"Modern Lens Design" 2nd Edition by Warren J. Smith pma'C\b>
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Contents of Modern Lens Design 2nd Edition ggXg4~WL
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1 Introduction S:+SZq
1.1 Lens Design Books yiWBIJ2Wu9
1.2 Reference Material _cQTQ
1.3 Specifications cxp>4[gH
1.4 Lens Design 6;"jq92in*
1.5 Lens Design Program Features x9p,j
1.6 About This Book _.KKh62CN
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2 Automatic Lens Design )t0Y-),vA
2.2 The Merit Function PsjSL8]
2.3 Local Minima xf_NHKZ)
2.4 The Landscape Lens iLIH |P%
2.5 Types of Merit Function 5k)/SAU0
2.6 Stagnation h2QoBGL5
2.7 Generalized Simulated Annealing s9>-Q"(y
2.8 Considerations about Variables for Optimization EuOrwmdj
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 5RrzRAxq
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits <]2X~+v
2.11 Spectral Weighting o $7:*jU
2.12 How to Get Started kn:X^mDXC/
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3 Improving a Design ( d#E16y
3.1 Lens Design Tip Sheet: Standard Improvement Techniques AvfSR p
3.2 Glass Changes ( Index and V Values ) ]+u`E
3.3 Splitting Elements S%uwQ!=O8
3.4 Separating a Cemented Doublet x\z*iv
3.5 Compounding an Element p%/Z
3.6 Vignetting and Its Uses (&H-v'a}3
3.7 Eliminating a Weak Element; the Concentric Problem [K1RP.
3.8 Balancing Aberrations V^sZXdDNL
3.9 The Symmetrical Principle Q`j!$r
3.10 Aspheric Surfaces x|g>Zd/n
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4 Evaluation: How Good is This Design %{?EfULg
4.1 The Uses of a Preliminary Evaluation G6]W'Kk
4.2 OPD versus Measures of Performance (,*e\o
4.3 Geometric Blur Spot Size versus Certain Aberrations efW<
4.4 Interpreting MTF - The Modulation Transfer Function #;4<dDVy
4.5 Fabrication Considerations Q"itV&d,
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5 Lens Design Data 5 YjqN
5.1 About the Sample Lens Designs 'M8wjU
5.2 Lens Prescriptions, Drawings, and Aberration Plots t@m!k+0
5.3 Estimating the Potential of a Redesign Osz:23(p
5.4 Scaling a Desing, Its Aberrations, and Its MTF 0'j/ 9vm
5.5 Notes on the Interpretation of Ray Intercept Plots )(V|d$n
5.6 Various Evaluation Plot P_6JweN
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6 Telescope Objective }22h)){n#Y
6.1 The Thin Airspaced Doublet PWUS@I
6.2 Merit Function for a Telescope Objective !:"$1kh1("
6.3 The Design of an f/7 Cemented Doublet Telescope Objective G(joamfM
6.4 Spherochromatism 36iDiT_
6.5 Zonal Spherical Aberration <~s{&cL!%#
6.6 Induced Aberrations k;BXt:jDq
6.7 Three-Element Objectives <vS3[(
6.8 Secondary Spectrum (Apochromatic Systems) E "9`
6.9 The Design of an f/7 Apochromatic Triplet TC[(mf:8
6.10 The Diffractive Surface in Lens Design LGuK@^
6.11 A Final Note Cb:}AQ =
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7 Eyepieces and Magnifiers W@S>#3,
7.1 Eyepieces X^Dklqqy
7.2 A Pair of Magnifier Designs 5AFy6Ab
7.3 The Simple, Classical Eyepieces &}}UdJ`
7.4 Design Story of an Eyepiece for a 6*30 Binocular iR(=<>
7.5 Four-Element Eyepieces my|]:(_0d
7.6 Five-Element Eyepieces iwM$U(
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7.7 Very High Index Eyepiece/Magnifier !g|)?XWc
7.8 Six- and Seven-Element Eyepieces dZMf5=tb
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8 Cooke Triplet Anastigmats olLVT<
8.1 Airspaced Triplet Anastigmats $>if@}u
8.2 Glass Choice )DG>omCY
8.3 Vertex Length and Residual Aberrations MuI>ZoNF
8.4 Other Design Considerations bEvlk\iql
8.5 A Plastic, Aspheric Triplet Camera Lens OQ*BPmS-
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #M/^n0E
8.7 Possible Improvement to Our “Basic” Triplet R V@'$`Q
8.7 The Rear Earth (Lanthanum) Glasses L<dJWxf?D
8.9 Aspherizing the Surfaces H<N$z3k
8.10 Increasing the Element Thickness 9Su4nt`i
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9 Split Triplets zv.R~lMtY
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10 The Tessar, Heliar, and Other Compounded Triplets E@}
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10.1 The Classic Tessar S Lsw '<
10.2 The Heliar/Pentac "/ 9EUbca
10.3 The Portrait Lens and the Enlarger Lens Fi!BXngbd
10.4 Other Compounded Triplets (D5sJ$&E@\
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar AT{rg/oSf
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11 Double-Meniscus Anastigmats (i 2R1HCa
11.1 Meniscus Components c;6[lv
11.2 The Hypergon, Totogon, and Metrogon #S4lRVt5
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ,;D$d#\"
11.4 Protar, Dagor, and Convertible Lenses =%=lq0GF0
11.5 The Split Dagor #OMFv.
11.6 The Dogmar Py72:;wn
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens fex<9'e
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12 The Biotar or Double-Gauss Lens 'zo]
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12.1 The Basic Six-Element Version ojva~mnFf
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens _/c1b>kcso
12.3 The Seven-Element Biotar - Split-Rear Singlet kN~:Bh$
12.4 The Seven-Element Biotar - Broken Contact Front Doublet aTWCX${~b
12.5 The Seven-Element Biotar - One Compounded Outer Element tg~@(IT}j
12.6 The Eight-Element Biotar Tf*DFyr
12.7 A “Doubled Double-Gauss” Relay ,%=SO 82W
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13 Telephoto Lenses _GbwyfA
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13.1 The Basic Telephoto gfr+`4H >v
13.2 Close-up or Macro Lenses 7ciSIJ
13.3 Telephoto Designs ATG;*nIP
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 'W_u1l/
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses w\}@+w3b~
14.1 The Reverse Telephoto Principle m%s&$
14.2 The Basic Retrofocus Lens `uh+d
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses oE.59dx
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15 Wide Angle Lenses with Negative Outer Lenses `k;MGs)&
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16 The Petzval Lens; Head-up Display Lenses S*3*Q l*
16.1 The Petzval Portrait Lens o)2KQ$b>Q
16.2 The Petzval Projection Lens Q94Lq~?YF
16.3 The Petzval with a Field Flattener N|5fkx<d^
16.4 Very Height Speed Petzval Lenses $o%:ST4
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems DQI
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17 Microscope Objectives 'c/S$_r
17.1 General Considerations ^&Vj m
17.2 Classic Objective Design Forms; The Aplanatic Front EA``G8Vn>
17.3 Flat-Field Objectives <zWMTVaC
17.4 Reflecting Objectives 2L(\-]%f
17.5 The Microscope Objective Designs t9eEcqMg
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18 Mirror and Catadioptric Systems [,0[\NC
18.1 The Good and Bad Points of Mirrors +ktubJ@Qgj
18.2 The Classic Two-Mirror Systems ;.U<Lr^9#
18.3 Catadioptric Systems :B7dxE9[r
18.4 Aspheric Correctors and Schmidt Systems IQ\5!e
18.5 Confocal Paraboloids k -!Jww
18.6 Unobscured Systems w.o>G2u
18.7 Design of a Schmidt-Cassegrain “from Scratch” zL!}YR@&u"
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19 Infrared and Ultraviolet Systems 7R7e3p,K
19.1 Infrared Optics ?#~km0~F)
19.2 IR Objective Lenses 7!g"q\s
19.3 IR Telescope H8!)zZ
19.4 Laser Beam Expanders 8|) $;.
19,5 Ultraviolet Systems SpC6dkxD\
19.6 Microlithographic Lenses N8KH.P+
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20 Zoom Lenses =&t]R?
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20.1 Zoom Lenses =/e$Rp
20.2 Zoom Lenses for Point and Shoot Cameras `lcQ
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20.3 A 20X Video Zoom Lens 9<Ks2W.N
20.4 A Zoom Scanner Lens Ay@/{RZz
20.5 A Possible Zoom Lens Design Procedure br,xw c
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21 Projection TV Lenses and Macro Lenses 6]|-%
21.1 Projection TV Lenses EC/=JlL`5
21.2 Macro Lenses R~"&E#C
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22 Scanner/ , Laser Disk and Collimator Lenses {|B
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22.1 Monochromatic Systems A~X| vW
22.2 Scanner Lenses eb>jT:
22.3 Laser Disk, Focusing, and Collimator Lenses Oq*;GR(Q
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23 Tolerance Budgeting s4`,Z*H
23.1 The Tolerance Budget ^{Fo,7
23.2 Additive Tolerances Aa+<4
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23.3 Establishing the Tolerance Budget {BY(zsl
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24 Formulary VDFs.;:s
24.1 Sign Conventions, Symbols, and Definitions <Rfx`mn
24.2 The Cardinal Points &3$FkU^F6
24.3 Image Equations 6~OJB!
24.4 Paraxial Ray Tracing (Surface by Surface) Q9Vj8JO"{
24.5 Invariants WH_
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24.6 Paraxial Ray Tracing (Component by Component) muMd9\p
24.7 Two-Componenet Relationships z&Xk~R*$
24.8 Third-Order Aberrations – Surface Contributions BA8g[TA7K
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs N
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24.10 Stop Shift Equations f^)iv
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces `96MXP
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) T3NH8nH9"z
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Glossary /?NfU.+K
Reference Rn*@)5
Index