"Modern Lens Design" 2nd Edition by Warren J. Smith zFY$^Oz"_
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Contents of Modern Lens Design 2nd Edition mZ0_^
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1 Introduction tiRi_
1.1 Lens Design Books ?5EMDawt
1.2 Reference Material X@/wsW(kM\
1.3 Specifications M"Z/E>ne
1.4 Lens Design tItI^]w2s
1.5 Lens Design Program Features +S1h~@c:B
1.6 About This Book V<U9Pj^?^
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2 Automatic Lens Design zQB1C
2.2 The Merit Function T?1e&H%USV
2.3 Local Minima d_&~^*>
2.4 The Landscape Lens &Gm3
2.5 Types of Merit Function /8,cF7XL*
2.6 Stagnation %wGQu;re
2.7 Generalized Simulated Annealing #wGOlW;R
2.8 Considerations about Variables for Optimization M(ie1Ju
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems &O5&pet
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits RGBntp%
2.11 Spectral Weighting M{=p0?X
2.12 How to Get Started
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3 Improving a Design vCtnjWGX}/
3.1 Lens Design Tip Sheet: Standard Improvement Techniques %4/X;w\3
3.2 Glass Changes ( Index and V Values ) yATXN>]l
3.3 Splitting Elements bOr6"nn
3.4 Separating a Cemented Doublet Hx9lQ8
3.5 Compounding an Element 5X9*K
3.6 Vignetting and Its Uses mhNgXp)_56
3.7 Eliminating a Weak Element; the Concentric Problem w-Q=oEt
3.8 Balancing Aberrations Vp8!-[R
3.9 The Symmetrical Principle jz I,B
3.10 Aspheric Surfaces dAaxbP|
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4 Evaluation: How Good is This Design DRRy5+,I
4.1 The Uses of a Preliminary Evaluation l 1BAW$
4.2 OPD versus Measures of Performance #* 8^ar<
4.3 Geometric Blur Spot Size versus Certain Aberrations oCKn
4.4 Interpreting MTF - The Modulation Transfer Function jtwe9
4.5 Fabrication Considerations C`aUitL}
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5 Lens Design Data 7V"Jfh4_
5.1 About the Sample Lens Designs B^j(Fq
5.2 Lens Prescriptions, Drawings, and Aberration Plots J& D0,cuk
5.3 Estimating the Potential of a Redesign !!])~+4pP
5.4 Scaling a Desing, Its Aberrations, and Its MTF LEAU3doK;
5.5 Notes on the Interpretation of Ray Intercept Plots 3\|PwA9fN8
5.6 Various Evaluation Plot W)`H(J
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6 Telescope Objective :|=Xh"l"
6.1 The Thin Airspaced Doublet P_Exh]P
6.2 Merit Function for a Telescope Objective k[1w] l8
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ` yM9XjEl>
6.4 Spherochromatism djDE0-QxcR
6.5 Zonal Spherical Aberration ,(kaC.Em
6.6 Induced Aberrations %:Zp7O2UB'
6.7 Three-Element Objectives tSiQrI
6.8 Secondary Spectrum (Apochromatic Systems) D ~NWP%H
6.9 The Design of an f/7 Apochromatic Triplet ro^T L
6.10 The Diffractive Surface in Lens Design ?T>N vKF
6.11 A Final Note :]`JcJ
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7 Eyepieces and Magnifiers +F^X1
7.1 Eyepieces oXGP6#
7.2 A Pair of Magnifier Designs J*qo3aJjE
7.3 The Simple, Classical Eyepieces #3-hE
7.4 Design Story of an Eyepiece for a 6*30 Binocular JL?|NV-
7.5 Four-Element Eyepieces p49T3V
7.6 Five-Element Eyepieces *35o$P46
7.7 Very High Index Eyepiece/Magnifier Bh6lK}9
7.8 Six- and Seven-Element Eyepieces q/3co86c
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8 Cooke Triplet Anastigmats }ct*<zj[~u
8.1 Airspaced Triplet Anastigmats p5bM/{DP;K
8.2 Glass Choice >soSOJ[
8.3 Vertex Length and Residual Aberrations !jN$U%/,%.
8.4 Other Design Considerations TA+/35^?
8.5 A Plastic, Aspheric Triplet Camera Lens >fgV!o4
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ns&(g^
8.7 Possible Improvement to Our “Basic” Triplet SqT+rvTh
8.7 The Rear Earth (Lanthanum) Glasses }Q{4G
8.9 Aspherizing the Surfaces RH;Kbu
8.10 Increasing the Element Thickness QtfLJ5vi
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9 Split Triplets +fq;o8q
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10 The Tessar, Heliar, and Other Compounded Triplets g)iw.M2
10.1 The Classic Tessar }-paGM@'Nd
10.2 The Heliar/Pentac :$oi P
10.3 The Portrait Lens and the Enlarger Lens Y1 6pT
10.4 Other Compounded Triplets `aaT
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar A
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11 Double-Meniscus Anastigmats H=5#cPI#(^
11.1 Meniscus Components :']O4v#^
11.2 The Hypergon, Totogon, and Metrogon f2{qj5 K
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Jv:|J
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11.4 Protar, Dagor, and Convertible Lenses jp-]];:aPJ
11.5 The Split Dagor .n)0@X!
11.6 The Dogmar A;Uw
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 8hvh
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12 The Biotar or Double-Gauss Lens yykyvy
12.1 The Basic Six-Element Version 8R.`*
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens O}"fhMk
12.3 The Seven-Element Biotar - Split-Rear Singlet XBHv V05mv
12.4 The Seven-Element Biotar - Broken Contact Front Doublet OTwXc*2u]
12.5 The Seven-Element Biotar - One Compounded Outer Element ij1g2^],4
12.6 The Eight-Element Biotar 0d=<^wLi^
12.7 A “Doubled Double-Gauss” Relay eR5+1b
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13 Telephoto Lenses y1hJVYE2
13.1 The Basic Telephoto 74*iF'f?c
13.2 Close-up or Macro Lenses aV?r %'~Z
13.3 Telephoto Designs 7j%sM&
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch &8 4Izs/[
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses *g/@-6
14.1 The Reverse Telephoto Principle V3}$vKQ
14.2 The Basic Retrofocus Lens MFLw^10(T
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses `pd1'5Hm
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15 Wide Angle Lenses with Negative Outer Lenses %uhhQ<zs%
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16 The Petzval Lens; Head-up Display Lenses WWYG>C[
16.1 The Petzval Portrait Lens MBH/,Yd
16.2 The Petzval Projection Lens <x2 F5$@
16.3 The Petzval with a Field Flattener hk1jxnQh
16.4 Very Height Speed Petzval Lenses MHKB:t]hA
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems @;@Wt`(2a
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17 Microscope Objectives &;k`3`MC~w
17.1 General Considerations T?E[LzZg
17.2 Classic Objective Design Forms; The Aplanatic Front {:9P4<%H
17.3 Flat-Field Objectives oJTsrc_-
17.4 Reflecting Objectives b(H)8#C
17.5 The Microscope Objective Designs 3$ 1 z
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18 Mirror and Catadioptric Systems !4G<&hvb
18.1 The Good and Bad Points of Mirrors LlG~aGhel
18.2 The Classic Two-Mirror Systems Jv=G3=.
18.3 Catadioptric Systems mF !=H%
18.4 Aspheric Correctors and Schmidt Systems +bK.{1
18.5 Confocal Paraboloids }~28UXb23
18.6 Unobscured Systems >#\&%0OZw
18.7 Design of a Schmidt-Cassegrain “from Scratch” in6iJ*E@'
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19 Infrared and Ultraviolet Systems $R<eXDW6:
19.1 Infrared Optics Ey"<hAF
19.2 IR Objective Lenses ba
19.3 IR Telescope VCvqiHn
19.4 Laser Beam Expanders n`hes_{,g
19,5 Ultraviolet Systems (_lc< Bj
19.6 Microlithographic Lenses |!{BjOAD'
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20 Zoom Lenses S[ ,r.+
20.1 Zoom Lenses ~:srm#IX
20.2 Zoom Lenses for Point and Shoot Cameras N]sX
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20.3 A 20X Video Zoom Lens ]jzINaMav
20.4 A Zoom Scanner Lens jP";ll|c
20.5 A Possible Zoom Lens Design Procedure D:HeP:.I
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21 Projection TV Lenses and Macro Lenses 1xo<V5
21.1 Projection TV Lenses _9Ig`?<>I
21.2 Macro Lenses G#4cWn'
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22 Scanner/ , Laser Disk and Collimator Lenses (IR'~:W
22.1 Monochromatic Systems ngJES`0d
22.2 Scanner Lenses ?D6rFUs9;
22.3 Laser Disk, Focusing, and Collimator Lenses I
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23 Tolerance Budgeting *{)![pDYd
23.1 The Tolerance Budget \(LHcvbb
23.2 Additive Tolerances C6eo n4Ut
23.3 Establishing the Tolerance Budget P
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24 Formulary |C S[>0mV!
24.1 Sign Conventions, Symbols, and Definitions y o[!q|z
24.2 The Cardinal Points -K/' }I
24.3 Image Equations m-a_<xo
24.4 Paraxial Ray Tracing (Surface by Surface) x9HA^Rj4-
24.5 Invariants !+H=e>Y6
24.6 Paraxial Ray Tracing (Component by Component) [zR
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24.7 Two-Componenet Relationships [M2,bc8SJV
24.8 Third-Order Aberrations – Surface Contributions GKPqBi[rO
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs \o@b5z]e
24.10 Stop Shift Equations nx,67u/Pb
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces TR@$$RrU
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ][bz5aV
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Glossary #
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Reference ^B?koU l^
Index