"Modern Lens Design" 2nd Edition by Warren J. Smith I$MlIz$l v
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Contents of Modern Lens Design 2nd Edition <n b%$2r1
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1 Introduction H>W8F2VT
1.1 Lens Design Books C
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1.2 Reference Material 1= 7ASS9
1.3 Specifications ;b:'i& r
1.4 Lens Design D6H?*4f]
1.5 Lens Design Program Features R7U%v"F>`
1.6 About This Book 9K#3JyW*
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2 Automatic Lens Design reNf?7G+m
2.2 The Merit Function V[uSo$k+>
2.3 Local Minima vS)>g4
2.4 The Landscape Lens s2<[@@@q
2.5 Types of Merit Function 6M. |W;
2.6 Stagnation Dk>6PBl
2.7 Generalized Simulated Annealing "l9aBBiu
2.8 Considerations about Variables for Optimization +wJ!zab`
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems JSi0-S[Y{
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits N'WC!K.e
2.11 Spectral Weighting vg5_@7
2.12 How to Get Started RgA"`p7{
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3 Improving a Design "TJ*mN.i{}
3.1 Lens Design Tip Sheet: Standard Improvement Techniques g&85L$
3.2 Glass Changes ( Index and V Values ) ~D>pu%F
3.3 Splitting Elements b c4 V&
3.4 Separating a Cemented Doublet r uGeN
3.5 Compounding an Element R"9w VM;*c
3.6 Vignetting and Its Uses huS*1xl
3.7 Eliminating a Weak Element; the Concentric Problem jS~Pdz
3.8 Balancing Aberrations Pk I+z_
3.9 The Symmetrical Principle p7@R+F\.};
3.10 Aspheric Surfaces &e@)yVLL
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4 Evaluation: How Good is This Design 9aY8`B
4.1 The Uses of a Preliminary Evaluation (/N&_r4 x
4.2 OPD versus Measures of Performance aY#?QjL
4.3 Geometric Blur Spot Size versus Certain Aberrations 1 kKfFpN
4.4 Interpreting MTF - The Modulation Transfer Function _1&Ar4:
4.5 Fabrication Considerations xE
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5 Lens Design Data -PAEJn5$O
5.1 About the Sample Lens Designs C[G+SA1&W
5.2 Lens Prescriptions, Drawings, and Aberration Plots C DRbYO
5.3 Estimating the Potential of a Redesign flo$[]`.7
5.4 Scaling a Desing, Its Aberrations, and Its MTF m;]wKd"
5.5 Notes on the Interpretation of Ray Intercept Plots } P ,"
5.6 Various Evaluation Plot _OTVQo Ap
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6 Telescope Objective - ~|Gwr"
6.1 The Thin Airspaced Doublet Leb|YX
6.2 Merit Function for a Telescope Objective ;//9,x9;t
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ]FZPgO'G
6.4 Spherochromatism NeG` D'
6.5 Zonal Spherical Aberration ;6Yg} L
6.6 Induced Aberrations j *G: 8Lg
6.7 Three-Element Objectives H{vKk
6.8 Secondary Spectrum (Apochromatic Systems) $VvgzjrH
6.9 The Design of an f/7 Apochromatic Triplet Vv}R
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6.10 The Diffractive Surface in Lens Design ^ls@Gr7`P
6.11 A Final Note `.@sux!lu
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7 Eyepieces and Magnifiers ;_e 9v,
7.1 Eyepieces 5M~{MdF|.
7.2 A Pair of Magnifier Designs ;na%*G `
7.3 The Simple, Classical Eyepieces 3X`9&0:j%
7.4 Design Story of an Eyepiece for a 6*30 Binocular G/<zd)
7.5 Four-Element Eyepieces eKvr1m- -
7.6 Five-Element Eyepieces Iz09O:ER
7.7 Very High Index Eyepiece/Magnifier >8"Svt$
7.8 Six- and Seven-Element Eyepieces /;#kV]nF
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8 Cooke Triplet Anastigmats 05 q760I+
8.1 Airspaced Triplet Anastigmats p8~lG uH
8.2 Glass Choice OL>>/T
8.3 Vertex Length and Residual Aberrations @@Ybg6.+*
8.4 Other Design Considerations ORs :S$Nt$
8.5 A Plastic, Aspheric Triplet Camera Lens V | 97;
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Q +T#J9Y
8.7 Possible Improvement to Our “Basic” Triplet E]OexRJ^ i
8.7 The Rear Earth (Lanthanum) Glasses y9 {7+]
8.9 Aspherizing the Surfaces /GIGE##1F
8.10 Increasing the Element Thickness Qh1pX}X
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9 Split Triplets S)W xTE 9
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10 The Tessar, Heliar, and Other Compounded Triplets t<p#u=jOa
10.1 The Classic Tessar vPNbV
10.2 The Heliar/Pentac h9H z6
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10.3 The Portrait Lens and the Enlarger Lens @|anu&Hm
10.4 Other Compounded Triplets #c^] p/
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar x|0C0a\"A
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11 Double-Meniscus Anastigmats $*#^C;7O
11.1 Meniscus Components 89FAh6u E
11.2 The Hypergon, Totogon, and Metrogon \34vE@V*
11.3 A Two Element Aspheric Thick Meniscus Camera Lens BV~J*e
11.4 Protar, Dagor, and Convertible Lenses bkV<ZUW|;
11.5 The Split Dagor L@S\ rImw
11.6 The Dogmar D$}8GYq
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens M%S7cIX
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12 The Biotar or Double-Gauss Lens "`49m7q1H
12.1 The Basic Six-Element Version JY,$B-l
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ;'n%\*+fHH
12.3 The Seven-Element Biotar - Split-Rear Singlet .dlsiBh
12.4 The Seven-Element Biotar - Broken Contact Front Doublet OTXZdAv
12.5 The Seven-Element Biotar - One Compounded Outer Element _ nMd
12.6 The Eight-Element Biotar \) ~d,M}kK
12.7 A “Doubled Double-Gauss” Relay PXMd=,}
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13 Telephoto Lenses d?*] /ZiR
13.1 The Basic Telephoto X9m^i2tk
13.2 Close-up or Macro Lenses k: P n.<
13.3 Telephoto Designs X,k^p[Rcu
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]/=R ABi
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses W@T \i2r$z
14.1 The Reverse Telephoto Principle Jl~ *@0(
14.2 The Basic Retrofocus Lens 5 qz,FKx5
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses xnZnbgO +
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15 Wide Angle Lenses with Negative Outer Lenses [Yt{h9
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16 The Petzval Lens; Head-up Display Lenses z\]Z/Bz:6
16.1 The Petzval Portrait Lens |4df)
16.2 The Petzval Projection Lens r:g \
16.3 The Petzval with a Field Flattener :V'99Esv`
16.4 Very Height Speed Petzval Lenses xe!bfzU
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems d?fS#Ryb
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17 Microscope Objectives '=_(fa,
17.1 General Considerations h9) S&Sk{s
17.2 Classic Objective Design Forms; The Aplanatic Front &: Q'X
17.3 Flat-Field Objectives M =^ d
17.4 Reflecting Objectives Y9)j1~
17.5 The Microscope Objective Designs io4<HN
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18 Mirror and Catadioptric Systems <\&9Odq c
18.1 The Good and Bad Points of Mirrors \d@5*q
18.2 The Classic Two-Mirror Systems |MwV4^
18.3 Catadioptric Systems u} ot-!}Q
18.4 Aspheric Correctors and Schmidt Systems
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18.5 Confocal Paraboloids +RooU?Aq
18.6 Unobscured Systems N:lfKI
18.7 Design of a Schmidt-Cassegrain “from Scratch” XY"b 90
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19 Infrared and Ultraviolet Systems S1 QMS
19.1 Infrared Optics l f>/
19.2 IR Objective Lenses UGcmzwE
19.3 IR Telescope v;]rFc#Px[
19.4 Laser Beam Expanders 6
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19,5 Ultraviolet Systems /v
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19.6 Microlithographic Lenses *] i hc u
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20 Zoom Lenses T9nb ~ P[
20.1 Zoom Lenses F 3|^b{'zO
20.2 Zoom Lenses for Point and Shoot Cameras , PlH|
20.3 A 20X Video Zoom Lens FNQ<k[#K'~
20.4 A Zoom Scanner Lens }S> 4.8
20.5 A Possible Zoom Lens Design Procedure !d72f8@9
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21 Projection TV Lenses and Macro Lenses E %mEfj7
21.1 Projection TV Lenses .#( v x;
21.2 Macro Lenses y]h0c<NP
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22 Scanner/ , Laser Disk and Collimator Lenses MmT/J1zM
22.1 Monochromatic Systems _ ;HdX$op
22.2 Scanner Lenses $. `o
22.3 Laser Disk, Focusing, and Collimator Lenses @:>"VP< (
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23 Tolerance Budgeting }3#\vn0gT
23.1 The Tolerance Budget [IYVrT&C'
23.2 Additive Tolerances 37hdZt.,
23.3 Establishing the Tolerance Budget tsb[=W!Ar8
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24 Formulary 7e"}ojt$
24.1 Sign Conventions, Symbols, and Definitions :;{M0
24.2 The Cardinal Points ]oGd,v X
24.3 Image Equations ^')8-aF
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24.4 Paraxial Ray Tracing (Surface by Surface) HI8mNX3 "j
24.5 Invariants <[dcIw<7
24.6 Paraxial Ray Tracing (Component by Component) [^hW>O=@TN
24.7 Two-Componenet Relationships !5ps,+o
24.8 Third-Order Aberrations – Surface Contributions z!}E2j_9P
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs dFz"wvu` o
24.10 Stop Shift Equations z
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 5 JzvT JMx
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 6`e{l+c=F
j`_S%E% X
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Glossary DDrR9}k
Reference 3aqH!?rVU
Index
