"Modern Lens Design" 2nd Edition by Warren J. Smith "j]85
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Contents of Modern Lens Design 2nd Edition K9@F1ccQ/
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1 Introduction +)cjW"9
1.1 Lens Design Books E#T6rd P
1.2 Reference Material :v(fgS2\
1.3 Specifications [og_0;
1.4 Lens Design "F.0(<4)
1.5 Lens Design Program Features vnrP;T=^
1.6 About This Book WF!u2E+
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2 Automatic Lens Design SD=kpf;
2.2 The Merit Function c8"9Lv
2.3 Local Minima >w}5\4j
2.4 The Landscape Lens > 0kZ-M5
2.5 Types of Merit Function ~dpU DF
2.6 Stagnation ,Zs"r}G^
2.7 Generalized Simulated Annealing uv}?8$<\
2.8 Considerations about Variables for Optimization C'a%piX
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Go8?8*
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ,{tK{XpS
2.11 Spectral Weighting x9NcIa9
2.12 How to Get Started ZWVN(U
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3 Improving a Design wE4:$+R};
3.1 Lens Design Tip Sheet: Standard Improvement Techniques GIyb0XjTw
3.2 Glass Changes ( Index and V Values ) ,$xV&w8f\"
3.3 Splitting Elements -#e3aXe
3.4 Separating a Cemented Doublet H fg2]N
3.5 Compounding an Element wk'12r6=(-
3.6 Vignetting and Its Uses , '_y@9?I
3.7 Eliminating a Weak Element; the Concentric Problem Ns*&;x9
3.8 Balancing Aberrations qMj'% 5/
3.9 The Symmetrical Principle 7v8V0Gp
3.10 Aspheric Surfaces Tw{}Ht_Qq
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4 Evaluation: How Good is This Design x bsk
4.1 The Uses of a Preliminary Evaluation 5ml#/kE
4.2 OPD versus Measures of Performance -%5O:n
4.3 Geometric Blur Spot Size versus Certain Aberrations Q=+*OQV29
4.4 Interpreting MTF - The Modulation Transfer Function +5>*$L%8T`
4.5 Fabrication Considerations *G6Py,- !f
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5 Lens Design Data &ml7368@
5.1 About the Sample Lens Designs l4:5(1
5.2 Lens Prescriptions, Drawings, and Aberration Plots 2^\67@9
5.3 Estimating the Potential of a Redesign A5A4*.C
5.4 Scaling a Desing, Its Aberrations, and Its MTF bu
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5.5 Notes on the Interpretation of Ray Intercept Plots " G&S`8
5.6 Various Evaluation Plot ?c$z?QTMJ
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6 Telescope Objective Uzx,aYo X
6.1 The Thin Airspaced Doublet 'DDlX3W-
6.2 Merit Function for a Telescope Objective #2XX [d%
6.3 The Design of an f/7 Cemented Doublet Telescope Objective YoT<]'
6.4 Spherochromatism )$.::[pNA
6.5 Zonal Spherical Aberration 6w )mo)<X
6.6 Induced Aberrations ~eVq Fc
6.7 Three-Element Objectives Bc^%1
6.8 Secondary Spectrum (Apochromatic Systems) 8`0/?MZ)
6.9 The Design of an f/7 Apochromatic Triplet m#^ua^JV
6.10 The Diffractive Surface in Lens Design 2%|0c\y|z=
6.11 A Final Note HVq02 Z
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7 Eyepieces and Magnifiers ,k,RXgQ
7.1 Eyepieces tz).] E
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7.2 A Pair of Magnifier Designs yqY nd<K4
7.3 The Simple, Classical Eyepieces C'_^DPzj
7.4 Design Story of an Eyepiece for a 6*30 Binocular "$lE~d">
7.5 Four-Element Eyepieces 5f` a7R
7.6 Five-Element Eyepieces ,bLHkBK
7.7 Very High Index Eyepiece/Magnifier ]+!{^h$
7.8 Six- and Seven-Element Eyepieces b%TS37`^[
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8 Cooke Triplet Anastigmats EGY'a*]cU
8.1 Airspaced Triplet Anastigmats ~$bkWb*RJ
8.2 Glass Choice hJ>Kfm
8.3 Vertex Length and Residual Aberrations
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8.4 Other Design Considerations ;`{PA
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8.5 A Plastic, Aspheric Triplet Camera Lens ;?*`WB
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet >E9:3&[F
8.7 Possible Improvement to Our “Basic” Triplet "X.JD
8.7 The Rear Earth (Lanthanum) Glasses _`H2CXGg
8.9 Aspherizing the Surfaces !'
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8.10 Increasing the Element Thickness 4F-r }Fj3
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9 Split Triplets #JOWiO0>
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10 The Tessar, Heliar, and Other Compounded Triplets :nt 7jm,
10.1 The Classic Tessar _>6xUt
10.2 The Heliar/Pentac \L-K}U>J
10.3 The Portrait Lens and the Enlarger Lens @AvDV$F
10.4 Other Compounded Triplets tm"9`
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar B;3lF;3`
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11 Double-Meniscus Anastigmats #]~l]Eq
11.1 Meniscus Components &yQilyU{V
11.2 The Hypergon, Totogon, and Metrogon \e=Iw"yd
11.3 A Two Element Aspheric Thick Meniscus Camera Lens \BoRYb9h
11.4 Protar, Dagor, and Convertible Lenses `YK2hr
11.5 The Split Dagor wfecM(
11.6 The Dogmar e]1&f.K
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ({R-JkW:;
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12 The Biotar or Double-Gauss Lens gH0'
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12.1 The Basic Six-Element Version DaA9fJ7a
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens FuWMVT`Y
12.3 The Seven-Element Biotar - Split-Rear Singlet HFtl4P
12.4 The Seven-Element Biotar - Broken Contact Front Doublet F7FUoew<
12.5 The Seven-Element Biotar - One Compounded Outer Element ,t2yw
12.6 The Eight-Element Biotar M_:_(y>l
12.7 A “Doubled Double-Gauss” Relay 4P>[]~S
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13 Telephoto Lenses MR) *Xh
13.1 The Basic Telephoto FnoE\2}9
13.2 Close-up or Macro Lenses sQ)D.9\~
13.3 Telephoto Designs i42M.M6D $
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch J'Z!`R|
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses U)f;*{U
14.1 The Reverse Telephoto Principle MRI`h.
14.2 The Basic Retrofocus Lens '=M4(h
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses S
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15 Wide Angle Lenses with Negative Outer Lenses Ih&rXQ$
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16 The Petzval Lens; Head-up Display Lenses _SW_I{fjr
16.1 The Petzval Portrait Lens "
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16.2 The Petzval Projection Lens P,QI-,
16.3 The Petzval with a Field Flattener ,y>%m;jL
16.4 Very Height Speed Petzval Lenses H*gX90{!2
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems FLb
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17 Microscope Objectives _#jR6g TY
17.1 General Considerations DCv=*=6w
17.2 Classic Objective Design Forms; The Aplanatic Front ]c Or$O*
17.3 Flat-Field Objectives d,hKy2
17.4 Reflecting Objectives ;$VQRXq
17.5 The Microscope Objective Designs L/YEW7M
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18 Mirror and Catadioptric Systems nn1T5;
18.1 The Good and Bad Points of Mirrors ytWTJ>L
18.2 The Classic Two-Mirror Systems ,?3)L
18.3 Catadioptric Systems 37F&s
18.4 Aspheric Correctors and Schmidt Systems 4YT d
18.5 Confocal Paraboloids !"G|y4O
18.6 Unobscured Systems kn^?.^dVX
18.7 Design of a Schmidt-Cassegrain “from Scratch” ! U6 x_
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19 Infrared and Ultraviolet Systems >" z$p@7
19.1 Infrared Optics (>LJv |wn
19.2 IR Objective Lenses ~ ~"qT
19.3 IR Telescope ~"Q24I
19.4 Laser Beam Expanders 77]6_
19,5 Ultraviolet Systems gf&\)"
19.6 Microlithographic Lenses (59u<F
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20 Zoom Lenses Qw,{"J
20.1 Zoom Lenses iE}Lw&x
20.2 Zoom Lenses for Point and Shoot Cameras 8Hf:yG,
20.3 A 20X Video Zoom Lens &>YdX$8x
20.4 A Zoom Scanner Lens :Sd"~\N+
20.5 A Possible Zoom Lens Design Procedure 4GL-3e
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21 Projection TV Lenses and Macro Lenses ~vL`[JiK
21.1 Projection TV Lenses CY4ntd4M
21.2 Macro Lenses ]y**ZFA
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22 Scanner/ , Laser Disk and Collimator Lenses Wf}x"*
22.1 Monochromatic Systems }OJ,<!v2pc
22.2 Scanner Lenses kf Xg\6uKc
22.3 Laser Disk, Focusing, and Collimator Lenses ^wtr~D|
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23 Tolerance Budgeting av!'UZP
23.1 The Tolerance Budget nXg:lCI-uu
23.2 Additive Tolerances J/{!_M-
23.3 Establishing the Tolerance Budget l>J>?b=x"[
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24 Formulary ,lUroO^^
24.1 Sign Conventions, Symbols, and Definitions 3[a&|!Yw
24.2 The Cardinal Points 6]mFw{6qn1
24.3 Image Equations e=).0S`*F
24.4 Paraxial Ray Tracing (Surface by Surface) ;
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24.5 Invariants F4#^jat{
24.6 Paraxial Ray Tracing (Component by Component) k7R}]hq]""
24.7 Two-Componenet Relationships U.kTdNSp
24.8 Third-Order Aberrations – Surface Contributions v!~ ;QO
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Ln4zy*v{
24.10 Stop Shift Equations "A>/m"c]*
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces fPj*qi
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) "L)=Y7Dx
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Glossary B S^P&TR!
Reference - /
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Index