"Modern Lens Design" 2nd Edition by Warren J. Smith $bRakF1'S
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Contents of Modern Lens Design 2nd Edition ;ZMm6o
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1 Introduction 47b=>D8
1.1 Lens Design Books _,Wb`P
1.2 Reference Material Z&gM7Zo8
1.3 Specifications y -j3d)T
1.4 Lens Design XS5*=hv:
1.5 Lens Design Program Features D3s]49j)
1.6 About This Book hm"i\JZ3N
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2 Automatic Lens Design T >XnVK
2.2 The Merit Function @Omgk=6
2.3 Local Minima y%A!|aBu
2.4 The Landscape Lens M}|<#
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2.5 Types of Merit Function e"9u}-Q@
2.6 Stagnation &L[oQni];2
2.7 Generalized Simulated Annealing
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2.8 Considerations about Variables for Optimization #?/&H;n_8S
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems JX%B_eUlAs
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits spIkXEK
2.11 Spectral Weighting a[;TUc^I1F
2.12 How to Get Started /g}2QmvH
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3 Improving a Design eYd6~T[9
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Enu/Nj 2
3.2 Glass Changes ( Index and V Values ) q 65mR!)
3.3 Splitting Elements 56 k89o
3.4 Separating a Cemented Doublet ag Za+a
3.5 Compounding an Element d7 )&Z:
3.6 Vignetting and Its Uses %$K2$dq5
3.7 Eliminating a Weak Element; the Concentric Problem }}Gz3>?24=
3.8 Balancing Aberrations OU&eswW
3.9 The Symmetrical Principle +L(0R&C
3.10 Aspheric Surfaces 5g9lO]WDI
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4 Evaluation: How Good is This Design 9aYDi)
4.1 The Uses of a Preliminary Evaluation FV>j
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4.2 OPD versus Measures of Performance oxkA+}^j8M
4.3 Geometric Blur Spot Size versus Certain Aberrations <i9pJGW
4.4 Interpreting MTF - The Modulation Transfer Function XRi/O)98o
4.5 Fabrication Considerations <xOv0B
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5 Lens Design Data ;Ml??B]C
5.1 About the Sample Lens Designs ,MkldCV
5.2 Lens Prescriptions, Drawings, and Aberration Plots ATq)8Rm\
5.3 Estimating the Potential of a Redesign >iefEv\
5.4 Scaling a Desing, Its Aberrations, and Its MTF .kO!8Q-;%
5.5 Notes on the Interpretation of Ray Intercept Plots kkfwICBI
5.6 Various Evaluation Plot Z|&Y1k-h
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6 Telescope Objective HZ$q`e
6.1 The Thin Airspaced Doublet 'Oyx
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6.2 Merit Function for a Telescope Objective ?@W=bJ8{
6.3 The Design of an f/7 Cemented Doublet Telescope Objective x|B$n} B
6.4 Spherochromatism pAwmQS\W
6.5 Zonal Spherical Aberration Y@WCp
6.6 Induced Aberrations 4j9
6.7 Three-Element Objectives %si5cc?
6.8 Secondary Spectrum (Apochromatic Systems) >XzP'h
6.9 The Design of an f/7 Apochromatic Triplet 3fC|}<Wzt
6.10 The Diffractive Surface in Lens Design 1eG@?~G
6.11 A Final Note >y<yFO{
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7 Eyepieces and Magnifiers 7bBOV(/s
7.1 Eyepieces GtZkzVqLd
7.2 A Pair of Magnifier Designs Sb_T _m
7.3 The Simple, Classical Eyepieces f@@2@#
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7.4 Design Story of an Eyepiece for a 6*30 Binocular jn+NX)9
7.5 Four-Element Eyepieces }T!2IaAB
7.6 Five-Element Eyepieces z:PH _N~
7.7 Very High Index Eyepiece/Magnifier /+pPcK
7.8 Six- and Seven-Element Eyepieces 1S!<D)n
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8 Cooke Triplet Anastigmats W`zY\]
8.1 Airspaced Triplet Anastigmats I{Pny/d`
8.2 Glass Choice _H#l&bL@C
8.3 Vertex Length and Residual Aberrations -!]Ie4"
8.4 Other Design Considerations *ml&}9
8.5 A Plastic, Aspheric Triplet Camera Lens 1iOQ8hD
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6 isz
8.7 Possible Improvement to Our “Basic” Triplet =}@m$g
8.7 The Rear Earth (Lanthanum) Glasses N_jCx*.G
8.9 Aspherizing the Surfaces }@Mx@ S
8.10 Increasing the Element Thickness ~'/I[y4t
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9 Split Triplets Iq&S6l <0
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10 The Tessar, Heliar, and Other Compounded Triplets -BWkPq!
10.1 The Classic Tessar cE
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10.2 The Heliar/Pentac #UN(R
10.3 The Portrait Lens and the Enlarger Lens F +e
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10.4 Other Compounded Triplets {V&
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar r30t`o12i
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11 Double-Meniscus Anastigmats (n{sp
11.1 Meniscus Components y]OW{5(
11.2 The Hypergon, Totogon, and Metrogon \R&4Nu2F
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Nkfu k
11.4 Protar, Dagor, and Convertible Lenses 4uip!@$K
11.5 The Split Dagor 51oZw%os=
11.6 The Dogmar ^'8T9N@U
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens vfT<%Kl!'
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12 The Biotar or Double-Gauss Lens q?C)5(
12.1 The Basic Six-Element Version #UREFwSL
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens W'{q
12.3 The Seven-Element Biotar - Split-Rear Singlet lu@#)
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Y=3:Q%X
12.5 The Seven-Element Biotar - One Compounded Outer Element :=#*[H
12.6 The Eight-Element Biotar ^&t(O1.-
12.7 A “Doubled Double-Gauss” Relay uNLB3Rdy}
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13 Telephoto Lenses kP%Hg/f/Ot
13.1 The Basic Telephoto JL1%XQ
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13.2 Close-up or Macro Lenses kmM4KP#&|
13.3 Telephoto Designs g
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch nbYkr*: "t
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses LX.1]T*m`
14.1 The Reverse Telephoto Principle /p')
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14.2 The Basic Retrofocus Lens .
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 9E_C
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15 Wide Angle Lenses with Negative Outer Lenses N}\Da:_
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16 The Petzval Lens; Head-up Display Lenses `4s5yNUi=
16.1 The Petzval Portrait Lens x_Ki5~w5
16.2 The Petzval Projection Lens 3OHP-oa.
16.3 The Petzval with a Field Flattener x+5Q}ux'G
16.4 Very Height Speed Petzval Lenses *qg9~/
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems
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17 Microscope Objectives 3Z'{#<1>^;
17.1 General Considerations >p!d(J?
17.2 Classic Objective Design Forms; The Aplanatic Front HSx~Fs^J
17.3 Flat-Field Objectives @M4~,O6-
17.4 Reflecting Objectives ;?;D(%L
17.5 The Microscope Objective Designs uMF\3T(x4
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18 Mirror and Catadioptric Systems _u}v(!PI
18.1 The Good and Bad Points of Mirrors $X5~9s1Wl
18.2 The Classic Two-Mirror Systems L}A R{
18.3 Catadioptric Systems 0c1}?$f[?%
18.4 Aspheric Correctors and Schmidt Systems kETA3(h'
18.5 Confocal Paraboloids \E.t=XBn
18.6 Unobscured Systems ( ~pcPGUG
18.7 Design of a Schmidt-Cassegrain “from Scratch” (?R
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19 Infrared and Ultraviolet Systems UA,&0.7
19.1 Infrared Optics 5S7`gN.
19.2 IR Objective Lenses iyOd&|.
19.3 IR Telescope xpyb&A
19.4 Laser Beam Expanders %R;cXs4r
19,5 Ultraviolet Systems <E@7CG.=
19.6 Microlithographic Lenses LF%1)x
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20 Zoom Lenses oAWk<B(@
20.1 Zoom Lenses aJMh>
20.2 Zoom Lenses for Point and Shoot Cameras >^:g[6Sj
20.3 A 20X Video Zoom Lens o;Zoj}
20.4 A Zoom Scanner Lens `#fOY$#XB
20.5 A Possible Zoom Lens Design Procedure CpS'2@6
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21 Projection TV Lenses and Macro Lenses LO.4sO
21.1 Projection TV Lenses =[{Pw8['
21.2 Macro Lenses i*_KHK
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22 Scanner/ , Laser Disk and Collimator Lenses T<54qe4`p
22.1 Monochromatic Systems dGIu0\J\$
22.2 Scanner Lenses d(wqKiGwe
22.3 Laser Disk, Focusing, and Collimator Lenses ejo4mQ]a
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23 Tolerance Budgeting =La}^
23.1 The Tolerance Budget 77i |a]Kd
23.2 Additive Tolerances NH'RU`U)
23.3 Establishing the Tolerance Budget ` N(.10~
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24 Formulary 10#!{].#x
24.1 Sign Conventions, Symbols, and Definitions ,zXL8T
24.2 The Cardinal Points ]Jnf.3
24.3 Image Equations c;U\nC<Y
24.4 Paraxial Ray Tracing (Surface by Surface) X""'}X|O
24.5 Invariants k|A!5A2
24.6 Paraxial Ray Tracing (Component by Component) hQL9 Zl~
24.7 Two-Componenet Relationships 5.?O PK6
24.8 Third-Order Aberrations – Surface Contributions CHeG{l)<r
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 7Wb.(` a<
24.10 Stop Shift Equations e!4akKw4wD
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces Qmn5umd=?\
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) dt`L}Yi
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Glossary ;g*X.d
Reference sx]?^KR:
Index