[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith VGkW3Nt0  
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Contents of Modern Lens Design 2nd Edition eYnLZ&H5O  
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1    Introduction         1gf/#+$\  
1.1    Lens Design Books     mkKRC;  
1.2    Reference Material     kG_&-b  
1.3    Specifications     ./aZ

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1.4    Lens Design     dw=Xjyk?h  
1.5    Lens Design Program Features     @$K![]oD  
1.6    About This Book     Oi+Qy[y2  
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2    Automatic Lens Design         nvm1.}=Cnd  
2.2    The Merit Function         ~2;&pZ$  
2.3    Local Minima     ROlzs}  
2.4    The Landscape Lens     LRfFn^FPM  
2.5    Types of Merit Function     q[Sp|C6x  
2.6    Stagnation     PaU@T!v  
2.7    Generalized Simulated Annealing    
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2.8    Considerations about Variables for Optimization     )w3XN A_V  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems XPR:_  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     +c~O0U1  
2.11    Spectral Weighting     1+.y,}F6b  
2.12    How to Get Started     {VrAh*#h  
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3    Improving a Design     6c;
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3.1    Lens Design Tip Sheet: Standard Improvement Techniques     }lrfO_  
3.2    Glass Changes ( Index and V Values )     *NX*/(Q  
3.3    Splitting Elements     )%nt61P\W  
3.4    Separating a Cemented Doublet     y.TdWnXx  
3.5    Compounding an Element     D8<0zxc=(  
3.6    Vignetting and Its Uses     /3"e3{uy  
3.7    Eliminating a Weak Element; the Concentric Problem     Xs#?~~"aC  
3.8    Balancing Aberrations     ^$Me#ls!  
3.9    The Symmetrical Principle     PgGrk5;  
3.10    Aspheric Surfaces     )BMWC k  
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4    Evaluation: How Good is This Design     >cU*D:  
4.1    The Uses of a Preliminary Evaluation     UJyiRP:#]>  
4.2    OPD versus Measures of Performance     A~%g"  
4.3    Geometric Blur Spot Size versus Certain Aberrations     "O"^\f  
4.4    Interpreting MTF - The Modulation Transfer Function     ;Wp`th!F  
4.5    Fabrication Considerations     }I'>r(K  
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5    Lens Design Data     r4z}yt+  
5.1    About the Sample Lens Designs     ix_$Ok  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     #L
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5.3    Estimating the Potential of a Redesign     E<fwl1<88  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     _4x[}e7KF  
5.5    Notes on the Interpretation of Ray Intercept Plots     1v8:,!C  
5.6    Various Evaluation Plot     c]:J/'vc  
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6    Telescope Objective     PPIG?fK)  
6.1    The Thin Airspaced Doublet     SE7 (+r  
6.2    Merit Function for a Telescope Objective     ]#Z$jq{,  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     ZLFdnC@  
6.4    Spherochromatism     C[/
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6.5    Zonal Spherical Aberration     /:c,v-  
6.6    Induced Aberrations     1.cUolnr  
6.7    Three-Element Objectives     tMs|UC  
6.8    Secondary Spectrum (Apochromatic Systems)     SieV%T0t1  
6.9    The Design of an f/7 Apochromatic Triplet     w7]p9B  
6.10    The Diffractive Surface in Lens Design     k)4lX|}Vm  
6.11    A Final Note     4UX]S\X  
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7    Eyepieces and Magnifiers     2l}FgD  
7.1    Eyepieces    
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7.2    A Pair of Magnifier Designs     crOtQ
 
7.3    The Simple, Classical Eyepieces     ^9m]KEucd7  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     +cp
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7.5    Four-Element Eyepieces     UY?]\4Om  
7.6    Five-Element Eyepieces     H2tpP~!G  
7.7    Very High Index Eyepiece/Magnifier     ]t!}D6p  
7.8    Six- and Seven-Element Eyepieces     ?PU(<A+  
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8    Cooke Triplet Anastigmats     nm

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8.1    Airspaced Triplet Anastigmats     uEi.nSp)S  
8.2    Glass Choice     8~L.6c5U  
8.3    Vertex Length and Residual Aberrations     g he=mQ-  
8.4    Other Design Considerations     "8Wc\YDh  
8.5    A Plastic, Aspheric Triplet Camera Lens     = ,E(!Sp  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet sNan"  
8.7    Possible Improvement to Our “Basic” Triplet     H_nOE(i<z  
8.7    The Rear Earth (Lanthanum) Glasses     w<^2h}5  
8.9    Aspherizing the Surfaces     DB?PS^-2  
8.10    Increasing the Element Thickness     Nv$gKC6 ,G  
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9    Split Triplets     ;>x1)|n5  
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10    The Tessar, Heliar, and Other Compounded Triplets     fw~%^*  
10.1    The Classic Tessar     { 'mY>s7  
10.2    The Heliar/Pentac     rgY?X$1q_  
10.3    The Portrait Lens and the Enlarger Lens     ,Z\,IRn  
10.4    Other Compounded Triplets     'MM~~:  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar UC2OYZb  
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11    Double-Meniscus Anastigmats     n[p9$W`  
11.1    Meniscus Components     T!eh?^E  
11.2    The Hypergon, Totogon, and Metrogon     0$dNrq  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     ^xu)~:} i  
11.4    Protar, Dagor, and Convertible Lenses     dCJR,},\f  
11.5    The Split Dagor     w5JC2  
11.6    The Dogmar     Qmh(+-Mp(  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     vWfef~}~  
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12    The Biotar or Double-Gauss Lens     YyBq+6nq5  
12.1    The Basic Six-Element Version     E$zq8-p|  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens */h9"B  
12.3    The Seven-Element Biotar - Split-Rear Singlet     )RKhEm%Vr2  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     J+*Y)k  
12.5    The Seven-Element Biotar - One Compounded Outer Element     f$*9J  
12.6    The Eight-Element Biotar     k |aOUW  
12.7    A “Doubled Double-Gauss” Relay     4!RI2?4V  
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13    Telephoto Lenses     6L% R@r
 
13.1    The Basic Telephoto     UDqKF85H  
13.2    Close-up or Macro Lenses     1+ARV&bc  
13.3    Telephoto Designs     )C0X]?  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch p:n^c5  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     XA^:n+Yo  
14.1    The Reverse Telephoto Principle     }K]VlFR  
14.2    The Basic Retrofocus Lens     'cc4Y~0s  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     Tk=3"y+u[  
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15    Wide Angle Lenses with Negative Outer Lenses     <(lSNGv5N  
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16    The Petzval Lens; Head-up Display Lenses     `r bqYU0  
16.1    The Petzval Portrait Lens     >~8Df61o`  
16.2    The Petzval Projection Lens     y:Ab5/bHy  
16.3    The Petzval with a Field Flattener     vF\zZ<R/  
16.4    Very Height Speed Petzval Lenses     j`pR;XL1[  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     %QZ!Tb  
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17    Microscope Objectives     H ?:#Ui(p  
17.1    General Considerations     )Ea_:
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17.2    Classic Objective Design Forms; The Aplanatic Front     \} Szb2  
17.3    Flat-Field Objectives     b-/x  
17.4    Reflecting Objectives     =_:L wmI  
17.5    The Microscope Objective Designs     C)kQi2T  
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18    Mirror and Catadioptric Systems     FDC{8e  
18.1    The Good and Bad Points of Mirrors     -k{R<L  
18.2    The Classic Two-Mirror Systems 6KTY`'I  
18.3    Catadioptric Systems     6)YNjh.{*  
18.4    Aspheric Correctors and Schmidt Systems     =5eDT~=2{U  
18.5    Confocal Paraboloids     .T
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18.6    Unobscured Systems     4V3 w$:,  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     6-YR'ikU  
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19    Infrared and Ultraviolet Systems     \+A<s,x  
19.1    Infrared Optics     9\0 K%LL  
19.2    IR Objective Lenses     &fj?hYAj  
19.3    IR Telescope     *0zH5c  
19.4    Laser Beam Expanders     e
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19,5    Ultraviolet Systems     D/`E!6Fk=  
19.6    Microlithographic Lenses     '$
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20    Zoom Lenses     H)+kN'J  
20.1    Zoom Lenses     )5OU!c  
20.2    Zoom Lenses for Point and Shoot Cameras     I]
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20.3    A 20X Video Zoom Lens     3?(p;  
20.4    A Zoom Scanner Lens     ?{IvA:   
20.5    A Possible Zoom Lens Design Procedure     MF(~!SOIG  
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21    Projection TV Lenses and Macro Lenses     Q~{@3<yEI  
21.1    Projection TV Lenses     ,~iAoxD5jY  
21.2    Macro Lenses     0GVok$r@  
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22    Scanner/ , Laser Disk and Collimator Lenses     %%[TM(z  
22.1    Monochromatic Systems     ]~ M -KT  
22.2    Scanner Lenses     dfcG'+RU}  
22.3    Laser Disk, Focusing, and Collimator Lenses     :wAB"TCt0  
    ufPQ~,.  
23    Tolerance Budgeting     4Pdk?vHK;  
23.1    The Tolerance Budget     [{*#cr f  
23.2    Additive Tolerances     F#wa)XH
 
23.3    Establishing the Tolerance Budget     /GaR&  
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24    Formulary }YO}LQ-|  
24.1    Sign Conventions, Symbols, and Definitions     `pUArqf  
24.2    The Cardinal Points     'wt|buu-H  
24.3    Image Equations     <k5~z(  
24.4    Paraxial Ray Tracing (Surface by Surface)     t_Wn<)XA  
24.5    Invariants     dp+Y?ufr  
24.6    Paraxial Ray Tracing (Component by Component)     mio'm  
24.7    Two-Componenet Relationships     7:%K-LeaQu  
24.8    Third-Order Aberrations – Surface Contributions     e>)5j1  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     T5;D0tM/  
24.10    Stop Shift Equations     I,;)pWX=@  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     kv b-=  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     |_*1/Wz@  
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Glossary =x}/q4}L  
Reference quYZD6IH  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 a srkuAS  
我怎么瞧不明白。

有没有人呀 
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有个问题想请教大家