[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith %8n<#0v-|4  
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Contents of Modern Lens Design 2nd Edition X "7CN Td  
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1    Introduction         k3$'K}=d  
1.1    Lens Design Books     zjr($?  
1.2    Reference Material     6#U~>r/  
1.3    Specifications     >;4q  
1.4    Lens Design     u9f^wn  
1.5    Lens Design Program Features     U6/7EOW,  
1.6    About This Book     mvjx &+q  
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2    Automatic Lens Design         ;9j
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2.2    The Merit Function         "]=OR>  
2.3    Local Minima     Zeg'\&w0s  
2.4    The Landscape Lens     Hy3J2p9.  
2.5    Types of Merit Function     W5Z-s.o  
2.6    Stagnation     *Vl#]81~  
2.7    Generalized Simulated Annealing     <}WSYK,zUY  
2.8    Considerations about Variables for Optimization     myA;Y  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems f)_<Ih\/7_  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     $Xwk8<  
2.11    Spectral Weighting     S} UYkns*  
2.12    How to Get Started     @;eH~3P  
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3    Improving a Design     c(=>5  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     [UXVL}tk  
3.2    Glass Changes ( Index and V Values )     #-YbZ  
3.3    Splitting Elements     *}C%z(  
3.4    Separating a Cemented Doublet     :(XyiF<Ud  
3.5    Compounding an Element     q+9^rQ  
3.6    Vignetting and Its Uses     >!1]G"U  
3.7    Eliminating a Weak Element; the Concentric Problem     ^rf
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3.8    Balancing Aberrations     .eIs$  
3.9    The Symmetrical Principle     y<6Sl6l*  
3.10    Aspheric Surfaces     y?UJ<QAi  
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4    Evaluation: How Good is This Design     :4zPYG o  
4.1    The Uses of a Preliminary Evaluation     &qWg$_Yh  
4.2    OPD versus Measures of Performance     I?D=Q$s  
4.3    Geometric Blur Spot Size versus Certain Aberrations     5b rM..  
4.4    Interpreting MTF - The Modulation Transfer Function     liYsUmjZ=  
4.5    Fabrication Considerations     3Y#  
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5    Lens Design Data     PFpFqJ)Cs"  
5.1    About the Sample Lens Designs     %6(\Ki6I  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     {BlTLAKm  
5.3    Estimating the Potential of a Redesign     <y?+xZM]#|  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     Pa{DB?P  
5.5    Notes on the Interpretation of Ray Intercept Plots     &5K3AL  
5.6    Various Evaluation Plot     !7\dr )  
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6    Telescope Objective     ]uFJ~:R  
6.1    The Thin Airspaced Doublet     5)f 'wVe  
6.2    Merit Function for a Telescope Objective     (+v':KH3_  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     :a Cf@:']  
6.4    Spherochromatism     &c-V QP(  
6.5    Zonal Spherical Aberration     Po=:-Of:  
6.6    Induced Aberrations     {s@!N  
6.7    Three-Element Objectives     `Zuo`GP*1  
6.8    Secondary Spectrum (Apochromatic Systems)     m>Wt'Cc  
6.9    The Design of an f/7 Apochromatic Triplet     qWK}  
6.10    The Diffractive Surface in Lens Design     @{qcu\sZ  
6.11    A Final Note     HAE$Np|>a  
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7    Eyepieces and Magnifiers     G$YF0Nc  
7.1    Eyepieces     xb[yy}>"L  
7.2    A Pair of Magnifier Designs     I;jH'._k#  
7.3    The Simple, Classical Eyepieces     8Q/cJ+&  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     /|U;_F Pmc  
7.5    Four-Element Eyepieces     )Mq4p'*A[  
7.6    Five-Element Eyepieces     *8qRdI9  
7.7    Very High Index Eyepiece/Magnifier     axnVAh|}S  
7.8    Six- and Seven-Element Eyepieces     I[Bp}6G  
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8    Cooke Triplet Anastigmats     Z .`+IN(>E  
8.1    Airspaced Triplet Anastigmats     [i~@X2:Al  
8.2    Glass Choice     ~Fvz&dO  
8.3    Vertex Length and Residual Aberrations     Kc] GE#~g  
8.4    Other Design Considerations     OkQ< Sc   
8.5    A Plastic, Aspheric Triplet Camera Lens     )]Zdaw)X  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet B[sI7D>Y  
8.7    Possible Improvement to Our “Basic” Triplet     Se??E+aX  
8.7    The Rear Earth (Lanthanum) Glasses     8B6(SQp%  
8.9    Aspherizing the Surfaces     d>J +7ex+  
8.10    Increasing the Element Thickness     b6e2a/x  
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9    Split Triplets     'O~_g5kC  
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10    The Tessar, Heliar, and Other Compounded Triplets     3J4OkwqD  
10.1    The Classic Tessar      1^hG}#6_  
10.2    The Heliar/Pentac     O:V.;q2]U  
10.3    The Portrait Lens and the Enlarger Lens     qu1! KS  
10.4    Other Compounded Triplets     -{L 7%j|R  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar l66 QgPA  
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11    Double-Meniscus Anastigmats     2bXCFv7}  
11.1    Meniscus Components     %j2:W\g:  
11.2    The Hypergon, Totogon, and Metrogon     cP
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11.3    A Two Element Aspheric Thick Meniscus Camera Lens     siuDg,uqK5  
11.4    Protar, Dagor, and Convertible Lenses     Or/YEt}  
11.5    The Split Dagor     W:f)#'  
11.6    The Dogmar     =`}|hI   
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     jbOwpyH  
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12    The Biotar or Double-Gauss Lens     %> YRNW@%  
12.1    The Basic Six-Element Version     2MXg)GBcU>  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 0^P9)<k'  
12.3    The Seven-Element Biotar - Split-Rear Singlet     &z\?A2Mw%  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     gvjy'Rm  
12.5    The Seven-Element Biotar - One Compounded Outer Element     *Q-uE  
12.6    The Eight-Element Biotar     z2.OR,R}]  
12.7    A “Doubled Double-Gauss” Relay     v>hc\H1P  
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13    Telephoto Lenses     l Hu8ADva  
13.1    The Basic Telephoto     v~^*L iP+  
13.2    Close-up or Macro Lenses     SX?hu|g_r  
13.3    Telephoto Designs     (ia+N/$u  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -oju-gf K  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     k~Y_%#_  
14.1    The Reverse Telephoto Principle     pkIJbI{aS  
14.2    The Basic Retrofocus Lens     O[
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14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     ewYk>  
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15    Wide Angle Lenses with Negative Outer Lenses     z[+pN:47  
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16    The Petzval Lens; Head-up Display Lenses     [HRP&jr  
16.1    The Petzval Portrait Lens     OYfP!,+bn  
16.2    The Petzval Projection Lens     UD'e%IVw  
16.3    The Petzval with a Field Flattener     }WNgK
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16.4    Very Height Speed Petzval Lenses     /h!iLun7I  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     "Bn]-o|r  
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17    Microscope Objectives     ~:4Mf/Ca  
17.1    General Considerations     _l]rt  
17.2    Classic Objective Design Forms; The Aplanatic Front     Z
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17.3    Flat-Field Objectives     uc;,JX!bN  
17.4    Reflecting Objectives     y?s#pSX;N  
17.5    The Microscope Objective Designs     N;av  
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18    Mirror and Catadioptric Systems     '6>nXp?)r  
18.1    The Good and Bad Points of Mirrors     5~omZ,qe  
18.2    The Classic Two-Mirror Systems pc_$,RkN  
18.3    Catadioptric Systems     }~Y#N  
18.4    Aspheric Correctors and Schmidt Systems     /I#SP/M&l  
18.5    Confocal Paraboloids     FU(s jB  
18.6    Unobscured Systems     w5&,AL:  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     j0K}nS\ P  

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19    Infrared and Ultraviolet Systems     SR1UO'.  
19.1    Infrared Optics     $66DyK?  
19.2    IR Objective Lenses     Gm
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19.3    IR Telescope     ^sVB:?  
19.4    Laser Beam Expanders     }~o>H a;  
19,5    Ultraviolet Systems     x42m+5/  
19.6    Microlithographic Lenses     <j89HtCz  
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20    Zoom Lenses     .zyi'Kj  
20.1    Zoom Lenses     3Q(#2tL=  
20.2    Zoom Lenses for Point and Shoot Cameras     R
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20.3    A 20X Video Zoom Lens     ,ffH:3F  
20.4    A Zoom Scanner Lens     i
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20.5    A Possible Zoom Lens Design Procedure     a?9Ka!O4s  
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21    Projection TV Lenses and Macro Lenses     xyTjK.N  
21.1    Projection TV Lenses     ,U/ZG|=v  
21.2    Macro Lenses     A ptzBs/  
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22    Scanner/ , Laser Disk and Collimator Lenses     Ke+#ww  
22.1    Monochromatic Systems     CVBy&o"6A  
22.2    Scanner Lenses     {oN7I'>  
22.3    Laser Disk, Focusing, and Collimator Lenses     -^LEGKN  
    Y)4&PN~[  
23    Tolerance Budgeting     w873: =  
23.1    The Tolerance Budget     =h2zIcj  
23.2    Additive Tolerances     !pLQRnI}6  
23.3    Establishing the Tolerance Budget     ZMXIKN9BF#  
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24    Formulary 3 aG?^z  
24.1    Sign Conventions, Symbols, and Definitions     'PrrP3lO_~  
24.2    The Cardinal Points     ,;yiV<AD  
24.3    Image Equations     E7qk>~Dg  
24.4    Paraxial Ray Tracing (Surface by Surface)      cUz7F  
24.5    Invariants     <ibEo98  
24.6    Paraxial Ray Tracing (Component by Component)     n +z5;'my  
24.7    Two-Componenet Relationships     thj
CfP  
24.8    Third-Order Aberrations – Surface Contributions     Yl#r9TM  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     vHPp$lql  
24.10    Stop Shift Equations     H:BWv08~5  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     }l>0
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24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     =F5(k(Ds  
(r?41?5K  
Fh4kd>1D  
Glossary s`G3SE  
Reference |Tp>,\:5  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 }&+b\RE  
我怎么瞧不明白。

有没有人呀 iI|mFc|V  
有个问题想请教大家