"Modern Lens Design" 2nd Edition by Warren J. Smith K9EHT-
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Contents of Modern Lens Design 2nd Edition tcj"rV{G
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1 Introduction Dst;sLr[,
1.1 Lens Design Books :bct+J}l~
1.2 Reference Material Eh8GqFEM
1.3 Specifications Bbs1U
1.4 Lens Design OU%"dmSDk
1.5 Lens Design Program Features P?V+<c{
1.6 About This Book :G 5p`;hGo
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2 Automatic Lens Design 2x<BU3
2.2 The Merit Function y_Lnk=Q ^
2.3 Local Minima .5;
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2.4 The Landscape Lens
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2.5 Types of Merit Function Z~Q5<A9Jz
2.6 Stagnation k_}$d{X
2.7 Generalized Simulated Annealing &6CDIxH{
2.8 Considerations about Variables for Optimization acS~%^"<_
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ?MFC(Wsh
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits \m|5Aqs
2.11 Spectral Weighting pP.`+vPi
2.12 How to Get Started ]~]TZb
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3 Improving a Design ;g?PK5rB(
3.1 Lens Design Tip Sheet: Standard Improvement Techniques .)tQ&2
3.2 Glass Changes ( Index and V Values ) @xdtl{5G
3.3 Splitting Elements
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3.4 Separating a Cemented Doublet x} =,'Ko}3
3.5 Compounding an Element @Dsw.@/
3.6 Vignetting and Its Uses O:GP uVb\
3.7 Eliminating a Weak Element; the Concentric Problem Ag0
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3.8 Balancing Aberrations eg*a Vb
3.9 The Symmetrical Principle O<p=&=TD7
3.10 Aspheric Surfaces DtBvfYO8)>
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4 Evaluation: How Good is This Design VvIUAn
4.1 The Uses of a Preliminary Evaluation %TI3Eb
4.2 OPD versus Measures of Performance 'yH
4.3 Geometric Blur Spot Size versus Certain Aberrations ?cWwt~N9
4.4 Interpreting MTF - The Modulation Transfer Function FFZ?-sE
4.5 Fabrication Considerations n#"G)+h3#
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5 Lens Design Data 0Md.3kY
5.1 About the Sample Lens Designs u^SInanw
5.2 Lens Prescriptions, Drawings, and Aberration Plots [gUD +
5.3 Estimating the Potential of a Redesign Sm {Sq
5.4 Scaling a Desing, Its Aberrations, and Its MTF DC).p'0VL
5.5 Notes on the Interpretation of Ray Intercept Plots O\Y*s
5.6 Various Evaluation Plot cPZ\iGy
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6 Telescope Objective &I
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6.1 The Thin Airspaced Doublet x_O:IK.>
6.2 Merit Function for a Telescope Objective rx|
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective J[l7p6xk
6.4 Spherochromatism ]lKUpsQI
6.5 Zonal Spherical Aberration H5d@TB,`
6.6 Induced Aberrations 7@ONCG
6.7 Three-Element Objectives nnhI]#,a{
6.8 Secondary Spectrum (Apochromatic Systems) el$@^Wy&$
6.9 The Design of an f/7 Apochromatic Triplet l$!ExXEZO;
6.10 The Diffractive Surface in Lens Design :-59~8&
6.11 A Final Note V(K;Gc
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7 Eyepieces and Magnifiers KU"+i8"
7.1 Eyepieces XC<'m{^(m
7.2 A Pair of Magnifier Designs ;C =d(
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7.3 The Simple, Classical Eyepieces 8)iI=,T*
7.4 Design Story of an Eyepiece for a 6*30 Binocular ._p2"<
7.5 Four-Element Eyepieces @P0rNO%y
7.6 Five-Element Eyepieces SD~4CtlfI
7.7 Very High Index Eyepiece/Magnifier i,~(_|-r
7.8 Six- and Seven-Element Eyepieces b"o\-iUioe
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8 Cooke Triplet Anastigmats VXk[p
8.1 Airspaced Triplet Anastigmats 3bGU;2~}
8.2 Glass Choice ?2o+x D2
8.3 Vertex Length and Residual Aberrations ^3vI
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8.4 Other Design Considerations Jon3ywd1Y
8.5 A Plastic, Aspheric Triplet Camera Lens dL'oIBp
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet B:i$
8.7 Possible Improvement to Our “Basic” Triplet |4BD
8.7 The Rear Earth (Lanthanum) Glasses ShtV2}s|
8.9 Aspherizing the Surfaces FDF DB
8.10 Increasing the Element Thickness j."V>p8u$
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9 Split Triplets %t* 9sh
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10 The Tessar, Heliar, and Other Compounded Triplets 7^.g\Kt?
10.1 The Classic Tessar dw}ge,bBic
10.2 The Heliar/Pentac 3LQu+EsS
10.3 The Portrait Lens and the Enlarger Lens &)q>Z!C-l
10.4 Other Compounded Triplets zvnd@y{[
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ^Q0=Ggh
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11 Double-Meniscus Anastigmats 8:I-?z;S
11.1 Meniscus Components 0ZD)(ps|
11.2 The Hypergon, Totogon, and Metrogon 3^H-,b0^
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 9.
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11.4 Protar, Dagor, and Convertible Lenses Ao\ OU}
11.5 The Split Dagor ~_CZ1
11.6 The Dogmar j/wQ2"@a
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ou)0tX3j
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12 The Biotar or Double-Gauss Lens C.u)2[(
12.1 The Basic Six-Element Version UaXIrBc
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens asvM/ 9
12.3 The Seven-Element Biotar - Split-Rear Singlet l:~ >P[
12.4 The Seven-Element Biotar - Broken Contact Front Doublet dZkKAK:v
12.5 The Seven-Element Biotar - One Compounded Outer Element d@ZXCiA},
12.6 The Eight-Element Biotar hE\gXb
12.7 A “Doubled Double-Gauss” Relay 'g<FL`iP
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13 Telephoto Lenses Y2uy@j*N
13.1 The Basic Telephoto jX$U)O
13.2 Close-up or Macro Lenses "_rpErm
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13.3 Telephoto Designs 6m(+X
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch {^:i}4ZRl
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