"Modern Lens Design" 2nd Edition by Warren J. Smith "%w u2%i
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Contents of Modern Lens Design 2nd Edition cOJo3p;&
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1 Introduction EI%8 9i`3^
1.1 Lens Design Books gPI
?C76
1.2 Reference Material oJz^|dW
1.3 Specifications N:/D+L
1.4 Lens Design +~$ ]} %
1.5 Lens Design Program Features O,f?YJ9S
1.6 About This Book YK'<NE3 4
! n@KU!&k
2 Automatic Lens Design *i%.;Z"
2.2 The Merit Function D/&o& G96
2.3 Local Minima [}=B8#Jl-C
2.4 The Landscape Lens L L~%f
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2.5 Types of Merit Function IOmfF[
2.6 Stagnation Bnxm HGP#&
2.7 Generalized Simulated Annealing jV1.Yz (`
2.8 Considerations about Variables for Optimization R__OP`!
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ^jZbo {
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits "ze|W\Bv!
2.11 Spectral Weighting .Yn_*L+4*
2.12 How to Get Started ?+@?Up0wGO
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3 Improving a Design 583|blL
3.1 Lens Design Tip Sheet: Standard Improvement Techniques dR,fXQm
3.2 Glass Changes ( Index and V Values ) /
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3.3 Splitting Elements <\^8fn
3.4 Separating a Cemented Doublet |)v,2
3.5 Compounding an Element S4z;7z(8+
3.6 Vignetting and Its Uses `Ggbi4),
3.7 Eliminating a Weak Element; the Concentric Problem Z@!+v 19^
3.8 Balancing Aberrations Wh*uaad7
3.9 The Symmetrical Principle H<,gU`&R
3.10 Aspheric Surfaces BW4J > {
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4 Evaluation: How Good is This Design + [mk<pQ
4.1 The Uses of a Preliminary Evaluation HIZe0%WPw
4.2 OPD versus Measures of Performance xi}skA
4.3 Geometric Blur Spot Size versus Certain Aberrations / y}xX
4.4 Interpreting MTF - The Modulation Transfer Function Q p3_f 8
4.5 Fabrication Considerations >|UOz&
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5 Lens Design Data e(t\g^X
5.1 About the Sample Lens Designs /82b S |
5.2 Lens Prescriptions, Drawings, and Aberration Plots + cN8Y}V
5.3 Estimating the Potential of a Redesign XW] tnrs
5.4 Scaling a Desing, Its Aberrations, and Its MTF k5pN
5.5 Notes on the Interpretation of Ray Intercept Plots D ' Q\za
5.6 Various Evaluation Plot @\#td5'
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6 Telescope Objective 4H&+dR I"
6.1 The Thin Airspaced Doublet 4|?;TE 5
6.2 Merit Function for a Telescope Objective `b$.%S8uj=
6.3 The Design of an f/7 Cemented Doublet Telescope Objective L4nYXW0y
6.4 Spherochromatism T_4/C2
6.5 Zonal Spherical Aberration /gP+N2o+}
6.6 Induced Aberrations f NFY$:4X
6.7 Three-Element Objectives +CNv l
6.8 Secondary Spectrum (Apochromatic Systems) oCz/HQoBk
6.9 The Design of an f/7 Apochromatic Triplet aPL+=5 8r
6.10 The Diffractive Surface in Lens Design $=4QO
6.11 A Final Note FQ\h4` >B
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7 Eyepieces and Magnifiers }qD\0+`qi
7.1 Eyepieces >z@0.pN]7
7.2 A Pair of Magnifier Designs ]h5tgi?_l
7.3 The Simple, Classical Eyepieces gg2( 5FPP
7.4 Design Story of an Eyepiece for a 6*30 Binocular A*Be R0(
7.5 Four-Element Eyepieces I; rGD^
7.6 Five-Element Eyepieces = dN@Sa/
7.7 Very High Index Eyepiece/Magnifier utV_W&
7.8 Six- and Seven-Element Eyepieces 0 </);g}
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8 Cooke Triplet Anastigmats _H@DLhH|=
8.1 Airspaced Triplet Anastigmats 6D3B^.r j]
8.2 Glass Choice j0q &&9/Jj
8.3 Vertex Length and Residual Aberrations H<+T R6k<
8.4 Other Design Considerations 9hyn`u.
8.5 A Plastic, Aspheric Triplet Camera Lens Iu=(qU
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Jln:`!#fDf
8.7 Possible Improvement to Our “Basic” Triplet AA>P`C$&M
8.7 The Rear Earth (Lanthanum) Glasses c 7H^$_^ =
8.9 Aspherizing the Surfaces U]rRQ
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8.10 Increasing the Element Thickness `Urhy# LC
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9 Split Triplets 4 #Jg9o
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10 The Tessar, Heliar, and Other Compounded Triplets pd$[8Rmj_
10.1 The Classic Tessar 5) X=*I
10.2 The Heliar/Pentac 2GG2jky{/
10.3 The Portrait Lens and the Enlarger Lens S3J^,*'
10.4 Other Compounded Triplets ~ a2}(]
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ftSW
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11 Double-Meniscus Anastigmats <1TA w.
11.1 Meniscus Components &UFZS94@r
11.2 The Hypergon, Totogon, and Metrogon *{5fq_
11.3 A Two Element Aspheric Thick Meniscus Camera Lens uPvEwq*
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11.4 Protar, Dagor, and Convertible Lenses +lTq^4
11.5 The Split Dagor |Y.?_lC
11.6 The Dogmar ;n;p@Uu[
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens s5. CFA
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12 The Biotar or Double-Gauss Lens yB!dp;gM{
12.1 The Basic Six-Element Version ^<6[.)
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens kq-) ^,{ y
12.3 The Seven-Element Biotar - Split-Rear Singlet t6t! t* jO
12.4 The Seven-Element Biotar - Broken Contact Front Doublet DHRlWQox
12.5 The Seven-Element Biotar - One Compounded Outer Element &7s.`
12.6 The Eight-Element Biotar l U] nd[x
12.7 A “Doubled Double-Gauss” Relay .6J$,.Ig
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13 Telephoto Lenses mR)w X 6
13.1 The Basic Telephoto n=q 76W\
13.2 Close-up or Macro Lenses -'Mf\h 8
13.3 Telephoto Designs ~$J2g
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch "r2 r
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ?q [T
14.1 The Reverse Telephoto Principle TcoB,Kdce
14.2 The Basic Retrofocus Lens $:^td/p J
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 8 F hdN
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15 Wide Angle Lenses with Negative Outer Lenses W@esITr
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16 The Petzval Lens; Head-up Display Lenses M3au{6y
16.1 The Petzval Portrait Lens }QmqoCAE~m
16.2 The Petzval Projection Lens MqMQtU9w
16.3 The Petzval with a Field Flattener 'c~4+o4co
16.4 Very Height Speed Petzval Lenses [ fy LV`
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems H,NF;QPPC
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17 Microscope Objectives 3(UVg! t
17.1 General Considerations 1
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17.2 Classic Objective Design Forms; The Aplanatic Front *NQ/UXE
17.3 Flat-Field Objectives to&m4+5?6
17.4 Reflecting Objectives 8?C5L8)
17.5 The Microscope Objective Designs mp3s-YfRc
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18 Mirror and Catadioptric Systems qJw_
18.1 The Good and Bad Points of Mirrors *K; ~!P
18.2 The Classic Two-Mirror Systems +H2Qk4XFB
18.3 Catadioptric Systems E(|>Ddv B&
18.4 Aspheric Correctors and Schmidt Systems S8gs-gL#Og
18.5 Confocal Paraboloids Xnh8e
18.6 Unobscured Systems f
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18.7 Design of a Schmidt-Cassegrain “from Scratch” DaV a}
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19 Infrared and Ultraviolet Systems z?//rXuO
19.1 Infrared Optics T]$U""
19.2 IR Objective Lenses Vw"\{`
19.3 IR Telescope %
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19.4 Laser Beam Expanders ` y0FY&y=
19,5 Ultraviolet Systems 048kP Xm`
19.6 Microlithographic Lenses #LCb
, u !sjx
20 Zoom Lenses y+;|Fz
20.1 Zoom Lenses 1Y Mh1+1
20.2 Zoom Lenses for Point and Shoot Cameras J=yTbSN\v
20.3 A 20X Video Zoom Lens nj4/#W
20.4 A Zoom Scanner Lens i mM_H;-X
20.5 A Possible Zoom Lens Design Procedure [S<";l8
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21 Projection TV Lenses and Macro Lenses o" SMbj
21.1 Projection TV Lenses j| Q-*]V
21.2 Macro Lenses .
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22 Scanner/ , Laser Disk and Collimator Lenses F1hHe< )
22.1 Monochromatic Systems PaN"sf
22.2 Scanner Lenses K+iP 6B
22.3 Laser Disk, Focusing, and Collimator Lenses I 2DpRMy
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23 Tolerance Budgeting ?1".;foZ
23.1 The Tolerance Budget 2+O'9F_v
23.2 Additive Tolerances ,[;G|et
23.3 Establishing the Tolerance Budget uIrG* K
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24 Formulary *$*ce|V5
24.1 Sign Conventions, Symbols, and Definitions SY8C4vb'h
24.2 The Cardinal Points 'm9` 12 H
24.3 Image Equations L8n|m!MO D
24.4 Paraxial Ray Tracing (Surface by Surface) 8$|=P!7EO
24.5 Invariants aN=B] {!
24.6 Paraxial Ray Tracing (Component by Component) 'H!XUtFs"
24.7 Two-Componenet Relationships -{_PuJ "
24.8 Third-Order Aberrations – Surface Contributions IM+ o.@f-
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs /Q )\ +
24.10 Stop Shift Equations 59-c<I/}f
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces :i7;w%B
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) +^<](z
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Glossary D3A/l
Reference rN{ c7/|
Index
