"Modern Lens Design" 2nd Edition by Warren J. Smith 6 G X'&z
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Contents of Modern Lens Design 2nd Edition }'$ 6EgX
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1 Introduction x n)FE4
1.1 Lens Design Books G~_5E]8
1.2 Reference Material @_ ^QB w0
1.3 Specifications ~-x8@ /
1.4 Lens Design UXD?gK1
1.5 Lens Design Program Features Nge _ Ks
1.6 About This Book Gir_.yc/
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2 Automatic Lens Design sN|-V+7&j
2.2 The Merit Function 8yz A
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2.3 Local Minima :}x\&]uC#k
2.4 The Landscape Lens lMAmico
2.5 Types of Merit Function heoOOP(#
2.6 Stagnation 3~6F`G
2.7 Generalized Simulated Annealing VOwt2&mZ
2.8 Considerations about Variables for Optimization s([9 /ED
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems x={t}qDS8
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits AbUU#C7
2.11 Spectral Weighting I=D {(%+^d
2.12 How to Get Started 1~8F&
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3 Improving a Design T[xGF/
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 8B;`9?CI
3.2 Glass Changes ( Index and V Values ) )<G>]IP<
3.3 Splitting Elements
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3.4 Separating a Cemented Doublet XOa<R
3.5 Compounding an Element 8F($RnP3
3.6 Vignetting and Its Uses Iu|G*~\
3.7 Eliminating a Weak Element; the Concentric Problem gJi11^PK
3.8 Balancing Aberrations -`wGF#}y(=
3.9 The Symmetrical Principle *7oPM5J|v
3.10 Aspheric Surfaces i_g="^
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4 Evaluation: How Good is This Design 9bgKu6-X
4.1 The Uses of a Preliminary Evaluation [UNfft=K3P
4.2 OPD versus Measures of Performance mm Y~V:,Kd
4.3 Geometric Blur Spot Size versus Certain Aberrations ~cSC-|$^&
4.4 Interpreting MTF - The Modulation Transfer Function @A!Ef=R
4.5 Fabrication Considerations %#Wg>6
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5 Lens Design Data 1mOZ\L!m*
5.1 About the Sample Lens Designs OTtSMO
5.2 Lens Prescriptions, Drawings, and Aberration Plots 6v GcM3M
5.3 Estimating the Potential of a Redesign N F0IF#;a
5.4 Scaling a Desing, Its Aberrations, and Its MTF xp/u, q
5.5 Notes on the Interpretation of Ray Intercept Plots 0LoA-c<Ay
5.6 Various Evaluation Plot v3S{dX<
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6 Telescope Objective X X{:$f+
6.1 The Thin Airspaced Doublet L3Ry# uw
6.2 Merit Function for a Telescope Objective d(, -13
6.3 The Design of an f/7 Cemented Doublet Telescope Objective OW)8Z 60
6.4 Spherochromatism +>z/5 4R
6.5 Zonal Spherical Aberration &gF{<$$
6.6 Induced Aberrations +x
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6.7 Three-Element Objectives \ :}) R{
6.8 Secondary Spectrum (Apochromatic Systems) Y~=5umNSX
6.9 The Design of an f/7 Apochromatic Triplet mfG|K@ODM-
6.10 The Diffractive Surface in Lens Design |:!#k A
6.11 A Final Note \#tr4g~u
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7 Eyepieces and Magnifiers |Y(]. G,
7.1 Eyepieces 1>a^Q
7.2 A Pair of Magnifier Designs Uvf-h4^J]:
7.3 The Simple, Classical Eyepieces C'n 9n!hR
7.4 Design Story of an Eyepiece for a 6*30 Binocular ( 4ow0} 1
7.5 Four-Element Eyepieces a9QaF s"
7.6 Five-Element Eyepieces PG<N\
7.7 Very High Index Eyepiece/Magnifier n$`Nx\ v
7.8 Six- and Seven-Element Eyepieces 1Od: I}@
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8 Cooke Triplet Anastigmats q,u >`]}
8.1 Airspaced Triplet Anastigmats -rH4/Iby
8.2 Glass Choice _I{&5V~z
8.3 Vertex Length and Residual Aberrations xO1d^{~^^
8.4 Other Design Considerations e-qr d
8.5 A Plastic, Aspheric Triplet Camera Lens C+5^ [V
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet t T-]Vj.
8.7 Possible Improvement to Our “Basic” Triplet 2"<}9A<Xs
8.7 The Rear Earth (Lanthanum) Glasses nkhM1y
8.9 Aspherizing the Surfaces /unOZVr(
8.10 Increasing the Element Thickness MM'<uy
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9 Split Triplets cR@z^
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10 The Tessar, Heliar, and Other Compounded Triplets ^~BJu#uVyy
10.1 The Classic Tessar M?nnpO
10.2 The Heliar/Pentac GrM~ %ng
10.3 The Portrait Lens and the Enlarger Lens @Zq,mPaR $
10.4 Other Compounded Triplets `
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar VKik8)/.
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11 Double-Meniscus Anastigmats r4D66tF
11.1 Meniscus Components /%xK-z,V
11.2 The Hypergon, Totogon, and Metrogon ]|[xY8 5}
11.3 A Two Element Aspheric Thick Meniscus Camera Lens T7W+K7kbI
11.4 Protar, Dagor, and Convertible Lenses <mm}IdH
11.5 The Split Dagor Ab_aB+g ]
11.6 The Dogmar FswFY7
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens "9 WP^[
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12 The Biotar or Double-Gauss Lens Zfb:>J@h6
12.1 The Basic Six-Element Version YRYrR|I
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens [dzb{M6_
12.3 The Seven-Element Biotar - Split-Rear Singlet |(P>'fat-p
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ]iz5VI@
12.5 The Seven-Element Biotar - One Compounded Outer Element (|6q N
12.6 The Eight-Element Biotar (nE$};c<b2
12.7 A “Doubled Double-Gauss” Relay ZV Gw@3
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13 Telephoto Lenses fmSw%r|pT
13.1 The Basic Telephoto ?QuFRl,ZJ
13.2 Close-up or Macro Lenses 1:>RQPXcWv
13.3 Telephoto Designs *Lh0 E/5
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch [j !0R'T
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 6iC}%e U
14.1 The Reverse Telephoto Principle %^5$=w
14.2 The Basic Retrofocus Lens Me`"@{r|#
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 9J|YP}%
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15 Wide Angle Lenses with Negative Outer Lenses 6u.b?_u
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16 The Petzval Lens; Head-up Display Lenses ,LMme}FFeb
16.1 The Petzval Portrait Lens 3p^WTQ>(
16.2 The Petzval Projection Lens qC 6Q5F
16.3 The Petzval with a Field Flattener ;^*^
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16.4 Very Height Speed Petzval Lenses Hou{tUm{xC
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Fza)dJ 7
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17 Microscope Objectives '<}7bw}+c
17.1 General Considerations jkdNisq37
17.2 Classic Objective Design Forms; The Aplanatic Front m+u>%Ys`
17.3 Flat-Field Objectives C>03P.s4c
17.4 Reflecting Objectives
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17.5 The Microscope Objective Designs -p;o e}|
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18 Mirror and Catadioptric Systems /f6]XP\'`+
18.1 The Good and Bad Points of Mirrors m9q%l_
18.2 The Classic Two-Mirror Systems [7Kn$OfP
18.3 Catadioptric Systems L;`4"
18.4 Aspheric Correctors and Schmidt Systems -e)bq: T
18.5 Confocal Paraboloids 34?yQX{
18.6 Unobscured Systems 21WqLgT3 4
18.7 Design of a Schmidt-Cassegrain “from Scratch” DRzpV6s
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19 Infrared and Ultraviolet Systems KYl^{F
19.1 Infrared Optics 3jn@ [ m
19.2 IR Objective Lenses JRiuU:=J~`
19.3 IR Telescope Bdg*XfXXk
19.4 Laser Beam Expanders zHU#Jjc_b
19,5 Ultraviolet Systems +
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19.6 Microlithographic Lenses |knP
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20 Zoom Lenses '^J/aV
20.1 Zoom Lenses HdLkof2i
20.2 Zoom Lenses for Point and Shoot Cameras I^wj7cFo5
20.3 A 20X Video Zoom Lens -j$l @2g
20.4 A Zoom Scanner Lens g 764wl
20.5 A Possible Zoom Lens Design Procedure lt$7 97
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21 Projection TV Lenses and Macro Lenses C>u 3n^
21.1 Projection TV Lenses 'wZy: c
21.2 Macro Lenses ,mX|TI<*
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22 Scanner/ , Laser Disk and Collimator Lenses V *m )h
22.1 Monochromatic Systems KGWENX_U
22.2 Scanner Lenses 5ya3mN E
22.3 Laser Disk, Focusing, and Collimator Lenses N 4v)0
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23 Tolerance Budgeting R P X`2zr
23.1 The Tolerance Budget k1U~S`>$
23.2 Additive Tolerances FKx9$B
23.3 Establishing the Tolerance Budget e-')SB
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24 Formulary a "DV`jn
24.1 Sign Conventions, Symbols, and Definitions Y- Ku2m
24.2 The Cardinal Points ?.A|Fy^
24.3 Image Equations {UmCn>c
24.4 Paraxial Ray Tracing (Surface by Surface) 1;xw)65
24.5 Invariants ]dK]a:S
24.6 Paraxial Ray Tracing (Component by Component) aK&+p#4t
24.7 Two-Componenet Relationships h.9Lh ;j
24.8 Third-Order Aberrations – Surface Contributions '=~y'nPG7
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs pzax~Vp
24.10 Stop Shift Equations ~fF }
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces z-gwNE{
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Y z,!#ob$
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Glossary 5>@uEebkv]
Reference I:_* 8el&d
Index
