"Modern Lens Design" 2nd Edition by Warren J. Smith A{QS+fa/
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Contents of Modern Lens Design 2nd Edition ZD/!C9:&.0
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1 Introduction w%ForDB>P
1.1 Lens Design Books Dz?F,g_
1.2 Reference Material ktCh*R[`
1.3 Specifications L2$%h1
1.4 Lens Design 1\McsX4
1.5 Lens Design Program Features }7V/(K
1.6 About This Book tua+R_"
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2 Automatic Lens Design Ah,Zm4:
2.2 The Merit Function 7Q`4*H6
2.3 Local Minima .f}I$ "2
2.4 The Landscape Lens `{ /tx!
2.5 Types of Merit Function fKfi
2.6 Stagnation x~W&a*WNT
2.7 Generalized Simulated Annealing +#W5Qb}VR
2.8 Considerations about Variables for Optimization WIg"m[aIs
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems (<ejJPWT
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits W `Soa&9
2.11 Spectral Weighting TzOf&cs/r
2.12 How to Get Started ((y+FJH
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3 Improving a Design Kl*##qw!
3.1 Lens Design Tip Sheet: Standard Improvement Techniques b7$?'neH/.
3.2 Glass Changes ( Index and V Values ) M1^pW63
3.3 Splitting Elements 3laSPih[.
3.4 Separating a Cemented Doublet h41v}5!-
3.5 Compounding an Element 0<Y)yNsV
3.6 Vignetting and Its Uses *}?^)z7w
3.7 Eliminating a Weak Element; the Concentric Problem ~"-wSAm
3.8 Balancing Aberrations *"#>Ov>
3.9 The Symmetrical Principle ISl'g'o
3.10 Aspheric Surfaces a7+BAma<
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4 Evaluation: How Good is This Design -Xj+7}4
4.1 The Uses of a Preliminary Evaluation kxKBI{L
4.2 OPD versus Measures of Performance h\1_$ac
4.3 Geometric Blur Spot Size versus Certain Aberrations QKVZ![Y!s
4.4 Interpreting MTF - The Modulation Transfer Function 6)TFb,
4.5 Fabrication Considerations gAE}3//
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5 Lens Design Data Q>.-u6(&
5.1 About the Sample Lens Designs 39OZZaWL
5.2 Lens Prescriptions, Drawings, and Aberration Plots .G^.kg ,
5.3 Estimating the Potential of a Redesign s~GO-v7
5.4 Scaling a Desing, Its Aberrations, and Its MTF f[.]JC+,
5.5 Notes on the Interpretation of Ray Intercept Plots U $+rlw}
5.6 Various Evaluation Plot xQN](OKG
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6 Telescope Objective H}:apRb
6.1 The Thin Airspaced Doublet t+vn.X+&
6.2 Merit Function for a Telescope Objective sl)_HA7G
6.3 The Design of an f/7 Cemented Doublet Telescope Objective w_9:gprf
6.4 Spherochromatism ?^yZVmAo]
6.5 Zonal Spherical Aberration KB-7]H
6.6 Induced Aberrations U'@_fg
6.7 Three-Element Objectives 2lGq6Au:
6.8 Secondary Spectrum (Apochromatic Systems) QutQG
6.9 The Design of an f/7 Apochromatic Triplet }ulFW]A^7
6.10 The Diffractive Surface in Lens Design bJ9>,,D
6.11 A Final Note \
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7 Eyepieces and Magnifiers A }dl@
7.1 Eyepieces qD%Jf4.0j
7.2 A Pair of Magnifier Designs N 4Dyec\
7.3 The Simple, Classical Eyepieces qwnC{
7.4 Design Story of an Eyepiece for a 6*30 Binocular Xh){W~-
7.5 Four-Element Eyepieces byd[pnI$H
7.6 Five-Element Eyepieces sB /*gO
7.7 Very High Index Eyepiece/Magnifier z7J#1q~:yY
7.8 Six- and Seven-Element Eyepieces %GAEZH,2sG
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8 Cooke Triplet Anastigmats /VJ[1o^
8.1 Airspaced Triplet Anastigmats 1MOQ/N2BR
8.2 Glass Choice wWwY.}j
8.3 Vertex Length and Residual Aberrations hMi[MB7~
8.4 Other Design Considerations 5?QR
8.5 A Plastic, Aspheric Triplet Camera Lens 37{mhU
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet :U?Kwv8 s
8.7 Possible Improvement to Our “Basic” Triplet ^f>+5G
8.7 The Rear Earth (Lanthanum) Glasses
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8.9 Aspherizing the Surfaces M@
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8.10 Increasing the Element Thickness (/c9v8Pr(7
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9 Split Triplets m\j'7mZ1
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10 The Tessar, Heliar, and Other Compounded Triplets K47W7zR
10.1 The Classic Tessar :)bm+xWFF
10.2 The Heliar/Pentac LR}b^QU7
10.3 The Portrait Lens and the Enlarger Lens #Ey!?Z
10.4 Other Compounded Triplets aA=qel
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Ao 1*a%-.
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11 Double-Meniscus Anastigmats w,D(zk$
11.1 Meniscus Components #m|AQr|
11.2 The Hypergon, Totogon, and Metrogon }F**!%4d
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 'R?;T[s%
11.4 Protar, Dagor, and Convertible Lenses ]*Zg(YA
11.5 The Split Dagor p ^T0(\1
11.6 The Dogmar WM:we*k8h
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 9V("K
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12 The Biotar or Double-Gauss Lens I%;xMtY1o
12.1 The Basic Six-Element Version e<>(c7bF
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens d:Wh0 y}
12.3 The Seven-Element Biotar - Split-Rear Singlet f0}+8JW5h
12.4 The Seven-Element Biotar - Broken Contact Front Doublet u Q. m[y
12.5 The Seven-Element Biotar - One Compounded Outer Element 7>v1w:cC]
12.6 The Eight-Element Biotar PWx2<t<;9
12.7 A “Doubled Double-Gauss” Relay L<*wzl2Go
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13 Telephoto Lenses EnZrnoGM
13.1 The Basic Telephoto }JoCk{<31
13.2 Close-up or Macro Lenses &.;t dT7
13.3 Telephoto Designs /N]?>[<NW
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch }`M[%]MNc
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses /c8F]fkZ=
14.1 The Reverse Telephoto Principle :J5xO%WA(
14.2 The Basic Retrofocus Lens O8r9&Nv
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Zm^4p{I%o*
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15 Wide Angle Lenses with Negative Outer Lenses %5NfF65'
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16 The Petzval Lens; Head-up Display Lenses CUaI 66
16.1 The Petzval Portrait Lens fXEF]C
16.2 The Petzval Projection Lens G(EiDo&
16.3 The Petzval with a Field Flattener 3u3(BY{"\F
16.4 Very Height Speed Petzval Lenses he;&KzEu
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems /9QI^6&SX
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17 Microscope Objectives -P^ 6b(
17.1 General Considerations inBBU[Sl
17.2 Classic Objective Design Forms; The Aplanatic Front EQET:a:g
17.3 Flat-Field Objectives :"#EQq]ct
17.4 Reflecting Objectives lrPiaSO`I
17.5 The Microscope Objective Designs 5\A[ra
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18 Mirror and Catadioptric Systems !g-|@W
18.1 The Good and Bad Points of Mirrors 4jfkCU
18.2 The Classic Two-Mirror Systems H~^am
18.3 Catadioptric Systems }PTYNidlR
18.4 Aspheric Correctors and Schmidt Systems +'Ec)7m
18.5 Confocal Paraboloids 06|+_
18.6 Unobscured Systems 9#IKb:9k
18.7 Design of a Schmidt-Cassegrain “from Scratch” b)tvXiO1>
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19 Infrared and Ultraviolet Systems DBI[OG9
19.1 Infrared Optics "qYPi
19.2 IR Objective Lenses VPx"l5\
19.3 IR Telescope _=Ed>2M)no
19.4 Laser Beam Expanders *tC]Z&5
19,5 Ultraviolet Systems W9D]s~bO;
19.6 Microlithographic Lenses 6hv4D`d;o
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20 Zoom Lenses 4W
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20.1 Zoom Lenses D G}} S5
20.2 Zoom Lenses for Point and Shoot Cameras -{dsl|Dl
20.3 A 20X Video Zoom Lens (iXo\y`z
20.4 A Zoom Scanner Lens (p08jR
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20.5 A Possible Zoom Lens Design Procedure &`[y] E'
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21 Projection TV Lenses and Macro Lenses FIG3P))
21.1 Projection TV Lenses ? >SC:{(
21.2 Macro Lenses \$n?J(N
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22 Scanner/ , Laser Disk and Collimator Lenses NHG+l)y:
22.1 Monochromatic Systems uDJi2,|n
22.2 Scanner Lenses $@<qaR{t \
22.3 Laser Disk, Focusing, and Collimator Lenses 6Lk<VpAa
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23 Tolerance Budgeting -]\cUQ0
23.1 The Tolerance Budget L
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23.2 Additive Tolerances 5}@6euT5$
23.3 Establishing the Tolerance Budget >DeG//rv
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24 Formulary c+|,qm
24.1 Sign Conventions, Symbols, and Definitions c%%r
24.2 The Cardinal Points |-GmW SK_
24.3 Image Equations He^u+N@B
24.4 Paraxial Ray Tracing (Surface by Surface) UE33e(Q<
24.5 Invariants L5=Tj4`
24.6 Paraxial Ray Tracing (Component by Component) uKHkC.g
24.7 Two-Componenet Relationships o_>id^$>B
24.8 Third-Order Aberrations – Surface Contributions >Ng7q?h
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 5|&8MGW-$
24.10 Stop Shift Equations )y&}c7xW
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces k$1ya7-@
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) *$mDu,'8
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Glossary s\A"B#9r
Reference b<o Uy
Index