"Modern Lens Design" 2nd Edition by Warren J. Smith cbwzT0
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Contents of Modern Lens Design 2nd Edition QE #$bCw
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1 Introduction *
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1.1 Lens Design Books WuNu}Ibl}m
1.2 Reference Material 6)3eB{$;
1.3 Specifications -$0S#/)Z
1.4 Lens Design &.z/dFmG
1.5 Lens Design Program Features RdDcMZ
1.6 About This Book h4qR\LX
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2 Automatic Lens Design qnS7z%H8
2.2 The Merit Function x$Oz0 [
2.3 Local Minima @i68%6 H`?
2.4 The Landscape Lens qN QsU
2.5 Types of Merit Function BdKtpje
2.6 Stagnation O.E0LCA BC
2.7 Generalized Simulated Annealing >ahj|pm
2.8 Considerations about Variables for Optimization TkBBHg;
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems e)xWQ=,C
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits e||_j
2.11 Spectral Weighting <^\r9Qxl
2.12 How to Get Started :kVV.a# g
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3 Improving a Design +o3g]0
3.1 Lens Design Tip Sheet: Standard Improvement Techniques _UBI,Dg]
3.2 Glass Changes ( Index and V Values ) Pc7 : hu
3.3 Splitting Elements yq}{6IyZ^
3.4 Separating a Cemented Doublet ~ YK <T+
3.5 Compounding an Element 5a
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3.6 Vignetting and Its Uses j vV8`BQ{
3.7 Eliminating a Weak Element; the Concentric Problem i njmP9ed
3.8 Balancing Aberrations zK 2wLX
3.9 The Symmetrical Principle 3+-(;>>\
3.10 Aspheric Surfaces h Nle;&*F
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4 Evaluation: How Good is This Design Fsf22
4.1 The Uses of a Preliminary Evaluation dM UDLr-
4.2 OPD versus Measures of Performance 7f ay:_
4.3 Geometric Blur Spot Size versus Certain Aberrations B@]7 eVo
4.4 Interpreting MTF - The Modulation Transfer Function m GhJn
4.5 Fabrication Considerations @?m8/t9 .
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5 Lens Design Data GC[{=]}9U
5.1 About the Sample Lens Designs YfwJBz D
5.2 Lens Prescriptions, Drawings, and Aberration Plots eeU$uR
5.3 Estimating the Potential of a Redesign 358/t/4 {p
5.4 Scaling a Desing, Its Aberrations, and Its MTF i)L:Vk N
5.5 Notes on the Interpretation of Ray Intercept Plots X|`,AK Jit
5.6 Various Evaluation Plot nb_^3K]r
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6 Telescope Objective Qc;[mxQe
6.1 The Thin Airspaced Doublet Z9 m;@<%
6.2 Merit Function for a Telescope Objective r ` &|)Hx
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ms7 7{A3
6.4 Spherochromatism - 1
6.5 Zonal Spherical Aberration lK,=`xe
6.6 Induced Aberrations *+j {9LK
6.7 Three-Element Objectives J 7ekIQgR
6.8 Secondary Spectrum (Apochromatic Systems) 0@K:Tq-mF
6.9 The Design of an f/7 Apochromatic Triplet A dEbyL
6.10 The Diffractive Surface in Lens Design RzRvu]]8
6.11 A Final Note )H9*N B8%
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7 Eyepieces and Magnifiers U|7 Qw|I7
7.1 Eyepieces Z 'NbHwW}
7.2 A Pair of Magnifier Designs NWHH .1|
7.3 The Simple, Classical Eyepieces ; eF4J
7.4 Design Story of an Eyepiece for a 6*30 Binocular n
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7.5 Four-Element Eyepieces pLQSG}N
7.6 Five-Element Eyepieces kbYg4t]FH
7.7 Very High Index Eyepiece/Magnifier 7ml0
7.8 Six- and Seven-Element Eyepieces %DRy&k/T
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8 Cooke Triplet Anastigmats Z ;y}gv/ {
8.1 Airspaced Triplet Anastigmats tOM3Gs~o6z
8.2 Glass Choice cL)rjty2
8.3 Vertex Length and Residual Aberrations I0H Y#z%
8.4 Other Design Considerations X;6r $
8.5 A Plastic, Aspheric Triplet Camera Lens te*Y]-&I|/
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet [Ht."VxR
8.7 Possible Improvement to Our “Basic” Triplet sI RrEea
8.7 The Rear Earth (Lanthanum) Glasses :.S41S
8.9 Aspherizing the Surfaces H'0*CiHes
8.10 Increasing the Element Thickness ]X:
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9 Split Triplets %wjB)Mae
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10 The Tessar, Heliar, and Other Compounded Triplets lDJd#U'V
10.1 The Classic Tessar *[xNp[4EU
10.2 The Heliar/Pentac d0A\#H_ &
10.3 The Portrait Lens and the Enlarger Lens BY4 R@)
10.4 Other Compounded Triplets Iw t2}E(e
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar *lerPY3 q
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11 Double-Meniscus Anastigmats F%.9f Uo
11.1 Meniscus Components L_gsG|xX
11.2 The Hypergon, Totogon, and Metrogon Wt+y-ES
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ;V"yMWjc
11.4 Protar, Dagor, and Convertible Lenses *mQDS.'AB@
11.5 The Split Dagor ) qyx|D
11.6 The Dogmar ]\a\6&R
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens t$y&=v
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12 The Biotar or Double-Gauss Lens w{ r(F`
12.1 The Basic Six-Element Version HhWwc#B
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens iVq#aXN
12.3 The Seven-Element Biotar - Split-Rear Singlet \ L9?69B~
12.4 The Seven-Element Biotar - Broken Contact Front Doublet A )RI:?+
12.5 The Seven-Element Biotar - One Compounded Outer Element sw$R2K{y
12.6 The Eight-Element Biotar $
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12.7 A “Doubled Double-Gauss” Relay W. J:.|kt
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13 Telephoto Lenses Zc4(tf9
13.1 The Basic Telephoto 8tV=fSHd
13.2 Close-up or Macro Lenses tIxhSI^
13.3 Telephoto Designs j$|j8?
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -Ap2NpZ"t
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses V`g\ja* Y
14.1 The Reverse Telephoto Principle bIb6yVnHi
14.2 The Basic Retrofocus Lens + 9\:$wMN
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses NoJnchiU
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15 Wide Angle Lenses with Negative Outer Lenses Ok}{jwJ%W;
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16 The Petzval Lens; Head-up Display Lenses >J^7}J
16.1 The Petzval Portrait Lens NIGB[2V(
16.2 The Petzval Projection Lens V6@*\+:3)
16.3 The Petzval with a Field Flattener J| gdO+
16.4 Very Height Speed Petzval Lenses yN 9$gfJC^
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems `P ^u:
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17 Microscope Objectives j}rgO z.
17.1 General Considerations 0a2 $P+p
17.2 Classic Objective Design Forms; The Aplanatic Front F@=e2e
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17.3 Flat-Field Objectives xta}4:d-Y
17.4 Reflecting Objectives 9?u9wuH
17.5 The Microscope Objective Designs Em~7D ]Y
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18 Mirror and Catadioptric Systems z'?7]C2b
18.1 The Good and Bad Points of Mirrors nd $H
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18.2 The Classic Two-Mirror Systems Bmx(q E
18.3 Catadioptric Systems N{1.g S
18.4 Aspheric Correctors and Schmidt Systems t(J![w B}
18.5 Confocal Paraboloids ~/j$TT"
18.6 Unobscured Systems /*u#Ba<<
18.7 Design of a Schmidt-Cassegrain “from Scratch” mJ0}DJiX$
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19 Infrared and Ultraviolet Systems z>cIiprX
19.1 Infrared Optics 2YL`3 cgfb
19.2 IR Objective Lenses DAjG *K{
19.3 IR Telescope qpb/g6g
19.4 Laser Beam Expanders vnz[w=U
19,5 Ultraviolet Systems Z"6 2#VM
19.6 Microlithographic Lenses m0=cMVCA!
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20 Zoom Lenses Tg"' pO
20.1 Zoom Lenses e1^fUOS
20.2 Zoom Lenses for Point and Shoot Cameras 9U#\nXM
20.3 A 20X Video Zoom Lens %/UV_@x&
20.4 A Zoom Scanner Lens |RR"'o_E
20.5 A Possible Zoom Lens Design Procedure a$ C2}
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21 Projection TV Lenses and Macro Lenses #d7N| 9_
21.1 Projection TV Lenses I*^5'N'
21.2 Macro Lenses lq:]`l,6@
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22 Scanner/ , Laser Disk and Collimator Lenses TRF]i/Bs
22.1 Monochromatic Systems S:/ {
22.2 Scanner Lenses E)C.eW /
22.3 Laser Disk, Focusing, and Collimator Lenses ! G*&4V3Mg
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23 Tolerance Budgeting @)o0GHNP
23.1 The Tolerance Budget uzHT.iBn
23.2 Additive Tolerances S4L-/<s[*
23.3 Establishing the Tolerance Budget ;c1relR2
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24 Formulary j'3j}G%\T
24.1 Sign Conventions, Symbols, and Definitions JT4wb]kdV
24.2 The Cardinal Points 8$\Za,)g
24.3 Image Equations t(} /g
24.4 Paraxial Ray Tracing (Surface by Surface) r VUUH!
24.5 Invariants <v]z6B@9!
24.6 Paraxial Ray Tracing (Component by Component) ^:m ^E0(H
24.7 Two-Componenet Relationships *3;UAfHv
24.8 Third-Order Aberrations – Surface Contributions i*X{^A73"
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs /r2 76 Q
24.10 Stop Shift Equations ITVQ LQ
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces Tak t_N
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) },rav]
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Glossary Y!Drb-U?;
Reference E_~x==cb
Index
