[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith ai-s9r'MI?  

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Contents of Modern Lens Design 2nd Edition |BFzTz,o  
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1    Introduction         os{ iY  
1.1    Lens Design Books     !Q[v"6?  
1.2    Reference Material     ]P3m=/w  
1.3    Specifications     44}5o  
1.4    Lens Design     mi] WZlg$  
1.5    Lens Design Program Features     Ip'tB4Mq  
1.6    About This Book     ??"_o3  
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2    Automatic Lens Design         O=3/qs6m  
2.2    The Merit Function         pbAL&}  
2.3    Local Minima     tfU*U>j  
2.4    The Landscape Lens     '|4+
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2.5    Types of Merit Function     }AS/^E  
2.6    Stagnation     #Kb /tOp1  
2.7    Generalized Simulated Annealing     i"G'#n~e  
2.8    Considerations about Variables for Optimization     !vnC-&G  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems wS}c\!@<,  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     r""rJzFz'  
2.11    Spectral Weighting     9;#RzelSp  
2.12    How to Get Started     [@Ac#  
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3    Improving a Design     uHI(-!O  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     w1G(s$;C  
3.2    Glass Changes ( Index and V Values )     $/M-@3wro  
3.3    Splitting Elements     fLe~X!#HF  
3.4    Separating a Cemented Doublet     vntJe^IaFd  
3.5    Compounding an Element     (S!UnBb&  
3.6    Vignetting and Its Uses     Y$L` G  
3.7    Eliminating a Weak Element; the Concentric Problem     ^^V3nT2rR3  
3.8    Balancing Aberrations     jUm-!SK}q  
3.9    The Symmetrical Principle     Hi09?AX  
3.10    Aspheric Surfaces     57q=  
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4    Evaluation: How Good is This Design     $YX{
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4.1    The Uses of a Preliminary Evaluation     ceG\Q2  
4.2    OPD versus Measures of Performance     NwF"Zh5eMW  
4.3    Geometric Blur Spot Size versus Certain Aberrations     nNCR5&,q  
4.4    Interpreting MTF - The Modulation Transfer Function     |Ml~Pmpp  
4.5    Fabrication Considerations     K(?V]Mxl6  
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5    Lens Design Data     ;3/}"yG<p  
5.1    About the Sample Lens Designs     hq7f"`  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     */e$S[5  
5.3    Estimating the Potential of a Redesign     1)= H2
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5.4    Scaling a Desing, Its Aberrations, and Its MTF     "IU}>y>J  
5.5    Notes on the Interpretation of Ray Intercept Plots     9Rk(q4.OP  
5.6    Various Evaluation Plot     `NQ  
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6    Telescope Objective     +S{m!j%B  
6.1    The Thin Airspaced Doublet     $jMA(e`Ye0  
6.2    Merit Function for a Telescope Objective     Z)|~  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     :Vxt2@p{  
6.4    Spherochromatism     sa+ JN^[X  
6.5    Zonal Spherical Aberration     )3CM9P'0  
6.6    Induced Aberrations     E.*hY+kGZ  
6.7    Three-Element Objectives     &^$@LH3  
6.8    Secondary Spectrum (Apochromatic Systems)     6vK`J"d{~D  
6.9    The Design of an f/7 Apochromatic Triplet     c$ /.Xp  
6.10    The Diffractive Surface in Lens Design     DoczQc-U+  
6.11    A Final Note     'b.jKkW7  
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7    Eyepieces and Magnifiers     \uTlwS  
7.1    Eyepieces     g}hUCx(  
7.2    A Pair of Magnifier Designs     V<9L-7X 8  
7.3    The Simple, Classical Eyepieces     Tg^8a,Lt  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     ^Z)7Z% O  
7.5    Four-Element Eyepieces     +~V_^-JG&  
7.6    Five-Element Eyepieces     >IS4  
7.7    Very High Index Eyepiece/Magnifier     y7pBcyWTE=  
7.8    Six- and Seven-Element Eyepieces     &Z~_BT  
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8    Cooke Triplet Anastigmats     o*204BGB  
8.1    Airspaced Triplet Anastigmats     rS>.!DiYr,  
8.2    Glass Choice     ,C6(  
8.3    Vertex Length and Residual Aberrations     i]<@  
8.4    Other Design Considerations     h~Ir=JV  
8.5    A Plastic, Aspheric Triplet Camera Lens     qK$O /g,  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet f1:>H.m`  
8.7    Possible Improvement to Our “Basic” Triplet     oqvu8"  
8.7    The Rear Earth (Lanthanum) Glasses     }m<+tn3m  
8.9    Aspherizing the Surfaces     cy@oAoBq  
8.10    Increasing the Element Thickness     lai@,_<GV  
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9    Split Triplets     uB+#<F/c  
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10    The Tessar, Heliar, and Other Compounded Triplets     N|mggz  
10.1    The Classic Tessar     OF*E1BM  
10.2    The Heliar/Pentac     jkl dr@t  
10.3    The Portrait Lens and the Enlarger Lens     7d.H8C2  
10.4    Other Compounded Triplets     h*^JFZb  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar jy~hLEt7  
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11    Double-Meniscus Anastigmats     cl`kd)"v  
11.1    Meniscus Components     <!t;[ie?y  
11.2    The Hypergon, Totogon, and Metrogon     fUvXb>f,  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     JQ ?8yl  
11.4    Protar, Dagor, and Convertible Lenses     ?6*\M  
11.5    The Split Dagor     1g=T"O&=  
11.6    The Dogmar     -5e8m4*
 
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     q>%.zc[x  
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12    The Biotar or Double-Gauss Lens     v"2A?  
12.1    The Basic Six-Element Version     MA{ZmPm)  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens rk%pA-P2  
12.3    The Seven-Element Biotar - Split-Rear Singlet     ug}u>vQ>  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     1WaQWZ:=  
12.5    The Seven-Element Biotar - One Compounded Outer Element     Z wKX$(n  
12.6    The Eight-Element Biotar     E @r &K  
12.7    A “Doubled Double-Gauss” Relay     t
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13    Telephoto Lenses     "uZ^zV`"  
13.1    The Basic Telephoto     WTD86A  
13.2    Close-up or Macro Lenses     iPCn-DoIS  
13.3    Telephoto Designs     7&etnQJ{  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ymrnu-p o  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     DQ$m@_/4w  
14.1    The Reverse Telephoto Principle     ~d<&OL  
14.2    The Basic Retrofocus Lens     k0FAI0~(  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     dM}c-=w`  
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15    Wide Angle Lenses with Negative Outer Lenses     ENA"T-p  
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16    The Petzval Lens; Head-up Display Lenses     v"Bm4+c&0  
16.1    The Petzval Portrait Lens     18~jUYMV  
16.2    The Petzval Projection Lens     Wf?[GO  
16.3    The Petzval with a Field Flattener     bWp)'mx5u  
16.4    Very Height Speed Petzval Lenses     Yx66Xy  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     kg(}%Ih  
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17    Microscope Objectives     hw`pi6  
17.1    General Considerations     ,ZYPffu<*  
17.2    Classic Objective Design Forms; The Aplanatic Front     <D& Ep  
17.3    Flat-Field Objectives     1D1kjM^Bo  
17.4    Reflecting Objectives     lt'N{LFvc  
17.5    The Microscope Objective Designs     lP4s"8E`h  
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18    Mirror and Catadioptric Systems      bu
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18.1    The Good and Bad Points of Mirrors     /ZL6gRRA|  
18.2    The Classic Two-Mirror Systems _b)Ie`a.H  
18.3    Catadioptric Systems     am'K$s  
18.4    Aspheric Correctors and Schmidt Systems     _iA oNT!  
18.5    Confocal Paraboloids     a&kt!%p:  
18.6    Unobscured Systems     O<AGAD  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     `S3)uV]I  
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19    Infrared and Ultraviolet Systems     $WRRCB/A6  
19.1    Infrared Optics     x'G_z_<V  
19.2    IR Objective Lenses     O#!|2qN  
19.3    IR Telescope     ^VnnYtCRz  
19.4    Laser Beam Expanders     G `eU   
19,5    Ultraviolet Systems     6h) &h1Yd  
19.6    Microlithographic Lenses     }YiFiGf,  
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20    Zoom Lenses     j:8Pcx  
20.1    Zoom Lenses     ([SJ6ff]&  
20.2    Zoom Lenses for Point and Shoot Cameras     i}f"'KW  
20.3    A 20X Video Zoom Lens     3C;;z  
20.4    A Zoom Scanner Lens     IW}Wt{'m  
20.5    A Possible Zoom Lens Design Procedure     [tC=P&<  
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21    Projection TV Lenses and Macro Lenses     ,l,q;]C%  
21.1    Projection TV Lenses     Rb^G~82d?  
21.2    Macro Lenses     VV[Fb9W ;  
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22    Scanner/ , Laser Disk and Collimator Lenses     roi,?B_8  
22.1    Monochromatic Systems     z X+i2,  
22.2    Scanner Lenses     t3v_o4`&  
22.3    Laser Disk, Focusing, and Collimator Lenses     q&:%/?)x  
    ,t*H:
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23    Tolerance Budgeting     y\9#"=+  
23.1    The Tolerance Budget     d&ff1(j(  
23.2    Additive Tolerances     pI_:3D xe  
23.3    Establishing the Tolerance Budget     @bAuR  
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24    Formulary 0\k{v  
24.1    Sign Conventions, Symbols, and Definitions     +T,0,^*  
24.2    The Cardinal Points     DdeKZ)8  
24.3    Image Equations     b`GKGqbJ  
24.4    Paraxial Ray Tracing (Surface by Surface)     05jjLM'e  
24.5    Invariants     .WBp!*4  
24.6    Paraxial Ray Tracing (Component by Component)     NE &{_i!  
24.7    Two-Componenet Relationships     JPZH%#E(  
24.8    Third-Order Aberrations – Surface Contributions     T;,
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24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     m*lcIa  
24.10    Stop Shift Equations     )g^O'e=m  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     On[yL$?  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     V1Gnr~GM  
(7$BF~s:,  
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Glossary D mky!Cp
 
Reference g^jTdrW/s  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 Hk(=_[S  
我怎么瞧不明白。

有没有人呀 ?ks.M'@  
有个问题想请教大家