"Modern Lens Design" 2nd Edition by Warren J. Smith |vC~HJpuv'
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Contents of Modern Lens Design 2nd Edition W%Fv p;\`
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1 Introduction HbIF^LeY|R
1.1 Lens Design Books R@2X3s:
1.2 Reference Material v` r:=K
1.3 Specifications p]"4#q\(
1.4 Lens Design #LNED)Vg
1.5 Lens Design Program Features 7[wPn`v2
1.6 About This Book "wc<B4"
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2 Automatic Lens Design 4Po_-4
2.2 The Merit Function 8cQ'dL`(
2.3 Local Minima d d;T-wa}
2.4 The Landscape Lens *z2s$EZ
2.5 Types of Merit Function K<J9~
2.6 Stagnation S]{oPc[7
2.7 Generalized Simulated Annealing @o.I ;}*N
2.8 Considerations about Variables for Optimization .G\7cZ
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems fXB0j;A
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits S,=|AD
2.11 Spectral Weighting BJ0?kX@
2.12 How to Get Started &m vSiyKX
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3 Improving a Design V43H/hl
3.1 Lens Design Tip Sheet: Standard Improvement Techniques hv+zGID7
3.2 Glass Changes ( Index and V Values ) ,+ ~W4<f
3.3 Splitting Elements wA.\i
3.4 Separating a Cemented Doublet E\$W_Lmr
3.5 Compounding an Element Xm&L
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3.6 Vignetting and Its Uses +/\6=).\
3.7 Eliminating a Weak Element; the Concentric Problem -{A<.a3P}=
3.8 Balancing Aberrations -$@h1Y
3.9 The Symmetrical Principle L0]_X#s>#
3.10 Aspheric Surfaces L%5%T;0'~
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4 Evaluation: How Good is This Design {XHh8_^&
4.1 The Uses of a Preliminary Evaluation ?%kV?eu'
4.2 OPD versus Measures of Performance A)~6Im
4.3 Geometric Blur Spot Size versus Certain Aberrations QCJM&
4.4 Interpreting MTF - The Modulation Transfer Function 8>%hz$no=
4.5 Fabrication Considerations 9>$p
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5 Lens Design Data B1Oq!k
5.1 About the Sample Lens Designs O'~+_ykTl
5.2 Lens Prescriptions, Drawings, and Aberration Plots :H[6Lg\*
5.3 Estimating the Potential of a Redesign w=@Dv
5.4 Scaling a Desing, Its Aberrations, and Its MTF t:c.LFrF
5.5 Notes on the Interpretation of Ray Intercept Plots a: K[ y
5.6 Various Evaluation Plot F5#YOck&,
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6 Telescope Objective ~_ a-E
6.1 The Thin Airspaced Doublet 2BobH_H
6.2 Merit Function for a Telescope Objective tI{_y
6.3 The Design of an f/7 Cemented Doublet Telescope Objective bjS{(
6.4 Spherochromatism LIdF 0
6.5 Zonal Spherical Aberration |Ds=)S"
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6.6 Induced Aberrations Qei"'~1a
6.7 Three-Element Objectives !VK|u8i
6.8 Secondary Spectrum (Apochromatic Systems) GH
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6.9 The Design of an f/7 Apochromatic Triplet \(T/O~b2
6.10 The Diffractive Surface in Lens Design P
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6.11 A Final Note &-=5Xc+Z
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7 Eyepieces and Magnifiers |)G<,FJQE_
7.1 Eyepieces ]cruF#`%
7.2 A Pair of Magnifier Designs .[ mRM
7.3 The Simple, Classical Eyepieces V1JIht>Opo
7.4 Design Story of an Eyepiece for a 6*30 Binocular ]s748+
7.5 Four-Element Eyepieces 4Xv*wB1
7.6 Five-Element Eyepieces 8.~kK<)!
7.7 Very High Index Eyepiece/Magnifier 0|b>I!_"g
7.8 Six- and Seven-Element Eyepieces Q5_o/wk
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8 Cooke Triplet Anastigmats llsfTrp
8.1 Airspaced Triplet Anastigmats wvPk:1wD5
8.2 Glass Choice 7[wieYj{
8.3 Vertex Length and Residual Aberrations .>nRzgo
8.4 Other Design Considerations !g.?
8.5 A Plastic, Aspheric Triplet Camera Lens _-F s#f8
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet VD\=`r)nT
8.7 Possible Improvement to Our “Basic” Triplet b_):MQ1{
8.7 The Rear Earth (Lanthanum) Glasses wa3}SB
8.9 Aspherizing the Surfaces F}qc0
8.10 Increasing the Element Thickness 188*XCtjQ9
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9 Split Triplets )F2OT<]m,
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10 The Tessar, Heliar, and Other Compounded Triplets V2G6Kw9gt
10.1 The Classic Tessar I!?}jo3
10.2 The Heliar/Pentac 2 Vrw
10.3 The Portrait Lens and the Enlarger Lens *WT`o>
10.4 Other Compounded Triplets b%5f&N
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar O7IJ%_A&
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11 Double-Meniscus Anastigmats \'bzt"f$j
11.1 Meniscus Components w1DV\Ap*
11.2 The Hypergon, Totogon, and Metrogon JO<wU
11.3 A Two Element Aspheric Thick Meniscus Camera Lens #1G:lhkC
11.4 Protar, Dagor, and Convertible Lenses xZv#Es%#
11.5 The Split Dagor puM3g|n@
11.6 The Dogmar t<viX's
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens VM,]X.
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12 The Biotar or Double-Gauss Lens #N cK
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12.1 The Basic Six-Element Version E\,-XH
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens _f:W?$\ho
12.3 The Seven-Element Biotar - Split-Rear Singlet |H+Wed|
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 8*T=Xei8
12.5 The Seven-Element Biotar - One Compounded Outer Element ^ovR7+V
12.6 The Eight-Element Biotar ]P?vdgEM&
12.7 A “Doubled Double-Gauss” Relay xK\d4"
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13 Telephoto Lenses iW /}#
13.1 The Basic Telephoto $ DSZO!pB
13.2 Close-up or Macro Lenses ,nB5/Lx
13.3 Telephoto Designs NTI+
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch igR";OQk
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses w:Kl6"c
14.1 The Reverse Telephoto Principle 46&/gehr
14.2 The Basic Retrofocus Lens 0s2v'A[\
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses \)?HJ
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15 Wide Angle Lenses with Negative Outer Lenses 'CkIz"Wd
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16 The Petzval Lens; Head-up Display Lenses 1HZO9cXJ
16.1 The Petzval Portrait Lens +&2%+[nBZ
16.2 The Petzval Projection Lens %Q dn
16.3 The Petzval with a Field Flattener r|Tcfk]%
16.4 Very Height Speed Petzval Lenses KNIn:K^/
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems QW(Mz Hg
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17 Microscope Objectives BKjS ,2C
17.1 General Considerations ^RtIh-Z.9
17.2 Classic Objective Design Forms; The Aplanatic Front o$lM$E:
17.3 Flat-Field Objectives lv+TD!b
17.4 Reflecting Objectives |2n4QBH!
17.5 The Microscope Objective Designs @7j AL -
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18 Mirror and Catadioptric Systems <;Zmjeb+#
18.1 The Good and Bad Points of Mirrors 9e,0\J
18.2 The Classic Two-Mirror Systems [}0haTYc4
18.3 Catadioptric Systems 8&`LYdzt
18.4 Aspheric Correctors and Schmidt Systems dvJM6W>^=
18.5 Confocal Paraboloids #KexvP&*
18.6 Unobscured Systems U/l&tmIVY
18.7 Design of a Schmidt-Cassegrain “from Scratch” Q:k}Jl
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19 Infrared and Ultraviolet Systems +Kbjzh3<wG
19.1 Infrared Optics !58@pLJw
19.2 IR Objective Lenses PKg@[<g43
19.3 IR Telescope |_aa&v~
19.4 Laser Beam Expanders &H/'rd0M
19,5 Ultraviolet Systems DjQFi
19.6 Microlithographic Lenses 65$+{s
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20 Zoom Lenses * kDC liL
20.1 Zoom Lenses Fgh_9S9J
20.2 Zoom Lenses for Point and Shoot Cameras UIN<2F_
20.3 A 20X Video Zoom Lens iE^84l68
20.4 A Zoom Scanner Lens
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20.5 A Possible Zoom Lens Design Procedure N.{H,oO `
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21 Projection TV Lenses and Macro Lenses :hk5 .[
21.1 Projection TV Lenses EC!02S
21.2 Macro Lenses ?:I* 8Fj
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22 Scanner/ , Laser Disk and Collimator Lenses 8ek@: Mw
22.1 Monochromatic Systems _
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22.2 Scanner Lenses Z!zF\<r
22.3 Laser Disk, Focusing, and Collimator Lenses BdblLUGK#
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23 Tolerance Budgeting 9oR@UW1
23.1 The Tolerance Budget T9_RBy;%
23.2 Additive Tolerances YdC6k?tzS
23.3 Establishing the Tolerance Budget x'>9d
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24 Formulary %JD,$pPs
24.1 Sign Conventions, Symbols, and Definitions KD7dye
24.2 The Cardinal Points Rmt~,cW!\
24.3 Image Equations [KaAXv
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24.4 Paraxial Ray Tracing (Surface by Surface) Yz"#^j}Kg
24.5 Invariants j8{i#;s!"
24.6 Paraxial Ray Tracing (Component by Component) ?5|>@>
24.7 Two-Componenet Relationships suiS&$-E
24.8 Third-Order Aberrations – Surface Contributions J76kkW`5
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs j2.|ln"!
24.10 Stop Shift Equations hl (hJfp
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces BmMGx8P
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) MvHm)h
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Glossary yyRiP|hJ
Reference i&66Fi1
Index