"Modern Lens Design" 2nd Edition by Warren J. Smith q&Q/ ?g>f
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Contents of Modern Lens Design 2nd Edition S9J5(lYv~N
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1 Introduction M2dmG<
1.1 Lens Design Books *. 8JP
1.2 Reference Material IK3qE!,&U
1.3 Specifications `0?^[; [u[
1.4 Lens Design $R";
1.5 Lens Design Program Features E[UO5X
1.6 About This Book HM) :"
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2 Automatic Lens Design dsK/6y u
2.2 The Merit Function *E}Oh
2.3 Local Minima 9Fk4|+OJ
2.4 The Landscape Lens 8^y= H=
2.5 Types of Merit Function A e6("Oid
2.6 Stagnation LP ,9<&"<
2.7 Generalized Simulated Annealing Mm.Ql
2.8 Considerations about Variables for Optimization W<Z$YWr
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 847 R
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits PRwu
2.11 Spectral Weighting dnwdFsf
2.12 How to Get Started Y#`Lcg+r,
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3 Improving a Design ) \ 4
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques x<@kjfm 5
3.2 Glass Changes ( Index and V Values )
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3.3 Splitting Elements 9^!wUwB
3.4 Separating a Cemented Doublet .uKx>YB}
3.5 Compounding an Element SW#BZ3L
3.6 Vignetting and Its Uses H UkerV
3.7 Eliminating a Weak Element; the Concentric Problem q`[K3p
3.8 Balancing Aberrations H <Hrwy~
3.9 The Symmetrical Principle ESIzGaM
3.10 Aspheric Surfaces jN6b*-2
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4 Evaluation: How Good is This Design (f~gEKcB2u
4.1 The Uses of a Preliminary Evaluation
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4.2 OPD versus Measures of Performance q &
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4.3 Geometric Blur Spot Size versus Certain Aberrations [f/.! @sj
4.4 Interpreting MTF - The Modulation Transfer Function JOHR mfqR
4.5 Fabrication Considerations `NSy"6{Z
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5 Lens Design Data _ 88QgThb
5.1 About the Sample Lens Designs cOb4 c*
5.2 Lens Prescriptions, Drawings, and Aberration Plots h@@d{{Iq T
5.3 Estimating the Potential of a Redesign bDWe U}
5.4 Scaling a Desing, Its Aberrations, and Its MTF l4 "\) ];
5.5 Notes on the Interpretation of Ray Intercept Plots sT`^ljp4
5.6 Various Evaluation Plot 13a(FG
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6 Telescope Objective q{E"pyt36R
6.1 The Thin Airspaced Doublet PrSkHxm
6.2 Merit Function for a Telescope Objective 4P%m>[
6.3 The Design of an f/7 Cemented Doublet Telescope Objective xnbsg!`;7W
6.4 Spherochromatism @rwU 1T33
6.5 Zonal Spherical Aberration DjwQ`MA
6.6 Induced Aberrations {6O0.}q]&
6.7 Three-Element Objectives FJT1i@N
6.8 Secondary Spectrum (Apochromatic Systems) ru{f]|
6.9 The Design of an f/7 Apochromatic Triplet }lP 5 GT2
6.10 The Diffractive Surface in Lens Design BS7J#8 cu
6.11 A Final Note :Q-oV8t{
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7 Eyepieces and Magnifiers +9[SVw8
7.1 Eyepieces :6lwO%=F
7.2 A Pair of Magnifier Designs a4&:@ ` =
7.3 The Simple, Classical Eyepieces gvyT-XI
7.4 Design Story of an Eyepiece for a 6*30 Binocular 5+K;_)
7.5 Four-Element Eyepieces q (>c`5
7.6 Five-Element Eyepieces ?4G(N=/&
7.7 Very High Index Eyepiece/Magnifier ,J(l J,c
7.8 Six- and Seven-Element Eyepieces : #$F)]y'\
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8 Cooke Triplet Anastigmats `f)(Y1%.
8.1 Airspaced Triplet Anastigmats ArzDI{1
8.2 Glass Choice .N"~zOV<#
8.3 Vertex Length and Residual Aberrations (A{NF(
8.4 Other Design Considerations Nfw Y DY
8.5 A Plastic, Aspheric Triplet Camera Lens i2PZ'.sL
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet z Z=$O-&%
8.7 Possible Improvement to Our “Basic” Triplet _ 08];M|
8.7 The Rear Earth (Lanthanum) Glasses 3.vgukkk5
8.9 Aspherizing the Surfaces aFY u}kl
8.10 Increasing the Element Thickness |nY~ZVTt/
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9 Split Triplets Y"!uU.=xJ
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10 The Tessar, Heliar, and Other Compounded Triplets >F3.c%VU]w
10.1 The Classic Tessar A#DR9Eq
10.2 The Heliar/Pentac |RhM| i
10.3 The Portrait Lens and the Enlarger Lens I:$"E%
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10.4 Other Compounded Triplets eH
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar kus}W J
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11 Double-Meniscus Anastigmats 6 I |A- h
11.1 Meniscus Components #?&0D>E ?k
11.2 The Hypergon, Totogon, and Metrogon 8h.V4/?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens {TAw)!R~
11.4 Protar, Dagor, and Convertible Lenses M{G xjmdx
11.5 The Split Dagor !/hsJ9
11.6 The Dogmar nl
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens }1 QF+C f
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12 The Biotar or Double-Gauss Lens "!L kp2\
12.1 The Basic Six-Element Version saW!9HQj
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens S "
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12.3 The Seven-Element Biotar - Split-Rear Singlet Gt~JA0+C)7
12.4 The Seven-Element Biotar - Broken Contact Front Doublet (V?@?2 5
12.5 The Seven-Element Biotar - One Compounded Outer Element u) *Kws
12.6 The Eight-Element Biotar m 22wF>9
12.7 A “Doubled Double-Gauss” Relay `ZGcgO< c\
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13 Telephoto Lenses G/{
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13.1 The Basic Telephoto 9B/ 1*+ M
13.2 Close-up or Macro Lenses B9M>e'H%<
13.3 Telephoto Designs SUE
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Q~Ea8UT. #
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses T bf:eVIG
14.1 The Reverse Telephoto Principle [,g~m9
14.2 The Basic Retrofocus Lens !buz<h
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses :"'nK6>
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15 Wide Angle Lenses with Negative Outer Lenses *< 9 $D
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16 The Petzval Lens; Head-up Display Lenses fgCT!s7z
16.1 The Petzval Portrait Lens ,]$A\+m'
16.2 The Petzval Projection Lens m{(+ 6-8|m
16.3 The Petzval with a Field Flattener Vb)zZ^va+
16.4 Very Height Speed Petzval Lenses &; >4N"]
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems m ,tXE%l
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17 Microscope Objectives L`3n2DEBf
17.1 General Considerations )2.)3w1_4
17.2 Classic Objective Design Forms; The Aplanatic Front .
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17.3 Flat-Field Objectives c K <)$*
17.4 Reflecting Objectives }5b M1h#z
17.5 The Microscope Objective Designs |~e?,[-2`r
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18 Mirror and Catadioptric Systems {#hVD4$b
18.1 The Good and Bad Points of Mirrors |t6~%6^8
18.2 The Classic Two-Mirror Systems r@$ w*%
18.3 Catadioptric Systems (:sZ
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18.4 Aspheric Correctors and Schmidt Systems GdA.g
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18.5 Confocal Paraboloids $0qMQ%P
18.6 Unobscured Systems <avQR 9'&
18.7 Design of a Schmidt-Cassegrain “from Scratch” fRHKQ(a#
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19 Infrared and Ultraviolet Systems 4#BRx#\ O
19.1 Infrared Optics CqoG.1jJS
19.2 IR Objective Lenses J8Z0D:5
19.3 IR Telescope R Kuqx:U
19.4 Laser Beam Expanders ];F tS>\x
19,5 Ultraviolet Systems VKuAO$s$
19.6 Microlithographic Lenses e!X(yJI[O6
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20 Zoom Lenses dM]#WBOP y
20.1 Zoom Lenses a j8Rb&
20.2 Zoom Lenses for Point and Shoot Cameras 0k[2j h
20.3 A 20X Video Zoom Lens EHI 'xt
20.4 A Zoom Scanner Lens nk@atK,38^
20.5 A Possible Zoom Lens Design Procedure J YmAn ?o-
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21 Projection TV Lenses and Macro Lenses 4 I@p%g&
21.1 Projection TV Lenses *'8Ln tZf
21.2 Macro Lenses Ge \["`;i
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22 Scanner/ , Laser Disk and Collimator Lenses
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22.1 Monochromatic Systems iRw&49
22.2 Scanner Lenses Ix 8$njp[
22.3 Laser Disk, Focusing, and Collimator Lenses dUL S^i@@
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23 Tolerance Budgeting ~5OL6Bi-q
23.1 The Tolerance Budget @*O?6 >
23.2 Additive Tolerances }Dfwm)]Q
23.3 Establishing the Tolerance Budget Tls a%pn
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24 Formulary o0I9M?lP
24.1 Sign Conventions, Symbols, and Definitions 0 (\+-<
24.2 The Cardinal Points 5<R%H{3j
24.3 Image Equations 82:Wvp6
24.4 Paraxial Ray Tracing (Surface by Surface) PHr a+NY#A
24.5 Invariants gv.6h{U t
24.6 Paraxial Ray Tracing (Component by Component) s~L</X vo
24.7 Two-Componenet Relationships Vfs $ VY2.
24.8 Third-Order Aberrations – Surface Contributions kgW @RD|
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 8q^o.+9
24.10 Stop Shift Equations K4 %/!`
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces r`M6 !}oa
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) +4)7j&L
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Glossary ALT^8c&K
Reference QMp r v*i
Index
