[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith sCFqz[I  
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Contents of Modern Lens Design 2nd Edition H}QOoXWkg  
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1    Introduction         bqxbOQd  
1.1    Lens Design Books     C{ {DZ*  
1.2    Reference Material     GyO
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1.3    Specifications     3!0Eh8ncI  
1.4    Lens Design     ~)#JwY  
1.5    Lens Design Program Features     J:,>/')n  
1.6    About This Book     MeqW/!72$L  
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2    Automatic Lens Design         H
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2.2    The Merit Function         E3\O?+h#  
2.3    Local Minima     z&o"K\y\  
2.4    The Landscape Lens     wY2#xD  
2.5    Types of Merit Function     dIG(7~  
2.6    Stagnation     ki#O ^vl  
2.7    Generalized Simulated Annealing     m?G}%u  
2.8    Considerations about Variables for Optimization    
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2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems (
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2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     UD
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2.11    Spectral Weighting     `RUr/|S  
2.12    How to Get Started     Yz0ruhEMk  
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3    Improving a Design     &_ Ewu@4  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     u2^oXl  
3.2    Glass Changes ( Index and V Values )     +d6/*}ht  
3.3    Splitting Elements     BYN<|=  
3.4    Separating a Cemented Doublet     rp.S4;=Q9  
3.5    Compounding an Element     ~a8J"W
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3.6    Vignetting and Its Uses     lcij}-z:%e  
3.7    Eliminating a Weak Element; the Concentric Problem     K3&v6 #]  
3.8    Balancing Aberrations     F8?&Ql/hdz  
3.9    The Symmetrical Principle     J4h7] qt  
3.10    Aspheric Surfaces     . zvF!!z  
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4    Evaluation: How Good is This Design     LbtcZ)D!  
4.1    The Uses of a Preliminary Evaluation     LWc}j`Wd  
4.2    OPD versus Measures of Performance     0ANqEQX  
4.3    Geometric Blur Spot Size versus Certain Aberrations     l}%!&V0  
4.4    Interpreting MTF - The Modulation Transfer Function      "
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4.5    Fabrication Considerations     ;g: TsYwM  
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5    Lens Design Data     T{bM/?g
 
5.1    About the Sample Lens Designs     e|+U7=CK  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     |x2>F   
5.3    Estimating the Potential of a Redesign     @"-<m|lM  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     oJR0sbikP  
5.5    Notes on the Interpretation of Ray Intercept Plots     ',`iQt!Lx  
5.6    Various Evaluation Plot     Z:09]r1  
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6    Telescope Objective     "8J$7g@n@  
6.1    The Thin Airspaced Doublet     :
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6.2    Merit Function for a Telescope Objective     zF.rsNY  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     eHi|_3A&*  
6.4    Spherochromatism     q/Ba#?sen  
6.5    Zonal Spherical Aberration     BQmg$N,F  
6.6    Induced Aberrations     }]N7CWy  
6.7    Three-Element Objectives     `&b8wF  
6.8    Secondary Spectrum (Apochromatic Systems)      W *0XV  
6.9    The Design of an f/7 Apochromatic Triplet     b-ULoV  
6.10    The Diffractive Surface in Lens Design     Cp&lS=  
6.11    A Final Note     WZ'8{XY8  
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7    Eyepieces and Magnifiers     _+N*4  
7.1    Eyepieces     4\x'$G  
7.2    A Pair of Magnifier Designs     OqtQLqN  
7.3    The Simple, Classical Eyepieces     ~4'e)g.hG  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     r5Jy( ~  
7.5    Four-Element Eyepieces     /$'tO3  
7.6    Five-Element Eyepieces     E< "aUnI  
7.7    Very High Index Eyepiece/Magnifier     oqB(l[%z2  
7.8    Six- and Seven-Element Eyepieces     n'v[[bmu  
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8    Cooke Triplet Anastigmats     {3lsDU4  
8.1    Airspaced Triplet Anastigmats     ~dC)EG  
8.2    Glass Choice     iKN~fGR
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8.3    Vertex Length and Residual Aberrations     @bOhnd#W  
8.4    Other Design Considerations     ]Vo;ZY_\  
8.5    A Plastic, Aspheric Triplet Camera Lens     hU3c;6]3  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet fQ=Yf?b  
8.7    Possible Improvement to Our “Basic” Triplet     "yXKu)_  
8.7    The Rear Earth (Lanthanum) Glasses     g2JNa?z  
8.9    Aspherizing the Surfaces     <w` R;  
8.10    Increasing the Element Thickness     MzL^u8  
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9    Split Triplets     QxH%4 )?  
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10    The Tessar, Heliar, and Other Compounded Triplets     X#'DS&{  
10.1    The Classic Tessar     ' 7+x,TszI  
10.2    The Heliar/Pentac      gPh;  
10.3    The Portrait Lens and the Enlarger Lens     [5e}A&  
10.4    Other Compounded Triplets     !'wh hi  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar pYa8iQ`6U;  
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11    Double-Meniscus Anastigmats     t,#7F$t  
11.1    Meniscus Components     {mrTpw  
11.2    The Hypergon, Totogon, and Metrogon     $~!%Px)  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     N9tH0  
11.4    Protar, Dagor, and Convertible Lenses     m~'!  
11.5    The Split Dagor     KV9'ew+M  
11.6    The Dogmar     #(F/P!qk  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     ,Md8A`7x~  
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12    The Biotar or Double-Gauss Lens     jzI70+E  
12.1    The Basic Six-Element Version     K'%2'd  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens f6vhW66:?x  
12.3    The Seven-Element Biotar - Split-Rear Singlet     ?;zu>4f|  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     yG)xsY V  
12.5    The Seven-Element Biotar - One Compounded Outer Element     [Ul"I-K  
12.6    The Eight-Element Biotar     1)pwR3(^Fz  
12.7    A “Doubled Double-Gauss” Relay     ~U(`XvR\4  
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13    Telephoto Lenses     k\BJs@-  
13.1    The Basic Telephoto     g= ~Y\$&  
13.2    Close-up or Macro Lenses     \(2w/~  
13.3    Telephoto Designs     dv-L!C  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch `)%zk W  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     w=:o//~6j  
14.1    The Reverse Telephoto Principle     WfpQ
  
14.2    The Basic Retrofocus Lens     O42`Z9oK  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     JJ_b{ao<  
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15    Wide Angle Lenses with Negative Outer Lenses     ,`PC^`0c}o  
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16    The Petzval Lens; Head-up Display Lenses     p[R4!if2  
16.1    The Petzval Portrait Lens     N(uHy@  
16.2    The Petzval Projection Lens     mS
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16.3    The Petzval with a Field Flattener     uonCD
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16.4    Very Height Speed Petzval Lenses     ]8q#@%v}  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     *N>n5B2  
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17    Microscope Objectives     W
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17.1    General Considerations     X3e&c  
17.2    Classic Objective Design Forms; The Aplanatic Front     p 4_j>JPv5  
17.3    Flat-Field Objectives     Ipro6 I
 
17.4    Reflecting Objectives     @<kY,ox@~  
17.5    The Microscope Objective Designs     oCfO:7  
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18    Mirror and Catadioptric Systems     GsIVx!  
18.1    The Good and Bad Points of Mirrors     J,4,#2M8  
18.2    The Classic Two-Mirror Systems =mR~\R( I  
18.3    Catadioptric Systems     3LGX ^J<f  
18.4    Aspheric Correctors and Schmidt Systems     VyX5MVh  
18.5    Confocal Paraboloids     ]%M&pc3U  
18.6    Unobscured Systems     JfD-CoQS'  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     e}dGK=`  
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19    Infrared and Ultraviolet Systems     4>^LEp  
19.1    Infrared Optics     !/nXEjW?  
19.2    IR Objective Lenses     "<Ozoo1&w  
19.3    IR Telescope     &~mJ ).*  
19.4    Laser Beam Expanders     aVB/CoM9  
19,5    Ultraviolet Systems     #[f]-c(!  
19.6    Microlithographic Lenses     Z(j"\d!y  
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20    Zoom Lenses     ^'9.VVyz  
20.1    Zoom Lenses     EfX\"y  
20.2    Zoom Lenses for Point and Shoot Cameras     U#V&=~-  
20.3    A 20X Video Zoom Lens     UQZl:DYa  
20.4    A Zoom Scanner Lens     +*RaX (&  
20.5    A Possible Zoom Lens Design Procedure     e5RF6roxO  
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21    Projection TV Lenses and Macro Lenses     j,n\`7dD$  
21.1    Projection TV Lenses     O22Q g  
21.2    Macro Lenses     )ifjK6*  
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22    Scanner/ , Laser Disk and Collimator Lenses     p{ Xde   
22.1    Monochromatic Systems     }7non  
22.2    Scanner Lenses     dx@|M{jz'  
22.3    Laser Disk, Focusing, and Collimator Lenses     fj|b;8_}l  
    M*!WXQlud  
23    Tolerance Budgeting      `j1oxJm  
23.1    The Tolerance Budget     }y%c.  
23.2    Additive Tolerances     BLN|QaZ  
23.3    Establishing the Tolerance Budget     }!Y=SP1e  

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24    Formulary 1=Z!ZY}}e  
24.1    Sign Conventions, Symbols, and Definitions     z$gtGrU  
24.2    The Cardinal Points     /4*Y#IpZ  
24.3    Image Equations     Brtsig,4  
24.4    Paraxial Ray Tracing (Surface by Surface)     >.M>,m\  
24.5    Invariants     |nCVM\+5T  
24.6    Paraxial Ray Tracing (Component by Component)     >?Duz+W)  
24.7    Two-Componenet Relationships     IM% ,A5u  
24.8    Third-Order Aberrations – Surface Contributions     iYZn`OAx  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     %afN&T  
24.10    Stop Shift Equations     lD^c_b  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     ;FQNO:NP  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     vgE -t  
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Glossary wn^#`s!]U  
Reference e)= "Fq!  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 FLs$  
我怎么瞧不明白。

有没有人呀 =V]0G,,\  
有个问题想请教大家