"Modern Lens Design" 2nd Edition by Warren J. Smith YWPkVvI
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Contents of Modern Lens Design 2nd Edition qLBQ!>lR
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1 Introduction covCa )kf
1.1 Lens Design Books F UI/ A >
1.2 Reference Material L <
1.3 Specifications s2sJJdN
1.4 Lens Design D[T\_3 W
1.5 Lens Design Program Features .9DhD=8aIO
1.6 About This Book CS%ut-K<5M
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2 Automatic Lens Design y Jx,4be
2.2 The Merit Function uvDOTRf
2.3 Local Minima *h?*RUQ
2.4 The Landscape Lens |$8N*7UD
2.5 Types of Merit Function =j_4!^
2.6 Stagnation B <Jxj
2.7 Generalized Simulated Annealing gC6Gm':c
2.8 Considerations about Variables for Optimization N]BH6 7 <
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ({4?RtYm
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits pJ? y
2.11 Spectral Weighting B_!S\?}$
2.12 How to Get Started |}l/6WHB
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3 Improving a Design D$hK
3.1 Lens Design Tip Sheet: Standard Improvement Techniques .Sm 8t$
3.2 Glass Changes ( Index and V Values ) p E1uD4lLb
3.3 Splitting Elements 8pmW w?
3.4 Separating a Cemented Doublet H1 ev W
3.5 Compounding an Element lf oPFJ
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3.6 Vignetting and Its Uses 0l( G7Ju
3.7 Eliminating a Weak Element; the Concentric Problem [CnoM N
3.8 Balancing Aberrations ubl
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3.9 The Symmetrical Principle q:_-#u
3.10 Aspheric Surfaces *E@as
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4 Evaluation: How Good is This Design DUf . F
4.1 The Uses of a Preliminary Evaluation CJ;D &qo
4.2 OPD versus Measures of Performance ylmVmHmc
4.3 Geometric Blur Spot Size versus Certain Aberrations p=Q o92
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4.4 Interpreting MTF - The Modulation Transfer Function @M*5q# s
4.5 Fabrication Considerations ]VVx2ERs
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5 Lens Design Data o hPXwp?]
5.1 About the Sample Lens Designs Y
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5.2 Lens Prescriptions, Drawings, and Aberration Plots neWx-O
5.3 Estimating the Potential of a Redesign o>M&C
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5.4 Scaling a Desing, Its Aberrations, and Its MTF J@N q
5.5 Notes on the Interpretation of Ray Intercept Plots P+p:Ed 80
5.6 Various Evaluation Plot N[=R$1\Z
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6 Telescope Objective &53LJlL
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6.1 The Thin Airspaced Doublet V=GP_^F
6.2 Merit Function for a Telescope Objective Yu9(qRK
6.3 The Design of an f/7 Cemented Doublet Telescope Objective b<g9L4s
6.4 Spherochromatism U,9=&"e b
6.5 Zonal Spherical Aberration ds+0y;vc
6.6 Induced Aberrations }8'bXG+
6.7 Three-Element Objectives 6r5<uZ9w_X
6.8 Secondary Spectrum (Apochromatic Systems) [ MM`#!K%
6.9 The Design of an f/7 Apochromatic Triplet G{s
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6.10 The Diffractive Surface in Lens Design p-8x>dmP(
6.11 A Final Note 62OZj%CXN
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7 Eyepieces and Magnifiers }!vJ+
7.1 Eyepieces $T'lWD *
7.2 A Pair of Magnifier Designs p\|*ff0
7.3 The Simple, Classical Eyepieces &C E){j C
7.4 Design Story of an Eyepiece for a 6*30 Binocular bq}o#d5p-_
7.5 Four-Element Eyepieces tw]Q5:6
7.6 Five-Element Eyepieces fH
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7.7 Very High Index Eyepiece/Magnifier _ AVP1
7.8 Six- and Seven-Element Eyepieces #c1c%27cmm
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8 Cooke Triplet Anastigmats OEgp!J
8.1 Airspaced Triplet Anastigmats )6-!,D0 db
8.2 Glass Choice *+cW)klm
8.3 Vertex Length and Residual Aberrations g"v-hTx
8.4 Other Design Considerations %wux#"8
8.5 A Plastic, Aspheric Triplet Camera Lens bu r0?q
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 4}HY= 0Um
8.7 Possible Improvement to Our “Basic” Triplet RS[QZOoW}
8.7 The Rear Earth (Lanthanum) Glasses czp}-{4X
8.9 Aspherizing the Surfaces sZPA(N?
8.10 Increasing the Element Thickness ^{fA:N=
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9 Split Triplets ||kUi=5
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10 The Tessar, Heliar, and Other Compounded Triplets ~W j.
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10.1 The Classic Tessar 4] I7t
10.2 The Heliar/Pentac %:] ive]e
10.3 The Portrait Lens and the Enlarger Lens `GT{=XJfY
10.4 Other Compounded Triplets _0e;&2')
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar r 5a OQ
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11 Double-Meniscus Anastigmats CrI:TB>/ "
11.1 Meniscus Components niJtgK:H^
11.2 The Hypergon, Totogon, and Metrogon Bgj^n{9x
11.3 A Two Element Aspheric Thick Meniscus Camera Lens P PSSar
11.4 Protar, Dagor, and Convertible Lenses aRF}F E,u
11.5 The Split Dagor e47N 9&4
11.6 The Dogmar uz;z+Bd^
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens \B~}s }
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12 The Biotar or Double-Gauss Lens x\R
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12.1 The Basic Six-Element Version =6:>C9
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens etWCMR
12.3 The Seven-Element Biotar - Split-Rear Singlet |.Y}2>{
12.4 The Seven-Element Biotar - Broken Contact Front Doublet &C=[D _h
12.5 The Seven-Element Biotar - One Compounded Outer Element [oh0 )wzB
12.6 The Eight-Element Biotar DNl '}K1W
12.7 A “Doubled Double-Gauss” Relay 6#/v:;bF
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13 Telephoto Lenses 1x~dsM;q
13.1 The Basic Telephoto %gE*x
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13.2 Close-up or Macro Lenses z<9wh2*M
13.3 Telephoto Designs U0X? ~ 1
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 8%D 2G i
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses e $ {Cf
14.1 The Reverse Telephoto Principle -3On^Wj]
14.2 The Basic Retrofocus Lens ^6(Nu|6\@
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses of k@.TmO
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15 Wide Angle Lenses with Negative Outer Lenses SV0h'd(b
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16 The Petzval Lens; Head-up Display Lenses qz<>9n@o
16.1 The Petzval Portrait Lens f,}9~r #
16.2 The Petzval Projection Lens )tW0iFY
16.3 The Petzval with a Field Flattener &@h(6
16.4 Very Height Speed Petzval Lenses + =N#6 # 1
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems (!B1} 5"
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17 Microscope Objectives ?(d<n
17.1 General Considerations xaG( 3
17.2 Classic Objective Design Forms; The Aplanatic Front 1Vy8TV3D
17.3 Flat-Field Objectives I@/+=
17.4 Reflecting Objectives 4V9S~^v|
17.5 The Microscope Objective Designs \&Zp/;n
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18 Mirror and Catadioptric Systems FLzC kzJ:6
18.1 The Good and Bad Points of Mirrors # %$U-ti
18.2 The Classic Two-Mirror Systems M4`. [P4
18.3 Catadioptric Systems +<1MY'>y
18.4 Aspheric Correctors and Schmidt Systems 1 ms(03dp
18.5 Confocal Paraboloids z[~ph/^
18.6 Unobscured Systems |)} &: xA%
18.7 Design of a Schmidt-Cassegrain “from Scratch” %!r @l7<
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19 Infrared and Ultraviolet Systems ev"f@y9Do
19.1 Infrared Optics LX2Re
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19.2 IR Objective Lenses V> Vu)7
19.3 IR Telescope ?|NMJ Qsa7
19.4 Laser Beam Expanders j| Hyv{sM
19,5 Ultraviolet Systems FZ~^cK9g:
19.6 Microlithographic Lenses ZGZ1Q/WH
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20 Zoom Lenses jC}2>_#m(
20.1 Zoom Lenses {|D7H=f
20.2 Zoom Lenses for Point and Shoot Cameras O=E?m=FR"
20.3 A 20X Video Zoom Lens Hru~Y}V
20.4 A Zoom Scanner Lens 0Mu6R=s
20.5 A Possible Zoom Lens Design Procedure h1A Z+9
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21 Projection TV Lenses and Macro Lenses qb 1JE[2F
21.1 Projection TV Lenses ^Ez` WP
21.2 Macro Lenses O=;}VZ<9
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22 Scanner/ , Laser Disk and Collimator Lenses RR9G$}WS(
22.1 Monochromatic Systems nc/F@HCB
22.2 Scanner Lenses dlJc~|
22.3 Laser Disk, Focusing, and Collimator Lenses e WWtMnq
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23 Tolerance Budgeting d;FOmo4
23.1 The Tolerance Budget &~{0@/
23.2 Additive Tolerances }u?DK,R
23.3 Establishing the Tolerance Budget wMvAm%}+
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24 Formulary N,ysv/zq7
24.1 Sign Conventions, Symbols, and Definitions @b{I0+li"/
24.2 The Cardinal Points O'[r,|Q{
24.3 Image Equations :F`-<x/
24.4 Paraxial Ray Tracing (Surface by Surface) tx _h1[qi
24.5 Invariants s 9F{UN3
24.6 Paraxial Ray Tracing (Component by Component) p|9Eue3j2
24.7 Two-Componenet Relationships bJ5 VlK67R
24.8 Third-Order Aberrations – Surface Contributions q'1
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs
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24.10 Stop Shift Equations ` ),ACkU>U
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces =GJ)4os
24.12 Conversion of Aberrations to Wavefront Deformation (OPD)
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Glossary caD)'FSES
Reference 9AP." RV
Index
