"Modern Lens Design" 2nd Edition by Warren J. Smith )y._]is)b
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Contents of Modern Lens Design 2nd Edition }O8$?7j(
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1 Introduction b1_HDC(
1.1 Lens Design Books 8nNRn[oS
1.2 Reference Material ?oP<sGp
1.3 Specifications `N$<]i]s5
1.4 Lens Design ,|}Pof=]xk
1.5 Lens Design Program Features #pLd';
1.6 About This Book
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2 Automatic Lens Design Eufw1vDa
2.2 The Merit Function 1^$ vmULj
2.3 Local Minima E{|j
2.4 The Landscape Lens p"3_u;cN
2.5 Types of Merit Function
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2.6 Stagnation u6;SgPw
2.7 Generalized Simulated Annealing WF`y j%0
2.8 Considerations about Variables for Optimization xV}-[W5sr'
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems $SA8$!:
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits SBZqO'}7
2.11 Spectral Weighting Fn1|Wt*
2.12 How to Get Started }GRZCX>
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3 Improving a Design 1UT&kD!si
3.1 Lens Design Tip Sheet: Standard Improvement Techniques iW9G0Ay
3.2 Glass Changes ( Index and V Values ) Z2!O)8
3.3 Splitting Elements dJ#mk5=
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3.4 Separating a Cemented Doublet 9/'zk
3.5 Compounding an Element z^'3f!:3
3.6 Vignetting and Its Uses |Q[[WHqj2f
3.7 Eliminating a Weak Element; the Concentric Problem f+d[Q1
3.8 Balancing Aberrations ha&2V=
3.9 The Symmetrical Principle ef *Vs
3.10 Aspheric Surfaces o)GLh^g_I'
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4 Evaluation: How Good is This Design W^v3pH-y#
4.1 The Uses of a Preliminary Evaluation L/t'|<m
4.2 OPD versus Measures of Performance E>NRC\^@
4.3 Geometric Blur Spot Size versus Certain Aberrations ^`?2g[AA
4.4 Interpreting MTF - The Modulation Transfer Function 86y)+h`
4.5 Fabrication Considerations sT
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5 Lens Design Data +`'=K ;{U
5.1 About the Sample Lens Designs {$5?[KD
5.2 Lens Prescriptions, Drawings, and Aberration Plots OTwIR<_B+
5.3 Estimating the Potential of a Redesign B ~xT:r
5.4 Scaling a Desing, Its Aberrations, and Its MTF dTcrJ|/Y
5.5 Notes on the Interpretation of Ray Intercept Plots =Kqb
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5.6 Various Evaluation Plot =n7QL QU
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6 Telescope Objective r~N:|ip=
6.1 The Thin Airspaced Doublet 1g<jr.
6.2 Merit Function for a Telescope Objective ^qvN:v$1
6.3 The Design of an f/7 Cemented Doublet Telescope Objective S+9}W/
6.4 Spherochromatism uI lm!*0
6.5 Zonal Spherical Aberration (]ToBju
6.6 Induced Aberrations T8'm{[C
6.7 Three-Element Objectives $S Kax#[
6.8 Secondary Spectrum (Apochromatic Systems) *ETSx{)8
6.9 The Design of an f/7 Apochromatic Triplet &&SA/;F
6.10 The Diffractive Surface in Lens Design {B|)!_M#
6.11 A Final Note `-yo-59E[
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7 Eyepieces and Magnifiers iX
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7.1 Eyepieces e,V @t%
7.2 A Pair of Magnifier Designs 0KT^V R
7.3 The Simple, Classical Eyepieces M it3q
7.4 Design Story of an Eyepiece for a 6*30 Binocular z'"e|)
7.5 Four-Element Eyepieces Qze.1h
7.6 Five-Element Eyepieces Y-YlQ^
7.7 Very High Index Eyepiece/Magnifier VCf/EkC
7.8 Six- and Seven-Element Eyepieces [0>I6Jl
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8 Cooke Triplet Anastigmats z.Y`"B'j`
8.1 Airspaced Triplet Anastigmats X?f\j"v
8.2 Glass Choice C6` Tck!
8.3 Vertex Length and Residual Aberrations VB&`S+-
8.4 Other Design Considerations h[*:\P`
8.5 A Plastic, Aspheric Triplet Camera Lens e2F{}N
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet )wqG^yv
8.7 Possible Improvement to Our “Basic” Triplet >8;EeRvI
8.7 The Rear Earth (Lanthanum) Glasses j; TXZ`|(
8.9 Aspherizing the Surfaces "WF@T
8.10 Increasing the Element Thickness fmgXh)=
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9 Split Triplets RwyX,|
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10 The Tessar, Heliar, and Other Compounded Triplets !
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10.1 The Classic Tessar xwSi.~.
10.2 The Heliar/Pentac o{[w6^D7
10.3 The Portrait Lens and the Enlarger Lens u,~/oTgO
10.4 Other Compounded Triplets XU5GmGu_+
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar (ay((|)
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11 Double-Meniscus Anastigmats &9OnN<mT1
11.1 Meniscus Components 3q-Xj:FP
11.2 The Hypergon, Totogon, and Metrogon 2]:Z7Ji
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Ci9]#)"c
11.4 Protar, Dagor, and Convertible Lenses )i/x%^ca$
11.5 The Split Dagor }kZ)|/]kn
11.6 The Dogmar g>*P}r~;^b
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens lY$9-Q(
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12 The Biotar or Double-Gauss Lens .o(S60iH!(
12.1 The Basic Six-Element Version qw<~v?{|C
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens wG LSei-s
12.3 The Seven-Element Biotar - Split-Rear Singlet +bdjZD3
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 2 Q}^<^r
12.5 The Seven-Element Biotar - One Compounded Outer Element ~{cG"
12.6 The Eight-Element Biotar NTV@,
12.7 A “Doubled Double-Gauss” Relay CNM pyr
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13 Telephoto Lenses |V-)3#c
13.1 The Basic Telephoto >(He,o@M
13.2 Close-up or Macro Lenses zvOSQxGQ
13.3 Telephoto Designs }rA
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch |C`.m|
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses v|IG
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14.1 The Reverse Telephoto Principle Q@ghQGn#
14.2 The Basic Retrofocus Lens `xsU'Wd^<
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ana?;NvC
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15 Wide Angle Lenses with Negative Outer Lenses Nhrh>x[wJ
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16 The Petzval Lens; Head-up Display Lenses 2)T.Ci cx
16.1 The Petzval Portrait Lens fI }v}L^
16.2 The Petzval Projection Lens :9]"4ktoJ
16.3 The Petzval with a Field Flattener Z(c2F]
16.4 Very Height Speed Petzval Lenses 9{&oVt~Y$
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems <G60R^o
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17 Microscope Objectives 3:MAdh[w
17.1 General Considerations MVkO >s
17.2 Classic Objective Design Forms; The Aplanatic Front bM>5=Zox
17.3 Flat-Field Objectives 4l~B/"}
17.4 Reflecting Objectives `VXC*A
17.5 The Microscope Objective Designs a&C}'e"
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18 Mirror and Catadioptric Systems z;1qYW[-A
18.1 The Good and Bad Points of Mirrors vv^(c w>A
18.2 The Classic Two-Mirror Systems [DSD[[
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18.3 Catadioptric Systems JAU:Wqlg1
18.4 Aspheric Correctors and Schmidt Systems s5&v~I;>e
18.5 Confocal Paraboloids )uazB!X
18.6 Unobscured Systems LWIPq"
18.7 Design of a Schmidt-Cassegrain “from Scratch” 0u=FlQ
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19 Infrared and Ultraviolet Systems LgJUMR8vUO
19.1 Infrared Optics ;S}_/'
19.2 IR Objective Lenses '[`pU>9
19.3 IR Telescope 2[~|6@n
19.4 Laser Beam Expanders @ $2xiE.[
19,5 Ultraviolet Systems ]#P>wW
19.6 Microlithographic Lenses o06vC
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20 Zoom Lenses 50HRgoP5Y
20.1 Zoom Lenses 2>h.K/pC
20.2 Zoom Lenses for Point and Shoot Cameras R6E.C!EI
20.3 A 20X Video Zoom Lens dZ{yNh.]
20.4 A Zoom Scanner Lens j7v?NY
20.5 A Possible Zoom Lens Design Procedure G21cJi*
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21 Projection TV Lenses and Macro Lenses 69JC!du
21.1 Projection TV Lenses X%]m^[6
21.2 Macro Lenses e!p?~70
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22 Scanner/ , Laser Disk and Collimator Lenses BjAmM*k
22.1 Monochromatic Systems Y4,LXuQ
22.2 Scanner Lenses kdp- |9
22.3 Laser Disk, Focusing, and Collimator Lenses +@jX|
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23 Tolerance Budgeting U9%#(T$
23.1 The Tolerance Budget HWxwG'EEY,
23.2 Additive Tolerances 5|Hz$oU
23.3 Establishing the Tolerance Budget $^louas&
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24 Formulary f,WAl\
24.1 Sign Conventions, Symbols, and Definitions C
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24.2 The Cardinal Points W>T6Wlxu`6
24.3 Image Equations \8iWcqJktN
24.4 Paraxial Ray Tracing (Surface by Surface) rBrJTF:.
24.5 Invariants 3%DDN\q\u
24.6 Paraxial Ray Tracing (Component by Component) /qObXI
24.7 Two-Componenet Relationships EjFK zx
24.8 Third-Order Aberrations – Surface Contributions nWb0S
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs tp?<
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24.10 Stop Shift Equations &M2SqeR62;
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces MrFi0G7u
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ;=F]{w]$+
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Glossary E'wJ+X9 +
Reference e{fm7Cc)D
Index