"Modern Lens Design" 2nd Edition by Warren J. Smith g\, pZ]0i
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Contents of Modern Lens Design 2nd Edition Uz} #.
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1 Introduction ^yb3L1y
1.1 Lens Design Books .! /DM-C
1.2 Reference Material wzwEYZN(q
1.3 Specifications P\pHos
1.4 Lens Design z gI!S6q
1.5 Lens Design Program Features .hzz oLI2
1.6 About This Book 6c$ so
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2 Automatic Lens Design LPc)-t|p"
2.2 The Merit Function wqk D
2.3 Local Minima
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2.4 The Landscape Lens | (JxtQqQg
2.5 Types of Merit Function G3
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2.6 Stagnation lA<n}N)j
2.7 Generalized Simulated Annealing Nj rF":'Y
2.8 Considerations about Variables for Optimization l=GcgxD+"d
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems u!hY
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits C& BR yo
2.11 Spectral Weighting 3LN+gXmU
2.12 How to Get Started
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3 Improving a Design Fku~'30
3.1 Lens Design Tip Sheet: Standard Improvement Techniques %UT5KYd!=N
3.2 Glass Changes ( Index and V Values ) bA!n;
3.3 Splitting Elements zl^ %x1G
3.4 Separating a Cemented Doublet Yd'Fhvo8
3.5 Compounding an Element t~]n"zgovz
3.6 Vignetting and Its Uses =(2y$,6g?
3.7 Eliminating a Weak Element; the Concentric Problem (H5nz ':
3.8 Balancing Aberrations X'Q?Mh
3.9 The Symmetrical Principle "\cDSi D
3.10 Aspheric Surfaces l25_J.e
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4 Evaluation: How Good is This Design (VV5SvdE
4.1 The Uses of a Preliminary Evaluation )eIC5>#.
4.2 OPD versus Measures of Performance { RH&mu
4.3 Geometric Blur Spot Size versus Certain Aberrations -FpZZ8=,M2
4.4 Interpreting MTF - The Modulation Transfer Function E6JfSH#
4.5 Fabrication Considerations n s n
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5 Lens Design Data -:cBVu-m
5.1 About the Sample Lens Designs cq+G 0F+H
5.2 Lens Prescriptions, Drawings, and Aberration Plots h K;9XJAf
5.3 Estimating the Potential of a Redesign i<@"+~n~GK
5.4 Scaling a Desing, Its Aberrations, and Its MTF A0X'|4I
5.5 Notes on the Interpretation of Ray Intercept Plots *U>"_h T0
5.6 Various Evaluation Plot jV{?.0/h|
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6 Telescope Objective C2}n &{T
6.1 The Thin Airspaced Doublet xB-\yWDZe
6.2 Merit Function for a Telescope Objective TWE>"8]
6.3 The Design of an f/7 Cemented Doublet Telescope Objective y_mTO4\C2
6.4 Spherochromatism " GRR,7A
6.5 Zonal Spherical Aberration idsBw!DB
6.6 Induced Aberrations B|d-3\ sn
6.7 Three-Element Objectives | "}oGL6-
6.8 Secondary Spectrum (Apochromatic Systems) ]gjQy. c|
6.9 The Design of an f/7 Apochromatic Triplet @ };
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6.10 The Diffractive Surface in Lens Design W4Z8U0co
6.11 A Final Note 4 .Kl/b ;
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7 Eyepieces and Magnifiers .`p,pt;
7.1 Eyepieces E ' -lpE
7.2 A Pair of Magnifier Designs T<?
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7.3 The Simple, Classical Eyepieces FEY_(70
7.4 Design Story of an Eyepiece for a 6*30 Binocular B(|*u
7.5 Four-Element Eyepieces >0F)^W?
7.6 Five-Element Eyepieces CP0;< }k
7.7 Very High Index Eyepiece/Magnifier 90wGS_P04
7.8 Six- and Seven-Element Eyepieces J.;! l
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8 Cooke Triplet Anastigmats gn//]|#H+
8.1 Airspaced Triplet Anastigmats 5Ve`j,`=<
8.2 Glass Choice K_! R
8.3 Vertex Length and Residual Aberrations b~$ 8<\
8.4 Other Design Considerations @7HHi~1JK
8.5 A Plastic, Aspheric Triplet Camera Lens '\B0#z3
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet
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8.7 Possible Improvement to Our “Basic” Triplet rU4;yy*b
8.7 The Rear Earth (Lanthanum) Glasses niA>afo
8.9 Aspherizing the Surfaces RGgePeaw
8.10 Increasing the Element Thickness ^ >wlj
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9 Split Triplets ^[x6p} $
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10 The Tessar, Heliar, and Other Compounded Triplets C5Vlqc;
10.1 The Classic Tessar !zVjbYWY
10.2 The Heliar/Pentac 0Q7|2{
10.3 The Portrait Lens and the Enlarger Lens s hgZru
10.4 Other Compounded Triplets *I:a \o~$[
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar lvAKL>qX
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11 Double-Meniscus Anastigmats " D,}|
11.1 Meniscus Components e 0<Wed
11.2 The Hypergon, Totogon, and Metrogon q2 b>Z6!5
11.3 A Two Element Aspheric Thick Meniscus Camera Lens %i6/=
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11.4 Protar, Dagor, and Convertible Lenses bMq)[8,N
11.5 The Split Dagor BT)PD9CN(
11.6 The Dogmar IM$ d~C
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens s%QCd U ]
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12 The Biotar or Double-Gauss Lens `pb=y}
12.1 The Basic Six-Element Version cYgd 1
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens kyi"U A82
12.3 The Seven-Element Biotar - Split-Rear Singlet >*MGF=.QG
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ."Kp6s `k
12.5 The Seven-Element Biotar - One Compounded Outer Element DHg)] FQ/
12.6 The Eight-Element Biotar (gRTSd T ?
12.7 A “Doubled Double-Gauss” Relay :}U jX|D
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13 Telephoto Lenses i>7]9gBm1q
13.1 The Basic Telephoto KV 8O k
13.2 Close-up or Macro Lenses `_()|; !y
13.3 Telephoto Designs XXw>h4hl
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch EK.n
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses +[ng99p
14.1 The Reverse Telephoto Principle nx(jYXVT
14.2 The Basic Retrofocus Lens b t*
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses :9DyABK=Cv
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15 Wide Angle Lenses with Negative Outer Lenses Dz,|sHCmk
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16 The Petzval Lens; Head-up Display Lenses #<y/m*Ota
16.1 The Petzval Portrait Lens O]Ey @7 &
16.2 The Petzval Projection Lens b")O#v.
16.3 The Petzval with a Field Flattener 4p7j "d5
16.4 Very Height Speed Petzval Lenses Ei<m/ v
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems T/0cPn0>
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17 Microscope Objectives #eF,* d
17.1 General Considerations . HN4xL
17.2 Classic Objective Design Forms; The Aplanatic Front D9 Mst6
17.3 Flat-Field Objectives s{OV-H
17.4 Reflecting Objectives iGSF5S
17.5 The Microscope Objective Designs ; ?q-]J?
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18 Mirror and Catadioptric Systems Q;ZV`D/FA
18.1 The Good and Bad Points of Mirrors GTi=VSGqF
18.2 The Classic Two-Mirror Systems f9OY> |a9
18.3 Catadioptric Systems xU2i&il^!
18.4 Aspheric Correctors and Schmidt Systems /U,(u9bq
18.5 Confocal Paraboloids f,kV
18.6 Unobscured Systems l9]nrT1Hy
18.7 Design of a Schmidt-Cassegrain “from Scratch” V["'eJA,,
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19 Infrared and Ultraviolet Systems 9@?|rj e9
19.1 Infrared Optics ~]24">VZf
19.2 IR Objective Lenses
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19.3 IR Telescope :L6%57
19.4 Laser Beam Expanders A#{I- *D[
19,5 Ultraviolet Systems :`K2?;DC8
19.6 Microlithographic Lenses AHMvh 7O?
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20 Zoom Lenses 7Le- f
20.1 Zoom Lenses *%\Xw*\0
20.2 Zoom Lenses for Point and Shoot Cameras x?]fHin_
20.3 A 20X Video Zoom Lens R%~~'/2V
20.4 A Zoom Scanner Lens ++UxzUd
20.5 A Possible Zoom Lens Design Procedure y<~(}xsHh
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21 Projection TV Lenses and Macro Lenses N
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21.1 Projection TV Lenses 2"k|IHs1
21.2 Macro Lenses m<L zgX
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22 Scanner/ , Laser Disk and Collimator Lenses @ Z7s3b
22.1 Monochromatic Systems xb"e'Zh
22.2 Scanner Lenses rLY I\
22.3 Laser Disk, Focusing, and Collimator Lenses SmRFxq tN
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23 Tolerance Budgeting v9!] /]U^
23.1 The Tolerance Budget ks69Z|D
23.2 Additive Tolerances d| `8\fq
23.3 Establishing the Tolerance Budget Z"KrirZ
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24 Formulary >s!k"s,
24.1 Sign Conventions, Symbols, and Definitions D+N@l"U{
24.2 The Cardinal Points &4%7 8K\
24.3 Image Equations QxuU3#l
24.4 Paraxial Ray Tracing (Surface by Surface) .Wi%V"
24.5 Invariants K{9Vyt9,$
24.6 Paraxial Ray Tracing (Component by Component) 6ZwQ/~7H
24.7 Two-Componenet Relationships t8; nP[`
24.8 Third-Order Aberrations – Surface Contributions 82V;J 8T?
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ILiOEwHS7F
24.10 Stop Shift Equations -<AGCiLz
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces .
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) {d0
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Glossary wzmQRn;s
Reference #s#BYbF
Index
