"Modern Lens Design" 2nd Edition by Warren J. Smith 4n1g4c-
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Contents of Modern Lens Design 2nd Edition 6 P{^j
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1 Introduction UA8hYWRP
1.1 Lens Design Books Mqd'XU0L
1.2 Reference Material 60!%^O =
1.3 Specifications z)^|.
1.4 Lens Design H JAiQ[m5s
1.5 Lens Design Program Features PK2;Ywk`
1.6 About This Book fQa*> **j;
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2 Automatic Lens Design Wn=s F,c
2.2 The Merit Function "V>}-G&
2.3 Local Minima +<1 |apS1
2.4 The Landscape Lens [_'A(.
2.5 Types of Merit Function ~-zTY& c_
2.6 Stagnation K|Sq_/#+ U
2.7 Generalized Simulated Annealing }N[X<9^ Z
2.8 Considerations about Variables for Optimization 2L](4Q[M
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 754MQK|g
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits SCcvU4`o
2.11 Spectral Weighting U*r54AyP
2.12 How to Get Started 3
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3 Improving a Design ur}'Y^0iR
3.1 Lens Design Tip Sheet: Standard Improvement Techniques T/'z,,Y
3.2 Glass Changes ( Index and V Values ) 3@V?L: J
3.3 Splitting Elements 27D*FItc
3.4 Separating a Cemented Doublet ,- AF8BP
3.5 Compounding an Element dxs5woP
3.6 Vignetting and Its Uses ez'NHodwk2
3.7 Eliminating a Weak Element; the Concentric Problem #<*.{"T
3.8 Balancing Aberrations N5 5F5
3.9 The Symmetrical Principle wSjDa .?'
3.10 Aspheric Surfaces e3 v^j$
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4 Evaluation: How Good is This Design
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4.1 The Uses of a Preliminary Evaluation u8zL[] >
4.2 OPD versus Measures of Performance .|O T#"LP
4.3 Geometric Blur Spot Size versus Certain Aberrations wb.yGfJ
4.4 Interpreting MTF - The Modulation Transfer Function E#KZZ lbx
4.5 Fabrication Considerations ;gZ
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5 Lens Design Data hU$o^ICH
5.1 About the Sample Lens Designs uBRlvNJ
5.2 Lens Prescriptions, Drawings, and Aberration Plots e v$:7}h=
5.3 Estimating the Potential of a Redesign i=xh ;yb|
5.4 Scaling a Desing, Its Aberrations, and Its MTF 0/su `
5.5 Notes on the Interpretation of Ray Intercept Plots
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5.6 Various Evaluation Plot |E1U$,s~u
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6 Telescope Objective 0&,D&y%
6.1 The Thin Airspaced Doublet jB?SX
6.2 Merit Function for a Telescope Objective ;g!rc#z2g
6.3 The Design of an f/7 Cemented Doublet Telescope Objective u}nS dZC
6.4 Spherochromatism lJdBUo O
6.5 Zonal Spherical Aberration bh.&vp.kP
6.6 Induced Aberrations +c~&o83[
6.7 Three-Element Objectives BXYHJ
6.8 Secondary Spectrum (Apochromatic Systems) &4-;;h\H
6.9 The Design of an f/7 Apochromatic Triplet XjN4EDi+E
6.10 The Diffractive Surface in Lens Design _2jL]mB
6.11 A Final Note `>
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7 Eyepieces and Magnifiers "/zgh
7.1 Eyepieces ?/o 8f7Z
7.2 A Pair of Magnifier Designs X}Oe 'y
7.3 The Simple, Classical Eyepieces -P;0<j@6k5
7.4 Design Story of an Eyepiece for a 6*30 Binocular KkCGL*]K
7.5 Four-Element Eyepieces Y$ jX
7.6 Five-Element Eyepieces v#Rh:#7O%U
7.7 Very High Index Eyepiece/Magnifier d=vuy
7.8 Six- and Seven-Element Eyepieces 712nD ?>
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8 Cooke Triplet Anastigmats D}?p>e|<D
8.1 Airspaced Triplet Anastigmats j0e,> X8
8.2 Glass Choice
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8.3 Vertex Length and Residual Aberrations Vc9rc}
8.4 Other Design Considerations s\;/U|P_
8.5 A Plastic, Aspheric Triplet Camera Lens }M Q:n8
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet t+U.4mS-
8.7 Possible Improvement to Our “Basic” Triplet =@!t/LR7kg
8.7 The Rear Earth (Lanthanum) Glasses _Tj &gyS
8.9 Aspherizing the Surfaces G!6b
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8.10 Increasing the Element Thickness 6nL^"3@S!
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9 Split Triplets >/A]C$?3
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10 The Tessar, Heliar, and Other Compounded Triplets .P 1WY
10.1 The Classic Tessar 9O 'j+?(`@
10.2 The Heliar/Pentac zP,r ,ok 7
10.3 The Portrait Lens and the Enlarger Lens ,ucRQ&P
10.4 Other Compounded Triplets G[>NP#P
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar S~3|1Hw*tN
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11 Double-Meniscus Anastigmats i"<W6
11.1 Meniscus Components PuJ3#H
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11.2 The Hypergon, Totogon, and Metrogon -$:; en?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens tczJ k1g}
11.4 Protar, Dagor, and Convertible Lenses < [[yV
11.5 The Split Dagor V O0:4{-
11.6 The Dogmar 2fTuIS<yr
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens MKfK9>a
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12 The Biotar or Double-Gauss Lens GTR*3,rw
12.1 The Basic Six-Element Version (p5q MP]L
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens r!&174DSR1
12.3 The Seven-Element Biotar - Split-Rear Singlet #^L&H
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet >Hnm.?-AWl
12.5 The Seven-Element Biotar - One Compounded Outer Element &x1A {j_
12.6 The Eight-Element Biotar p-i Fe\+
12.7 A “Doubled Double-Gauss” Relay 67(s\
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13 Telephoto Lenses hP) Zm%@0f
13.1 The Basic Telephoto 5REFz
13.2 Close-up or Macro Lenses t1w]L
13.3 Telephoto Designs DC h
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch \#,2#BmO"E
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Z{ B
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14.1 The Reverse Telephoto Principle ? "Ez
14.2 The Basic Retrofocus Lens $BdwKk
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 1 %v6d
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15 Wide Angle Lenses with Negative Outer Lenses oMEW5.VX
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16 The Petzval Lens; Head-up Display Lenses Pdf-2
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16.1 The Petzval Portrait Lens ui>jJ(
16.2 The Petzval Projection Lens }? _KZ)
16.3 The Petzval with a Field Flattener )7
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16.4 Very Height Speed Petzval Lenses !MKecRG_
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ;0Z -
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17 Microscope Objectives ;}SGJ7
17.1 General Considerations AJ}FHym_ZQ
17.2 Classic Objective Design Forms; The Aplanatic Front G Y%5N= u
17.3 Flat-Field Objectives :XhF:c[.:
17.4 Reflecting Objectives sbmtx/%U
17.5 The Microscope Objective Designs H1c8 ]}
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18 Mirror and Catadioptric Systems )YAa7\O d
18.1 The Good and Bad Points of Mirrors TX=894{nGh
18.2 The Classic Two-Mirror Systems @MOQk
18.3 Catadioptric Systems qGA|.I9,
18.4 Aspheric Correctors and Schmidt Systems ;d}>8w&tfy
18.5 Confocal Paraboloids FygN WI '
18.6 Unobscured Systems +#eol~j9N
18.7 Design of a Schmidt-Cassegrain “from Scratch” \1Y|$ :T/
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19 Infrared and Ultraviolet Systems &)OI!^ (
19.1 Infrared Optics bN/8 ~!
19.2 IR Objective Lenses IB&G#2M<
19.3 IR Telescope 7"'RE95
19.4 Laser Beam Expanders Zp7Pw
19,5 Ultraviolet Systems :%h1Q>F
19.6 Microlithographic Lenses P*! `AWn
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20 Zoom Lenses cjN)3L{
20.1 Zoom Lenses ]jD\4\M}
20.2 Zoom Lenses for Point and Shoot Cameras 2"G9?)d9
20.3 A 20X Video Zoom Lens U*~-\jN1pb
20.4 A Zoom Scanner Lens ;D~#|CB
20.5 A Possible Zoom Lens Design Procedure _ \4#I(
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21 Projection TV Lenses and Macro Lenses
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21.1 Projection TV Lenses w8X5kk
21.2 Macro Lenses 'etA1]<N
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22 Scanner/ , Laser Disk and Collimator Lenses ')v,<{
22.1 Monochromatic Systems )IcSdS0@M
22.2 Scanner Lenses QwX81*n x
22.3 Laser Disk, Focusing, and Collimator Lenses r x9*/Q0F
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23 Tolerance Budgeting i975)_X(
23.1 The Tolerance Budget HVus\s\&y%
23.2 Additive Tolerances ^<!R %"o-
23.3 Establishing the Tolerance Budget ?L0;,
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24 Formulary 3g4 =as4w
24.1 Sign Conventions, Symbols, and Definitions / }6I3n
24.2 The Cardinal Points i6HRG\9nU
24.3 Image Equations oZ*?Uh *
24.4 Paraxial Ray Tracing (Surface by Surface) h"ZIh= j@
24.5 Invariants ^"7- `<J
24.6 Paraxial Ray Tracing (Component by Component) 2vpQ"e- A
24.7 Two-Componenet Relationships p K-tj
24.8 Third-Order Aberrations – Surface Contributions he~8V.$
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs T^;b98*
24.10 Stop Shift Equations ^5s7mls
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces !U%
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) B(M-;F
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Glossary ?'~u)O (n
Reference @ovaOX
Index
