"Modern Lens Design" 2nd Edition by Warren J. Smith V+l>wMeo
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Contents of Modern Lens Design 2nd Edition 7MT[fA8^
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1 Introduction ?qQRA|n*
1.1 Lens Design Books "syf@[tz7
1.2 Reference Material (HkMubnqg
1.3 Specifications 0 .dSP$e
1.4 Lens Design s^$zOp9
1.5 Lens Design Program Features eS
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1.6 About This Book AjZ@hid
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2 Automatic Lens Design *5#Y[c
2.2 The Merit Function jibrSz
2.3 Local Minima ukr
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2.4 The Landscape Lens J,E'F!{
2.5 Types of Merit Function Gu:aSb
2.6 Stagnation F3b[L^Km]
2.7 Generalized Simulated Annealing )*iSN*T8q
2.8 Considerations about Variables for Optimization }_L@CpG
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems V<@]Iv
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits X] /r'Tz
2.11 Spectral Weighting (6G5UwSt
2.12 How to Get Started f[!QR
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3 Improving a Design >w?O?&Q$
3.1 Lens Design Tip Sheet: Standard Improvement Techniques SA|f1R2uS
3.2 Glass Changes ( Index and V Values ) m(8t |~S
3.3 Splitting Elements QP?Z+P<
3.4 Separating a Cemented Doublet l
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3.5 Compounding an Element {q"l|Oe
3.6 Vignetting and Its Uses mMw&{7b:
3.7 Eliminating a Weak Element; the Concentric Problem swnov[0
3.8 Balancing Aberrations CBTa9|57
3.9 The Symmetrical Principle 2Fce| Tn
3.10 Aspheric Surfaces }9Z?UtS
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4 Evaluation: How Good is This Design ^=wG#!#V"1
4.1 The Uses of a Preliminary Evaluation eGblQGRS
4.2 OPD versus Measures of Performance h?DMrYk_%#
4.3 Geometric Blur Spot Size versus Certain Aberrations ?iUAzM8
4.4 Interpreting MTF - The Modulation Transfer Function J%;TK6
4.5 Fabrication Considerations ?(!$vqS`f(
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5 Lens Design Data [Qv%
5.1 About the Sample Lens Designs y2^r.6"O
5.2 Lens Prescriptions, Drawings, and Aberration Plots Xt /muV
5.3 Estimating the Potential of a Redesign ])a?ri
5.4 Scaling a Desing, Its Aberrations, and Its MTF yKa}U!$
5.5 Notes on the Interpretation of Ray Intercept Plots VWmZ|9Ri
5.6 Various Evaluation Plot (6?pBdZ
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6 Telescope Objective w'.ny<Pe
6.1 The Thin Airspaced Doublet Y'Jb@l`$-
6.2 Merit Function for a Telescope Objective pP)0 l
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 'd1E~A
6.4 Spherochromatism +tOBt("5/
6.5 Zonal Spherical Aberration EZc!QrY
6.6 Induced Aberrations e0*',
6.7 Three-Element Objectives :*6tbUp
6.8 Secondary Spectrum (Apochromatic Systems) DCmNxN
6.9 The Design of an f/7 Apochromatic Triplet *#frbV?;
6.10 The Diffractive Surface in Lens Design 7Z"mVh}
6.11 A Final Note M\8FjJ>9
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7 Eyepieces and Magnifiers ;vF8V`f
7.1 Eyepieces ?ae:9ZcH
7.2 A Pair of Magnifier Designs VA)3=82n
7.3 The Simple, Classical Eyepieces yGH'|`
7.4 Design Story of an Eyepiece for a 6*30 Binocular 6U7z8NV&[
7.5 Four-Element Eyepieces bUp%87<*X
7.6 Five-Element Eyepieces 9 YU7R)
7.7 Very High Index Eyepiece/Magnifier Hv<%_t_/
7.8 Six- and Seven-Element Eyepieces PT|^RF%fT
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8 Cooke Triplet Anastigmats OsAXHjX}
8.1 Airspaced Triplet Anastigmats -(qoz8H5
8.2 Glass Choice Lz=nJn
8.3 Vertex Length and Residual Aberrations =6j
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8.4 Other Design Considerations <i~ (
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8.5 A Plastic, Aspheric Triplet Camera Lens 0: h;ots'
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet C%"h1zWE:
8.7 Possible Improvement to Our “Basic” Triplet bP Er+?fu
8.7 The Rear Earth (Lanthanum) Glasses /^#k/z
8.9 Aspherizing the Surfaces .?_wcp=
8.10 Increasing the Element Thickness JXGIVH?Rpu
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9 Split Triplets =q^o6{d0"
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10 The Tessar, Heliar, and Other Compounded Triplets 3>0/WbA:7E
10.1 The Classic Tessar jY:(Tv3~
10.2 The Heliar/Pentac Fx0K.Q2Y0
10.3 The Portrait Lens and the Enlarger Lens r1-?mMSU&
10.4 Other Compounded Triplets bI@+Or
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar I4
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11 Double-Meniscus Anastigmats o]MQ)\r
11.1 Meniscus Components \Q*3/_}G
11.2 The Hypergon, Totogon, and Metrogon :I F&W=?9
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 8S@ ~^D
11.4 Protar, Dagor, and Convertible Lenses wv
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11.5 The Split Dagor 9
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11.6 The Dogmar _"a(vfl#
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ;#3!ZB:}
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12 The Biotar or Double-Gauss Lens \?GUGs
12.1 The Basic Six-Element Version vjZX8KAiZ
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens X||oiqbY
12.3 The Seven-Element Biotar - Split-Rear Singlet vV#Jl)
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet <3
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12.5 The Seven-Element Biotar - One Compounded Outer Element C?bPdJ,6
12.6 The Eight-Element Biotar zBB4lC{q
12.7 A “Doubled Double-Gauss” Relay #TZYe4#f
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13 Telephoto Lenses N^h,[
13.1 The Basic Telephoto '8i
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13.2 Close-up or Macro Lenses #g{ZfO[#
13.3 Telephoto Designs W5_t/_EWD
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ilayU
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses }/(fe`7:
14.1 The Reverse Telephoto Principle 5U3="L
14.2 The Basic Retrofocus Lens :5U(}\dL{
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Z?XE~6aP>
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15 Wide Angle Lenses with Negative Outer Lenses }v0oFY$u`H
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16 The Petzval Lens; Head-up Display Lenses SG8|xoL
16.1 The Petzval Portrait Lens B:qZh$YN
16.2 The Petzval Projection Lens _
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16.3 The Petzval with a Field Flattener DD"]as"#
16.4 Very Height Speed Petzval Lenses Tp)-L0kD_k
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems lb{*,S
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17 Microscope Objectives x?va26FV
17.1 General Considerations ["MF-tQ5
17.2 Classic Objective Design Forms; The Aplanatic Front rbO9NRg>
17.3 Flat-Field Objectives lmj73OB3
17.4 Reflecting Objectives ~hE"B)
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17.5 The Microscope Objective Designs `Kpn@Xg
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18 Mirror and Catadioptric Systems p!|Wp
18.1 The Good and Bad Points of Mirrors #XQEfa
18.2 The Classic Two-Mirror Systems BGLJ>zkq
18.3 Catadioptric Systems d=xU
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18.4 Aspheric Correctors and Schmidt Systems -zN*2T
18.5 Confocal Paraboloids IZi1N
18.6 Unobscured Systems c/x ^I{b*
18.7 Design of a Schmidt-Cassegrain “from Scratch” oq^#mJL
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19 Infrared and Ultraviolet Systems (t>BO`,
19.1 Infrared Optics SEIGs_^'\
19.2 IR Objective Lenses p r(:99~3
19.3 IR Telescope ~U~KUL|
19.4 Laser Beam Expanders .N5}JUj
19,5 Ultraviolet Systems $;@^coz9U
19.6 Microlithographic Lenses Dx 4?6
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20 Zoom Lenses TW{.qed8^
20.1 Zoom Lenses la</IpC
20.2 Zoom Lenses for Point and Shoot Cameras &]ts*qCEL
20.3 A 20X Video Zoom Lens #=OKY@z/
20.4 A Zoom Scanner Lens GBHv| GO
20.5 A Possible Zoom Lens Design Procedure 2%. A{!
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21 Projection TV Lenses and Macro Lenses QyJ}zwD
21.1 Projection TV Lenses TlQ#0_as[
21.2 Macro Lenses iNe;h|
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22 Scanner/ , Laser Disk and Collimator Lenses sn@gchO9s
22.1 Monochromatic Systems )0j^Fq5[+
22.2 Scanner Lenses PUuxKW}
22.3 Laser Disk, Focusing, and Collimator Lenses F7Mf>."
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23 Tolerance Budgeting ;Lu%v%BM
23.1 The Tolerance Budget i`z1if6O
23.2 Additive Tolerances %qV=PC
23.3 Establishing the Tolerance Budget .Quu_S_vH
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24 Formulary )c^Rc9e/
24.1 Sign Conventions, Symbols, and Definitions K``MS
24.2 The Cardinal Points ]EnB`g(4;
24.3 Image Equations AT<K>&)
24.4 Paraxial Ray Tracing (Surface by Surface) Q0#oR[(
24.5 Invariants VY<$~9a&1
24.6 Paraxial Ray Tracing (Component by Component) "n^h'// mn
24.7 Two-Componenet Relationships po4seW!
24.8 Third-Order Aberrations – Surface Contributions M56^p,
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs r?nvJHP
24.10 Stop Shift Equations |cEJRs@B
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces p^3]Q
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 5k)QjZo
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9y{[@KG
Glossary 9.{u2a\
Reference }3E@]"<cVR
Index