"Modern Lens Design" 2nd Edition by Warren J. Smith I},]Y~Y3
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Contents of Modern Lens Design 2nd Edition y
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1 Introduction +JyD W%a:L
1.1 Lens Design Books &@g ~o0
1.2 Reference Material (d9G`
1.3 Specifications ^("23mhfJ
1.4 Lens Design \nfjz\"R?b
1.5 Lens Design Program Features w'[^RZW:j
1.6 About This Book HPGIz!o
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2 Automatic Lens Design !hMD>B2Z
2.2 The Merit Function B^7B-RBi0
2.3 Local Minima Q7
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2.4 The Landscape Lens U?@ s`.
2.5 Types of Merit Function fT]hpoJl
2.6 Stagnation x9DG87P~+
2.7 Generalized Simulated Annealing bD2):U*Fzo
2.8 Considerations about Variables for Optimization e 8Ul^]
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems cDkq@H:
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits $,b1`*
2.11 Spectral Weighting 'P AIh*qA
2.12 How to Get Started M0jC:*D`"
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3 Improving a Design *KMW6dg;
3.1 Lens Design Tip Sheet: Standard Improvement Techniques c @U\d<{w
3.2 Glass Changes ( Index and V Values ) k},@2#W]
3.3 Splitting Elements .eBo:4T!d
3.4 Separating a Cemented Doublet `>HM<Nn-0
3.5 Compounding an Element [Sj _=
3.6 Vignetting and Its Uses !7r k>YrY
3.7 Eliminating a Weak Element; the Concentric Problem .RazjXAY
3.8 Balancing Aberrations 0Z.X;1=
3.9 The Symmetrical Principle ??]b,f4CNa
3.10 Aspheric Surfaces 0: 1[F!]'b
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4 Evaluation: How Good is This Design {)CN.z:O
4.1 The Uses of a Preliminary Evaluation dmB
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4.2 OPD versus Measures of Performance a< E\9DL
4.3 Geometric Blur Spot Size versus Certain Aberrations qUS y0SQ/l
4.4 Interpreting MTF - The Modulation Transfer Function pu"m(9
4.5 Fabrication Considerations ,(;T V_@$
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5 Lens Design Data 3D}rxI8N
5.1 About the Sample Lens Designs +A;AX .mr
5.2 Lens Prescriptions, Drawings, and Aberration Plots 7hzd.
5.3 Estimating the Potential of a Redesign za,JCI
5.4 Scaling a Desing, Its Aberrations, and Its MTF I)(@'^)
5.5 Notes on the Interpretation of Ray Intercept Plots JK%UaEut=
5.6 Various Evaluation Plot *3!#W|#=]N
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6 Telescope Objective -f-@[; D
6.1 The Thin Airspaced Doublet 6 ) ]zt
6.2 Merit Function for a Telescope Objective BJDSk#!J!{
6.3 The Design of an f/7 Cemented Doublet Telescope Objective V * I2
6.4 Spherochromatism Tlar@lC|u
6.5 Zonal Spherical Aberration 2(i@\dZCb<
6.6 Induced Aberrations )c <X.4
6.7 Three-Element Objectives H
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6.8 Secondary Spectrum (Apochromatic Systems) ?qmJJ5Gn
6.9 The Design of an f/7 Apochromatic Triplet "9 v4'"
6.10 The Diffractive Surface in Lens Design "\~d!"n|2
6.11 A Final Note }m -A #4.
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7 Eyepieces and Magnifiers m\.(-
7.1 Eyepieces ,]L sX"u
7.2 A Pair of Magnifier Designs xbNL <3"a
7.3 The Simple, Classical Eyepieces y5/LH~&Ov
7.4 Design Story of an Eyepiece for a 6*30 Binocular mHB0 eB'l
7.5 Four-Element Eyepieces s#p\ r
7.6 Five-Element Eyepieces VkD}gJY
7.7 Very High Index Eyepiece/Magnifier x4N*P
7.8 Six- and Seven-Element Eyepieces K} ) w
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8 Cooke Triplet Anastigmats dcH@$D@~S
8.1 Airspaced Triplet Anastigmats 4(%LG)a4S
8.2 Glass Choice T1U8ZEK<iu
8.3 Vertex Length and Residual Aberrations 2EC<8}CG
8.4 Other Design Considerations Fzk%e HG=
8.5 A Plastic, Aspheric Triplet Camera Lens h|{DIG3
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \Gm\sy
8.7 Possible Improvement to Our “Basic” Triplet .jv#<"DW
8.7 The Rear Earth (Lanthanum) Glasses ec&K}+p@
8.9 Aspherizing the Surfaces
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8.10 Increasing the Element Thickness VUUE2k;^
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9 Split Triplets (7A- cC
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10 The Tessar, Heliar, and Other Compounded Triplets * %n(t+'q
10.1 The Classic Tessar V'8Rz#Gc5
10.2 The Heliar/Pentac
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10.3 The Portrait Lens and the Enlarger Lens uwc@~=;
10.4 Other Compounded Triplets fA"9eUu
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar &Vy.)0
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11 Double-Meniscus Anastigmats $2>" 2*,04
11.1 Meniscus Components il[waUfmD
11.2 The Hypergon, Totogon, and Metrogon ^ 0g !,L
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 2rWPqG4e
11.4 Protar, Dagor, and Convertible Lenses NI85|*h
11.5 The Split Dagor ly::?
11.6 The Dogmar Ya29t 98Pk
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens L k]W?
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12 The Biotar or Double-Gauss Lens I\<) 9`O
12.1 The Basic Six-Element Version 71c(Nw~iQ
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens lQqP4-E?
12.3 The Seven-Element Biotar - Split-Rear Singlet <"@5. f1"Y
12.4 The Seven-Element Biotar - Broken Contact Front Doublet B4eV $~<
12.5 The Seven-Element Biotar - One Compounded Outer Element x-s\0l
12.6 The Eight-Element Biotar H+5S )r
12.7 A “Doubled Double-Gauss” Relay giHqc7-PaX
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13 Telephoto Lenses f>[{1M]n\
13.1 The Basic Telephoto eL1)_M;{
13.2 Close-up or Macro Lenses 5 "&=BD~D
13.3 Telephoto Designs |e91KmiqJ
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]VoJ7LoCZ'
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses U"535<mR
14.1 The Reverse Telephoto Principle 5Bp>*MR/".
14.2 The Basic Retrofocus Lens |& _(I
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ~Z}DN*S
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15 Wide Angle Lenses with Negative Outer Lenses Iwe Ne`Z
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16 The Petzval Lens; Head-up Display Lenses v9 8s78
16.1 The Petzval Portrait Lens :_:o%
16.2 The Petzval Projection Lens l {Xy %8
16.3 The Petzval with a Field Flattener kZ'wXtBYe
16.4 Very Height Speed Petzval Lenses `k -|G2
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems W?yGV{#V(=
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17 Microscope Objectives / hYFOZ
17.1 General Considerations ^+}~"nv D
17.2 Classic Objective Design Forms; The Aplanatic Front 4U*CfdZZ
17.3 Flat-Field Objectives U
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17.4 Reflecting Objectives J~}i}|YC>
17.5 The Microscope Objective Designs dMK\ y4#i
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18 Mirror and Catadioptric Systems TTJj=KPA
18.1 The Good and Bad Points of Mirrors X nB-1{a1
18.2 The Classic Two-Mirror Systems g^))
18.3 Catadioptric Systems co*X W
18.4 Aspheric Correctors and Schmidt Systems KeWI C,kq
18.5 Confocal Paraboloids f@ .s(i=z
18.6 Unobscured Systems \{54mM~
18.7 Design of a Schmidt-Cassegrain “from Scratch” ,|?rt`8)Q
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19 Infrared and Ultraviolet Systems A5~OHmeK
19.1 Infrared Optics @@& ? ,3
19.2 IR Objective Lenses J+=?taZ
19.3 IR Telescope %$F_ oO7"
19.4 Laser Beam Expanders "\qm + g
19,5 Ultraviolet Systems 6|Xm8,]yRw
19.6 Microlithographic Lenses S"%W^)mZ
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20 Zoom Lenses Wql,*|
20.1 Zoom Lenses WQv`%%G2>
20.2 Zoom Lenses for Point and Shoot Cameras toel!+
20.3 A 20X Video Zoom Lens ~8Ez K_c
20.4 A Zoom Scanner Lens P9M. J^<
20.5 A Possible Zoom Lens Design Procedure Ph17(APt,Q
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21 Projection TV Lenses and Macro Lenses Z`>m
21.1 Projection TV Lenses Asli<L(?`
21.2 Macro Lenses 0W ,.1J2*
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22 Scanner/ , Laser Disk and Collimator Lenses \vgM `32<
22.1 Monochromatic Systems S6{u(= H
22.2 Scanner Lenses ;rC< C
22.3 Laser Disk, Focusing, and Collimator Lenses MI>_wG5P@
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23 Tolerance Budgeting $ZRvvm!f
23.1 The Tolerance Budget LUEZqIf
23.2 Additive Tolerances beFD}`
23.3 Establishing the Tolerance Budget <X ([VZ
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24 Formulary |b+CXEzo
24.1 Sign Conventions, Symbols, and Definitions Y``]66\Fp
24.2 The Cardinal Points 0xc| Wn>
24.3 Image Equations vv F]g.,
24.4 Paraxial Ray Tracing (Surface by Surface) Ag} P
24.5 Invariants =gHUY&sPu8
24.6 Paraxial Ray Tracing (Component by Component) okH*2F(-
24.7 Two-Componenet Relationships \`-a'u=S
24.8 Third-Order Aberrations – Surface Contributions )pG*_q
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 5RR4jX]
24.10 Stop Shift Equations rV B \ \
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 4M P8t@z
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) # O!gjZ,
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Glossary y':65NMda
Reference /.Jq]"
Index
