"Modern Lens Design" 2nd Edition by Warren J. Smith dmE-WS
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Contents of Modern Lens Design 2nd Edition /wvA]ooT
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1 Introduction Q7#Q6-Q
1.1 Lens Design Books +F67g00T|
1.2 Reference Material D;:lw]
1.3 Specifications ,P9B8oIq
1.4 Lens Design LW,!B.`@
1.5 Lens Design Program Features 1S_KX.
1.6 About This Book ^s24f?3
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2 Automatic Lens Design ;GE0iSC
2.2 The Merit Function i4Fw+Z
2.3 Local Minima 5Z;Py"%
2.4 The Landscape Lens jP}N^
2.5 Types of Merit Function LY^BkH'
2.6 Stagnation I98wMV8
2.7 Generalized Simulated Annealing EzthRe9
2.8 Considerations about Variables for Optimization u`
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems `D GO~RMp9
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ^{Mx?]z
2.11 Spectral Weighting TYLf..i<
2.12 How to Get Started 6|9];)
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3 Improving a Design H[6d@m- Z
3.1 Lens Design Tip Sheet: Standard Improvement Techniques _
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3.2 Glass Changes ( Index and V Values ) {`1zVT p[<
3.3 Splitting Elements %0"o(y+zt
3.4 Separating a Cemented Doublet oXz:zoNQ
3.5 Compounding an Element o]k[l;
3.6 Vignetting and Its Uses 6o6m"6
3.7 Eliminating a Weak Element; the Concentric Problem 9N
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3.8 Balancing Aberrations zM)o^Fn2
3.9 The Symmetrical Principle %7L'2/Y2x
3.10 Aspheric Surfaces Z i|'lHr
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4 Evaluation: How Good is This Design qnT:x{o
4.1 The Uses of a Preliminary Evaluation 6%fU}si,
4.2 OPD versus Measures of Performance i44KTC"sB
4.3 Geometric Blur Spot Size versus Certain Aberrations 47t^{WrT
4.4 Interpreting MTF - The Modulation Transfer Function SUvHLOA
4.5 Fabrication Considerations 0eb`9yM
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5 Lens Design Data )_f
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5.1 About the Sample Lens Designs t,RR\S
5.2 Lens Prescriptions, Drawings, and Aberration Plots vO"AJ`_
5.3 Estimating the Potential of a Redesign Y.&z $+
5.4 Scaling a Desing, Its Aberrations, and Its MTF Ak4iG2
5.5 Notes on the Interpretation of Ray Intercept Plots =I*"vwc?
5.6 Various Evaluation Plot zJ@f {RWZa
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6 Telescope Objective xx41Qw>\W
6.1 The Thin Airspaced Doublet 1L^\TC
6.2 Merit Function for a Telescope Objective |@Z
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective OZ7MpQ
6.4 Spherochromatism ~IlgcCF
6.5 Zonal Spherical Aberration WXGLo;+>I
6.6 Induced Aberrations y+X%qTB
6.7 Three-Element Objectives b}k`'++2,
6.8 Secondary Spectrum (Apochromatic Systems) Aja'`Mu
6.9 The Design of an f/7 Apochromatic Triplet H# Vs3*VK
6.10 The Diffractive Surface in Lens Design "esV#%:#J
6.11 A Final Note JqFFI:Q5a
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7 Eyepieces and Magnifiers F5EKWP
7.1 Eyepieces 3B;B#0g50
7.2 A Pair of Magnifier Designs q}+9$v
7.3 The Simple, Classical Eyepieces 'm-s8]-W
7.4 Design Story of an Eyepiece for a 6*30 Binocular ~9x$tb x-
7.5 Four-Element Eyepieces ]Ub?Wo7F?
7.6 Five-Element Eyepieces q
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7.7 Very High Index Eyepiece/Magnifier 'p{>zQ\5
7.8 Six- and Seven-Element Eyepieces !_zmm$bR
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8 Cooke Triplet Anastigmats [t ?ftS
8.1 Airspaced Triplet Anastigmats YZ'gd10T
8.2 Glass Choice NlWIb2,
8.3 Vertex Length and Residual Aberrations /S P^fB*y
8.4 Other Design Considerations @XB/9!
8.5 A Plastic, Aspheric Triplet Camera Lens ^bS&[+9E
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet E[e ''
8.7 Possible Improvement to Our “Basic” Triplet -_A0<A .
8.7 The Rear Earth (Lanthanum) Glasses z`{Ld9W
8.9 Aspherizing the Surfaces ~
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8.10 Increasing the Element Thickness ].`i`.T
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9 Split Triplets N{oD1%
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10 The Tessar, Heliar, and Other Compounded Triplets Jfo#IRC
10.1 The Classic Tessar VxaJ[s3PQ&
10.2 The Heliar/Pentac Pm
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10.3 The Portrait Lens and the Enlarger Lens zq(AN<
10.4 Other Compounded Triplets +dIg&}Tr
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar C\
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11 Double-Meniscus Anastigmats %0= |WnF-
11.1 Meniscus Components 8CwgV
11.2 The Hypergon, Totogon, and Metrogon Q>= :$I
11.3 A Two Element Aspheric Thick Meniscus Camera Lens \$GlB+ iCx
11.4 Protar, Dagor, and Convertible Lenses '6[0NuB
11.5 The Split Dagor JAc-5e4
11.6 The Dogmar ~eE2!/%9
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 'TezUBRAz
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12 The Biotar or Double-Gauss Lens X_O(j!h
12.1 The Basic Six-Element Version @k ~Xem%<
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens zJXU>'obe
12.3 The Seven-Element Biotar - Split-Rear Singlet #L[Atx
12.4 The Seven-Element Biotar - Broken Contact Front Doublet (t fADaJM
12.5 The Seven-Element Biotar - One Compounded Outer Element M0 =K#/
12.6 The Eight-Element Biotar qp'HRh@P2:
12.7 A “Doubled Double-Gauss” Relay jD'\\jAUdm
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13 Telephoto Lenses ~B|K]&/]
13.1 The Basic Telephoto ,Q2` N{f
13.2 Close-up or Macro Lenses dk-Y!RfNx
13.3 Telephoto Designs D+#QQH
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch kf.w:X"i
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses !&?(ty^F
14.1 The Reverse Telephoto Principle r1JKTuuo
14.2 The Basic Retrofocus Lens Kcl>uAgU
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ^ JJ*pT:
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15 Wide Angle Lenses with Negative Outer Lenses _}{C?611c
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16 The Petzval Lens; Head-up Display Lenses Q4}2-}|
16.1 The Petzval Portrait Lens Mp}aJzmkB;
16.2 The Petzval Projection Lens 68W&qzw.[r
16.3 The Petzval with a Field Flattener +{4ziqYj
16.4 Very Height Speed Petzval Lenses .Hc]?R]
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems *oKc4S+
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17 Microscope Objectives GUJx?V/[
17.1 General Considerations Yfs60f
17.2 Classic Objective Design Forms; The Aplanatic Front m ['UV2
17.3 Flat-Field Objectives '%l<33*
17.4 Reflecting Objectives DO8@/W(
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17.5 The Microscope Objective Designs MXq+aS{
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18 Mirror and Catadioptric Systems 4&&((H
18.1 The Good and Bad Points of Mirrors [;
18.2 The Classic Two-Mirror Systems q`{crY30
18.3 Catadioptric Systems ,n-M!y
18.4 Aspheric Correctors and Schmidt Systems -1DQO|q#
18.5 Confocal Paraboloids z ~#
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18.6 Unobscured Systems vB
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18.7 Design of a Schmidt-Cassegrain “from Scratch” 3#!}W#xv
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19 Infrared and Ultraviolet Systems S bc
19.1 Infrared Optics T;-&3
19.2 IR Objective Lenses m+?$cyA>v
19.3 IR Telescope d
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19.4 Laser Beam Expanders Lf4c[[@%gd
19,5 Ultraviolet Systems j(AN]g:
19.6 Microlithographic Lenses h;u8{t"
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20 Zoom Lenses W]}y:_t4
20.1 Zoom Lenses }4Ef31X8q
20.2 Zoom Lenses for Point and Shoot Cameras )! Jo7SR
20.3 A 20X Video Zoom Lens @!1o +x
20.4 A Zoom Scanner Lens z'z_6]5
20.5 A Possible Zoom Lens Design Procedure S8(Y+jgk;a
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21 Projection TV Lenses and Macro Lenses x\z*iv
21.1 Projection TV Lenses p%/Z
21.2 Macro Lenses (&H-v'a}3
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22 Scanner/ , Laser Disk and Collimator Lenses JPJ&k(P
22.1 Monochromatic Systems zy^t95/m
22.2 Scanner Lenses h mC.5mY
22.3 Laser Disk, Focusing, and Collimator Lenses OuWG.Za
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23 Tolerance Budgeting 8b\XC%k
23.1 The Tolerance Budget ,l+lokD-#
23.2 Additive Tolerances ~4IkQ|,
23.3 Establishing the Tolerance Budget GTgG0Ifeh
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24 Formulary 2#%@j6
24.1 Sign Conventions, Symbols, and Definitions I.As{0cc
24.2 The Cardinal Points }#]2u|G
24.3 Image Equations <]1Z
24.4 Paraxial Ray Tracing (Surface by Surface) BC.~wNz6
24.5 Invariants }TfZ7~o[
24.6 Paraxial Ray Tracing (Component by Component) 9f1,E98w_
24.7 Two-Componenet Relationships uJhB>/Og
24.8 Third-Order Aberrations – Surface Contributions Y_'3pX,
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs %P@V7n
24.10 Stop Shift Equations )nE=H,U?y
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces HG
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) U?]}K S;6
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Glossary 1fajTT?
Reference sa6/$
Index