"Modern Lens Design" 2nd Edition by Warren J. Smith }1EtM/Ni{!
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Contents of Modern Lens Design 2nd Edition JLak>MS
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1 Introduction &>xz
1.1 Lens Design Books 64qqJmG3
1.2 Reference Material t"nxny9&
1.3 Specifications RpwDOG
1.4 Lens Design KU^|T2s%
1.5 Lens Design Program Features S1o[)q
1.6 About This Book fb[? sc
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2 Automatic Lens Design Zd}12HFq
2.2 The Merit Function (tCBbPW6T?
2.3 Local Minima wlFK#iK
2.4 The Landscape Lens FA{'Ki`
2.5 Types of Merit Function :7?n)=Tx
2.6 Stagnation ,B#*<_?E5
2.7 Generalized Simulated Annealing 'iU+mRLp
2.8 Considerations about Variables for Optimization CT/>x3o
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems E>N [
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits XzBlT( `w
2.11 Spectral Weighting iXLH[uhO;
2.12 How to Get Started k'NP+N<M
cs 58: G5
3 Improving a Design b$sT`+4q
3.1 Lens Design Tip Sheet: Standard Improvement Techniques kkIG{Bw
3.2 Glass Changes ( Index and V Values ) %6la@i
3.3 Splitting Elements OkMAqS
3.4 Separating a Cemented Doublet N%S|Ey@f
3.5 Compounding an Element 2^qJ'<2]M
3.6 Vignetting and Its Uses n-{.7
3.7 Eliminating a Weak Element; the Concentric Problem +k V$ @qH
3.8 Balancing Aberrations JfRLqA/
3.9 The Symmetrical Principle ?e\u_3-9
3.10 Aspheric Surfaces LbuhKL}VN
q ,+29
4 Evaluation: How Good is This Design XUA%3Xr
4.1 The Uses of a Preliminary Evaluation q|
UO]V
4.2 OPD versus Measures of Performance uR.`8s|
4.3 Geometric Blur Spot Size versus Certain Aberrations y+
4#Iy
4.4 Interpreting MTF - The Modulation Transfer Function o$ #q/L
4.5 Fabrication Considerations yQ!keGj
h0C>z2iH
5 Lens Design Data )<$<9!L4x
5.1 About the Sample Lens Designs Mp(;PbVD
5.2 Lens Prescriptions, Drawings, and Aberration Plots +F~B"a
5.3 Estimating the Potential of a Redesign 3bT?4
5.4 Scaling a Desing, Its Aberrations, and Its MTF S{Zf}8?6$
5.5 Notes on the Interpretation of Ray Intercept Plots )d>Dcne
5.6 Various Evaluation Plot S0ReT*I
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6 Telescope Objective n(.L=VuXn
6.1 The Thin Airspaced Doublet %pLqX61t=
6.2 Merit Function for a Telescope Objective _p?s[r*
6.3 The Design of an f/7 Cemented Doublet Telescope Objective B%5"B} nG
6.4 Spherochromatism o*3\xg
6.5 Zonal Spherical Aberration B>[myx
6.6 Induced Aberrations EHfB9%O7y
6.7 Three-Element Objectives DT_%Rz~<
6.8 Secondary Spectrum (Apochromatic Systems) pLM?m
6.9 The Design of an f/7 Apochromatic Triplet {{AZW
6.10 The Diffractive Surface in Lens Design [
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6.11 A Final Note Y?-Ef
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7 Eyepieces and Magnifiers O)"Z% B
7.1 Eyepieces )$K\:w>
7.2 A Pair of Magnifier Designs tBETNt7
7.3 The Simple, Classical Eyepieces nW`] =
7.4 Design Story of an Eyepiece for a 6*30 Binocular "bz.nE*
7.5 Four-Element Eyepieces "N)InPR-
7.6 Five-Element Eyepieces -C8LM ls
7.7 Very High Index Eyepiece/Magnifier )@<HG$#
7.8 Six- and Seven-Element Eyepieces 0<##8m@F8
m}f{o
8 Cooke Triplet Anastigmats T-]UAN"O
8.1 Airspaced Triplet Anastigmats ge1U1o
8.2 Glass Choice 6R*eJICN
8.3 Vertex Length and Residual Aberrations +:W? :\
8.4 Other Design Considerations p.H`lbVY
8.5 A Plastic, Aspheric Triplet Camera Lens iBmvy7S?
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet N4b{^JkF
8.7 Possible Improvement to Our “Basic” Triplet %-BwK
8.7 The Rear Earth (Lanthanum) Glasses vQj{yJ\l1
8.9 Aspherizing the Surfaces m*\LO%s]E
8.10 Increasing the Element Thickness ":qS9vW
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9 Split Triplets F"QJ)F
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10 The Tessar, Heliar, and Other Compounded Triplets hLVgP&/E
10.1 The Classic Tessar =1xVw5^F
10.2 The Heliar/Pentac (j(9'DjP
10.3 The Portrait Lens and the Enlarger Lens @Fzw_qr
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10.4 Other Compounded Triplets ap,zC)[
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar bR$5G
PZ#aq~>w
11 Double-Meniscus Anastigmats m)]|mYjju
11.1 Meniscus Components F%4N/e'L
11.2 The Hypergon, Totogon, and Metrogon xk3)#*
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Vt-V'`Y
11.4 Protar, Dagor, and Convertible Lenses }:[MSUm5
11.5 The Split Dagor rDu?XJA
11.6 The Dogmar g|h;*
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens n57mh5mixM
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12 The Biotar or Double-Gauss Lens s@Loax6@B
12.1 The Basic Six-Element Version a&dP@)
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens nFe
12.3 The Seven-Element Biotar - Split-Rear Singlet ;iJ}[HUo
12.4 The Seven-Element Biotar - Broken Contact Front Doublet kBY#=e).
12.5 The Seven-Element Biotar - One Compounded Outer Element 3>=G-AH/$K
12.6 The Eight-Element Biotar !3o/c w9
12.7 A “Doubled Double-Gauss” Relay P7REE_<1
&B++ "f
13 Telephoto Lenses [?(qhp!
13.1 The Basic Telephoto j 20mZ
13.2 Close-up or Macro Lenses Zu>CR_C
13.3 Telephoto Designs 7M_GGjP
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 07:h4beT
B B^81{A
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses !!mGsgnW
14.1 The Reverse Telephoto Principle z6h/C{
14.2 The Basic Retrofocus Lens 1^[]#N-Bu
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses woN
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6Q&i=!fQ
15 Wide Angle Lenses with Negative Outer Lenses 4{b/Nv:b
:5jor Vu
16 The Petzval Lens; Head-up Display Lenses V#c=O}
16.1 The Petzval Portrait Lens =/4}!B/
16.2 The Petzval Projection Lens xsrdHP1
16.3 The Petzval with a Field Flattener rP/W,!
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16.4 Very Height Speed Petzval Lenses BZjL\{IW
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems A5O; C
`8TL*.9
17 Microscope Objectives JD AX^]
17.1 General Considerations #vViEBVeN
17.2 Classic Objective Design Forms; The Aplanatic Front ZW
5FL-I
17.3 Flat-Field Objectives qQS&K%F
17.4 Reflecting Objectives =,&{ &m)
17.5 The Microscope Objective Designs 6+C]rEY/o
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18 Mirror and Catadioptric Systems u!b0<E
18.1 The Good and Bad Points of Mirrors n:Dr< q.
18.2 The Classic Two-Mirror Systems J`wx72/-ZW
18.3 Catadioptric Systems "c![s%
18.4 Aspheric Correctors and Schmidt Systems (: mF+%(
18.5 Confocal Paraboloids ^Nysx ~6
18.6 Unobscured Systems H{_6e6`e.
18.7 Design of a Schmidt-Cassegrain “from Scratch” ~c\2'
?:F Jc[J
19 Infrared and Ultraviolet Systems NI C.c3
19.1 Infrared Optics %*Yb
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19.2 IR Objective Lenses ~$7YEs)
19.3 IR Telescope Cio(Ptt:
19.4 Laser Beam Expanders |voZ0U
19,5 Ultraviolet Systems 4hn'b[
19.6 Microlithographic Lenses '47E8PIJ|
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20 Zoom Lenses )1O|+m k
20.1 Zoom Lenses P+ 0-h
20.2 Zoom Lenses for Point and Shoot Cameras e C&!yY2g
20.3 A 20X Video Zoom Lens @^HZTuP2;
20.4 A Zoom Scanner Lens ,rhNXx
20.5 A Possible Zoom Lens Design Procedure 2}5@:cwR+
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21 Projection TV Lenses and Macro Lenses qf%p#+:B3
21.1 Projection TV Lenses 5L\Im^
21.2 Macro Lenses U{HBmSR
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22 Scanner/ , Laser Disk and Collimator Lenses yQC8 Gt8
22.1 Monochromatic Systems 'tVe#oI
22.2 Scanner Lenses _~!c%_
22.3 Laser Disk, Focusing, and Collimator Lenses % "ZC9uq?
i\RB KF
23 Tolerance Budgeting {65_k
23.1 The Tolerance Budget a3:1`c/~\
23.2 Additive Tolerances Vj[,o
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23.3 Establishing the Tolerance Budget ?jnbm'~S
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24 Formulary U^OR\=G^
24.1 Sign Conventions, Symbols, and Definitions jf&
oN]sZ
24.2 The Cardinal Points 3[%n@i4H|
24.3 Image Equations <"LA70Hkk
24.4 Paraxial Ray Tracing (Surface by Surface) y"ms;w'z
24.5 Invariants vGp`P
24.6 Paraxial Ray Tracing (Component by Component) O{=@c96rl
24.7 Two-Componenet Relationships $u,`bX
24.8 Third-Order Aberrations – Surface Contributions Lx3`.F\mG
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 7#9fcfL
24.10 Stop Shift Equations '^.3}N{Fo
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces "GAKi}y">v
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) g<i>252>
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Glossary 4o( Q+6m
Reference x|3G}[=
Index