"Modern Lens Design" 2nd Edition by Warren J. Smith EK:!.Fl
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Contents of Modern Lens Design 2nd Edition k[oU}~*U+
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1 Introduction Gy36{*
1.1 Lens Design Books } G$rr.G
1.2 Reference Material J-lQPMI,
1.3 Specifications 4kO[|~#
1.4 Lens Design ZVotIQ/Q'
1.5 Lens Design Program Features 6T 2jVNg
1.6 About This Book &_
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2 Automatic Lens Design V .; , 1%
2.2 The Merit Function %-@`|
2.3 Local Minima ocwRU0+j
2.4 The Landscape Lens iqCKVo7:M
2.5 Types of Merit Function _5Q?]-M
2.6 Stagnation j qHg'Fq
2.7 Generalized Simulated Annealing bu"R2~sb
2.8 Considerations about Variables for Optimization ;i`X&[y;
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems S5ka ;g
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits a
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2.11 Spectral Weighting "m3:HS
2.12 How to Get Started 2U, O
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3 Improving a Design *&)<'6
3.1 Lens Design Tip Sheet: Standard Improvement Techniques >`DbT:/<
3.2 Glass Changes ( Index and V Values ) Fz7(Kuc
3.3 Splitting Elements iK%<0m
3.4 Separating a Cemented Doublet :u#Ls,OZz
3.5 Compounding an Element H<|I&nV
3.6 Vignetting and Its Uses BDY@&vF
3.7 Eliminating a Weak Element; the Concentric Problem l)E
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3.8 Balancing Aberrations yEt :g0Z \
3.9 The Symmetrical Principle lpkg( J#&
3.10 Aspheric Surfaces {O*<1v9<
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4 Evaluation: How Good is This Design ~I6 Er6$C^
4.1 The Uses of a Preliminary Evaluation %7BVJJp2
4.2 OPD versus Measures of Performance ^\ &:'$f+8
4.3 Geometric Blur Spot Size versus Certain Aberrations vrXmzq
4.4 Interpreting MTF - The Modulation Transfer Function #5O'XH5_
4.5 Fabrication Considerations k{n*[)m
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5 Lens Design Data 4R\bU"+jZ_
5.1 About the Sample Lens Designs ~T<#HSR`
5.2 Lens Prescriptions, Drawings, and Aberration Plots MrjET!`.jC
5.3 Estimating the Potential of a Redesign Nt MK+y
5.4 Scaling a Desing, Its Aberrations, and Its MTF ")7, ZN;
5.5 Notes on the Interpretation of Ray Intercept Plots )N Z6!3 [@
5.6 Various Evaluation Plot CtVY;eG
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6 Telescope Objective
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6.1 The Thin Airspaced Doublet 5=Mm=HyI2
6.2 Merit Function for a Telescope Objective Y- &r_s_~
6.3 The Design of an f/7 Cemented Doublet Telescope Objective +NPk9jn
6.4 Spherochromatism 13G a #
6.5 Zonal Spherical Aberration cs`/^2Vf"#
6.6 Induced Aberrations W<TW6_*e
6.7 Three-Element Objectives 1(M0C[P
6.8 Secondary Spectrum (Apochromatic Systems) j~V@0z.
6.9 The Design of an f/7 Apochromatic Triplet _lb ^
6.10 The Diffractive Surface in Lens Design -yeQQ4b
6.11 A Final Note R|H9AM
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7 Eyepieces and Magnifiers Pgg6(O9}B^
7.1 Eyepieces NAh V8
7.2 A Pair of Magnifier Designs La? q>
7.3 The Simple, Classical Eyepieces {
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7.4 Design Story of an Eyepiece for a 6*30 Binocular I})la!9
7.5 Four-Element Eyepieces _:0<]<x?
7.6 Five-Element Eyepieces *= dFTd"#
7.7 Very High Index Eyepiece/Magnifier wXDF7tJh
7.8 Six- and Seven-Element Eyepieces noe1*2*T E
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8 Cooke Triplet Anastigmats m_~
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8.1 Airspaced Triplet Anastigmats &/R@cS6}'
8.2 Glass Choice xBU\$ToC
8.3 Vertex Length and Residual Aberrations P]T(I/\g
8.4 Other Design Considerations Y5=~>*e
8.5 A Plastic, Aspheric Triplet Camera Lens &KgR;.R^J
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ;6t>!2I>C
8.7 Possible Improvement to Our “Basic” Triplet nWN~ G
8.7 The Rear Earth (Lanthanum) Glasses wKum{X8
8.9 Aspherizing the Surfaces 2.}<VivT
8.10 Increasing the Element Thickness sF]v$ kq
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9 Split Triplets (p`'Okw
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10 The Tessar, Heliar, and Other Compounded Triplets >1a- }>r
10.1 The Classic Tessar KSVIX!EsX
10.2 The Heliar/Pentac rui}a=rs
10.3 The Portrait Lens and the Enlarger Lens #`:s:bwM:
10.4 Other Compounded Triplets f OJk+?
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar
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11 Double-Meniscus Anastigmats "$+naY {w
11.1 Meniscus Components MjE.pb
11.2 The Hypergon, Totogon, and Metrogon twt
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens 'LFHZ&-
11.4 Protar, Dagor, and Convertible Lenses 66D< Up'K
11.5 The Split Dagor PTA;a 0A
11.6 The Dogmar i2.y)K )
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens xj{X#[q):
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12 The Biotar or Double-Gauss Lens y4VCehdJ
12.1 The Basic Six-Element Version :t dx:
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens T;GB ZR%
12.3 The Seven-Element Biotar - Split-Rear Singlet 3k ;U#H
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Y::fcMJr;Q
12.5 The Seven-Element Biotar - One Compounded Outer Element Jl Q%+$
12.6 The Eight-Element Biotar E{T\51V]%
12.7 A “Doubled Double-Gauss” Relay A/{pG#if]3
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13 Telephoto Lenses #i ?@S$
13.1 The Basic Telephoto 9/ }i 6j8Z
13.2 Close-up or Macro Lenses 'nP'MA9b;a
13.3 Telephoto Designs j 6 Jz
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ' e 3y|
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses V== ' 7n
14.1 The Reverse Telephoto Principle (m) %5*:
14.2 The Basic Retrofocus Lens <tf4j3lwH
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses &-<"HW
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15 Wide Angle Lenses with Negative Outer Lenses "c!s\iuBU
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16 The Petzval Lens; Head-up Display Lenses n#z^uq|v
16.1 The Petzval Portrait Lens bw%1*;n)
16.2 The Petzval Projection Lens edGV[=]F
16.3 The Petzval with a Field Flattener lx$Y-Tb^F
16.4 Very Height Speed Petzval Lenses zIF &ZYP
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ;T#t)oV
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17 Microscope Objectives C$ *`c6R
17.1 General Considerations 8S]Mf*~S'
17.2 Classic Objective Design Forms; The Aplanatic Front ] |u}P2
17.3 Flat-Field Objectives E>4#j
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17.4 Reflecting Objectives d/ Py,
17.5 The Microscope Objective Designs ?jqZeO#W7
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18 Mirror and Catadioptric Systems e"r}I!.
18.1 The Good and Bad Points of Mirrors H7Y}qP5 X
18.2 The Classic Two-Mirror Systems 4bAgbx-^
18.3 Catadioptric Systems $nn~K
18.4 Aspheric Correctors and Schmidt Systems JTx}{kVO
18.5 Confocal Paraboloids d.2b7q09
18.6 Unobscured Systems 07(E/A]
18.7 Design of a Schmidt-Cassegrain “from Scratch” *N>Qj-KAM_
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19 Infrared and Ultraviolet Systems
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19.1 Infrared Optics "3\RJ?eW:S
19.2 IR Objective Lenses C{!Czz.N
19.3 IR Telescope <(f4#B P
19.4 Laser Beam Expanders 1/cb;:h>
19,5 Ultraviolet Systems '')G6-c/
19.6 Microlithographic Lenses cYbO)?mC_
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20 Zoom Lenses YvYav d
20.1 Zoom Lenses Phb<##OB
20.2 Zoom Lenses for Point and Shoot Cameras "*7I~.7U(*
20.3 A 20X Video Zoom Lens
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20.4 A Zoom Scanner Lens Q@$ 1!9m
20.5 A Possible Zoom Lens Design Procedure ]ei] )
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21 Projection TV Lenses and Macro Lenses i se@,[!
21.1 Projection TV Lenses 8U;!1!+
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21.2 Macro Lenses aLsGden|
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22 Scanner/ , Laser Disk and Collimator Lenses F n[~5/
22.1 Monochromatic Systems s &.Z;X
22.2 Scanner Lenses R=e`QMq
22.3 Laser Disk, Focusing, and Collimator Lenses htF&VeIte
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23 Tolerance Budgeting y.O? c &!
23.1 The Tolerance Budget \]9;c6(
23.2 Additive Tolerances 92SB'T>
23.3 Establishing the Tolerance Budget VqbiZOZ@
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24 Formulary +?.,pq n<=
24.1 Sign Conventions, Symbols, and Definitions PN'8"8`{
24.2 The Cardinal Points } 2\"(_
24.3 Image Equations <5X@r#Lz
24.4 Paraxial Ray Tracing (Surface by Surface) `2@-'/$\I|
24.5 Invariants mD=?C
24.6 Paraxial Ray Tracing (Component by Component) C$tSsw?A
24.7 Two-Componenet Relationships %]R#}amW
24.8 Third-Order Aberrations – Surface Contributions Ja (/ym^
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 5G!X4%a
24.10 Stop Shift Equations )`Fr*H3{
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces JNu - z:J
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) -
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Glossary .U1dcL6
Reference #>,cc?H-
Index
