"Modern Lens Design" 2nd Edition by Warren J. Smith qCpp6~]Um
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Contents of Modern Lens Design 2nd Edition {|_M
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1 Introduction V0.vQ/
1.1 Lens Design Books '+!1Y o'G
1.2 Reference Material J1RJ*mo7,
1.3 Specifications 1
A
!b E
1.4 Lens Design Jg\zdi:t
1.5 Lens Design Program Features JZ*/,|1}EC
1.6 About This Book K;Uvb(m{&
>xYpNtEs
2 Automatic Lens Design )<;Y-u.UW
2.2 The Merit Function KNpl:g3{<Q
2.3 Local Minima _] sn0rX
2.4 The Landscape Lens >#~& - 3
2.5 Types of Merit Function A) %/[GD2
2.6 Stagnation xU >WEm2
2.7 Generalized Simulated Annealing ,nLy4 T&"
2.8 Considerations about Variables for Optimization 0g y /:T
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems u#;7<.D
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits xH(lm2kvT
2.11 Spectral Weighting D4-ifs P
2.12 How to Get Started wb5baY9
z.9U} F
3 Improving a Design i6tf2oqO7
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Ug t.&IA
3.2 Glass Changes ( Index and V Values ) foF({4q7b^
3.3 Splitting Elements $i}y 8nlQ
3.4 Separating a Cemented Doublet &5spTMw8
3.5 Compounding an Element }{qZ[/JwqN
3.6 Vignetting and Its Uses [.'| _l
3.7 Eliminating a Weak Element; the Concentric Problem )72+\C[*~r
3.8 Balancing Aberrations l7259Ro~
3.9 The Symmetrical Principle +N9X/QFKV
3.10 Aspheric Surfaces EQ yC1j
'4Ixqb+
4 Evaluation: How Good is This Design RLynE V;]
4.1 The Uses of a Preliminary Evaluation %C'?@,7C
4.2 OPD versus Measures of Performance EC6DW=
4.3 Geometric Blur Spot Size versus Certain Aberrations Eh;'S"{/?j
4.4 Interpreting MTF - The Modulation Transfer Function Gg3,:A_ w
4.5 Fabrication Considerations Sh~dwxp*"
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5 Lens Design Data yZ(zdM\/sL
5.1 About the Sample Lens Designs -M~:lK]n
5.2 Lens Prescriptions, Drawings, and Aberration Plots i2A81>68<
5.3 Estimating the Potential of a Redesign eRst D>r
5.4 Scaling a Desing, Its Aberrations, and Its MTF }b"yU#`Q\
5.5 Notes on the Interpretation of Ray Intercept Plots v
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5.6 Various Evaluation Plot ]^n7
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6 Telescope Objective eKLZt%=
6.1 The Thin Airspaced Doublet [nG<[<0 G;
6.2 Merit Function for a Telescope Objective 9y8&9<#
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 7Lc]HSZ o,
6.4 Spherochromatism <X^@*79m
6.5 Zonal Spherical Aberration 4qbBc1,7y
6.6 Induced Aberrations
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6.7 Three-Element Objectives \fr~
6.8 Secondary Spectrum (Apochromatic Systems) B =T'5&
6.9 The Design of an f/7 Apochromatic Triplet |t&>5HM
6.10 The Diffractive Surface in Lens Design S_4?K)n #
6.11 A Final Note Ugt/rf 5n
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7 Eyepieces and Magnifiers $}q2 3
7.1 Eyepieces f#"J]p
7.2 A Pair of Magnifier Designs 9r<J"%*Q
7.3 The Simple, Classical Eyepieces T_
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7.4 Design Story of an Eyepiece for a 6*30 Binocular @#>rYAb8,
7.5 Four-Element Eyepieces ~i{(<.he
7.6 Five-Element Eyepieces f4b/NG|
7.7 Very High Index Eyepiece/Magnifier 7~% ?#
7.8 Six- and Seven-Element Eyepieces f=Gg9bnm3
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8 Cooke Triplet Anastigmats T#Z^s~7&I
8.1 Airspaced Triplet Anastigmats ,vawzq[oSy
8.2 Glass Choice !cLo> ,4
8.3 Vertex Length and Residual Aberrations 9Cp-qA%t
8.4 Other Design Considerations [z\$?VJspQ
8.5 A Plastic, Aspheric Triplet Camera Lens q=m'^
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ] t ,BMu=%
8.7 Possible Improvement to Our “Basic” Triplet :zbQD8 jv
8.7 The Rear Earth (Lanthanum) Glasses P [ck84F/
8.9 Aspherizing the Surfaces DGF5CK.O
8.10 Increasing the Element Thickness [`[ |l
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9 Split Triplets j#x6
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10 The Tessar, Heliar, and Other Compounded Triplets |4z IfAO
10.1 The Classic Tessar R nE 4<Cy
10.2 The Heliar/Pentac F 4z{LhZ
10.3 The Portrait Lens and the Enlarger Lens ~?Pw& K2
10.4 Other Compounded Triplets $dC?Tl|B0
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 9};8?mucr
qkY:3Ozw
11 Double-Meniscus Anastigmats LEf^cM=>
11.1 Meniscus Components !zpRrx _
11.2 The Hypergon, Totogon, and Metrogon 0<@KG8@hI;
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ~<5!?6Yt
11.4 Protar, Dagor, and Convertible Lenses yYYSeH
11.5 The Split Dagor &64h ;P<
11.6 The Dogmar vWv"
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens a0E)2vt4
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12 The Biotar or Double-Gauss Lens XFpjYwn
12.1 The Basic Six-Element Version h"Q8b}$^)
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens iC~^)-~H=w
12.3 The Seven-Element Biotar - Split-Rear Singlet M h}m;NI
12.4 The Seven-Element Biotar - Broken Contact Front Doublet UnV.~ u~
12.5 The Seven-Element Biotar - One Compounded Outer Element
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12.6 The Eight-Element Biotar 7U"g3 a)=
12.7 A “Doubled Double-Gauss” Relay W,n!3:7 s
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13 Telephoto Lenses sb*G!8j
13.1 The Basic Telephoto Eyqa?$R
13.2 Close-up or Macro Lenses %OCb:s
13.3 Telephoto Designs LL |r
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -3 *]G^y2
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses + GN(Ug'R
14.1 The Reverse Telephoto Principle U9 s&
14.2 The Basic Retrofocus Lens xm~ `7~nFR
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 3jU&zw9
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15 Wide Angle Lenses with Negative Outer Lenses : *#- %0
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16 The Petzval Lens; Head-up Display Lenses .`H5cuF`
16.1 The Petzval Portrait Lens my1@41
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16.2 The Petzval Projection Lens ET*SB
16.3 The Petzval with a Field Flattener )2o?#8J
16.4 Very Height Speed Petzval Lenses J]' zIOQ
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems f'RX6$}\1X
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17 Microscope Objectives | YWD8 +
17.1 General Considerations Ic<2QknmP
17.2 Classic Objective Design Forms; The Aplanatic Front Dx?,=~W9
17.3 Flat-Field Objectives n( yn<
17.4 Reflecting Objectives a58H9w"u)
17.5 The Microscope Objective Designs 2l'6.
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18 Mirror and Catadioptric Systems V f&zL
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18.1 The Good and Bad Points of Mirrors h ( dvZ=
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18.2 The Classic Two-Mirror Systems (%6P0*
18.3 Catadioptric Systems %[TR^Th6
18.4 Aspheric Correctors and Schmidt Systems 5C ]x!>kX
18.5 Confocal Paraboloids ;[DU% f
18.6 Unobscured Systems !f [_+CD
18.7 Design of a Schmidt-Cassegrain “from Scratch” \gaw6S>n}
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19 Infrared and Ultraviolet Systems cuI TY^6
19.1 Infrared Optics B9z?mt'|r)
19.2 IR Objective Lenses (?c"$|^ J
19.3 IR Telescope kDioD
19.4 Laser Beam Expanders CAhXQ7w'Z
19,5 Ultraviolet Systems j,eo2HaL
19.6 Microlithographic Lenses &p@O _0nF
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20 Zoom Lenses #c!lS<z
20.1 Zoom Lenses 03Ycf'W
20.2 Zoom Lenses for Point and Shoot Cameras d7upz]K9g
20.3 A 20X Video Zoom Lens "KpGlY?^
20.4 A Zoom Scanner Lens /([ kh~a
20.5 A Possible Zoom Lens Design Procedure KZE,bi: ~
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21 Projection TV Lenses and Macro Lenses \R_ C&=
21.1 Projection TV Lenses x 9fip-
21.2 Macro Lenses S=5o
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22 Scanner/ , Laser Disk and Collimator Lenses 24eLB? H
22.1 Monochromatic Systems T8$y[W-c
22.2 Scanner Lenses 73;GW 4,
22.3 Laser Disk, Focusing, and Collimator Lenses W${Ue#w77
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23 Tolerance Budgeting 99QU3c<.
23.1 The Tolerance Budget U5de@Y
23.2 Additive Tolerances
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23.3 Establishing the Tolerance Budget 8l`*]1.W<
q 2E_ A
24 Formulary qX{+oy5
24.1 Sign Conventions, Symbols, and Definitions F]&*o w
24.2 The Cardinal Points } q8ASYNc
24.3 Image Equations nNn :-
24.4 Paraxial Ray Tracing (Surface by Surface) NBGH_6DROw
24.5 Invariants z
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24.6 Paraxial Ray Tracing (Component by Component) S,he6zS
24.7 Two-Componenet Relationships xy;;zOh`
24.8 Third-Order Aberrations – Surface Contributions 4V`G,W4^J
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs [4f{w%~^
24.10 Stop Shift Equations b>ySv
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces NzvXN1_%
24.12 Conversion of Aberrations to Wavefront Deformation (OPD)
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6'f; -2
Glossary Q$"D]!G
Reference |sE'XT4ag
Index
