"Modern Lens Design" 2nd Edition by Warren J. Smith xDADJ>u2K
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Contents of Modern Lens Design 2nd Edition ;t?pyFT2Z
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1 Introduction E=s`$ A
1.1 Lens Design Books P#ru-0DD
1.2 Reference Material vy|}\%*r~
1.3 Specifications fE7WLV2I>
1.4 Lens Design pNiqb+^nz
1.5 Lens Design Program Features :L`z~/6
1.6 About This Book 2DV{gF
M!X@-t#
2 Automatic Lens Design $ @1&G~x
2.2 The Merit Function y
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2.3 Local Minima bjT0Fi0-
2.4 The Landscape Lens 8#Z$}?W
2.5 Types of Merit Function gu:..'V
2.6 Stagnation |um)vlN;9
2.7 Generalized Simulated Annealing _l8oB)
2.8 Considerations about Variables for Optimization sL/Lw
WH
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems :cC`wX$
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits nAts.pVy"
2.11 Spectral Weighting q"52-42
2.12 How to Get Started Y(A?ib~K
J7cqn j
3 Improving a Design uwQ4RYz
3.1 Lens Design Tip Sheet: Standard Improvement Techniques fZ
%ZV
3.2 Glass Changes ( Index and V Values ) IB;y8e,
3.3 Splitting Elements \pPq]k
3.4 Separating a Cemented Doublet O0$ijJa|
3.5 Compounding an Element I"
j7
3.6 Vignetting and Its Uses 6kDU}]c:H]
3.7 Eliminating a Weak Element; the Concentric Problem dO8Z {wfs
3.8 Balancing Aberrations &Y#9~$V=
3.9 The Symmetrical Principle [FCNW0NV
3.10 Aspheric Surfaces _%L3?PpF"
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4 Evaluation: How Good is This Design ljf9L:L
4.1 The Uses of a Preliminary Evaluation S7SPc
4.2 OPD versus Measures of Performance x)Th2es\
4.3 Geometric Blur Spot Size versus Certain Aberrations U)l>#gf8
4.4 Interpreting MTF - The Modulation Transfer Function rU~"A
4.5 Fabrication Considerations CNN?8/u!@
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5 Lens Design Data &WRoNc
5.1 About the Sample Lens Designs eb8_guZ
5.2 Lens Prescriptions, Drawings, and Aberration Plots TX+t
5.3 Estimating the Potential of a Redesign "1nd~
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5.4 Scaling a Desing, Its Aberrations, and Its MTF 4OIN@n*4
5.5 Notes on the Interpretation of Ray Intercept Plots Anm5Cvt;i
5.6 Various Evaluation Plot 34l=U?
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6 Telescope Objective EnUo B<
6.1 The Thin Airspaced Doublet *lTu-
6.2 Merit Function for a Telescope Objective ;kF p)*i
6.3 The Design of an f/7 Cemented Doublet Telescope Objective J *B`C^i
6.4 Spherochromatism 0y1t%C075
6.5 Zonal Spherical Aberration 50Jr(OeU<
6.6 Induced Aberrations o._^
6.7 Three-Element Objectives u}h'v&"e,
6.8 Secondary Spectrum (Apochromatic Systems) U!`'Qw;
6.9 The Design of an f/7 Apochromatic Triplet %B?5l^W@
6.10 The Diffractive Surface in Lens Design qqAsh]Z
6.11 A Final Note J+4uUf/d!
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7 Eyepieces and Magnifiers @Uu\x~3y
7.1 Eyepieces E:tUbWVp
7.2 A Pair of Magnifier Designs N1-LM9S
7.3 The Simple, Classical Eyepieces j)0R*_-B[
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;K_B,@:'
7.5 Four-Element Eyepieces m6gr!aT
7.6 Five-Element Eyepieces M]{!Nx
7.7 Very High Index Eyepiece/Magnifier hh{liS% 10
7.8 Six- and Seven-Element Eyepieces e8# 3Y+Tc
E}GSii%S
8 Cooke Triplet Anastigmats kO#`m]
8.1 Airspaced Triplet Anastigmats !K2[S
J
8.2 Glass Choice aD^MoB3
8.3 Vertex Length and Residual Aberrations (l,o UBRr
8.4 Other Design Considerations loB/w{r*x
8.5 A Plastic, Aspheric Triplet Camera Lens :Ry24X
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 93dotuF
8.7 Possible Improvement to Our “Basic” Triplet |)_R
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8.7 The Rear Earth (Lanthanum) Glasses gdT_kb5HL8
8.9 Aspherizing the Surfaces %!S
8.10 Increasing the Element Thickness SrtmpQ
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9 Split Triplets `iI"rlc
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10 The Tessar, Heliar, and Other Compounded Triplets P:TpB6.=q
10.1 The Classic Tessar `3KprpE8v
10.2 The Heliar/Pentac ?uN(" I
10.3 The Portrait Lens and the Enlarger Lens ..:V3]-D
10.4 Other Compounded Triplets :&%;s*-9
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ]4yvTP3[Rm
^&.?kJM
11 Double-Meniscus Anastigmats *J=ol
11.1 Meniscus Components a< EC]-nw
11.2 The Hypergon, Totogon, and Metrogon F~AS(sk
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Y Pc<
11.4 Protar, Dagor, and Convertible Lenses EHHxCq?
11.5 The Split Dagor "=(;l3-o
11.6 The Dogmar /z5lxS@#
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens abnd U,s
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12 The Biotar or Double-Gauss Lens o;mIu#u
12.1 The Basic Six-Element Version g@k9w{_
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens w!RH*S
12.3 The Seven-Element Biotar - Split-Rear Singlet \gkajY-?
12.4 The Seven-Element Biotar - Broken Contact Front Doublet G= cxc_9
12.5 The Seven-Element Biotar - One Compounded Outer Element Anv8)J!9u
12.6 The Eight-Element Biotar bEKLameKv
12.7 A “Doubled Double-Gauss” Relay D3{lyi|8
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13 Telephoto Lenses Wwha?W>
13.1 The Basic Telephoto }D+8K
13.2 Close-up or Macro Lenses W6T&hB
13.3 Telephoto Designs "~<~b2Y"5
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch W<VHv"?V
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ]Qr8 wa>Z
14.1 The Reverse Telephoto Principle J"rwWIxO*
14.2 The Basic Retrofocus Lens #:|?t&On
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses l`&6W?C
J36@Pf]h
15 Wide Angle Lenses with Negative Outer Lenses 0)5Sx /5'
VWy:U#;+8
16 The Petzval Lens; Head-up Display Lenses 9 Zm<1Fw
16.1 The Petzval Portrait Lens e,&%Z
16.2 The Petzval Projection Lens 7V
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16.3 The Petzval with a Field Flattener x Ui!|c
16.4 Very Height Speed Petzval Lenses _KVB~loT
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems [Z\1"m
sVd_O[
17 Microscope Objectives I%919
17.1 General Considerations %k
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17.2 Classic Objective Design Forms; The Aplanatic Front ;/ KF3
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17.3 Flat-Field Objectives vXyo
17.4 Reflecting Objectives [!?,TGM}^
17.5 The Microscope Objective Designs [9om"'
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18 Mirror and Catadioptric Systems Z(mn
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18.1 The Good and Bad Points of Mirrors .oj" ru
18.2 The Classic Two-Mirror Systems gsWlTI
18.3 Catadioptric Systems 3b@1Zahz
18.4 Aspheric Correctors and Schmidt Systems )]>
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18.5 Confocal Paraboloids So%1RY{)
18.6 Unobscured Systems $Wzv$4;
18.7 Design of a Schmidt-Cassegrain “from Scratch” Y0O<]2yVx
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19 Infrared and Ultraviolet Systems zl
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19.1 Infrared Optics up3<=u{>
19.2 IR Objective Lenses
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19.3 IR Telescope \Ntdl:fSw
19.4 Laser Beam Expanders YCBML!L
19,5 Ultraviolet Systems \w[ZY$/
19.6 Microlithographic Lenses H0 n@kKr
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20 Zoom Lenses ku9FN
20.1 Zoom Lenses C%?D E@k
20.2 Zoom Lenses for Point and Shoot Cameras GdeR#%z
20.3 A 20X Video Zoom Lens N|d.!Q;V.y
20.4 A Zoom Scanner Lens u$,Wyi )L
20.5 A Possible Zoom Lens Design Procedure ;:\,x
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21 Projection TV Lenses and Macro Lenses k;AiG8jb
21.1 Projection TV Lenses eKpxskbhZ
21.2 Macro Lenses i-s?"Fk
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22 Scanner/ , Laser Disk and Collimator Lenses ]AA*f_!
22.1 Monochromatic Systems b;`#Sea
22.2 Scanner Lenses o p5^9`"
22.3 Laser Disk, Focusing, and Collimator Lenses h8= MVh(I
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23 Tolerance Budgeting $CwTNm?
23.1 The Tolerance Budget pkV\D
23.2 Additive Tolerances 27YLg c
23.3 Establishing the Tolerance Budget 4U
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24 Formulary vua1iN1
24.1 Sign Conventions, Symbols, and Definitions p C2c(4
24.2 The Cardinal Points ;7^j-6
24.3 Image Equations `Y({#U
24.4 Paraxial Ray Tracing (Surface by Surface) 3g#=sd!0O@
24.5 Invariants 9EA
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24.6 Paraxial Ray Tracing (Component by Component) aU]O$Pg{
24.7 Two-Componenet Relationships g yH7((#i
24.8 Third-Order Aberrations – Surface Contributions a0/n13c?G
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs t"bPKFRy9E
24.10 Stop Shift Equations >;&V~q:di
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces OG?j6qhpl
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) a2=uM}Hsp
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Glossary pT;-1c%:
Reference g9weJ6@}M
Index