"Modern Lens Design" 2nd Edition by Warren J. Smith
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Contents of Modern Lens Design 2nd Edition EQoK\.;
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1 Introduction IV&5a]j
1.1 Lens Design Books Zah<e6L
1.2 Reference Material Z wKX$(n
1.3 Specifications D+AkV|
1.4 Lens Design s-6$C
1.5 Lens Design Program Features yuq o ^i
1.6 About This Book IRLAsb3
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2 Automatic Lens Design .`KzA]
2.2 The Merit Function 'xuxMav6m
2.3 Local Minima D|Tz{DRG
2.4 The Landscape Lens , MqoX-+
2.5 Types of Merit Function ~Q^.7.-T
2.6 Stagnation vx$DKQK@l\
2.7 Generalized Simulated Annealing L
2.8 Considerations about Variables for Optimization \1?'JdN
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems b$Ei>%'/";
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits fM&
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2.11 Spectral Weighting iqoMQ7%
2.12 How to Get Started 2I suBX\[
2ETv H~23
3 Improving a Design |pknaz
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 'o=DGm2H
3.2 Glass Changes ( Index and V Values ) ?;w`hA3ei
3.3 Splitting Elements |U'` Sc
3.4 Separating a Cemented Doublet <2O#!bX1
3.5 Compounding an Element Kl ?C[
3.6 Vignetting and Its Uses Z @DDuVr
3.7 Eliminating a Weak Element; the Concentric Problem <D& Ep
3.8 Balancing Aberrations 1D1kjM^Bo
3.9 The Symmetrical Principle F1}d@^K
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3.10 Aspheric Surfaces .LM|@OeaD!
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4 Evaluation: How Good is This Design oG hMO
4.1 The Uses of a Preliminary Evaluation lwG)&qyVd
4.2 OPD versus Measures of Performance 18j>x3tn
4.3 Geometric Blur Spot Size versus Certain Aberrations b5~p:f-&4B
4.4 Interpreting MTF - The Modulation Transfer Function 2.{zfr
4.5 Fabrication Considerations Dg Rn^gL{Q
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5 Lens Design Data [@pumH>
5.1 About the Sample Lens Designs $Ups9p Q
5.2 Lens Prescriptions, Drawings, and Aberration Plots r~|7paX!
5.3 Estimating the Potential of a Redesign $WRRCB/A6
5.4 Scaling a Desing, Its Aberrations, and Its MTF /A>nsN?:]
5.5 Notes on the Interpretation of Ray Intercept Plots [\ 0>@j}Z
5.6 Various Evaluation Plot 3*?W2;Zw$
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6 Telescope Objective Rw63{b/
6.1 The Thin Airspaced Doublet h`v T[u~l
6.2 Merit Function for a Telescope Objective y(a>Y! dgU
6.3 The Design of an f/7 Cemented Doublet Telescope Objective EpT^r8I
6.4 Spherochromatism 5|}u25J
6.5 Zonal Spherical Aberration s[7/w[&
6.6 Induced Aberrations Aj/EaIq
6.7 Three-Element Objectives zII^Ny8D
6.8 Secondary Spectrum (Apochromatic Systems) @eESKg(,
6.9 The Design of an f/7 Apochromatic Triplet hq&9S{Ep
6.10 The Diffractive Surface in Lens Design A&ceuu
6.11 A Final Note |<8Fa%!HHc
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7 Eyepieces and Magnifiers ; Ob^@OM
7.1 Eyepieces 1<Uv4S
7.2 A Pair of Magnifier Designs W8-vF++R
7.3 The Simple, Classical Eyepieces 0=9$k
7.4 Design Story of an Eyepiece for a 6*30 Binocular 6Xn9$C)
7.5 Four-Element Eyepieces 8"[{[<-
7.6 Five-Element Eyepieces
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7.7 Very High Index Eyepiece/Magnifier "2tKh!?Q
7.8 Six- and Seven-Element Eyepieces {XC[Ia6jtL
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8 Cooke Triplet Anastigmats &tiJ=;R1
8.1 Airspaced Triplet Anastigmats XQOM6$~,
8.2 Glass Choice 7pyaHe
8.3 Vertex Length and Residual Aberrations ZBQ @S
8.4 Other Design Considerations =<TJ[,h
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8.5 A Plastic, Aspheric Triplet Camera Lens so Lmr's
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ?5%o-hB|
8.7 Possible Improvement to Our “Basic” Triplet x lsAct:
8.7 The Rear Earth (Lanthanum) Glasses gTLBR
8.9 Aspherizing the Surfaces `0+-:sXZ6
8.10 Increasing the Element Thickness HqyAo]{GN
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9 Split Triplets 9@nd>B
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10 The Tessar, Heliar, and Other Compounded Triplets q}z`Z/`/
10.1 The Classic Tessar X<v1ES$
10.2 The Heliar/Pentac r&F
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10.3 The Portrait Lens and the Enlarger Lens z$ {[Z=
10.4 Other Compounded Triplets u2[L^]|
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar \lwLVe
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11 Double-Meniscus Anastigmats 7^d7:1M
11.1 Meniscus Components CZ{7?:^f
11.2 The Hypergon, Totogon, and Metrogon XBcbLF
11.3 A Two Element Aspheric Thick Meniscus Camera Lens gC_KT,=H;
11.4 Protar, Dagor, and Convertible Lenses Q/h-Khmz
11.5 The Split Dagor BJg
11.6 The Dogmar .F$cR^i5u
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 0x^lHBYc
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12 The Biotar or Double-Gauss Lens f)r6F JLU
12.1 The Basic Six-Element Version L7.SH#m
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens R.
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12.3 The Seven-Element Biotar - Split-Rear Singlet xm=$D6O:
12.4 The Seven-Element Biotar - Broken Contact Front Doublet V:+z 3)qF
12.5 The Seven-Element Biotar - One Compounded Outer Element 8NJT:6Q7l
12.6 The Eight-Element Biotar Zdfh*MHMg
12.7 A “Doubled Double-Gauss” Relay "-rqL
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13 Telephoto Lenses %E [HMq<H
13.1 The Basic Telephoto Zzb?Nbf
13.2 Close-up or Macro Lenses Nn U`u.$D
13.3 Telephoto Designs DhsvN&yNM
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch &$l#0?Kc^
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 8f65;lyN
14.1 The Reverse Telephoto Principle iHvWJ<"jR
14.2 The Basic Retrofocus Lens @*|T(068&
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses q)AX*T+
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15 Wide Angle Lenses with Negative Outer Lenses Oi-%6&}J
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16 The Petzval Lens; Head-up Display Lenses } .<(L
16.1 The Petzval Portrait Lens H(y Gh
16.2 The Petzval Projection Lens U;!J(Us
16.3 The Petzval with a Field Flattener +F2X2e)g"
16.4 Very Height Speed Petzval Lenses #5{BxX&\
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems L1y71+iqU
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17 Microscope Objectives _c5*9')-)
17.1 General Considerations ,@Kn@%?$
17.2 Classic Objective Design Forms; The Aplanatic Front /?Mr2!3N
17.3 Flat-Field Objectives $q.}eb0
17.4 Reflecting Objectives g=,}j]tl
17.5 The Microscope Objective Designs 9b@yDq3hQ
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18 Mirror and Catadioptric Systems B<a` o&?
18.1 The Good and Bad Points of Mirrors :3b02}b7
18.2 The Classic Two-Mirror Systems .*.eY?,V
18.3 Catadioptric Systems uv^x
18.4 Aspheric Correctors and Schmidt Systems !+QfQghAT
18.5 Confocal Paraboloids qV/>d',
18.6 Unobscured Systems 1uB$@a\
18.7 Design of a Schmidt-Cassegrain “from Scratch” 1EWZA
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19 Infrared and Ultraviolet Systems >7S@3,C3ke
19.1 Infrared Optics O}p<"3Ub
19.2 IR Objective Lenses LIQ].VxIs
19.3 IR Telescope xtLP4VL
19.4 Laser Beam Expanders 5Z6MQ`(k
19,5 Ultraviolet Systems g2=PZR$
19.6 Microlithographic Lenses ik;F@kdm`
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20 Zoom Lenses z0 #2?o
20.1 Zoom Lenses %~PT7"4
20.2 Zoom Lenses for Point and Shoot Cameras .aVt d
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20.3 A 20X Video Zoom Lens vUOl@UQ5
20.4 A Zoom Scanner Lens ju.pQ=PSX
20.5 A Possible Zoom Lens Design Procedure kRBO]
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21 Projection TV Lenses and Macro Lenses lBAu@M
21.1 Projection TV Lenses N^@:+,<3
21.2 Macro Lenses F[`dX
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22 Scanner/ , Laser Disk and Collimator Lenses %\n|2*r
22.1 Monochromatic Systems GG +T-
22.2 Scanner Lenses N;6o=^ic
22.3 Laser Disk, Focusing, and Collimator Lenses 7mMMVz2
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23 Tolerance Budgeting ;gD\JA
23.1 The Tolerance Budget I0z 7bx
23.2 Additive Tolerances S6a\KtVa
23.3 Establishing the Tolerance Budget I~@8SSO,vH
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24 Formulary ela^L_N hF
24.1 Sign Conventions, Symbols, and Definitions Zj'%c2U_
24.2 The Cardinal Points "k{so',7z
24.3 Image Equations jX(hBnGW
24.4 Paraxial Ray Tracing (Surface by Surface) n+te5_F
24.5 Invariants /kg#i&bP~
24.6 Paraxial Ray Tracing (Component by Component) Hbd>sS
24.7 Two-Componenet Relationships ]dI^
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24.8 Third-Order Aberrations – Surface Contributions 4KnBb_w
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Y?3tf0t/
24.10 Stop Shift Equations J p+'"a
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces WvSm!W
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) o ]z#~^w
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Glossary N&