"Modern Lens Design" 2nd Edition by Warren J. Smith
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Contents of Modern Lens Design 2nd Edition 3 "|A5>Vo
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1 Introduction ?J"Y4,{
1.1 Lens Design Books ^<aj~0v
1.2 Reference Material Ds8x9v)^
1.3 Specifications D]V&1n
1.4 Lens Design q}&+{dN\1
1.5 Lens Design Program Features '?E@H.""
1.6 About This Book Hxj8cXUF|
(g tOYEqx
2 Automatic Lens Design ;tZ 8Sh)
2.2 The Merit Function w#sP5qKv8
2.3 Local Minima O-+!KXHd[
2.4 The Landscape Lens 8ePzUc\#
2.5 Types of Merit Function NE@P8pQ>
2.6 Stagnation 7.
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2.7 Generalized Simulated Annealing ><)fK5x
2.8 Considerations about Variables for Optimization u3PM 7z!~
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems t\ 9Y)d
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits hnv0Loe.IW
2.11 Spectral Weighting p"n3JV.~k+
2.12 How to Get Started A+hT2Ew@t}
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3 Improving a Design >>>MTV f
3.1 Lens Design Tip Sheet: Standard Improvement Techniques /
DST|2
3.2 Glass Changes ( Index and V Values ) c{/KkmI
3.3 Splitting Elements MIc(B_q
3.4 Separating a Cemented Doublet ^Ov+n1,)
3.5 Compounding an Element CyJZip
3.6 Vignetting and Its Uses ~A>-tn}O
3.7 Eliminating a Weak Element; the Concentric Problem \&s$?r
3.8 Balancing Aberrations S`[r]msw
3.9 The Symmetrical Principle Wp=&nh
3.10 Aspheric Surfaces 9sB LCZ
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4 Evaluation: How Good is This Design p;vrPS
4.1 The Uses of a Preliminary Evaluation X*M-- *0q'
4.2 OPD versus Measures of Performance \Xg`@JrTM
4.3 Geometric Blur Spot Size versus Certain Aberrations ]=%u\~AvL
4.4 Interpreting MTF - The Modulation Transfer Function `Jl_'P}
4.5 Fabrication Considerations EJTa~
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5 Lens Design Data Now2ad&
5.1 About the Sample Lens Designs ^}hSsE
5.2 Lens Prescriptions, Drawings, and Aberration Plots Eqt>_n8
5.3 Estimating the Potential of a Redesign Ns[.guWu-
5.4 Scaling a Desing, Its Aberrations, and Its MTF ?)"v~vs
5.5 Notes on the Interpretation of Ray Intercept Plots R
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5.6 Various Evaluation Plot FVoKNaK-
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6 Telescope Objective ^|%7}=e
6.1 The Thin Airspaced Doublet j(Tk6S
6.2 Merit Function for a Telescope Objective
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective -k@Uo(MB
6.4 Spherochromatism h,2?+}Fn
6.5 Zonal Spherical Aberration yTU'voE.|
6.6 Induced Aberrations (FNX>2Mv
6.7 Three-Element Objectives RS
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6.8 Secondary Spectrum (Apochromatic Systems) xh!aB6m8R
6.9 The Design of an f/7 Apochromatic Triplet 4yR X{Bl|
6.10 The Diffractive Surface in Lens Design iSj.lW
6.11 A Final Note E&|EokSyN
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7 Eyepieces and Magnifiers X0%BE!
7.1 Eyepieces {=kW?
7.2 A Pair of Magnifier Designs m\J"P'=
7.3 The Simple, Classical Eyepieces U,^jN|v
7.4 Design Story of an Eyepiece for a 6*30 Binocular Z+! 96LR
7.5 Four-Element Eyepieces v|YJ2q?19
7.6 Five-Element Eyepieces A,GJ6qp3
7.7 Very High Index Eyepiece/Magnifier ~bX ) %jC
7.8 Six- and Seven-Element Eyepieces O9MBQNwjA
4 !M6RL8{
8 Cooke Triplet Anastigmats )mRKIM}*W
8.1 Airspaced Triplet Anastigmats R~XNF/QMl
8.2 Glass Choice iM s(Ywak]
8.3 Vertex Length and Residual Aberrations wHhIa3_v
8.4 Other Design Considerations Y]HtO^T2
8.5 A Plastic, Aspheric Triplet Camera Lens D$bJ s O
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet bn"z&g
8.7 Possible Improvement to Our “Basic” Triplet *uZ'MS
8.7 The Rear Earth (Lanthanum) Glasses %Wb$qpa
8.9 Aspherizing the Surfaces fuA8jx
8.10 Increasing the Element Thickness A/*h[N+2!
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9 Split Triplets VufG7%S{
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10 The Tessar, Heliar, and Other Compounded Triplets zH?&FtO
10.1 The Classic Tessar ~dj4Q
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10.2 The Heliar/Pentac tsqWnz=)
10.3 The Portrait Lens and the Enlarger Lens JWs?az
10.4 Other Compounded Triplets h5m6 )0"
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar d0@czNWIC
Zl`sY5{1
11 Double-Meniscus Anastigmats I'16-
11.1 Meniscus Components 7)+%;|~
11.2 The Hypergon, Totogon, and Metrogon &5;y&dh
11.3 A Two Element Aspheric Thick Meniscus Camera Lens U-:_4[
11.4 Protar, Dagor, and Convertible Lenses ~m@w p
11.5 The Split Dagor O(f&0h
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11.6 The Dogmar 9w,u4q
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens rlVo}kc7:
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12 The Biotar or Double-Gauss Lens 'QEQyJ0EB
12.1 The Basic Six-Element Version &>o?0A6
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens z[ N_3n
12.3 The Seven-Element Biotar - Split-Rear Singlet z6Jfu:_N!
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ;X2 (G
12.5 The Seven-Element Biotar - One Compounded Outer Element .TWX,#
12.6 The Eight-Element Biotar >c:- ;( k
12.7 A “Doubled Double-Gauss” Relay f Tc,"{
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13 Telephoto Lenses 2wG4"
13.1 The Basic Telephoto 4 jeUYkJUM
13.2 Close-up or Macro Lenses #2*2xt
13.3 Telephoto Designs Ayi
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch j{a3AEmps
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses }D&fw=r"M
14.1 The Reverse Telephoto Principle IKV:J9
14.2 The Basic Retrofocus Lens VpMPTEZ*L
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses j;b<oQH
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15 Wide Angle Lenses with Negative Outer Lenses ZM%z"hO9R
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16 The Petzval Lens; Head-up Display Lenses qP0_#l&
16.1 The Petzval Portrait Lens f@a@R$y
16.2 The Petzval Projection Lens 5U/1Z{
16.3 The Petzval with a Field Flattener QWBQ0#L
16.4 Very Height Speed Petzval Lenses pJ 1Q~tI
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems U)N_/
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17 Microscope Objectives /y"Y o
17.1 General Considerations t7p`A8&
17.2 Classic Objective Design Forms; The Aplanatic Front ;hLne0|)}
17.3 Flat-Field Objectives 9v<Sng
17.4 Reflecting Objectives ){oVVLs
17.5 The Microscope Objective Designs Y)I8(g}0
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18 Mirror and Catadioptric Systems ^L<*ggw
18.1 The Good and Bad Points of Mirrors q:1_D>
18.2 The Classic Two-Mirror Systems 61J01(+|
18.3 Catadioptric Systems afMIq Q?
18.4 Aspheric Correctors and Schmidt Systems ~xg1mS9d
18.5 Confocal Paraboloids =Jx,.|Bf
18.6 Unobscured Systems y[l19eU
18.7 Design of a Schmidt-Cassegrain “from Scratch” ,1YnWy*
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19 Infrared and Ultraviolet Systems ,{{uRs/
19.1 Infrared Optics 7^J-5lY3S
19.2 IR Objective Lenses 1+^L,-k!
19.3 IR Telescope :>[;XT<
19.4 Laser Beam Expanders ?_F,HhQ
19,5 Ultraviolet Systems TvWhy`RQ
19.6 Microlithographic Lenses <Zc:
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20 Zoom Lenses nV0"q|0K;
20.1 Zoom Lenses [N/[7Q/y
20.2 Zoom Lenses for Point and Shoot Cameras nD+vMG1~w
20.3 A 20X Video Zoom Lens o"x&F
20.4 A Zoom Scanner Lens
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20.5 A Possible Zoom Lens Design Procedure 7 '@l?u/6
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21 Projection TV Lenses and Macro Lenses -< 7KW0CA
21.1 Projection TV Lenses /y,~?
21.2 Macro Lenses 9zkR)C
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22 Scanner/ , Laser Disk and Collimator Lenses %Ya-;&;`
22.1 Monochromatic Systems {A(=phN
22.2 Scanner Lenses 0=8.8LnN(
22.3 Laser Disk, Focusing, and Collimator Lenses OX?9 3AlG
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23 Tolerance Budgeting 5|-(Ic
23.1 The Tolerance Budget Kk~0jP_ B9
23.2 Additive Tolerances 56o?=|
23.3 Establishing the Tolerance Budget 'Z7oPq6
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24 Formulary t?v0ylN
24.1 Sign Conventions, Symbols, and Definitions @Ns^?#u~
24.2 The Cardinal Points flLC\
24.3 Image Equations n\ma5"n0=\
24.4 Paraxial Ray Tracing (Surface by Surface) ?|:!PF*L~z
24.5 Invariants }@OykN
24.6 Paraxial Ray Tracing (Component by Component) &,fBg6A%
24.7 Two-Componenet Relationships #cQ[ vE)y
24.8 Third-Order Aberrations – Surface Contributions h"YIAQ',
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs fj 19U9R
24.10 Stop Shift Equations Z\{WBUR;4t
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces eR8qO"%2:
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) WZCX&ui