"Modern Lens Design" 2nd Edition by Warren J. Smith )F2OT<]m,
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Contents of Modern Lens Design 2nd Edition k#rBB
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1 Introduction V$?SR44>nH
1.1 Lens Design Books K96<M);:g
1.2 Reference Material "-J-k=
1.3 Specifications VAu&@a`
1.4 Lens Design ?3xzd P
1.5 Lens Design Program Features DDH:)=;z
1.6 About This Book xF44M]i
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2 Automatic Lens Design 1y4
2.2 The Merit Function 0_t`%l=
2.3 Local Minima IobD3:D8W
2.4 The Landscape Lens \K!VNB>h
2.5 Types of Merit Function e@OX_t_
2.6 Stagnation w*JGUk
2.7 Generalized Simulated Annealing cjIh}:|'
2.8 Considerations about Variables for Optimization /gkX38
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems %- 0t?/>
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits .h4 \Y A
2.11 Spectral Weighting NPe%F+X
2.12 How to Get Started Tyf`j,=
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3 Improving a Design w=J3=T@TD
3.1 Lens Design Tip Sheet: Standard Improvement Techniques n#OB%@]<V
3.2 Glass Changes ( Index and V Values ) ?m?::R H
3.3 Splitting Elements = {wcfhUl+
3.4 Separating a Cemented Doublet "~C,bk
3.5 Compounding an Element V /V9B2.$
3.6 Vignetting and Its Uses 7Da`
3.7 Eliminating a Weak Element; the Concentric Problem 1Z~FCJz
3.8 Balancing Aberrations psMvq@>
3.9 The Symmetrical Principle @7j AL -
3.10 Aspheric Surfaces VZmLS 4E
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4 Evaluation: How Good is This Design czRFMYE
4.1 The Uses of a Preliminary Evaluation l3I:Q^x@
4.2 OPD versus Measures of Performance wyO4Y
4.3 Geometric Blur Spot Size versus Certain Aberrations U/l&tmIVY
4.4 Interpreting MTF - The Modulation Transfer Function FSW_<%
4.5 Fabrication Considerations ;P%1j| 7
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5 Lens Design Data EVC]sUT
5.1 About the Sample Lens Designs wHMX=N1/
5.2 Lens Prescriptions, Drawings, and Aberration Plots iN8zo:&Z
5.3 Estimating the Potential of a Redesign 4-H+vNG{%
5.4 Scaling a Desing, Its Aberrations, and Its MTF IE/^\ M
5.5 Notes on the Interpretation of Ray Intercept Plots )g#T9tx2D
5.6 Various Evaluation Plot G.a b ql
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6 Telescope Objective 8_B4?` k
6.1 The Thin Airspaced Doublet T{ XS")Vw
6.2 Merit Function for a Telescope Objective 3E $f)
6.3 The Design of an f/7 Cemented Doublet Telescope Objective W^LY'ypT
6.4 Spherochromatism ;m{1_ 1
6.5 Zonal Spherical Aberration ;d"F%M
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6.6 Induced Aberrations vJc- 6EO
6.7 Three-Element Objectives >T3-
6.8 Secondary Spectrum (Apochromatic Systems) l=)xo@6
6.9 The Design of an f/7 Apochromatic Triplet O#~yKqB
6.10 The Diffractive Surface in Lens Design gANuBWh8T
6.11 A Final Note ][h%UrV
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7 Eyepieces and Magnifiers vB|hZTW
7.1 Eyepieces suiS&$-E
7.2 A Pair of Magnifier Designs sF?TmBQ*
7.3 The Simple, Classical Eyepieces hl (hJfp
7.4 Design Story of an Eyepiece for a 6*30 Binocular pF:$
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7.5 Four-Element Eyepieces O/a4]r+_
7.6 Five-Element Eyepieces #;qdY[v
7.7 Very High Index Eyepiece/Magnifier =eXU@B
7.8 Six- and Seven-Element Eyepieces e~[/i\
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8 Cooke Triplet Anastigmats %D}kD6=
8.1 Airspaced Triplet Anastigmats {V$|3m>:*
8.2 Glass Choice NAQAU
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8.3 Vertex Length and Residual Aberrations )Y6 +
8.4 Other Design Considerations ith
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8.5 A Plastic, Aspheric Triplet Camera Lens A8fOQ
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet i,E{f
8.7 Possible Improvement to Our “Basic” Triplet )3Iz (Ql
8.7 The Rear Earth (Lanthanum) Glasses )=Z>#iH1
8.9 Aspherizing the Surfaces l7259Ro~
8.10 Increasing the Element Thickness (vPN5F
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9 Split Triplets 4Lh!8g=/
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10 The Tessar, Heliar, and Other Compounded Triplets _8riUt
10.1 The Classic Tessar $@Rxrx_@M
10.2 The Heliar/Pentac U;V7 u/{
10.3 The Portrait Lens and the Enlarger Lens )}]g]
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10.4 Other Compounded Triplets I<4Pur>"
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar oMD>Ywc-
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11 Double-Meniscus Anastigmats w%VU/6~
11.1 Meniscus Components C:* *;=.
11.2 The Hypergon, Totogon, and Metrogon i]y<|W)Q3
11.3 A Two Element Aspheric Thick Meniscus Camera Lens FLCexlv^
11.4 Protar, Dagor, and Convertible Lenses NP#w+Qw
11.5 The Split Dagor *{@Nq=fE
11.6 The Dogmar P*Uwg&Qz)
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 5\sd3<:+
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12 The Biotar or Double-Gauss Lens Gg3,:A_ w
12.1 The Basic Six-Element Version gX}8#O.K$
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Co_A/
12.3 The Seven-Element Biotar - Split-Rear Singlet p8H'{f\G
12.4 The Seven-Element Biotar - Broken Contact Front Doublet @* jz
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12.5 The Seven-Element Biotar - One Compounded Outer Element y8Z_Itlf
12.6 The Eight-Element Biotar o&zJ=k[4
12.7 A “Doubled Double-Gauss” Relay '!cCMTj
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13 Telephoto Lenses | '8Nh
13.1 The Basic Telephoto ,GIyq)
13.2 Close-up or Macro Lenses n;Q7X>-f8`
13.3 Telephoto Designs H8zK$!
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch m6K}|j
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses )0W{]2
14.1 The Reverse Telephoto Principle L>NL:68yN
14.2 The Basic Retrofocus Lens "]x'PI 4J
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses l^-];|Y
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15 Wide Angle Lenses with Negative Outer Lenses 7~%?#
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16 The Petzval Lens; Head-up Display Lenses T#Z^s~7&I
16.1 The Petzval Portrait Lens (k)v!O-
16.2 The Petzval Projection Lens 9Cp-qA%t
16.3 The Petzval with a Field Flattener |?xN\O^#}
16.4 Very Height Speed Petzval Lenses Zw9FJ/Zn@
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems O`\;e>!t
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17 Microscope Objectives hJ? O],4J
17.1 General Considerations OU.6bmWy|
17.2 Classic Objective Design Forms; The Aplanatic Front ,0Hr2*p
17.3 Flat-Field Objectives RFc v^Xf
17.4 Reflecting Objectives IGQFtO/x
17.5 The Microscope Objective Designs w<3#1/g!2B
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18 Mirror and Catadioptric Systems /NFj(+&g+
18.1 The Good and Bad Points of Mirrors
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18.2 The Classic Two-Mirror Systems D%Sl AzZ3
18.3 Catadioptric Systems vX"*4m>b?+
18.4 Aspheric Correctors and Schmidt Systems "|
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18.5 Confocal Paraboloids 7"x;~X
18.6 Unobscured Systems xml7Uarc
18.7 Design of a Schmidt-Cassegrain “from Scratch” m,w A:o$'
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19 Infrared and Ultraviolet Systems 9T9!kb
19.1 Infrared Optics Y=I'czg
19.2 IR Objective Lenses i)#dWFDTv
19.3 IR Telescope mdDOvm:&
19.4 Laser Beam Expanders KYI/
19,5 Ultraviolet Systems "m8^zg hL
19.6 Microlithographic Lenses 'sKk"bi;0
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20 Zoom Lenses k%#EEMh
20.1 Zoom Lenses FVbb2Y?R
20.2 Zoom Lenses for Point and Shoot Cameras /-'}q=M
20.3 A 20X Video Zoom Lens i9|Sa6vuI
20.4 A Zoom Scanner Lens |aS.a&vwR
20.5 A Possible Zoom Lens Design Procedure RSRS wkC
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21 Projection TV Lenses and Macro Lenses yx[/|nZDC4
21.1 Projection TV Lenses Q&tG4f<
21.2 Macro Lenses U< fGGCw
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22 Scanner/ , Laser Disk and Collimator Lenses V2EUW!gn
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22.1 Monochromatic Systems >uRI'24
22.2 Scanner Lenses %aCqi(.7
22.3 Laser Disk, Focusing, and Collimator Lenses EME|k{W
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23 Tolerance Budgeting qInR1 r<
23.1 The Tolerance Budget CK@@HSm}l
23.2 Additive Tolerances V f&zL
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23.3 Establishing the Tolerance Budget O0v}43J[
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24 Formulary rs[T=C Q
24.1 Sign Conventions, Symbols, and Definitions zC!t;*8a
24.2 The Cardinal Points 9cF[seE"0
24.3 Image Equations >tr}|>
24.4 Paraxial Ray Tracing (Surface by Surface) q<|AZ2Ai
24.5 Invariants (?c"$|^J
24.6 Paraxial Ray Tracing (Component by Component) 7n<{tM
24.7 Two-Componenet Relationships j,eo2HaL
24.8 Third-Order Aberrations – Surface Contributions W{+2/P
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs \M^bD4';>
24.10 Stop Shift Equations 4+8@`f>s
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces @":
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ^nz.j
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Glossary
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Reference ?:q*(EC<
Index