"Modern Lens Design" 2nd Edition by Warren J. Smith ^uaFg`S
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Contents of Modern Lens Design 2nd Edition mog9 jw
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1 Introduction H3 m8
1.1 Lens Design Books w@]jpH;WX
1.2 Reference Material O|v
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1.3 Specifications [@{0o+.]'H
1.4 Lens Design VRS 2cc
1.5 Lens Design Program Features #Ws 53mT
1.6 About This Book OM9 6`
#i@h{ R01
2 Automatic Lens Design (;6s)z
2.2 The Merit Function ZL%VOxYqi
2.3 Local Minima ValS8V*N1
2.4 The Landscape Lens oL
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2.5 Types of Merit Function 3n(*E_n
2.6 Stagnation K&pM o .
2.7 Generalized Simulated Annealing ER|!K tCSM
2.8 Considerations about Variables for Optimization Q5E:|)G
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems #q4*]qGHm
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits mf 4z?G@6
2.11 Spectral Weighting (Nz]h: }r
2.12 How to Get Started L :U4N*
kl{6 ]39
3 Improving a Design Hbr ^vYs5
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 0 K3Hf^>m
3.2 Glass Changes ( Index and V Values ) INLf# N
3.3 Splitting Elements -qn[HXq
3.4 Separating a Cemented Doublet SWoEt1w
3.5 Compounding an Element H2\1gNL
3.6 Vignetting and Its Uses t* z'c
3.7 Eliminating a Weak Element; the Concentric Problem :{CFTc5:A
3.8 Balancing Aberrations J%r7<y\
3.9 The Symmetrical Principle >_#)3K1 y8
3.10 Aspheric Surfaces +rQg7a}
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4 Evaluation: How Good is This Design mq`5w)S)\o
4.1 The Uses of a Preliminary Evaluation ku3D?D:V
4.2 OPD versus Measures of Performance Rkv
4.3 Geometric Blur Spot Size versus Certain Aberrations i w z`
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4.4 Interpreting MTF - The Modulation Transfer Function ' jbMTI
4.5 Fabrication Considerations 4 ?2g&B\
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5 Lens Design Data 'oi2 Seq
5.1 About the Sample Lens Designs RdkU2Y }V
5.2 Lens Prescriptions, Drawings, and Aberration Plots 9 x [X<
5.3 Estimating the Potential of a Redesign ~|=rwDBZ8l
5.4 Scaling a Desing, Its Aberrations, and Its MTF 8 on[%Vk
5.5 Notes on the Interpretation of Ray Intercept Plots lQr6; D}+
5.6 Various Evaluation Plot b3^R,6]x&
x(yX0 ,P/7
6 Telescope Objective c9|a$^I6
6.1 The Thin Airspaced Doublet +G\0L_B
6.2 Merit Function for a Telescope Objective rIp'vy S\p
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 8 DL hk
6.4 Spherochromatism ) :}Fu
6.5 Zonal Spherical Aberration @fDQ^ 4
6.6 Induced Aberrations ;E2~L
6.7 Three-Element Objectives ;x RjQR
6.8 Secondary Spectrum (Apochromatic Systems) Bb_}YU2#
6.9 The Design of an f/7 Apochromatic Triplet hwZ6 .
6.10 The Diffractive Surface in Lens Design
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6.11 A Final Note 4 f3=`[%
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7 Eyepieces and Magnifiers v+ 7*R)/
7.1 Eyepieces t_Z _!Qy
7.2 A Pair of Magnifier Designs CMKhS,,o
7.3 The Simple, Classical Eyepieces cCYl$Ms kZ
7.4 Design Story of an Eyepiece for a 6*30 Binocular >EeAPO4
7.5 Four-Element Eyepieces G/%Ubi6%
7.6 Five-Element Eyepieces IPkA7VhF F
7.7 Very High Index Eyepiece/Magnifier 8q{1E ];:q
7.8 Six- and Seven-Element Eyepieces I<9n(rA
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8 Cooke Triplet Anastigmats I4CHfs"ar
8.1 Airspaced Triplet Anastigmats sk\_[p
8.2 Glass Choice SDJ;* s-
8.3 Vertex Length and Residual Aberrations b e_C>v
8.4 Other Design Considerations HcDyD0;L.
8.5 A Plastic, Aspheric Triplet Camera Lens xf[z E Et
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Wu]/( F
8.7 Possible Improvement to Our “Basic” Triplet JgxA^>|9;
8.7 The Rear Earth (Lanthanum) Glasses O '@m4@L
8.9 Aspherizing the Surfaces qU}lGf!dVn
8.10 Increasing the Element Thickness a5>)?m
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9 Split Triplets ;4R =eI
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10 The Tessar, Heliar, and Other Compounded Triplets lJ("6 aT?
10.1 The Classic Tessar nh? 9R&
10.2 The Heliar/Pentac giQ{Xrj
10.3 The Portrait Lens and the Enlarger Lens '?z9,oW{
10.4 Other Compounded Triplets 1Q0%7zRirI
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar @-}D7?
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11 Double-Meniscus Anastigmats 9PUa?Bc` =
11.1 Meniscus Components n=;';(wR[
11.2 The Hypergon, Totogon, and Metrogon u~
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens X9DM ^tt
11.4 Protar, Dagor, and Convertible Lenses )A"ZV[eOoQ
11.5 The Split Dagor w K2yt?
11.6 The Dogmar V^9$t/c &
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ^l&nB .
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12 The Biotar or Double-Gauss Lens d?Ia#K9 3G
12.1 The Basic Six-Element Version +p8qsT#7
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens d*]Dv,#X
12.3 The Seven-Element Biotar - Split-Rear Singlet #>MO]
12.4 The Seven-Element Biotar - Broken Contact Front Doublet iLjuE)6-$
12.5 The Seven-Element Biotar - One Compounded Outer Element |E"Xavi>
12.6 The Eight-Element Biotar (ra:?B
12.7 A “Doubled Double-Gauss” Relay DxE^#=7iH;
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13 Telephoto Lenses %"1`
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13.1 The Basic Telephoto 3D]2$a_d
13.2 Close-up or Macro Lenses ?"5~Wwp.T
13.3 Telephoto Designs 200L
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ._8xY$l$
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses M"k3zK,
14.1 The Reverse Telephoto Principle fF8a 1XV
14.2 The Basic Retrofocus Lens \f8P`oET~
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses vgU hN_rK
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15 Wide Angle Lenses with Negative Outer Lenses j CTQ sV
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16 The Petzval Lens; Head-up Display Lenses 5K L9$J9k
16.1 The Petzval Portrait Lens xn%l
16.2 The Petzval Projection Lens o(B<!ji~'
16.3 The Petzval with a Field Flattener ;zf Q3$@9
16.4 Very Height Speed Petzval Lenses
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Qs}/x[I
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17 Microscope Objectives */0vJz%<.M
17.1 General Considerations v>x {jZkFL
17.2 Classic Objective Design Forms; The Aplanatic Front GInZ53cQ
17.3 Flat-Field Objectives G\'u~B/w
17.4 Reflecting Objectives 5Z4(J?n
17.5 The Microscope Objective Designs f:x 9Y{Y
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18 Mirror and Catadioptric Systems .}L-c>o"o
18.1 The Good and Bad Points of Mirrors 2b 6? 9FX*
18.2 The Classic Two-Mirror Systems ,7n;|1`
18.3 Catadioptric Systems U}A|]vi@
18.4 Aspheric Correctors and Schmidt Systems ::3iXk)
18.5 Confocal Paraboloids >?\v@
18.6 Unobscured Systems `:- @E2
18.7 Design of a Schmidt-Cassegrain “from Scratch” l|R<F;|
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19 Infrared and Ultraviolet Systems s2(w#n)
19.1 Infrared Optics I,C AFq
19.2 IR Objective Lenses I =tyQ`
19.3 IR Telescope %
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19.4 Laser Beam Expanders 73^ T *
19,5 Ultraviolet Systems m>Yo 9/XpZ
19.6 Microlithographic Lenses =sUl`L+w,L
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20 Zoom Lenses ;Sx'O
20.1 Zoom Lenses !]{ 1h
20.2 Zoom Lenses for Point and Shoot Cameras YJ$Vn >6Z
20.3 A 20X Video Zoom Lens L 5V'Sr
20.4 A Zoom Scanner Lens h X>VVeIZ
20.5 A Possible Zoom Lens Design Procedure B"?+5A7
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21 Projection TV Lenses and Macro Lenses Q+u#?[ '
21.1 Projection TV Lenses
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21.2 Macro Lenses
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22 Scanner/ , Laser Disk and Collimator Lenses s{1Deek=
22.1 Monochromatic Systems p ,[XT`q^
22.2 Scanner Lenses uK4'n+_>\
22.3 Laser Disk, Focusing, and Collimator Lenses 5 CY_Ay\
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23 Tolerance Budgeting M<# )D
23.1 The Tolerance Budget m>*A0&??[
23.2 Additive Tolerances St~ SiTJU
23.3 Establishing the Tolerance Budget {LB
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24 Formulary 'Tru?y \
24.1 Sign Conventions, Symbols, and Definitions YjX!q]56
24.2 The Cardinal Points f'zU ^/$rf
24.3 Image Equations #^4>U&?
24.4 Paraxial Ray Tracing (Surface by Surface) gvTOC F
24.5 Invariants ?sjZ13 SUa
24.6 Paraxial Ray Tracing (Component by Component) v8U1uOR,%
24.7 Two-Componenet Relationships }Pm(oR'KTJ
24.8 Third-Order Aberrations – Surface Contributions w.T=Lzp
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs +GYI 2
24.10 Stop Shift Equations N?2 #YTjR
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces (IWix){
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) }! Diai*C
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Glossary q563,s
Reference aaf_3UH.B
Index
