"Modern Lens Design" 2nd Edition by Warren J. Smith ~,i-8jl,
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Contents of Modern Lens Design 2nd Edition 9R7A8
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1 Introduction DF*:_B)
1.1 Lens Design Books '2[albxSc
1.2 Reference Material :gep:4&u
1.3 Specifications
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1.4 Lens Design s=0BMPDgm
1.5 Lens Design Program Features z}*9uZ
1.6 About This Book oz}+T(@O
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2 Automatic Lens Design :{q<{^c
2.2 The Merit Function k\NMy#]Zt
2.3 Local Minima i:OK8Q{VI
2.4 The Landscape Lens a
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2.5 Types of Merit Function % a@>_
2.6 Stagnation V 7Ek-2M
2.7 Generalized Simulated Annealing USM4r!x
2.8 Considerations about Variables for Optimization $w);5o
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems cT!\{~
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits lXjXqk\
2.11 Spectral Weighting "O%gFye
2.12 How to Get Started JYW)uJ
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3 Improving a Design R]RZq+2^
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 7r~~Y%=C|
3.2 Glass Changes ( Index and V Values ) -T[lx\}
3.3 Splitting Elements Y]B)'[=h
3.4 Separating a Cemented Doublet z$?~Y(EY
3.5 Compounding an Element "saUai4z
3.6 Vignetting and Its Uses ,Q
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3.7 Eliminating a Weak Element; the Concentric Problem 4<lRPsvgc
3.8 Balancing Aberrations ~;#Y9>7\\'
3.9 The Symmetrical Principle 8q,6}mV
3.10 Aspheric Surfaces V;:j ZpG
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4 Evaluation: How Good is This Design >JC
4.1 The Uses of a Preliminary Evaluation SU/BQ3
4.2 OPD versus Measures of Performance DUC#NZgw
4.3 Geometric Blur Spot Size versus Certain Aberrations C'o64+W^
4.4 Interpreting MTF - The Modulation Transfer Function vM*($qpAy
4.5 Fabrication Considerations OslL~<
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5 Lens Design Data \ytJ=0r
5.1 About the Sample Lens Designs RIY,K*f.
5.2 Lens Prescriptions, Drawings, and Aberration Plots \4-"L>
5.3 Estimating the Potential of a Redesign X0haj~o[
5.4 Scaling a Desing, Its Aberrations, and Its MTF Cif>7]M
5.5 Notes on the Interpretation of Ray Intercept Plots 2M68CE
5.6 Various Evaluation Plot }l],.J\BGX
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6 Telescope Objective e= .njMqW5
6.1 The Thin Airspaced Doublet Pl"Nus
6.2 Merit Function for a Telescope Objective zY"1drE> G
6.3 The Design of an f/7 Cemented Doublet Telescope Objective xK6n0] A
6.4 Spherochromatism %Ntcvp)
6.5 Zonal Spherical Aberration O"c;|zCc>
6.6 Induced Aberrations \8?Tdx=
6.7 Three-Element Objectives C0}IE,]
6.8 Secondary Spectrum (Apochromatic Systems) :qIXY/
6.9 The Design of an f/7 Apochromatic Triplet RWgNo#<
6.10 The Diffractive Surface in Lens Design :QB<?HaS'
6.11 A Final Note Od%"B\
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7 Eyepieces and Magnifiers hR
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7.1 Eyepieces lMg+R<$~I
7.2 A Pair of Magnifier Designs |,!IZ-
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7.3 The Simple, Classical Eyepieces .QN>z-YA6:
7.4 Design Story of an Eyepiece for a 6*30 Binocular wT:b\km:!
7.5 Four-Element Eyepieces 2VE9}%i
7.6 Five-Element Eyepieces w &(|e <
7.7 Very High Index Eyepiece/Magnifier INi]R^-
7.8 Six- and Seven-Element Eyepieces t_qNq{
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8 Cooke Triplet Anastigmats +(1zH-^.
8.1 Airspaced Triplet Anastigmats WzF !6n!h
8.2 Glass Choice al9t^
8.3 Vertex Length and Residual Aberrations w6W}"Uw
8.4 Other Design Considerations U~j
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8.5 A Plastic, Aspheric Triplet Camera Lens c;n *AK
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ; o0&`b?
8.7 Possible Improvement to Our “Basic” Triplet s#tZg
8.7 The Rear Earth (Lanthanum) Glasses !=:$lzS^
8.9 Aspherizing the Surfaces TG+VEL |T
8.10 Increasing the Element Thickness lo,$-bJ,<,
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9 Split Triplets < VSA
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10 The Tessar, Heliar, and Other Compounded Triplets U2wbv Xr5-
10.1 The Classic Tessar _G.>+!"2/
10.2 The Heliar/Pentac <-D0u?8
10.3 The Portrait Lens and the Enlarger Lens %^>ju;i^O
10.4 Other Compounded Triplets ktdW`R\+
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar WUsKnf
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11 Double-Meniscus Anastigmats 2g>SHS@1>
11.1 Meniscus Components Oms. e
11.2 The Hypergon, Totogon, and Metrogon
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens X6mqi;+
11.4 Protar, Dagor, and Convertible Lenses %e(z/"M=`
11.5 The Split Dagor Ts ^"xlK
11.6 The Dogmar n_(/JE>
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ;F~LqC$
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12 The Biotar or Double-Gauss Lens d~`x )B(
12.1 The Basic Six-Element Version mA*AeP_$
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 'Ub
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12.3 The Seven-Element Biotar - Split-Rear Singlet KFvQ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet NZ-\h
12.5 The Seven-Element Biotar - One Compounded Outer Element B&.FOO
12.6 The Eight-Element Biotar w`il=ZAC
12.7 A “Doubled Double-Gauss” Relay nx^]>w
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13 Telephoto Lenses )Ib<F7v
13.1 The Basic Telephoto yLdVd
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13.2 Close-up or Macro Lenses JA'h4AXk
13.3 Telephoto Designs 0;:.B
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch V8HnUuz
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 0VGPEKRh
14.1 The Reverse Telephoto Principle '
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14.2 The Basic Retrofocus Lens .Jrqm
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses #P?6@\
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15 Wide Angle Lenses with Negative Outer Lenses 8rMX9qTO@
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16 The Petzval Lens; Head-up Display Lenses {6c2{@
16.1 The Petzval Portrait Lens pm\x~3jHs
16.2 The Petzval Projection Lens LK, bO|
16.3 The Petzval with a Field Flattener E gal4
16.4 Very Height Speed Petzval Lenses ?kZTI (
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems sZL#xZ5
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17 Microscope Objectives 2cq I[t@0
17.1 General Considerations b r^_'1
17.2 Classic Objective Design Forms; The Aplanatic Front L2pp6bW
17.3 Flat-Field Objectives o_D?t-XH
17.4 Reflecting Objectives Jnna$6G)B
17.5 The Microscope Objective Designs hvuIxqv !y
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18 Mirror and Catadioptric Systems NyVnA
18.1 The Good and Bad Points of Mirrors m"fNK$_d
18.2 The Classic Two-Mirror Systems -t2+|J*
18.3 Catadioptric Systems :w<V
18.4 Aspheric Correctors and Schmidt Systems 839IRM@'5
18.5 Confocal Paraboloids @W^| ?
18.6 Unobscured Systems eXKo.JL
18.7 Design of a Schmidt-Cassegrain “from Scratch” E2"q3_,,
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19 Infrared and Ultraviolet Systems E7CH^]x
19.1 Infrared Optics Bnb#{tL
19.2 IR Objective Lenses 6q]5Es<
19.3 IR Telescope IZ=Mlu
19.4 Laser Beam Expanders i2sN3it
19,5 Ultraviolet Systems AjT%]9
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19.6 Microlithographic Lenses xZQg'IT
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20 Zoom Lenses h~p>re
20.1 Zoom Lenses m^H21P"z
20.2 Zoom Lenses for Point and Shoot Cameras L dm?JrU
20.3 A 20X Video Zoom Lens kH4Ai3#g
20.4 A Zoom Scanner Lens |R56ho5C
20.5 A Possible Zoom Lens Design Procedure K,w"_T
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21 Projection TV Lenses and Macro Lenses @~#Ym1{W
21.1 Projection TV Lenses ;}1xn3THCn
21.2 Macro Lenses g+ MdHn[
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22 Scanner/ , Laser Disk and Collimator Lenses fuA&7gNC
22.1 Monochromatic Systems B"v.*
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22.2 Scanner Lenses UY <e&Npo
22.3 Laser Disk, Focusing, and Collimator Lenses V0%V5>
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23 Tolerance Budgeting g*F '[Z."
23.1 The Tolerance Budget HS.^y
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23.2 Additive Tolerances KLL;e/Gf
23.3 Establishing the Tolerance Budget x#Q>J"g
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24 Formulary u&9 r2R959
24.1 Sign Conventions, Symbols, and Definitions <7n4_RlF!
24.2 The Cardinal Points S3@|Q\*r
24.3 Image Equations q-`RI*1]
24.4 Paraxial Ray Tracing (Surface by Surface) 9!Ar`Io2@
24.5 Invariants ]ZoD'-,
24.6 Paraxial Ray Tracing (Component by Component) pFm=y#!t
24.7 Two-Componenet Relationships DF
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24.8 Third-Order Aberrations – Surface Contributions .-IkL|M
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs XO9M_*Va
24.10 Stop Shift Equations 9&2Vm;F_
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces kdCP
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) !
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Glossary v\,N 5
Reference 6sE{{,OGB
Index