[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 
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Contents of Modern Lens Design 2nd Edition ~j&#D
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1    Introduction          @{|vW  
1.1    Lens Design Books     dO{a!Ca  
1.2    Reference Material     np#RBy  
1.3    Specifications     ~T_4M  
1.4    Lens Design     =I}8-AS~V  
1.5    Lens Design Program Features     Pq@%MF]5  
1.6    About This Book     ksB-fOv*N  
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2    Automatic Lens Design         vCB0x:
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2.2    The Merit Function         >*A"tk#oR  
2.3    Local Minima     K~ 6[zJ4  
2.4    The Landscape Lens     d 18>0R  
2.5    Types of Merit Function     -J$,W`#z  
2.6    Stagnation     {xzs{)9|Y4  
2.7    Generalized Simulated Annealing     ~$O.KF
:  
2.8    Considerations about Variables for Optimization     AP8YY8,  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems X{j`H\'L  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     ?IWLH-fkP  
2.11    Spectral Weighting     =/J{>S>(i  
2.12    How to Get Started     nF8|*}w  
>*hY1@N1  
3    Improving a Design     GjmPpKIu\  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     Y30e7d* qr  
3.2    Glass Changes ( Index and V Values )     cM= ?{W7~  
3.3    Splitting Elements     j~IX  
3.4    Separating a Cemented Doublet     q (?%$u.  
3.5    Compounding an Element     ;E"TOC  
3.6    Vignetting and Its Uses     yv@td+-"D  
3.7    Eliminating a Weak Element; the Concentric Problem     7NY9UQ  
3.8    Balancing Aberrations     VKjDK$  
3.9    The Symmetrical Principle     _h=kjc}[.O  
3.10    Aspheric Surfaces     Dp5hr8bT  
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4    Evaluation: How Good is This Design     =%}++7#  
4.1    The Uses of a Preliminary Evaluation     ]~!jf  
4.2    OPD versus Measures of Performance     nbVlP  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ]%RX\~Q.4  
4.4    Interpreting MTF - The Modulation Transfer Function     0gs0[@  
4.5    Fabrication Considerations     Ax9a5;5WM  
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5    Lens Design Data     ubpVrvu@  
5.1    About the Sample Lens Designs     }3"FQ/6C  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     RW#&f*  
5.3    Estimating the Potential of a Redesign     Zr&~gXmVS  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     )@X `B d  
5.5    Notes on the Interpretation of Ray Intercept Plots     B_^ ~5_0:  
5.6    Various Evaluation Plot     Bbb_}y|CA  
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6    Telescope Objective     !yo/ F&6  
6.1    The Thin Airspaced Doublet     %,l+
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6.2    Merit Function for a Telescope Objective     2W}f|\8MX  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     M:!Twz$  
6.4    Spherochromatism     M=mzl750M  
6.5    Zonal Spherical Aberration     `eF&|3!IYQ  
6.6    Induced Aberrations     `qNhB\  
6.7    Three-Element Objectives     (#dwIBBFt  
6.8    Secondary Spectrum (Apochromatic Systems)     ^^ Q'AE  
6.9    The Design of an f/7 Apochromatic Triplet     #~ :j< =o  
6.10    The Diffractive Surface in Lens Design     MQ9Nn|4  
6.11    A Final Note     `*A!vO8  
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7    Eyepieces and Magnifiers     %[x oA)0!  
7.1    Eyepieces     lHV&8fny  
7.2    A Pair of Magnifier Designs     h\jV@g$  
7.3    The Simple, Classical Eyepieces     RS$!
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7.4    Design Story of an Eyepiece for a 6*30 Binocular     ] Q 'Ed  
7.5    Four-Element Eyepieces     *K{-J*   
7.6    Five-Element Eyepieces     iK#5nY].  
7.7    Very High Index Eyepiece/Magnifier     vS! TnmF  
7.8    Six- and Seven-Element Eyepieces     36NENzK  
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8    Cooke Triplet Anastigmats     Hcp)Q76X  
8.1    Airspaced Triplet Anastigmats     "Y9PS_u(~  
8.2    Glass Choice     0>  
8.3    Vertex Length and Residual Aberrations     x>u
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8.4    Other Design Considerations     k *a?Ey$  
8.5    A Plastic, Aspheric Triplet Camera Lens     %Fh*$gzh*5  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet #B;~i6h]  
8.7    Possible Improvement to Our “Basic” Triplet     h)W?8
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8.7    The Rear Earth (Lanthanum) Glasses     $R\D[`y|  
8.9    Aspherizing the Surfaces     '|zkRdB*Lq  
8.10    Increasing the Element Thickness     &8l"Dl  
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9    Split Triplets     9q?\F  
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10    The Tessar, Heliar, and Other Compounded Triplets     X=:|v<E   
10.1    The Classic Tessar     X3z$f(lF%)  
10.2    The Heliar/Pentac     W[5a'}OV  
10.3    The Portrait Lens and the Enlarger Lens     _I("k:E7  
10.4    Other Compounded Triplets     6#,VnS)`q  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar n9Mi?#xIp  
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11    Double-Meniscus Anastigmats     ,rvw E  
11.1    Meniscus Components     Dr;-2$Kt/&  
11.2    The Hypergon, Totogon, and Metrogon     E>/kNl  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     b(hnouS  
11.4    Protar, Dagor, and Convertible Lenses     H5L~[\ 5t  
11.5    The Split Dagor     QKj-"y[  
11.6    The Dogmar     i.eu$~F  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     Ig9gGI,  
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12    The Biotar or Double-Gauss Lens     . 6wyu7oK  
12.1    The Basic Six-Element Version     P1<Y7+n  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens a(+.rf;  
12.3    The Seven-Element Biotar - Split-Rear Singlet     P/BWFN1  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     8"d0Su4r  
12.5    The Seven-Element Biotar - One Compounded Outer Element     eYQq@lrWv  
12.6    The Eight-Element Biotar     ^E)Kse.>  
12.7    A “Doubled Double-Gauss” Relay     ;TaR1e0  
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13    Telephoto Lenses     nqG9$!k^t  
13.1    The Basic Telephoto     )c'5M]V  
13.2    Close-up or Macro Lenses     Pj4WWKX  
13.3    Telephoto Designs     QJBzv|  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch CM}1:o<
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ?tWcx;h:>  
14.1    The Reverse Telephoto Principle     K#j<G]I( @  
14.2    The Basic Retrofocus Lens     * u_nu>  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     \q2#ef@2  
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15    Wide Angle Lenses with Negative Outer Lenses     ]9xuLJ)  
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16    The Petzval Lens; Head-up Display Lenses     7j9:s>D  
16.1    The Petzval Portrait Lens     >900I4]I  
16.2    The Petzval Projection Lens     P@gVzx)M  
16.3    The Petzval with a Field Flattener     ^DL}J>
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16.4    Very Height Speed Petzval Lenses     w"s;R8  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     )7U^&I,  
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17    Microscope Objectives     t>D|1E"  
17.1    General Considerations     &RRHmJI:  
17.2    Classic Objective Design Forms; The Aplanatic Front     9:|z^r  
17.3    Flat-Field Objectives     "<c^`#CWuO  
17.4    Reflecting Objectives     =0te.io)3O  
17.5    The Microscope Objective Designs     QXXB>gOY5  
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18    Mirror and Catadioptric Systems     vwVK^B  
18.1    The Good and Bad Points of Mirrors     +T*=JHOD  
18.2    The Classic Two-Mirror Systems Xb0$BAP  
18.3    Catadioptric Systems     Z`5jX;Z!  
18.4    Aspheric Correctors and Schmidt Systems     !.(Kpcrg  
18.5    Confocal Paraboloids     .
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18.6    Unobscured Systems     bRSE"B  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     *R] Ob9X  
 %2 A-u  
19    Infrared and Ultraviolet Systems     9FB[`}  
19.1    Infrared Optics     2nSX90@:  
19.2    IR Objective Lenses     9"KO!w  
19.3    IR Telescope     ?hpT"N,hF9  
19.4    Laser Beam Expanders     )tH.P: 1~,  
19,5    Ultraviolet Systems     "/ N ?$  
19.6    Microlithographic Lenses     gbb2!q6p  
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20    Zoom Lenses     ?C(' z7  
20.1    Zoom Lenses     ]V|rOtxb  
20.2    Zoom Lenses for Point and Shoot Cameras     Gm,vLs9H$T  
20.3    A 20X Video Zoom Lens     A1b</2  
20.4    A Zoom Scanner Lens     Du
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20.5    A Possible Zoom Lens Design Procedure     ws"{Y+L  
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21    Projection TV Lenses and Macro Lenses     \Wdl1 =`  
21.1    Projection TV Lenses     $uw[X  
21.2    Macro Lenses     #nK38W#  
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22    Scanner/ , Laser Disk and Collimator Lenses     i!H)@4jX  
22.1    Monochromatic Systems     K U 2LJ_~Y  
22.2    Scanner Lenses     {WBe(dc_%  
22.3    Laser Disk, Focusing, and Collimator Lenses     nz{ ;]U1  
    s)Gnj;  
23    Tolerance Budgeting     N$\'X<{  
23.1    The Tolerance Budget     j7(sYo@x7  
23.2    Additive Tolerances     !n;0%"(FH  
23.3    Establishing the Tolerance Budget     }tq  
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24    Formulary h |Ofi  
24.1    Sign Conventions, Symbols, and Definitions     12 8aJ  
24.2    The Cardinal Points     b3/@$
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24.3    Image Equations     ]><K8N3Z  
24.4    Paraxial Ray Tracing (Surface by Surface)     06ndW9>wD)  
24.5    Invariants     N>R\,n|I  
24.6    Paraxial Ray Tracing (Component by Component)     k|C~q
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24.7    Two-Componenet Relationships     Xk9mJ]31LC  
24.8    Third-Order Aberrations – Surface Contributions     fQW1&lFT  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     F$L2bgQR?'  
24.10    Stop Shift Equations     " ^v/Y  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     $|kq{@<  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     #Hn<4g"AjM  
RIhu9W  
v|!u]!JM  
Glossary v'Y0|9c  
Reference \9HpbCHr  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 c{"qrwLA  
我怎么瞧不明白。

有没有人呀 (|2:^T+  
有个问题想请教大家