"Modern Lens Design" 2nd Edition by Warren J. Smith RoX
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Contents of Modern Lens Design 2nd Edition XlVc\?
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1 Introduction 8q0I:SJy
1.1 Lens Design Books ?{eY\I
1.2 Reference Material !K[/L<
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1.3 Specifications N&"QKd l
1.4 Lens Design YJd8l>mz
1.5 Lens Design Program Features <|a=hHPi:
1.6 About This Book zDB"r
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2 Automatic Lens Design UgR:qjI
2.2 The Merit Function RAV^D.
2.3 Local Minima Y.>kO
2.4 The Landscape Lens ?mMW*ico
2.5 Types of Merit Function J_PH7Z*=,
2.6 Stagnation %%&e"&7HE
2.7 Generalized Simulated Annealing 1SUzzlRx
2.8 Considerations about Variables for Optimization ZZ("-#?
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems i
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits qz`rL#W]
2.11 Spectral Weighting !4t`Hv?'
2.12 How to Get Started T6uMFD4 |
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3 Improving a Design (0OM"`j
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 4d`+CD C
3.2 Glass Changes ( Index and V Values ) G6V/S aD
3.3 Splitting Elements 9OyN i
3.4 Separating a Cemented Doublet ]v\^&7pW
3.5 Compounding an Element XFQNr`
3.6 Vignetting and Its Uses H-,TS^W
3.7 Eliminating a Weak Element; the Concentric Problem )t%h[0{{
3.8 Balancing Aberrations F.?01,J=1
3.9 The Symmetrical Principle F+ukAT
3.10 Aspheric Surfaces s]Gd-j
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4 Evaluation: How Good is This Design =IZ[_ /@
4.1 The Uses of a Preliminary Evaluation @}DFp`~5|
4.2 OPD versus Measures of Performance k][h9'
4.3 Geometric Blur Spot Size versus Certain Aberrations PNpu*#Z`
4.4 Interpreting MTF - The Modulation Transfer Function uE`r /=4
4.5 Fabrication Considerations v L}T~_=3
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5 Lens Design Data ARF\fF|<2
5.1 About the Sample Lens Designs 6{=_718l`
5.2 Lens Prescriptions, Drawings, and Aberration Plots Pu;yEh
5.3 Estimating the Potential of a Redesign c<4F4k7
5.4 Scaling a Desing, Its Aberrations, and Its MTF #!})3_Qc(y
5.5 Notes on the Interpretation of Ray Intercept Plots JoJukoy}F
5.6 Various Evaluation Plot b7Oj<!Wo`
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6 Telescope Objective VRbQdiZ{
6.1 The Thin Airspaced Doublet _ie.| 4k
6.2 Merit Function for a Telescope Objective ,h&a9:+i
6.3 The Design of an f/7 Cemented Doublet Telescope Objective \u M? S
6.4 Spherochromatism n@
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6.5 Zonal Spherical Aberration ar$*a>'?
6.6 Induced Aberrations RlRs}yF
6.7 Three-Element Objectives 9I.^LZ"
6.8 Secondary Spectrum (Apochromatic Systems) ag8`O&+
6.9 The Design of an f/7 Apochromatic Triplet Z\ )C_p\-
6.10 The Diffractive Surface in Lens Design f%XJ;y\,9H
6.11 A Final Note "^Rv#
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7 Eyepieces and Magnifiers 6kR\xP]Kr
7.1 Eyepieces exZLj0kvF
7.2 A Pair of Magnifier Designs {^m Kvc
7.3 The Simple, Classical Eyepieces ?djQZ*
7.4 Design Story of an Eyepiece for a 6*30 Binocular rN5tI.iC
7.5 Four-Element Eyepieces ashar&'
7.6 Five-Element Eyepieces 66\jV6eH7L
7.7 Very High Index Eyepiece/Magnifier +,5-qm)Gh>
7.8 Six- and Seven-Element Eyepieces =a$Oecg?
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8 Cooke Triplet Anastigmats ~L{l+jK$p
8.1 Airspaced Triplet Anastigmats ]
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8.2 Glass Choice !SxG(*u
8.3 Vertex Length and Residual Aberrations 0L#/lDNk
8.4 Other Design Considerations VhEka#
8.5 A Plastic, Aspheric Triplet Camera Lens y1pu R7
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 57Z-
8.7 Possible Improvement to Our “Basic” Triplet wCCV2tk
8.7 The Rear Earth (Lanthanum) Glasses lV6dm=k
8.9 Aspherizing the Surfaces Zu/<NC
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8.10 Increasing the Element Thickness :iPym}CE
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9 Split Triplets }6]0hWsN[
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10 The Tessar, Heliar, and Other Compounded Triplets f p[,C1U
10.1 The Classic Tessar p|[B
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10.2 The Heliar/Pentac <1 "+,}'x
10.3 The Portrait Lens and the Enlarger Lens gfg n68k
10.4 Other Compounded Triplets {whvTN1#dh
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Or0O/\D)
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11 Double-Meniscus Anastigmats P_Hv%g
11.1 Meniscus Components 6.c^u5;
11.2 The Hypergon, Totogon, and Metrogon eu#'SXSC
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens W|5_$p
11.4 Protar, Dagor, and Convertible Lenses 1/Zh^foG
11.5 The Split Dagor @xAfZb2 E
11.6 The Dogmar e0HfP v_
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens bC6oqF'#
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12 The Biotar or Double-Gauss Lens ~E5z"o6$
12.1 The Basic Six-Element Version hdma=KqZ(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ]!
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12.3 The Seven-Element Biotar - Split-Rear Singlet @)6jE!LC
12.4 The Seven-Element Biotar - Broken Contact Front Doublet #&
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12.5 The Seven-Element Biotar - One Compounded Outer Element '{b1!nC;
12.6 The Eight-Element Biotar =E*Gb[r_7
12.7 A “Doubled Double-Gauss” Relay |j~lkzPnV
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13 Telephoto Lenses $XnPwOj
13.1 The Basic Telephoto quxdG>8
13.2 Close-up or Macro Lenses r 2:2,5_
13.3 Telephoto Designs gm"#:< )
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch f 2YLk
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5*-3?
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14.1 The Reverse Telephoto Principle 8V/L:h#7
14.2 The Basic Retrofocus Lens >SbK.Q@ei
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses sW@krBxMv
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15 Wide Angle Lenses with Negative Outer Lenses /~p+j{0L3W
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16 The Petzval Lens; Head-up Display Lenses c3TKl/
16.1 The Petzval Portrait Lens !ZXUPH
16.2 The Petzval Projection Lens o4y']JSN
16.3 The Petzval with a Field Flattener A!i q->+
16.4 Very Height Speed Petzval Lenses 1GCzyBSbb
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems /0MDISQy9
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17 Microscope Objectives &HZmQ>!R D
17.1 General Considerations "tk-w{>
17.2 Classic Objective Design Forms; The Aplanatic Front %/%UX{8R
17.3 Flat-Field Objectives l@Z6do
17.4 Reflecting Objectives Q>< 0[EPj3
17.5 The Microscope Objective Designs *Mc7f ?H
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18 Mirror and Catadioptric Systems 8hanzwoJ:
18.1 The Good and Bad Points of Mirrors {-/^QX]6
18.2 The Classic Two-Mirror Systems Dh4
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18.3 Catadioptric Systems 2/
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18.4 Aspheric Correctors and Schmidt Systems Z~
18.5 Confocal Paraboloids t<iEj"5
18.6 Unobscured Systems tz NlJ~E
18.7 Design of a Schmidt-Cassegrain “from Scratch” fh8j2S9J
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19 Infrared and Ultraviolet Systems gY-5_Ab
19.1 Infrared Optics #]WqM1u
19.2 IR Objective Lenses y[};J
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19.3 IR Telescope lCd@jB{
19.4 Laser Beam Expanders HeGYu?&
19,5 Ultraviolet Systems #18 FA|
19.6 Microlithographic Lenses g`^X#-!(
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20 Zoom Lenses <6TT)t<h
20.1 Zoom Lenses Fh|#u:n
20.2 Zoom Lenses for Point and Shoot Cameras ,i9Byx#TN
20.3 A 20X Video Zoom Lens W*DVi_\$y
20.4 A Zoom Scanner Lens @&F@I3`{
20.5 A Possible Zoom Lens Design Procedure iRo.RU8>
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21 Projection TV Lenses and Macro Lenses uQ$^;Pr
21.1 Projection TV Lenses a3SlxsWW
21.2 Macro Lenses UB`ToE|Ii
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22 Scanner/ , Laser Disk and Collimator Lenses WS8+7O'1\
22.1 Monochromatic Systems PC$CYW5
22.2 Scanner Lenses u|#>32kV
22.3 Laser Disk, Focusing, and Collimator Lenses AI vXb\wL
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23 Tolerance Budgeting Wm~` ~P
23.1 The Tolerance Budget %VJ85^B3
23.2 Additive Tolerances [&[^G25
23.3 Establishing the Tolerance Budget 85:NFa@J
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24 Formulary <:>SGSE9
24.1 Sign Conventions, Symbols, and Definitions wFh8?Z3u_
24.2 The Cardinal Points n%^ LPD
24.3 Image Equations >Hb^P)3
24.4 Paraxial Ray Tracing (Surface by Surface) o{b=9-V
24.5 Invariants !rDdd%Z
24.6 Paraxial Ray Tracing (Component by Component) B$3 ?K
24.7 Two-Componenet Relationships +6$g!S5{
24.8 Third-Order Aberrations – Surface Contributions ^mWybPqx
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs `nXVE+E@
24.10 Stop Shift Equations AmPMY:1i"
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces kqYa*| l
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) bi y4d
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Glossary >7`<!YJkK
Reference 1 2++RkL#
Index