"Modern Lens Design" 2nd Edition by Warren J. Smith ,#XXwm ^I
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Contents of Modern Lens Design 2nd Edition q]1p Q)\'p
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1 Introduction
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1.1 Lens Design Books (c0L@8L
1.2 Reference Material E,d<F{=8,o
1.3 Specifications w<~[ad}
1.4 Lens Design 2=?3MXcjy
1.5 Lens Design Program Features o_}?aI~H
1.6 About This Book H`M|B<.
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2 Automatic Lens Design t;+b*S6D
2.2 The Merit Function Wu6'm&t
2.3 Local Minima r],%:imGr
2.4 The Landscape Lens m$C1Ea-wnT
2.5 Types of Merit Function 0to`=;JI
2.6 Stagnation </'n={+q
2.7 Generalized Simulated Annealing K Zg NL|
2.8 Considerations about Variables for Optimization JFI*Pt;X9
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems a;bmlV04
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits h1?xfdvGd
2.11 Spectral Weighting *04}84?:
2.12 How to Get Started .<vXj QE
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3 Improving a Design aA$\iFYA
3.1 Lens Design Tip Sheet: Standard Improvement Techniques k5>UAea_
3.2 Glass Changes ( Index and V Values )
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3.3 Splitting Elements PCwc=
3.4 Separating a Cemented Doublet 4IW
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3.5 Compounding an Element eV%{XR?y
3.6 Vignetting and Its Uses $hc=H
3.7 Eliminating a Weak Element; the Concentric Problem CF3x\6.q}
3.8 Balancing Aberrations r<kgYU`
3.9 The Symmetrical Principle &~;M16XM,e
3.10 Aspheric Surfaces q{V e%8$"
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4 Evaluation: How Good is This Design :YRHO|
4.1 The Uses of a Preliminary Evaluation ;1yF[<a
4.2 OPD versus Measures of Performance %AJ9fs4/
4.3 Geometric Blur Spot Size versus Certain Aberrations ` Ft-1eE
4.4 Interpreting MTF - The Modulation Transfer Function WI&A+1CK-5
4.5 Fabrication Considerations hlreeXv
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5 Lens Design Data 2ZV; GS#
5.1 About the Sample Lens Designs {k=3OIp
5.2 Lens Prescriptions, Drawings, and Aberration Plots t{B@k[|
5.3 Estimating the Potential of a Redesign J0vQqTaT
5.4 Scaling a Desing, Its Aberrations, and Its MTF /pkN=OBR
5.5 Notes on the Interpretation of Ray Intercept Plots s[a\m,
5.6 Various Evaluation Plot Ge({sy>X
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6 Telescope Objective 4pMp@b
6.1 The Thin Airspaced Doublet Id^q!4Th9
6.2 Merit Function for a Telescope Objective W%5))R$
6.3 The Design of an f/7 Cemented Doublet Telescope Objective wZ0bD&B
6.4 Spherochromatism U:99w
6.5 Zonal Spherical Aberration x] `F#5j
6.6 Induced Aberrations L8n?F#q
6.7 Three-Element Objectives cQxUEY('+
6.8 Secondary Spectrum (Apochromatic Systems) 66-\}8f8a
6.9 The Design of an f/7 Apochromatic Triplet "*/IP9?]
6.10 The Diffractive Surface in Lens Design ~$>JYJj
6.11 A Final Note q {}5wM
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7 Eyepieces and Magnifiers 1p5'.~J+Q
7.1 Eyepieces h3.CvPYy1
7.2 A Pair of Magnifier Designs pRh9+1EM;
7.3 The Simple, Classical Eyepieces L|<j/bP
7.4 Design Story of an Eyepiece for a 6*30 Binocular [z\baL|
7.5 Four-Element Eyepieces } D!tB
7.6 Five-Element Eyepieces b3_P??yp
7.7 Very High Index Eyepiece/Magnifier Bx\ o8k
7.8 Six- and Seven-Element Eyepieces 9;I%Dv
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8 Cooke Triplet Anastigmats PA803R74
8.1 Airspaced Triplet Anastigmats 7xB]Z;:
8.2 Glass Choice %'g)MK!e
8.3 Vertex Length and Residual Aberrations ud(0}[
8.4 Other Design Considerations z&n2JpLY7
8.5 A Plastic, Aspheric Triplet Camera Lens )c*xKij
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Gjq7@F'
8.7 Possible Improvement to Our “Basic” Triplet vO$cF*
8.7 The Rear Earth (Lanthanum) Glasses Z'9 |
8.9 Aspherizing the Surfaces 4 a&8G
8.10 Increasing the Element Thickness _#v"sGmN
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9 Split Triplets &+(D< U
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10 The Tessar, Heliar, and Other Compounded Triplets dZIbajs'
10.1 The Classic Tessar #wT6IU1
10.2 The Heliar/Pentac f*"T]AX0
10.3 The Portrait Lens and the Enlarger Lens OA6i/3 #8
10.4 Other Compounded Triplets 2!}F+^8'P
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar CV^%'HIs?+
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11 Double-Meniscus Anastigmats "
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11.1 Meniscus Components 'OTZ&;7{
11.2 The Hypergon, Totogon, and Metrogon %E#Ubm!
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 0U/[hG"DKN
11.4 Protar, Dagor, and Convertible Lenses &qPezyt
11.5 The Split Dagor un!v1g9O
11.6 The Dogmar RLL
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens wmVb0~[
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12 The Biotar or Double-Gauss Lens `WCL-OoZc5
12.1 The Basic Six-Element Version 9 4H')(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens />8A?+g9u
12.3 The Seven-Element Biotar - Split-Rear Singlet z]hRc8g}d
12.4 The Seven-Element Biotar - Broken Contact Front Doublet B%u[gNZ
12.5 The Seven-Element Biotar - One Compounded Outer Element o~y{9Q
12.6 The Eight-Element Biotar 2DsP "q79k
12.7 A “Doubled Double-Gauss” Relay ?kZ-,@h:
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13 Telephoto Lenses ;CS[Ja>e
13.1 The Basic Telephoto ~vpF|4Zn5
13.2 Close-up or Macro Lenses 6Hb a@Q1`
13.3 Telephoto Designs aqk$4IG
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch KI#v<4C$P
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses W{q
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14.1 The Reverse Telephoto Principle
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14.2 The Basic Retrofocus Lens Md>C!c
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -le^ 5M7
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15 Wide Angle Lenses with Negative Outer Lenses Bi;a~qE
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16 The Petzval Lens; Head-up Display Lenses t 3N}):
16.1 The Petzval Portrait Lens 1; kMbl]
16.2 The Petzval Projection Lens `)]W~
16.3 The Petzval with a Field Flattener ,)d`_AD+5
16.4 Very Height Speed Petzval Lenses `{K-eHlrM9
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ns5Dydo{T
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17 Microscope Objectives \fC;b"j
17.1 General Considerations {Y-'i;j?
17.2 Classic Objective Design Forms; The Aplanatic Front OSUiS`k
17.3 Flat-Field Objectives ;aD~1;q
17.4 Reflecting Objectives Yz[Rl
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17.5 The Microscope Objective Designs dVMl;{
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18 Mirror and Catadioptric Systems lU=VCuW!
18.1 The Good and Bad Points of Mirrors {W{;VJKQ2
18.2 The Classic Two-Mirror Systems E]&N'+T
18.3 Catadioptric Systems MD1X1,fk
18.4 Aspheric Correctors and Schmidt Systems 8/)q$zs
18.5 Confocal Paraboloids dn])6Xl;i
18.6 Unobscured Systems TBJ?8W(
18.7 Design of a Schmidt-Cassegrain “from Scratch” 7=X6_AD
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19 Infrared and Ultraviolet Systems OA9P"*
19.1 Infrared Optics BHgs,
19.2 IR Objective Lenses =Oh$pZRymu
19.3 IR Telescope P%yL{
19.4 Laser Beam Expanders Z|UVH
19,5 Ultraviolet Systems #k>n5cR@0
19.6 Microlithographic Lenses ("}Hs[
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20 Zoom Lenses ?Q=(?yR0]
20.1 Zoom Lenses X1oR
20.2 Zoom Lenses for Point and Shoot Cameras j?$B@Zk
20.3 A 20X Video Zoom Lens +RpCh!KP
20.4 A Zoom Scanner Lens B/lIn'=
20.5 A Possible Zoom Lens Design Procedure xA:;wV
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21 Projection TV Lenses and Macro Lenses 7yg{0a
21.1 Projection TV Lenses ,*lns.|n
21.2 Macro Lenses $X.F=Kv
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22 Scanner/ , Laser Disk and Collimator Lenses $$4flfx
22.1 Monochromatic Systems !U(S?:hvW
22.2 Scanner Lenses Z \ @9*
22.3 Laser Disk, Focusing, and Collimator Lenses W"#<r
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23 Tolerance Budgeting zn= pm#L
23.1 The Tolerance Budget FO!0TyQ
23.2 Additive Tolerances 75R4[C6T
23.3 Establishing the Tolerance Budget JF}i=}
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24 Formulary oui0:Vy<
24.1 Sign Conventions, Symbols, and Definitions :u=y7[I
24.2 The Cardinal Points ]moBVRd
24.3 Image Equations ;{iTSsb
24.4 Paraxial Ray Tracing (Surface by Surface) Mx93D
24.5 Invariants fWfhs}_
24.6 Paraxial Ray Tracing (Component by Component) :Zq?V`+M
24.7 Two-Componenet Relationships }/NjZ*u
24.8 Third-Order Aberrations – Surface Contributions {nA+-=T
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs {#z47Rz
24.10 Stop Shift Equations 5gx;Bp^_
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces :|I"Em3R
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) :nnch?J_
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Glossary vft7-|8T
Reference wp~KrUlR
Index