[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 0;<OYbm3<  
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Contents of Modern Lens Design 2nd Edition @)b^^Fp  
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1    Introduction         S(w\ZC  
1.1    Lens Design Books     UJn/s;$.e  
1.2    Reference Material     ESv:1o`?n  
1.3    Specifications     ) Fx?%  
1.4    Lens Design     SX_4=^  
1.5    Lens Design Program Features     OpQ8\[X+  
1.6    About This Book     %t[K36,p  
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2    Automatic Lens Design         ^/a*.cu  
2.2    The Merit Function         o|rzN\WJn  
2.3    Local Minima     k!owl+a   
2.4    The Landscape Lens     v ):V  
2.5    Types of Merit Function     u(2BQO7  
2.6    Stagnation     /< QSe  
2.7    Generalized Simulated Annealing    
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2.8    Considerations about Variables for Optimization     qd8pF!u|#  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems no|Gq>Xp  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     Q7(eq0na  
2.11    Spectral Weighting     v|&s4x?D  
2.12    How to Get Started     ,C:o`fQ\  
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3    Improving a Design     O]ZC+]}/  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     0H+c4IW  
3.2    Glass Changes ( Index and V Values )     g_M^E-3  
3.3    Splitting Elements     s#P:6]Ar  
3.4    Separating a Cemented Doublet     -l[jEJS}  
3.5    Compounding an Element     iaRR5
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3.6    Vignetting and Its Uses     }NwN2xTB  
3.7    Eliminating a Weak Element; the Concentric Problem     Z Xb}R^O-  
3.8    Balancing Aberrations     HsH<m j  
3.9    The Symmetrical Principle     R@n5AN(  
3.10    Aspheric Surfaces     =fWdk\Wv  
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4    Evaluation: How Good is This Design     fnOIv#  
4.1    The Uses of a Preliminary Evaluation     xiCN qk3  
4.2    OPD versus Measures of Performance     *8UYSA~v  
4.3    Geometric Blur Spot Size versus Certain Aberrations     WjOH/$(  
4.4    Interpreting MTF - The Modulation Transfer Function     [pR)@$"k'  
4.5    Fabrication Considerations     M=[th  
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5    Lens Design Data     [g
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5.1    About the Sample Lens Designs     h.^o)T  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     h>W@U9  
5.3    Estimating the Potential of a Redesign     +*D4(  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     MA6P"?  
5.5    Notes on the Interpretation of Ray Intercept Plots     KZ )Ys  
5.6    Various Evaluation Plot     \ 3G*j`  
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6    Telescope Objective    
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6.1    The Thin Airspaced Doublet     g@u;Y5  
6.2    Merit Function for a Telescope Objective     H"D5e  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     0!_*S )  
6.4    Spherochromatism     (3O1?n[n  
6.5    Zonal Spherical Aberration     (YrR8  
6.6    Induced Aberrations     f3t.T=S  
6.7    Three-Element Objectives     ~S;!T  
6.8    Secondary Spectrum (Apochromatic Systems)     b0YNac.l  
6.9    The Design of an f/7 Apochromatic Triplet     /RqhykgZ  
6.10    The Diffractive Surface in Lens Design     G/(*foT8SE  
6.11    A Final Note     lY,/W  
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7    Eyepieces and Magnifiers     y\Dn^  
7.1    Eyepieces     6|oWaA\gI  
7.2    A Pair of Magnifier Designs     :t5uDKZ_j)  
7.3    The Simple, Classical Eyepieces     &57U? oY  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     !-RwB@\  
7.5    Four-Element Eyepieces     6RP+4c  
7.6    Five-Element Eyepieces     R9vY:oN%  
7.7    Very High Index Eyepiece/Magnifier     oZ-FF'  
7.8    Six- and Seven-Element Eyepieces     A$<>JVv  
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8    Cooke Triplet Anastigmats     G4m4k  
8.1    Airspaced Triplet Anastigmats     HEpM4xe$  
8.2    Glass Choice     H pFb{  
8.3    Vertex Length and Residual Aberrations     Y%h}U<y  
8.4    Other Design Considerations     ]>vf9]  
8.5    A Plastic, Aspheric Triplet Camera Lens     <`+zvUx^?  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet J[r^T&o  
8.7    Possible Improvement to Our “Basic” Triplet     ?`aTu:1#Z  
8.7    The Rear Earth (Lanthanum) Glasses     "*bk{)dz}  
8.9    Aspherizing the Surfaces     Xl?YBZ}  
8.10    Increasing the Element Thickness     (H1lqlVWV#  
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9    Split Triplets     ZOn_dYjC  
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10    The Tessar, Heliar, and Other Compounded Triplets     M5 `m.n<  
10.1    The Classic Tessar     H|K("AVP:  
10.2    The Heliar/Pentac     +;6)  
10.3    The Portrait Lens and the Enlarger Lens     QPV@'.2m  
10.4    Other Compounded Triplets     KGQC't  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar [?I/Uo8  

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11    Double-Meniscus Anastigmats     f8#*mQ  
11.1    Meniscus Components     7t3X`db  
11.2    The Hypergon, Totogon, and Metrogon     z^3Q.4Qc6^  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     y7La_FPrl  
11.4    Protar, Dagor, and Convertible Lenses     V&R$8tpz  
11.5    The Split Dagor     ctK65h{Eo  
11.6    The Dogmar     *`1bc'umM;  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     Gql`>~  
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12    The Biotar or Double-Gauss Lens     e2bLkb3c  
12.1    The Basic Six-Element Version     j[H
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 1
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12.3    The Seven-Element Biotar - Split-Rear Singlet     9#fp_G;=  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     @`Wt4<  
12.5    The Seven-Element Biotar - One Compounded Outer Element     |i u2&p >  
12.6    The Eight-Element Biotar     (Z 8,e  
12.7    A “Doubled Double-Gauss” Relay     #Z!#;%S  
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13    Telephoto Lenses     p_9g|B0D  
13.1    The Basic Telephoto     Mlwdha0  
13.2    Close-up or Macro Lenses     ke^d8Z.  
13.3    Telephoto Designs     ,S0UY):(A  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ?DRR+n _  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ]/[0O+B?  
14.1    The Reverse Telephoto Principle     qS|AdkNL  
14.2    The Basic Retrofocus Lens     LGfmUb-{]  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     ?^F5(B[+Y  
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15    Wide Angle Lenses with Negative Outer Lenses     aH  
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16    The Petzval Lens; Head-up Display Lenses     *k4+ioFnKE  
16.1    The Petzval Portrait Lens     !%V*UR9  
16.2    The Petzval Projection Lens     /L$NE$D} "  
16.3    The Petzval with a Field Flattener     D Kq-C%  
16.4    Very Height Speed Petzval Lenses     pkW5D  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     &\c5!xQ9*  
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17    Microscope Objectives     +NT:<(;|i5  
17.1    General Considerations      VmYBa(  
17.2    Classic Objective Design Forms; The Aplanatic Front     POY=zUQ'/  
17.3    Flat-Field Objectives     4M7^
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17.4    Reflecting Objectives     _)q4I(s*  
17.5    The Microscope Objective Designs     E)Srj~$d  
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18    Mirror and Catadioptric Systems     4]]b1^vVj  
18.1    The Good and Bad Points of Mirrors     &<@%{h@=  
18.2    The Classic Two-Mirror Systems ^^eV4Y5`+  
18.3    Catadioptric Systems     _
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18.4    Aspheric Correctors and Schmidt Systems     #.b^E3#+  
18.5    Confocal Paraboloids     gLV^Z6eE  
18.6    Unobscured Systems     VT Vm7l  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     }`#B
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19    Infrared and Ultraviolet Systems     ~n8F7  
19.1    Infrared Optics     v/x*]c!"`  
19.2    IR Objective Lenses     K]9tc)  
19.3    IR Telescope     Xa)7`bp<  
19.4    Laser Beam Expanders     QY@nE  
19,5    Ultraviolet Systems     8| Sba<d  
19.6    Microlithographic Lenses     M",];h(I6(  
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20    Zoom Lenses     dw3'T4TC?  
20.1    Zoom Lenses     "`[$&:~  
20.2    Zoom Lenses for Point and Shoot Cameras     -h=c=P  
20.3    A 20X Video Zoom Lens     LK{a9` h  
20.4    A Zoom Scanner Lens     uV!MW=
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20.5    A Possible Zoom Lens Design Procedure     ea>[BB3#  
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21    Projection TV Lenses and Macro Lenses     #c:9V2  
21.1    Projection TV Lenses     |fx#KNPf]  
21.2    Macro Lenses     wqf&i^_  
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22    Scanner/ , Laser Disk and Collimator Lenses     %@o&*pF^,  
22.1    Monochromatic Systems     aK!xRnY  
22.2    Scanner Lenses     [rc'/@
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22.3    Laser Disk, Focusing, and Collimator Lenses     FDl,Ey^r/  
    xTGP  
23    Tolerance Budgeting     T4l-sJ'|  
23.1    The Tolerance Budget     Qf"6PJ  
23.2    Additive Tolerances     ]S*E  
23.3    Establishing the Tolerance Budget     .\)--
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24    Formulary r,QJG$ Jo  
24.1    Sign Conventions, Symbols, and Definitions     py}.00it  
24.2    The Cardinal Points     dy'X<o^?W  
24.3    Image Equations     Y7*'QKz2  
24.4    Paraxial Ray Tracing (Surface by Surface)     t]gq+ c Lo  
24.5    Invariants     OCvml 2 vP  
24.6    Paraxial Ray Tracing (Component by Component)     !'Gb$l!  
24.7    Two-Componenet Relationships     Feh"!k <6k  
24.8    Third-Order Aberrations – Surface Contributions     G3oxa/mO  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     5c*p2:]  
24.10    Stop Shift Equations     (R,NV3m?w  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     &Jrq5Q C  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     3zk:59  
XryQ)x(  
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Glossary dCW0^k  
Reference X S6]C{  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 0+VncL)u  
我怎么瞧不明白。

有没有人呀 {Q#Fen ;y|  
有个问题想请教大家