"Modern Lens Design" 2nd Edition by Warren J. Smith af?\kBm
@Uj_+c
q
Contents of Modern Lens Design 2nd Edition Z:o
86~su
L >Ez-
1 Introduction rGn5QV
1.1 Lens Design Books ngkeJ)M0$
1.2 Reference Material vBnKu
1.3 Specifications ]~
#+b>
1.4 Lens Design ny
1.5 Lens Design Program Features 1Oca@E\Z.
1.6 About This Book D#/%*|
f.$aFOn
2 Automatic Lens Design Hc&uE3=%sL
2.2 The Merit Function orQV'
2.3 Local Minima (w#slTFT
2.4 The Landscape Lens iA%'
;V
2.5 Types of Merit Function SZK)q
2.6 Stagnation UE&C
2.7 Generalized Simulated Annealing V6z@"+
2.8 Considerations about Variables for Optimization 3!"b
guE
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems YM`:L
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ph8Jn+|E
2.11 Spectral Weighting hP4)8 >
2.12 How to Get Started (ifqwl62
TJyH/C
3 Improving a Design ET,0ux9F
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ! =\DC,-CB
3.2 Glass Changes ( Index and V Values ) @`IXu$Wm(
3.3 Splitting Elements .o\;,l2
3.4 Separating a Cemented Doublet ;*wT,2;
3.5 Compounding an Element n{.*El>{
3.6 Vignetting and Its Uses M|[@znzR<
3.7 Eliminating a Weak Element; the Concentric Problem 409x!d~it
3.8 Balancing Aberrations yUD_w
3.9 The Symmetrical Principle 3XAp Y'
3.10 Aspheric Surfaces <m Ju v
Mz/]D J8
4 Evaluation: How Good is This Design 9zoT6QP4
4.1 The Uses of a Preliminary Evaluation DnG/ n
4.2 OPD versus Measures of Performance B@"SOX
4.3 Geometric Blur Spot Size versus Certain Aberrations KJ0xp hf
4.4 Interpreting MTF - The Modulation Transfer Function TbKP8zw{
4.5 Fabrication Considerations vgh^fa!/
KdOh'OrT9.
5 Lens Design Data H}) Dcg3
5.1 About the Sample Lens Designs
}@rg5$W
5.2 Lens Prescriptions, Drawings, and Aberration Plots .g/ARwM}
5.3 Estimating the Potential of a Redesign Xq8uY/j
5.4 Scaling a Desing, Its Aberrations, and Its MTF 2Y E;m&
5.5 Notes on the Interpretation of Ray Intercept Plots '!j #X_;
5.6 Various Evaluation Plot 6?1s`{yy
XD$%
6 Telescope Objective QMXD9H0{
6.1 The Thin Airspaced Doublet 3d,-3U
6.2 Merit Function for a Telescope Objective 9SRfjS{7
6.3 The Design of an f/7 Cemented Doublet Telescope Objective "8wf.nZ
6.4 Spherochromatism ;Pol#0_(
6.5 Zonal Spherical Aberration !G)mjvEe
6.6 Induced Aberrations la
G$v-r
6.7 Three-Element Objectives F\-B3i%0
6.8 Secondary Spectrum (Apochromatic Systems) 5u2{n rc
6.9 The Design of an f/7 Apochromatic Triplet Vl5SL{+D
6.10 The Diffractive Surface in Lens Design |eH wp
6.11 A Final Note ]dPVtk
&\;<t,3A~
7 Eyepieces and Magnifiers ?1GY%-
7.1 Eyepieces 55 S\&Ad$
7.2 A Pair of Magnifier Designs L.C
^E7;Z_
7.3 The Simple, Classical Eyepieces Qqd6.F
7.4 Design Story of an Eyepiece for a 6*30 Binocular fOa6,
7.5 Four-Element Eyepieces 0K=Qf69Y
7.6 Five-Element Eyepieces w)45SZ.
7.7 Very High Index Eyepiece/Magnifier +R|U4`12
7.8 Six- and Seven-Element Eyepieces 1% $d D2
Zu\p;!e
8 Cooke Triplet Anastigmats nc3sty1`
8.1 Airspaced Triplet Anastigmats |ZvNH ~!
8.2 Glass Choice RL?u n}Qa
8.3 Vertex Length and Residual Aberrations :7 qqjs
8.4 Other Design Considerations *)MX%`Z}
8.5 A Plastic, Aspheric Triplet Camera Lens ;;ER"N
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet O0@w(L-
8.7 Possible Improvement to Our “Basic” Triplet %xf)m[JU=
8.7 The Rear Earth (Lanthanum) Glasses =?=)s
8.9 Aspherizing the Surfaces kP7a:(P_g
8.10 Increasing the Element Thickness |BwRlE2CFO
./5jx2V
9 Split Triplets o .l;:
Un
q>^hoW2$C
10 The Tessar, Heliar, and Other Compounded Triplets E|pk.
10.1 The Classic Tessar \n[
392
10.2 The Heliar/Pentac T#\p%w9d
10.3 The Portrait Lens and the Enlarger Lens oS~}TR:}
10.4 Other Compounded Triplets ao)Ck3]
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar +p13xc?#j
M6J/mOVx5
11 Double-Meniscus Anastigmats {*N^C@
11.1 Meniscus Components cvKV95bn
11.2 The Hypergon, Totogon, and Metrogon aGpCNc{+
11.3 A Two Element Aspheric Thick Meniscus Camera Lens o[o:A|n
11.4 Protar, Dagor, and Convertible Lenses }0$mn)*k
11.5 The Split Dagor 3rxo,pX94
11.6 The Dogmar CV s8s
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens fs&,w
C1V# ?03eI
12 The Biotar or Double-Gauss Lens 'nMApPl
12.1 The Basic Six-Element Version O~.U:45t
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens U);OR
12.3 The Seven-Element Biotar - Split-Rear Singlet {T&v2u#S
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 6MuWlCKF8
12.5 The Seven-Element Biotar - One Compounded Outer Element 3=Z<wD s
12.6 The Eight-Element Biotar (Up'$J}
12.7 A “Doubled Double-Gauss” Relay HzE1r+3Q@
gF3TwAr
13 Telephoto Lenses mV<i JZh
13.1 The Basic Telephoto DMB"Y,
13.2 Close-up or Macro Lenses QjLji+L
13.3 Telephoto Designs !(Q l)C
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch \yM-O- {
v51EXf
-&im