"Modern Lens Design" 2nd Edition by Warren J. Smith @nZFw.
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Contents of Modern Lens Design 2nd Edition XHe=
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1 Introduction Gwvs~jN
1.1 Lens Design Books U}qW9X;o
1.2 Reference Material H-rf?R2
1.3 Specifications [tBIABr
1.4 Lens Design MA1,;pv6
1.5 Lens Design Program Features iT|+<h
1.6 About This Book G! 87F/
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2 Automatic Lens Design M(2[X/t
2.2 The Merit Function v=`VDQWq
2.3 Local Minima WrD20Q$9Q
2.4 The Landscape Lens ,-{j.
2.5 Types of Merit Function riBT5
2.6 Stagnation 0[hl&7 Ab@
2.7 Generalized Simulated Annealing Vy5Q+gw
2.8 Considerations about Variables for Optimization L4[bm[x
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems hyTi':
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits wvc?2~`
2.11 Spectral Weighting qi)(\
2.12 How to Get Started B\("08x
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3 Improving a Design \
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques <"\K|2Sg
3.2 Glass Changes ( Index and V Values ) rzO:9# d
3.3 Splitting Elements ->j9(76 "
3.4 Separating a Cemented Doublet wZOO#&X#r
3.5 Compounding an Element :#gz)r
3.6 Vignetting and Its Uses 4 5Ql7~
3.7 Eliminating a Weak Element; the Concentric Problem %d?%^)
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3.8 Balancing Aberrations a.Mp1W
3.9 The Symmetrical Principle |RpC0I
3.10 Aspheric Surfaces Y&&Y:+
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4 Evaluation: How Good is This Design P, Vq/Tt
4.1 The Uses of a Preliminary Evaluation @E==~ b
4.2 OPD versus Measures of Performance I5bi^!i
4.3 Geometric Blur Spot Size versus Certain Aberrations FF/MTd}6qG
4.4 Interpreting MTF - The Modulation Transfer Function Sqb#U{E
4.5 Fabrication Considerations ", |wG7N
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5 Lens Design Data -bj1y2)n
5.1 About the Sample Lens Designs #Y{"`5>
5.2 Lens Prescriptions, Drawings, and Aberration Plots xApa+j6I
5.3 Estimating the Potential of a Redesign HQE#O4
5.4 Scaling a Desing, Its Aberrations, and Its MTF P/y-K0u
5.5 Notes on the Interpretation of Ray Intercept Plots lRO8}XSI
5.6 Various Evaluation Plot oS`F Yy
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6 Telescope Objective SS`\,%aog
6.1 The Thin Airspaced Doublet MP3E]T~:
6.2 Merit Function for a Telescope Objective ec3('}X
6.3 The Design of an f/7 Cemented Doublet Telescope Objective v\HGL56T
6.4 Spherochromatism Y] n^(V
6.5 Zonal Spherical Aberration i/$lOde
6.6 Induced Aberrations =djzE`)0
6.7 Three-Element Objectives @.g4?c
6.8 Secondary Spectrum (Apochromatic Systems) `QkzWy~V3
6.9 The Design of an f/7 Apochromatic Triplet UGN. ]#"#
6.10 The Diffractive Surface in Lens Design ;wN.RPE_^
6.11 A Final Note -I|yi'
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7 Eyepieces and Magnifiers d)0%|yX6
7.1 Eyepieces M.128J+xfS
7.2 A Pair of Magnifier Designs <e=0J8V8,i
7.3 The Simple, Classical Eyepieces t]vz+VQ
7.4 Design Story of an Eyepiece for a 6*30 Binocular |MRxm"]A
7.5 Four-Element Eyepieces gVD!.
7.6 Five-Element Eyepieces :J<S-d=
7.7 Very High Index Eyepiece/Magnifier ML'R[~|
7.8 Six- and Seven-Element Eyepieces 2?"9NQvz
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8 Cooke Triplet Anastigmats K crF=cA
8.1 Airspaced Triplet Anastigmats i$F)h<OU+
8.2 Glass Choice "TxXrt%>A
8.3 Vertex Length and Residual Aberrations xp39TiXJ*
8.4 Other Design Considerations >?DrC /
8.5 A Plastic, Aspheric Triplet Camera Lens lS,Hr3Lz
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet "90}H0(+
8.7 Possible Improvement to Our “Basic” Triplet r>G$u
8.7 The Rear Earth (Lanthanum) Glasses
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8.9 Aspherizing the Surfaces 7'o?'He-.2
8.10 Increasing the Element Thickness /|\`NARI
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9 Split Triplets 7 yi >G
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10 The Tessar, Heliar, and Other Compounded Triplets HN3
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10.1 The Classic Tessar ]xS< \{og
10.2 The Heliar/Pentac [mwfgh&4%
10.3 The Portrait Lens and the Enlarger Lens 5I<?HsK@
10.4 Other Compounded Triplets ())|x[>JS+
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar `Yut1N
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11 Double-Meniscus Anastigmats r&H>JCRZ<=
11.1 Meniscus Components ;m&f Vp
11.2 The Hypergon, Totogon, and Metrogon p\,lbrv
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ybB}|4d&
11.4 Protar, Dagor, and Convertible Lenses G +YF
11.5 The Split Dagor 1'd "O
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11.6 The Dogmar q3I,3?_
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens H(g&+Wcu=
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12 The Biotar or Double-Gauss Lens INkrG.=u
12.1 The Basic Six-Element Version Ii
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens d- ]%
12.3 The Seven-Element Biotar - Split-Rear Singlet T@z$g
12.4 The Seven-Element Biotar - Broken Contact Front Doublet \q,w)BE
12.5 The Seven-Element Biotar - One Compounded Outer Element N-NwGD{
12.6 The Eight-Element Biotar qD9B[s8
12.7 A “Doubled Double-Gauss” Relay B8P%4@T
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13 Telephoto Lenses mtF&Z\ag
13.1 The Basic Telephoto 7N""w5
13.2 Close-up or Macro Lenses [Y:HVr,
13.3 Telephoto Designs L@+j8[3BX
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -OziUM1qs
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 'N}Wo}1r
14.1 The Reverse Telephoto Principle kQ:2 @SOm
14.2 The Basic Retrofocus Lens !<~Ig/
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses hR?rZUl2M
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15 Wide Angle Lenses with Negative Outer Lenses R8?A%yxf
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16 The Petzval Lens; Head-up Display Lenses :q= XE$%H
16.1 The Petzval Portrait Lens IMrB!bor
16.2 The Petzval Projection Lens 69L s"e
16.3 The Petzval with a Field Flattener 7/~"\nN:/
16.4 Very Height Speed Petzval Lenses ,%:`Ll
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 5Q^~Z},
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17 Microscope Objectives uD5i5,q1Hs
17.1 General Considerations me9RnPe:
17.2 Classic Objective Design Forms; The Aplanatic Front 0zfrx-'zN
17.3 Flat-Field Objectives 8G@FX $$Q
17.4 Reflecting Objectives O_:Q#
17.5 The Microscope Objective Designs J^?O]|
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18 Mirror and Catadioptric Systems `SU;TN0
18.1 The Good and Bad Points of Mirrors ](W#Tj5-
18.2 The Classic Two-Mirror Systems
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18.3 Catadioptric Systems 1ri#hm0x\
18.4 Aspheric Correctors and Schmidt Systems LZ@^ A]U
18.5 Confocal Paraboloids O}%=c\Pb
18.6 Unobscured Systems kz??""G7/
18.7 Design of a Schmidt-Cassegrain “from Scratch” 4$;fj1!Z:
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19 Infrared and Ultraviolet Systems .K0BK)axO
19.1 Infrared Optics M,[ClQ 9
19.2 IR Objective Lenses /@OGYYH,M
19.3 IR Telescope SnXLjJe
19.4 Laser Beam Expanders !K@yB)9
19,5 Ultraviolet Systems |n~v_V2.0
19.6 Microlithographic Lenses InDR\=o
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20 Zoom Lenses QO%LSRw
20.1 Zoom Lenses j^k{~]+_^]
20.2 Zoom Lenses for Point and Shoot Cameras d#W[<,
20.3 A 20X Video Zoom Lens 7eO8cPy
20.4 A Zoom Scanner Lens y3xP~]n
20.5 A Possible Zoom Lens Design Procedure !l&lb]Vcz
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21 Projection TV Lenses and Macro Lenses 6v1j*'
21.1 Projection TV Lenses G' b p
21.2 Macro Lenses ~C[,P\,
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22 Scanner/ , Laser Disk and Collimator Lenses 0q3:"X
22.1 Monochromatic Systems 7z$+ *]9-
22.2 Scanner Lenses *"4ltWS
22.3 Laser Disk, Focusing, and Collimator Lenses RXP"v-
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23 Tolerance Budgeting MRa>@Jn??A
23.1 The Tolerance Budget ''(T3;^ +
23.2 Additive Tolerances H#ihU3q
23.3 Establishing the Tolerance Budget CUtk4;^y#
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24 Formulary 7j]@3D9[:p
24.1 Sign Conventions, Symbols, and Definitions ~:0h o
24.2 The Cardinal Points t2E_y6
24.3 Image Equations N0XGW_f
24.4 Paraxial Ray Tracing (Surface by Surface) kn<[v;+
24.5 Invariants D/)xe:
24.6 Paraxial Ray Tracing (Component by Component) [m"X*ZF
24.7 Two-Componenet Relationships "47nc1T+n
24.8 Third-Order Aberrations – Surface Contributions UOwj"#
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs \0:l9;^4
24.10 Stop Shift Equations g"!B
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces yf$7<gwX
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 59)PJ0E
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Glossary oi!E
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Reference BvYJ!Vj
Index