[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith N(@B3%H2/J  
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Contents of Modern Lens Design 2nd Edition [~#]p9|L  
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1    Introduction         zEYT,l  
1.1    Lens Design Books     Oj? |g_  
1.2    Reference Material      a8wQ,  
1.3    Specifications     AV%t<fDG#  
1.4    Lens Design     ~M!s0jT  
1.5    Lens Design Program Features     1?}5.*j<  
1.6    About This Book     |}Wm,J  
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2    Automatic Lens Design         3!:?OUhx  
2.2    The Merit Function         ub,GF?9  
2.3    Local Minima     ;('(Yn7~  
2.4    The Landscape Lens     9p{7x[C  
2.5    Types of Merit Function     y>YQx\mK
 
2.6    Stagnation     mOQN$d[  
2.7    Generalized Simulated Annealing     ^< o"3?  
2.8    Considerations about Variables for Optimization     48 n5Y~YS  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ;:5Ahfo \  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     XD=p:Ezh  
2.11    Spectral Weighting     n?=d)[]  
2.12    How to Get Started     #Z)8
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3    Improving a Design     +i0j3.  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     d=v{3*a_4,  
3.2    Glass Changes ( Index and V Values )     oFC]L1HN&  
3.3    Splitting Elements     Z\9DtvV
 
3.4    Separating a Cemented Doublet     4ZAnq{nR4  
3.5    Compounding an Element     v3q.,I_  
3.6    Vignetting and Its Uses     #5b}"xK{  
3.7    Eliminating a Weak Element; the Concentric Problem     n#Y=y#  
3.8    Balancing Aberrations     N!#0O.6  
3.9    The Symmetrical Principle     X}@'FxIF  
3.10    Aspheric Surfaces     +8#hi5e  
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4    Evaluation: How Good is This Design     ,K>q{H^  
4.1    The Uses of a Preliminary Evaluation     oZCjci-  
4.2    OPD versus Measures of Performance     FT$Z8  
4.3    Geometric Blur Spot Size versus Certain Aberrations      a\@k5?  
4.4    Interpreting MTF - The Modulation Transfer Function     41Nm+$m  
4.5    Fabrication Considerations     p}:"@6
  
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5    Lens Design Data     zlhHSyK  
5.1    About the Sample Lens Designs     .WV5Gf)  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     5tG\5  
5.3    Estimating the Potential of a Redesign     fp`k1Uq@  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     [42Eq
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5.5    Notes on the Interpretation of Ray Intercept Plots     ]XS[\qo  
5.6    Various Evaluation Plot     1@"os[9  
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6    Telescope Objective     ["65\GI?  
6.1    The Thin Airspaced Doublet     Q]7}"B&  
6.2    Merit Function for a Telescope Objective     M?QK4Zxb6U  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     =(cfo_B@K  
6.4    Spherochromatism     Ht_7:5v&  
6.5    Zonal Spherical Aberration     ,}jey72/k  
6.6    Induced Aberrations     7~2c"WE  
6.7    Three-Element Objectives     j+6`nN7L  
6.8    Secondary Spectrum (Apochromatic Systems)     l?Qbwv}  
6.9    The Design of an f/7 Apochromatic Triplet     %%h0 H[5*  
6.10    The Diffractive Surface in Lens Design     A/A;'9  
6.11    A Final Note     XKQ\Ts2<k  
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7    Eyepieces and Magnifiers     OS]FGD3a  
7.1    Eyepieces     `vc?*"  
7.2    A Pair of Magnifier Designs     =`W#R  
7.3    The Simple, Classical Eyepieces     XRx^4]c  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     IQNvhl.{  
7.5    Four-Element Eyepieces     @5:#J!  
7.6    Five-Element Eyepieces     yZyB.wT  
7.7    Very High Index Eyepiece/Magnifier     H2oD0f|  
7.8    Six- and Seven-Element Eyepieces     .;,` bH0  
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8    Cooke Triplet Anastigmats     %SKJ#b  
8.1    Airspaced Triplet Anastigmats     kl[Jt)"4@  
8.2    Glass Choice     <]wQ;14;H  
8.3    Vertex Length and Residual Aberrations     ]~d!<x#+  
8.4    Other Design Considerations     RJa1pYK  
8.5    A Plastic, Aspheric Triplet Camera Lens     >Nr~7s  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet mVVL[z2+  
8.7    Possible Improvement to Our “Basic” Triplet     \F5d p  
8.7    The Rear Earth (Lanthanum) Glasses     ;/s##7qf  
8.9    Aspherizing the Surfaces     <R.Ipyt.  
8.10    Increasing the Element Thickness     FwaYp\z  
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9    Split Triplets     ^w6~?'}  
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10    The Tessar, Heliar, and Other Compounded Triplets     )gPkL r  
10.1    The Classic Tessar     3`U^sr:[%  
10.2    The Heliar/Pentac     /Ps5Og  
10.3    The Portrait Lens and the Enlarger Lens     s_RUb  
10.4    Other Compounded Triplets     \VAm4   
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ay`A Gr  
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11    Double-Meniscus Anastigmats     V \Sl->:  
11.1    Meniscus Components     B82SAV/O  
11.2    The Hypergon, Totogon, and Metrogon     H*R4AE0  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     Q)L6+gW^  
11.4    Protar, Dagor, and Convertible Lenses     fj:q_P67o  
11.5    The Split Dagor     dSPye z  
11.6    The Dogmar     W0;
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     I6lWB(H!u  
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12    The Biotar or Double-Gauss Lens     1|/-Ff"1@  
12.1    The Basic Six-Element Version     _4-UM2o;  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens ?v@pB>NZ  
12.3    The Seven-Element Biotar - Split-Rear Singlet     IEeh9:Km  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     .F^372hH3  
12.5    The Seven-Element Biotar - One Compounded Outer Element     SEXmVFsQ
 
12.6    The Eight-Element Biotar     /?_5!3KJ  
12.7    A “Doubled Double-Gauss” Relay     Gm.2!F=R4A  
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13    Telephoto Lenses     rJw Ws  
13.1    The Basic Telephoto     bW?cb5C  
13.2    Close-up or Macro Lenses     PCs`aVZ  
13.3    Telephoto Designs     ;q&2$Mb  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch %Gc)
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     (Y:?qy  
14.1    The Reverse Telephoto Principle     U
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14.2    The Basic Retrofocus Lens     Y wu > k  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     aM!%EaT  
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15    Wide Angle Lenses with Negative Outer Lenses     vV*i)`IXe  
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16    The Petzval Lens; Head-up Display Lenses     n?}7vz;  
16.1    The Petzval Portrait Lens     ;Yu|LaI\<m  
16.2    The Petzval Projection Lens     D0VbD" y  
16.3    The Petzval with a Field Flattener     {jOV8SVL  
16.4    Very Height Speed Petzval Lenses     =BroH\  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     kJk6lPSqi7  
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17    Microscope Objectives     4o,G[Cf_  
17.1    General Considerations     x't@Mc  
17.2    Classic Objective Design Forms; The Aplanatic Front     f`bRg8v  
17.3    Flat-Field Objectives     &\L\n
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17.4    Reflecting Objectives     |}D5q| d@n  
17.5    The Microscope Objective Designs     kX "*kD  
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18    Mirror and Catadioptric Systems     A#Ne07d  
18.1    The Good and Bad Points of Mirrors     YlJ_$Q[  
18.2    The Classic Two-Mirror Systems 5\.w\  
18.3    Catadioptric Systems     /y[zOT6  
18.4    Aspheric Correctors and Schmidt Systems     >bbvQb+j  
18.5    Confocal Paraboloids     E@CK.-N|  
18.6    Unobscured Systems     8Bwm+LYr-  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     ,KFF[z  
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19    Infrared and Ultraviolet Systems     }II)<g'  
19.1    Infrared Optics     BXa.XZ<n(  
19.2    IR Objective Lenses     &h'NC%
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19.3    IR Telescope     V(P 1{g  
19.4    Laser Beam Expanders     o@uZU4MM  
19,5    Ultraviolet Systems     qc"PTv0q  
19.6    Microlithographic Lenses     tf4clzSTa  
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20    Zoom Lenses     M@<r8M]G  
20.1    Zoom Lenses     DsCbMs=Y  
20.2    Zoom Lenses for Point and Shoot Cameras     >TG#  
20.3    A 20X Video Zoom Lens     e {805^X}  
20.4    A Zoom Scanner Lens     wOn*QO[  
20.5    A Possible Zoom Lens Design Procedure     u]MQ(@HHF  
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21    Projection TV Lenses and Macro Lenses     #
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21.1    Projection TV Lenses     8)XAdAr  
21.2    Macro Lenses     I]6,hygs  
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22    Scanner/ , Laser Disk and Collimator Lenses     @j'GcN vs  
22.1    Monochromatic Systems     (7w95xI  
22.2    Scanner Lenses     7g-{<d  
22.3    Laser Disk, Focusing, and Collimator Lenses     J!d=aGY0-  
    PasVfC@  
23    Tolerance Budgeting     Eu2(#z 6eW  
23.1    The Tolerance Budget     r;@"s g  
23.2    Additive Tolerances     h.4FY<  
23.3    Establishing the Tolerance Budget     4azqH;i  
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24    Formulary f6`W(OiE  
24.1    Sign Conventions, Symbols, and Definitions     Rh%C$d(  
24.2    The Cardinal Points     xwa@h}\#  
24.3    Image Equations     (kL(:P/  
24.4    Paraxial Ray Tracing (Surface by Surface)     @BMuov  
24.5    Invariants     c]A @'{7  
24.6    Paraxial Ray Tracing (Component by Component)     GsU.Lkf  
24.7    Two-Componenet Relationships     to(lE2`.da  
24.8    Third-Order Aberrations – Surface Contributions     IubzHf  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     =+w/t9I[  
24.10    Stop Shift Equations     ~WKWx.ul  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     6 jU?~  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     j9f[){m`  
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Glossary 
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Reference ?G 'sb}.  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 @%!Gj{
 
我怎么瞧不明白。

有没有人呀 !X 0 (4^  
有个问题想请教大家