"Modern Lens Design" 2nd Edition by Warren J. Smith ^te9f%>$l
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Contents of Modern Lens Design 2nd Edition k<=.1cFh
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1 Introduction {.SN
1.1 Lens Design Books hU5[k/ q
1.2 Reference Material hF+YZU]rT
1.3 Specifications tc@v9`^_
1.4 Lens Design jD0^,aiG
1.5 Lens Design Program Features \A:m<::
1.6 About This Book VJD$nh
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2 Automatic Lens Design h3aHCr E
2.2 The Merit Function *gHOH!K,S
2.3 Local Minima )=9\6zXS
2.4 The Landscape Lens TWl':}
2.5 Types of Merit Function E&
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2.6 Stagnation )!3XM
2.7 Generalized Simulated Annealing /4RKA!W
2.8 Considerations about Variables for Optimization fS-#dJC";`
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems eznw05U
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 3nd02:GF
2.11 Spectral Weighting Um;ReJ8z
2.12 How to Get Started r$;DA<<|<c
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3 Improving a Design Y[$[0
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 4u X<sJ*
3.2 Glass Changes ( Index and V Values ) ?)Z~H,Q(z
3.3 Splitting Elements )8ctNpQt
3.4 Separating a Cemented Doublet ~zRUJ2hD!
3.5 Compounding an Element T#J]%IDd
3.6 Vignetting and Its Uses INW8Q`[F
3.7 Eliminating a Weak Element; the Concentric Problem [:a;|t
3.8 Balancing Aberrations ?F*gFW_k
3.9 The Symmetrical Principle &xr?yd
3.10 Aspheric Surfaces &k&tkE
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4 Evaluation: How Good is This Design LB? evewu
4.1 The Uses of a Preliminary Evaluation zi2hi9A
4.2 OPD versus Measures of Performance gO<>L0,j
4.3 Geometric Blur Spot Size versus Certain Aberrations .zlUN0oe
4.4 Interpreting MTF - The Modulation Transfer Function XIJ>\ RF
4.5 Fabrication Considerations 3RscuD&
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5 Lens Design Data Gi]Pwo${
5.1 About the Sample Lens Designs 9g J`H'
5.2 Lens Prescriptions, Drawings, and Aberration Plots 2 'xT%
5.3 Estimating the Potential of a Redesign 8iK>bp
5.4 Scaling a Desing, Its Aberrations, and Its MTF Mh>^~;
5.5 Notes on the Interpretation of Ray Intercept Plots :2 ?dl:l
5.6 Various Evaluation Plot !s\-i6S>
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6 Telescope Objective ~?E x?!\9R
6.1 The Thin Airspaced Doublet T*J]e|aF
6.2 Merit Function for a Telescope Objective t LS5yT/
6.3 The Design of an f/7 Cemented Doublet Telescope Objective t=iy40_T
6.4 Spherochromatism zjM+F{P8
6.5 Zonal Spherical Aberration 5Tb93Q@c
6.6 Induced Aberrations `P)atQ
6.7 Three-Element Objectives 8NPt[*
6.8 Secondary Spectrum (Apochromatic Systems) #`);UAf
6.9 The Design of an f/7 Apochromatic Triplet <bXfjj6YJ@
6.10 The Diffractive Surface in Lens Design KSqWq:W+
6.11 A Final Note n:`> QY
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7 Eyepieces and Magnifiers <2diO=
7.1 Eyepieces ~k+-))pf
7.2 A Pair of Magnifier Designs xV~`sqf
7.3 The Simple, Classical Eyepieces !(w\%$|
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;-n+=@]7
7.5 Four-Element Eyepieces A
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7.6 Five-Element Eyepieces E>KV1P
7.7 Very High Index Eyepiece/Magnifier a)Qx43mOS
7.8 Six- and Seven-Element Eyepieces 0kQAT#
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8 Cooke Triplet Anastigmats ]|Vm*zO
8.1 Airspaced Triplet Anastigmats Ca*^U-
8.2 Glass Choice !R[o6V5T
8.3 Vertex Length and Residual Aberrations <{3VK
8.4 Other Design Considerations 'd|_ i6:y&
8.5 A Plastic, Aspheric Triplet Camera Lens 9@Cqg5Kx'
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet IM}#k$vM:
8.7 Possible Improvement to Our “Basic” Triplet Ue^upx
8.7 The Rear Earth (Lanthanum) Glasses v\c.xtjI5x
8.9 Aspherizing the Surfaces :a0qm.EN
8.10 Increasing the Element Thickness U" aFi
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9 Split Triplets :?U1^!$$1
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10 The Tessar, Heliar, and Other Compounded Triplets $0AN5 |`g\
10.1 The Classic Tessar )`,3/i9C$
10.2 The Heliar/Pentac @Ej{sC!0T
10.3 The Portrait Lens and the Enlarger Lens nr!kx)j
10.4 Other Compounded Triplets (YGJw?]
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar iU~oPp[e
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11 Double-Meniscus Anastigmats SE;Jl[PgcL
11.1 Meniscus Components pI( OI>~3
11.2 The Hypergon, Totogon, and Metrogon mmu{K$9}I
11.3 A Two Element Aspheric Thick Meniscus Camera Lens |bO}|X
11.4 Protar, Dagor, and Convertible Lenses R% l=NHB}
11.5 The Split Dagor IyL2{5
11.6 The Dogmar [L{q
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens UCa(3p^V_
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12 The Biotar or Double-Gauss Lens Ih{(d O;
12.1 The Basic Six-Element Version bfQ+}|;
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens `(q+@ #)
12.3 The Seven-Element Biotar - Split-Rear Singlet =xw) [
12.4 The Seven-Element Biotar - Broken Contact Front Doublet /U`"Xx
12.5 The Seven-Element Biotar - One Compounded Outer Element SYw>P1
12.6 The Eight-Element Biotar eXc`"T,C.
12.7 A “Doubled Double-Gauss” Relay ("}TW-r~
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13 Telephoto Lenses f-k%P$"X&
13.1 The Basic Telephoto bsmZR(EnU
13.2 Close-up or Macro Lenses G9 ;X=c
13.3 Telephoto Designs E"b+Q
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch l7Zqk GG]
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses H]H*Ouu["e
14.1 The Reverse Telephoto Principle Ev,>_1#Xm
14.2 The Basic Retrofocus Lens u v%T0JA/
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses P bj &l0C
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15 Wide Angle Lenses with Negative Outer Lenses *_}ft-*w
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16 The Petzval Lens; Head-up Display Lenses
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16.1 The Petzval Portrait Lens MXh0 a@*]
16.2 The Petzval Projection Lens QgqR93Ic
16.3 The Petzval with a Field Flattener 2TXrVaM
16.4 Very Height Speed Petzval Lenses 7.,C'^ci
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems bz[U<