[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith ;)rs#T;$  
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Contents of Modern Lens Design 2nd Edition 
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1    Introduction         EG oe<.  
1.1    Lens Design Books     #- z(]Y,y  
1.2    Reference Material     *
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1.3    Specifications     Z.{r%W{2  
1.4    Lens Design     R2B0?fu  
1.5    Lens Design Program Features     2
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1.6    About This Book     _VFL}<i  
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2    Automatic Lens Design         $?Yw{%W  
2.2    The Merit Function         noSBwP|v*  
2.3    Local Minima     ^hIKDc!.m  
2.4    The Landscape Lens     yq,%ey8  
2.5    Types of Merit Function     O ]Stf7]%;  
2.6    Stagnation     K4|{[YpPB  
2.7    Generalized Simulated Annealing     j87IxB?o  
2.8    Considerations about Variables for Optimization     RxrUnM
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2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 0Ik}\lcn  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     &-B&s.,kj  
2.11    Spectral Weighting     6~y7A<[^  
2.12    How to Get Started     9xZ?}S:d  
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3    Improving a Design     Xw<5VIAHm;  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     o<f|jGY0  
3.2    Glass Changes ( Index and V Values )     qcdENIy0b  
3.3    Splitting Elements     dq U.2~9  
3.4    Separating a Cemented Doublet    
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3.5    Compounding an Element     BdYl sYp  
3.6    Vignetting and Its Uses     d*(wU>J '  
3.7    Eliminating a Weak Element; the Concentric Problem     z;KUIWg  
3.8    Balancing Aberrations     }RPeAcbU_  
3.9    The Symmetrical Principle     K"U!SWv  
3.10    Aspheric Surfaces     /&Vgo~.J  
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4    Evaluation: How Good is This Design     qW(_0<E  
4.1    The Uses of a Preliminary Evaluation     [ Cu3D
  
4.2    OPD versus Measures of Performance     |&xjuBC  
4.3    Geometric Blur Spot Size versus Certain Aberrations     'h~I#S4!  
4.4    Interpreting MTF - The Modulation Transfer Function     /*2sg>e'QF  
4.5    Fabrication Considerations     3V2w1CERE  
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5    Lens Design Data     'RjMwJy{  
5.1    About the Sample Lens Designs     5q>u]n9]  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     GP
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5.3    Estimating the Potential of a Redesign     AG==A&d>$  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     kFi^P~3D[  
5.5    Notes on the Interpretation of Ray Intercept Plots     ;th]/ G  
5.6    Various Evaluation Plot     xB&6f")  
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6    Telescope Objective     ;N/=)
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6.1    The Thin Airspaced Doublet     ok+-#~VTn  
6.2    Merit Function for a Telescope Objective     eODprFkt}
 
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     fqgm`4>  
6.4    Spherochromatism     oL69w1  
6.5    Zonal Spherical Aberration     :.,3Zw{l  
6.6    Induced Aberrations     Z" !+p{u  
6.7    Three-Element Objectives     $={WtR  
6.8    Secondary Spectrum (Apochromatic Systems)     !1M=9 ~$!  
6.9    The Design of an f/7 Apochromatic Triplet     iTq~^9G  
6.10    The Diffractive Surface in Lens Design     NXyuv7%5=  
6.11    A Final Note     I$7TnMug  
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7    Eyepieces and Magnifiers     :%hxg  
7.1    Eyepieces     ^MZdht   
7.2    A Pair of Magnifier Designs     >&kb|)  
7.3    The Simple, Classical Eyepieces     `Wf)qMb  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     0- 'f1 1S  
7.5    Four-Element Eyepieces     U2(|/M+  
7.6    Five-Element Eyepieces     jt/ |u=  
7.7    Very High Index Eyepiece/Magnifier     T'TxC)  
7.8    Six- and Seven-Element Eyepieces     J&IFn/JK$  
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8    Cooke Triplet Anastigmats     4gNF;  
8.1    Airspaced Triplet Anastigmats     t,8p}2,$  
8.2    Glass Choice     #(`@D7S"  
8.3    Vertex Length and Residual Aberrations     Y=6b oT  
8.4    Other Design Considerations     ZoiCdXvTN  
8.5    A Plastic, Aspheric Triplet Camera Lens     m )2t<  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet = +uUWJ&1G  
8.7    Possible Improvement to Our “Basic” Triplet     .2jG~_W[  
8.7    The Rear Earth (Lanthanum) Glasses     ^5l4D3@E  
8.9    Aspherizing the Surfaces     >iCkvQ  
8.10    Increasing the Element Thickness     bh8IF,@a  
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9    Split Triplets     y/}>)o4Q  
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10    The Tessar, Heliar, and Other Compounded Triplets     -pRyN]YD  
10.1    The Classic Tessar     B0:[3@P7  
10.2    The Heliar/Pentac     Q.Kr;64G  
10.3    The Portrait Lens and the Enlarger Lens     mYudUn4Wo  
10.4    Other Compounded Triplets     g8{?;  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar "DFj4XKXY9  
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11    Double-Meniscus Anastigmats     V+()`>44  
11.1    Meniscus Components     xwH+Q7O&l  
11.2    The Hypergon, Totogon, and Metrogon     QrP$5H{[E  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     @ P=eu3  
11.4    Protar, Dagor, and Convertible Lenses     T1y,L<7?  
11.5    The Split Dagor     s'V8PN+-  
11.6    The Dogmar     ~[i,f0O,  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     <N%8"o  
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12    The Biotar or Double-Gauss Lens     `O5kI#m)L*  
12.1    The Basic Six-Element Version     }[u9vZL  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens sq_N!  
12.3    The Seven-Element Biotar - Split-Rear Singlet     0 mWfR8h0  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     m
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12.5    The Seven-Element Biotar - One Compounded Outer Element     #lax0IYY=  
12.6    The Eight-Element Biotar     A}#@(ma7  
12.7    A “Doubled Double-Gauss” Relay     3986;>v  
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13    Telephoto Lenses     n ?%3
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13.1    The Basic Telephoto     DlR&Lnv  
13.2    Close-up or Macro Lenses     4[]R?lL  
13.3    Telephoto Designs     C61KY7iyR  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch $J#}3;a  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     hnM|=[wM  
14.1    The Reverse Telephoto Principle     Lp%V$'  
14.2    The Basic Retrofocus Lens     S{Au%Rs  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     /h0<0b?i  
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15    Wide Angle Lenses with Negative Outer Lenses     }Kq5!XJV9C  
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16    The Petzval Lens; Head-up Display Lenses     nm*!#hx  
16.1    The Petzval Portrait Lens     b9(d@2MtK  
16.2    The Petzval Projection Lens     ij6ME6  
16.3    The Petzval with a Field Flattener     >]=1~sF  
16.4    Very Height Speed Petzval Lenses     PZO7eEt8  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     &_&])V)<\S  
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17    Microscope Objectives     P_t8=d  
17.1    General Considerations     fPHv|_XM>  
17.2    Classic Objective Design Forms; The Aplanatic Front     O'm&S?>  
17.3    Flat-Field Objectives     <W vuW6  
17.4    Reflecting Objectives     Y[;Pl$  
17.5    The Microscope Objective Designs     qJW>Y}  
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18    Mirror and Catadioptric Systems     Z>a_vC  
18.1    The Good and Bad Points of Mirrors     V0L^pDLOV  
18.2    The Classic Two-Mirror Systems C9Fc(Y?_  
18.3    Catadioptric Systems     u *z$I  
18.4    Aspheric Correctors and Schmidt Systems     qo.~5   
18.5    Confocal Paraboloids     Tm_vo-  
18.6    Unobscured Systems     g4d5G=y  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     7F3Hkvd[k  
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19    Infrared and Ultraviolet Systems     nP?(9;3*  
19.1    Infrared Optics     sEdWB
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19.2    IR Objective Lenses     m0F-[k3)  
19.3    IR Telescope     W #qM$  
19.4    Laser Beam Expanders     X8bo?0  
19,5    Ultraviolet Systems     YFLWkdqAY  
19.6    Microlithographic Lenses     {Y'DUt5j  
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20    Zoom Lenses     e\.|d<N?  
20.1    Zoom Lenses     kOR%<#:J  
20.2    Zoom Lenses for Point and Shoot Cameras     ms ;RJT2O'  
20.3    A 20X Video Zoom Lens     Q%QpG)E  
20.4    A Zoom Scanner Lens     )TyL3Z\>(  
20.5    A Possible Zoom Lens Design Procedure     nH% /  
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21    Projection TV Lenses and Macro Lenses     Ff& VBm  
21.1    Projection TV Lenses     +zs;>'Sf  
21.2    Macro Lenses     ;pb~Zk/[,w  
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22    Scanner/ , Laser Disk and Collimator Lenses     5jy>)WqK  
22.1    Monochromatic Systems     h+.^8fPR  
22.2    Scanner Lenses     /Rk5n  
22.3    Laser Disk, Focusing, and Collimator Lenses     sj. eJX"z  
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23    Tolerance Budgeting     V}9wx%v  
23.1    The Tolerance Budget     5qG7LO.  
23.2    Additive Tolerances     |=38t8Ge&  
23.3    Establishing the Tolerance Budget     v_5DeaMF'  
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24    Formulary QE)g==d  
24.1    Sign Conventions, Symbols, and Definitions     %DPtK)X1  
24.2    The Cardinal Points     ]pb;q(?^  
24.3    Image Equations     Fw"~f5O  
24.4    Paraxial Ray Tracing (Surface by Surface)     7\a(Imq  
24.5    Invariants     o?p) V^7  
24.6    Paraxial Ray Tracing (Component by Component)     0<v~J9i  
24.7    Two-Componenet Relationships     )CdglPK  
24.8    Third-Order Aberrations – Surface Contributions     7GK| A{r  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     w=#&(xm0  
24.10    Stop Shift Equations     sd8o&6  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     A7|"0*62  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     ,Z>RvLl  
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Glossary J4lE7aFDA~  
Reference @[ :sP  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 t"BpaA^gO  
我怎么瞧不明白。

有没有人呀 >2C;5ba  
有个问题想请教大家