"Modern Lens Design" 2nd Edition by Warren J. Smith k%i.B
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Contents of Modern Lens Design 2nd Edition /UK]lP^w]!
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1 Introduction .hR
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1.1 Lens Design Books tHZ"o!(S
1.2 Reference Material fx[&"$X
1.3 Specifications 3Z=yCec]
1.4 Lens Design H@? } !@
1.5 Lens Design Program Features vk 4 8&8
1.6 About This Book PQ[?zNr SV
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2 Automatic Lens Design 7Y(Dg`8 G
2.2 The Merit Function A@)Q-V8*9s
2.3 Local Minima (EY @{'.&
2.4 The Landscape Lens +KIz#uqF8Z
2.5 Types of Merit Function H~:oW~Ah
2.6 Stagnation A#T"4'#?<
2.7 Generalized Simulated Annealing }RI_k&;
2.8 Considerations about Variables for Optimization ^Z?m)qxvB
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems d$3md<lIB
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits m{ !$_z8:
2.11 Spectral Weighting ~1wt=Ln>
2.12 How to Get Started sIg TSdk
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3 Improving a Design =-fM2oiI:
3.1 Lens Design Tip Sheet: Standard Improvement Techniques f(D'qV T{
3.2 Glass Changes ( Index and V Values ) v#%rjml[
3.3 Splitting Elements x"e;T ,c
3.4 Separating a Cemented Doublet 0lg'QG>
3.5 Compounding an Element [07E-TT2U
3.6 Vignetting and Its Uses \]]K{DO
3.7 Eliminating a Weak Element; the Concentric Problem 8:V,>PH
3.8 Balancing Aberrations VPYLDg.'
3.9 The Symmetrical Principle w
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3.10 Aspheric Surfaces W6NhJ#M7
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4 Evaluation: How Good is This Design Jj>Rzj!m
4.1 The Uses of a Preliminary Evaluation
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4.2 OPD versus Measures of Performance SefhOh^,V
4.3 Geometric Blur Spot Size versus Certain Aberrations >B**fZ~L
4.4 Interpreting MTF - The Modulation Transfer Function ~Dq-q6-@t
4.5 Fabrication Considerations }
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5 Lens Design Data K9%rr_ja!
5.1 About the Sample Lens Designs Yp;Z+!!UZ
5.2 Lens Prescriptions, Drawings, and Aberration Plots Ne Y*l
5.3 Estimating the Potential of a Redesign E0 +L?(;
5.4 Scaling a Desing, Its Aberrations, and Its MTF *eIX"&ba
5.5 Notes on the Interpretation of Ray Intercept Plots 'sUO i7U
5.6 Various Evaluation Plot #C&';HB;y
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6 Telescope Objective hHJvLs>^
6.1 The Thin Airspaced Doublet 9m$"B*&6G
6.2 Merit Function for a Telescope Objective ?5nEmG|kO
6.3 The Design of an f/7 Cemented Doublet Telescope Objective q=5aHH% |
6.4 Spherochromatism <|_>r`@%l
6.5 Zonal Spherical Aberration aj;x:UqpJ
6.6 Induced Aberrations IdAh)#)
7
6.7 Three-Element Objectives $5 mGYF]
6.8 Secondary Spectrum (Apochromatic Systems) SED52$zA
6.9 The Design of an f/7 Apochromatic Triplet N)g _LL>^
6.10 The Diffractive Surface in Lens Design \{ EVRRXn
6.11 A Final Note $\J5l$tU
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7 Eyepieces and Magnifiers TF :'6#p
7.1 Eyepieces {TNORbZ z
7.2 A Pair of Magnifier Designs -\f7qRW^U
7.3 The Simple, Classical Eyepieces VU, G.eLW
7.4 Design Story of an Eyepiece for a 6*30 Binocular kiM:(=5
7.5 Four-Element Eyepieces !VWA4 e!+
7.6 Five-Element Eyepieces aH1CX<3)~
7.7 Very High Index Eyepiece/Magnifier v3 Vve:}+
7.8 Six- and Seven-Element Eyepieces EO)J MV?6
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8 Cooke Triplet Anastigmats K^fs #7
8.1 Airspaced Triplet Anastigmats 6}E>B{Y
8.2 Glass Choice . yy*[56X
8.3 Vertex Length and Residual Aberrations /io06)-/n
8.4 Other Design Considerations T4.wz
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8.5 A Plastic, Aspheric Triplet Camera Lens ! lNyoX/
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Qpmq@iL
8.7 Possible Improvement to Our “Basic” Triplet c%pf,sm'
8.7 The Rear Earth (Lanthanum) Glasses
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8.9 Aspherizing the Surfaces m* _X PY
8.10 Increasing the Element Thickness Bu=1-8@=qs
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9 Split Triplets ,.9 lz
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10 The Tessar, Heliar, and Other Compounded Triplets `qs,V
10.1 The Classic Tessar qF~9:`
10.2 The Heliar/Pentac 7o +L
10.3 The Portrait Lens and the Enlarger Lens B3ItZojAuw
10.4 Other Compounded Triplets >(a35 b$
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar akyMW7'3V<
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11 Double-Meniscus Anastigmats _rYW|*cIF
11.1 Meniscus Components o664b$5nsI
11.2 The Hypergon, Totogon, and Metrogon J;_4
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens -yqgs>R( d
11.4 Protar, Dagor, and Convertible Lenses $XQgat@&]
11.5 The Split Dagor O
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11.6 The Dogmar zG_n x3
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens O +o)z6(
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12 The Biotar or Double-Gauss Lens jyIIE7.I"
12.1 The Basic Six-Element Version 0V<kpC,4
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens .S|7$_9;b
12.3 The Seven-Element Biotar - Split-Rear Singlet o C|oh
12.4 The Seven-Element Biotar - Broken Contact Front Doublet A^z{n/DiL
12.5 The Seven-Element Biotar - One Compounded Outer Element ,VVA^'+
12.6 The Eight-Element Biotar C+**!uYIB
12.7 A “Doubled Double-Gauss” Relay KU U {X~w
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13 Telephoto Lenses 9 o,` peH
13.1 The Basic Telephoto vcu@_N 1Dc
13.2 Close-up or Macro Lenses I;'{X_9$a
13.3 Telephoto Designs ?P +Uv
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch }BC%(ZH6
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 1=J& ^O{W
14.1 The Reverse Telephoto Principle 8B *(P>
14.2 The Basic Retrofocus Lens P{ A})t7
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses PI*@.kqR-
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15 Wide Angle Lenses with Negative Outer Lenses *S*49Hq7c
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16 The Petzval Lens; Head-up Display Lenses gNW+Dq|X%
16.1 The Petzval Portrait Lens d?X,od6
16.2 The Petzval Projection Lens t sg`c ;{
16.3 The Petzval with a Field Flattener ~Fh+y+g?
16.4 Very Height Speed Petzval Lenses q~> +x?30
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ]#G s6CsT|
W |8VE,"7
17 Microscope Objectives &7\}S qp
17.1 General Considerations o_ Zs0/
17.2 Classic Objective Design Forms; The Aplanatic Front 2p, U ^h
17.3 Flat-Field Objectives jm%s#`)g
17.4 Reflecting Objectives TQc k$&
17.5 The Microscope Objective Designs
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18 Mirror and Catadioptric Systems 2*75*EQCH
18.1 The Good and Bad Points of Mirrors dGk"`/@
18.2 The Classic Two-Mirror Systems nPvys~D
18.3 Catadioptric Systems :7 LA /j
18.4 Aspheric Correctors and Schmidt Systems sf2%WPK
18.5 Confocal Paraboloids By@65KmR"
18.6 Unobscured Systems gf>H-718F
18.7 Design of a Schmidt-Cassegrain “from Scratch” } o:LwxNO
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19 Infrared and Ultraviolet Systems jz"
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19.1 Infrared Optics [;ZCq!)>
19.2 IR Objective Lenses ]^"Lc~w8&
19.3 IR Telescope H (;@ 7dh
19.4 Laser Beam Expanders pZS]i
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19,5 Ultraviolet Systems g "Du]_,
19.6 Microlithographic Lenses X8m-5(uW
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20 Zoom Lenses ~4+ Y BN
20.1 Zoom Lenses _fk}d[q0
20.2 Zoom Lenses for Point and Shoot Cameras 7u;N/@
20.3 A 20X Video Zoom Lens V X8rM!3
20.4 A Zoom Scanner Lens +H&/C1u
20.5 A Possible Zoom Lens Design Procedure 6 Tmz!E0
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21 Projection TV Lenses and Macro Lenses >/\TG8t,f
21.1 Projection TV Lenses T`@b rL
21.2 Macro Lenses 1P"7.{
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22 Scanner/ , Laser Disk and Collimator Lenses /#T {0GBXe
22.1 Monochromatic Systems 424iFc[
22.2 Scanner Lenses 3A ^AEO
22.3 Laser Disk, Focusing, and Collimator Lenses `5- ;' nX
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23 Tolerance Budgeting ~9o@1TO:v
23.1 The Tolerance Budget 0B8Wf/j?M
23.2 Additive Tolerances uT=r*p(v
23.3 Establishing the Tolerance Budget })]
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24 Formulary bp'%UgA)1
24.1 Sign Conventions, Symbols, and Definitions ZB1%Kn#zo4
24.2 The Cardinal Points ]R\L~Kr
24.3 Image Equations EE]xZz>o
24.4 Paraxial Ray Tracing (Surface by Surface) 1p~O RQ
24.5 Invariants B ZU@W%E
24.6 Paraxial Ray Tracing (Component by Component) X E_Lz2H`
24.7 Two-Componenet Relationships .$p eq
24.8 Third-Order Aberrations – Surface Contributions %Y0lMNP
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs M{orw;1Isy
24.10 Stop Shift Equations CRCy)AS,t
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces j)8$hK/e0.
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) rF[-4t
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Glossary >x%HqP#_V
Reference 8Y8bFWuc
Index
