"Modern Lens Design" 2nd Edition by Warren J. Smith s'BlFB n
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Contents of Modern Lens Design 2nd Edition S.?DR3XLc
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1 Introduction B'b OK`p
1.1 Lens Design Books vz&88jt
1.2 Reference Material 4v9d&
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1.3 Specifications Y<_;8%S
1.4 Lens Design \Qf2:[-V0
1.5 Lens Design Program Features |3`8$-
1.6 About This Book wVc^l
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2 Automatic Lens Design HI,`O
2.2 The Merit Function wR"17z7[]
2.3 Local Minima K{ntl-D&y
2.4 The Landscape Lens k:N/-P&+
2.5 Types of Merit Function $ <3^( y
2.6 Stagnation 1jpft3*x
2.7 Generalized Simulated Annealing TYCjVxfu$
2.8 Considerations about Variables for Optimization ~y,m7%L
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems BKYyc6iE
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ,vAcri
97
2.11 Spectral Weighting bRr3:"=sE
2.12 How to Get Started h05<1>?|
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3 Improving a Design e%IbME]x
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ` }B,w-,io
3.2 Glass Changes ( Index and V Values ) (k_9<Yb3
3.3 Splitting Elements TIK'A<
3.4 Separating a Cemented Doublet hS&.-5v
3.5 Compounding an Element e\!Aoky
3.6 Vignetting and Its Uses ?%n"{k?#
3.7 Eliminating a Weak Element; the Concentric Problem Fh/sD?
3.8 Balancing Aberrations yD@1H(yM
3.9 The Symmetrical Principle *Rxn3tR7
3.10 Aspheric Surfaces Mh{>#Gs
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4 Evaluation: How Good is This Design +,j6dYub
4.1 The Uses of a Preliminary Evaluation p6ryUJc6
4.2 OPD versus Measures of Performance Mq_P'/
4.3 Geometric Blur Spot Size versus Certain Aberrations T`9nY!
4.4 Interpreting MTF - The Modulation Transfer Function 1-E utq
4.5 Fabrication Considerations M`E}1WNQ?]
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5 Lens Design Data +k[w)7Q
5.1 About the Sample Lens Designs nj1PR`AE
5.2 Lens Prescriptions, Drawings, and Aberration Plots <j3|Mh_(I
5.3 Estimating the Potential of a Redesign >]uu?!PU
5.4 Scaling a Desing, Its Aberrations, and Its MTF Xg;;<
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5.5 Notes on the Interpretation of Ray Intercept Plots ^x_$%8
5.6 Various Evaluation Plot WQbjq}RfI
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6 Telescope Objective p7HLSB2Rp
6.1 The Thin Airspaced Doublet Av4(=}M}@
6.2 Merit Function for a Telescope Objective Y?L>KiM$
6.3 The Design of an f/7 Cemented Doublet Telescope Objective !Uv>>MCr
6.4 Spherochromatism }0iHf'~DH*
6.5 Zonal Spherical Aberration $VhY"<
6.6 Induced Aberrations ;lfv.-u:<
6.7 Three-Element Objectives y|zIuI-p
6.8 Secondary Spectrum (Apochromatic Systems) KP7 {
6.9 The Design of an f/7 Apochromatic Triplet UcH#J &r
6.10 The Diffractive Surface in Lens Design \
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6.11 A Final Note [B +:)i
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7 Eyepieces and Magnifiers z 7+>G/o
7.1 Eyepieces 6ud<U#\b&
7.2 A Pair of Magnifier Designs }D.\2x(J
7.3 The Simple, Classical Eyepieces eN\+
7.4 Design Story of an Eyepiece for a 6*30 Binocular m]H]0T
7.5 Four-Element Eyepieces i%,
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7.6 Five-Element Eyepieces cBv"d ~
7.7 Very High Index Eyepiece/Magnifier b=U3&CV9
7.8 Six- and Seven-Element Eyepieces B2|0.G|[j
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8 Cooke Triplet Anastigmats hljKBx~
8.1 Airspaced Triplet Anastigmats 7_jlNr7uk
8.2 Glass Choice :,g]Om^
8.3 Vertex Length and Residual Aberrations U<E]c 4*
8.4 Other Design Considerations ^@{"a
8.5 A Plastic, Aspheric Triplet Camera Lens Pn6~66a6
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet OiS\tK?|GV
8.7 Possible Improvement to Our “Basic” Triplet xGOVMo
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8.7 The Rear Earth (Lanthanum) Glasses p1K]m>Y{?
8.9 Aspherizing the Surfaces <XtE|LG
8.10 Increasing the Element Thickness j%Xa8$
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9 Split Triplets yz5! >|EB
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10 The Tessar, Heliar, and Other Compounded Triplets vU]n0)<KB
10.1 The Classic Tessar gS@<sO$d>
10.2 The Heliar/Pentac V!>j:"
10.3 The Portrait Lens and the Enlarger Lens %QEyvl4
10.4 Other Compounded Triplets El: @l%
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 1iNMgA
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11 Double-Meniscus Anastigmats |\/\FK]?]
11.1 Meniscus Components r-*6#
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11.2 The Hypergon, Totogon, and Metrogon yn_.
11.3 A Two Element Aspheric Thick Meniscus Camera Lens -ZyY95E<
11.4 Protar, Dagor, and Convertible Lenses m l@%H
11.5 The Split Dagor 8FZC0j.^DH
11.6 The Dogmar MLg{Y?@
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens f-ceDn
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12 The Biotar or Double-Gauss Lens cza_LO(
12.1 The Basic Six-Element Version 72.Msnn
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens {?2|rv)
12.3 The Seven-Element Biotar - Split-Rear Singlet !pkIaCxs
12.4 The Seven-Element Biotar - Broken Contact Front Doublet C&R U
12.5 The Seven-Element Biotar - One Compounded Outer Element (DS"*4ty
12.6 The Eight-Element Biotar ~P"Agpx3u
12.7 A “Doubled Double-Gauss” Relay {$i>\)
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13 Telephoto Lenses {K6Z.-.`
13.1 The Basic Telephoto 8lGM>(:o
13.2 Close-up or Macro Lenses 6-0sBB9=u
13.3 Telephoto Designs ZoSyc--Bv
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch &[_@f#
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ?6{g7S%
14.1 The Reverse Telephoto Principle ?6hd(^
14.2 The Basic Retrofocus Lens YD;d*E%t
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 0a^bAEP
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15 Wide Angle Lenses with Negative Outer Lenses h]+;"v6 /
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16 The Petzval Lens; Head-up Display Lenses VJT /9O)Z|
16.1 The Petzval Portrait Lens >]xW{71F@
16.2 The Petzval Projection Lens rpDBKo
16.3 The Petzval with a Field Flattener o 9/,@Ri\5
16.4 Very Height Speed Petzval Lenses ('U TjV
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems /<IWdy]$3
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17 Microscope Objectives W5= j&&|!
17.1 General Considerations ;1{=t!z=
17.2 Classic Objective Design Forms; The Aplanatic Front QKB+mjMH#x
17.3 Flat-Field Objectives *hJWuMfY,
17.4 Reflecting Objectives UcOP 0_/
17.5 The Microscope Objective Designs \w>Rmf'|
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18 Mirror and Catadioptric Systems :KA)4[#;W
18.1 The Good and Bad Points of Mirrors jZPGUoRLg
18.2 The Classic Two-Mirror Systems jC>#`gD
18.3 Catadioptric Systems a0gg<Ml
18.4 Aspheric Correctors and Schmidt Systems ~:o$}`mW
18.5 Confocal Paraboloids D}lqd Ja
18.6 Unobscured Systems OFyy!r@?
18.7 Design of a Schmidt-Cassegrain “from Scratch” "~._G5i.
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19 Infrared and Ultraviolet Systems ~<9e}J
19.1 Infrared Optics ]1W xa?
19.2 IR Objective Lenses 2[uFAgf@
19.3 IR Telescope C=@4U}
19.4 Laser Beam Expanders naH(lz|v
19,5 Ultraviolet Systems strM3j##x
19.6 Microlithographic Lenses j/=Tj'S?D
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20 Zoom Lenses G9LWnyQt
20.1 Zoom Lenses {FKr^)g
20.2 Zoom Lenses for Point and Shoot Cameras #$-?[c$>
20.3 A 20X Video Zoom Lens GD]epr%V
20.4 A Zoom Scanner Lens u_
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20.5 A Possible Zoom Lens Design Procedure j~K(xf
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21 Projection TV Lenses and Macro Lenses s(5hFuyg
21.1 Projection TV Lenses UH}lKc=t
21.2 Macro Lenses +hr|$
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22 Scanner/ , Laser Disk and Collimator Lenses R6oD
22.1 Monochromatic Systems ng9e)lU~*b
22.2 Scanner Lenses u/6if9B
22.3 Laser Disk, Focusing, and Collimator Lenses QOYMT( j
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23 Tolerance Budgeting IF|;;*Z8
23.1 The Tolerance Budget ?O#,{ZZf=
23.2 Additive Tolerances N\B&|;-V
23.3 Establishing the Tolerance Budget y*{zX=]l<
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24 Formulary `'<$N<!
24.1 Sign Conventions, Symbols, and Definitions zEtsMU
24.2 The Cardinal Points UE"v+GH
24.3 Image Equations G~(\N?2
24.4 Paraxial Ray Tracing (Surface by Surface) [r8[lkR
24.5 Invariants K-#d1+P+
24.6 Paraxial Ray Tracing (Component by Component) hk:>*B}
24.7 Two-Componenet Relationships gDLS)4^w
24.8 Third-Order Aberrations – Surface Contributions =RD>#' sUK
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs UCfouQ Cj
24.10 Stop Shift Equations *8?2+)5"
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 8P-ay<6
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) so$(-4(E O
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Glossary vr4r,[B6y
Reference DGb1_2ZQ
Index