"Modern Lens Design" 2nd Edition by Warren J. Smith b&h'>(
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Contents of Modern Lens Design 2nd Edition dT 7fyn
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1 Introduction xV14Y9
1.1 Lens Design Books r]\[G6mE%
1.2 Reference Material "u~` ZV(
1.3 Specifications _UkBOJ:G$H
1.4 Lens Design N@<-R<s^
1.5 Lens Design Program Features @YaI5> ,/
1.6 About This Book 0~$9z+S
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2 Automatic Lens Design RLQ*&[A}
2.2 The Merit Function 9$X" D
2.3 Local Minima KV;q}EyG
2.4 The Landscape Lens R|qNyNXo[
2.5 Types of Merit Function Kg<~Uf=1
2.6 Stagnation K-Pcew^?
2.7 Generalized Simulated Annealing AdDR<IW
2.8 Considerations about Variables for Optimization *!`&+w
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems "\;n t5L
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ;DZj.|Sj+
2.11 Spectral Weighting Pr%KcR ;
2.12 How to Get Started tuwlsBV
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3 Improving a Design 8kU(>' ^_:
3.1 Lens Design Tip Sheet: Standard Improvement Techniques =(TMcu$4`
3.2 Glass Changes ( Index and V Values ) s@%>
3.3 Splitting Elements `]GL3cIh:
3.4 Separating a Cemented Doublet Y~^R^J
3.5 Compounding an Element -9+$z|K
3.6 Vignetting and Its Uses *tpS6{4=#7
3.7 Eliminating a Weak Element; the Concentric Problem pQ7elv]
3.8 Balancing Aberrations GK11fZpO:i
3.9 The Symmetrical Principle >{Mv+
3.10 Aspheric Surfaces o\Fv~^
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4 Evaluation: How Good is This Design /\Xe'&
4.1 The Uses of a Preliminary Evaluation ESIJ QM-[+
4.2 OPD versus Measures of Performance .@;5"
4.3 Geometric Blur Spot Size versus Certain Aberrations 5'{QMnfB
4.4 Interpreting MTF - The Modulation Transfer Function V{>;Z vj1R
4.5 Fabrication Considerations nZNS}|6
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5 Lens Design Data ia
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5.1 About the Sample Lens Designs oTb42a_j{
5.2 Lens Prescriptions, Drawings, and Aberration Plots Fpn'0&~-fi
5.3 Estimating the Potential of a Redesign n3U|
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5.4 Scaling a Desing, Its Aberrations, and Its MTF C.uv0
5.5 Notes on the Interpretation of Ray Intercept Plots .pl,ujv
5.6 Various Evaluation Plot o(v7&m;
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6 Telescope Objective 86qQ"=v
6.1 The Thin Airspaced Doublet "[z/\l8O
6.2 Merit Function for a Telescope Objective ^-~=U^2tC
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Ha ZV7
6.4 Spherochromatism WyQ8}]1b
6.5 Zonal Spherical Aberration jL3
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6.6 Induced Aberrations zh?B-"O=5
6.7 Three-Element Objectives qnd] UUA^
6.8 Secondary Spectrum (Apochromatic Systems) l)DcwkIG
6.9 The Design of an f/7 Apochromatic Triplet n@C#,v#^0
6.10 The Diffractive Surface in Lens Design fD_3lbiL(
6.11 A Final Note BjjuZN&
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7 Eyepieces and Magnifiers f::^zAV
7.1 Eyepieces yVPFH~1@\
7.2 A Pair of Magnifier Designs |D'!.$7%
7.3 The Simple, Classical Eyepieces B<@a&QBTg
7.4 Design Story of an Eyepiece for a 6*30 Binocular 0T$ `;~
7.5 Four-Element Eyepieces }+[!h=Bx
7.6 Five-Element Eyepieces X^m@*,[s
7.7 Very High Index Eyepiece/Magnifier
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7.8 Six- and Seven-Element Eyepieces U&$I!80.
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8 Cooke Triplet Anastigmats [5b[ztN%
8.1 Airspaced Triplet Anastigmats s1%2({wP
8.2 Glass Choice !+UXu]kA
8.3 Vertex Length and Residual Aberrations iztF
8.4 Other Design Considerations 2Qp]r+!
8.5 A Plastic, Aspheric Triplet Camera Lens @k:@mzB7R
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet .'-t>(}v
8.7 Possible Improvement to Our “Basic” Triplet 9Y2(.~w6X
8.7 The Rear Earth (Lanthanum) Glasses .Z 17X_
8.9 Aspherizing the Surfaces 0q1+5
8.10 Increasing the Element Thickness ;gRPTk$X3
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9 Split Triplets vL "noLs
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10 The Tessar, Heliar, and Other Compounded Triplets %uP/v\l
10.1 The Classic Tessar 8L@@UUjr
10.2 The Heliar/Pentac {+9t!'
10.3 The Portrait Lens and the Enlarger Lens sJg3WN
10.4 Other Compounded Triplets 3VQmo\li
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar hGUQdTNP
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11 Double-Meniscus Anastigmats ,
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11.1 Meniscus Components ) I.uqG
11.2 The Hypergon, Totogon, and Metrogon G6"4JTWO
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 9<Th: t|w
11.4 Protar, Dagor, and Convertible Lenses p1ER<_fp
11.5 The Split Dagor itO1ROmu
11.6 The Dogmar VOmS>'$
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens N,cj[6;T%
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12 The Biotar or Double-Gauss Lens 6HVGqx
12.1 The Basic Six-Element Version j8t_-sU9 i
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 7H[.o~\
12.3 The Seven-Element Biotar - Split-Rear Singlet #Pq6q.UB
12.4 The Seven-Element Biotar - Broken Contact Front Doublet @c,=c+-
12.5 The Seven-Element Biotar - One Compounded Outer Element ?3iN)*Ut
12.6 The Eight-Element Biotar wS:`c
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12.7 A “Doubled Double-Gauss” Relay -dUXd<=ue
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13 Telephoto Lenses 6lxZo_
13.1 The Basic Telephoto kr]_?B(r
13.2 Close-up or Macro Lenses V}G;oz&>)
13.3 Telephoto Designs g aXF3v*j
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch @hOY&
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses X*:)]p(R
14.1 The Reverse Telephoto Principle ?kc,}/4
14.2 The Basic Retrofocus Lens 4wwRNu*
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses nyd'79~>G
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15 Wide Angle Lenses with Negative Outer Lenses DTx>^<Tk
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16 The Petzval Lens; Head-up Display Lenses *>Zq79TG
16.1 The Petzval Portrait Lens FBI^}^#_
16.2 The Petzval Projection Lens ^eqq|(<K
16.3 The Petzval with a Field Flattener 7(5 wP(
16.4 Very Height Speed Petzval Lenses [i N}W5
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Cx`?}A\%
I [v~nY~l`
17 Microscope Objectives cU=EXyP%
17.1 General Considerations ,tOc+3Qz$
17.2 Classic Objective Design Forms; The Aplanatic Front 6q^.Pg-Y
17.3 Flat-Field Objectives QEq>zuz5;
17.4 Reflecting Objectives q VJC O-K|
17.5 The Microscope Objective Designs e p\a
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18 Mirror and Catadioptric Systems e%&/K7I "?
18.1 The Good and Bad Points of Mirrors 5A"OL6ty
18.2 The Classic Two-Mirror Systems +t;j5\HS
18.3 Catadioptric Systems H52] Zm
18.4 Aspheric Correctors and Schmidt Systems +Tp>3Jh2
18.5 Confocal Paraboloids ob>2SU[Y
18.6 Unobscured Systems ,7|2K &C5
18.7 Design of a Schmidt-Cassegrain “from Scratch” c5tCw3$t
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19 Infrared and Ultraviolet Systems 1x4{~g\
19.1 Infrared Optics yi3Cd@t({{
19.2 IR Objective Lenses '${xZrzmt
19.3 IR Telescope IqmoWn3
19.4 Laser Beam Expanders &]H Y:
19,5 Ultraviolet Systems d+Jj4OnP
19.6 Microlithographic Lenses <al/>7z'
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20 Zoom Lenses "EC,#$e%ev
20.1 Zoom Lenses IG~d7rh"
20.2 Zoom Lenses for Point and Shoot Cameras C)`y<O
20.3 A 20X Video Zoom Lens WMd5Y`y
20.4 A Zoom Scanner Lens FQCz_z
20.5 A Possible Zoom Lens Design Procedure f\gN+4)
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21 Projection TV Lenses and Macro Lenses ;?0k>
21.1 Projection TV Lenses I HtNaN )
21.2 Macro Lenses ]l4#KI@
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22 Scanner/ , Laser Disk and Collimator Lenses Kr|9??`0E
22.1 Monochromatic Systems Mk@%Wuxg2
22.2 Scanner Lenses w#M66=je_
22.3 Laser Disk, Focusing, and Collimator Lenses -%^KDyZ<&
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23 Tolerance Budgeting c)OQ_3xOs
23.1 The Tolerance Budget %$L!N-U6
23.2 Additive Tolerances +\n8##oAI
23.3 Establishing the Tolerance Budget U(cV#@Y
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24 Formulary ?4,e?S6,[
24.1 Sign Conventions, Symbols, and Definitions _+hf.[""
24.2 The Cardinal Points y0D="2)
24.3 Image Equations 0WI3m2i
24.4 Paraxial Ray Tracing (Surface by Surface) (},TZ+u
24.5 Invariants +WYXj
24.6 Paraxial Ray Tracing (Component by Component) I+]q;dF;
24.7 Two-Componenet Relationships ^ LTKX`p
24.8 Third-Order Aberrations – Surface Contributions 2'zYrdem
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs =N%;HfUD
24.10 Stop Shift Equations !yQ# E2/A
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces yBwgLn
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Spossp`|
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Glossary S~mpXH@
Reference pO.+hy
Index