"Modern Lens Design" 2nd Edition by Warren J. Smith X' J!.Jj
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Contents of Modern Lens Design 2nd Edition / Ref54
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1 Introduction ]sZ!
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1.1 Lens Design Books a.2Xl}2 o5
1.2 Reference Material d1';d6. u\
1.3 Specifications N?2C*|%f
1.4 Lens Design `8/D$
1.5 Lens Design Program Features txik{' :
1.6 About This Book l i)
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2 Automatic Lens Design n7/>+V+
2.2 The Merit Function 2EiE5@
2.3 Local Minima y.$Ae1a=
2.4 The Landscape Lens & embAqW:
2.5 Types of Merit Function a4&Aw7"X
2.6 Stagnation G@zJf)u}
2.7 Generalized Simulated Annealing ap gR[=Oy
2.8 Considerations about Variables for Optimization g.pR4M f=Z
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems h + <Jv
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits /B <QYvv
2.11 Spectral Weighting u N4e n,
2.12 How to Get Started `\$EPUM
y96HTQ32
3 Improving a Design G8&/I c
3.1 Lens Design Tip Sheet: Standard Improvement Techniques |:]} u|O
3.2 Glass Changes ( Index and V Values ) H[R X~Xk2E
3.3 Splitting Elements yoH,4,! G
3.4 Separating a Cemented Doublet K\FLA_J
3.5 Compounding an Element _FxeZ4\
3.6 Vignetting and Its Uses q TSe_Re
3.7 Eliminating a Weak Element; the Concentric Problem E >iN >
3.8 Balancing Aberrations 01~
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3.9 The Symmetrical Principle AsI\# wL)
3.10 Aspheric Surfaces [ 2PPa9F
tl; b~k
4 Evaluation: How Good is This Design <$u\PJF7_^
4.1 The Uses of a Preliminary Evaluation 55FRPNx-x
4.2 OPD versus Measures of Performance U$ 46=F|
4.3 Geometric Blur Spot Size versus Certain Aberrations nS](d2
4.4 Interpreting MTF - The Modulation Transfer Function IN75zn*%
4.5 Fabrication Considerations O(6j:X D
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5 Lens Design Data 4]#$YehM5
5.1 About the Sample Lens Designs U!(es0rX
5.2 Lens Prescriptions, Drawings, and Aberration Plots >Ptu-*
5.3 Estimating the Potential of a Redesign cn Oh j
5.4 Scaling a Desing, Its Aberrations, and Its MTF wXtp(YwlH
5.5 Notes on the Interpretation of Ray Intercept Plots adPd}rt ;
5.6 Various Evaluation Plot *M/ :W =,t
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6 Telescope Objective p zZ+!d
6.1 The Thin Airspaced Doublet e/&^~ $h
6.2 Merit Function for a Telescope Objective hd]ts.
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 1m5*M Y
6.4 Spherochromatism Q' Tg0,,S
6.5 Zonal Spherical Aberration w+wtr[;wwL
6.6 Induced Aberrations .TCDv4?
6.7 Three-Element Objectives %/ctt_p0x
6.8 Secondary Spectrum (Apochromatic Systems) 74 &q2g{
6.9 The Design of an f/7 Apochromatic Triplet q[GD K^-g
6.10 The Diffractive Surface in Lens Design 7]9,J(:Ed
6.11 A Final Note s94 *uZ(C/
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7 Eyepieces and Magnifiers
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7.1 Eyepieces "8"aYD_
7.2 A Pair of Magnifier Designs 3YJ"[$w='(
7.3 The Simple, Classical Eyepieces SgYMPBh
7.4 Design Story of an Eyepiece for a 6*30 Binocular f !#+cM
7.5 Four-Element Eyepieces l))Q/8H
7.6 Five-Element Eyepieces Z&79: 9=#>
7.7 Very High Index Eyepiece/Magnifier QIg'js$W
7.8 Six- and Seven-Element Eyepieces u Xk]
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8 Cooke Triplet Anastigmats Cv}^]_`Q
8.1 Airspaced Triplet Anastigmats XDHi4i47`o
8.2 Glass Choice )_1 GPS
8.3 Vertex Length and Residual Aberrations j8nkNE]&
8.4 Other Design Considerations LM+d3|gSV
8.5 A Plastic, Aspheric Triplet Camera Lens P8Wv&5A
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet [Ky3WppR
8.7 Possible Improvement to Our “Basic” Triplet R8_I ASs
8.7 The Rear Earth (Lanthanum) Glasses l*6Zh "o:
8.9 Aspherizing the Surfaces -i1 f
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8.10 Increasing the Element Thickness NSBcYObX
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9 Split Triplets
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10 The Tessar, Heliar, and Other Compounded Triplets 3%hq<
10.1 The Classic Tessar ZPyzx\6\
10.2 The Heliar/Pentac kY @(-
10.3 The Portrait Lens and the Enlarger Lens s*s~yH6
10.4 Other Compounded Triplets *yaS^k\
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 1`YU9?
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11 Double-Meniscus Anastigmats yIrJaS-
11.1 Meniscus Components &w#!
11.2 The Hypergon, Totogon, and Metrogon Fs]. Fa
11.3 A Two Element Aspheric Thick Meniscus Camera Lens AYgXqmH~+
11.4 Protar, Dagor, and Convertible Lenses #c5jCy}n
11.5 The Split Dagor R(`:~@ 3\6
11.6 The Dogmar ^ lAM /
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens }f]Y^>-Ux
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12 The Biotar or Double-Gauss Lens YZj*F-}
12.1 The Basic Six-Element Version BHf$ %?3z,
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens h693TS_N
12.3 The Seven-Element Biotar - Split-Rear Singlet 7jgj;%
12.4 The Seven-Element Biotar - Broken Contact Front Doublet IHYLM;@L
12.5 The Seven-Element Biotar - One Compounded Outer Element 6,a H[ >W
12.6 The Eight-Element Biotar _$ivN!k
12.7 A “Doubled Double-Gauss” Relay ;4[[T%&v
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13 Telephoto Lenses 5&V=$]t
13.1 The Basic Telephoto G$>QH-p
13.2 Close-up or Macro Lenses C+ll A
13.3 Telephoto Designs |Ha#2pt{bc
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch b:D92pH
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 68Gywk3]=u
14.1 The Reverse Telephoto Principle 2S{P(B
14.2 The Basic Retrofocus Lens TK
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Aj)Q#Fd[
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15 Wide Angle Lenses with Negative Outer Lenses +yp:douERi
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16 The Petzval Lens; Head-up Display Lenses pA 6KiY &
16.1 The Petzval Portrait Lens jY FJk&c
16.2 The Petzval Projection Lens RqtBz3v
16.3 The Petzval with a Field Flattener I I+y
16.4 Very Height Speed Petzval Lenses W&IG,7tr
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems y
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17 Microscope Objectives A^>@6d $2
17.1 General Considerations MLu!8dgI
17.2 Classic Objective Design Forms; The Aplanatic Front kFv*>>X`
17.3 Flat-Field Objectives Q$c6l[(g
17.4 Reflecting Objectives N2v/<
17.5 The Microscope Objective Designs S^eem_C
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18 Mirror and Catadioptric Systems AJ bCC
18.1 The Good and Bad Points of Mirrors sD:o
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18.2 The Classic Two-Mirror Systems x# J9 GP.
18.3 Catadioptric Systems #wI}93E
18.4 Aspheric Correctors and Schmidt Systems LE\=Y;%
18.5 Confocal Paraboloids "XR=P>
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18.6 Unobscured Systems X0VS a{
18.7 Design of a Schmidt-Cassegrain “from Scratch” %.Ma_4o
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19 Infrared and Ultraviolet Systems H#~gx_^U
19.1 Infrared Optics iT>u&0B-
19.2 IR Objective Lenses m G jB{Q+
19.3 IR Telescope Io1j%T#ZT
19.4 Laser Beam Expanders m2c'r3 UEu
19,5 Ultraviolet Systems jYHn J}<
19.6 Microlithographic Lenses ^#H a H
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20 Zoom Lenses 6ZqU:^3
20.1 Zoom Lenses ABN4kM>%
20.2 Zoom Lenses for Point and Shoot Cameras fF(2bVKP:
20.3 A 20X Video Zoom Lens l 88=
20.4 A Zoom Scanner Lens Xp:A;i9
20.5 A Possible Zoom Lens Design Procedure )G/bP!^+(
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21 Projection TV Lenses and Macro Lenses R2,9%!iiX
21.1 Projection TV Lenses g2vm ] j
21.2 Macro Lenses HwUaaK
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22 Scanner/ , Laser Disk and Collimator Lenses H9mN nZ_k
22.1 Monochromatic Systems S6<o?X9,I
22.2 Scanner Lenses --K) 7
22.3 Laser Disk, Focusing, and Collimator Lenses ?veeW6E(
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23 Tolerance Budgeting r#sg5aS7O|
23.1 The Tolerance Budget ^ kKL i
23.2 Additive Tolerances ;@wa\H[3v2
23.3 Establishing the Tolerance Budget WH:dcU
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24 Formulary x? Abk
24.1 Sign Conventions, Symbols, and Definitions ZcN0:xU
24.2 The Cardinal Points ;6 G]~}>o
24.3 Image Equations 6}^x#9\
24.4 Paraxial Ray Tracing (Surface by Surface) q+?&w'8
24.5 Invariants ?Mjs [ |
24.6 Paraxial Ray Tracing (Component by Component) p<mL%3s0
24.7 Two-Componenet Relationships 7Qd4L.
24.8 Third-Order Aberrations – Surface Contributions 6] x6FeuS
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs OrkcY39"~a
24.10 Stop Shift Equations h4hAzFQ.s
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces aTvyz r1
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) )Te\6qM
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8<VDp Y
Glossary Y 25`vE(
Reference 2{ F-@}=
Index
