"Modern Lens Design" 2nd Edition by Warren J. Smith @m`H~]AU
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Contents of Modern Lens Design 2nd Edition gxI/MD~!>
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1 Introduction G;/>
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1.1 Lens Design Books HtE^7i*_
1.2 Reference Material a ge8I$*`@
1.3 Specifications &dw=jHt
1.4 Lens Design n?q+:P
1.5 Lens Design Program Features /:\27n
1.6 About This Book r_bG+iw7p
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2 Automatic Lens Design Q9p2.!/C1
2.2 The Merit Function OOnj(%g
2.3 Local Minima Mt{cX,DS
2.4 The Landscape Lens i,Jz7OX
2.5 Types of Merit Function *j1Skd.#At
2.6 Stagnation ' _K`1U
2.7 Generalized Simulated Annealing Mjl,/-0 w
2.8 Considerations about Variables for Optimization 2.{<C.BK{
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems @#o7U
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits X9" T(`
2.11 Spectral Weighting ~% ]V,-4
2.12 How to Get Started i6;rh-M?.
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3 Improving a Design MD4mh2
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ? )IH#kL
3.2 Glass Changes ( Index and V Values ) 3|3ad'
3.3 Splitting Elements nddCp~NX
3.4 Separating a Cemented Doublet wc}x
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3.5 Compounding an Element v=uQ8_0~N
3.6 Vignetting and Its Uses xTcY&
3.7 Eliminating a Weak Element; the Concentric Problem ,gkWksl9
3.8 Balancing Aberrations ">fRM=fl
3.9 The Symmetrical Principle &
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3.10 Aspheric Surfaces \
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4 Evaluation: How Good is This Design !HXsxNe
4.1 The Uses of a Preliminary Evaluation %A&g-4(
4.2 OPD versus Measures of Performance QqeF
4.3 Geometric Blur Spot Size versus Certain Aberrations %hBw)3;l
4.4 Interpreting MTF - The Modulation Transfer Function K_N`My
4.5 Fabrication Considerations 4l/~::y
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5 Lens Design Data ZiH4s|
5.1 About the Sample Lens Designs 7
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5.2 Lens Prescriptions, Drawings, and Aberration Plots \naG
5.3 Estimating the Potential of a Redesign #fyY37-
5.4 Scaling a Desing, Its Aberrations, and Its MTF zRau/1Y0
5.5 Notes on the Interpretation of Ray Intercept Plots t#]VR7]
5.6 Various Evaluation Plot 73nmDZO|
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6 Telescope Objective k5)IBO
6.1 The Thin Airspaced Doublet 3`"k1W
6.2 Merit Function for a Telescope Objective dsK^-e6:5
6.3 The Design of an f/7 Cemented Doublet Telescope Objective /cZcfCW
6.4 Spherochromatism yW"}%)
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6.5 Zonal Spherical Aberration MAc/ T.[
6.6 Induced Aberrations 9*?YES'6
6.7 Three-Element Objectives %+
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6.8 Secondary Spectrum (Apochromatic Systems) FQMA0"(G$
6.9 The Design of an f/7 Apochromatic Triplet fX&g. fH
6.10 The Diffractive Surface in Lens Design :3}K$
6.11 A Final Note <(~geN
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7 Eyepieces and Magnifiers CTX%~1_`O
7.1 Eyepieces <2+FE/3L
7.2 A Pair of Magnifier Designs \]L ha
7.3 The Simple, Classical Eyepieces kN vNV(4
7.4 Design Story of an Eyepiece for a 6*30 Binocular ?Y$3R"p@3`
7.5 Four-Element Eyepieces I]d?F:cdX
7.6 Five-Element Eyepieces 5pE@Ww
7.7 Very High Index Eyepiece/Magnifier mx^rw*'JGC
7.8 Six- and Seven-Element Eyepieces QVN@B[9
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8 Cooke Triplet Anastigmats _x7>d:C
8.1 Airspaced Triplet Anastigmats 1a},(ZcdX
8.2 Glass Choice fhQ N;7
8.3 Vertex Length and Residual Aberrations Lb2/ Te*
8.4 Other Design Considerations UWBR5
8.5 A Plastic, Aspheric Triplet Camera Lens |Gb~[6u
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet M""X_~&I"
8.7 Possible Improvement to Our “Basic” Triplet 072`i46
8.7 The Rear Earth (Lanthanum) Glasses mw=keY9]
8.9 Aspherizing the Surfaces jATN):8W
8.10 Increasing the Element Thickness nyd'79~>G
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9 Split Triplets `&A-m8X
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10 The Tessar, Heliar, and Other Compounded Triplets A Rjox`
10.1 The Classic Tessar )$FwB6^
10.2 The Heliar/Pentac (K>4^E8
10.3 The Portrait Lens and the Enlarger Lens E`3[62C
10.4 Other Compounded Triplets UrB{jS?
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar _d3/="=
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11 Double-Meniscus Anastigmats }nNCgH
11.1 Meniscus Components =ThacZHb8
11.2 The Hypergon, Totogon, and Metrogon :B4X/
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ()@+QE$
11.4 Protar, Dagor, and Convertible Lenses cz*Z/5XH
11.5 The Split Dagor xV5eKV
11.6 The Dogmar Hh<}~s
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens }Xy<F?Mh
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12 The Biotar or Double-Gauss Lens +p)kemJ~
12.1 The Basic Six-Element Version km!jxs
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens '[Ch8Yf\
12.3 The Seven-Element Biotar - Split-Rear Singlet >c8EgSZJ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 9m_Hm')VG
12.5 The Seven-Element Biotar - One Compounded Outer Element SNf*2~uq)
12.6 The Eight-Element Biotar Tk0Senq,
12.7 A “Doubled Double-Gauss” Relay UR.l*+<W7
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13 Telephoto Lenses rc]`PV
13.1 The Basic Telephoto Zo36jSrCL
13.2 Close-up or Macro Lenses 9.$k^|~
13.3 Telephoto Designs -*C+z!?BP
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ^0&
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses #+Cu&l
14.1 The Reverse Telephoto Principle aUX.4#|%
14.2 The Basic Retrofocus Lens F:rT.n
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses *b]$lj
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15 Wide Angle Lenses with Negative Outer Lenses [CJr8Qn
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16 The Petzval Lens; Head-up Display Lenses _kT$/k
16.1 The Petzval Portrait Lens &7t3D?K'qX
16.2 The Petzval Projection Lens ,XNz.+Ov
16.3 The Petzval with a Field Flattener
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16.4 Very Height Speed Petzval Lenses 8!{F6DG
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems x0_$,Tz@
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17 Microscope Objectives D^9r#&
17.1 General Considerations W-+~r
17.2 Classic Objective Design Forms; The Aplanatic Front ril4*$e7^\
17.3 Flat-Field Objectives v-mhqhb
17.4 Reflecting Objectives H[&X${ap
17.5 The Microscope Objective Designs V8.o}BWY
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18 Mirror and Catadioptric Systems 'm,3znX!c
18.1 The Good and Bad Points of Mirrors ZkZTCb`/l
18.2 The Classic Two-Mirror Systems (:]on^|
18.3 Catadioptric Systems oO8V0VE\
18.4 Aspheric Correctors and Schmidt Systems L<**J\=7M
18.5 Confocal Paraboloids X!%CYmIRb
18.6 Unobscured Systems [vs5e3B)
18.7 Design of a Schmidt-Cassegrain “from Scratch” Wp<4F6C$@
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19 Infrared and Ultraviolet Systems Wq1%
19.1 Infrared Optics t)Mi,ljY[
19.2 IR Objective Lenses h{&}p-X&[
19.3 IR Telescope 9,`eYAu
19.4 Laser Beam Expanders -_RMiGM?T
19,5 Ultraviolet Systems %4~2
19.6 Microlithographic Lenses :Ojsj_Z;;
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20 Zoom Lenses )ieT/0nt
20.1 Zoom Lenses gE>_:s
20.2 Zoom Lenses for Point and Shoot Cameras 7C%z0/
20.3 A 20X Video Zoom Lens A[@xTqs{{
20.4 A Zoom Scanner Lens CHqRCQR.
20.5 A Possible Zoom Lens Design Procedure CG(G){u&
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21 Projection TV Lenses and Macro Lenses ,dM}B-
21.1 Projection TV Lenses .6m%/-whS
21.2 Macro Lenses yJJNr]oq
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22 Scanner/ , Laser Disk and Collimator Lenses Rh:edQ#
22.1 Monochromatic Systems HH+$rrTT
22.2 Scanner Lenses wua`e <"
22.3 Laser Disk, Focusing, and Collimator Lenses hqA6%Y^k
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23 Tolerance Budgeting !z7j.u`Y
23.1 The Tolerance Budget qMrBTq[
23.2 Additive Tolerances 9K\A4F}
23.3 Establishing the Tolerance Budget SW
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24 Formulary 1I*b7t
24.1 Sign Conventions, Symbols, and Definitions _{fh/{b1
24.2 The Cardinal Points I$7#Z!P6|
24.3 Image Equations ahno$[
24.4 Paraxial Ray Tracing (Surface by Surface) -Q6njt&
24.5 Invariants +O 2H":$
24.6 Paraxial Ray Tracing (Component by Component) F|t3%dpj
24.7 Two-Componenet Relationships 2`XG"[@
24.8 Third-Order Aberrations – Surface Contributions gn>qd6P
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs J_]B,'
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24.10 Stop Shift Equations 2cy: l03
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces e^?0uVxS1
24.12 Conversion of Aberrations to Wavefront Deformation (OPD)
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Glossary bi y1!r
Reference 9U[
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Index