"Modern Lens Design" 2nd Edition by Warren J. Smith b1-'q^M
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Contents of Modern Lens Design 2nd Edition 2G)q?_Q4S
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1 Introduction +X!QH/ 8
1.1 Lens Design Books 6Wc'5t3
1.2 Reference Material n@y*~sG]
1.3 Specifications 7aJ:kumDZ
1.4 Lens Design 31~Rs?~f(
1.5 Lens Design Program Features -*~~00w
1.6 About This Book "i~~Q'=7
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2 Automatic Lens Design FlepM*
2.2 The Merit Function Jn)DZv8?
2.3 Local Minima m-XS_5x\
2.4 The Landscape Lens ;@V1*7y
2.5 Types of Merit Function 7q'T,'[
2.6 Stagnation vJ0Zv>
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2.7 Generalized Simulated Annealing : 5<u!-}
2.8 Considerations about Variables for Optimization D4\
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems )1o<}7
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits y~;w`5;|
2.11 Spectral Weighting p+; La
2.12 How to Get Started !Yu|au
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3 Improving a Design B%/N{i*Z
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ]%Z7wF</
3.2 Glass Changes ( Index and V Values ) %S]g8O[}nl
3.3 Splitting Elements zoHFTD4 g
3.4 Separating a Cemented Doublet ?qR11A};tG
3.5 Compounding an Element l[M?"<Ot;
3.6 Vignetting and Its Uses >PoVK{&y
3.7 Eliminating a Weak Element; the Concentric Problem IHvrx:7
3.8 Balancing Aberrations = `oGH
3.9 The Symmetrical Principle S F&EVRv
3.10 Aspheric Surfaces -VkPy<)
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4 Evaluation: How Good is This Design GNab\M.
4.1 The Uses of a Preliminary Evaluation T9&bY>f?
4.2 OPD versus Measures of Performance JFh_3r'
4.3 Geometric Blur Spot Size versus Certain Aberrations hvOl9W>
4.4 Interpreting MTF - The Modulation Transfer Function 7V-'><)gI
4.5 Fabrication Considerations J:oAzBFpA
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5 Lens Design Data 22r$Ri_>
5.1 About the Sample Lens Designs tLo_lLn*~%
5.2 Lens Prescriptions, Drawings, and Aberration Plots &AhkP=Yw
5.3 Estimating the Potential of a Redesign Tb<}GcwJ
5.4 Scaling a Desing, Its Aberrations, and Its MTF QB L| n+
5.5 Notes on the Interpretation of Ray Intercept Plots $W0O
5.6 Various Evaluation Plot I"bz6t\~|
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6 Telescope Objective NH0uK
6.1 The Thin Airspaced Doublet Pj{Y
6.2 Merit Function for a Telescope Objective x5%x""VEK
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 6uKS!\EY|
6.4 Spherochromatism raCgctYVq
6.5 Zonal Spherical Aberration C] >?YR4
6.6 Induced Aberrations 'O[0oi&
6.7 Three-Element Objectives "]ZDs^7
6.8 Secondary Spectrum (Apochromatic Systems) <zt124y-6
6.9 The Design of an f/7 Apochromatic Triplet 8KHT"uc'*J
6.10 The Diffractive Surface in Lens Design f&NXWo/
6.11 A Final Note j6DI$tV~
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7 Eyepieces and Magnifiers =U,mzY(
7.1 Eyepieces v]X*(e
7.2 A Pair of Magnifier Designs }b=Cv?Zg$m
7.3 The Simple, Classical Eyepieces 67T=ku
7.4 Design Story of an Eyepiece for a 6*30 Binocular NGVl/Qd
7.5 Four-Element Eyepieces Q Zv}\C-c
7.6 Five-Element Eyepieces (qdvvu#E
7.7 Very High Index Eyepiece/Magnifier @23~)uiZa
7.8 Six- and Seven-Element Eyepieces 5Sx.'o$
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8 Cooke Triplet Anastigmats ?3a:ntX h
8.1 Airspaced Triplet Anastigmats /a?qtRw
8.2 Glass Choice YuFR*W;$
8.3 Vertex Length and Residual Aberrations ]'5 G/H5?;
8.4 Other Design Considerations Er@OmNT
8.5 A Plastic, Aspheric Triplet Camera Lens 17F<vo>l%
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet "WZ |
8.7 Possible Improvement to Our “Basic” Triplet W(\^6S)
8.7 The Rear Earth (Lanthanum) Glasses 'T(@5%Db
8.9 Aspherizing the Surfaces aDda&RM
8.10 Increasing the Element Thickness }va>jfy
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9 Split Triplets D-4{9[
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10 The Tessar, Heliar, and Other Compounded Triplets
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10.1 The Classic Tessar ($'5xPb
10.2 The Heliar/Pentac .JX9(#Uk
10.3 The Portrait Lens and the Enlarger Lens JsHD3
10.4 Other Compounded Triplets l;i/$Yu7
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar cG,zO-H
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11 Double-Meniscus Anastigmats Cf>(,rt};
11.1 Meniscus Components -; *lcY*
11.2 The Hypergon, Totogon, and Metrogon v"-K-AQjB
11.3 A Two Element Aspheric Thick Meniscus Camera Lens bW^C30m
11.4 Protar, Dagor, and Convertible Lenses _BZ6Ws$C2
11.5 The Split Dagor (!%9#
11.6 The Dogmar IR|#]en
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens o>\o=%D.a
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12 The Biotar or Double-Gauss Lens vn4z C
12.1 The Basic Six-Element Version DB3qf>@?
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens %"^8$A?>,k
12.3 The Seven-Element Biotar - Split-Rear Singlet "{[\VsX|c
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ym_p49
12.5 The Seven-Element Biotar - One Compounded Outer Element H{hzw&dZ<P
12.6 The Eight-Element Biotar }CL7h;5N 3
12.7 A “Doubled Double-Gauss” Relay mM.YZUX
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13 Telephoto Lenses '}$$0S.DC
13.1 The Basic Telephoto 'OvM
13.2 Close-up or Macro Lenses $4q$!jB5
13.3 Telephoto Designs p0hE`!
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 2P ^x'I
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses quRTA"!E
14.1 The Reverse Telephoto Principle 1>Q4&1Vn
14.2 The Basic Retrofocus Lens )+|Y;zC9
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ty'/i!/\
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15 Wide Angle Lenses with Negative Outer Lenses Xyr'rm5+b
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16 The Petzval Lens; Head-up Display Lenses ^h^.;Iqr=
16.1 The Petzval Portrait Lens ~G 3txd
16.2 The Petzval Projection Lens <Xw\:5
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16.3 The Petzval with a Field Flattener N&