"Modern Lens Design" 2nd Edition by Warren J. Smith ^q:-ZgM>
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Contents of Modern Lens Design 2nd Edition smP4KC"I(d
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1 Introduction nBh+UT}
1.1 Lens Design Books Q_5l.M/9]
1.2 Reference Material z$~x 2<
1.3 Specifications LOh2eZ"n
1.4 Lens Design <DF3!r
1.5 Lens Design Program Features '!HTE`Aj
1.6 About This Book I'/3_AX
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2 Automatic Lens Design (Ou%0
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2.2 The Merit Function n(:<pz
2.3 Local Minima lSxb:$g
2.4 The Landscape Lens [&)]-2w2
2.5 Types of Merit Function LgqQr6y"
2.6 Stagnation -ss= c #
2.7 Generalized Simulated Annealing w0Qtr>"
2.8 Considerations about Variables for Optimization eV9U+]C`
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems uo9#(6
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits A_xC@$1e<
2.11 Spectral Weighting Un?|RF
2.12 How to Get Started
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3 Improving a Design vsY?q8+P
3.1 Lens Design Tip Sheet: Standard Improvement Techniques T &ZQie/
3.2 Glass Changes ( Index and V Values ) E&M(QX5
3.3 Splitting Elements d$t"Vp
3.4 Separating a Cemented Doublet Fr9/TI
3.5 Compounding an Element 70'OS:J=\
3.6 Vignetting and Its Uses j*{0<hZb}
3.7 Eliminating a Weak Element; the Concentric Problem $y(;"hy
3.8 Balancing Aberrations PX:#+bq1
3.9 The Symmetrical Principle djd/QAfSC
3.10 Aspheric Surfaces 6u[fCGi%
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4 Evaluation: How Good is This Design ]Q^)9uE\D
4.1 The Uses of a Preliminary Evaluation +QChD*
4.2 OPD versus Measures of Performance 7'0Vb!(
4.3 Geometric Blur Spot Size versus Certain Aberrations ohx[_}xN
4.4 Interpreting MTF - The Modulation Transfer Function 6= iHw24
4.5 Fabrication Considerations +
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5 Lens Design Data p3s i\Fm!
5.1 About the Sample Lens Designs I^NDJdxd
5.2 Lens Prescriptions, Drawings, and Aberration Plots I"Oq< _
5.3 Estimating the Potential of a Redesign `4Yo-@iVP
5.4 Scaling a Desing, Its Aberrations, and Its MTF ~?Zib1f)
5.5 Notes on the Interpretation of Ray Intercept Plots [doEArwn
5.6 Various Evaluation Plot JZ5k3#@e
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6 Telescope Objective fBS a8D3}`
6.1 The Thin Airspaced Doublet d:kB Zrq
6.2 Merit Function for a Telescope Objective Bf{u:TCK
6.3 The Design of an f/7 Cemented Doublet Telescope Objective n`Q@<op
6.4 Spherochromatism j G8;p41
6.5 Zonal Spherical Aberration
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6.6 Induced Aberrations 9"~ FKMN
6.7 Three-Element Objectives y|`-)fY
6.8 Secondary Spectrum (Apochromatic Systems) 5.rAxdP
6.9 The Design of an f/7 Apochromatic Triplet HC iRk1
6.10 The Diffractive Surface in Lens Design fz'qB-F
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6.11 A Final Note c_8&4
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7 Eyepieces and Magnifiers ddHl&+G
7.1 Eyepieces I)rnF
7.2 A Pair of Magnifier Designs 7KC>?F
7.3 The Simple, Classical Eyepieces \ .xS
7.4 Design Story of an Eyepiece for a 6*30 Binocular 4fLRl-)
7.5 Four-Element Eyepieces '|8dt "C
7.6 Five-Element Eyepieces ?f?5Kye
7.7 Very High Index Eyepiece/Magnifier ^<I(
7.8 Six- and Seven-Element Eyepieces k^5Lv#Z
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8 Cooke Triplet Anastigmats +nYFLe
8.1 Airspaced Triplet Anastigmats `TBXJ(Y
8.2 Glass Choice yw1&I^7
8.3 Vertex Length and Residual Aberrations 8Qv s\TY
8.4 Other Design Considerations 3?Pg
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8.5 A Plastic, Aspheric Triplet Camera Lens o'2eSm0H
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet $n<a`PdH
8.7 Possible Improvement to Our “Basic” Triplet Yy *=@qu>g
8.7 The Rear Earth (Lanthanum) Glasses Ho &Q}<(
8.9 Aspherizing the Surfaces F#Lo^ 8
8.10 Increasing the Element Thickness yD+4YD
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9 Split Triplets QLqtE;;)JK
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10 The Tessar, Heliar, and Other Compounded Triplets !XPjRd q
10.1 The Classic Tessar M2Q,&>M
10.2 The Heliar/Pentac |UTajEL
10.3 The Portrait Lens and the Enlarger Lens WZQ2Mi<&1'
10.4 Other Compounded Triplets cBxGGggB
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar I&-r^6Yx
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11 Double-Meniscus Anastigmats 5(>=};r+
11.1 Meniscus Components -.Wcz|
11.2 The Hypergon, Totogon, and Metrogon us.#|~i<h
11.3 A Two Element Aspheric Thick Meniscus Camera Lens VF`!ks
11.4 Protar, Dagor, and Convertible Lenses 7^dr[.Q[*
11.5 The Split Dagor Xf
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11.6 The Dogmar &8$v~
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens B;k'J:-"
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12 The Biotar or Double-Gauss Lens RpJ7.
12.1 The Basic Six-Element Version {JE [
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens EI_-5Tt RD
12.3 The Seven-Element Biotar - Split-Rear Singlet Oeh A3$|#
12.4 The Seven-Element Biotar - Broken Contact Front Doublet z\ZnxZ@
12.5 The Seven-Element Biotar - One Compounded Outer Element )eZK/>L&
12.6 The Eight-Element Biotar k]m ~DVS
12.7 A “Doubled Double-Gauss” Relay ^r~[3NT
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13 Telephoto Lenses M7=,J;@
13.1 The Basic Telephoto WvfP9(-
13.2 Close-up or Macro Lenses x^ `/&+m
13.3 Telephoto Designs E)-;sFz
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch .S//T/3O]Q
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses s= %3`3Fo
14.1 The Reverse Telephoto Principle ZJDV'mC}
14.2 The Basic Retrofocus Lens nxZz{&
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 'K7\[if{
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15 Wide Angle Lenses with Negative Outer Lenses Ci`o;KVj
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16 The Petzval Lens; Head-up Display Lenses <K CI@
16.1 The Petzval Portrait Lens KA2>[x2
16.2 The Petzval Projection Lens =u2 z3$
16.3 The Petzval with a Field Flattener 78l);/E{v
16.4 Very Height Speed Petzval Lenses `2f/4]fY
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems $@PruY3[
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17 Microscope Objectives $Cz2b/O
17.1 General Considerations hF'VqJS
17.2 Classic Objective Design Forms; The Aplanatic Front 9]eG|LFD
17.3 Flat-Field Objectives oJa}NH
17.4 Reflecting Objectives ^yW['H6V
17.5 The Microscope Objective Designs ,p|Q/M^
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18 Mirror and Catadioptric Systems )Rn\6ka
18.1 The Good and Bad Points of Mirrors uE1;@Dm+
18.2 The Classic Two-Mirror Systems A4zI1QF
18.3 Catadioptric Systems k8?._1t
18.4 Aspheric Correctors and Schmidt Systems 2Mx\D
18.5 Confocal Paraboloids cN@_5
18.6 Unobscured Systems .i*oZ'[X
18.7 Design of a Schmidt-Cassegrain “from Scratch” ]'5Xjcx
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19 Infrared and Ultraviolet Systems f1vD{M;
19.1 Infrared Optics F\eQV<
19.2 IR Objective Lenses }u;K<<h:
19.3 IR Telescope jSjC43lh
19.4 Laser Beam Expanders 9J/[7TzSZ
19,5 Ultraviolet Systems h*R@ d
19.6 Microlithographic Lenses SJ]6_4=y*
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20 Zoom Lenses |R.yuSL)(
20.1 Zoom Lenses ,zgz7
20.2 Zoom Lenses for Point and Shoot Cameras
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20.3 A 20X Video Zoom Lens 3)WfBvG
20.4 A Zoom Scanner Lens 4EM+ Ye
20.5 A Possible Zoom Lens Design Procedure !h#ZbErW
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21 Projection TV Lenses and Macro Lenses
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21.1 Projection TV Lenses %,WH*")
21.2 Macro Lenses q8P&rMwy
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22 Scanner/ , Laser Disk and Collimator Lenses ;`oK5
22.1 Monochromatic Systems SnG(/1C8
22.2 Scanner Lenses PA'&]piPl:
22.3 Laser Disk, Focusing, and Collimator Lenses x'g4DYl
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23 Tolerance Budgeting #@oB2%&X?
23.1 The Tolerance Budget 4s7
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23.2 Additive Tolerances /0}Z>iK
23.3 Establishing the Tolerance Budget \
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24 Formulary pVc+}Wzh
24.1 Sign Conventions, Symbols, and Definitions j&X&&=
24.2 The Cardinal Points fG1iq<~
24.3 Image Equations b-
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24.4 Paraxial Ray Tracing (Surface by Surface) eA7
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24.5 Invariants +ydd"`
24.6 Paraxial Ray Tracing (Component by Component) 3RaW\cWzg
24.7 Two-Componenet Relationships
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24.8 Third-Order Aberrations – Surface Contributions 'i%r
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs l/={aF7+
24.10 Stop Shift Equations x/?ET1iGt
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces >e {1e
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Qa,=
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Glossary 9)7$U QY
Reference LWCFCkx%
Index