"Modern Lens Design" 2nd Edition by Warren J. Smith c>R(Fs|6
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Contents of Modern Lens Design 2nd Edition <It7s1O
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1 Introduction =,
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1.1 Lens Design Books </Id';|v
1.2 Reference Material 8.^U6xA
1.3 Specifications z]YhQIU4n8
1.4 Lens Design \,EPsQV0?
1.5 Lens Design Program Features >(rB[ZJ
1.6 About This Book =tNiIU
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2 Automatic Lens Design l!y
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2.2 The Merit Function ;40m goN
2.3 Local Minima i6CYD
2.4 The Landscape Lens Ib\G{$r
2.5 Types of Merit Function -IS9uaT5
2.6 Stagnation O}-7 V5
2.7 Generalized Simulated Annealing I3Lsj}69
2.8 Considerations about Variables for Optimization h %s
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems T/;hIX:R
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits \.a .'l
2.11 Spectral Weighting nc~d*K\!
2.12 How to Get Started ) R@gnTe
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3 Improving a Design 3R*@m
3.1 Lens Design Tip Sheet: Standard Improvement Techniques WS/+Yl
3.2 Glass Changes ( Index and V Values ) \ Sby(l
3.3 Splitting Elements 55LF
3.4 Separating a Cemented Doublet =.oWg uzu
3.5 Compounding an Element N^]>R:Stu
3.6 Vignetting and Its Uses KaE;4gwM
3.7 Eliminating a Weak Element; the Concentric Problem *`-29eR"8
3.8 Balancing Aberrations }?J5!X
3.9 The Symmetrical Principle BznA)EK?@
3.10 Aspheric Surfaces y7-:l u$9
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4 Evaluation: How Good is This Design (VAL.v*
4.1 The Uses of a Preliminary Evaluation J_|}Xd)~t6
4.2 OPD versus Measures of Performance 8VmN?"5v
4.3 Geometric Blur Spot Size versus Certain Aberrations a.IF%hP0xo
4.4 Interpreting MTF - The Modulation Transfer Function AV4HX\`{P0
4.5 Fabrication Considerations g<4M!gi
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5 Lens Design Data AdW2o|Uap
5.1 About the Sample Lens Designs /7@2Qc2
5.2 Lens Prescriptions, Drawings, and Aberration Plots 50aWFJYw
5.3 Estimating the Potential of a Redesign nj0AO0
5.4 Scaling a Desing, Its Aberrations, and Its MTF 7B\(r~f`t
5.5 Notes on the Interpretation of Ray Intercept Plots i;zGw.;Q
5.6 Various Evaluation Plot qetP93N_*
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6 Telescope Objective K('lH-3wS
6.1 The Thin Airspaced Doublet +7<>x-+
6.2 Merit Function for a Telescope Objective NND=Zxl
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ,(27p6!
6.4 Spherochromatism {kl{mJ*
6.5 Zonal Spherical Aberration j~S!!Z]
6.6 Induced Aberrations Sje0:;;|
6.7 Three-Element Objectives h_chZB'
6.8 Secondary Spectrum (Apochromatic Systems) (g/X(3
6.9 The Design of an f/7 Apochromatic Triplet T5jG IIa
6.10 The Diffractive Surface in Lens Design ]|t.wr3AU
6.11 A Final Note -0o6*?[Z
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7 Eyepieces and Magnifiers Owpg]p yVD
7.1 Eyepieces ho]!G498
7.2 A Pair of Magnifier Designs +%qSB9_>N{
7.3 The Simple, Classical Eyepieces <S8W~wC
7.4 Design Story of an Eyepiece for a 6*30 Binocular kad;Wa#h
7.5 Four-Element Eyepieces ^GrkIh0nL
7.6 Five-Element Eyepieces 3).o"AN
7.7 Very High Index Eyepiece/Magnifier "gvw0)
7.8 Six- and Seven-Element Eyepieces Mev-M2A
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8 Cooke Triplet Anastigmats n*i'v tQ8
8.1 Airspaced Triplet Anastigmats T$^>Fiz{Se
8.2 Glass Choice
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8.3 Vertex Length and Residual Aberrations -j`!(IJ
8.4 Other Design Considerations q= yZx)
8.5 A Plastic, Aspheric Triplet Camera Lens ZE8/ m")
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Qyv'nx0=
8.7 Possible Improvement to Our “Basic” Triplet a][pTC\ rb
8.7 The Rear Earth (Lanthanum) Glasses Z0ncN])
8.9 Aspherizing the Surfaces QI#*5zm
8.10 Increasing the Element Thickness Z&]+A,
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9 Split Triplets Y%)h)El
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10 The Tessar, Heliar, and Other Compounded Triplets [CDX CV-z
10.1 The Classic Tessar ?z@v3(b[
10.2 The Heliar/Pentac 02W4-*)
10.3 The Portrait Lens and the Enlarger Lens EID)o[<
10.4 Other Compounded Triplets H ZDaV&)@
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar }(+=/$C"#
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11 Double-Meniscus Anastigmats ;c X^8;F0
11.1 Meniscus Components G/fP(o-Wd
11.2 The Hypergon, Totogon, and Metrogon (K*/Vp
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ;5D@kS^
11.4 Protar, Dagor, and Convertible Lenses :otY;n -
11.5 The Split Dagor -7k|6"EwM
11.6 The Dogmar Tr+h$M1_Ja
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens I mPu}
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12 The Biotar or Double-Gauss Lens GX7 eRqz >
12.1 The Basic Six-Element Version c?.r"5#
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens aYaG]&hb
12.3 The Seven-Element Biotar - Split-Rear Singlet P /c
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet U0h)pdo
12.5 The Seven-Element Biotar - One Compounded Outer Element H~?*KcZ 0\
12.6 The Eight-Element Biotar ;]gsJ9FK<
12.7 A “Doubled Double-Gauss” Relay i'W_;Y}
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13 Telephoto Lenses "ep `
13.1 The Basic Telephoto abROFI5.L
13.2 Close-up or Macro Lenses O t *K+^I
13.3 Telephoto Designs q GpP,
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch fiE>H~
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 4|>
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14.1 The Reverse Telephoto Principle x|@1wQ"6
14.2 The Basic Retrofocus Lens vzY'+9q1.
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Wl&
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15 Wide Angle Lenses with Negative Outer Lenses DKy>]Hca
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16 The Petzval Lens; Head-up Display Lenses cBz!U8(
16.1 The Petzval Portrait Lens g08*}0-k
16.2 The Petzval Projection Lens 3>-[B`dD(
16.3 The Petzval with a Field Flattener I~\O
16.4 Very Height Speed Petzval Lenses '1W!xQ}E
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems O.@g/05C
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17 Microscope Objectives n-b>m7O(
17.1 General Considerations L6|Hgrj -u
17.2 Classic Objective Design Forms; The Aplanatic Front VHXI@UT*
17.3 Flat-Field Objectives NuC-qG#
17.4 Reflecting Objectives Nb~,`bu,2
17.5 The Microscope Objective Designs K #qoR /:
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18 Mirror and Catadioptric Systems j 0g5<M
18.1 The Good and Bad Points of Mirrors i\t753<Ys
18.2 The Classic Two-Mirror Systems 2y3?!^$
18.3 Catadioptric Systems U9 1 &|
18.4 Aspheric Correctors and Schmidt Systems c3=-Mq9Q
18.5 Confocal Paraboloids $Y8>_6%+T
18.6 Unobscured Systems f ,tW_g
18.7 Design of a Schmidt-Cassegrain “from Scratch” 't
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19 Infrared and Ultraviolet Systems iuiAK
19.1 Infrared Optics =nJ{$%L\x,
19.2 IR Objective Lenses =yl4zQmg$
19.3 IR Telescope PT3>E5`N u
19.4 Laser Beam Expanders 3>RcWy;1i
19,5 Ultraviolet Systems R=!kbBK>\
19.6 Microlithographic Lenses LtC~)R
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20 Zoom Lenses T"n{WmVQ
20.1 Zoom Lenses nN>J*02(
20.2 Zoom Lenses for Point and Shoot Cameras 1TKEm9j]u
20.3 A 20X Video Zoom Lens ^'m\D;
20.4 A Zoom Scanner Lens U
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20.5 A Possible Zoom Lens Design Procedure d; 9*l!CF
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21 Projection TV Lenses and Macro Lenses 0CT}DQ._^N
21.1 Projection TV Lenses 10mK}HT>4B
21.2 Macro Lenses 4CLsY n?
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22 Scanner/ , Laser Disk and Collimator Lenses UVrQV$g!
22.1 Monochromatic Systems {V}qwm?
22.2 Scanner Lenses k}GjD2m
22.3 Laser Disk, Focusing, and Collimator Lenses ;+sl7qlA4
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23 Tolerance Budgeting {3LA%xO
23.1 The Tolerance Budget Y(_KizBY
23.2 Additive Tolerances Wbe0ZnM]
23.3 Establishing the Tolerance Budget -IadHX}]t
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24 Formulary joqWh!kv7U
24.1 Sign Conventions, Symbols, and Definitions /Y,r@D
24.2 The Cardinal Points Oa!
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24.3 Image Equations A^ViDP
24.4 Paraxial Ray Tracing (Surface by Surface) 1]T|6N?
24.5 Invariants OiF{3ae(
24.6 Paraxial Ray Tracing (Component by Component) _-O cc=Z
24.7 Two-Componenet Relationships u^=`%)
24.8 Third-Order Aberrations – Surface Contributions Ry?4h\UX5
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs }k7_'p&yk
24.10 Stop Shift Equations GX
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces gyev5txn
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) S/.^7R7{f
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Glossary eZH~je{1
Reference w~|1Wd<v
Index