"Modern Lens Design" 2nd Edition by Warren J. Smith yJKezIL\z
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Contents of Modern Lens Design 2nd Edition ETtK%%F0
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1 Introduction \l]jX:
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1.1 Lens Design Books ) W c#?K
1.2 Reference Material ~ xXB
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1.3 Specifications Xbap' /t
1.4 Lens Design |5Z@7
1.5 Lens Design Program Features "+7~C6[s
1.6 About This Book o}NKqA3
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2 Automatic Lens Design t( ZiQ<A
2.2 The Merit Function [bv.`
2.3 Local Minima 57HMWlg
2.4 The Landscape Lens @NV$!FB<
2.5 Types of Merit Function #" f: m`
2.6 Stagnation %3kqBH!d
2.7 Generalized Simulated Annealing ^ ]`<nO
2.8 Considerations about Variables for Optimization X?1 :Z|pJ
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems _ b#9^2o
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits n*-#VKK^
2.11 Spectral Weighting &#d;dcLe
2.12 How to Get Started u2!8'-Ai
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3 Improving a Design e"2 wXd_}
3.1 Lens Design Tip Sheet: Standard Improvement Techniques E=7" };
3.2 Glass Changes ( Index and V Values ) .$?s :t
3.3 Splitting Elements h`5au<h<
3.4 Separating a Cemented Doublet Kj'm<]u
3.5 Compounding an Element /#Ew{RvW'
3.6 Vignetting and Its Uses p 6jR,m8S
3.7 Eliminating a Weak Element; the Concentric Problem VS 8|lgQ
3.8 Balancing Aberrations )iEK7d^-
3.9 The Symmetrical Principle w8@ Ok_fj
3.10 Aspheric Surfaces ,Cx5(
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4 Evaluation: How Good is This Design /e\}
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4.1 The Uses of a Preliminary Evaluation D./e|i?
4.2 OPD versus Measures of Performance FUHa"$Bg
4.3 Geometric Blur Spot Size versus Certain Aberrations =0 m[
4.4 Interpreting MTF - The Modulation Transfer Function 3 :f5xF
4.5 Fabrication Considerations [*50Ng>P`
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5 Lens Design Data t CA |sN
5.1 About the Sample Lens Designs *d(wO l5[
5.2 Lens Prescriptions, Drawings, and Aberration Plots u8o!ncy
5.3 Estimating the Potential of a Redesign 0w(<pNA
5.4 Scaling a Desing, Its Aberrations, and Its MTF ~tz[=3!1H
5.5 Notes on the Interpretation of Ray Intercept Plots AbfLV942
5.6 Various Evaluation Plot ^t#]E #
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6 Telescope Objective A0&~U0*( ~
6.1 The Thin Airspaced Doublet g ,Q! F
6.2 Merit Function for a Telescope Objective |F6C&GNYT
6.3 The Design of an f/7 Cemented Doublet Telescope Objective s$`evX7D
6.4 Spherochromatism :Z`4ea"w
6.5 Zonal Spherical Aberration NUm3E4
6.6 Induced Aberrations W.H_G.C%
6.7 Three-Element Objectives ts)0+x
6.8 Secondary Spectrum (Apochromatic Systems) t6 js@Ih
6.9 The Design of an f/7 Apochromatic Triplet \r<&7x#j
6.10 The Diffractive Surface in Lens Design DY,Sfh;tp
6.11 A Final Note !Ng^k>*h
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7 Eyepieces and Magnifiers /$ L;m
7.1 Eyepieces J$'T2@H#
7.2 A Pair of Magnifier Designs ]>:%:-d6
7.3 The Simple, Classical Eyepieces J!S3pS5j
7.4 Design Story of an Eyepiece for a 6*30 Binocular 0Z9 jlwc Q
7.5 Four-Element Eyepieces pz-`Tp w
7.6 Five-Element Eyepieces l`,`N+FG
7.7 Very High Index Eyepiece/Magnifier !%5{jO1
7.8 Six- and Seven-Element Eyepieces }V 9146
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8 Cooke Triplet Anastigmats B#q5 Ut
8.1 Airspaced Triplet Anastigmats yhUc]6`V.H
8.2 Glass Choice }eB\k,7L
8.3 Vertex Length and Residual Aberrations p>R F4
8.4 Other Design Considerations )Cx8?\/c=x
8.5 A Plastic, Aspheric Triplet Camera Lens kqHh@]Z0'
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet RV&2y=eb
8.7 Possible Improvement to Our “Basic” Triplet vy -{ BH
8.7 The Rear Earth (Lanthanum) Glasses W*8 D@a0 _
8.9 Aspherizing the Surfaces }H^# }
8.10 Increasing the Element Thickness J-u,6c
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9 Split Triplets ")Bf^DV
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10 The Tessar, Heliar, and Other Compounded Triplets u1nv' \*
10.1 The Classic Tessar B RH:5h
10.2 The Heliar/Pentac )rj.WK.
10.3 The Portrait Lens and the Enlarger Lens L @G)K
10.4 Other Compounded Triplets Jr1^qY`0+
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ,PIdPaV--
9 Z#37)
11 Double-Meniscus Anastigmats !3T x\a`?/
11.1 Meniscus Components 0.+iVOz+Y
11.2 The Hypergon, Totogon, and Metrogon 9:BGA/?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens XFBk:~}sI
11.4 Protar, Dagor, and Convertible Lenses nP0} vX)<
11.5 The Split Dagor c&R .
11.6 The Dogmar W#??fae
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens %\- +SeC
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12 The Biotar or Double-Gauss Lens Ha 3XH_
12.1 The Basic Six-Element Version hO(HwG?8t
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 40@KL$B=
12.3 The Seven-Element Biotar - Split-Rear Singlet ClfpA?vv
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ^,`Lt *
12.5 The Seven-Element Biotar - One Compounded Outer Element fWLsk
12.6 The Eight-Element Biotar ` D4J9;|;]
12.7 A “Doubled Double-Gauss” Relay &[3!Lk`.0
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13 Telephoto Lenses pp{%\td
13.1 The Basic Telephoto Sb{S^w\m0
13.2 Close-up or Macro Lenses t+?\4+!<
13.3 Telephoto Designs *|` ' L
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch huN(Q{fj
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses )3u[btm
14.1 The Reverse Telephoto Principle fc!%W#-
14.2 The Basic Retrofocus Lens
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses (@& |
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15 Wide Angle Lenses with Negative Outer Lenses 3K#e]zoI
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16 The Petzval Lens; Head-up Display Lenses OB"QWdh
16.1 The Petzval Portrait Lens }f({ 03$
16.2 The Petzval Projection Lens f[ER`!
16.3 The Petzval with a Field Flattener $~ `(!pa:
16.4 Very Height Speed Petzval Lenses m7 !l3W2
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems s"Kp+tTWj
x K_$^c.
17 Microscope Objectives h@Hmo^!9J
17.1 General Considerations WcUeWGC>
17.2 Classic Objective Design Forms; The Aplanatic Front | kV xrq
17.3 Flat-Field Objectives q#WqU8~Y
17.4 Reflecting Objectives [ PQG]"
17.5 The Microscope Objective Designs '.^JN@
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18 Mirror and Catadioptric Systems a~{St v
18.1 The Good and Bad Points of Mirrors S"_vD<q
18.2 The Classic Two-Mirror Systems L9AfLw5&X
18.3 Catadioptric Systems ! q1Ql18n
18.4 Aspheric Correctors and Schmidt Systems $/d~bk@=l
18.5 Confocal Paraboloids (d!vm\-PH
18.6 Unobscured Systems j#~4JGZt
18.7 Design of a Schmidt-Cassegrain “from Scratch” pF8'S{y
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19 Infrared and Ultraviolet Systems 1w5p *U0 ;
19.1 Infrared Optics PH=wP ft
19.2 IR Objective Lenses k} <mmKB
19.3 IR Telescope 0\ gE^=o[
19.4 Laser Beam Expanders C3memimN
19,5 Ultraviolet Systems lX7#3ti:
19.6 Microlithographic Lenses $23R%8j
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20 Zoom Lenses dY O87n
20.1 Zoom Lenses @yek6E&9
20.2 Zoom Lenses for Point and Shoot Cameras ^^ ?ECnpcU
20.3 A 20X Video Zoom Lens h2tzv~
20.4 A Zoom Scanner Lens E3KP jK
20.5 A Possible Zoom Lens Design Procedure Uz62!)
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21 Projection TV Lenses and Macro Lenses _e -a>y
21.1 Projection TV Lenses o= 8yp2vG
21.2 Macro Lenses 4
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22 Scanner/ , Laser Disk and Collimator Lenses a<HM|dcst
22.1 Monochromatic Systems y24 0 +;a
22.2 Scanner Lenses 3yZ@i<rfH
22.3 Laser Disk, Focusing, and Collimator Lenses \ KPz
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23 Tolerance Budgeting {fS/ZG"5<t
23.1 The Tolerance Budget >&$ V"*]
23.2 Additive Tolerances |Rab'9U^
23.3 Establishing the Tolerance Budget y[$e]N
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24 Formulary >
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24.1 Sign Conventions, Symbols, and Definitions 8>epKFEg
24.2 The Cardinal Points }y0UyOa{ C
24.3 Image Equations EM([N*8o
24.4 Paraxial Ray Tracing (Surface by Surface) ,qr)}s-
24.5 Invariants Cf10 ud
24.6 Paraxial Ray Tracing (Component by Component) | e pe;/
24.7 Two-Componenet Relationships = F:d#j>F
24.8 Third-Order Aberrations – Surface Contributions g"#+U7O
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs I015 )vFc
24.10 Stop Shift Equations W*_ifZ0s.
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces E@N_~1
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Db3t I#
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Glossary fNlU c
Reference FB</~
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Index
