"Modern Lens Design" 2nd Edition by Warren J. Smith /h!Y/\ kI
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Contents of Modern Lens Design 2nd Edition @Q=P6Rz
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1 Introduction Zk4(
1.1 Lens Design Books ezOZHY>|#
1.2 Reference Material J3$Ce%<
1.3 Specifications rLfhm
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1.4 Lens Design R4R SXV
1.5 Lens Design Program Features Fk 5;
1.6 About This Book !/},k"p6
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2 Automatic Lens Design qU1^ K
2.2 The Merit Function k$hNibpkt
2.3 Local Minima $2M dxw5
2.4 The Landscape Lens y.LJ5K$&a
2.5 Types of Merit Function ,3zF_y(*Y
2.6 Stagnation }#rdMh
2.7 Generalized Simulated Annealing l9 |x7GB
2.8 Considerations about Variables for Optimization ly{Q>MBM
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems <KFE.\*Z4
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits y8{PAH8S
2.11 Spectral Weighting dX58nJ4u
2.12 How to Get Started ?QnVWu2K
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3 Improving a Design gyI(O>e
3.1 Lens Design Tip Sheet: Standard Improvement Techniques _uR-Z_z
3.2 Glass Changes ( Index and V Values ) 'Gw;@[
3.3 Splitting Elements BE;J/
3.4 Separating a Cemented Doublet \I"UW1)B
3.5 Compounding an Element [;Q8xvVZ'
3.6 Vignetting and Its Uses P`^{dH$P
3.7 Eliminating a Weak Element; the Concentric Problem n>w/T"
3.8 Balancing Aberrations bs%lMa.o
3.9 The Symmetrical Principle b83__i
3.10 Aspheric Surfaces _PPW9US{
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4 Evaluation: How Good is This Design fDn| o"
4.1 The Uses of a Preliminary Evaluation +n
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4.2 OPD versus Measures of Performance NjCdkT&g
4.3 Geometric Blur Spot Size versus Certain Aberrations h9McC 3
4.4 Interpreting MTF - The Modulation Transfer Function ,u^S(vxyz
4.5 Fabrication Considerations x=>+.'K
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5 Lens Design Data 5K;vdwSB
5.1 About the Sample Lens Designs &?@gUk74"
5.2 Lens Prescriptions, Drawings, and Aberration Plots q>~\w1%}a\
5.3 Estimating the Potential of a Redesign *|f&a
5.4 Scaling a Desing, Its Aberrations, and Its MTF $>3/6(bW
5.5 Notes on the Interpretation of Ray Intercept Plots +7jr ]kP9
5.6 Various Evaluation Plot )Tc eNH
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6 Telescope Objective s7FJJTn
6.1 The Thin Airspaced Doublet _u`NIpXSP
6.2 Merit Function for a Telescope Objective e#YQA
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 0,T'z,
6.4 Spherochromatism pr|P#mc"J
6.5 Zonal Spherical Aberration eB:OvOol*^
6.6 Induced Aberrations m[7i<'+S
6.7 Three-Element Objectives H<M
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6.8 Secondary Spectrum (Apochromatic Systems) 6
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6.9 The Design of an f/7 Apochromatic Triplet 'oZ/fUl|7
6.10 The Diffractive Surface in Lens Design jhWNMu
6.11 A Final Note _jw A_
8+&] q#W3
7 Eyepieces and Magnifiers #rZk&q
7.1 Eyepieces B/i`
7.2 A Pair of Magnifier Designs JD^&d~n_
7.3 The Simple, Classical Eyepieces G\\zk
7.4 Design Story of an Eyepiece for a 6*30 Binocular BX|+"AeF
7.5 Four-Element Eyepieces aW8Bx\q
7.6 Five-Element Eyepieces J~5VL |ca
7.7 Very High Index Eyepiece/Magnifier ~-,P1u!
7.8 Six- and Seven-Element Eyepieces ^@
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8 Cooke Triplet Anastigmats iQczvn)"m
8.1 Airspaced Triplet Anastigmats G4Zs(:a
8.2 Glass Choice T/
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8.3 Vertex Length and Residual Aberrations fCSM#3|,]
8.4 Other Design Considerations J}7iXTh
8.5 A Plastic, Aspheric Triplet Camera Lens 8k$iz@e
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet TqNEU<S/t
8.7 Possible Improvement to Our “Basic” Triplet ,w|f*L$
8.7 The Rear Earth (Lanthanum) Glasses 29K09 0f
8.9 Aspherizing the Surfaces xo0",i
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8.10 Increasing the Element Thickness 5|ih>? C/(
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9 Split Triplets =:U63
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10 The Tessar, Heliar, and Other Compounded Triplets D-.XSIEMu
10.1 The Classic Tessar 1\7SiQ-
10.2 The Heliar/Pentac W:uIG-y~
10.3 The Portrait Lens and the Enlarger Lens slEsSR'J]
10.4 Other Compounded Triplets m:<cLc :.
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar =6t)-53
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11 Double-Meniscus Anastigmats yV:DR
11.1 Meniscus Components 22L#\qVkl
11.2 The Hypergon, Totogon, and Metrogon _9E7;ew
11.3 A Two Element Aspheric Thick Meniscus Camera Lens XljiK8q;%
11.4 Protar, Dagor, and Convertible Lenses N}wi<P:*)
11.5 The Split Dagor n
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11.6 The Dogmar dL<okw
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 06I'#:]
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12 The Biotar or Double-Gauss Lens /sENoQR
12.1 The Basic Six-Element Version 7-+X -Y?
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 6Flc4L8JU
12.3 The Seven-Element Biotar - Split-Rear Singlet v709#/cR
12.4 The Seven-Element Biotar - Broken Contact Front Doublet !`vm7FN"u
12.5 The Seven-Element Biotar - One Compounded Outer Element 6hSj)
12.6 The Eight-Element Biotar _;J7#j~}
12.7 A “Doubled Double-Gauss” Relay 2RKI M(~
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13 Telephoto Lenses MJ>9[hs
13.1 The Basic Telephoto -san%H'
13.2 Close-up or Macro Lenses j_SRCm~:
13.3 Telephoto Designs Vw=e C"
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch e9h T
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ):eX*
14.1 The Reverse Telephoto Principle @*L^Jgn
14.2 The Basic Retrofocus Lens Yt2_*K@rC
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 6}2vn5 E//
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15 Wide Angle Lenses with Negative Outer Lenses IuTZ2~
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16 The Petzval Lens; Head-up Display Lenses xfqgK D>
16.1 The Petzval Portrait Lens r4jW=?|
16.2 The Petzval Projection Lens l%lkDh!$"
16.3 The Petzval with a Field Flattener
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16.4 Very Height Speed Petzval Lenses M cE$=Vv
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems UNq!|
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17 Microscope Objectives L #p-AK
17.1 General Considerations nCEt*~t9VE
17.2 Classic Objective Design Forms; The Aplanatic Front :{%6<j
17.3 Flat-Field Objectives >+R`3|o
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17.4 Reflecting Objectives B[ooT3V
17.5 The Microscope Objective Designs _h7!
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18 Mirror and Catadioptric Systems "$PbpY
18.1 The Good and Bad Points of Mirrors Afo(! v
18.2 The Classic Two-Mirror Systems M[D`)7=b
18.3 Catadioptric Systems mkTf}[O
18.4 Aspheric Correctors and Schmidt Systems W'rft@J$
18.5 Confocal Paraboloids |vA3+kG
18.6 Unobscured Systems gSK
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18.7 Design of a Schmidt-Cassegrain “from Scratch” e{.2*>pH
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19 Infrared and Ultraviolet Systems ow]S 3[07
19.1 Infrared Optics p0? XR
19.2 IR Objective Lenses 25*/]iu
19.3 IR Telescope EUmQn8
19.4 Laser Beam Expanders 3zY"9KUN
19,5 Ultraviolet Systems tTe\#o`
19.6 Microlithographic Lenses 3D+>NB
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20 Zoom Lenses [3;J,P=&
20.1 Zoom Lenses Jz 'm&mu
20.2 Zoom Lenses for Point and Shoot Cameras YMad]_XOP
20.3 A 20X Video Zoom Lens { ;);E
20.4 A Zoom Scanner Lens UL$^zR3%d
20.5 A Possible Zoom Lens Design Procedure "m0>u,HmI
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21 Projection TV Lenses and Macro Lenses rPkV=9ull,
21.1 Projection TV Lenses #JeZA0r5
21.2 Macro Lenses KWCA9.w4q
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22 Scanner/ , Laser Disk and Collimator Lenses FVT_%"%C9
22.1 Monochromatic Systems S%-L!V ,
22.2 Scanner Lenses }3j/%oN.(
22.3 Laser Disk, Focusing, and Collimator Lenses _;W}_p}q{
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23 Tolerance Budgeting <a2t"rc
23.1 The Tolerance Budget -o6K_R}R
23.2 Additive Tolerances ? QwDV`
23.3 Establishing the Tolerance Budget oat*ORL
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24 Formulary 5R?iTB1,
24.1 Sign Conventions, Symbols, and Definitions prb;q~
24.2 The Cardinal Points f8+($Ys
24.3 Image Equations ZGSb&!Ke
24.4 Paraxial Ray Tracing (Surface by Surface) i>_V?OT#5
24.5 Invariants fOm=#:O
24.6 Paraxial Ray Tracing (Component by Component) EN` --^
24.7 Two-Componenet Relationships -OZXl
24.8 Third-Order Aberrations – Surface Contributions &!2
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs
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24.10 Stop Shift Equations Hwklk9U
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces Q?L-6]pg
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Ui@Q&%b
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Glossary V9I5/~0c
Reference 2TmQaDu%b
Index