"Modern Lens Design" 2nd Edition by Warren J. Smith Z nXejpj)D
@ E_zR
Contents of Modern Lens Design 2nd Edition d^84jf.U
]rW8y%yD
1 Introduction h0VzIuV
1.1 Lens Design Books N5 n>
1.2 Reference Material oJY[{ -qW
1.3 Specifications v8@eW.I1
1.4 Lens Design LfX0Z=<
1.5 Lens Design Program Features K/Y Agg
1.6 About This Book k
dU!
kj
-<W2PY<
2 Automatic Lens Design T[. [
g/`
2.2 The Merit Function `6Hf&u<
2.3 Local Minima $']VQ4tZ
2.4 The Landscape Lens \6 sQJq
2.5 Types of Merit Function Ear k )
2.6 Stagnation 8/Rm!.8+~
2.7 Generalized Simulated Annealing JJf<*j^ G
2.8 Considerations about Variables for Optimization Lko`F$5X
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 8tQ|-l *
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits .3wY\W8Dr-
2.11 Spectral Weighting Iql5T #K+
2.12 How to Get Started 0BTLcEqgZ
^ M
Ey,
3 Improving a Design |9 ,UaA
3.1 Lens Design Tip Sheet: Standard Improvement Techniques p`>d7S>"
3.2 Glass Changes ( Index and V Values ) WE.Tuo5L
3.3 Splitting Elements [7\> "v6
3.4 Separating a Cemented Doublet '29WscU
3.5 Compounding an Element 8H
$ #+^lW
3.6 Vignetting and Its Uses y JD >ny
3.7 Eliminating a Weak Element; the Concentric Problem ~_ P YNY`"
3.8 Balancing Aberrations :ba/W&-d
3.9 The Symmetrical Principle ./w{L"E
3.10 Aspheric Surfaces y1C/v:;
ty-
r&
4 Evaluation: How Good is This Design ^ d\SPZ
4.1 The Uses of a Preliminary Evaluation "# S>I8d
4.2 OPD versus Measures of Performance <abKiXA"
4.3 Geometric Blur Spot Size versus Certain Aberrations mJMq{6;
4.4 Interpreting MTF - The Modulation Transfer Function =`p&h}h-L
4.5 Fabrication Considerations PDC]wZd/
,")F[%v
5 Lens Design Data nW5K[/1D
5.1 About the Sample Lens Designs qrDcL>Hrn
5.2 Lens Prescriptions, Drawings, and Aberration Plots S< x:t(
5.3 Estimating the Potential of a Redesign yJ/#"z=h?
5.4 Scaling a Desing, Its Aberrations, and Its MTF 8:{ q8xZ=k
5.5 Notes on the Interpretation of Ray Intercept Plots gX*K&*q
5.6 Various Evaluation Plot $Jf9;.
,-
HIFbXx@
6 Telescope Objective _T]>/}}p
6.1 The Thin Airspaced Doublet Efr&12YSS
6.2 Merit Function for a Telescope Objective ;Qa;@
6.3 The Design of an f/7 Cemented Doublet Telescope Objective y Nva1I
6.4 Spherochromatism \dV Too
6.5 Zonal Spherical Aberration "DjU:*'
6.6 Induced Aberrations 9#@Zz4Ww
6.7 Three-Element Objectives 8p =>?wG
6.8 Secondary Spectrum (Apochromatic Systems) oVk r3K Z
6.9 The Design of an f/7 Apochromatic Triplet e1P7
.n}
6.10 The Diffractive Surface in Lens Design "{(
[!
6.11 A Final Note 3qo e^e
A, c'g}:
7 Eyepieces and Magnifiers I,j3b C
7.1 Eyepieces V2Y$yV8g1
7.2 A Pair of Magnifier Designs D[~}uZ4\
7.3 The Simple, Classical Eyepieces 0w3b~RJ
7.4 Design Story of an Eyepiece for a 6*30 Binocular u ^=@DO'
7.5 Four-Element Eyepieces QS\
x{<e/
7.6 Five-Element Eyepieces :6u~aT/
7.7 Very High Index Eyepiece/Magnifier UC|JAZL
7.8 Six- and Seven-Element Eyepieces %F5 =n"
ZQ[~*)
8 Cooke Triplet Anastigmats
g1qi\axm
8.1 Airspaced Triplet Anastigmats Dh`=ydI5
8.2 Glass Choice xF8 :^'
8.3 Vertex Length and Residual Aberrations *V|zx#RN
8.4 Other Design Considerations BXA]9eK
8.5 A Plastic, Aspheric Triplet Camera Lens JZ K7uB,X
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet d_T<5Hin
8.7 Possible Improvement to Our “Basic” Triplet mP!N <K
8.7 The Rear Earth (Lanthanum) Glasses -S$$/ sR
8.9 Aspherizing the Surfaces m!Af LSlwm
8.10 Increasing the Element Thickness T.@sq
/f&By
p
9 Split Triplets (C\r&N
R 3G@ G
10 The Tessar, Heliar, and Other Compounded Triplets (1 yGg==W.
10.1 The Classic Tessar C1 {ZW~"YI
10.2 The Heliar/Pentac XnY"oDg^>
10.3 The Portrait Lens and the Enlarger Lens )E`+BH
10.4 Other Compounded Triplets I MaYEO[
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar W p4K6x
d*%Mv[X:<
11 Double-Meniscus Anastigmats i4VK{G~g"
11.1 Meniscus Components [q$e6JwAt
11.2 The Hypergon, Totogon, and Metrogon <[9?Rj@
11.3 A Two Element Aspheric Thick Meniscus Camera Lens H),RA]S
11.4 Protar, Dagor, and Convertible Lenses ]ym C3LV]
11.5 The Split Dagor ~04[KG
11.6 The Dogmar `[@VxGy_
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 4NUN Ov`[{
d h?dO `
12 The Biotar or Double-Gauss Lens w,
7Cr
12.1 The Basic Six-Element Version ue9h
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens C8MWIX}
12.3 The Seven-Element Biotar - Split-Rear Singlet i[_| %'p
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ai^t=
s
12.5 The Seven-Element Biotar - One Compounded Outer Element LE| <O
12.6 The Eight-Element Biotar ' =}pxyg
12.7 A “Doubled Double-Gauss” Relay YkI9d&ib+
$WClpvVj
13 Telephoto Lenses >[P%Ty);
13.1 The Basic Telephoto Yj 3*)k
13.2 Close-up or Macro Lenses G"C;A`6
13.3 Telephoto Designs O+vcs4
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch cz>mhD
InN {^uN
6KB^w0oA
14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses en%B>]QI
14.1 The Reverse Telephoto Principle D O%Pwfkd
14.2 The Basic Retrofocus Lens :iEA UM
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ',#
6=3(oUl
15 Wide Angle Lenses with Negative Outer Lenses `:gYXeR
jYk5~<\k
16 The Petzval Lens; Head-up Display Lenses %-r?= L
16.1 The Petzval Portrait Lens NQ{-&#@/v
16.2 The Petzval Projection Lens %r P !
16.3 The Petzval with a Field Flattener _'lmCj8L
16.4 Very Height Speed Petzval Lenses m:" +J
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems N-Z^G<[q.
?V?<E=13
17 Microscope Objectives 8? F
2jv
17.1 General Considerations nj"m^PmWo3
17.2 Classic Objective Design Forms; The Aplanatic Front
d.I%k1`(
17.3 Flat-Field Objectives S[sr 'ZW
17.4 Reflecting Objectives ]Y =S
17.5 The Microscope Objective Designs aPt{C3 <
qzHU)Ns(_
18 Mirror and Catadioptric Systems ,@479ZvvR3
18.1 The Good and Bad Points of Mirrors U\?+s2I)v
18.2 The Classic Two-Mirror Systems UI_v3 c3b
18.3 Catadioptric Systems 4`6 < {
18.4 Aspheric Correctors and Schmidt Systems Fq4lXlSB
18.5 Confocal Paraboloids j^{b^!4~}
18.6 Unobscured Systems s" N\82z)
18.7 Design of a Schmidt-Cassegrain “from Scratch”
\eT/ %$
L,
#Byao
19 Infrared and Ultraviolet Systems %2,/jhHL
19.1 Infrared Optics P]- # wz=S
19.2 IR Objective Lenses :^5>wDu{
19.3 IR Telescope G4O3h Y.`
19.4 Laser Beam Expanders g kn)V~ij
19,5 Ultraviolet Systems IG& B2*
19.6 Microlithographic Lenses 2=O ))^8
#:Xa'D+
20 Zoom Lenses ~7dF/Nn5
20.1 Zoom Lenses q6Rw4
20.2 Zoom Lenses for Point and Shoot Cameras ~\3l!zIq
20.3 A 20X Video Zoom Lens wZ
O@J|
20.4 A Zoom Scanner Lens VH[ l\I(h
20.5 A Possible Zoom Lens Design Procedure Gg}t-_M
0a@c/ XGBp
21 Projection TV Lenses and Macro Lenses 5Vm Ey b
21.1 Projection TV Lenses A^t"MYX@
21.2 Macro Lenses @??u})^EL
8a?IC|~Pz
22 Scanner/ , Laser Disk and Collimator Lenses SbCJ|z#?
22.1 Monochromatic Systems eA1'qww"'
22.2 Scanner Lenses =^ #0.
22.3 Laser Disk, Focusing, and Collimator Lenses E~}[+X@
y1nP F&_
23 Tolerance Budgeting i"vD RrDe
23.1 The Tolerance Budget y]w )`}Ax
23.2 Additive Tolerances g4i #1V=
23.3 Establishing the Tolerance Budget J OPTc]
k~& o
24 Formulary UYH|?Jw!N
24.1 Sign Conventions, Symbols, and Definitions L-j/R1fTvl
24.2 The Cardinal Points *Q0lC1GQ
24.3 Image Equations 9Il'E6
J
24.4 Paraxial Ray Tracing (Surface by Surface) ,Io0ZE>`V
24.5 Invariants b #e]1Q
24.6 Paraxial Ray Tracing (Component by Component) !eV^Ah>PZ
24.7 Two-Componenet Relationships V@Ax}<$A
24.8 Third-Order Aberrations – Surface Contributions $vz_%Y
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 4 ^0\dq
24.10 Stop Shift Equations ,=yOek}
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces z_'dRw
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Oxpo6G
C" (_mW{@
3Sk5I%
Glossary z I(xSX@
Reference \
=S3 L<
Index
