"Modern Lens Design" 2nd Edition by Warren J. Smith ,Oqd4NS
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Contents of Modern Lens Design 2nd Edition {R5{v6m_
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1 Introduction MqA%hlq
1.1 Lens Design Books pxj}%LH
1.2 Reference Material Os1o!w:m5
1.3 Specifications 8[2.HM$Y
1.4 Lens Design ]J`yh$a
1.5 Lens Design Program Features drv"I[}{A
1.6 About This Book zxo0:dyw7
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2 Automatic Lens Design kTCWyc
2.2 The Merit Function C3m](%?
2.3 Local Minima kaKV{;UM
2.4 The Landscape Lens P:`tL)W_
2.5 Types of Merit Function G/cE2nD
2.6 Stagnation *ud"?{)Z
2.7 Generalized Simulated Annealing \1 ^qfw
2.8 Considerations about Variables for Optimization r$=YhI/=
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems EUVB>%P
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits O-5s}RT
2.11 Spectral Weighting -Odk'{nW
2.12 How to Get Started T(n<@Ac]V
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3 Improving a Design ;t^8lC?>V
3.1 Lens Design Tip Sheet: Standard Improvement Techniques
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3.2 Glass Changes ( Index and V Values ) vocXk_
3.3 Splitting Elements >icL,n"]
3.4 Separating a Cemented Doublet a.oZ}R7'Y
3.5 Compounding an Element >
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3.6 Vignetting and Its Uses xr }jw
3.7 Eliminating a Weak Element; the Concentric Problem #<^ngoOj
3.8 Balancing Aberrations o*d+W7l
3.9 The Symmetrical Principle X?RnP3t~
3.10 Aspheric Surfaces \5k^zGF4o
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4 Evaluation: How Good is This Design &n5Lc`
4.1 The Uses of a Preliminary Evaluation CB76
4.2 OPD versus Measures of Performance z j[/~I
4.3 Geometric Blur Spot Size versus Certain Aberrations '[XtARtY`
4.4 Interpreting MTF - The Modulation Transfer Function 'Z<V(;W
4.5 Fabrication Considerations ?2;gmZd7
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5 Lens Design Data {;iG}j K
5.1 About the Sample Lens Designs Hg~O0p}[
5.2 Lens Prescriptions, Drawings, and Aberration Plots f/_RtOSw
5.3 Estimating the Potential of a Redesign `0]kRA8=
5.4 Scaling a Desing, Its Aberrations, and Its MTF L} >XH*
5.5 Notes on the Interpretation of Ray Intercept Plots E0g`
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5.6 Various Evaluation Plot ~Sr`Tlp
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6 Telescope Objective x{$~u2|
6.1 The Thin Airspaced Doublet W?*]'0
6.2 Merit Function for a Telescope Objective ]A;{D~X^w
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >o#5tNm
6.4 Spherochromatism
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6.5 Zonal Spherical Aberration c]qq *k#
6.6 Induced Aberrations RV*7?y%3
6.7 Three-Element Objectives K#O8P+n5[
6.8 Secondary Spectrum (Apochromatic Systems) @0XqUcV
6.9 The Design of an f/7 Apochromatic Triplet xz@/^Cj
6.10 The Diffractive Surface in Lens Design |_=o0lf
6.11 A Final Note DOr()X
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7 Eyepieces and Magnifiers ;:w?&4
7.1 Eyepieces {"cS:u
7.2 A Pair of Magnifier Designs !,f#oCL
7.3 The Simple, Classical Eyepieces ?q&*|-%)_d
7.4 Design Story of an Eyepiece for a 6*30 Binocular #$<7
7.5 Four-Element Eyepieces F?+K~['i
7.6 Five-Element Eyepieces :HDl-8]Lw
7.7 Very High Index Eyepiece/Magnifier `M
"O #
7.8 Six- and Seven-Element Eyepieces LI>tN R~
o6 FSSKM
8 Cooke Triplet Anastigmats kfod[*3
8.1 Airspaced Triplet Anastigmats mOLP77(o
8.2 Glass Choice H;QE',a9+i
8.3 Vertex Length and Residual Aberrations &&N]u e@>
8.4 Other Design Considerations R'#[}s
8.5 A Plastic, Aspheric Triplet Camera Lens _x.!,
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ur'a{BI2R
8.7 Possible Improvement to Our “Basic” Triplet )PM&x
8.7 The Rear Earth (Lanthanum) Glasses ews4qP
8.9 Aspherizing the Surfaces $"+ahS<?tC
8.10 Increasing the Element Thickness SnMHk3(\
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9 Split Triplets YS}uJ&WoF
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10 The Tessar, Heliar, and Other Compounded Triplets X[ERlw1q4Q
10.1 The Classic Tessar i+I%]
10.2 The Heliar/Pentac `iX~cUQ
10.3 The Portrait Lens and the Enlarger Lens DE GEr-
10.4 Other Compounded Triplets ;C1]gJZ,
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar *vx!twu1o
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11 Double-Meniscus Anastigmats 'USol<
11.1 Meniscus Components n[jyhBf\W
11.2 The Hypergon, Totogon, and Metrogon -}l iG
11.3 A Two Element Aspheric Thick Meniscus Camera Lens l;4},N
11.4 Protar, Dagor, and Convertible Lenses ,tdV-9N[O
11.5 The Split Dagor 0]tr&BLl*
11.6 The Dogmar <&n\)R4C1
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Vb0((c%&
l]BIFZ~
12 The Biotar or Double-Gauss Lens p[E}:kak_-
12.1 The Basic Six-Element Version uG1)cm
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens D^(Nijl9U
12.3 The Seven-Element Biotar - Split-Rear Singlet }L.xt88
12.4 The Seven-Element Biotar - Broken Contact Front Doublet B~/:["zTh&
12.5 The Seven-Element Biotar - One Compounded Outer Element 9v=fE2`-
12.6 The Eight-Element Biotar MHs2UN
12.7 A “Doubled Double-Gauss” Relay dgLE/r?
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13 Telephoto Lenses w1Z9@*C!
13.1 The Basic Telephoto C;#-2^h
13.2 Close-up or Macro Lenses b?6-lYE>L
13.3 Telephoto Designs I]HrtI
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch t'msgC6=>u
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ?0%yDq1_
14.1 The Reverse Telephoto Principle FLT4:B7
14.2 The Basic Retrofocus Lens o!q3+Pp;}
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Pr
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15 Wide Angle Lenses with Negative Outer Lenses ),9^hJ1+@
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16 The Petzval Lens; Head-up Display Lenses R`? '|G]P
16.1 The Petzval Portrait Lens fi5x0El
16.2 The Petzval Projection Lens D%L}vugxK
16.3 The Petzval with a Field Flattener ('H[[YODh
16.4 Very Height Speed Petzval Lenses B d#D*"gx
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems T%{qwZc+mJ
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17 Microscope Objectives W_w^"'
17.1 General Considerations g_<^kg"
17.2 Classic Objective Design Forms; The Aplanatic Front W(^R-&av
17.3 Flat-Field Objectives :#CQQ*@
17.4 Reflecting Objectives -6wjc rTD
17.5 The Microscope Objective Designs :~K c"Pg
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18 Mirror and Catadioptric Systems 3v~804kWB
18.1 The Good and Bad Points of Mirrors blbL49;
18.2 The Classic Two-Mirror Systems BCH{0w^D
18.3 Catadioptric Systems tO0MYEx"
18.4 Aspheric Correctors and Schmidt Systems A~MAaw!YE
18.5 Confocal Paraboloids CCZ'(Tkq
18.6 Unobscured Systems zcF`Z{&+
18.7 Design of a Schmidt-Cassegrain “from Scratch” `zD]*i(
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19 Infrared and Ultraviolet Systems |?zFm
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19.1 Infrared Optics JHF<vyt5<
19.2 IR Objective Lenses ,,U8X [A
19.3 IR Telescope {bQi
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19.4 Laser Beam Expanders 0)@7$Xhf
19,5 Ultraviolet Systems 1y\-Iz^
19.6 Microlithographic Lenses "pQFIV,
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20 Zoom Lenses xqP DL9\
20.1 Zoom Lenses O+8]y4%5
20.2 Zoom Lenses for Point and Shoot Cameras o75Hit
20.3 A 20X Video Zoom Lens 0l.\KF
20.4 A Zoom Scanner Lens kU*Fif
20.5 A Possible Zoom Lens Design Procedure `7.(dn>WL0
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21 Projection TV Lenses and Macro Lenses wrORyj
21.1 Projection TV Lenses ~353x%e'
21.2 Macro Lenses 33O O%rWi
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22 Scanner/ , Laser Disk and Collimator Lenses !CJh6X!
22.1 Monochromatic Systems S6Er#)k
22.2 Scanner Lenses @m#1[n;
22.3 Laser Disk, Focusing, and Collimator Lenses E5>y?N
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23 Tolerance Budgeting puv/+!q
23.1 The Tolerance Budget W~EDLL Z
23.2 Additive Tolerances `$kKTc:f
23.3 Establishing the Tolerance Budget Z@Tb3N/[
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24 Formulary )GbVgYkk
24.1 Sign Conventions, Symbols, and Definitions hv]}b'M$
24.2 The Cardinal Points BQ[,(T`+R
24.3 Image Equations &:]ej6V'[
24.4 Paraxial Ray Tracing (Surface by Surface) nnw5
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24.5 Invariants a$}n4p
24.6 Paraxial Ray Tracing (Component by Component) y{Fq'w!ap
24.7 Two-Componenet Relationships N;\G=q]
9
24.8 Third-Order Aberrations – Surface Contributions *hm;C+<~
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs f( %r)%
24.10 Stop Shift Equations e!eUgD
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ~~8?|@V
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) [/P}1
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Glossary r~<I5MZY
Reference _^Ds[VAgA
Index