[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith '9c`[^  
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Contents of Modern Lens Design 2nd Edition .<
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1    Introduction         8^\}\@  
1.1    Lens Design Books     ) DXN|<A  
1.2    Reference Material     3I&=1o  
1.3    Specifications     T]Z|Wq`bot  
1.4    Lens Design     gF-<%<RV  
1.5    Lens Design Program Features     >/mi#Y6  
1.6    About This Book     l*>t@:2J  
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2    Automatic Lens Design         `b
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2.2    The Merit Function         rt%?K.S/  
2.3    Local Minima     =}>wxO  
2.4    The Landscape Lens     G6(kwv4  
2.5    Types of Merit Function     :Rv?>I j  
2.6    Stagnation     XI:8_F;Q  
2.7    Generalized Simulated Annealing     BLZ#vJR  
2.8    Considerations about Variables for Optimization     o`5p "v r  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Ec IgX_\  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     *vt5dxB  
2.11    Spectral Weighting     aSdh5?  
2.12    How to Get Started     *p:`F:  
CF"$&+s9  
3    Improving a Design     (;v)0&h  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     A<P3X/i  
3.2    Glass Changes ( Index and V Values )     5I/wP qR[  
3.3    Splitting Elements     _Z?{&k  
3.4    Separating a Cemented Doublet     _J(n~"eR  
3.5    Compounding an Element     ?T=]?[  
3.6    Vignetting and Its Uses     JLUG=x(dA  
3.7    Eliminating a Weak Element; the Concentric Problem     mkgGX|k;  
3.8    Balancing Aberrations     Mx<z34(T  
3.9    The Symmetrical Principle     ie|I*;#  
3.10    Aspheric Surfaces     arJ4^ d  
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4    Evaluation: How Good is This Design     maAZI-H{  
4.1    The Uses of a Preliminary Evaluation     ]@X5'r"  
4.2    OPD versus Measures of Performance     MJNY#v3  
4.3    Geometric Blur Spot Size versus Certain Aberrations     :K
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4.4    Interpreting MTF - The Modulation Transfer Function     9rXbv4{  
4.5    Fabrication Considerations     Z0&^U#]  
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5    Lens Design Data     Ww5c9orXn  
5.1    About the Sample Lens Designs     I@Zd<Rn  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     $$ %4,\{l  
5.3    Estimating the Potential of a Redesign     MV +R$  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     vvA=:J4/i)  
5.5    Notes on the Interpretation of Ray Intercept Plots     (Mi]vK.4  
5.6    Various Evaluation Plot     x
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6    Telescope Objective     @(>XSTh9  
6.1    The Thin Airspaced Doublet    
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6.2    Merit Function for a Telescope Objective     VD}8ei  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     @sQ^6FK0G  
6.4    Spherochromatism     X-1<YG  
6.5    Zonal Spherical Aberration     MuNM)pyxp  
6.6    Induced Aberrations     C yg e  
6.7    Three-Element Objectives     }OY]mAv-B  
6.8    Secondary Spectrum (Apochromatic Systems)     $YZsaw  
6.9    The Design of an f/7 Apochromatic Triplet     dFY]~_P472  
6.10    The Diffractive Surface in Lens Design     N]n]7(e+0C  
6.11    A Final Note     0dS}pd">k  
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7    Eyepieces and Magnifiers     QZy+`  
7.1    Eyepieces     FTM(y CN  
7.2    A Pair of Magnifier Designs     is=sV:j:  
7.3    The Simple, Classical Eyepieces     5G.Fi21 b  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     vZV+24YWb  
7.5    Four-Element Eyepieces     WrK!]17or  
7.6    Five-Element Eyepieces     DxjD/?R8  
7.7    Very High Index Eyepiece/Magnifier     l;i,V;@t  
7.8    Six- and Seven-Element Eyepieces     _&S?uz m  
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8    Cooke Triplet Anastigmats     >55c{|"@L  
8.1    Airspaced Triplet Anastigmats     a<X8l^Ln  
8.2    Glass Choice     &
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8.3    Vertex Length and Residual Aberrations     }~P%S(zB  
8.4    Other Design Considerations     kp3(/`xP  
8.5    A Plastic, Aspheric Triplet Camera Lens     |8I
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8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet OJd!g/V  
8.7    Possible Improvement to Our “Basic” Triplet     ,h21 h?6  
8.7    The Rear Earth (Lanthanum) Glasses     _^4\z*x  
8.9    Aspherizing the Surfaces     =H*}{'#  
8.10    Increasing the Element Thickness     Enee
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9    Split Triplets     Ov3W;jD  
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10    The Tessar, Heliar, and Other Compounded Triplets     B5J!&suX  
10.1    The Classic Tessar     WelB+P2  
10.2    The Heliar/Pentac     (H*-b4]/  
10.3    The Portrait Lens and the Enlarger Lens     [% chN/  
10.4    Other Compounded Triplets     W-wy<<~
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10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar T1zft#1~  
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11    Double-Meniscus Anastigmats     F-}-/N]o q  
11.1    Meniscus Components     ht
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11.2    The Hypergon, Totogon, and Metrogon     xGbr>OqkTX  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     MWf]U  
11.4    Protar, Dagor, and Convertible Lenses     e;b,7Qw  
11.5    The Split Dagor     f`<j(.{9F
 
11.6    The Dogmar     N[4v6GS  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     t}
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12    The Biotar or Double-Gauss Lens     dDH+`;$.  
12.1    The Basic Six-Element Version     g-'y_'%0G  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens D|I(2%aC  
12.3    The Seven-Element Biotar - Split-Rear Singlet     h"VQFqQy  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     )/k0*:OMyO  
12.5    The Seven-Element Biotar - One Compounded Outer Element     "cjZ6^Hum  
12.6    The Eight-Element Biotar     1?)iCe  
12.7    A “Doubled Double-Gauss” Relay    
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13    Telephoto Lenses      {ZFa +  
13.1    The Basic Telephoto     $mm =$.  
13.2    Close-up or Macro Lenses     ?7-#iC`  
13.3    Telephoto Designs     8xhXS1  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch $;un$ko6%  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     P8NKpO\  
14.1    The Reverse Telephoto Principle     /2^cty.BXw  
14.2    The Basic Retrofocus Lens     m%V+px  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     5A1oZ+C#  
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15    Wide Angle Lenses with Negative Outer Lenses     8o8FL~&]  
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16    The Petzval Lens; Head-up Display Lenses     #oMbE<//"  
16.1    The Petzval Portrait Lens     O{8"f\*  
16.2    The Petzval Projection Lens     }yqRz6=YB  
16.3    The Petzval with a Field Flattener     20m6-rkI<}  
16.4    Very Height Speed Petzval Lenses     >_M}l@1  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     X:-X3mV9{  
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17    Microscope Objectives     `XYT:'   
17.1    General Considerations     ';V(sRU@  
17.2    Classic Objective Design Forms; The Aplanatic Front     i]GBu  
17.3    Flat-Field Objectives     Gb61X6  
17.4    Reflecting Objectives     jIE>t5 fy  
17.5    The Microscope Objective Designs     K-wjQ|*1  
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18    Mirror and Catadioptric Systems    
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18.1    The Good and Bad Points of Mirrors     aM 0kV.O  
18.2    The Classic Two-Mirror Systems kN9S;o@)  
18.3    Catadioptric Systems     DHpU?;|3  
18.4    Aspheric Correctors and Schmidt Systems     }7hpx!s,  
18.5    Confocal Paraboloids     gT @YG;  
18.6    Unobscured Systems     oT 8  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     80$P35Q"  
1W~-C B>  
19    Infrared and Ultraviolet Systems     +C;ZO6%w  
19.1    Infrared Optics     Y=X"YH|  
19.2    IR Objective Lenses     OdQ>h$ gZ  
19.3    IR Telescope     el!Bi>b9c!  
19.4    Laser Beam Expanders     M)Rp+uQ  
19,5    Ultraviolet Systems     y:4Sw#M%(  
19.6    Microlithographic Lenses     N-^\X3X  
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20    Zoom Lenses     qU8UKIP  
20.1    Zoom Lenses     q<>2}[W  
20.2    Zoom Lenses for Point and Shoot Cameras     *" <tFQ  
20.3    A 20X Video Zoom Lens     {EJVZG:&  
20.4    A Zoom Scanner Lens     Y'fI4  
20.5    A Possible Zoom Lens Design Procedure     T.ub!,Y  
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21    Projection TV Lenses and Macro Lenses     B0p>'O2  
21.1    Projection TV Lenses     W/oRt<:E  
21.2    Macro Lenses     ?y<n^`  
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22    Scanner/ , Laser Disk and Collimator Lenses     U]vNcQj  
22.1    Monochromatic Systems     `^AbFV 3  
22.2    Scanner Lenses     #!#V!^ o  
22.3    Laser Disk, Focusing, and Collimator Lenses     R'dF<&Kj|  
    k6JB%m\E  
23    Tolerance Budgeting     ("/*k  
23.1    The Tolerance Budget     u MzefRN  
23.2    Additive Tolerances     Aog3d\1$  
23.3    Establishing the Tolerance Budget     ';aPoaO %  
I-/PzL<W P  
24    Formulary 0IDHoNaT<  
24.1    Sign Conventions, Symbols, and Definitions     }"m@~kg=  
24.2    The Cardinal Points     EoU}@MjM~  
24.3    Image Equations     S-2xe?sb  
24.4    Paraxial Ray Tracing (Surface by Surface)     EVO5+  
24.5    Invariants     IUd>jHp`6  
24.6    Paraxial Ray Tracing (Component by Component)     4n3QW%#  
24.7    Two-Componenet Relationships     %J.Rm0F
D:  
24.8    Third-Order Aberrations – Surface Contributions     W\eB   
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     @1n0<V/  
24.10    Stop Shift Equations     3tXtt@Yy  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     eg(xN/D  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     qgZ(o@\  
oeIB1DaI  
^|\ *i  
Glossary 4] ?  
Reference /SMp`Q88  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 $iP#8La:Y  
我怎么瞧不明白。

有没有人呀 <=7p~ i5  
有个问题想请教大家