"Modern Lens Design" 2nd Edition by Warren J. Smith ?ve#} \
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Contents of Modern Lens Design 2nd Edition &>H!}"Yk
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1 Introduction | [ >U H
1.1 Lens Design Books {&Q9"C
1.2 Reference Material F5o+kz$;
1.3 Specifications " LJq%E
1.4 Lens Design ? R>h `
1.5 Lens Design Program Features &IlU|4`R%
1.6 About This Book "n*~Mj Ny
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2 Automatic Lens Design 2h%z ("3/
2.2 The Merit Function ~Ch+5A;
2.3 Local Minima -kbg\,PW
2.4 The Landscape Lens r [ K5w
2.5 Types of Merit Function `mN4_\]
2.6 Stagnation S]E.KLR?[;
2.7 Generalized Simulated Annealing IT$25ZF
2.8 Considerations about Variables for Optimization E\C9|1)
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems t'ZWc\
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits rSrIEP,c'
2.11 Spectral Weighting U#U]Pt
2.12 How to Get Started MeUaTJFEB
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3 Improving a Design 0
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques 0:b2(^]bg
3.2 Glass Changes ( Index and V Values ) *&f$K1p
3.3 Splitting Elements -ig6w.%lk
3.4 Separating a Cemented Doublet 3N_"rNKD
3.5 Compounding an Element @/ k@WhFZ
3.6 Vignetting and Its Uses 1T[et-
3.7 Eliminating a Weak Element; the Concentric Problem QD%L0;j
3.8 Balancing Aberrations ]7e =fM9V;
3.9 The Symmetrical Principle uIZWO.OdU
3.10 Aspheric Surfaces GQ
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4 Evaluation: How Good is This Design y{N-+10z
4.1 The Uses of a Preliminary Evaluation J(6oL
4.2 OPD versus Measures of Performance :kGU,>BN
4.3 Geometric Blur Spot Size versus Certain Aberrations /d% = E
4.4 Interpreting MTF - The Modulation Transfer Function G\(|N9 ^:
4.5 Fabrication Considerations H<3I 5Kgt
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5 Lens Design Data |DsnNk0c
5.1 About the Sample Lens Designs 0'IB N}
5.2 Lens Prescriptions, Drawings, and Aberration Plots YY!Rz[/
5.3 Estimating the Potential of a Redesign ,TFIG^Dvq
5.4 Scaling a Desing, Its Aberrations, and Its MTF O?|gp<=d
5.5 Notes on the Interpretation of Ray Intercept Plots KGg 3 !jY
5.6 Various Evaluation Plot Z4\=*ic@
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6 Telescope Objective r-<F5<H+K@
6.1 The Thin Airspaced Doublet LGtIm7
6.2 Merit Function for a Telescope Objective h2D >; k
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Ng_!zrx04
6.4 Spherochromatism ye MB0Z*r
6.5 Zonal Spherical Aberration 6H7],aMg$A
6.6 Induced Aberrations 5 ;HH4?]p
6.7 Three-Element Objectives m Wv l 38
6.8 Secondary Spectrum (Apochromatic Systems) ynrT a..
6.9 The Design of an f/7 Apochromatic Triplet K1T4cUo
6.10 The Diffractive Surface in Lens Design 6AhM =C
6.11 A Final Note ej"+:. "\e
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7 Eyepieces and Magnifiers &c,kQo+pA
7.1 Eyepieces =y-@AU8
7.2 A Pair of Magnifier Designs J Px~VnE%%
7.3 The Simple, Classical Eyepieces G I1
7.4 Design Story of an Eyepiece for a 6*30 Binocular 1 .6:#
7.5 Four-Element Eyepieces 1Yn
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7.6 Five-Element Eyepieces <.? jc%
7.7 Very High Index Eyepiece/Magnifier <Sr
7.8 Six- and Seven-Element Eyepieces O`<KwU x !
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8 Cooke Triplet Anastigmats Ll4g[8
8.1 Airspaced Triplet Anastigmats c3CW Ri`LE
8.2 Glass Choice .yEBOMNZ
8.3 Vertex Length and Residual Aberrations zld#qG6
8.4 Other Design Considerations s ']Bx=
8.5 A Plastic, Aspheric Triplet Camera Lens ~
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet # }y2)g
8.7 Possible Improvement to Our “Basic” Triplet uu>Pk fo
8.7 The Rear Earth (Lanthanum) Glasses Kuu *&u
8.9 Aspherizing the Surfaces @ nCd
8.10 Increasing the Element Thickness 53n^3M,qK
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9 Split Triplets *vwbgJG! *
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10 The Tessar, Heliar, and Other Compounded Triplets 7 36Jq^T
10.1 The Classic Tessar D-._z: _
10.2 The Heliar/Pentac io8'g3<
10.3 The Portrait Lens and the Enlarger Lens q}?4f *W C
10.4 Other Compounded Triplets gK'1ZLdZ2
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar K 42K!8$
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11 Double-Meniscus Anastigmats cHk)i
11.1 Meniscus Components lE(a%'36
11.2 The Hypergon, Totogon, and Metrogon pz.JWCU1
11.3 A Two Element Aspheric Thick Meniscus Camera Lens
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11.4 Protar, Dagor, and Convertible Lenses ,1+y/{ S
11.5 The Split Dagor |M, iM]
11.6 The Dogmar
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <"my^
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12 The Biotar or Double-Gauss Lens fUA uqfj[
12.1 The Basic Six-Element Version >]vlkA(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens wMg0>
12.3 The Seven-Element Biotar - Split-Rear Singlet '|8} z4/g
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Zm_U R*"
12.5 The Seven-Element Biotar - One Compounded Outer Element T~##,qQ
12.6 The Eight-Element Biotar &keR~~/
12.7 A “Doubled Double-Gauss” Relay FwkuC09tI
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13 Telephoto Lenses n aR0@Q"\h
13.1 The Basic Telephoto 4i(JZN?
13.2 Close-up or Macro Lenses n|R J;d30Q
13.3 Telephoto Designs =k^Y ?.
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch VoWNW
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses :fZ}o| t7
14.1 The Reverse Telephoto Principle 8h*Icf
14.2 The Basic Retrofocus Lens tnN. :%mZ
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 7>))D'l57
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15 Wide Angle Lenses with Negative Outer Lenses !W}9no
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16 The Petzval Lens; Head-up Display Lenses jN;@=COi
16.1 The Petzval Portrait Lens 'm FqE n
16.2 The Petzval Projection Lens gv- xm
16.3 The Petzval with a Field Flattener Rnr(g;2
16.4 Very Height Speed Petzval Lenses YA_c
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems zck#tht4
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17 Microscope Objectives aJbO((%$|u
17.1 General Considerations :*Z4yx
17.2 Classic Objective Design Forms; The Aplanatic Front {E9+WFz5
17.3 Flat-Field Objectives Ez
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17.4 Reflecting Objectives }Mp:JPH&S4
17.5 The Microscope Objective Designs ;Q OBBF3HG
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18 Mirror and Catadioptric Systems l3Q(TH ~I
18.1 The Good and Bad Points of Mirrors %,}A@H ,
18.2 The Classic Two-Mirror Systems 7byK{{/z
18.3 Catadioptric Systems vgH3<pDiU6
18.4 Aspheric Correctors and Schmidt Systems *
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18.5 Confocal Paraboloids *rs5]U<
18.6 Unobscured Systems P3x= 8_#
18.7 Design of a Schmidt-Cassegrain “from Scratch” fzb29 -
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19 Infrared and Ultraviolet Systems bYpnt V
19.1 Infrared Optics Q kEvw<
19.2 IR Objective Lenses Dwr)0nk
19.3 IR Telescope 1PQ~jfGi
19.4 Laser Beam Expanders =[cS0Sy
19,5 Ultraviolet Systems n 22zq6m
19.6 Microlithographic Lenses VM
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20 Zoom Lenses fk6%XO
20.1 Zoom Lenses cl[ BF'.H
20.2 Zoom Lenses for Point and Shoot Cameras hV8[@&Sx3
20.3 A 20X Video Zoom Lens =.f-w0V
20.4 A Zoom Scanner Lens 5cL83F Qh
20.5 A Possible Zoom Lens Design Procedure |:q=T
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21 Projection TV Lenses and Macro Lenses (C-{B[Y
21.1 Projection TV Lenses )t0$qd ]
21.2 Macro Lenses *4Thd:7 `
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22 Scanner/ , Laser Disk and Collimator Lenses z;{iM/Xe
22.1 Monochromatic Systems );
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22.2 Scanner Lenses :~e>Ob[,"
22.3 Laser Disk, Focusing, and Collimator Lenses wSzv | \
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23 Tolerance Budgeting ^ =bu(L
23.1 The Tolerance Budget 5nv#+ap1 "
23.2 Additive Tolerances ?26I,:;
23.3 Establishing the Tolerance Budget "CSsCA$/
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24 Formulary J*yf2& lI5
24.1 Sign Conventions, Symbols, and Definitions Zd^rNHhA
24.2 The Cardinal Points cs,N <|
24.3 Image Equations twL3\
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24.4 Paraxial Ray Tracing (Surface by Surface) dp A jR
24.5 Invariants j"ThEx0
24.6 Paraxial Ray Tracing (Component by Component) #C~+JL
24.7 Two-Componenet Relationships GY6`JWk
24.8 Third-Order Aberrations – Surface Contributions m XRB7k
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs [-65PC4aN
24.10 Stop Shift Equations W98i[Q9A7
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces <r .)hT"0
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) tX9{hC^
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Glossary wa<MRt W=
Reference 9_# >aOqL
Index
