[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith FEj{/  
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Contents of Modern Lens Design 2nd Edition K{)N:|y%!$  
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1    Introduction         t mAj  
1.1    Lens Design Books     @wO"?w(  
1.2    Reference Material     MmH[ 7R  
1.3    Specifications     m<L.H33'  
1.4    Lens Design     4mR{\ d  
1.5    Lens Design Program Features     ,E,oz{,i(  
1.6    About This Book     p12'^i |  
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2    Automatic Lens Design         D?;8bI%"  
2.2    The Merit Function         2u 8z>/G  
2.3    Local Minima     \.h!'nfF  
2.4    The Landscape Lens     LWgYGXWT"  
2.5    Types of Merit Function     =d>^q7s  
2.6    Stagnation     *Pj[r  
2.7    Generalized Simulated Annealing     t.wB\Kmt\  
2.8    Considerations about Variables for Optimization     sLiKcR8^  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems >7%Gd-;l  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     r.1/*i  
2.11    Spectral Weighting     uk%C:4T  
2.12    How to Get Started     d*3;6ZLy  
N8a+X|3]0  
3    Improving a Design     Y1RiuJtL  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     } :U'aa  
3.2    Glass Changes ( Index and V Values )     heQ<%NIA"  
3.3    Splitting Elements     UHr0J jQK  
3.4    Separating a Cemented Doublet     dIk/vg  
3.5    Compounding an Element     <aps)v
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3.6    Vignetting and Its Uses     L3[r7 b  
3.7    Eliminating a Weak Element; the Concentric Problem     3S4'x4*  
3.8    Balancing Aberrations     rP
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3.9    The Symmetrical Principle     E__^>=  
3.10    Aspheric Surfaces     On%21L;JG  
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4    Evaluation: How Good is This Design     i'Vrx(y3  
4.1    The Uses of a Preliminary Evaluation     }{"a}zOl  
4.2    OPD versus Measures of Performance     
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4.3    Geometric Blur Spot Size versus Certain Aberrations     /C)mx#h]  
4.4    Interpreting MTF - The Modulation Transfer Function     xXG-yh  
4.5    Fabrication Considerations     E?%SOU<  
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5    Lens Design Data     {m1=#*  
5.1    About the Sample Lens Designs     &t.9^;(  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     ,\*PpcU  
5.3    Estimating the Potential of a Redesign     ",wv*z)_>  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     paFiuQ  
5.5    Notes on the Interpretation of Ray Intercept Plots     D)C^'/8q  
5.6    Various Evaluation Plot     s9
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(`S32,=TS  
6    Telescope Objective     9 Yv;Dom  
6.1    The Thin Airspaced Doublet     jSMvZJX3n  
6.2    Merit Function for a Telescope Objective     r![RRa^  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     rv`kP"I  
6.4    Spherochromatism     pfd||Z  
6.5    Zonal Spherical Aberration     #1-y[w/  
6.6    Induced Aberrations     3GMRH;/w  
6.7    Three-Element Objectives     1rs`|iX5  
6.8    Secondary Spectrum (Apochromatic Systems)     8yr_A[S8.  
6.9    The Design of an f/7 Apochromatic Triplet     qRXQL"Pe_l  
6.10    The Diffractive Surface in Lens Design     IIC1T{D}v  
6.11    A Final Note     ?UD2

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7    Eyepieces and Magnifiers     V}?d ,.m`{  
7.1    Eyepieces     CXC,@T  
7.2    A Pair of Magnifier Designs     `fw:   
7.3    The Simple, Classical Eyepieces     C.SGm  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     eq^<5 f  
7.5    Four-Element Eyepieces     dWR0tS6vR`  
7.6    Five-Element Eyepieces     th&
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7.7    Very High Index Eyepiece/Magnifier     qmzg68  
7.8    Six- and Seven-Element Eyepieces     =4RXNWkud  
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8    Cooke Triplet Anastigmats     k-;%/:Om  
8.1    Airspaced Triplet Anastigmats    
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8.2    Glass Choice     H(qDQqJHYy  
8.3    Vertex Length and Residual Aberrations     \i Ylh HD  
8.4    Other Design Considerations    
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8.5    A Plastic, Aspheric Triplet Camera Lens     F
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8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet :?1r.n  
8.7    Possible Improvement to Our “Basic” Triplet     r;3{%S._  
8.7    The Rear Earth (Lanthanum) Glasses     \0&7^  
8.9    Aspherizing the Surfaces     i <KWFF#  
8.10    Increasing the Element Thickness     88fH!6b  
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9    Split Triplets     &Nf10%J'<  
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10    The Tessar, Heliar, and Other Compounded Triplets     T&.ZeB1  
10.1    The Classic Tessar     5LVhq[}mP  
10.2    The Heliar/Pentac     25xpq^Zw  
10.3    The Portrait Lens and the Enlarger Lens     WfbG }%&J  
10.4    Other Compounded Triplets     < C54cO  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar >)g`
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11    Double-Meniscus Anastigmats     U68o"iE  
11.1    Meniscus Components     U\N|hw#f!!  
11.2    The Hypergon, Totogon, and Metrogon     <DG=qP6O  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     2qEm,x'S  
11.4    Protar, Dagor, and Convertible Lenses     o(~QuHOp8>  
11.5    The Split Dagor     sflH{!;p  
11.6    The Dogmar     Wj2s+L7,  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     p|mt2oDjw  
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12    The Biotar or Double-Gauss Lens     !acm@"Ea  
12.1    The Basic Six-Element Version     gXtyl]K:  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens a]NQlsE}l  
12.3    The Seven-Element Biotar - Split-Rear Singlet     0!v+ +  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     w7Do#Cv  
12.5    The Seven-Element Biotar - One Compounded Outer Element     MCN}pi  
12.6    The Eight-Element Biotar      $$E!u}  
12.7    A “Doubled Double-Gauss” Relay     Nh7D&#z  
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13    Telephoto Lenses     /[f9Z:>V  
13.1    The Basic Telephoto     c(@V t&gE  
13.2    Close-up or Macro Lenses     %E q}H  
13.3    Telephoto Designs     ]Lg$p  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch hL:n9G  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     G(7!3a+  
14.1    The Reverse Telephoto Principle     zyNg?_SM  
14.2    The Basic Retrofocus Lens     _tE`W96J  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     #7S[Ch}O  
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15    Wide Angle Lenses with Negative Outer Lenses     O][R"5d  
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16    The Petzval Lens; Head-up Display Lenses     qaK9E@l  
16.1    The Petzval Portrait Lens     2/.Euf   
16.2    The Petzval Projection Lens     %{$iN|%J%$  
16.3    The Petzval with a Field Flattener     ~m~<xtoc  
16.4    Very Height Speed Petzval Lenses     -h&AO\*^W  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     H f}-
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17    Microscope Objectives     o"F=3b~:n  
17.1    General Considerations     <uXZ*E  
17.2    Classic Objective Design Forms; The Aplanatic Front     7TCY$RcF,I  
17.3    Flat-Field Objectives     9Xw(|22  
17.4    Reflecting Objectives     wfH#E2+pk  
17.5    The Microscope Objective Designs     . IBy'  
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18    Mirror and Catadioptric Systems     $ZSjq  
18.1    The Good and Bad Points of Mirrors     Q[t|+RNKv2  
18.2    The Classic Two-Mirror Systems >3R)&N  
18.3    Catadioptric Systems     n_[;2XQQ  
18.4    Aspheric Correctors and Schmidt Systems     @ToY,@]e  
18.5    Confocal Paraboloids     AS[yNCsjC  
18.6    Unobscured Systems     -LAYj:4  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     )H&rr(  
?1\rf$l8  
19    Infrared and Ultraviolet Systems     if6/
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19.1    Infrared Optics     m44Ab6gpsb  
19.2    IR Objective Lenses     @.Pd3CB0  
19.3    IR Telescope     <-xI!o"}  
19.4    Laser Beam Expanders     |l)z^V!  
19,5    Ultraviolet Systems     =<ngtN  
19.6    Microlithographic Lenses     w'NL\>  
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20    Zoom Lenses     @BbqYX  
20.1    Zoom Lenses     d
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20.2    Zoom Lenses for Point and Shoot Cameras     n&V\s0  
20.3    A 20X Video Zoom Lens     .(T*mk*>  
20.4    A Zoom Scanner Lens     BeAkG_uG  
20.5    A Possible Zoom Lens Design Procedure     &rY73qfP'  
4-RzWSFbo`  
21    Projection TV Lenses and Macro Lenses     &jJj6 +P\  
21.1    Projection TV Lenses     fUy:TCS  
21.2    Macro Lenses     9$)I=Rpk=  
qx,>j4yw  
22    Scanner/ , Laser Disk and Collimator Lenses     B%Pg:|  
22.1    Monochromatic Systems     {C6,h#|pg  
22.2    Scanner Lenses     kXw&*B-/  
22.3    Laser Disk, Focusing, and Collimator Lenses     b4o`eR  
    i,5mH$a&u:  
23    Tolerance Budgeting     V\U,PNkZQ  
23.1    The Tolerance Budget     .wj?}Fr?97  
23.2    Additive Tolerances     ^Ec);Z  
23.3    Establishing the Tolerance Budget     6M({T2e  
p%;n4*b2  
24    Formulary b^WTX  
24.1    Sign Conventions, Symbols, and Definitions     
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24.2    The Cardinal Points     J]|Zh  
24.3    Image Equations     sFhmp  
24.4    Paraxial Ray Tracing (Surface by Surface)     1ztL._Td  
24.5    Invariants     QahM)Gb  
24.6    Paraxial Ray Tracing (Component by Component)     RM/q\100  
24.7    Two-Componenet Relationships     #^|"dIZ_M  
24.8    Third-Order Aberrations – Surface Contributions     >NL4&MV:  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     vwA d6Tm  
24.10    Stop Shift Equations     q]}fW)r  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     zQpF,N<b  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     <kJ,E[4`  
v/NkG;NWM  
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Glossary {<f |h)r  
Reference (yh zjN~  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 7QnQ=gu  
我怎么瞧不明白。

有没有人呀 BZdryk:S  
有个问题想请教大家