Camera Lens ),%6V5a+E
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Y5fLmPza
8.7 Possible Improvement to Our “Basic” Triplet h -iJlm
8.7 The Rear Earth (Lanthanum) Glasses +`3!I
8.9 Aspherizing the Surfaces Gt9&)/#
8.10 Increasing the Element Thickness 9x,RvWTb
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9 Split Triplets [+O"<Ua
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10 The Tessar, Heliar, and Other Compounded Triplets A?Bif;
10.1 The Classic Tessar y%
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10.2 The Heliar/Pentac y:v, j42%
10.3 The Portrait Lens and the Enlarger Lens gZ5[
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10.4 Other Compounded Triplets >2#8B
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar cuOvN"nuNj
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11 Double-Meniscus Anastigmats 2^?:&1:
11.1 Meniscus Components >X*Mio8P#
11.2 The Hypergon, Totogon, and Metrogon
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens NcY608C
11.4 Protar, Dagor, and Convertible Lenses ^>"z@$|\:
11.5 The Split Dagor <&)v~-&O
11.6 The Dogmar &89oO@5
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 1S@vGq}
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12 The Biotar or Double-Gauss Lens Ef<b~E@
12.1 The Basic Six-Element Version |_uaS
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 'Ei;^Y 1e
12.3 The Seven-Element Biotar - Split-Rear Singlet b!M"VDjQ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 7FRmx4(!
12.5 The Seven-Element Biotar - One Compounded Outer Element ~c6}
12.6 The Eight-Element Biotar ^ns@O+Fk
12.7 A “Doubled Double-Gauss” Relay {rcnM7 S1L
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13 Telephoto Lenses j <o3JV
13.1 The Basic Telephoto ~axjjv
13.2 Close-up or Macro Lenses W_0>y9?
13.3 Telephoto Designs EI\9_}@,
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch jsNF#yE>
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Y#g4$"G9
14.1 The Reverse Telephoto Principle dDnf^7q/
14.2 The Basic Retrofocus Lens 2B,] -Mu)
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses z
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15 Wide Angle Lenses with Negative Outer Lenses xU%w=0z<
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16 The Petzval Lens; Head-up Display Lenses JgHM?AWg|
16.1 The Petzval Portrait Lens \e`~i@) ~Z
16.2 The Petzval Projection Lens 2.d| G`
16.3 The Petzval with a Field Flattener umdG(osR
16.4 Very Height Speed Petzval Lenses >2By
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems t='# |');
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17 Microscope Objectives [CAR[
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17.1 General Considerations &N;-J2M
17.2 Classic Objective Design Forms; The Aplanatic Front /Wf^hA
17.3 Flat-Field Objectives UUMtyf
17.4 Reflecting Objectives `%j~|i)4
17.5 The Microscope Objective Designs `)QCn<
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18 Mirror and Catadioptric Systems I2H6y"pN
18.1 The Good and Bad Points of Mirrors +S=Rn,
18.2 The Classic Two-Mirror Systems _!|/
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18.3 Catadioptric Systems aH#l9kCb
18.4 Aspheric Correctors and Schmidt Systems d[;.r
18.5 Confocal Paraboloids WKSPBT;
18.6 Unobscured Systems b=/curl&
18.7 Design of a Schmidt-Cassegrain “from Scratch” gkHNRAL
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19 Infrared and Ultraviolet Systems G}9=)
19.1 Infrared Optics #0Tq=:AE>
19.2 IR Objective Lenses /x1MPP>fu
19.3 IR Telescope z,|{fKtY}
19.4 Laser Beam Expanders &hk-1y9QS
19,5 Ultraviolet Systems ?Mee
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19.6 Microlithographic Lenses is/scv<
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20 Zoom Lenses +b3^.wkq
20.1 Zoom Lenses h;j IYxj
20.2 Zoom Lenses for Point and Shoot Cameras Zc?ppO
20.3 A 20X Video Zoom Lens YTw#JOO
20.4 A Zoom Scanner Lens HEGKX]
20.5 A Possible Zoom Lens Design Procedure )Jv[xY~
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21 Projection TV Lenses and Macro Lenses > ,DbNmi
21.1 Projection TV Lenses B7z -7&TE
21.2 Macro Lenses *FJZiPy
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22 Scanner/ , Laser Disk and Collimator Lenses #:d
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22.1 Monochromatic Systems K+6e?5t
22.2 Scanner Lenses lqb/eN9(t
22.3 Laser Disk, Focusing, and Collimator Lenses i.:. Y
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23 Tolerance Budgeting ce6__f5?
23.1 The Tolerance Budget \8uIER5)
23.2 Additive Tolerances vip~'
23.3 Establishing the Tolerance Budget D?Ux[O zb
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24 Formulary d,by/.2
24.1 Sign Conventions, Symbols, and Definitions P/`I.p ;
24.2 The Cardinal Points *x)8fAr
24.3 Image Equations u~)`&1{%
24.4 Paraxial Ray Tracing (Surface by Surface) sp*Vqd
24.5 Invariants Dn>%%K@0
24.6 Paraxial Ray Tracing (Component by Component) WlYs~(=9
24.7 Two-Componenet Relationships t
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24.8 Third-Order Aberrations – Surface Contributions =!Q7}z1QI
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ,E.' o=Z
24.10 Stop Shift Equations PoIl>c1MS
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces b2@VxdFN
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) RV&^g*;E
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Glossary o:6@Kw^
Reference !!o8N<NU
Index