"Modern Lens Design" 2nd Edition by Warren J. Smith vR#MUKfh
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Contents of Modern Lens Design 2nd Edition )s7 EhIP
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1 Introduction ;[lLFI
1.1 Lens Design Books P{s1NorKDh
1.2 Reference Material (j:[<U
1.3 Specifications 4]zn,g?&
1.4 Lens Design B4*,]lS?
1.5 Lens Design Program Features 41B.ZE+*qd
1.6 About This Book W|;`R{<I%
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2 Automatic Lens Design f7 ew<c\
2.2 The Merit Function 8>|4iT
2.3 Local Minima Eb5>c/(
2.4 The Landscape Lens $h8?7:z;um
2.5 Types of Merit Function ZQR)k:k7
2.6 Stagnation Grw[h
2.7 Generalized Simulated Annealing V[^AV"V
2.8 Considerations about Variables for Optimization 1h162
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems \Rt>U|%
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits #mM9^LJ
2.11 Spectral Weighting -hF!_);{
2.12 How to Get Started Zq:
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3 Improving a Design Z[RifqaBby
3.1 Lens Design Tip Sheet: Standard Improvement Techniques V LeYO5'L
3.2 Glass Changes ( Index and V Values ) bQ?Vh@j(M
3.3 Splitting Elements d]_].D$
3.4 Separating a Cemented Doublet S"+#=C
3.5 Compounding an Element '&|%^9O/"
3.6 Vignetting and Its Uses Rc@lGq9
3.7 Eliminating a Weak Element; the Concentric Problem \ z*<^ONq
3.8 Balancing Aberrations f/kYm\Zc
3.9 The Symmetrical Principle x
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3.10 Aspheric Surfaces hOqNZ66{
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4 Evaluation: How Good is This Design RU.MJ
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4.1 The Uses of a Preliminary Evaluation ykx13|iR
4.2 OPD versus Measures of Performance `LwZ(M-hI
4.3 Geometric Blur Spot Size versus Certain Aberrations I?q-
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4.4 Interpreting MTF - The Modulation Transfer Function n68qxD-X
4.5 Fabrication Considerations RXWdqaENx
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5 Lens Design Data VK%ExMSqEh
5.1 About the Sample Lens Designs 4dz Ym+vJm
5.2 Lens Prescriptions, Drawings, and Aberration Plots EcR[b@YI
5.3 Estimating the Potential of a Redesign H?=[9?1wI5
5.4 Scaling a Desing, Its Aberrations, and Its MTF 5P('SFq'=
5.5 Notes on the Interpretation of Ray Intercept Plots O" [#g
5.6 Various Evaluation Plot kmJ<AnK
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6 Telescope Objective 8M['-
6.1 The Thin Airspaced Doublet ARJtE@s6Y
6.2 Merit Function for a Telescope Objective DfOigLG*
6.3 The Design of an f/7 Cemented Doublet Telescope Objective #)T'a
6.4 Spherochromatism *MWI`=c
6.5 Zonal Spherical Aberration #Guwbg
6.6 Induced Aberrations p8CaD4bE
6.7 Three-Element Objectives >^f]Lgp
6.8 Secondary Spectrum (Apochromatic Systems) #b&=CsW`
6.9 The Design of an f/7 Apochromatic Triplet ^sJp!hi4=)
6.10 The Diffractive Surface in Lens Design {!4ZRNy(k
6.11 A Final Note v`jFWq8I,
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7 Eyepieces and Magnifiers qm=9!jqC;
7.1 Eyepieces 7,{!a56zX
7.2 A Pair of Magnifier Designs (elkk#
7.3 The Simple, Classical Eyepieces Vx n-
7.4 Design Story of an Eyepiece for a 6*30 Binocular SwH #=hg
7.5 Four-Element Eyepieces T !pHT'J
7.6 Five-Element Eyepieces kgX"I ?>d
7.7 Very High Index Eyepiece/Magnifier :r_/mzR#
7.8 Six- and Seven-Element Eyepieces [}l
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8 Cooke Triplet Anastigmats e A9r M:
8.1 Airspaced Triplet Anastigmats OH5#.${O
8.2 Glass Choice p!(]`N
8.3 Vertex Length and Residual Aberrations mndNkK5o
8.4 Other Design Considerations wD<W'K
8.5 A Plastic, Aspheric Triplet Camera Lens ;p(Doy)i
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet i+Xb3+R
8.7 Possible Improvement to Our “Basic” Triplet J\ ?
8.7 The Rear Earth (Lanthanum) Glasses aFy'6c}
8.9 Aspherizing the Surfaces .18MMzdN
8.10 Increasing the Element Thickness $I3}%'`+
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9 Split Triplets 6)3pnhG9
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10 The Tessar, Heliar, and Other Compounded Triplets `9VRT`e
10.1 The Classic Tessar SM`n:{N(
10.2 The Heliar/Pentac #|} EPD9$
10.3 The Portrait Lens and the Enlarger Lens ,HW[l.v
10.4 Other Compounded Triplets O/f+B}W
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar (M t-2+"+
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11 Double-Meniscus Anastigmats `HM?Fc58
11.1 Meniscus Components #Ic-?2Gn4<
11.2 The Hypergon, Totogon, and Metrogon %y\
11.3 A Two Element Aspheric Thick Meniscus Camera Lens j1$s^ -9
11.4 Protar, Dagor, and Convertible Lenses %t,Fxj4F
11.5 The Split Dagor nA#dXckoc
11.6 The Dogmar $C&E3 'O
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens h Qbz}x
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12 The Biotar or Double-Gauss Lens +@yTcz
12.1 The Basic Six-Element Version k iY1
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens kCU(Hi`Q
12.3 The Seven-Element Biotar - Split-Rear Singlet #;>v,Jo
12.4 The Seven-Element Biotar - Broken Contact Front Doublet p+1kU1F0
12.5 The Seven-Element Biotar - One Compounded Outer Element .|3&lb6
12.6 The Eight-Element Biotar hW-?j&yJ?
12.7 A “Doubled Double-Gauss” Relay H<wkD9v}H5
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13 Telephoto Lenses 10e~Yc
13.1 The Basic Telephoto >iI-Cs7TD
13.2 Close-up or Macro Lenses -|&&lxrwh
13.3 Telephoto Designs Zm/I &
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]9NA3U7F
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses
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14.1 The Reverse Telephoto Principle `"qSr%|
14.2 The Basic Retrofocus Lens &X
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 3 etW4
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15 Wide Angle Lenses with Negative Outer Lenses 4Yya+[RY
W 33MYw
16 The Petzval Lens; Head-up Display Lenses W(,3j{d2i
16.1 The Petzval Portrait Lens J`d;I#R%c
16.2 The Petzval Projection Lens JWvL
16.3 The Petzval with a Field Flattener }w/6"MJ[n
16.4 Very Height Speed Petzval Lenses yk&PJ;%O<
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems #hF(`oX}4K
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17 Microscope Objectives Z+G/==%3#,
17.1 General Considerations 8(""ui8
17.2 Classic Objective Design Forms; The Aplanatic Front [,/~*L;7
17.3 Flat-Field Objectives bGe@yXId5
17.4 Reflecting Objectives xv>]e <":
17.5 The Microscope Objective Designs N)^`
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18 Mirror and Catadioptric Systems m>ApN@n
18.1 The Good and Bad Points of Mirrors )lrmP(C*.a
18.2 The Classic Two-Mirror Systems ^K'@W
18.3 Catadioptric Systems <#F@OU
18.4 Aspheric Correctors and Schmidt Systems ?I332,,q
18.5 Confocal Paraboloids 6h:2,h
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18.6 Unobscured Systems nv/'C=+L
18.7 Design of a Schmidt-Cassegrain “from Scratch” 8zzY;3^h;
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19 Infrared and Ultraviolet Systems IcP\#zhEv
19.1 Infrared Optics aV`_@F-8
19.2 IR Objective Lenses bn6WvC3?
19.3 IR Telescope EN;s
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19.4 Laser Beam Expanders V3<H8pL
19,5 Ultraviolet Systems JBt2R=
19.6 Microlithographic Lenses OV,t|
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20 Zoom Lenses <S68UN(Ke
20.1 Zoom Lenses jWqjGX`
20.2 Zoom Lenses for Point and Shoot Cameras kqQT^6S
20.3 A 20X Video Zoom Lens 6,a:s:$>}R
20.4 A Zoom Scanner Lens +Fa!<txn
20.5 A Possible Zoom Lens Design Procedure (]N- HN]v
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21 Projection TV Lenses and Macro Lenses jiqE^j3;
21.1 Projection TV Lenses ZGj ^,? a
21.2 Macro Lenses d=d*:<Zx
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22 Scanner/ , Laser Disk and Collimator Lenses &hu>yH>j
22.1 Monochromatic Systems HvzXAd
22.2 Scanner Lenses x>$e*
22.3 Laser Disk, Focusing, and Collimator Lenses wGg_ vAn
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23 Tolerance Budgeting y7~y@ 2
23.1 The Tolerance Budget 7]H<ou
23.2 Additive Tolerances ?!HU$>
23.3 Establishing the Tolerance Budget a]nK!;>$
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24 Formulary "."ow|
24.1 Sign Conventions, Symbols, and Definitions h0a|R4J
24.2 The Cardinal Points F<TIZ^gFP
24.3 Image Equations ~sT1J|
24.4 Paraxial Ray Tracing (Surface by Surface) WT63ve
24.5 Invariants @8*lqV2
24.6 Paraxial Ray Tracing (Component by Component) y4)iL?!J~
24.7 Two-Componenet Relationships A~}5T%qb
24.8 Third-Order Aberrations – Surface Contributions 'e/wjV
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs LS]0 p#
24.10 Stop Shift Equations sm"s2Ci=}
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces je85G`{DC
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) l}SHR|7<
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Glossary _Wqy,L;J
Reference v=d16
Index