"Modern Lens Design" 2nd Edition by Warren J. Smith sW@_' Lw
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Contents of Modern Lens Design 2nd Edition iTVZo?lVo
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1 Introduction ZlP+t>
1.1 Lens Design Books EYA=fU
1.2 Reference Material U1O8u -X
1.3 Specifications ?NR&3q
1.4 Lens Design 9_fbl:qk;\
1.5 Lens Design Program Features **JBZ \'
1.6 About This Book Lg{M<Q)4
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2 Automatic Lens Design &%m%b5
2.2 The Merit Function #mkf2Z=t-
2.3 Local Minima EB VG@
2.4 The Landscape Lens rFaG-R
2.5 Types of Merit Function
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2.6 Stagnation /xj`'8
2.7 Generalized Simulated Annealing IKV!0-={!z
2.8 Considerations about Variables for Optimization |-L7qZu%
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems }=Ul8
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits .y<u+)
2.11 Spectral Weighting 54=*vokX_
2.12 How to Get Started -e"A)Bpl(
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3 Improving a Design pQ>|dH+.
3.1 Lens Design Tip Sheet: Standard Improvement Techniques b0Dco0U(
3.2 Glass Changes ( Index and V Values ) [iZH[7&j
3.3 Splitting Elements RL3*fRlb
3.4 Separating a Cemented Doublet 4w)>}
3.5 Compounding an Element ;cB3D3fR.
3.6 Vignetting and Its Uses sNM ]bei
3.7 Eliminating a Weak Element; the Concentric Problem uVTacN%X
3.8 Balancing Aberrations x#gZC1$Y
3.9 The Symmetrical Principle "c\WZB`|
3.10 Aspheric Surfaces &gKDw!al
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4 Evaluation: How Good is This Design !o1IpTN
4.1 The Uses of a Preliminary Evaluation 4:-x!lt
4.2 OPD versus Measures of Performance RLZfXXMn
4.3 Geometric Blur Spot Size versus Certain Aberrations |Z)}-'QUJ
4.4 Interpreting MTF - The Modulation Transfer Function 3?&v:H
4.5 Fabrication Considerations u`D _
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5 Lens Design Data Up6OCF
5.1 About the Sample Lens Designs ln+.=U6Tm
5.2 Lens Prescriptions, Drawings, and Aberration Plots V0BT./ B\<
5.3 Estimating the Potential of a Redesign p]ujip
5.4 Scaling a Desing, Its Aberrations, and Its MTF iI`vu
5.5 Notes on the Interpretation of Ray Intercept Plots U!NuiKaQ26
5.6 Various Evaluation Plot e9HL)=YP
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6 Telescope Objective XRO(p`OE-
6.1 The Thin Airspaced Doublet UI"UBZZ$
6.2 Merit Function for a Telescope Objective S~)`{
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective eh>
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6.4 Spherochromatism >I/@GX/
6.5 Zonal Spherical Aberration qYJ<I'Ux O
6.6 Induced Aberrations +80bG(I_
6.7 Three-Element Objectives 4wkv#vi7!-
6.8 Secondary Spectrum (Apochromatic Systems) } C:i0Q
6.9 The Design of an f/7 Apochromatic Triplet 4\5i}MIS0
6.10 The Diffractive Surface in Lens Design zjh:jrv~
6.11 A Final Note ZuybjV1/f6
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7 Eyepieces and Magnifiers ]A5Y/dd
7.1 Eyepieces #/o~h|g
7.2 A Pair of Magnifier Designs Xdx8HB@L
7.3 The Simple, Classical Eyepieces : NA(nA
3
7.4 Design Story of an Eyepiece for a 6*30 Binocular ZE-vroh
7.5 Four-Element Eyepieces qxDMDMN
7.6 Five-Element Eyepieces /]^Y\U ^
7.7 Very High Index Eyepiece/Magnifier fgeh;cD
7.8 Six- and Seven-Element Eyepieces QS!Z*vG
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8 Cooke Triplet Anastigmats sOlnc 6
8.1 Airspaced Triplet Anastigmats dW%t ph
8.2 Glass Choice LRts
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8.3 Vertex Length and Residual Aberrations 3]GMQA{L)
8.4 Other Design Considerations a6j& po
8.5 A Plastic, Aspheric Triplet Camera Lens 1O<6=oH
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #Tei0B7
8.7 Possible Improvement to Our “Basic” Triplet .|^Gde
8.7 The Rear Earth (Lanthanum) Glasses sv?Fx;d
8.9 Aspherizing the Surfaces 7P<f(@0h$E
8.10 Increasing the Element Thickness ZnRT$ l O
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9 Split Triplets nq HpYb6I0
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10 The Tessar, Heliar, and Other Compounded Triplets `BK b60
10.1 The Classic Tessar DqT<bNR1*;
10.2 The Heliar/Pentac w2UEU5%
10.3 The Portrait Lens and the Enlarger Lens Lc5zu7ncg
10.4 Other Compounded Triplets X=KW
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar \cCH/
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11 Double-Meniscus Anastigmats |(Mxbprz
11.1 Meniscus Components SMD*9&,
11.2 The Hypergon, Totogon, and Metrogon 4NW!{Vw ,
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 9Y'pT.Gyb
11.4 Protar, Dagor, and Convertible Lenses P*BRebL:
11.5 The Split Dagor 6ICW>#fI`
11.6 The Dogmar QMz =e
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens l[c '%M |N
JR#4{P@A
12 The Biotar or Double-Gauss Lens J)Y`G4l2@
12.1 The Basic Six-Element Version m9A%Z bQ^
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens XQ9W
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12.3 The Seven-Element Biotar - Split-Rear Singlet xws{"m,NX~
12.4 The Seven-Element Biotar - Broken Contact Front Doublet :\P@c(c{^C
12.5 The Seven-Element Biotar - One Compounded Outer Element ~Ym_ {
12.6 The Eight-Element Biotar -
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12.7 A “Doubled Double-Gauss” Relay Or.u*!od&
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13 Telephoto Lenses =DJ:LmK
13.1 The Basic Telephoto 0S$k;q
13.2 Close-up or Macro Lenses TT/H"Ri}Jp
13.3 Telephoto Designs A6]X
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch _\X ,a5Un
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 'Og@<~/Xy
14.1 The Reverse Telephoto Principle qsp.`9!
14.2 The Basic Retrofocus Lens IZj`*M%3
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses B6
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15 Wide Angle Lenses with Negative Outer Lenses s{Qae=$Q
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16 The Petzval Lens; Head-up Display Lenses H5x7)1Ir|
16.1 The Petzval Portrait Lens }6%XiP|
16.2 The Petzval Projection Lens f(w>(1&/B
16.3 The Petzval with a Field Flattener 7/IL"
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16.4 Very Height Speed Petzval Lenses }x`Cnn
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems MGm*({%
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17 Microscope Objectives bh1$
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17.1 General Considerations MSQ^ovph
17.2 Classic Objective Design Forms; The Aplanatic Front !vAmjjB
17.3 Flat-Field Objectives ]5"k%v|
17.4 Reflecting Objectives "u7[[.P)
17.5 The Microscope Objective Designs sQ#e 2
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18 Mirror and Catadioptric Systems :TU|:2+
18.1 The Good and Bad Points of Mirrors dYrgL3'
18.2 The Classic Two-Mirror Systems XYzaSp=bb
18.3 Catadioptric Systems \uOM,98xS
18.4 Aspheric Correctors and Schmidt Systems bwXeEA@{
18.5 Confocal Paraboloids /ovVS6Ai
18.6 Unobscured Systems Dhn7N8(LF!
18.7 Design of a Schmidt-Cassegrain “from Scratch” J;>epM;*
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19 Infrared and Ultraviolet Systems HXa[0VOx
19.1 Infrared Optics ^1.*NG8
19.2 IR Objective Lenses Jx.fDVJ
19.3 IR Telescope !{.CGpS ]
19.4 Laser Beam Expanders Dm)B? H"
19,5 Ultraviolet Systems z)^|.
19.6 Microlithographic Lenses HJAiQ[m5s
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20 Zoom Lenses fQa*> **j;
20.1 Zoom Lenses WT ;2aS:
20.2 Zoom Lenses for Point and Shoot Cameras %,
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20.3 A 20X Video Zoom Lens G(a5@9F
20.4 A Zoom Scanner Lens MT&aH~YB
20.5 A Possible Zoom Lens Design Procedure =tP9n ;D
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21 Projection TV Lenses and Macro Lenses rQimQ|+
21.1 Projection TV Lenses fwz:k]vk
21.2 Macro Lenses =o##z5j
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22 Scanner/ , Laser Disk and Collimator Lenses t`H1]`c?
22.1 Monochromatic Systems 9S|sTf
22.2 Scanner Lenses TF/NA\0c$
22.3 Laser Disk, Focusing, and Collimator Lenses O% T?+1E
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23 Tolerance Budgeting .kBkYK8*t
23.1 The Tolerance Budget *lSu=dk+
23.2 Additive Tolerances (+|+ELfqW
23.3 Establishing the Tolerance Budget py'vD3Q
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24 Formulary
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24.1 Sign Conventions, Symbols, and Definitions z^QrIl/<c2
24.2 The Cardinal Points jhm3:;Z
24.3 Image Equations bZYayjxZ5i
24.4 Paraxial Ray Tracing (Surface by Surface) @JbxGi
24.5 Invariants d&NnpjH}c
24.6 Paraxial Ray Tracing (Component by Component) :VT%d{Vp_
24.7 Two-Componenet Relationships 44ty,M3
24.8 Third-Order Aberrations – Surface Contributions 72sqt5C]
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Nu"v
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24.10 Stop Shift Equations {6ZSf[Y6B
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ;l*%IMB
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) /q IQE&V-
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Glossary vkE`T5??
Reference ?y-^Fq|h
Index