"Modern Lens Design" 2nd Edition by Warren J. Smith )}v l\7=
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Contents of Modern Lens Design 2nd Edition 8k79&|
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1 Introduction ]'S^]
1.1 Lens Design Books !9x}
1.2 Reference Material xD$\ ,{
1.3 Specifications 5-M-X#(
1.4 Lens Design =c7;r]Ol
1.5 Lens Design Program Features L(\cH b9`
1.6 About This Book \NC3'G:Ii
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2 Automatic Lens Design # "an9<
2.2 The Merit Function E"0>yl)
2.3 Local Minima QW"! (`K
2.4 The Landscape Lens WhDJ7{D
2.5 Types of Merit Function I:.s_8mH}
2.6 Stagnation Pc9H0\+Xk
2.7 Generalized Simulated Annealing _f{{( 7
2.8 Considerations about Variables for Optimization e(yh[7p=
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 0$nj MnB2l
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits F[0]/
2.11 Spectral Weighting OJxl<Q=z
2.12 How to Get Started 9FX-1,Jx
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3 Improving a Design $8FUfJ1@
3.1 Lens Design Tip Sheet: Standard Improvement Techniques /O9EQ Pm(
3.2 Glass Changes ( Index and V Values ) @XVTU
3.3 Splitting Elements cnLro
3.4 Separating a Cemented Doublet Wjc'*QCP l
3.5 Compounding an Element tVjsRnb{
3.6 Vignetting and Its Uses d'2A,B~_*
3.7 Eliminating a Weak Element; the Concentric Problem (w{j6).3Dj
3.8 Balancing Aberrations y}H!c;
3.9 The Symmetrical Principle qWw= 8Bq
3.10 Aspheric Surfaces YzWz|
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4 Evaluation: How Good is This Design Z ]ON h
4.1 The Uses of a Preliminary Evaluation NO3/rJ6-
4.2 OPD versus Measures of Performance *`U~?q}
4.3 Geometric Blur Spot Size versus Certain Aberrations Z{R>
4.4 Interpreting MTF - The Modulation Transfer Function o}!P Q #`M
4.5 Fabrication Considerations 5)E @F9N
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5 Lens Design Data [!z ,lY>
5.1 About the Sample Lens Designs n| ;Im&,
5.2 Lens Prescriptions, Drawings, and Aberration Plots CWlw0 X
5.3 Estimating the Potential of a Redesign Z}QB.$&
5.4 Scaling a Desing, Its Aberrations, and Its MTF Yz b XuJ4
5.5 Notes on the Interpretation of Ray Intercept Plots :-'qC8C
5.6 Various Evaluation Plot 7 3 m1
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6 Telescope Objective 4Up/p&1@
6.1 The Thin Airspaced Doublet z @Y;r =v
6.2 Merit Function for a Telescope Objective #F#%`Rv1
6.3 The Design of an f/7 Cemented Doublet Telescope Objective L$-T,Kze
6.4 Spherochromatism 3u;oQ5 <(v
6.5 Zonal Spherical Aberration >/|*DI-HJ
6.6 Induced Aberrations 6 r "<jh #
6.7 Three-Element Objectives 3 Y &d=
6.8 Secondary Spectrum (Apochromatic Systems) + 0~YP*I`/
6.9 The Design of an f/7 Apochromatic Triplet :>*7=q=
6.10 The Diffractive Surface in Lens Design JO;Uus{?
6.11 A Final Note 9my^ Y9B
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7 Eyepieces and Magnifiers P'2Qen*
7.1 Eyepieces 99S ^f:t
7.2 A Pair of Magnifier Designs e!Hh s/&!T
7.3 The Simple, Classical Eyepieces + H.`MZ=
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;I*o@x_
7.5 Four-Element Eyepieces rc{v$.o0
7.6 Five-Element Eyepieces liZxBs
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7.7 Very High Index Eyepiece/Magnifier WM{ =CD
7.8 Six- and Seven-Element Eyepieces ^_6|X]tz1T
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8 Cooke Triplet Anastigmats rZF*q2?
8.1 Airspaced Triplet Anastigmats OPi 0~s
8.2 Glass Choice `gJ( 0#ac
8.3 Vertex Length and Residual Aberrations S:Hl/:iV
8.4 Other Design Considerations \8
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8.5 A Plastic, Aspheric Triplet Camera Lens R=dC4;
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet JLYi]nZ
8.7 Possible Improvement to Our “Basic” Triplet U(Zq= M
8.7 The Rear Earth (Lanthanum) Glasses -12U4 h<e
8.9 Aspherizing the Surfaces \lY_~*J
8.10 Increasing the Element Thickness VQs5"K"
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9 Split Triplets ,b d_:
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10 The Tessar, Heliar, and Other Compounded Triplets cR{#V1Z
10.1 The Classic Tessar =vPj%oLp'a
10.2 The Heliar/Pentac ~@!bsLSMU
10.3 The Portrait Lens and the Enlarger Lens %)|s1B'd
10.4 Other Compounded Triplets yX5\gO6G
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar B[}6-2<>?C
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11 Double-Meniscus Anastigmats q| 7(
11.1 Meniscus Components LscG Ts,
11.2 The Hypergon, Totogon, and Metrogon S @Y39
11.3 A Two Element Aspheric Thick Meniscus Camera Lens edD)TpmE,
11.4 Protar, Dagor, and Convertible Lenses 7,MR*TO,
11.5 The Split Dagor p dMc}=K
11.6 The Dogmar ye97!nIg@
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Lr+$_ t}r
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12 The Biotar or Double-Gauss Lens =%7-ZH9
12.1 The Basic Six-Element Version +mPx 8P&%
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens t7pFW^&
12.3 The Seven-Element Biotar - Split-Rear Singlet Fu~j8K
12.4 The Seven-Element Biotar - Broken Contact Front Doublet df=f62
12.5 The Seven-Element Biotar - One Compounded Outer Element x38 QD;MT
12.6 The Eight-Element Biotar ]iW R o'
12.7 A “Doubled Double-Gauss” Relay @ZJS&23E
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13 Telephoto Lenses NHt\
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13.1 The Basic Telephoto 0_/[k*Re
13.2 Close-up or Macro Lenses yu|>t4#GT
13.3 Telephoto Designs JT?h1v<H]
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch eE Kf|I
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses pYg/Zm
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14.1 The Reverse Telephoto Principle cNrg#Asen&
14.2 The Basic Retrofocus Lens hoP]9& <T
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses XZf$K _F&M
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15 Wide Angle Lenses with Negative Outer Lenses ^q&x7Kv%
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16 The Petzval Lens; Head-up Display Lenses !Cs_F&l"j
16.1 The Petzval Portrait Lens sA~]$A;DM!
16.2 The Petzval Projection Lens y5r4&~04
16.3 The Petzval with a Field Flattener sKWfX Cd
16.4 Very Height Speed Petzval Lenses i%/+5gq
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems / FII07V
FmW(CGs
17 Microscope Objectives [^)g%|W
17.1 General Considerations (:_$5&i7
17.2 Classic Objective Design Forms; The Aplanatic Front do_[&
17.3 Flat-Field Objectives m 5.Zu.
17.4 Reflecting Objectives ?< /> Z)
17.5 The Microscope Objective Designs 9? $i?
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18 Mirror and Catadioptric Systems }k0_5S
18.1 The Good and Bad Points of Mirrors I]575 \bA
18.2 The Classic Two-Mirror Systems #WuBL_nZ~
18.3 Catadioptric Systems 29rX%09T]
18.4 Aspheric Correctors and Schmidt Systems pmM9,6P4@
18.5 Confocal Paraboloids >z03{=sAN
18.6 Unobscured Systems \bF{-" 7.
18.7 Design of a Schmidt-Cassegrain “from Scratch” w
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19 Infrared and Ultraviolet Systems a#4?cE y
19.1 Infrared Optics dG{A~Z z
19.2 IR Objective Lenses Ri{=]$
19.3 IR Telescope _w{Qtj~s|
19.4 Laser Beam Expanders .H|-_~Yx|
19,5 Ultraviolet Systems {=Wg zP
19.6 Microlithographic Lenses +z( L r=G
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20 Zoom Lenses 9p/Bh$vJ
20.1 Zoom Lenses . vV|hSc
20.2 Zoom Lenses for Point and Shoot Cameras UZMd~ |
20.3 A 20X Video Zoom Lens >%G1"d?j
20.4 A Zoom Scanner Lens ^#$n~]s
20.5 A Possible Zoom Lens Design Procedure ]'}L 1r
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21 Projection TV Lenses and Macro Lenses A<{{iBEI`
21.1 Projection TV Lenses WY/}1X9.%
21.2 Macro Lenses &HW9Jn
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22 Scanner/ , Laser Disk and Collimator Lenses tYS06P^<
22.1 Monochromatic Systems -~1~I
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22.2 Scanner Lenses Wc#24:OKe3
22.3 Laser Disk, Focusing, and Collimator Lenses sT)CxOV
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23 Tolerance Budgeting Nc`L;CP
23.1 The Tolerance Budget j_AACq
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23.2 Additive Tolerances $I=~S[p
23.3 Establishing the Tolerance Budget V& 5wRz+`W
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24 Formulary 3n _htgcv
24.1 Sign Conventions, Symbols, and Definitions @5FQX
24.2 The Cardinal Points Xhm
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24.3 Image Equations *pq\MiD/
24.4 Paraxial Ray Tracing (Surface by Surface) J zl6eo[;
24.5 Invariants p2eGm-Erq
24.6 Paraxial Ray Tracing (Component by Component) X8|,
24.7 Two-Componenet Relationships aOp\ 91
24.8 Third-Order Aberrations – Surface Contributions h0$iOE
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs $i&zex{\
24.10 Stop Shift Equations _b 0& !l<
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces U6K|fY N`
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) )e{ aN+
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) 8AXm
Glossary I,tud!p`
Reference ^!d3=}:0
Index
