"Modern Lens Design" 2nd Edition by Warren J. Smith }f)$+mi
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Contents of Modern Lens Design 2nd Edition Z~{0XG\Y
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1 Introduction
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1.1 Lens Design Books |R:gu\gG
1.2 Reference Material 0!F"s>(H
1.3 Specifications |ofegO}W7
1.4 Lens Design +MPM^ m
1.5 Lens Design Program Features Q[^IX
1.6 About This Book FX7=81**4
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2 Automatic Lens Design Vu '/o[nF>
2.2 The Merit Function U'zW; Lt
2.3 Local Minima D/jB.
2.4 The Landscape Lens yiGq?WA7
2.5 Types of Merit Function v5l)T}Nb
2.6 Stagnation i rMZLc6
2.7 Generalized Simulated Annealing tLe!_p)
2.8 Considerations about Variables for Optimization B"T Z8(<
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 5Z}]d@
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits uZ( I|N$
2.11 Spectral Weighting ~\`lbGJ7?
2.12 How to Get Started
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3 Improving a Design Rkm1fYf
3.1 Lens Design Tip Sheet: Standard Improvement Techniques -4`Wkkhu
3.2 Glass Changes ( Index and V Values ) +[*VU2f t
3.3 Splitting Elements yC !`6$
3.4 Separating a Cemented Doublet IW3ZHmrpA
3.5 Compounding an Element OiNzN.}d
3.6 Vignetting and Its Uses Xu`c_
3.7 Eliminating a Weak Element; the Concentric Problem Zpg/T K
3.8 Balancing Aberrations SV16]Vc
3.9 The Symmetrical Principle 'Ca6cm3Tg
3.10 Aspheric Surfaces A,i.1U"w8
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4 Evaluation: How Good is This Design %"PG/avo
4.1 The Uses of a Preliminary Evaluation ?D-1xnxep
4.2 OPD versus Measures of Performance \UM9cAX`
4.3 Geometric Blur Spot Size versus Certain Aberrations >k,|N4(
4.4 Interpreting MTF - The Modulation Transfer Function GVk&n"9kp
4.5 Fabrication Considerations 24PEt%2
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5 Lens Design Data QU^*(HGip
5.1 About the Sample Lens Designs sHD8#t^{
5.2 Lens Prescriptions, Drawings, and Aberration Plots W)3?T&`
5.3 Estimating the Potential of a Redesign ia
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5.4 Scaling a Desing, Its Aberrations, and Its MTF CI"7* z_
5.5 Notes on the Interpretation of Ray Intercept Plots ^I03PIy0l
5.6 Various Evaluation Plot %JM:4G|q
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6 Telescope Objective #j
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6.1 The Thin Airspaced Doublet )I'?]p<
6.2 Merit Function for a Telescope Objective `<!Nk^2ap
6.3 The Design of an f/7 Cemented Doublet Telescope Objective G 'IqAKJ
6.4 Spherochromatism jY%&G#4
6.5 Zonal Spherical Aberration /!;oO_U:#
6.6 Induced Aberrations h\\fb[``
6.7 Three-Element Objectives GL$!JKWp
6.8 Secondary Spectrum (Apochromatic Systems) ehk5U,d
6.9 The Design of an f/7 Apochromatic Triplet kcKcIn{
6.10 The Diffractive Surface in Lens Design q`z/ S>
6.11 A Final Note H-A?F^#
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7 Eyepieces and Magnifiers ^Gt&c_gH
7.1 Eyepieces n2&*5m&$
7.2 A Pair of Magnifier Designs 's>
7.3 The Simple, Classical Eyepieces >p#` %S
7.4 Design Story of an Eyepiece for a 6*30 Binocular G n"]<8yl~
7.5 Four-Element Eyepieces 1=(jpy
7.6 Five-Element Eyepieces n&ZArJ
7.7 Very High Index Eyepiece/Magnifier g^|}e?
7.8 Six- and Seven-Element Eyepieces H'k $<S
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8 Cooke Triplet Anastigmats #\s*>Z
8.1 Airspaced Triplet Anastigmats /ivcqVu]
8.2 Glass Choice )!.ef6|
8.3 Vertex Length and Residual Aberrations lM1~K
8.4 Other Design Considerations i
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8.5 A Plastic, Aspheric Triplet Camera Lens i!g}PbC[
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet CXt9 5O?
8.7 Possible Improvement to Our “Basic” Triplet Qt` hUyL
8.7 The Rear Earth (Lanthanum) Glasses P^V,"B8t
8.9 Aspherizing the Surfaces nZZNx
8.10 Increasing the Element Thickness !/]F.0
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9 Split Triplets !v/5G_pr
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10 The Tessar, Heliar, and Other Compounded Triplets \7rAQ[\#V
10.1 The Classic Tessar 8:=&=9%
10.2 The Heliar/Pentac gGF]Dq
10.3 The Portrait Lens and the Enlarger Lens iUSP+iC,
10.4 Other Compounded Triplets biAI*t
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ZrY#B8
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11 Double-Meniscus Anastigmats @>`+eg][?P
11.1 Meniscus Components R_9 &V!fl
11.2 The Hypergon, Totogon, and Metrogon .{+KKa $@G
11.3 A Two Element Aspheric Thick Meniscus Camera Lens AGaM
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11.4 Protar, Dagor, and Convertible Lenses qLrvKoEX2
11.5 The Split Dagor @}[ >*Xy%
11.6 The Dogmar \7b-w81M-
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens MKVz'-`u
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12 The Biotar or Double-Gauss Lens (NfP2E|B
12.1 The Basic Six-Element Version $!Z><&^/
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 0XouHU
12.3 The Seven-Element Biotar - Split-Rear Singlet vHR-mQUs
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ;:<z hO
12.5 The Seven-Element Biotar - One Compounded Outer Element =KQQS6
12.6 The Eight-Element Biotar @z
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12.7 A “Doubled Double-Gauss” Relay TljN!nv]
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13 Telephoto Lenses S1jI8 #z}_
13.1 The Basic Telephoto cr GFU?8
13.2 Close-up or Macro Lenses 590.mCm
13.3 Telephoto Designs =$ bJ`GpJ
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch A:|dY^,:?*
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses U'(Exr[
14.1 The Reverse Telephoto Principle n(X {|?
14.2 The Basic Retrofocus Lens /V'^$enK!}
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses =BD} +(3
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15 Wide Angle Lenses with Negative Outer Lenses wyzx9`5~d
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16 The Petzval Lens; Head-up Display Lenses nc<wDE6
16.1 The Petzval Portrait Lens ? :StFlie
16.2 The Petzval Projection Lens \YUl$d0
16.3 The Petzval with a Field Flattener
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16.4 Very Height Speed Petzval Lenses .II*wKk
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 05sWN 0
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17 Microscope Objectives b\6)whh
17.1 General Considerations Yz<,`w5/6~
17.2 Classic Objective Design Forms; The Aplanatic Front ?yAp&Ad
17.3 Flat-Field Objectives So?.V4aD_
17.4 Reflecting Objectives (pBPf
17.5 The Microscope Objective Designs @8keLrp
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18 Mirror and Catadioptric Systems 2Y~UeJ_\Lq
18.1 The Good and Bad Points of Mirrors |W't-}yf
18.2 The Classic Two-Mirror Systems >L5fc".
18.3 Catadioptric Systems mM`zA%=
18.4 Aspheric Correctors and Schmidt Systems K6uZ4 m;
18.5 Confocal Paraboloids Om%HrT
18.6 Unobscured Systems ]JGh[B1gh
18.7 Design of a Schmidt-Cassegrain “from Scratch” 3C:!\R
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19 Infrared and Ultraviolet Systems M't~/&D#
19.1 Infrared Optics rbC4/ 9G\
19.2 IR Objective Lenses 3k%fY
19.3 IR Telescope ^pI&f{q
19.4 Laser Beam Expanders F4P=Wz]
19,5 Ultraviolet Systems 0^%\! Xxq
19.6 Microlithographic Lenses 8(AI|"A"-
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20 Zoom Lenses r'TxYM-R
20.1 Zoom Lenses (~59}lu~
20.2 Zoom Lenses for Point and Shoot Cameras rTJ='<hIy
20.3 A 20X Video Zoom Lens +jpaBr-O#
20.4 A Zoom Scanner Lens CsJ38]=Mt
20.5 A Possible Zoom Lens Design Procedure i|`b2msvd
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21 Projection TV Lenses and Macro Lenses Sn o7Ru2
21.1 Projection TV Lenses ;HKb
21.2 Macro Lenses XsH(8-n0
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22 Scanner/ , Laser Disk and Collimator Lenses rwZI;t$hf
22.1 Monochromatic Systems F'v3caE
22.2 Scanner Lenses {z^6V\O5
22.3 Laser Disk, Focusing, and Collimator Lenses h;q=<[h\
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23 Tolerance Budgeting trl:\m
23.1 The Tolerance Budget s=[Tm}[
23.2 Additive Tolerances fPW|)e"
23.3 Establishing the Tolerance Budget Y 6NoNc]h
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24 Formulary fG *1A\t]
24.1 Sign Conventions, Symbols, and Definitions tEU}?k+:j)
24.2 The Cardinal Points \hlQu{q.
24.3 Image Equations Gky
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24.4 Paraxial Ray Tracing (Surface by Surface) |E&
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24.5 Invariants 7@[HRr
24.6 Paraxial Ray Tracing (Component by Component) <N4)X"s
24.7 Two-Componenet Relationships TO(2n8'fdO
24.8 Third-Order Aberrations – Surface Contributions Lc&LF*
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs zRO-oOJ
24.10 Stop Shift Equations dkHye>
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 2#srecIz-!
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) .o27uB.
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Glossary eT(/D/jan
Reference ^#6"d+lp
Index