"Modern Lens Design" 2nd Edition by Warren J. Smith )H=[NB6J8
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Contents of Modern Lens Design 2nd Edition /Va&k4
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1 Introduction 85d7IB{28
1.1 Lens Design Books Z<m'he
1.2 Reference Material l1.Aw|'D
1.3 Specifications Y-q,Ovf!
1.4 Lens Design 5{x[EXE'
1.5 Lens Design Program Features ~{]m8a/ `6
1.6 About This Book ~wd?-$;070
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2 Automatic Lens Design D}
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2.2 The Merit Function 2%No>w}/2
2.3 Local Minima 'E6gEJ
2.4 The Landscape Lens QIxJFr;>
2.5 Types of Merit Function =;-ju@d
2.6 Stagnation H1c|b!C
2.7 Generalized Simulated Annealing (? #U&
2.8 Considerations about Variables for Optimization 2/<WWfX'
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems k-Hfip[ro
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits bD^ob.c.A
2.11 Spectral Weighting "8Wc\YDh
2.12 How to Get Started = ,E(!Sp
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3 Improving a Design eRWF7`HH+
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Fq\`1Ee{
3.2 Glass Changes ( Index and V Values ) otnY{r*
3.3 Splitting Elements Nv$gKC6 ,G
3.4 Separating a Cemented Doublet YdL1(|EdM
3.5 Compounding an Element ;>x1)|n5
3.6 Vignetting and Its Uses +sq,!6#G
3.7 Eliminating a Weak Element; the Concentric Problem fw~%^*
3.8 Balancing Aberrations {
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3.9 The Symmetrical Principle rgY?X$1q_
3.10 Aspheric Surfaces ,Z\,IRn
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4 Evaluation: How Good is This Design UC2OYZb
4.1 The Uses of a Preliminary Evaluation sT T455h)
4.2 OPD versus Measures of Performance n[p9$W`
4.3 Geometric Blur Spot Size versus Certain Aberrations T!eh?^E
4.4 Interpreting MTF - The Modulation Transfer Function 0$dNrq
4.5 Fabrication Considerations ^xu)~:} i
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5 Lens Design Data |k9j )Hg(
5.1 About the Sample Lens Designs c3 ]^f6)?
5.2 Lens Prescriptions, Drawings, and Aberration Plots tNNg[;0
5.3 Estimating the Potential of a Redesign yA )+-
5.4 Scaling a Desing, Its Aberrations, and Its MTF +OuG!3+w
5.5 Notes on the Interpretation of Ray Intercept Plots YyBq+6nq5
5.6 Various Evaluation Plot E$zq8-p|
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6 Telescope Objective n'(n4qH2#s
6.1 The Thin Airspaced Doublet 'C4Ll2
6.2 Merit Function for a Telescope Objective thboHPml{
6.3 The Design of an f/7 Cemented Doublet Telescope Objective *[/Xhx"
6.4 Spherochromatism ?fX8WRdh
6.5 Zonal Spherical Aberration !(AFT!
6.6 Induced Aberrations qk{UO
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6.7 Three-Element Objectives `pS)qx.a
6.8 Secondary Spectrum (Apochromatic Systems) ^RDXX+
6.9 The Design of an f/7 Apochromatic Triplet Kpbber
6.10 The Diffractive Surface in Lens Design P\4o4MF@K
6.11 A Final Note \$Qm2XKrK
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7 Eyepieces and Magnifiers XA^:n+Yo
7.1 Eyepieces }K]VlFR
7.2 A Pair of Magnifier Designs 'cc4Y~0s
7.3 The Simple, Classical Eyepieces Tk=3"y+u[
7.4 Design Story of an Eyepiece for a 6*30 Binocular +s 0Bt '
7.5 Four-Element Eyepieces bM_(`]&*
7.6 Five-Element Eyepieces u:kY4T+Z
7.7 Very High Index Eyepiece/Magnifier b4OR`dd*J
7.8 Six- and Seven-Element Eyepieces .
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8 Cooke Triplet Anastigmats VNot4 62L
8.1 Airspaced Triplet Anastigmats H%gD[!^
8.2 Glass Choice xR%ayT.
8.3 Vertex Length and Residual Aberrations hWe}(Ks
8.4 Other Design Considerations Lj AIB(*
8.5 A Plastic, Aspheric Triplet Camera Lens 0cU^ue%
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6df&B
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8.7 Possible Improvement to Our “Basic” Triplet u(a&x|WY
8.7 The Rear Earth (Lanthanum) Glasses kO>{<$
8.9 Aspherizing the Surfaces dNt|"9~&
8.10 Increasing the Element Thickness -KiS6$-
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9 Split Triplets W,J,h6{F
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10 The Tessar, Heliar, and Other Compounded Triplets }&hgedx
10.1 The Classic Tessar muq|^Hfb
10.2 The Heliar/Pentac NUtyUv
10.3 The Portrait Lens and the Enlarger Lens Ox'.sq4
10.4 Other Compounded Triplets N!~NQ-Re'
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar HwK "qq-
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11 Double-Meniscus Anastigmats n?tAa|_
11.1 Meniscus Components zSXC
11.2 The Hypergon, Totogon, and Metrogon [63;8l}
11.3 A Two Element Aspheric Thick Meniscus Camera Lens pa73`Ca]
11.4 Protar, Dagor, and Convertible Lenses >Tx;<G
11.5 The Split Dagor =^M t#h."
11.6 The Dogmar JOq<lb=
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens aH"c0A
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12 The Biotar or Double-Gauss Lens :_zKUv]
12.1 The Basic Six-Element Version C(Y6t1
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ,]"u!,yHb
12.3 The Seven-Element Biotar - Split-Rear Singlet T480w6-@
12.4 The Seven-Element Biotar - Broken Contact Front Doublet {`zF{AW8q
12.5 The Seven-Element Biotar - One Compounded Outer Element ~` hcgCi%
12.6 The Eight-Element Biotar t"Hrn3w
12.7 A “Doubled Double-Gauss” Relay 4BtdN-T}b
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13 Telephoto Lenses ::` wx@
13.1 The Basic Telephoto zghm2{:`?g
13.2 Close-up or Macro Lenses Z`KmH.l!
13.3 Telephoto Designs Nf'9]I
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch rXX|?9'
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses LeCU"~
14.1 The Reverse Telephoto Principle =SnR9In
14.2 The Basic Retrofocus Lens <`q o*__1
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Qd?P[xm
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15 Wide Angle Lenses with Negative Outer Lenses ^IYN"yX_
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16 The Petzval Lens; Head-up Display Lenses RGLqn{<