"Modern Lens Design" 2nd Edition by Warren J. Smith *8tI*Pus
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Contents of Modern Lens Design 2nd Edition wB{;bB{
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1 Introduction (x$9~;<S*d
1.1 Lens Design Books iIGbHn,/
1.2 Reference Material v^7LctcVm
1.3 Specifications e~T@~(fft
1.4 Lens Design q0bHB_|wL
1.5 Lens Design Program Features Y05P'Q
1.6 About This Book o(Cey7
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2 Automatic Lens Design 5I@w~z
2.2 The Merit Function A[YpcG'9
2.3 Local Minima ACK1@eF
2.4 The Landscape Lens [|3>MZ2/
2.5 Types of Merit Function ;|cTHGxbE
2.6 Stagnation ^U8r0]9
2.7 Generalized Simulated Annealing N=)z
2.8 Considerations about Variables for Optimization xyE1Gw`V
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems h`}3h<
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits LN_OD5gZ
2.11 Spectral Weighting 2w$twW-
2.12 How to Get Started U`x bPQ
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3 Improving a Design *AIEl"29
3.1 Lens Design Tip Sheet: Standard Improvement Techniques X{-9FDW
3.2 Glass Changes ( Index and V Values ) T^}
3.3 Splitting Elements /+3a n9h
3.4 Separating a Cemented Doublet <[/%{sUNC
3.5 Compounding an Element Bfv.$u00p
3.6 Vignetting and Its Uses J%]D%2vnk`
3.7 Eliminating a Weak Element; the Concentric Problem 'iLH `WE
3.8 Balancing Aberrations 8%~t
3.9 The Symmetrical Principle BD#.-xWV
3.10 Aspheric Surfaces te4= S
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4 Evaluation: How Good is This Design -NBiW6b~
4.1 The Uses of a Preliminary Evaluation vG2b:[W
4.2 OPD versus Measures of Performance GW2')}g
4.3 Geometric Blur Spot Size versus Certain Aberrations U~2`P
4.4 Interpreting MTF - The Modulation Transfer Function #m8sK(#lo
4.5 Fabrication Considerations wn11\j&
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5 Lens Design Data ;#G%U!p
5.1 About the Sample Lens Designs :<~7y.*O{
5.2 Lens Prescriptions, Drawings, and Aberration Plots $YG1z
5.3 Estimating the Potential of a Redesign sst,dA V$
5.4 Scaling a Desing, Its Aberrations, and Its MTF <Jp1A#
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5.5 Notes on the Interpretation of Ray Intercept Plots )-/gLZsx
5.6 Various Evaluation Plot |@o6NZ<9N
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6 Telescope Objective Jll-X\O`-
6.1 The Thin Airspaced Doublet nD,{3B#
6.2 Merit Function for a Telescope Objective *,\` o~
6.3 The Design of an f/7 Cemented Doublet Telescope Objective .%0ne:5
6.4 Spherochromatism 9|S` ub'
6.5 Zonal Spherical Aberration qSO*$1i
6.6 Induced Aberrations X^@[G8v%
6.7 Three-Element Objectives ]5v:5:H
6.8 Secondary Spectrum (Apochromatic Systems) 8Xm@r#Oy5
6.9 The Design of an f/7 Apochromatic Triplet ev>oC~>s
6.10 The Diffractive Surface in Lens Design fV ZW[9[
6.11 A Final Note ?Cci:Lin
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7 Eyepieces and Magnifiers I/UQ' xx
7.1 Eyepieces `!w^0kZ
7.2 A Pair of Magnifier Designs PtKTm\,JL0
7.3 The Simple, Classical Eyepieces O=jN&<rb
7.4 Design Story of an Eyepiece for a 6*30 Binocular ur2!#bU9
7.5 Four-Element Eyepieces '0+$ m=
7.6 Five-Element Eyepieces vg8O]
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7.7 Very High Index Eyepiece/Magnifier LBX%H GH
7.8 Six- and Seven-Element Eyepieces KC&`x|
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8 Cooke Triplet Anastigmats ~r`Wr`]_ z
8.1 Airspaced Triplet Anastigmats BGjb`U#%3
8.2 Glass Choice FUaNiAr[
8.3 Vertex Length and Residual Aberrations '.p? 6k!K
8.4 Other Design Considerations WSI
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8.5 A Plastic, Aspheric Triplet Camera Lens t^@T`2jL
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet hswTn`f
8.7 Possible Improvement to Our “Basic” Triplet A'"-m)1P
8.7 The Rear Earth (Lanthanum) Glasses E5B8 Z?$a
8.9 Aspherizing the Surfaces &
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8.10 Increasing the Element Thickness c)1=U_6 1
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9 Split Triplets '>^Xqn
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10 The Tessar, Heliar, and Other Compounded Triplets _9h.Gt
10.1 The Classic Tessar : z~!p~
10.2 The Heliar/Pentac {of]/3=
10.3 The Portrait Lens and the Enlarger Lens pVOI5>f\
10.4 Other Compounded Triplets v>WB FvyD
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar +?e}<#vd'?
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11 Double-Meniscus Anastigmats 5a$$95oL
11.1 Meniscus Components IH3FK!>6
11.2 The Hypergon, Totogon, and Metrogon `)tK^[,<W
11.3 A Two Element Aspheric Thick Meniscus Camera Lens {Nq?#%vdT
11.4 Protar, Dagor, and Convertible Lenses YkbO&~.
11.5 The Split Dagor yH(V&T