"Modern Lens Design" 2nd Edition by Warren J. Smith I u[|<Cx
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Contents of Modern Lens Design 2nd Edition *L4`$@l8
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1 Introduction T;5r{{
1.1 Lens Design Books Q~{H@D`<
1.2 Reference Material QHq,/kWY
1.3 Specifications Pe;Y1Qq>>
1.4 Lens Design &;&ho+qD
1.5 Lens Design Program Features TZR)C P5
1.6 About This Book *Hz^K0:8(
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2 Automatic Lens Design Dd/wUP
2.2 The Merit Function "A$!,
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2.3 Local Minima ,Wbwg
2.4 The Landscape Lens @#g<IBG=*
2.5 Types of Merit Function q
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2.6 Stagnation $D'- k]E[H
2.7 Generalized Simulated Annealing Z;/$niY
2.8 Considerations about Variables for Optimization EJ@p-} I!
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems V w|| !d
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits @a:>$t
2.11 Spectral Weighting VHJM*&5
2.12 How to Get Started f y :,_#
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3 Improving a Design l
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques C?Bl{4-P}*
3.2 Glass Changes ( Index and V Values ) w- wV3Q6X
3.3 Splitting Elements eq(am%3~
3.4 Separating a Cemented Doublet Qx;\US v
3.5 Compounding an Element E :9"cxx
3.6 Vignetting and Its Uses #P
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3.7 Eliminating a Weak Element; the Concentric Problem [I!6PGx
3.8 Balancing Aberrations =U%Rvm
3.9 The Symmetrical Principle bef_rH@`
3.10 Aspheric Surfaces g L_Y,A~Q{
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4 Evaluation: How Good is This Design {M-YHX>*;g
4.1 The Uses of a Preliminary Evaluation ?qCK7 $ j
4.2 OPD versus Measures of Performance [W %$qZlP
4.3 Geometric Blur Spot Size versus Certain Aberrations P9 g en6
4.4 Interpreting MTF - The Modulation Transfer Function $hivlI-7Ko
4.5 Fabrication Considerations QUU;g 2k
3 5E _W>n
5 Lens Design Data h 3]wL.V
5.1 About the Sample Lens Designs
A) ;
5.2 Lens Prescriptions, Drawings, and Aberration Plots MrZh09y
5.3 Estimating the Potential of a Redesign A C>`'Gx
5.4 Scaling a Desing, Its Aberrations, and Its MTF 1
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5.5 Notes on the Interpretation of Ray Intercept Plots 8!Vl
5.6 Various Evaluation Plot ^*P%=>zO
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6 Telescope Objective q#< ^ ^4U
6.1 The Thin Airspaced Doublet o. 0ci+z@
6.2 Merit Function for a Telescope Objective -F U}pz/
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ~//fN}~R
6.4 Spherochromatism GGnpjwXeH
6.5 Zonal Spherical Aberration {r@Ty*W}
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6.6 Induced Aberrations 0T Q$C-%
6.7 Three-Element Objectives J ]no hICe
6.8 Secondary Spectrum (Apochromatic Systems) +=O5 YR!{
6.9 The Design of an f/7 Apochromatic Triplet MyT q
6.10 The Diffractive Surface in Lens Design 8 7D *-G w
6.11 A Final Note bbrXgQ`s+w
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7 Eyepieces and Magnifiers b )B?
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7.1 Eyepieces o4|M0
7.2 A Pair of Magnifier Designs G1 vNt7
7.3 The Simple, Classical Eyepieces {phNds%
7.4 Design Story of an Eyepiece for a 6*30 Binocular 28 ?\
7.5 Four-Element Eyepieces :A/d to
7.6 Five-Element Eyepieces Y;?{|
7.7 Very High Index Eyepiece/Magnifier S:h{2{
7.8 Six- and Seven-Element Eyepieces mIK7p 6
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8 Cooke Triplet Anastigmats zd @m~V
8.1 Airspaced Triplet Anastigmats \ExMk<y_&
8.2 Glass Choice ,6-:VIHQ
8.3 Vertex Length and Residual Aberrations WA+iYLx@H
8.4 Other Design Considerations Mu+0<>
8.5 A Plastic, Aspheric Triplet Camera Lens '.:z&gSqx0
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet G"h'_7
8.7 Possible Improvement to Our “Basic” Triplet vX/T3WV
8.7 The Rear Earth (Lanthanum) Glasses L DP UD'
8.9 Aspherizing the Surfaces hDF@'G8F
8.10 Increasing the Element Thickness wOU_*uY@6'
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9 Split Triplets |5lk9<z
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10 The Tessar, Heliar, and Other Compounded Triplets >CHrg]9
10.1 The Classic Tessar <g$~1fa
10.2 The Heliar/Pentac #d6)#:uss
10.3 The Portrait Lens and the Enlarger Lens P G qQ@6B
10.4 Other Compounded Triplets aDU<wxnSvO
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar =vX/{C
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11 Double-Meniscus Anastigmats 4y|BOVl
11.1 Meniscus Components A1O' |7X
11.2 The Hypergon, Totogon, and Metrogon
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens 3}}38A|4
11.4 Protar, Dagor, and Convertible Lenses t'n pG}`tE
11.5 The Split Dagor JRB9rSN^
11.6 The Dogmar KVc lhT<F
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens hgPa6Kd
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12 The Biotar or Double-Gauss Lens qLD
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12.1 The Basic Six-Element Version IxY|>5z
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens uvkz'R=
12.3 The Seven-Element Biotar - Split-Rear Singlet T&6l$1J
12.4 The Seven-Element Biotar - Broken Contact Front Doublet H?yK~bGQ
12.5 The Seven-Element Biotar - One Compounded Outer Element MTuV^0%jD
12.6 The Eight-Element Biotar CsGx@\jN
12.7 A “Doubled Double-Gauss” Relay La`N PY_:>
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13 Telephoto Lenses > qnko9 V
13.1 The Basic Telephoto rNXQf'*I
13.2 Close-up or Macro Lenses +^6 0T$
13.3 Telephoto Designs LBYMCY
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch +r2+X:#~T
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses D4eDHq
14.1 The Reverse Telephoto Principle oB(?_No7
14.2 The Basic Retrofocus Lens u^^[Q2LDU}
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses "L IF.)
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15 Wide Angle Lenses with Negative Outer Lenses XP!S$Q]D
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16 The Petzval Lens; Head-up Display Lenses , qMzW a
16.1 The Petzval Portrait Lens 1m4$ p2j
16.2 The Petzval Projection Lens 5-:?&|JK;
16.3 The Petzval with a Field Flattener -_=nDH
16.4 Very Height Speed Petzval Lenses R0KPZv-
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems UXJ eAE-
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17 Microscope Objectives ]C!gQq2'a
17.1 General Considerations kMIcK4.MH
17.2 Classic Objective Design Forms; The Aplanatic Front <}C
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17.3 Flat-Field Objectives xQ f*
17.4 Reflecting Objectives }|h# \$w
17.5 The Microscope Objective Designs R`NYEptJ
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18 Mirror and Catadioptric Systems LBw1g<&
18.1 The Good and Bad Points of Mirrors 9 P l
18.2 The Classic Two-Mirror Systems W=~~5jFX
18.3 Catadioptric Systems l!D}3jD
18.4 Aspheric Correctors and Schmidt Systems >FeX<L
18.5 Confocal Paraboloids 3#LlDC_WC
18.6 Unobscured Systems qU \w=
18.7 Design of a Schmidt-Cassegrain “from Scratch” uy>q 7C
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19 Infrared and Ultraviolet Systems 7`*h2 mgY
19.1 Infrared Optics ; 5*&x z
19.2 IR Objective Lenses Zu*F#s!tUI
19.3 IR Telescope j *|V ctM
19.4 Laser Beam Expanders yuh *
19,5 Ultraviolet Systems zYH&i6nj
19.6 Microlithographic Lenses L^1NY3=$
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20 Zoom Lenses ]% ;:7? 5l
20.1 Zoom Lenses )v'WWwXY>
20.2 Zoom Lenses for Point and Shoot Cameras 6fkRrD
20.3 A 20X Video Zoom Lens y6g&Y. :o
20.4 A Zoom Scanner Lens g_;\iqxL
20.5 A Possible Zoom Lens Design Procedure fBU`k_
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21 Projection TV Lenses and Macro Lenses on4HKeO
21.1 Projection TV Lenses |Tv#4st
21.2 Macro Lenses ld[I}88$
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22 Scanner/ , Laser Disk and Collimator Lenses lov!o: dJ
22.1 Monochromatic Systems $zU P?Gq!
22.2 Scanner Lenses &sl0W-;0
22.3 Laser Disk, Focusing, and Collimator Lenses f[]dfLS"W
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23 Tolerance Budgeting lt/1f{v[:
23.1 The Tolerance Budget #NQMy:JHD)
23.2 Additive Tolerances (^ J I%>
23.3 Establishing the Tolerance Budget Pd8
