[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 36"n7  
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Contents of Modern Lens Design 2nd Edition <xI<^r'C9e  
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1    Introduction         Y{YbKKM  
1.1    Lens Design Books     De?VZ2o9"  
1.2    Reference Material     AkhG~L  
1.3    Specifications     sg2;"E@  
1.4    Lens Design     \T7Mt|f:5  
1.5    Lens Design Program Features     17LhgZs&  
1.6    About This Book     m{\ & k  
ov6xa*'a  
2    Automatic Lens Design         y>I2}P  
2.2    The Merit Function         x/*lNG/  
2.3    Local Minima     )l3Uf&v^f  
2.4    The Landscape Lens     ;J%:DD  
2.5    Types of Merit Function     3:)z+#Uk6  
2.6    Stagnation     .WSyL  
2.7    Generalized Simulated Annealing     '!HTE`Aj  
2.8    Considerations about Variables for Optimization     I'/3_AX  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems bJ
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2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     (Ou%0 KW  
2.11    Spectral Weighting     n(:<pz  
2.12    How to Get Started     3SVGx<,2  
M5dYcCDE  
3    Improving a Design     %Bs. XW,  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     pgU[di  
3.2    Glass Changes ( Index and V Values )     /0s1;?  
3.3    Splitting Elements     spEdq}  
3.4    Separating a Cemented Doublet     ci0A!wWD  
3.5    Compounding an Element     kK6OZhLH  
3.6    Vignetting and Its Uses     G@]3EP  
3.7    Eliminating a Weak Element; the Concentric Problem     hZ&KE78?  
3.8    Balancing Aberrations     aJu&h2G  
3.9    The Symmetrical Principle     d:=' Xs
 
3.10    Aspheric Surfaces     ){^J8]b7#  
T &ZQie/  
4    Evaluation: How Good is This Design     E&M(QX5  
4.1    The Uses of a Preliminary Evaluation     d$t"Vp  
4.2    OPD versus Measures of Performance     w,UE0i9I  
4.3    Geometric Blur Spot Size versus Certain Aberrations     (MwRe?Ih  
4.4    Interpreting MTF - The Modulation Transfer Function    
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4.5    Fabrication Considerations     *1|7%*!8  
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5    Lens Design Data     {}O~
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5.1    About the Sample Lens Designs     C:QB=?%;  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     'VDWJTia  
5.3    Estimating the Potential of a Redesign     ?CpVA  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     Aoe\\'O|V  
5.5    Notes on the Interpretation of Ray Intercept Plots     kDmm  
5.6    Various Evaluation Plot     I
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7J'%;sH  
6    Telescope Objective     0vY_  
6.1    The Thin Airspaced Doublet     2+1ybOwb  
6.2    Merit Function for a Telescope Objective     inut'@=G/  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     #<{v~sVp&  
6.4    Spherochromatism     `TrWtSwv  
6.5    Zonal Spherical Aberration     #;[G>-tC  
6.6    Induced Aberrations     1IXtu  
6.7    Three-Element Objectives     %OQdUH4x  
6.8    Secondary Spectrum (Apochromatic Systems)     J
EUU~L;  
6.9    The Design of an f/7 Apochromatic Triplet     FI.te3i?7  
6.10    The Diffractive Surface in Lens Design     ,9&cIUH  
6.11    A Final Note     fY<#KM6X  
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7    Eyepieces and Magnifiers     rH@Rh}#yp  
7.1    Eyepieces     HDe\Oty_  
7.2    A Pair of Magnifier Designs     #M-!/E  
7.3    The Simple, Classical Eyepieces     N J3;[qJ  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     1J?v\S$ma`  
7.5    Four-Element Eyepieces     D|uvgu2  
7.6    Five-Element Eyepieces     *+M#D^qo  
7.7    Very High Index Eyepiece/Magnifier     c(Q@5@1y:  
7.8    Six- and Seven-Element Eyepieces     ZW4
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8    Cooke Triplet Anastigmats     JT+c7W7  
8.1    Airspaced Triplet Anastigmats     qng ~,m  
8.2    Glass Choice     HuhQ|~C+~  
8.3    Vertex Length and Residual Aberrations     v~
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8.4    Other Design Considerations     \xYVnjG,  
8.5    A Plastic, Aspheric Triplet Camera Lens     EPm~@8@"j?  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet UU=]lWib  
8.7    Possible Improvement to Our “Basic” Triplet     fO<40!%9cQ  
8.7    The Rear Earth (Lanthanum) Glasses     : |'(T[~L  
8.9    Aspherizing the Surfaces     Z.VKG1e}  
8.10    Increasing the Element Thickness     xSY"Ru  
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9    Split Triplets     Xu$>$D#a  
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10    The Tessar, Heliar, and Other Compounded Triplets     mjeJoMvN)H  
10.1    The Classic Tessar     O(^h_  
10.2    The Heliar/Pentac     #a
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10.3    The Portrait Lens and the Enlarger Lens     =?5)M_6)  
10.4    Other Compounded Triplets     *EWWN?d  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar K%q5:9m  
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11    Double-Meniscus Anastigmats     |{9<%Ok4P  
11.1    Meniscus Components     S<Dbv?  
11.2    The Hypergon, Totogon, and Metrogon     6bm7^e(  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     4BCPh:  
11.4    Protar, Dagor, and Convertible Lenses     +B*]RL[th  
11.5    The Split Dagor     {npm9w<;  
11.6    The Dogmar     e]4$H.dP  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     bzr2Zj{4  
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12    The Biotar or Double-Gauss Lens     {'b;lA]0  
12.1    The Basic Six-Element Version     5(>=};r+  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens -.Wcz|  
12.3    The Seven-Element Biotar - Split-Rear Singlet     us.#|~i<h  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     VF`!ks  
12.5    The Seven-Element Biotar - One Compounded Outer Element     (b25g!  
12.6    The Eight-Element Biotar     M(X _I`\E  
12.7    A “Doubled Double-Gauss” Relay     z; GQnAG@  
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13    Telephoto Lenses     2KLMFI.F  
13.1    The Basic Telephoto     Ht[$s40P  
13.2    Close-up or Macro Lenses     )vW'g3u_  
13.3    Telephoto Designs     U1 _"D+XB  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch V}y]<  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     g p:0Y  
14.1    The Reverse Telephoto Principle     sq|\!T  
14.2    The Basic Retrofocus Lens     'f( CN3.!  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     q5;dQ8Y?  
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15    Wide Angle Lenses with Negative Outer Lenses     ng}C$d . I  
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16    The Petzval Lens; Head-up Display Lenses     sVHF\{<  
16.1    The Petzval Portrait Lens     g,,wG k  
16.2    The Petzval Projection Lens     }UPC~kC+Z  
16.3    The Petzval with a Field Flattener     #^}H)>jWy  
16.4    Very Height Speed Petzval Lenses     Xg dBLb  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     q`xc h[H  
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17    Microscope Objectives     Y`g oV  
17.1    General Considerations     DQ.
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17.2    Classic Objective Design Forms; The Aplanatic Front     Q(& @ra!{  
17.3    Flat-Field Objectives     j_<qnBeQ  
17.4    Reflecting Objectives     Xb"i/gfxt  
17.5    The Microscope Objective Designs     =u2 z3$  
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18    Mirror and Catadioptric Systems     `2f/4]fY  
18.1    The Good and Bad Points of Mirrors     x}/jh  
18.2    The Classic Two-Mirror Systems D;en!.[Z  
18.3    Catadioptric Systems     $;^|]/-  
18.4    Aspheric Correctors and Schmidt Systems     )Cy>'l*Og7  
18.5    Confocal Paraboloids    
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18.6    Unobscured Systems     m.lR]!Y=w  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     VhO+nvd*W  
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19    Infrared and Ultraviolet Systems     a
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19.1    Infrared Optics     UFj H8jSBx  
19.2    IR Objective Lenses     +La2-I  
19.3    IR Telescope     ad}8~6}_&  
19.4    Laser Beam Expanders     u+8"W[ZULq  
19,5    Ultraviolet Systems     |]G%b[
 
19.6    Microlithographic Lenses     /@\`Ibe  
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20    Zoom Lenses     f&<+45JI  
20.1    Zoom Lenses     TtkHMPlm_  
20.2    Zoom Lenses for Point and Shoot Cameras     "^&H9.z,v  
20.3    A 20X Video Zoom Lens     {Z2nc)|7C  
20.4    A Zoom Scanner Lens     toGiG|L  
20.5    A Possible Zoom Lens Design Procedure     iq' PeVo  
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21    Projection TV Lenses and Macro Lenses     r D@*x
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21.1    Projection TV Lenses     6Z|h>H5a  
21.2    Macro Lenses     _y4O2n[e  
8KJUC&`  
22    Scanner/ , Laser Disk and Collimator Lenses     I8XP`Ccq  
22.1    Monochromatic Systems      E0!d c  
22.2    Scanner Lenses     )K[\j?
 
22.3    Laser Disk, Focusing, and Collimator Lenses     Ch]d\GM  
    D>|`+=1'0"  
23    Tolerance Budgeting     '&cH,yc;b  
23.1    The Tolerance Budget     r;{$x  
23.2    Additive Tolerances     O}i+1  
23.3    Establishing the Tolerance Budget     kt6)F&;$  
v@EErF  
24    Formulary FO*Gc Z  
24.1    Sign Conventions, Symbols, and Definitions     e|oMbTZ5m  
24.2    The Cardinal Points    
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24.3    Image Equations     #G#gc`S-,  
24.4    Paraxial Ray Tracing (Surface by Surface)     cF 5|Pf  
24.5    Invariants     e,|gr"$/  
24.6    Paraxial Ray Tracing (Component by Component)     o8X_uKEI  
24.7    Two-Componenet Relationships     \-yI dKj  
24.8    Third-Order Aberrations – Surface Contributions     f-18nF7{  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     m""+$  
24.10    Stop Shift Equations     O14QlIk  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     r#OPW7mhE  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     V8/4:Va7s  
M{ncWq*_j  
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Glossary b- - tl@H  
Reference eA7 Iv{M  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 t}eyfflZ  
我怎么瞧不明白。

有没有人呀 1x|3|snz)  
有个问题想请教大家