"Modern Lens Design" 2nd Edition by Warren J. Smith kE|#mI[>
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Contents of Modern Lens Design 2nd Edition *GMRu,u2
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1 Introduction my0->W%L
1.1 Lens Design Books ld6@&34
1.2 Reference Material y->iv%
1.3 Specifications %dQX d ]
1.4 Lens Design W>49, A ,q
1.5 Lens Design Program Features P$yJA7]j;%
1.6 About This Book > skS`/6
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2 Automatic Lens Design r~t7Z+PXF
2.2 The Merit Function CSs6V m!=
2.3 Local Minima ]QQ"7_+
2.4 The Landscape Lens `XP Tf#9j
2.5 Types of Merit Function "/=x u |
2.6 Stagnation G[ea@u$?
2.7 Generalized Simulated Annealing ??;[`_h{bz
2.8 Considerations about Variables for Optimization :|TBsd|/x
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems r+crE %-
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits d+;~x*
2.11 Spectral Weighting U# gmk0>t{
2.12 How to Get Started ljRR
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3 Improving a Design *np|PyLP:
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ZhU2z*qN#
3.2 Glass Changes ( Index and V Values ) WqO* vK!t
3.3 Splitting Elements 4!wfh)Z
3.4 Separating a Cemented Doublet 4{ &
3.5 Compounding an Element (H7q [UG|
3.6 Vignetting and Its Uses +$C5V,H ~
3.7 Eliminating a Weak Element; the Concentric Problem Y`v&YcX;
3.8 Balancing Aberrations `7`iCYiTy
3.9 The Symmetrical Principle tee% E=P
3.10 Aspheric Surfaces ;pJ7k23(
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4 Evaluation: How Good is This Design ~?FKww|_*J
4.1 The Uses of a Preliminary Evaluation 4T" P #)z
4.2 OPD versus Measures of Performance O B:G5B`
4.3 Geometric Blur Spot Size versus Certain Aberrations Om*Dy}
4.4 Interpreting MTF - The Modulation Transfer Function {fWZ n
4.5 Fabrication Considerations a,.9 eHf
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5 Lens Design Data ul
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5.1 About the Sample Lens Designs :HC{6W`$
5.2 Lens Prescriptions, Drawings, and Aberration Plots LdcP0G\"VG
5.3 Estimating the Potential of a Redesign a[!':-R`s
5.4 Scaling a Desing, Its Aberrations, and Its MTF b1 +N m
5.5 Notes on the Interpretation of Ray Intercept Plots LF8B5<[O
5.6 Various Evaluation Plot Y (Q8P{@(
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6 Telescope Objective #*fB~Os:
6.1 The Thin Airspaced Doublet ufmFeeg
6.2 Merit Function for a Telescope Objective 6xwC1V?:0t
6.3 The Design of an f/7 Cemented Doublet Telescope Objective v?}/WKe+0
6.4 Spherochromatism TAP/gN'
6.5 Zonal Spherical Aberration D*b>
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6.6 Induced Aberrations .[7m4iJf
6.7 Three-Element Objectives <5
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6.8 Secondary Spectrum (Apochromatic Systems) Mw < 1
6.9 The Design of an f/7 Apochromatic Triplet GCrMrZ6
6.10 The Diffractive Surface in Lens Design -1[ri8t;nV
6.11 A Final Note .d;/6HD[y
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7 Eyepieces and Magnifiers 2HUoT\M
7.1 Eyepieces bR.T94-8y
7.2 A Pair of Magnifier Designs xf |=n
7.3 The Simple, Classical Eyepieces 4JucNGv
7.4 Design Story of an Eyepiece for a 6*30 Binocular ]>!]X*\9
7.5 Four-Element Eyepieces mR@iGl\\
7.6 Five-Element Eyepieces : E.mU{
7.7 Very High Index Eyepiece/Magnifier rkV ZP!7!
7.8 Six- and Seven-Element Eyepieces 3N?uY2
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8 Cooke Triplet Anastigmats .S[5CO^
8.1 Airspaced Triplet Anastigmats cdk;HK_Ve.
8.2 Glass Choice @>d a%cX
8.3 Vertex Length and Residual Aberrations CpA=DnZ
8.4 Other Design Considerations o +&/ N-t
8.5 A Plastic, Aspheric Triplet Camera Lens q0Fy$e]u
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet <[(xGrEZV
8.7 Possible Improvement to Our “Basic” Triplet rN
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8.7 The Rear Earth (Lanthanum) Glasses M^H357r%
8.9 Aspherizing the Surfaces TJ#<wIiX
8.10 Increasing the Element Thickness N'IzHyo.
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9 Split Triplets Ta~Ei=d^
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10 The Tessar, Heliar, and Other Compounded Triplets Tk)y* y
10.1 The Classic Tessar 1_ %3cN.
10.2 The Heliar/Pentac I~EJ ctOG
10.3 The Portrait Lens and the Enlarger Lens IpHGit 28
10.4 Other Compounded Triplets J-b
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar TEv3;Z *N
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11 Double-Meniscus Anastigmats [Qr#JJ
11.1 Meniscus Components rcAx3AK.
11.2 The Hypergon, Totogon, and Metrogon GkVV%0;&J1
11.3 A Two Element Aspheric Thick Meniscus Camera Lens t '* L,
11.4 Protar, Dagor, and Convertible Lenses Lk4g js, V
11.5 The Split Dagor j%0D:jOY]
11.6 The Dogmar (zte 'F4
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 7iT#dpF/A
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12 The Biotar or Double-Gauss Lens \v sf Y
12.1 The Basic Six-Element Version bt"*@NJ$
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 5 !-'~ W
12.3 The Seven-Element Biotar - Split-Rear Singlet Dhv ^}m@
12.4 The Seven-Element Biotar - Broken Contact Front Doublet b@ "#A8M
12.5 The Seven-Element Biotar - One Compounded Outer Element +uLl3(ml
12.6 The Eight-Element Biotar }mz@oEB#vF
12.7 A “Doubled Double-Gauss” Relay m >DBO|`
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13 Telephoto Lenses xbsp[0I,
13.1 The Basic Telephoto AKu]c-
13.2 Close-up or Macro Lenses vjmN S=l
13.3 Telephoto Designs u8 Q`la
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 3P N<J
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses J4"?D9T3G
14.1 The Reverse Telephoto Principle `B-jwVrN(
14.2 The Basic Retrofocus Lens rUmaKh?v|X
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses \ W4|.[
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15 Wide Angle Lenses with Negative Outer Lenses B 'SLyf
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16 The Petzval Lens; Head-up Display Lenses 9bwG3jn4?
16.1 The Petzval Portrait Lens ) G
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16.2 The Petzval Projection Lens EIug)S~
16.3 The Petzval with a Field Flattener ,%6!8vX
16.4 Very Height Speed Petzval Lenses _<}oBh
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Z4KY VHD,
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17 Microscope Objectives }xJ ) .D
17.1 General Considerations (.^ KuXd
17.2 Classic Objective Design Forms; The Aplanatic Front #\1)Tu%-
17.3 Flat-Field Objectives yGj'0c::
17.4 Reflecting Objectives %0&59q]LM
17.5 The Microscope Objective Designs rU/8R'S
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18 Mirror and Catadioptric Systems l d
18.1 The Good and Bad Points of Mirrors K-<<s
18.2 The Classic Two-Mirror Systems dT?mMTKn+
18.3 Catadioptric Systems 3'2>3Y/7Bb
18.4 Aspheric Correctors and Schmidt Systems +@G#Z3;l!
18.5 Confocal Paraboloids \
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18.6 Unobscured Systems '8Wu9 phT
18.7 Design of a Schmidt-Cassegrain “from Scratch” s`#g<_ {X
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19 Infrared and Ultraviolet Systems ZB+~ 0 [C
19.1 Infrared Optics qg1tDN`s
19.2 IR Objective Lenses ;V v.$mI
19.3 IR Telescope cfSQ q H
19.4 Laser Beam Expanders n~_;tO
19,5 Ultraviolet Systems @5} (Y( @
19.6 Microlithographic Lenses b=+3/-d
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20 Zoom Lenses Iw; i ".
20.1 Zoom Lenses xlIVLv6dO
20.2 Zoom Lenses for Point and Shoot Cameras SR>(GQ,m0;
20.3 A 20X Video Zoom Lens *{x8@|K8
20.4 A Zoom Scanner Lens 9KCeKT>v
20.5 A Possible Zoom Lens Design Procedure s'B$/qCkR
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21 Projection TV Lenses and Macro Lenses ,7 6Q *p
21.1 Projection TV Lenses FQ_a= v
21.2 Macro Lenses #kQ1, P6,(
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22 Scanner/ , Laser Disk and Collimator Lenses bUU \b c
22.1 Monochromatic Systems t9~Y
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22.2 Scanner Lenses cB0"vbdO
22.3 Laser Disk, Focusing, and Collimator Lenses y3@m1>]09
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23 Tolerance Budgeting !,<rW<&;
23.1 The Tolerance Budget >c)-o}bd^
23.2 Additive Tolerances |\FJ
23.3 Establishing the Tolerance Budget .k!<Oqa
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24 Formulary blx"WVqo
24.1 Sign Conventions, Symbols, and Definitions ?Gx-q+H
24.2 The Cardinal Points R!>l7p/|H)
24.3 Image Equations X "!tx
24.4 Paraxial Ray Tracing (Surface by Surface) " N3!!3
24.5 Invariants P" aw--f(
24.6 Paraxial Ray Tracing (Component by Component) =xjt PmZ5X
24.7 Two-Componenet Relationships +!/pzoWpE
24.8 Third-Order Aberrations – Surface Contributions {VE1c'E"V?
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Owz>g4l
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24.10 Stop Shift Equations Z6fR2A~Q[
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 8}aSSL]
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) @yNC Wa~N
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Glossary 8a;;MJ)
Reference Ow 0( q^H<
Index
