[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith m1X7zUCy  
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Contents of Modern Lens Design 2nd Edition zFq%[X  
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1    Introduction         v|%41xOsr  
1.1    Lens Design Books     UphTMyn3  
1.2    Reference Material     Jj-\Eb?  
1.3    Specifications     OyZR&,q  
1.4    Lens Design     =Z^5'h~  
1.5    Lens Design Program Features     (F4e}hr&  
1.6    About This Book     N)X Tmh2v|  
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2    Automatic Lens Design         k&dXK  
2.2    The Merit Function         ,MCTb'=G  
2.3    Local Minima     =Zq6iMD  
2.4    The Landscape Lens     VsQ|t/|#  
2.5    Types of Merit Function     H#TkIFo]  
2.6    Stagnation     )7>GXZG>=  
2.7    Generalized Simulated Annealing      ,&hv x  
2.8    Considerations about Variables for Optimization     Hf`i~6  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 0\dmp'j]  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     PM\Ju]  
2.11    Spectral Weighting     }>xwiSF?  
2.12    How to Get Started     KZ
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3    Improving a Design     Cr5ND\  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     !#KKJ`uB"  
3.2    Glass Changes ( Index and V Values )     QL/KY G  
3.3    Splitting Elements     *G58t`]r  
3.4    Separating a Cemented Doublet     =w$&n%~  
3.5    Compounding an Element     u"v7shRp:  
3.6    Vignetting and Its Uses     v Y[s#*+  
3.7    Eliminating a Weak Element; the Concentric Problem     U#3N90,N=  
3.8    Balancing Aberrations     nGF +a[Z  
3.9    The Symmetrical Principle     ],]Rv#`  
3.10    Aspheric Surfaces     @nktD.  
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4    Evaluation: How Good is This Design     Rt8[P6e"q  
4.1    The Uses of a Preliminary Evaluation     ?:;;0kSk  
4.2    OPD versus Measures of Performance     V\L;EHtc$  
4.3    Geometric Blur Spot Size versus Certain Aberrations     tu -a`h_NJ  
4.4    Interpreting MTF - The Modulation Transfer Function     ,h*gd^i  
4.5    Fabrication Considerations     n7!T{+ge  
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5    Lens Design Data     S#/BWNz|  
5.1    About the Sample Lens Designs     8M5)fDu*?  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     $BwWQ?lp  
5.3    Estimating the Potential of a Redesign     Bz]tKJ  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     z=D5*  
5.5    Notes on the Interpretation of Ray Intercept Plots     Af|h*V4Xu  
5.6    Various Evaluation Plot     R]"Zv'M(AM  
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6    Telescope Objective     ,>j3zjf^  
6.1    The Thin Airspaced Doublet     A0{xt*g   
6.2    Merit Function for a Telescope Objective     zj`c%9N+  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     'LYDJ~  
6.4    Spherochromatism     8~'cP?  
6.5    Zonal Spherical Aberration     ^z *0  
6.6    Induced Aberrations     #HcQ*BiF3  
6.7    Three-Element Objectives     |J&\/8Q  
6.8    Secondary Spectrum (Apochromatic Systems)     SyL"Bmi  
6.9    The Design of an f/7 Apochromatic Triplet     b<a3Ue%  
6.10    The Diffractive Surface in Lens Design     4:V +>Jt  
6.11    A Final Note     )M8d\]  
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7    Eyepieces and Magnifiers     +Br<;sW  
7.1    Eyepieces     u3h(EAH>  
7.2    A Pair of Magnifier Designs     k\OZ'dS  
7.3    The Simple, Classical Eyepieces     JU8}TX  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     $JFjR@j  
7.5    Four-Element Eyepieces     Oc)n,D)0  
7.6    Five-Element Eyepieces     a ,mgM&yD  
7.7    Very High Index Eyepiece/Magnifier     ~?/7:S  
7.8    Six- and Seven-Element Eyepieces     7F"ljkN1S  
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8    Cooke Triplet Anastigmats     Ab$E@H#  
8.1    Airspaced Triplet Anastigmats     c&D+=   
8.2    Glass Choice     0}i 9`p  
8.3    Vertex Length and Residual Aberrations     QytO0K5  
8.4    Other Design Considerations     / 4Q=%n  
8.5    A Plastic, Aspheric Triplet Camera Lens     e
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8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet DwBe_h.  
8.7    Possible Improvement to Our “Basic” Triplet     O@$>'Z  
8.7    The Rear Earth (Lanthanum) Glasses     =]@Bc 7@  
8.9    Aspherizing the Surfaces     `q}D#0  
8.10    Increasing the Element Thickness     A+/Lt>+AS  
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9    Split Triplets     (Q{JI~P  
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10    The Tessar, Heliar, and Other Compounded Triplets     /M5.Z~|/  
10.1    The Classic Tessar     {V[xBL <  
10.2    The Heliar/Pentac     7] y3<t  
10.3    The Portrait Lens and the Enlarger Lens     LNL}R[1(  
10.4    Other Compounded Triplets     .\bJ,of9  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar IR/S`HD_  
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11    Double-Meniscus Anastigmats     ~criZI/  
11.1    Meniscus Components     |1wZ`wGZ:L  
11.2    The Hypergon, Totogon, and Metrogon     UB@(r86d  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     {JWixbA  
11.4    Protar, Dagor, and Convertible Lenses     i?_Q@uA~<:  
11.5    The Split Dagor     o9sQ!gptw  
11.6    The Dogmar     b8a(.}8*  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     i7H([b<_m  
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12    The Biotar or Double-Gauss Lens     rT="ciQ  
12.1    The Basic Six-Element Version     B+FTkJ0t+G  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens t(}Y/'  
12.3    The Seven-Element Biotar - Split-Rear Singlet     ^aaj=p:cV  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     1=]#=)+  
12.5    The Seven-Element Biotar - One Compounded Outer Element     3\2&?VAjR  
12.6    The Eight-Element Biotar     ^(Gl$GC$Mu  
12.7    A “Doubled Double-Gauss” Relay     !jP[=  
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13    Telephoto Lenses     .Z7tE?  
13.1    The Basic Telephoto     /:!sn-(  
13.2    Close-up or Macro Lenses     9Zx| L/\  
13.3    Telephoto Designs     [?z;'O}y  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ufR|V-BWx  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     li3X}
  
14.1    The Reverse Telephoto Principle     aR6~r^jB  
14.2    The Basic Retrofocus Lens     ,>6mc=p  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     65B&>`H~  
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15    Wide Angle Lenses with Negative Outer Lenses     covCa)kf  
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16    The Petzval Lens; Head-up Display Lenses     L<  
16.1    The Petzval Portrait Lens     s2sJJdN  
16.2    The Petzval Projection Lens     D[T\_3W  
16.3    The Petzval with a Field Flattener     .9DhD=8aIO  
16.4    Very Height Speed Petzval Lenses     CS%ut-K<5M  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     L `2{H%J`  
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17    Microscope Objectives     xfUV'=~(  
17.1    General Considerations     25G~rklk  
17.2    Classic Objective Design Forms; The Aplanatic Front     N#J8 4i;ry  
17.3    Flat-Field Objectives     *`s*l+0b  
17.4    Reflecting Objectives     :CM2kh"Iu  
17.5    The Microscope Objective Designs     Z'AjeZyyE  
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18    Mirror and Catadioptric Systems     `34+~;;Jh  
18.1    The Good and Bad Points of Mirrors     B"7~[,he  
18.2    The Classic Two-Mirror Systems 5G<`c  
18.3    Catadioptric Systems     n~,6!S  
18.4    Aspheric Correctors and Schmidt Systems     y]Q/(O  
18.5    Confocal Paraboloids     Kd}%%L  
18.6    Unobscured Systems     M7DoAS{6e  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     BT:b&"AR[  
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19    Infrared and Ultraviolet Systems     ^(*eoe  
19.1    Infrared Optics     ~LH).\V  
19.2    IR Objective Lenses     m=`V  
19.3    IR Telescope     %*L8W*V  
19.4    Laser Beam Expanders     Ornm3%p+e  
19,5    Ultraviolet Systems     SM}& @cJ  
19.6    Microlithographic Lenses     kaZcYuT.9  
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20    Zoom Lenses     <95*z @  
20.1    Zoom Lenses     ZA4sEVHW  
20.2    Zoom Lenses for Point and Shoot Cameras     Gy
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20.3    A 20X Video Zoom Lens     @M*5q# s  
20.4    A Zoom Scanner Lens     ]VVx2ERs  
20.5    A Possible Zoom Lens Design Procedure     3qfQlqJ&3  
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21    Projection TV Lenses and Macro Lenses     yWYsN  
21.1    Projection TV Lenses     J<L"D/  
21.2    Macro Lenses     :2L-Nf  
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22    Scanner/ , Laser Disk and Collimator Lenses     f+Bv8 g  
22.1    Monochromatic Systems     r^d:Po  
22.2    Scanner Lenses     ovtZHq/  
22.3    Laser Disk, Focusing, and Collimator Lenses     K
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    )q+;+J`>  
23    Tolerance Budgeting     #1>c)_H  
23.1    The Tolerance Budget     c"'JMq  
23.2    Additive Tolerances     ( Qk*B  
23.3    Establishing the Tolerance Budget     uoY]@.  
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24    Formulary i/DUB<>p6  
24.1    Sign Conventions, Symbols, and Definitions     &-.2P!t  
24.2    The Cardinal Points     uY)|   
24.3    Image Equations     jivGkIj!8  
24.4    Paraxial Ray Tracing (Surface by Surface)     y#{> tC  
24.5    Invariants     o 3 G*   
24.6    Paraxial Ray Tracing (Component by Component)     ,|R\ Z,s  
24.7    Two-Componenet Relationships     [{-;cpM\  
24.8    Third-Order Aberrations – Surface Contributions     k5Df97\s  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     WGMEZx  
24.10    Stop Shift Equations     /9u12R*<  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     7OZjLD{ID  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     6c#1Do(W+  
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Glossary o7@81QA!e  
Reference y}lqF8s  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 y)e8pPDG  
我怎么瞧不明白。

有没有人呀 FH}2wO~_  
有个问题想请教大家