[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 8=sMmpB 7u  
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Contents of Modern Lens Design 2nd Edition |-AR)Smt  
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1    Introduction         `jFvG\aC  
1.1    Lens Design Books     3o__tU)B  
1.2    Reference Material     eY$Q}BcW  
1.3    Specifications     l]e7  
1.4    Lens Design     dI8y}EbE~  
1.5    Lens Design Program Features     !3at(+4  
1.6    About This Book     g!;
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2    Automatic Lens Design         j\@|oW0  
2.2    The Merit Function         b9Ix*
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2.3    Local Minima     n)teX.ck)  
2.4    The Landscape Lens     \?.M1a[  
2.5    Types of Merit Function     O~g0R6M6e  
2.6    Stagnation     w`0r`\#V/  
2.7    Generalized Simulated Annealing    
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2.8    Considerations about Variables for Optimization     [@t 6,g  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems _RzcMX  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     N`rOlEk  
2.11    Spectral Weighting     1(U\vMb  
2.12    How to Get Started     [W,maTM"  
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3    Improving a Design    
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3.1    Lens Design Tip Sheet: Standard Improvement Techniques     ODqWXw#  
3.2    Glass Changes ( Index and V Values )     $y*["~TJ  
3.3    Splitting Elements     thSo,uGlW  
3.4    Separating a Cemented Doublet     s*pgR=dZZ  
3.5    Compounding an Element     Z,Tv8;  
3.6    Vignetting and Its Uses     $lrq*Nf9c  
3.7    Eliminating a Weak Element; the Concentric Problem     7_#i,|]58  
3.8    Balancing Aberrations     q^w3n2
 
3.9    The Symmetrical Principle     76*5/J-  
3.10    Aspheric Surfaces     PizPsJ|&  
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4    Evaluation: How Good is This Design     vl}uHdeP9  
4.1    The Uses of a Preliminary Evaluation     mI~k@!3  
4.2    OPD versus Measures of Performance     mM7S9^<UH  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ^Ru/7pw5  
4.4    Interpreting MTF - The Modulation Transfer Function     4 p(KdYc  
4.5    Fabrication Considerations     M e  
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5    Lens Design Data     V<!E9/4rS  
5.1    About the Sample Lens Designs     [0e}%!%M  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     L);kwx7{LW  
5.3    Estimating the Potential of a Redesign     f&ym'S  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     Gv}h/zu-  
5.5    Notes on the Interpretation of Ray Intercept Plots     cx8H.L  
5.6    Various Evaluation Plot     u{ .UZTn  
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6    Telescope Objective     )#dP:  
6.1    The Thin Airspaced Doublet     8BZDaiE"  
6.2    Merit Function for a Telescope Objective     LJMw-#61sj  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     xe6 2gaT  
6.4    Spherochromatism     @GGPw9a  
6.5    Zonal Spherical Aberration     Q pY:L  
6.6    Induced Aberrations     >p 7e6%  
6.7    Three-Element Objectives     Ot]P
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6.8    Secondary Spectrum (Apochromatic Systems)     g.N~81A
 
6.9    The Design of an f/7 Apochromatic Triplet     vF K&.J
 
6.10    The Diffractive Surface in Lens Design     F+S;u=CKx  
6.11    A Final Note     |f~p3KCfV  
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7    Eyepieces and Magnifiers     q*<Df=+B  
7.1    Eyepieces     T(^<sjOs  
7.2    A Pair of Magnifier Designs     "rr,P0lgX  
7.3    The Simple, Classical Eyepieces     Bk1Q.Un  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     jn#  
7.5    Four-Element Eyepieces     *r+i=i8{  
7.6    Five-Element Eyepieces     ds4)Nk4%O  
7.7    Very High Index Eyepiece/Magnifier     !R WX1Z  
7.8    Six- and Seven-Element Eyepieces     Rd5r~iT
 
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8    Cooke Triplet Anastigmats     @"H+QVJ@  
8.1    Airspaced Triplet Anastigmats     -)aBS3  
8.2    Glass Choice     dHnId2@#  
8.3    Vertex Length and Residual Aberrations     #{l+I(M  
8.4    Other Design Considerations     G~e`O,
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8.5    A Plastic, Aspheric Triplet Camera Lens     Ng,#d`Br  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet *"Ipu"G5?  
8.7    Possible Improvement to Our “Basic” Triplet     ?zNv7Bj  
8.7    The Rear Earth (Lanthanum) Glasses     9\i,3:Qc  
8.9    Aspherizing the Surfaces     R g
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8.10    Increasing the Element Thickness     d]k>7.  
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9    Split Triplets     *IGgbg[0  
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10    The Tessar, Heliar, and Other Compounded Triplets     SN'LUwaMp!  
10.1    The Classic Tessar     ~'HwNzDQc  
10.2    The Heliar/Pentac     0bpl3Fh.v  
10.3    The Portrait Lens and the Enlarger Lens     '@Y@H
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10.4    Other Compounded Triplets     xUzSS@ot^  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar fdCsn:  
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11    Double-Meniscus Anastigmats     pWB)N7x&  
11.1    Meniscus Components     Sg0 _l(  
11.2    The Hypergon, Totogon, and Metrogon     Ne.W-,X^cL  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens      OXzJ%&h  
11.4    Protar, Dagor, and Convertible Lenses     >=i47-H  
11.5    The Split Dagor     BRV /7ao="  
11.6    The Dogmar     9QI\[lT&  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     Q4Q*5>  
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12    The Biotar or Double-Gauss Lens     Tfgx>2  
12.1    The Basic Six-Element Version     I, .`w/I+  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens .dVo[m;
 
12.3    The Seven-Element Biotar - Split-Rear Singlet     w-|i8%X  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     t4UKG&[a  
12.5    The Seven-Element Biotar - One Compounded Outer Element     M>0=A  
12.6    The Eight-Element Biotar     ^C@uP9g  
12.7    A “Doubled Double-Gauss” Relay     r+>E`GGQ  
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13    Telephoto Lenses     W9Bl'e  
13.1    The Basic Telephoto     ho@f}4jhQ3  
13.2    Close-up or Macro Lenses     ^`\c;!)F<  
13.3    Telephoto Designs     lbgnO s,  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 2anx]QV4  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ]{nFB3vtB  
14.1    The Reverse Telephoto Principle     =M7FD  
14.2    The Basic Retrofocus Lens     $[[6N0}*:  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     iH( K[F /  
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15    Wide Angle Lenses with Negative Outer Lenses     Nd#t !=  
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16    The Petzval Lens; Head-up Display Lenses     0;3;Rs  
16.1    The Petzval Portrait Lens     P
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16.2    The Petzval Projection Lens     ~7b
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16.3    The Petzval with a Field Flattener     U{LDtn%@h6  
16.4    Very Height Speed Petzval Lenses     7J,W#Ql)5  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     $ZXy&?4  
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17    Microscope Objectives     i,S%:0c7)  
17.1    General Considerations     :4<+)r26  
17.2    Classic Objective Design Forms; The Aplanatic Front     V_~}7~ I  
17.3    Flat-Field Objectives     4G@vO{$  
17.4    Reflecting Objectives     l`gRw4/$  
17.5    The Microscope Objective Designs     Zo;@StN3}T  
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18    Mirror and Catadioptric Systems     A`=ESz  
18.1    The Good and Bad Points of Mirrors     g;\zD_":l  
18.2    The Classic Two-Mirror Systems ]NuY{T&:  
18.3    Catadioptric Systems     u-pE ;|  
18.4    Aspheric Correctors and Schmidt Systems     g84~d(\?  
18.5    Confocal Paraboloids     *2 4P T7  
18.6    Unobscured Systems     5gGYG]*l  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     ?Hf^&yo  
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19    Infrared and Ultraviolet Systems     &.=d,XKN  
19.1    Infrared Optics     9 o-T#~i  
19.2    IR Objective Lenses     Fmt5"3B  
19.3    IR Telescope     }&rf'E9  
19.4    Laser Beam Expanders     ^gH.5L0]gH  
19,5    Ultraviolet Systems     ^P:9iu)+]~  
19.6    Microlithographic Lenses     3l`yy])t  
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20    Zoom Lenses     _myam3[W  
20.1    Zoom Lenses     Trbgg  
20.2    Zoom Lenses for Point and Shoot Cameras     6VQ*z8wLw  
20.3    A 20X Video Zoom Lens     {NKDmeg:D  
20.4    A Zoom Scanner Lens     /.$n>:XR  
20.5    A Possible Zoom Lens Design Procedure     05DK-Wh?  
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21    Projection TV Lenses and Macro Lenses     nrwb6wj  
21.1    Projection TV Lenses     f&8&UL>e`  
21.2    Macro Lenses     uMP
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22    Scanner/ , Laser Disk and Collimator Lenses     z6|P]u  
22.1    Monochromatic Systems     \[]36|$LS  
22.2    Scanner Lenses     /_x?PiL  
22.3    Laser Disk, Focusing, and Collimator Lenses     rNfu
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    ^z9ITGB~tV  
23    Tolerance Budgeting     vay_QxB5  
23.1    The Tolerance Budget     @w,-T@nAW  
23.2    Additive Tolerances     ub+>i  
23.3    Establishing the Tolerance Budget     k-Jj k3  
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24    Formulary O#Xq0o  
24.1    Sign Conventions, Symbols, and Definitions     pL.r 9T.  
24.2    The Cardinal Points     #2_phm'  
24.3    Image Equations     qK.8^{b  
24.4    Paraxial Ray Tracing (Surface by Surface)     hKQT,  
24.5    Invariants     K$#(\-M  
24.6    Paraxial Ray Tracing (Component by Component)     %Ofa
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24.7    Two-Componenet Relationships     2B=yT8  
24.8    Third-Order Aberrations – Surface Contributions     %Ni)^   
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     ]#j]yGV  
24.10    Stop Shift Equations     *1ku2e]z  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     *vCJTz  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     f@[q# }6  
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Ga.a"\F.V  
Glossary N=zrY`Vd  
Reference _;v4]MU  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 S*Qip,u  
我怎么瞧不明白。

有没有人呀 uUB,OmLN  
有个问题想请教大家