"Modern Lens Design" 2nd Edition by Warren J. Smith %m/lPL
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Contents of Modern Lens Design 2nd Edition .7
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1 Introduction 4~A$u^scn
1.1 Lens Design Books ~9APc{"A
1.2 Reference Material "0nsY E
1.3 Specifications h{_\okC>
1.4 Lens Design d3\?:}o,
1.5 Lens Design Program Features 8a@k6OZ
1.6 About This Book XXX y*/P
b{-"GqMO
2 Automatic Lens Design N LQ".mM+
2.2 The Merit Function QjXJo$I6
2.3 Local Minima f*"T]AX0
2.4 The Landscape Lens OA6i/3 #8
2.5 Types of Merit Function k7@QFw4 j
2.6 Stagnation ha;fxM]
2.7 Generalized Simulated Annealing @",#'eC"
2.8 Considerations about Variables for Optimization At<MY`ka
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ZY7-.
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ;{H Dz$
2.11 Spectral Weighting ?(R#
2.12 How to Get Started p*g)-/mA
p{_*<"cfYn
3 Improving a Design QsxvA;7%
3.1 Lens Design Tip Sheet: Standard Improvement Techniques mzM95yQ^Z
3.2 Glass Changes ( Index and V Values ) 2G-"HOG
3.3 Splitting Elements yU/?4/G!
3.4 Separating a Cemented Doublet x
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3.5 Compounding an Element 12L`Gi
3.6 Vignetting and Its Uses [G|(E
3.7 Eliminating a Weak Element; the Concentric Problem 3B%7SX
3.8 Balancing Aberrations h4KMhr
3.9 The Symmetrical Principle JAjiG^]
3.10 Aspheric Surfaces WvF{`N
;*zLf 9i
4 Evaluation: How Good is This Design w (`g)`
4.1 The Uses of a Preliminary Evaluation _2`b$/)-
4.2 OPD versus Measures of Performance Op9 ^Eu%n
4.3 Geometric Blur Spot Size versus Certain Aberrations >Q(\vl@N=
4.4 Interpreting MTF - The Modulation Transfer Function mX.mX70|J
4.5 Fabrication Considerations 6RxI9{ry
*)B \M>
5 Lens Design Data xc@$z*w
5.1 About the Sample Lens Designs 3)CIqN
5.2 Lens Prescriptions, Drawings, and Aberration Plots RAhDSDf
5.3 Estimating the Potential of a Redesign 3t.!5L
5.4 Scaling a Desing, Its Aberrations, and Its MTF \hI?XnL#
5.5 Notes on the Interpretation of Ray Intercept Plots A9SL|9Q
5.6 Various Evaluation Plot bcT_YFLQ
3 ;F
6 Telescope Objective 2+)h!y]
6.1 The Thin Airspaced Doublet |Fze9kZO
6.2 Merit Function for a Telescope Objective _~CJitR3
6.3 The Design of an f/7 Cemented Doublet Telescope Objective
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6.4 Spherochromatism z]%@r 7
6.5 Zonal Spherical Aberration O^./)#!#
6.6 Induced Aberrations z<!A;.iD
6.7 Three-Element Objectives <4;,
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6.8 Secondary Spectrum (Apochromatic Systems) 1V[ZklS
6.9 The Design of an f/7 Apochromatic Triplet G8w @C
6.10 The Diffractive Surface in Lens Design _8K8Ai-~.>
6.11 A Final Note 8r[TM
aw lq/
7 Eyepieces and Magnifiers Jpp-3i.F#
7.1 Eyepieces ziO(`"v
7.2 A Pair of Magnifier Designs C^'r>0
7.3 The Simple, Classical Eyepieces c8
7.4 Design Story of an Eyepiece for a 6*30 Binocular Z>3~n
7.5 Four-Element Eyepieces [3S17tTc3
7.6 Five-Element Eyepieces euT=]j
7.7 Very High Index Eyepiece/Magnifier p(I^Y{sGI
7.8 Six- and Seven-Element Eyepieces 9cN@y<_I
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8 Cooke Triplet Anastigmats S=V
8.1 Airspaced Triplet Anastigmats "8zMe L
8.2 Glass Choice Jn|<G
8.3 Vertex Length and Residual Aberrations >m%TUQ#%
8.4 Other Design Considerations 0)h.[O8@>
8.5 A Plastic, Aspheric Triplet Camera Lens 8'3&z-
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 3"0QW4A
8.7 Possible Improvement to Our “Basic” Triplet am.d^'
8.7 The Rear Earth (Lanthanum) Glasses s8]%L4lvu
8.9 Aspherizing the Surfaces }0H<G0
8.10 Increasing the Element Thickness {P?DkUO}
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9 Split Triplets u w8g%
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10 The Tessar, Heliar, and Other Compounded Triplets `l?MmIJ
10.1 The Classic Tessar _O87[F1
10.2 The Heliar/Pentac ]x8Y]wAU&{
10.3 The Portrait Lens and the Enlarger Lens :$yOic}y
10.4 Other Compounded Triplets 7g{JE^u
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar }2BNy9q@
0]DX KI
11 Double-Meniscus Anastigmats k)F!gV#
11.1 Meniscus Components B$JPE7h@[P
11.2 The Hypergon, Totogon, and Metrogon 9%ct
11.3 A Two Element Aspheric Thick Meniscus Camera Lens vFLE%z{\o
11.4 Protar, Dagor, and Convertible Lenses '#j6ZC/?
11.5 The Split Dagor tZ@&di:-F
11.6 The Dogmar {*CG&-k2D
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens &"tQpw5
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12 The Biotar or Double-Gauss Lens =w _T{V
12.1 The Basic Six-Element Version gV ':Xe
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Pk5\v0vkg
12.3 The Seven-Element Biotar - Split-Rear Singlet 3#udzC
12.4 The Seven-Element Biotar - Broken Contact Front Doublet PeEaF@#k
12.5 The Seven-Element Biotar - One Compounded Outer Element ]+qd|}^
12.6 The Eight-Element Biotar ;VCFDE{K=
12.7 A “Doubled Double-Gauss” Relay *Y53bZ
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13 Telephoto Lenses AoxORPp'
13.1 The Basic Telephoto &2@Rc?!6_P
13.2 Close-up or Macro Lenses l&] %APL
13.3 Telephoto Designs SU7,uxF
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch F!C<^q~!
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ,e`n2)
14.1 The Reverse Telephoto Principle !VG
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14.2 The Basic Retrofocus Lens @wAYhnxq
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses n~w[ajC/
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15 Wide Angle Lenses with Negative Outer Lenses c(3idO*R)
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16 The Petzval Lens; Head-up Display Lenses yQu/({D
16.1 The Petzval Portrait Lens <7ag=IgDy
16.2 The Petzval Projection Lens Gh{9nM_\"
16.3 The Petzval with a Field Flattener K;\fJ2ag
16.4 Very Height Speed Petzval Lenses tg/!=g
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 0!:%Ge_
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17 Microscope Objectives Iz#jR2:yn
17.1 General Considerations @WKJ7pt`'N
17.2 Classic Objective Design Forms; The Aplanatic Front rF?QI*`Y(
17.3 Flat-Field Objectives cZ.p
17.4 Reflecting Objectives \Y:zg3q*
17.5 The Microscope Objective Designs efbJ2C
V2 ;?
18 Mirror and Catadioptric Systems .k!2{A
18.1 The Good and Bad Points of Mirrors TPN1Rnt0`
18.2 The Classic Two-Mirror Systems X1u\si%.4S
18.3 Catadioptric Systems `v/p4/
18.4 Aspheric Correctors and Schmidt Systems 90<a'<\|
18.5 Confocal Paraboloids ,MLAW
18.6 Unobscured Systems Fb{HiU9<!
18.7 Design of a Schmidt-Cassegrain “from Scratch” cft@sY
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19 Infrared and Ultraviolet Systems -gb@BIV#
19.1 Infrared Optics 7.yCs[Z
19.2 IR Objective Lenses =G 'c %
19.3 IR Telescope &y3;`A7,
19.4 Laser Beam Expanders
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19,5 Ultraviolet Systems Fl==k
19.6 Microlithographic Lenses R&/"?&pfa
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20 Zoom Lenses =}+xD|T
20.1 Zoom Lenses e:QH3|'y
20.2 Zoom Lenses for Point and Shoot Cameras sa"!ckh
20.3 A 20X Video Zoom Lens Djp;\.$(
20.4 A Zoom Scanner Lens VW] ,R1q
20.5 A Possible Zoom Lens Design Procedure [XA:pj;rg'
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21 Projection TV Lenses and Macro Lenses ?IiFFfs
21.1 Projection TV Lenses ZzT"u1,&
21.2 Macro Lenses *>lXCx
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22 Scanner/ , Laser Disk and Collimator Lenses `my\59T
22.1 Monochromatic Systems ge{%B~x
22.2 Scanner Lenses w(odgD
22.3 Laser Disk, Focusing, and Collimator Lenses }%,LV]rGEZ
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23 Tolerance Budgeting 3HndE~_C&
23.1 The Tolerance Budget AD'c#CT
23.2 Additive Tolerances !3*%-8bp
23.3 Establishing the Tolerance Budget )Y=ti~?M(
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24 Formulary 3e;ux6
24.1 Sign Conventions, Symbols, and Definitions (%]M a
24.2 The Cardinal Points uHt@;$9A
24.3 Image Equations +'9xTd
24.4 Paraxial Ray Tracing (Surface by Surface) <ZoMKUuB
24.5 Invariants OL@' 1$/A
24.6 Paraxial Ray Tracing (Component by Component) ,Mn?h\
24.7 Two-Componenet Relationships AT"!Ys|
24.8 Third-Order Aberrations – Surface Contributions Q3LScpp
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs *nY$YwHB
24.10 Stop Shift Equations -
SCFWc
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces DPlmrN9@=
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Rdy-6
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~H626vT37
Glossary Qy'-3GB
Reference DV~g
Index