[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith @]E]W#xAn  
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Contents of Modern Lens Design 2nd Edition ,!r@9T  
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1    Introduction         Y}S.37|+^  
1.1    Lens Design Books     %uj[`  
1.2    Reference Material     >T`zh^+5W  
1.3    Specifications     PP],HB+*[  
1.4    Lens Design     *!i,?vn  
1.5    Lens Design Program Features     ~};]k}  
1.6    About This Book     +;YE)~R?  
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2    Automatic Lens Design         ,}u,)7  
2.2    The Merit Function         #jOOsfH|k  
2.3    Local Minima     ftxTX3X  
2.4    The Landscape Lens     'frWu6]< 4  
2.5    Types of Merit Function     ~m!#FTc*  
2.6    Stagnation     ' 4,y  
2.7    Generalized Simulated Annealing     b-2pzcK{#  
2.8    Considerations about Variables for Optimization     k]t,q$Vd  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 8~;{xYN )  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     uW ) \,  
2.11    Spectral Weighting     y?"$(%3|  
2.12    How to Get Started     J_|7$ l/  
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3    Improving a Design     tB]`Hj  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     w<Zdq}{jO  
3.2    Glass Changes ( Index and V Values )     ji
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3.3    Splitting Elements     l+|1G  
3.4    Separating a Cemented Doublet     (Z5q&#f  
3.5    Compounding an Element     0,:iE\
 
3.6    Vignetting and Its Uses     :DDO=
 
3.7    Eliminating a Weak Element; the Concentric Problem     K*TnUQ  
3.8    Balancing Aberrations     _cR6ik zW(  
3.9    The Symmetrical Principle     #,t2*tM  
3.10    Aspheric Surfaces     u$apH{  
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4    Evaluation: How Good is This Design     "v@);\-V  
4.1    The Uses of a Preliminary Evaluation     TFNUv<>X  
4.2    OPD versus Measures of Performance     4A;[sm^f  
4.3    Geometric Blur Spot Size versus Certain Aberrations     yVT&rQ"{  
4.4    Interpreting MTF - The Modulation Transfer Function     hJecCOA)'  
4.5    Fabrication Considerations     D% oueW  
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5    Lens Design Data     lB=(8.  
5.1    About the Sample Lens Designs     KrJ5"1=  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     |Uc<;> l  
5.3    Estimating the Potential of a Redesign     \)FeuLGL9  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     >s;oOo+5  
5.5    Notes on the Interpretation of Ray Intercept Plots     ]^Sd9ba  
5.6    Various Evaluation Plot     rH[5~U  
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6    Telescope Objective     @m5O{[euj<  
6.1    The Thin Airspaced Doublet     S4;wa6  
6.2    Merit Function for a Telescope Objective     ,?C|.5  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     | -JI`!7  
6.4    Spherochromatism     c'"#q)  
6.5    Zonal Spherical Aberration     Xq+!eOT  
6.6    Induced Aberrations     -b
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6.7    Three-Element Objectives     R 4DM_u  
6.8    Secondary Spectrum (Apochromatic Systems)     =n> iQS  
6.9    The Design of an f/7 Apochromatic Triplet     $5ZR[\$  
6.10    The Diffractive Surface in Lens Design     =9kj? u~  
6.11    A Final Note     W/#KX}4  
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7    Eyepieces and Magnifiers    
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7.1    Eyepieces     !y.ei1diw  
7.2    A Pair of Magnifier Designs      `2Wl  
7.3    The Simple, Classical Eyepieces     _Syre6k  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     J@oEV=L  
7.5    Four-Element Eyepieces     7xX;MB&  
7.6    Five-Element Eyepieces     "2*G$\  
7.7    Very High Index Eyepiece/Magnifier     ]ev*m&O  
7.8    Six- and Seven-Element Eyepieces     9yh9HE  
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8    Cooke Triplet Anastigmats     ;M%oQ>].[  
8.1    Airspaced Triplet Anastigmats     yTzY?  
8.2    Glass Choice     k\sc }z8X  
8.3    Vertex Length and Residual Aberrations     MDMtOfe|  
8.4    Other Design Considerations     k)?,xY\AV  
8.5    A Plastic, Aspheric Triplet Camera Lens     \;nD)<)J  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 9zXu6<|qrL  
8.7    Possible Improvement to Our “Basic” Triplet     \pjRv  
8.7    The Rear Earth (Lanthanum) Glasses     Nr>c'TH  
8.9    Aspherizing the Surfaces     *LY~l  
8.10    Increasing the Element Thickness     aO~si=  
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9    Split Triplets     43vGgGW  
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10    The Tessar, Heliar, and Other Compounded Triplets     QH@Q\ @,  
10.1    The Classic Tessar     0!9?H1>  
10.2    The Heliar/Pentac     #pS]k<o%1  
10.3    The Portrait Lens and the Enlarger Lens     `,F&y{A  
10.4    Other Compounded Triplets     Dj-\))L  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar P5'iYahCq_  
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11    Double-Meniscus Anastigmats     7P3<o!YA  
11.1    Meniscus Components     sN}s61  
11.2    The Hypergon, Totogon, and Metrogon     tQNk=}VR7r  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     bYwI==3
 
11.4    Protar, Dagor, and Convertible Lenses     .`oJcJ  
11.5    The Split Dagor     4+ASwN9  
11.6    The Dogmar     &/b?I `  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     @4 zi]v  
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12    The Biotar or Double-Gauss Lens     8zP:*|D  
12.1    The Basic Six-Element Version     oV0LJ%  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens k#1`  
12.3    The Seven-Element Biotar - Split-Rear Singlet     }-R
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12.4    The Seven-Element Biotar - Broken Contact Front Doublet     3a'Rs{qxn  
12.5    The Seven-Element Biotar - One Compounded Outer Element     {0NsDi>(2  
12.6    The Eight-Element Biotar     9@KUqoX  
12.7    A “Doubled Double-Gauss” Relay     fhBO~o+K>  
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13    Telephoto Lenses     sDLVYD  
13.1    The Basic Telephoto     ]`#xR*a  
13.2    Close-up or Macro Lenses     uM6CG0  
13.3    Telephoto Designs     O,F]\  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch no~OR Q  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     J~_L4*Jw  
14.1    The Reverse Telephoto Principle     [ 4?cM\_u@  
14.2    The Basic Retrofocus Lens     KuIt[oM  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     g|&.v2 '  
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15    Wide Angle Lenses with Negative Outer Lenses     b>hBct}  
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16    The Petzval Lens; Head-up Display Lenses     |'V<>v.v  
16.1    The Petzval Portrait Lens     JfZL?D{NM  
16.2    The Petzval Projection Lens     aGq_hP   
16.3    The Petzval with a Field Flattener     x
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16.4    Very Height Speed Petzval Lenses     8]cv&d1f  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     <3SFP3^:  
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17    Microscope Objectives     bqw/O`*wfN  
17.1    General Considerations     ?/`C~e<J  
17.2    Classic Objective Design Forms; The Aplanatic Front     p`E|SNt/W  
17.3    Flat-Field Objectives     J[j/aDdP  
17.4    Reflecting Objectives     ~6@c]:  
17.5    The Microscope Objective Designs     p^pQZ6-  
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18    Mirror and Catadioptric Systems     @1pW!AdN  
18.1    The Good and Bad Points of Mirrors     &X#x9|=&O  
18.2    The Classic Two-Mirror Systems ;ZxK3/(7  
18.3    Catadioptric Systems     (c
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18.4    Aspheric Correctors and Schmidt Systems     ({d,oU$>y  
18.5    Confocal Paraboloids     }$&T O$LX  
18.6    Unobscured Systems     %:'1_@Ot2  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     .XV]<)<K$  
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19    Infrared and Ultraviolet Systems     9}%~w(P  
19.1    Infrared Optics     yBYuDfeZ  
19.2    IR Objective Lenses     sx)$=~o  
19.3    IR Telescope     )H[h53bIq  
19.4    Laser Beam Expanders     )*^OPVt  
19,5    Ultraviolet Systems     ^G'yaaLXR  
19.6    Microlithographic Lenses     |?;"B:0  
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20    Zoom Lenses     7(A G]  
20.1    Zoom Lenses     =FtM;(\  
20.2    Zoom Lenses for Point and Shoot Cameras     ??$i*  
20.3    A 20X Video Zoom Lens     nK?k<  
20.4    A Zoom Scanner Lens     V',m $   
20.5    A Possible Zoom Lens Design Procedure     4 BE:&A  
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21    Projection TV Lenses and Macro Lenses     8^P2GG'+-  
21.1    Projection TV Lenses     ;*>QG6Fh  
21.2    Macro Lenses     _-|yCo  
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22    Scanner/ , Laser Disk and Collimator Lenses     =B/s HN  
22.1    Monochromatic Systems     Pq{YZMr  
22.2    Scanner Lenses     9AVK_   
22.3    Laser Disk, Focusing, and Collimator Lenses     DiGUxnP  
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23    Tolerance Budgeting     (04j4teE  
23.1    The Tolerance Budget     5fvUv"m  
23.2    Additive Tolerances     ;4S [ba1/  
23.3    Establishing the Tolerance Budget     :uT fhr  

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24    Formulary >"sKfiM)b  
24.1    Sign Conventions, Symbols, and Definitions     ~Me&cT8  
24.2    The Cardinal Points     G +nY}c  
24.3    Image Equations     6,g5To#vw  
24.4    Paraxial Ray Tracing (Surface by Surface)     -Iruua7b  
24.5    Invariants     5x1%o
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24.6    Paraxial Ray Tracing (Component by Component)     Vne.HFXA  
24.7    Two-Componenet Relationships     <750-d!  
24.8    Third-Order Aberrations – Surface Contributions     eBYaq!t k  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     U"%8"G0)  
24.10    Stop Shift Equations     HkfSx rTgQ  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     `3
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24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     M$>WmG1~D  
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Glossary 0()9vTY+  
Reference W(PW9J9  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 Y 
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我怎么瞧不明白。

有没有人呀 C%7)sLWjJS  
有个问题想请教大家