[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith si,fs%D&  
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Contents of Modern Lens Design 2nd Edition -m)N~>{qS  
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1    Introduction         5$0@f`sj  
1.1    Lens Design Books     :%Na-j9hV)  
1.2    Reference Material     L,V\g^4$K  
1.3    Specifications     |H 0+.f;  
1.4    Lens Design     ST1PSuC~  
1.5    Lens Design Program Features     '0D2e  
1.6    About This Book     %YLdie6c  
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2    Automatic Lens Design         j#r|t
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2.2    The Merit Function         9cud CF  
2.3    Local Minima     `=^;q6f  
2.4    The Landscape Lens     SDpaW6(_  
2.5    Types of Merit Function     1?sR1du,  
2.6    Stagnation     AGkk|`  
2.7    Generalized Simulated Annealing     ) D:M_T2  
2.8    Considerations about Variables for Optimization     O0Y/y2d  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ]}H;`H  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     YpMQY-n  
2.11    Spectral Weighting     )B.NV<m  
2.12    How to Get Started     A$.woE@  
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3    Improving a Design     5fuOl-M0W  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     )MqF~[k<-  
3.2    Glass Changes ( Index and V Values )     w%;Z`Xn&u  
3.3    Splitting Elements     v`evuJ\3  
3.4    Separating a Cemented Doublet     lx,^Y647  
3.5    Compounding an Element     kb{h`  
3.6    Vignetting and Its Uses     hGyi@0  
3.7    Eliminating a Weak Element; the Concentric Problem     *.4;7#  
3.8    Balancing Aberrations     bSsX)wHm  
3.9    The Symmetrical Principle     VE1 B"s</  
3.10    Aspheric Surfaces     #?L%M  
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4    Evaluation: How Good is This Design     N
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4.1    The Uses of a Preliminary Evaluation     5-lc
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4.2    OPD versus Measures of Performance     X+"8yZz3?  
4.3    Geometric Blur Spot Size versus Certain Aberrations     +ou5cQ^  
4.4    Interpreting MTF - The Modulation Transfer Function     MFO}E!9`q  
4.5    Fabrication Considerations     a.QF`J4"'  
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5    Lens Design Data     ,y@`
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5.1    About the Sample Lens Designs     10xo<@l  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     (NrH)+)J!a  
5.3    Estimating the Potential of a Redesign     sr,8zKM)  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     Tx"}]AyB6  
5.5    Notes on the Interpretation of Ray Intercept Plots     C*Avu  
5.6    Various Evaluation Plot     ]>-#T  
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6    Telescope Objective     H~x,\|l#  
6.1    The Thin Airspaced Doublet     BoJ@bOe#  
6.2    Merit Function for a Telescope Objective     ];bB7+  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     gn"_()8cT  
6.4    Spherochromatism     | W:JI  
6.5    Zonal Spherical Aberration     \Ku6gEy  
6.6    Induced Aberrations     NMb`d0;(  
6.7    Three-Element Objectives     \NwL#bQ~  
6.8    Secondary Spectrum (Apochromatic Systems)     v{9< ATi  
6.9    The Design of an f/7 Apochromatic Triplet     ^50#R<Ny  
6.10    The Diffractive Surface in Lens Design     NidG|Yg~Z  
6.11    A Final Note     Un\h[m  
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7    Eyepieces and Magnifiers     6'd=% V  
7.1    Eyepieces     -ZqN~5>j)  
7.2    A Pair of Magnifier Designs     4{H>V_9zs  
7.3    The Simple, Classical Eyepieces     fwB+f`w`  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     &z;F'>"  
7.5    Four-Element Eyepieces     aR30wxW&)  
7.6    Five-Element Eyepieces     +`g&J  
7.7    Very High Index Eyepiece/Magnifier     Gr6XqO_  
7.8    Six- and Seven-Element Eyepieces     bj^YB,iSM  
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8    Cooke Triplet Anastigmats     _uU}J5d.  
8.1    Airspaced Triplet Anastigmats     |NFX"wv:c<  
8.2    Glass Choice     .hW_P62\#  
8.3    Vertex Length and Residual Aberrations     gf2<dEff  
8.4    Other Design Considerations     DP`$gd  
8.5    A Plastic, Aspheric Triplet Camera Lens     %9hzz5#  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet [|<2BQX  
8.7    Possible Improvement to Our “Basic” Triplet     X]d["  
8.7    The Rear Earth (Lanthanum) Glasses     [H$37Hx!  
8.9    Aspherizing the Surfaces     y1P KoN|K  
8.10    Increasing the Element Thickness     >e
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9    Split Triplets     ;\yY*  

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10    The Tessar, Heliar, and Other Compounded Triplets     G\3@QgyQ  
10.1    The Classic Tessar     cd,)GF  
10.2    The Heliar/Pentac     X,d`-aKO\y  
10.3    The Portrait Lens and the Enlarger Lens     ]h8[b9$<")  
10.4    Other Compounded Triplets     $r})j
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10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ek6PMZF:'  
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11    Double-Meniscus Anastigmats     w]Z*"B&h  
11.1    Meniscus Components     3]Rb2$p[=  
11.2    The Hypergon, Totogon, and Metrogon     'ms&ty*T  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     d7Lna^  
11.4    Protar, Dagor, and Convertible Lenses     T^YdAQeE  
11.5    The Split Dagor     0X =Yly*m@  
11.6    The Dogmar     cSy{*K{B  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     :/'2@M  
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12    The Biotar or Double-Gauss Lens     t~m >\(&  
12.1    The Basic Six-Element Version     R<aF;Rvb5  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 8/cD7O  
12.3    The Seven-Element Biotar - Split-Rear Singlet     Z^w11}  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     &t1?=F,]  
12.5    The Seven-Element Biotar - One Compounded Outer Element     _ S%3?Q  
12.6    The Eight-Element Biotar     v:0.  
12.7    A “Doubled Double-Gauss” Relay     ?u`+?"'H  
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13    Telephoto Lenses     b,U"N-6  
13.1    The Basic Telephoto     qzq_3^66  
13.2    Close-up or Macro Lenses     1j7^2Y|UT`  
13.3    Telephoto Designs     Z}74% 9qE  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]#>;C:L  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     `BA wef  
14.1    The Reverse Telephoto Principle     3dm lP2  
14.2    The Basic Retrofocus Lens     Hbz>D5$  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     &c<0g`x  
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15    Wide Angle Lenses with Negative Outer Lenses     04{*iS95J  
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16    The Petzval Lens; Head-up Display Lenses     RzG7Xr=t  
16.1    The Petzval Portrait Lens     ?CSc5b`eo  
16.2    The Petzval Projection Lens     #4uuT
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16.3    The Petzval with a Field Flattener     R7YLI1ov  
16.4    Very Height Speed Petzval Lenses     D{1k{/cF  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     J+oK:tzt8  
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17    Microscope Objectives     et[n;nl>V  
17.1    General Considerations     -olD!zKS  
17.2    Classic Objective Design Forms; The Aplanatic Front     UzZzt$Kw  
17.3    Flat-Field Objectives     &~`Ay4hq  
17.4    Reflecting Objectives     *N5cC#5`=  
17.5    The Microscope Objective Designs     $kPC"!X\  
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18    Mirror and Catadioptric Systems     Th&-n%r9K  
18.1    The Good and Bad Points of Mirrors     .{,
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18.2    The Classic Two-Mirror Systems Bn>"lDf,  
18.3    Catadioptric Systems     L
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18.4    Aspheric Correctors and Schmidt Systems     Jv*[@ -.k  
18.5    Confocal Paraboloids     Fy(-.S1  
18.6    Unobscured Systems     h>>KH*dQ  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     xb`,9.a7  
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19    Infrared and Ultraviolet Systems     8}9B*m  
19.1    Infrared Optics     Ww8<f$  
19.2    IR Objective Lenses     QkMK\Up  
19.3    IR Telescope     D vG9(Eh  
19.4    Laser Beam Expanders     0K/?8[#  
19,5    Ultraviolet Systems     !*Hgl\t6a  
19.6    Microlithographic Lenses     fB.xjp?  
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20    Zoom Lenses     jhs('n,  
20.1    Zoom Lenses     a:$h
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20.2    Zoom Lenses for Point and Shoot Cameras     {Dv^j#  
20.3    A 20X Video Zoom Lens     (J!FW(Ma|=  
20.4    A Zoom Scanner Lens     VRr_s:CWK  
20.5    A Possible Zoom Lens Design Procedure     C*O648yz[  
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21    Projection TV Lenses and Macro Lenses     p'# (^  
21.1    Projection TV Lenses     3]Jl\<0  
21.2    Macro Lenses     +n#(QOz  
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22    Scanner/ , Laser Disk and Collimator Lenses     Vaj4p""\F  
22.1    Monochromatic Systems     Cso!VdCX  
22.2    Scanner Lenses     *dB^B5  
22.3    Laser Disk, Focusing, and Collimator Lenses     ]xJ5}/  
    >cVEr+r9t  
23    Tolerance Budgeting     +n#kpi'T  
23.1    The Tolerance Budget     mc{gcZIm  
23.2    Additive Tolerances     qIm?F>>@  
23.3    Establishing the Tolerance Budget     gDY+'6m;  
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24    Formulary <Uz~V;  
24.1    Sign Conventions, Symbols, and Definitions     TQ-V61<5  
24.2    The Cardinal Points     w.tQ)x1h  
24.3    Image Equations     rgth2y]  
24.4    Paraxial Ray Tracing (Surface by Surface)     tCkKJ)m  
24.5    Invariants     d=?Kk4Ag  
24.6    Paraxial Ray Tracing (Component by Component)     a(|YLN  
24.7    Two-Componenet Relationships     @|yRo8|  
24.8    Third-Order Aberrations – Surface Contributions     Y\CR*om!W  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     0I|IL]JL  
24.10    Stop Shift Equations     kzZdYiC  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     P<Wtv;Z1Z  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     ;'^5$q  
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Glossary G$hH~{Y$  
Reference r3OTU$t?  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 MfX1&/Z+  
我怎么瞧不明白。

有没有人呀 0E6>PE;  
有个问题想请教大家