"Modern Lens Design" 2nd Edition by Warren J. Smith o+NPe36
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Contents of Modern Lens Design 2nd Edition ;-aF\}D@n
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1 Introduction g431+O0K1
1.1 Lens Design Books y_s^dQe
1.2 Reference Material bCV3h3<
1.3 Specifications ]q,5'[=~4h
1.4 Lens Design {2A| F{7>
1.5 Lens Design Program Features gY],U4_:p
1.6 About This Book 2
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2 Automatic Lens Design @&I7z,
2.2 The Merit Function ;~A-32;Y4
2.3 Local Minima sIVVF#0}]
2.4 The Landscape Lens ]JQ+*ZYUE
2.5 Types of Merit Function tK
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2.6 Stagnation NWSm
2.7 Generalized Simulated Annealing [N35.O6P6u
2.8 Considerations about Variables for Optimization NmH1*w<A
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems *btLd7c%
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits "8.to=Lx
2.11 Spectral Weighting 5B|&+7dCw
2.12 How to Get Started (f-Mm0%[
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3 Improving a Design B%]yLJ
3.1 Lens Design Tip Sheet: Standard Improvement Techniques [!g$|
3.2 Glass Changes ( Index and V Values ) 8\AyKw
3.3 Splitting Elements Mu1H*;_8
3.4 Separating a Cemented Doublet tom1u>1n
3.5 Compounding an Element +#B4Z'nT
3.6 Vignetting and Its Uses )s#NQ.T[
3.7 Eliminating a Weak Element; the Concentric Problem T>~D(4r|pS
3.8 Balancing Aberrations cC4 2b2+
3.9 The Symmetrical Principle 8C[W;&Y=
3.10 Aspheric Surfaces he
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4 Evaluation: How Good is This Design NcuZw?
4.1 The Uses of a Preliminary Evaluation {vp|f~}zTw
4.2 OPD versus Measures of Performance %Voq"}}N
4.3 Geometric Blur Spot Size versus Certain Aberrations f;PPB@ :`$
4.4 Interpreting MTF - The Modulation Transfer Function wt@Qjbqd8
4.5 Fabrication Considerations `<?{%ja
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5 Lens Design Data 5xS
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5.1 About the Sample Lens Designs h/LlH9S:!
5.2 Lens Prescriptions, Drawings, and Aberration Plots ]-rhc.Gk@1
5.3 Estimating the Potential of a Redesign 4lb(qKea
5.4 Scaling a Desing, Its Aberrations, and Its MTF ]* #k|>Fl
5.5 Notes on the Interpretation of Ray Intercept Plots V[Z^Z
5.6 Various Evaluation Plot 96VJE,^h
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6 Telescope Objective ,/bSa/x`
6.1 The Thin Airspaced Doublet 5z T~/6-(
6.2 Merit Function for a Telescope Objective z#j)uD
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >u-6,[(5X*
6.4 Spherochromatism 342m=7lK
6.5 Zonal Spherical Aberration FX
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6.6 Induced Aberrations hx5oTJR
6.7 Three-Element Objectives YKWiZ
6.8 Secondary Spectrum (Apochromatic Systems) 9B&fEmgEc?
6.9 The Design of an f/7 Apochromatic Triplet Qf'%".*=~8
6.10 The Diffractive Surface in Lens Design +=N!37+G
6.11 A Final Note lMQ_S"
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7 Eyepieces and Magnifiers 7GFE5>H
7.1 Eyepieces >l>;"R9N
7.2 A Pair of Magnifier Designs 4/Mi-ls_
7.3 The Simple, Classical Eyepieces N Dqvt$
7.4 Design Story of an Eyepiece for a 6*30 Binocular VEc^Ap1?'
7.5 Four-Element Eyepieces MS=zG53y
7.6 Five-Element Eyepieces hoOT]Bsn
7.7 Very High Index Eyepiece/Magnifier +HpPVuV
7.8 Six- and Seven-Element Eyepieces $vR#<a,7>
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8 Cooke Triplet Anastigmats v90)G8|q
8.1 Airspaced Triplet Anastigmats P<OSm*;U:
8.2 Glass Choice "R!)"B==
8.3 Vertex Length and Residual Aberrations =dp(+7Va
8.4 Other Design Considerations \\D(St
8.5 A Plastic, Aspheric Triplet Camera Lens e Lj1
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet l_MF9.z&
8.7 Possible Improvement to Our “Basic” Triplet nF)XZB0F
8.7 The Rear Earth (Lanthanum) Glasses q!y6K*
8.9 Aspherizing the Surfaces YWK|AT-4
8.10 Increasing the Element Thickness O,c}T7A'?w
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9 Split Triplets 2d:5~fEJp
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10 The Tessar, Heliar, and Other Compounded Triplets xIlo@W6
10.1 The Classic Tessar H?a1XEY/
10.2 The Heliar/Pentac h;lg^zlTb
10.3 The Portrait Lens and the Enlarger Lens d$?sS9"8(
10.4 Other Compounded Triplets JHvawFBN<u
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar nl\l7/}6
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11 Double-Meniscus Anastigmats )<+t#5"
11.1 Meniscus Components xis],.N
11.2 The Hypergon, Totogon, and Metrogon
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens ..=WG@>$+
11.4 Protar, Dagor, and Convertible Lenses $-Yq?:
11.5 The Split Dagor [J-uvxD
11.6 The Dogmar Ht,dMt>:
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens -yJ%G1R
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12 The Biotar or Double-Gauss Lens yd>b2 M
12.1 The Basic Six-Element Version N6%wHNYZ
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens S!r,p};
12.3 The Seven-Element Biotar - Split-Rear Singlet ToXgl4:kd
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ;J&p17~T9
12.5 The Seven-Element Biotar - One Compounded Outer Element CwL8-z0 Jn
12.6 The Eight-Element Biotar A{IJ](5.kd
12.7 A “Doubled Double-Gauss” Relay =U- w!uW
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13 Telephoto Lenses _s%;GWj
13.1 The Basic Telephoto Q/2(qD; u
13.2 Close-up or Macro Lenses !^FR a{b
13.3 Telephoto Designs ^fq^s T.$
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch oWP3Y.
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses [zw0'-h.
14.1 The Reverse Telephoto Principle 0hB9D{`,{
14.2 The Basic Retrofocus Lens \YZ7
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses QrSF1y'd
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15 Wide Angle Lenses with Negative Outer Lenses t8:QK9|1
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16 The Petzval Lens; Head-up Display Lenses 9[@K4&