[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith :x)H!z P  
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Contents of Modern Lens Design 2nd Edition VN0We<\Z  
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1    Introduction         ~ELMLwn.  
1.1    Lens Design Books     P5h|* ?=  
1.2    Reference Material     QEhn  
1.3    Specifications     c+9L6}D  
1.4    Lens Design     l%0bF9\  
1.5    Lens Design Program Features     ff\~`n~WZ  
1.6    About This Book     t'rN7.d  
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2    Automatic Lens Design         ZgP%sF  
2.2    The Merit Function         4Z( #;9f  
2.3    Local Minima     vxOqo)yO  
2.4    The Landscape Lens     xc:E>-  
2.5    Types of Merit Function     =|S%Rzsk  
2.6    Stagnation     IOcQI:4.`  
2.7    Generalized Simulated Annealing     elOeXYO0  
2.8    Considerations about Variables for Optimization     cqS :Zq  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems `6D?te  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     Ymk?@mV4  
2.11    Spectral Weighting     Ke\\B o,  
2.12    How to Get Started     ;]>kp^C#  
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3    Improving a Design     bbK};u  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     5Q?Jm~H9  
3.2    Glass Changes ( Index and V Values )     >='/%Ad  
3.3    Splitting Elements     W$rWg>4>  
3.4    Separating a Cemented Doublet     0 &zp
 
3.5    Compounding an Element     GXtMX ha,  
3.6    Vignetting and Its Uses     `>gG"1,]  
3.7    Eliminating a Weak Element; the Concentric Problem     UN]gn>~j  
3.8    Balancing Aberrations     94u{k1d x  
3.9    The Symmetrical Principle     /4:bx#;A  
3.10    Aspheric Surfaces     ,
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4    Evaluation: How Good is This Design     XO <wK  
4.1    The Uses of a Preliminary Evaluation     ~VGnE:  
4.2    OPD versus Measures of Performance     k~Ex_2;#  
4.3    Geometric Blur Spot Size versus Certain Aberrations     /`*{57/3  
4.4    Interpreting MTF - The Modulation Transfer Function     : \+xXb{  
4.5    Fabrication Considerations     ) 7/Cg  
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5    Lens Design Data     2Je$SE8  
5.1    About the Sample Lens Designs     
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5.2    Lens Prescriptions, Drawings, and Aberration Plots     A6N6e\*  
5.3    Estimating the Potential of a Redesign     /{i~CGc;"  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     oL<#9)+2*  
5.5    Notes on the Interpretation of Ray Intercept Plots     <$~lFV  
5.6    Various Evaluation Plot     \Pg~j\;F]  
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6    Telescope Objective     V]=22Cxi'~  
6.1    The Thin Airspaced Doublet     P6:9o}K6  
6.2    Merit Function for a Telescope Objective     D'" T'@  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     |3*9+4]a  
6.4    Spherochromatism     IGdiIhH~2  
6.5    Zonal Spherical Aberration     n ~t{]if"  
6.6    Induced Aberrations     1K72}Gj)ZL  
6.7    Three-Element Objectives     C"{^w
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6.8    Secondary Spectrum (Apochromatic Systems)     #@XBHJD\#  
6.9    The Design of an f/7 Apochromatic Triplet     @,vmX z  
6.10    The Diffractive Surface in Lens Design     "[bkdL<  
6.11    A Final Note     ;FPx
  
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7    Eyepieces and Magnifiers     K`4rUEf}V"  
7.1    Eyepieces     p@<Q?  
7.2    A Pair of Magnifier Designs     w+M
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7.3    The Simple, Classical Eyepieces     jh5QIZf=  
7.4    Design Story of an Eyepiece for a 6*30 Binocular    
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7.5    Four-Element Eyepieces     *FS8]!Qg  
7.6    Five-Element Eyepieces     ]g_VPx"  
7.7    Very High Index Eyepiece/Magnifier     DiCz%'N  
7.8    Six- and Seven-Element Eyepieces     $%<{zWQm  
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8    Cooke Triplet Anastigmats     cG|fau<G  
8.1    Airspaced Triplet Anastigmats     wwUI ;g  
8.2    Glass Choice     !FEc:qH  
8.3    Vertex Length and Residual Aberrations     =~D? K9o  
8.4    Other Design Considerations     d t/AAk6  
8.5    A Plastic, Aspheric Triplet Camera Lens     ({
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8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet E)"19l|}B  
8.7    Possible Improvement to Our “Basic” Triplet     N5 ME_)  
8.7    The Rear Earth (Lanthanum) Glasses     g}an 5a  
8.9    Aspherizing the Surfaces     m4:c$5  
8.10    Increasing the Element Thickness     7CIN!vrC|1  
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9    Split Triplets     &i#$ia r  
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10    The Tessar, Heliar, and Other Compounded Triplets     TCr4-"`r-{  
10.1    The Classic Tessar     T(J'p4  
10.2    The Heliar/Pentac     Ln"wjO,  
10.3    The Portrait Lens and the Enlarger Lens     _&<n'fK[  
10.4    Other Compounded Triplets     ]e>qvSuYh  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar b!<_ JOL2.  
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11    Double-Meniscus Anastigmats     ,7{|90'V<  
11.1    Meniscus Components     }:Z
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11.2    The Hypergon, Totogon, and Metrogon     Y(Q 0m|3P  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     2d)Dhxzxk  
11.4    Protar, Dagor, and Convertible Lenses     |'^s3i&w  
11.5    The Split Dagor      Nx}nOm  
11.6    The Dogmar     _NDQ2O  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     tOwn M1 :(  
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12    The Biotar or Double-Gauss Lens     7!O"k#  
12.1    The Basic Six-Element Version     qmS9*me {  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens :F(4&e=w  
12.3    The Seven-Element Biotar - Split-Rear Singlet     Xs03..S  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     ``MO5${  
12.5    The Seven-Element Biotar - One Compounded Outer Element     crmQn ^4\  
12.6    The Eight-Element Biotar     Llfl I  
12.7    A “Doubled Double-Gauss” Relay     !)s(Lv%]  
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13    Telephoto Lenses     "?" :  
13.1    The Basic Telephoto     Y
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13.2    Close-up or Macro Lenses     l6M?[  
13.3    Telephoto Designs     u
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13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch _O`prX.:B0  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     r!r08yf  
14.1    The Reverse Telephoto Principle     ~ua(Qm  
14.2    The Basic Retrofocus Lens     }$ y.qqG  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     |J$A%27  
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15    Wide Angle Lenses with Negative Outer Lenses     u[a-9^&g  
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16    The Petzval Lens; Head-up Display Lenses     x]^d'o:cDP  
16.1    The Petzval Portrait Lens     FFT)m^4p.  
16.2    The Petzval Projection Lens     lrrTeE*  
16.3    The Petzval with a Field Flattener     ,NO[Piok  
16.4    Very Height Speed Petzval Lenses     YPK@BmAdE  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     5'!fi]Z  
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17    Microscope Objectives     Kz'GAm\  
17.1    General Considerations     ak7%  
17.2    Classic Objective Design Forms; The Aplanatic Front     K1 f1T  
17.3    Flat-Field Objectives     {`HbpM<=m]  
17.4    Reflecting Objectives     B`SX3,3  
17.5    The Microscope Objective Designs     Yy~x`P'g!  
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18    Mirror and Catadioptric Systems     Et6j6gmif  
18.1    The Good and Bad Points of Mirrors     6 AO(A *  
18.2    The Classic Two-Mirror Systems AD;m[u7  
18.3    Catadioptric Systems     =?]`Xo
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18.4    Aspheric Correctors and Schmidt Systems     @&jR^`Y.  
18.5    Confocal Paraboloids     _Sjj|j  
18.6    Unobscured Systems     2dts}G  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     Q%CrB>|@  
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19    Infrared and Ultraviolet Systems     Zpd-ob  
19.1    Infrared Optics     ; _%zf5;'  
19.2    IR Objective Lenses     8\J$\Edv  
19.3    IR Telescope     w1Bkz\95  
19.4    Laser Beam Expanders     :3F[!y3b  
19,5    Ultraviolet Systems     ~/^fdGr  
19.6    Microlithographic Lenses     %!` %21  
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20    Zoom Lenses     FM]clC;X?  
20.1    Zoom Lenses     5;`Ot2  
20.2    Zoom Lenses for Point and Shoot Cameras     :7{GOx  
20.3    A 20X Video Zoom Lens     FH</[7f;@N  
20.4    A Zoom Scanner Lens     ,e'r 0  
20.5    A Possible Zoom Lens Design Procedure     <Zva  
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21    Projection TV Lenses and Macro Lenses     `;mgJD  
21.1    Projection TV Lenses     jHEP1rNHE  
21.2    Macro Lenses     p39$V[*g(  
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22    Scanner/ , Laser Disk and Collimator Lenses     +S+!:IB  
22.1    Monochromatic Systems     1 -Z&/3T]  
22.2    Scanner Lenses     gY+d[3N  
22.3    Laser Disk, Focusing, and Collimator Lenses     kTjn%Sn,  
    \p:)Cdn  
23    Tolerance Budgeting     h<L_ =)lH  
23.1    The Tolerance Budget     oVK?lQ~y  
23.2    Additive Tolerances     auI`'O`/  
23.3    Establishing the Tolerance Budget     we}xGb.u  
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24    Formulary K0>;4E>B  
24.1    Sign Conventions, Symbols, and Definitions     ;$tdn?|  
24.2    The Cardinal Points     5$ How!  
24.3    Image Equations     tk0m[HN@eV  
24.4    Paraxial Ray Tracing (Surface by Surface)     {~&]  
24.5    Invariants     H2iIBGu|L  
24.6    Paraxial Ray Tracing (Component by Component)     L1_O!EQ  
24.7    Two-Componenet Relationships     PE.UNo>o  
24.8    Third-Order Aberrations – Surface Contributions     @l3&vt2=J  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     HRTNIx  
24.10    Stop Shift Equations     !- [ZQ  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     7!qeIz  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     qKSR5 #  
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'7' 73  
Glossary d
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Reference pZ $>Hh#  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 b;`MHEzw&q  
我怎么瞧不明白。

有没有人呀 I]#x0?D  
有个问题想请教大家