"Modern Lens Design" 2nd Edition by Warren J. Smith o8P 5C4y
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Contents of Modern Lens Design 2nd Edition t|*PC
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1 Introduction j$*]'s&_hZ
1.1 Lens Design Books DytOS}/^9
1.2 Reference Material 3zb;q@JV
1.3 Specifications %PG::b
1.4 Lens Design ZkYc9!anY
1.5 Lens Design Program Features Vgs( feGs
1.6 About This Book z[Kxy1,
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2 Automatic Lens Design 's$pr#V
2.2 The Merit Function %E7+W{?*1
2.3 Local Minima 8w|j Z@
2.4 The Landscape Lens I}Z[F,}*J
2.5 Types of Merit Function (
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2.6 Stagnation q[]!V0Ek10
2.7 Generalized Simulated Annealing ~(B\X?v
2.8 Considerations about Variables for Optimization &Ko}Pv
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems {e2 (
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits a#1LGH7E8
2.11 Spectral Weighting CF^7 {g(y_
2.12 How to Get Started )J_!ZpMC
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3 Improving a Design %^"T z,f
3.1 Lens Design Tip Sheet: Standard Improvement Techniques vjJ!d#8
3.2 Glass Changes ( Index and V Values ) @Qx|!%
3.3 Splitting Elements (FMYR8H*(
3.4 Separating a Cemented Doublet N_L&!%s
3.5 Compounding an Element tGzYO/Zp
3.6 Vignetting and Its Uses mW 5L;>
3.7 Eliminating a Weak Element; the Concentric Problem @( 9#\%=
3.8 Balancing Aberrations p;j$i6YJ
3.9 The Symmetrical Principle j:|60hDz^
3.10 Aspheric Surfaces "yc/8{U
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4 Evaluation: How Good is This Design xP'IyABx
4.1 The Uses of a Preliminary Evaluation <_ */
4.2 OPD versus Measures of Performance tZa)sbz
4.3 Geometric Blur Spot Size versus Certain Aberrations b6S86>
4.4 Interpreting MTF - The Modulation Transfer Function N)RWC7th{
4.5 Fabrication Considerations hC]c
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5 Lens Design Data ~>D;2 S(a
5.1 About the Sample Lens Designs c0<Y017sG
5.2 Lens Prescriptions, Drawings, and Aberration Plots {H $\,
5.3 Estimating the Potential of a Redesign 8Mg4y1)RU
5.4 Scaling a Desing, Its Aberrations, and Its MTF ;lX:EU
5.5 Notes on the Interpretation of Ray Intercept Plots v! @/
5.6 Various Evaluation Plot dWD,iO_"@
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6 Telescope Objective ACl:~7;
6.1 The Thin Airspaced Doublet Oe$cM=Yf
6.2 Merit Function for a Telescope Objective lIzJO$8cM
6.3 The Design of an f/7 Cemented Doublet Telescope Objective o^&;
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6.4 Spherochromatism P>pkLP}
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6.5 Zonal Spherical Aberration <4{@g]0RV
6.6 Induced Aberrations 2t[c^J
6.7 Three-Element Objectives =]xNpX)
6.8 Secondary Spectrum (Apochromatic Systems) l(=#c/f
6.9 The Design of an f/7 Apochromatic Triplet q9WdJ!-^X
6.10 The Diffractive Surface in Lens Design 9z'</tJ`
6.11 A Final Note
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7 Eyepieces and Magnifiers J~gfMp.
7.1 Eyepieces L{^DZg|E
7.2 A Pair of Magnifier Designs 7R))(-
7.3 The Simple, Classical Eyepieces mSwOP
7.4 Design Story of an Eyepiece for a 6*30 Binocular Oku4EJFJ
7.5 Four-Element Eyepieces $o]zNW;X
7.6 Five-Element Eyepieces f[.hN
7.7 Very High Index Eyepiece/Magnifier aE#ZTc=
7.8 Six- and Seven-Element Eyepieces 1uV_C[:
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8 Cooke Triplet Anastigmats ;xB"D0~,1
8.1 Airspaced Triplet Anastigmats XZ|"7a s
8.2 Glass Choice hD>:WJ
8.3 Vertex Length and Residual Aberrations Vg
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8.4 Other Design Considerations 0BaL!^>
8.5 A Plastic, Aspheric Triplet Camera Lens bk6$+T=>
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet JEHV\=
8.7 Possible Improvement to Our “Basic” Triplet o4~ft!>
8.7 The Rear Earth (Lanthanum) Glasses j~Gu;%tq
8.9 Aspherizing the Surfaces w,}}mC)\*
8.10 Increasing the Element Thickness >D:S)"
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9 Split Triplets &g& &-=7)
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10 The Tessar, Heliar, and Other Compounded Triplets _a<PUdP
10.1 The Classic Tessar LG<lZ9+y
10.2 The Heliar/Pentac B. P64"w
10.3 The Portrait Lens and the Enlarger Lens -|)[s[T~m
10.4 Other Compounded Triplets FJ U)AjS~
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar =dA T^e##
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11 Double-Meniscus Anastigmats akCl05YW
11.1 Meniscus Components 3&y
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11.2 The Hypergon, Totogon, and Metrogon nr-mf]W&
11.3 A Two Element Aspheric Thick Meniscus Camera Lens _ZS<zQ'
11.4 Protar, Dagor, and Convertible Lenses }?fa+FQGp
11.5 The Split Dagor yPQ{tS*t
11.6 The Dogmar FwW%@Y
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 4l$8lYi
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12 The Biotar or Double-Gauss Lens CIaabn
12.1 The Basic Six-Element Version rk. UW
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens !k s<VJh
12.3 The Seven-Element Biotar - Split-Rear Singlet ,o}[q92@w
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ~IqT>
12.5 The Seven-Element Biotar - One Compounded Outer Element zcZw}
12.6 The Eight-Element Biotar ]cA~%$c89s
12.7 A “Doubled Double-Gauss” Relay =VY4y]V
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13 Telephoto Lenses =0f8W=d:Vr
13.1 The Basic Telephoto AQV3ZVP
13.2 Close-up or Macro Lenses yv:NH|,/y
13.3 Telephoto Designs BuvBSLC~
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch nb|MHt PX
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 0[i]PgIH
14.1 The Reverse Telephoto Principle d:wAI|
14.2 The Basic Retrofocus Lens lLDHx3+
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses C {,d4KG
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15 Wide Angle Lenses with Negative Outer Lenses b
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16 The Petzval Lens; Head-up Display Lenses WcJ{}V9
16.1 The Petzval Portrait Lens Grub1=6l
16.2 The Petzval Projection Lens vOj$-A--qU
16.3 The Petzval with a Field Flattener Hb$q}1+y
16.4 Very Height Speed Petzval Lenses <qy+@t
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems :_H88/?RR
zSH#j RDV
17 Microscope Objectives TSk6Q'L\v
17.1 General Considerations b7,qzh
17.2 Classic Objective Design Forms; The Aplanatic Front K@,VR3y /
17.3 Flat-Field Objectives SeTU`WLEm
17.4 Reflecting Objectives Tc*PDt0C
17.5 The Microscope Objective Designs z7_./ksQ
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18 Mirror and Catadioptric Systems h
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18.1 The Good and Bad Points of Mirrors Rta P+6'X
18.2 The Classic Two-Mirror Systems \wCL)t.cX
18.3 Catadioptric Systems aF=VJ+5
18.4 Aspheric Correctors and Schmidt Systems :W&\})
18.5 Confocal Paraboloids h`Mf;'P
18.6 Unobscured Systems #n7{ 3)
18.7 Design of a Schmidt-Cassegrain “from Scratch” -+=8&Wa
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19 Infrared and Ultraviolet Systems {8MF!CG]
19.1 Infrared Optics G~]BC#nB_
19.2 IR Objective Lenses b2Hpuej
19.3 IR Telescope O(d'8`8
19.4 Laser Beam Expanders ;@
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19,5 Ultraviolet Systems 0#7dm9
19.6 Microlithographic Lenses 72 6y/o
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20 Zoom Lenses #? *jdN:
20.1 Zoom Lenses ;:4puv+]
20.2 Zoom Lenses for Point and Shoot Cameras %xRS9A4
20.3 A 20X Video Zoom Lens S!]}}fKEFm
20.4 A Zoom Scanner Lens 9T1G/0k-
20.5 A Possible Zoom Lens Design Procedure |H4'*NP"
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21 Projection TV Lenses and Macro Lenses KOQTvJ_#
21.1 Projection TV Lenses S@#L!sT`u
21.2 Macro Lenses |(<L!6
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22 Scanner/ , Laser Disk and Collimator Lenses i&$uG[&P
22.1 Monochromatic Systems 8f.La
22.2 Scanner Lenses
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22.3 Laser Disk, Focusing, and Collimator Lenses f/x "yUq
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23 Tolerance Budgeting )3AT=b
23.1 The Tolerance Budget 2&m7pcls
23.2 Additive Tolerances SD&[K
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23.3 Establishing the Tolerance Budget t/Fe"T[,V
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24 Formulary D|o@(V
24.1 Sign Conventions, Symbols, and Definitions NP8TF*5V
24.2 The Cardinal Points qo;\dp1
24.3 Image Equations )R4<*
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24.4 Paraxial Ray Tracing (Surface by Surface) )YFs
24.5 Invariants Xd6y7s
24.6 Paraxial Ray Tracing (Component by Component) Y"qY@`
24.7 Two-Componenet Relationships J.nq[/Q=
24.8 Third-Order Aberrations – Surface Contributions q1y4B`
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs &; \v_5N6
24.10 Stop Shift Equations f#5JAR
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces Z-@}~#E
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) d%3BJ+J
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Glossary ^|C|=q~:
Reference 7,TWCVap
Index