[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith z/JoUje  
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Contents of Modern Lens Design 2nd Edition }Htnhom0n  
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1    Introduction         Bs@!S?  
1.1    Lens Design Books     h,Y!d]2w  
1.2    Reference Material     x[mxp/ /P  
1.3    Specifications     F{:ZHCm  
1.4    Lens Design     0ssKZ9Lc  
1.5    Lens Design Program Features     \m3'4#  
1.6    About This Book     >-2eZ(n)"  
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2    Automatic Lens Design         F{#m~4O  
2.2    The Merit Function         6.o8vC/PZ  
2.3    Local Minima     Zz"b&`K  
2.4    The Landscape Lens     z7[TgL7  
2.5    Types of Merit Function     E<[_L!2  
2.6    Stagnation    
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2.7    Generalized Simulated Annealing     Q?f%]uGFQ  
2.8    Considerations about Variables for Optimization     vybQ}dscn  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems R W=<EF&  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     tSST.o3  
2.11    Spectral Weighting     q P<n<  
2.12    How to Get Started     GM.2bA(y  
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3    Improving a Design     +Zaew679  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     b#**`Y  
3.2    Glass Changes ( Index and V Values )     63s<U/N
  
3.3    Splitting Elements     R&w2y$  
3.4    Separating a Cemented Doublet     jpL'y1@Ut  
3.5    Compounding an Element     x=+R0ny  
3.6    Vignetting and Its Uses     pK)*{fC$`  
3.7    Eliminating a Weak Element; the Concentric Problem     *WSH-*0  
3.8    Balancing Aberrations     p*11aaIbp~  
3.9    The Symmetrical Principle     'C l}IDF  
3.10    Aspheric Surfaces     u N%RB$G  
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4    Evaluation: How Good is This Design     ~c e?xr|  
4.1    The Uses of a Preliminary Evaluation     R&z)  
4.2    OPD versus Measures of Performance     /UJ@e  
4.3    Geometric Blur Spot Size versus Certain Aberrations     <OKzb3e  
4.4    Interpreting MTF - The Modulation Transfer Function     PGT*4r21  
4.5    Fabrication Considerations     E$$pO.\  
4$~]t:n  
5    Lens Design Data     ?)B"\#`t  
5.1    About the Sample Lens Designs     Zk#^H*jgx  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     0D;MW  
5.3    Estimating the Potential of a Redesign     R3MbTg  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     -IBf;"8f  
5.5    Notes on the Interpretation of Ray Intercept Plots     /PP\L]
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5.6    Various Evaluation Plot     2b+0}u>a  
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6    Telescope Objective     ~[@Gj{6p0  
6.1    The Thin Airspaced Doublet     %5X}4k!p  
6.2    Merit Function for a Telescope Objective     F^5<o  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     Yp8~wdm  
6.4    Spherochromatism     oB9t&yM  
6.5    Zonal Spherical Aberration     8\Y/?$on  
6.6    Induced Aberrations     n@LR?  
6.7    Three-Element Objectives     b\/:-][  
6.8    Secondary Spectrum (Apochromatic Systems)     )4d)G5{  
6.9    The Design of an f/7 Apochromatic Triplet     RB5fn+FiZ  
6.10    The Diffractive Surface in Lens Design     Evz;eobW/  
6.11    A Final Note     4<S*gu*W  

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7    Eyepieces and Magnifiers     'q
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7.1    Eyepieces     fvajNP  
7.2    A Pair of Magnifier Designs     Oeo:
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7.3    The Simple, Classical Eyepieces     )" H$1  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     A>"v1W
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7.5    Four-Element Eyepieces     U D9&k^  
7.6    Five-Element Eyepieces     0phO1h]2S)  
7.7    Very High Index Eyepiece/Magnifier     P#o/S4  
7.8    Six- and Seven-Element Eyepieces     {(}Mu R  
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8    Cooke Triplet Anastigmats     q&IO9/[dk  
8.1    Airspaced Triplet Anastigmats     7w7mE  
8.2    Glass Choice     2 }QD>  
8.3    Vertex Length and Residual Aberrations     2#4_/5(j*  
8.4    Other Design Considerations     55
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8.5    A Plastic, Aspheric Triplet Camera Lens     &a?&G'?  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet {;(X#vK}9  
8.7    Possible Improvement to Our “Basic” Triplet     tuA
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8.7    The Rear Earth (Lanthanum) Glasses     {~g(W
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8.9    Aspherizing the Surfaces     d*26;5~\  
8.10    Increasing the Element Thickness     Az.k6)~  
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9    Split Triplets     J@ x
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10    The Tessar, Heliar, and Other Compounded Triplets     sQ65QJtt0A  
10.1    The Classic Tessar     |H67ny&K^&  
10.2    The Heliar/Pentac     %Z-^Bu8;y  
10.3    The Portrait Lens and the Enlarger Lens     !F0MLvdX7^  
10.4    Other Compounded Triplets     %?^T^P  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar V:h-K`~/  
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11    Double-Meniscus Anastigmats     j(
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11.1    Meniscus Components     eTI<WFRc_  
11.2    The Hypergon, Totogon, and Metrogon     M.K-)r,  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     !UE' AB  
11.4    Protar, Dagor, and Convertible Lenses     %H:uE*WZ  
11.5    The Split Dagor     `BKo`@  
11.6    The Dogmar     +zxj-diM  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     JZp*"UzQr  
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12    The Biotar or Double-Gauss Lens     so|5HR|  
12.1    The Basic Six-Element Version     !Gu,X'#Ab  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens V\zf yH\~  
12.3    The Seven-Element Biotar - Split-Rear Singlet     `"v5bk  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     SCl$+9E  
12.5    The Seven-Element Biotar - One Compounded Outer Element     v*%#Fp,g8  
12.6    The Eight-Element Biotar     %dTkw+J  
12.7    A “Doubled Double-Gauss” Relay     ~je#gVoUR  

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13    Telephoto Lenses     )rv5QH`i  
13.1    The Basic Telephoto     yH>`Kbf T  
13.2    Close-up or Macro Lenses     0$3\DS<E  
13.3    Telephoto Designs     ]trVlmZXH}  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ^Yei9bXl  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     @NGK2J  
14.1    The Reverse Telephoto Principle     I]P'wav~O  
14.2    The Basic Retrofocus Lens    
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14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     V,bfD3S3  
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15    Wide Angle Lenses with Negative Outer Lenses     <,d.`0:y  
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16    The Petzval Lens; Head-up Display Lenses     IM&2SSmYNH  
16.1    The Petzval Portrait Lens     bs!N~,6h  
16.2    The Petzval Projection Lens     W B)
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16.3    The Petzval with a Field Flattener     *6~ODiB
  
16.4    Very Height Speed Petzval Lenses     FjIS:9^)t5  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     5Qhu5~,K  
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17    Microscope Objectives     7QP%Pny%  
17.1    General Considerations     R6HMi#eF  
17.2    Classic Objective Design Forms; The Aplanatic Front     0!F"s>(H  
17.3    Flat-Field Objectives     |ofegO}W7  
17.4    Reflecting Objectives     v4!zB9d  
17.5    The Microscope Objective Designs     hK9Trrwau  
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18    Mirror and Catadioptric Systems     }fnp}L  
18.1    The Good and Bad Points of Mirrors     J&}/Xw)  
18.2    The Classic Two-Mirror Systems \o9-[V#Gm  
18.3    Catadioptric Systems     ]Mi ~vG q  
18.4    Aspheric Correctors and Schmidt Systems     oK&LYlU  
18.5    Confocal Paraboloids     98h,VuKVaB  
18.6    Unobscured Systems     obRR))  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     IbC(/i#%`  
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19    Infrared and Ultraviolet Systems     :G9+-z{Y&  
19.1    Infrared Optics     SCE5|3j  
19.2    IR Objective Lenses     L+Yn}"gIs  
19.3    IR Telescope     !s#25}9zX5  
19.4    Laser Beam Expanders     tWQ_.,ld  
19,5    Ultraviolet Systems     8RWfv}:X  
19.6    Microlithographic Lenses     WS8m^~S@\  
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20    Zoom Lenses     x/
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20.1    Zoom Lenses     #+HLb  
20.2    Zoom Lenses for Point and Shoot Cameras     xRYL{+  
20.3    A 20X Video Zoom Lens     4k_&Q?1  
20.4    A Zoom Scanner Lens     9@ [R>C  
20.5    A Possible Zoom Lens Design Procedure     I&]d6,  
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21    Projection TV Lenses and Macro Lenses     3}=r.\]U  
21.1    Projection TV Lenses     {8UYu2t  
21.2    Macro Lenses     &=H{ 36i@  
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22    Scanner/ , Laser Disk and Collimator Lenses     M3@Wb@  
22.1    Monochromatic Systems     D'Tb=  
22.2    Scanner Lenses     
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22.3    Laser Disk, Focusing, and Collimator Lenses     IY6DZP  
    5=tvB,Ux4  
23    Tolerance Budgeting     `rsP
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23.1    The Tolerance Budget     x@I*(I  
23.2    Additive Tolerances     w~a^r]lPW
 
23.3    Establishing the Tolerance Budget     tGnBx)J|  
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24    Formulary Nq1la8oQ3  
24.1    Sign Conventions, Symbols, and Definitions     G%w.Z< qy  
24.2    The Cardinal Points     tAFKq>\  
24.3    Image Equations     Gm;)Om_  
24.4    Paraxial Ray Tracing (Surface by Surface)     '_,/N!-V  
24.5    Invariants     T%~w~stW  
24.6    Paraxial Ray Tracing (Component by Component)    
Y-\hV6v6  
24.7    Two-Componenet Relationships     C( 8i0(1  
24.8    Third-Order Aberrations – Surface Contributions     ~>&7~N8  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     O6Bs!0,  
24.10    Stop Shift Equations     ~Q"3#4l  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     E8gXa-hv  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     nmZz`P
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Glossary xF: O6KL  
Reference F8M&.TE_3  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 lG
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我怎么瞧不明白。

有没有人呀 PJd7t%m;  
有个问题想请教大家