"Modern Lens Design" 2nd Edition by Warren J. Smith 3>G"&T{
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Contents of Modern Lens Design 2nd Edition a |0f B4G
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1 Introduction )|L#i2?:
1.1 Lens Design Books Yq-7!
1.2 Reference Material QPp>%iE@
1.3 Specifications 4Pr@<S"U
1.4 Lens Design $Q*^c"&
1.5 Lens Design Program Features J8PZVeWx
1.6 About This Book F!ra$5u
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2 Automatic Lens Design 3 bll9Ey
2.2 The Merit Function )zvjsx*e=J
2.3 Local Minima `'/1Ij+
2.4 The Landscape Lens uE,j$d
2.5 Types of Merit Function ?bl9e&/!
2.6 Stagnation hrTl:\
2.7 Generalized Simulated Annealing p (x<h
2.8 Considerations about Variables for Optimization c$R<j'7
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems txemu*
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ,M$J
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2.11 Spectral Weighting ]YwvwmZ
2.12 How to Get Started )r:gDd#/X
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3 Improving a Design R ;3!?`
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ]j^rJ|WTH
3.2 Glass Changes ( Index and V Values ) SI/p8 ^
3.3 Splitting Elements Y .\<P*iO
3.4 Separating a Cemented Doublet \Gz
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3.5 Compounding an Element ? ]hS^&
3.6 Vignetting and Its Uses gYvT'72
3.7 Eliminating a Weak Element; the Concentric Problem SSa0x9T
3.8 Balancing Aberrations E JJW
3.9 The Symmetrical Principle ??=su.b
3.10 Aspheric Surfaces >Gxh=**F
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4 Evaluation: How Good is This Design A,! YXl[
4.1 The Uses of a Preliminary Evaluation *Au[{sR
4.2 OPD versus Measures of Performance F48W8'un
4.3 Geometric Blur Spot Size versus Certain Aberrations u_X(c'aE;
4.4 Interpreting MTF - The Modulation Transfer Function 6gJc?+
4.5 Fabrication Considerations mA0|W#NB
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5 Lens Design Data wxo{gBq
5.1 About the Sample Lens Designs *aS[^iX?s
5.2 Lens Prescriptions, Drawings, and Aberration Plots V?o%0V
5.3 Estimating the Potential of a Redesign 7?"-NrW~
5.4 Scaling a Desing, Its Aberrations, and Its MTF yVb yw(gS
5.5 Notes on the Interpretation of Ray Intercept Plots LFPYnK
5.6 Various Evaluation Plot =1Tn~)^O
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6 Telescope Objective {xJ<)^fD8
6.1 The Thin Airspaced Doublet wGAeOD
6.2 Merit Function for a Telescope Objective 2qfKDZ9f^
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Ue2k^a*Ww
6.4 Spherochromatism O(YvE
6.5 Zonal Spherical Aberration T{mIkp<
6.6 Induced Aberrations @RFJe$%
6.7 Three-Element Objectives cK~VNzsz
6.8 Secondary Spectrum (Apochromatic Systems) spv'r!*\ed
6.9 The Design of an f/7 Apochromatic Triplet 7G 5VwO
6.10 The Diffractive Surface in Lens Design yDXW#q
6.11 A Final Note 5!}fd/}Uk
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7 Eyepieces and Magnifiers <%EjrjdvL+
7.1 Eyepieces #i}:CI>2
7.2 A Pair of Magnifier Designs #FsoK*F
7.3 The Simple, Classical Eyepieces I=}pT50~9
7.4 Design Story of an Eyepiece for a 6*30 Binocular `ls^fnJTpf
7.5 Four-Element Eyepieces &1,{.:@e
7.6 Five-Element Eyepieces YTYCv7
7.7 Very High Index Eyepiece/Magnifier
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7.8 Six- and Seven-Element Eyepieces uEcK0>xp
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8 Cooke Triplet Anastigmats eCXw8
8.1 Airspaced Triplet Anastigmats (G`O[JF
8.2 Glass Choice vFgX]&bE
8.3 Vertex Length and Residual Aberrations ?D S|vCae
8.4 Other Design Considerations |FxTP&8~
8.5 A Plastic, Aspheric Triplet Camera Lens \R (Yf!>
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet V}+Ui]ie|I
8.7 Possible Improvement to Our “Basic” Triplet 8$y5) ~Q
8.7 The Rear Earth (Lanthanum) Glasses 2&d|L|->
8.9 Aspherizing the Surfaces H=(Zx
8.10 Increasing the Element Thickness =>,X)+O
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9 Split Triplets xr).ZswQ
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10 The Tessar, Heliar, and Other Compounded Triplets =X}s^KbI{
10.1 The Classic Tessar 0rj50$~$]
10.2 The Heliar/Pentac i+eDBg6
10.3 The Portrait Lens and the Enlarger Lens -Gmg&yQ9
10.4 Other Compounded Triplets Jyo(Etp
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar mVdg0
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11 Double-Meniscus Anastigmats g.d~`R@v
11.1 Meniscus Components 1]]#HTwX
11.2 The Hypergon, Totogon, and Metrogon 'NDDj0Y
11.3 A Two Element Aspheric Thick Meniscus Camera Lens JWo).
11.4 Protar, Dagor, and Convertible Lenses !+Us) 'L
11.5 The Split Dagor nh?~S`
11.6 The Dogmar 8$C?j\J|*
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens d td}P~
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12 The Biotar or Double-Gauss Lens T@x_}a:g
12.1 The Basic Six-Element Version NG?- dkD
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 4oA9|}<FR
12.3 The Seven-Element Biotar - Split-Rear Singlet .rs\%M|X
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ry!0~ir
12.5 The Seven-Element Biotar - One Compounded Outer Element >^ijj`{d
12.6 The Eight-Element Biotar QTT2P(Pz
12.7 A “Doubled Double-Gauss” Relay y(h"0A1lW
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13 Telephoto Lenses %m?$"<q_K
13.1 The Basic Telephoto -/3D0`R
13.2 Close-up or Macro Lenses ~5sH`w~vQ
13.3 Telephoto Designs +[Zcz4\9
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch g]Fm%iy
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses (4oO8aBB
14.1 The Reverse Telephoto Principle {u{8QKeC
14.2 The Basic Retrofocus Lens bo04y)Iz
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses _rj B.
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15 Wide Angle Lenses with Negative Outer Lenses ~ w,hJ `
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16 The Petzval Lens; Head-up Display Lenses <`WtP+`
16.1 The Petzval Portrait Lens ]?A-D,!(
16.2 The Petzval Projection Lens iDrQ4>
16.3 The Petzval with a Field Flattener n+%tu"e
16.4 Very Height Speed Petzval Lenses :1,xs e
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Xl\yOMfp
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17 Microscope Objectives I4%25=0?
17.1 General Considerations oES4X{,
17.2 Classic Objective Design Forms; The Aplanatic Front 2X!!RS>qg
17.3 Flat-Field Objectives y~/i{a;1y
17.4 Reflecting Objectives "?SR+;Y:q
17.5 The Microscope Objective Designs jhkNi`E7
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18 Mirror and Catadioptric Systems 6 Z7J<0
18.1 The Good and Bad Points of Mirrors %;qDhAu0
18.2 The Classic Two-Mirror Systems 9Ls=T=96
18.3 Catadioptric Systems TATH,Sz:x
18.4 Aspheric Correctors and Schmidt Systems <Z^qBM
18.5 Confocal Paraboloids /{HK0fd
18.6 Unobscured Systems V^ 5Z9!
18.7 Design of a Schmidt-Cassegrain “from Scratch” Aa`'g0wmc
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19 Infrared and Ultraviolet Systems F-I\x
19.1 Infrared Optics k}$k6Sr"
19.2 IR Objective Lenses 8jz[;.jP",
19.3 IR Telescope PHHX)xK
19.4 Laser Beam Expanders Od@<L
19,5 Ultraviolet Systems QB|D_?]
19.6 Microlithographic Lenses -e(,>9Q
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20 Zoom Lenses KM jnY2
20.1 Zoom Lenses ? =a,
20.2 Zoom Lenses for Point and Shoot Cameras H]d'#1G
20.3 A 20X Video Zoom Lens &nX,)"
20.4 A Zoom Scanner Lens RRBBz7:~
20.5 A Possible Zoom Lens Design Procedure T_1p1Sg
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21 Projection TV Lenses and Macro Lenses 2=p"%YSn
21.1 Projection TV Lenses >HlQ+bl$xw
21.2 Macro Lenses 1l`$. k
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22 Scanner/ , Laser Disk and Collimator Lenses lM'yj}:~
22.1 Monochromatic Systems cA]Ch>]A%
22.2 Scanner Lenses i1JWdHt
22.3 Laser Disk, Focusing, and Collimator Lenses Y\1XKAfB
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23 Tolerance Budgeting TDnbX_xC<
23.1 The Tolerance Budget <<:a>)6\
23.2 Additive Tolerances $bi@,&t;
23.3 Establishing the Tolerance Budget
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24 Formulary sB>ZN3ptH^
24.1 Sign Conventions, Symbols, and Definitions BpQ/$?5E"
24.2 The Cardinal Points b$Ch2Qz0q
24.3 Image Equations ^&-H"jF
24.4 Paraxial Ray Tracing (Surface by Surface) z`Cq,Sz/
24.5 Invariants _$Hx:^p:
24.6 Paraxial Ray Tracing (Component by Component) 'ffOFIz|=I
24.7 Two-Componenet Relationships ]\_T
24.8 Third-Order Aberrations – Surface Contributions `*hrU{b
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs zLHE;
24.10 Stop Shift Equations F9&ae*>,
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 61^5QHur
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) zkrcsc\Z~0
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Glossary zrJ/Fs+s
Reference z}[qk:
Index