"Modern Lens Design" 2nd Edition by Warren J. Smith `pLp+#1
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Contents of Modern Lens Design 2nd Edition E
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1 Introduction +|o -lb
1.1 Lens Design Books X.JB&~/rO
1.2 Reference Material bf}r8$,
1.3 Specifications /0(4wZe~?
1.4 Lens Design BL]^+KnP
1.5 Lens Design Program Features RzyEA3L'
1.6 About This Book EkJo.'0@
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2 Automatic Lens Design s
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2.2 The Merit Function >+8mq ]8^
2.3 Local Minima 8o~\L=
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2.4 The Landscape Lens X_=oJi| :
2.5 Types of Merit Function Va9vDb6
2.6 Stagnation GifD>c |z
2.7 Generalized Simulated Annealing \Z)'':},C
2.8 Considerations about Variables for Optimization 4}8Xoywi1
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems I]T-}pG
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits !WbQ`]uN/#
2.11 Spectral Weighting n+xM))
2.12 How to Get Started p Kp #4Js
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3 Improving a Design L5U>`lx6$
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Z5N uLB'
3.2 Glass Changes ( Index and V Values ) Z3[,X w
3.3 Splitting Elements a z`5{hK
3.4 Separating a Cemented Doublet 76c}Rk^
3.5 Compounding an Element R4{}ZT
3.6 Vignetting and Its Uses s z}Nal$AC
3.7 Eliminating a Weak Element; the Concentric Problem @89mj{
3.8 Balancing Aberrations &9^c-;Vs
3.9 The Symmetrical Principle D:){T>
3.10 Aspheric Surfaces slw^BK3 t
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4 Evaluation: How Good is This Design {9P<G]Z
4.1 The Uses of a Preliminary Evaluation #&D J3(T
4.2 OPD versus Measures of Performance NbgP, -
4.3 Geometric Blur Spot Size versus Certain Aberrations fDqlN`P@
4.4 Interpreting MTF - The Modulation Transfer Function !M}&dW2
4.5 Fabrication Considerations bEP XNN
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5 Lens Design Data `. ><$F
5.1 About the Sample Lens Designs zu *h9}
5.2 Lens Prescriptions, Drawings, and Aberration Plots CVu'uy y
5.3 Estimating the Potential of a Redesign Ih"f98l V
5.4 Scaling a Desing, Its Aberrations, and Its MTF ,/ Xxj\i
5.5 Notes on the Interpretation of Ray Intercept Plots Oi7:J>
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5.6 Various Evaluation Plot M"~B_t,Nw
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6 Telescope Objective RCoz;|c`P
6.1 The Thin Airspaced Doublet Z^#7&Pv0
6.2 Merit Function for a Telescope Objective > a^H7kp
6.3 The Design of an f/7 Cemented Doublet Telescope Objective S,J'Z:spf
6.4 Spherochromatism R[o KhU
6.5 Zonal Spherical Aberration t+66kB N
6.6 Induced Aberrations Qza[~6
6.7 Three-Element Objectives p61"a,Xc
6.8 Secondary Spectrum (Apochromatic Systems) ][TS|\\
6.9 The Design of an f/7 Apochromatic Triplet +>/ Q+nh
6.10 The Diffractive Surface in Lens Design vW~_+:),e
6.11 A Final Note 8f#YUK
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7 Eyepieces and Magnifiers DfqXw^BKD
7.1 Eyepieces SkN^ytKE
7.2 A Pair of Magnifier Designs -Xx,"[sN\w
7.3 The Simple, Classical Eyepieces X/'B*y'=U
7.4 Design Story of an Eyepiece for a 6*30 Binocular ,P5HR+h
7.5 Four-Element Eyepieces Cvi-4
7.6 Five-Element Eyepieces R:OoQ^c
7.7 Very High Index Eyepiece/Magnifier 8CMI\yk
7.8 Six- and Seven-Element Eyepieces wwE9|'Ok
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8 Cooke Triplet Anastigmats }8 ,b; Q
8.1 Airspaced Triplet Anastigmats /n(0 nU[
8.2 Glass Choice OhIUm4=|$
8.3 Vertex Length and Residual Aberrations vChkSY([
8.4 Other Design Considerations
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8.5 A Plastic, Aspheric Triplet Camera Lens `\#Q r|GC
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #] n[
8.7 Possible Improvement to Our “Basic” Triplet m|e!1_ :H
8.7 The Rear Earth (Lanthanum) Glasses [gD02a: u
8.9 Aspherizing the Surfaces 0(0Ep (Vj
8.10 Increasing the Element Thickness =]"[?a >
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9 Split Triplets = OhhMAn
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10 The Tessar, Heliar, and Other Compounded Triplets A9F&XF7{
10.1 The Classic Tessar |A &Nv~.)
10.2 The Heliar/Pentac i Ri1E;
10.3 The Portrait Lens and the Enlarger Lens R],,-
10.4 Other Compounded Triplets MI<hShc \
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Zni8 im,_j
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11 Double-Meniscus Anastigmats *}3~8fu{
11.1 Meniscus Components ^Fy)
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11.2 The Hypergon, Totogon, and Metrogon 7dN]OUdi
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 'X{7b
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11.4 Protar, Dagor, and Convertible Lenses D3BX[
11.5 The Split Dagor ;Mw9}Reh@
11.6 The Dogmar nL@P {,J
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens oM QH- \(}
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12 The Biotar or Double-Gauss Lens l&5| =
12.1 The Basic Six-Element Version Mm|HA@W^
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens o a47TqFt
12.3 The Seven-Element Biotar - Split-Rear Singlet >0B [
12.4 The Seven-Element Biotar - Broken Contact Front Doublet dzggl(
12.5 The Seven-Element Biotar - One Compounded Outer Element @ v @'8E Q
12.6 The Eight-Element Biotar $ 'HiNP
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12.7 A “Doubled Double-Gauss” Relay &)<]AG.vd!
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13 Telephoto Lenses
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13.1 The Basic Telephoto ;/ >~|@
13.2 Close-up or Macro Lenses x&8fmUS:@;
13.3 Telephoto Designs @^#y23R U
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch />)>~_-3
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses aD 24)?db-
14.1 The Reverse Telephoto Principle o %Pi;8
14.2 The Basic Retrofocus Lens u [fQvdl
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses LlnIn{ C
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15 Wide Angle Lenses with Negative Outer Lenses ?Q:se
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16 The Petzval Lens; Head-up Display Lenses :IbrV@gN{@
16.1 The Petzval Portrait Lens |M0 XLCNd_
16.2 The Petzval Projection Lens CK'C f{S
16.3 The Petzval with a Field Flattener hq( 3%- 7&
16.4 Very Height Speed Petzval Lenses li,kW`j+t
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems >/
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17 Microscope Objectives CA[k$Sw*
17.1 General Considerations {tF=c0Z
17.2 Classic Objective Design Forms; The Aplanatic Front |oPqX %?
17.3 Flat-Field Objectives k:`^KtBMl
17.4 Reflecting Objectives (;C_>EL&u
17.5 The Microscope Objective Designs Z37Z
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18 Mirror and Catadioptric Systems ||9f@9
18.1 The Good and Bad Points of Mirrors ]-L/Of6F)|
18.2 The Classic Two-Mirror Systems CDoZv""
18.3 Catadioptric Systems ]:m*7p\uk
18.4 Aspheric Correctors and Schmidt Systems *!'00fv
18.5 Confocal Paraboloids +~8/7V 22
18.6 Unobscured Systems wp.'M?6`L
18.7 Design of a Schmidt-Cassegrain “from Scratch” ra$_#HY
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19 Infrared and Ultraviolet Systems F''4 j8
19.1 Infrared Optics 8t9sdqM/C
19.2 IR Objective Lenses NM[w =
19.3 IR Telescope \#G`$JD
19.4 Laser Beam Expanders $5%tGF h
19,5 Ultraviolet Systems Ya304Pjd
19.6 Microlithographic Lenses T-f+<Cxf
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20 Zoom Lenses '00DUUa
20.1 Zoom Lenses LvhF@%(9 J
20.2 Zoom Lenses for Point and Shoot Cameras cg0L(oI~
20.3 A 20X Video Zoom Lens ag [ yM
20.4 A Zoom Scanner Lens {K_ YW
20.5 A Possible Zoom Lens Design Procedure jk) V[7P
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21 Projection TV Lenses and Macro Lenses }5zH3MPQH
21.1 Projection TV Lenses 6;[iX`LL
21.2 Macro Lenses ?HZ+fS ,-
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22 Scanner/ , Laser Disk and Collimator Lenses :m@(S6T m
22.1 Monochromatic Systems 4'G<qJo c
22.2 Scanner Lenses AO>K
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22.3 Laser Disk, Focusing, and Collimator Lenses O#cXvv]Z*
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23 Tolerance Budgeting s:w LEj+
23.1 The Tolerance Budget q^O{LGN
23.2 Additive Tolerances PM o>J|^
23.3 Establishing the Tolerance Budget { 3
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24 Formulary wjKW 3
24.1 Sign Conventions, Symbols, and Definitions ?%*Zgk!l7
24.2 The Cardinal Points J=zh+oLCV
24.3 Image Equations _U#u e
24.4 Paraxial Ray Tracing (Surface by Surface) @qg=lt|(F
24.5 Invariants &[23DrI8
24.6 Paraxial Ray Tracing (Component by Component) L{<E'#@F
24.7 Two-Componenet Relationships vV8 y_
24.8 Third-Order Aberrations – Surface Contributions EQu M|4$ix
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs n8R{LjJ2@
24.10 Stop Shift Equations c_HYB/'
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ]5uCs[
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) \T<?=A
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Glossary B>|@XfPM
Reference 3 T & m
Index
