"Modern Lens Design" 2nd Edition by Warren J. Smith #!(OTe L
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Contents of Modern Lens Design 2nd Edition BO)K=gl;8
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1 Introduction 9aky+
1.1 Lens Design Books CBz$N) f
1.2 Reference Material EUZ#o\6
1.3 Specifications c `C
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1.4 Lens Design GY@(%^
1.5 Lens Design Program Features mxUM&`[
1.6 About This Book fgcI55&jV{
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2 Automatic Lens Design r!A1Sfo4P
2.2 The Merit Function R+
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2.3 Local Minima vDl6TKXcu
2.4 The Landscape Lens Rg@W0Bc)
2.5 Types of Merit Function Nr 5h%<`I
2.6 Stagnation X&R,-^
2.7 Generalized Simulated Annealing y^pzqv
2.8 Considerations about Variables for Optimization RS'!>9I
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 1Z-f@PoM
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits vZ3/t8$*
2.11 Spectral Weighting JtA
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2.12 How to Get Started ]@YBa4}w
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3 Improving a Design P(B:tg
3.1 Lens Design Tip Sheet: Standard Improvement Techniques uXD?s3Wv
3.2 Glass Changes ( Index and V Values ) [AgS@^"sf5
3.3 Splitting Elements /sHWJ?`&/,
3.4 Separating a Cemented Doublet )w\E^
3.5 Compounding an Element VE3,k'^v
3.6 Vignetting and Its Uses hS(}<B{x!
3.7 Eliminating a Weak Element; the Concentric Problem #J&45
3.8 Balancing Aberrations 5>{
3.9 The Symmetrical Principle <Sw>5M!j
3.10 Aspheric Surfaces 8:s"
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4 Evaluation: How Good is This Design ?}<4LK]
4.1 The Uses of a Preliminary Evaluation (<y~]ig y
4.2 OPD versus Measures of Performance ~@g7b`t=la
4.3 Geometric Blur Spot Size versus Certain Aberrations hbfTv;=z
4.4 Interpreting MTF - The Modulation Transfer Function c~j")o
4.5 Fabrication Considerations )y8 u+5^
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5 Lens Design Data 0V:7pSC{P
5.1 About the Sample Lens Designs s'/b&Idf8
5.2 Lens Prescriptions, Drawings, and Aberration Plots 6R_G{AWLL
5.3 Estimating the Potential of a Redesign H#yBWvj*H
5.4 Scaling a Desing, Its Aberrations, and Its MTF a
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5.5 Notes on the Interpretation of Ray Intercept Plots :mOHR&2xR%
5.6 Various Evaluation Plot #Fp5>%*
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6 Telescope Objective w=]id'`?q
6.1 The Thin Airspaced Doublet MA9Oi(L)K
6.2 Merit Function for a Telescope Objective B5FRe'UC
6.3 The Design of an f/7 Cemented Doublet Telescope Objective eRV4XB :
6.4 Spherochromatism ! n@*6
6.5 Zonal Spherical Aberration e}V3dC^pU
6.6 Induced Aberrations ib$_x:OO"
6.7 Three-Element Objectives hRKAs
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6.8 Secondary Spectrum (Apochromatic Systems) /"$A?}V
6.9 The Design of an f/7 Apochromatic Triplet BT[jD}?
6.10 The Diffractive Surface in Lens Design ,LD[R1TU8
6.11 A Final Note 9Rz TC
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7 Eyepieces and Magnifiers P'wn$WE[n\
7.1 Eyepieces btb$C
7.2 A Pair of Magnifier Designs k{M4.a[(
7.3 The Simple, Classical Eyepieces o u%Xnk~
7.4 Design Story of an Eyepiece for a 6*30 Binocular tXZE@JyuC
7.5 Four-Element Eyepieces ^o;f~6#17
7.6 Five-Element Eyepieces L?[NXLn+
7.7 Very High Index Eyepiece/Magnifier LI`L!6^l
7.8 Six- and Seven-Element Eyepieces 7t8[M(
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8 Cooke Triplet Anastigmats >b6!*Lrhs
8.1 Airspaced Triplet Anastigmats Ab|
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8.2 Glass Choice
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8.3 Vertex Length and Residual Aberrations 6
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8.4 Other Design Considerations bLSZZfq
8.5 A Plastic, Aspheric Triplet Camera Lens hT
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet m6'VMW
8.7 Possible Improvement to Our “Basic” Triplet rUg<(/c
8.7 The Rear Earth (Lanthanum) Glasses \U(;%V
8.9 Aspherizing the Surfaces jY: )W*TXt
8.10 Increasing the Element Thickness '{e9Vh<x
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9 Split Triplets &Nzq/~uqP
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10 The Tessar, Heliar, and Other Compounded Triplets l y!vbpE_
10.1 The Classic Tessar 4V2}'/|[
10.2 The Heliar/Pentac H]^hEQ3DT
10.3 The Portrait Lens and the Enlarger Lens I-L52%E]
10.4 Other Compounded Triplets %s|`1`c
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar aicvu(%EE
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11 Double-Meniscus Anastigmats lfle7;
11.1 Meniscus Components nTy8:k ']
11.2 The Hypergon, Totogon, and Metrogon 1R}rL#h;=
11.3 A Two Element Aspheric Thick Meniscus Camera Lens REEs}88);'
11.4 Protar, Dagor, and Convertible Lenses %9^^X6yLM
11.5 The Split Dagor NVt612/'7y
11.6 The Dogmar 5X4 #T&.
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens j@7%%
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12 The Biotar or Double-Gauss Lens E.ugr])
12.1 The Basic Six-Element Version XBvJc'(s
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens \B72 #NR
12.3 The Seven-Element Biotar - Split-Rear Singlet G)(vd0X1
12.4 The Seven-Element Biotar - Broken Contact Front Doublet -k4w$0)
12.5 The Seven-Element Biotar - One Compounded Outer Element >g {w,
12.6 The Eight-Element Biotar .el&\Jt
12.7 A “Doubled Double-Gauss” Relay WNO|ziy
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13 Telephoto Lenses 5c8tH=
13.1 The Basic Telephoto *h <_gn
13.2 Close-up or Macro Lenses F rKI=8
13.3 Telephoto Designs w<qn @f
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch >EacXPt-O
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses x/<eY<Vgm?
14.1 The Reverse Telephoto Principle 55%j$f
14.2 The Basic Retrofocus Lens x>C_O\
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses `rWT^E@p5m
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15 Wide Angle Lenses with Negative Outer Lenses ekR/X
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16 The Petzval Lens; Head-up Display Lenses Ro2Ab^rQ|
16.1 The Petzval Portrait Lens Ad:}i9-x
16.2 The Petzval Projection Lens kWSei3
16.3 The Petzval with a Field Flattener
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16.4 Very Height Speed Petzval Lenses 6_&uYA<8pE
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems >.xgo6
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17 Microscope Objectives -;1nv:7Z3
17.1 General Considerations N=vb*3ECg
17.2 Classic Objective Design Forms; The Aplanatic Front 5s7C;+
17.3 Flat-Field Objectives X2[d15!9
17.4 Reflecting Objectives @5=2+ M
17.5 The Microscope Objective Designs 9%^IMUWA
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18 Mirror and Catadioptric Systems {:%A
18.1 The Good and Bad Points of Mirrors ,f[`C-\Q%
18.2 The Classic Two-Mirror Systems \]Nt-3|`0
18.3 Catadioptric Systems ~MpcVI_K
18.4 Aspheric Correctors and Schmidt Systems '(6
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18.5 Confocal Paraboloids ~43T$^<w;
18.6 Unobscured Systems U+4W9zhwo
18.7 Design of a Schmidt-Cassegrain “from Scratch” cns~)j~
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19 Infrared and Ultraviolet Systems F7"v}K]X
19.1 Infrared Optics [YTOrN
19.2 IR Objective Lenses \F; S
19.3 IR Telescope eoGGWW@[
19.4 Laser Beam Expanders ,zP.ch0K
19,5 Ultraviolet Systems O: J;zv\
19.6 Microlithographic Lenses bT8 ?(Iu
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20 Zoom Lenses {L#+v~d^'n
20.1 Zoom Lenses !RPPwvNk4
20.2 Zoom Lenses for Point and Shoot Cameras TIIwq H+h.
20.3 A 20X Video Zoom Lens 4k]DktY}.
20.4 A Zoom Scanner Lens 9*ek5vPB
20.5 A Possible Zoom Lens Design Procedure o-ee3j.
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21 Projection TV Lenses and Macro Lenses U#mrbW
21.1 Projection TV Lenses g.:b\JE `
21.2 Macro Lenses *?`<Ea
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22 Scanner/ , Laser Disk and Collimator Lenses tB<2mjg
22.1 Monochromatic Systems Ir4M5OR\
22.2 Scanner Lenses BXxl-x
22.3 Laser Disk, Focusing, and Collimator Lenses a{y"vVQOF
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23 Tolerance Budgeting qN@-H6D1=
23.1 The Tolerance Budget *S?vw'n
23.2 Additive Tolerances F<Y>
23.3 Establishing the Tolerance Budget BIn7<.&
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24 Formulary 2+'4 m#@)
24.1 Sign Conventions, Symbols, and Definitions +]*hzWbe
24.2 The Cardinal Points b'mp$lt!
24.3 Image Equations g+zfa.wQ
24.4 Paraxial Ray Tracing (Surface by Surface) wF.S ,|
24.5 Invariants NNTUl$
24.6 Paraxial Ray Tracing (Component by Component) {[tx^b
24.7 Two-Componenet Relationships 2`V[Nb
24.8 Third-Order Aberrations – Surface Contributions -+H?0XN
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs J.g4I|{
24.10 Stop Shift Equations [+_0y[~,tB
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces rd0[(-
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) <ZwmXD.VD
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Glossary T!3_Q/~^r
Reference +}-Ecr
Index