"Modern Lens Design" 2nd Edition by Warren J. Smith Q ,`R-?v
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Contents of Modern Lens Design 2nd Edition \-h%z%{R
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1 Introduction C3hQT8~
1.1 Lens Design Books !Z}d^$
1.2 Reference Material P{gGvC,
1.3 Specifications K.R4.{mo
1.4 Lens Design Dus [N<
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1.5 Lens Design Program Features tx9;8K3
1.6 About This Book ?6#F9\
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2 Automatic Lens Design [2l2w[7Rid
2.2 The Merit Function }}Kjb
2.3 Local Minima ~Q3y3,x
2.4 The Landscape Lens g2|qGfl{C
2.5 Types of Merit Function lR8Lfa*/7
2.6 Stagnation c?/R=/H
2.7 Generalized Simulated Annealing +{5y,0R
2.8 Considerations about Variables for Optimization :,f~cdq=
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ,SQ`, C
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits li +MnLt
2.11 Spectral Weighting gd,3}@@SH
2.12 How to Get Started *%#Sa~iPo
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3 Improving a Design Y48MCL
3.1 Lens Design Tip Sheet: Standard Improvement Techniques YR? ujN
3.2 Glass Changes ( Index and V Values ) {: H&2iF
3.3 Splitting Elements >2)`/B9f4
3.4 Separating a Cemented Doublet iu$:_W_
3.5 Compounding an Element qtI42u{
3.6 Vignetting and Its Uses Pqtk1=U
3.7 Eliminating a Weak Element; the Concentric Problem p3q
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3.8 Balancing Aberrations ToXgl4:kd
3.9 The Symmetrical Principle A7c*qBt
3.10 Aspheric Surfaces vhz[ H
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4 Evaluation: How Good is This Design d J|/.J$d
4.1 The Uses of a Preliminary Evaluation >[A7oH
4.2 OPD versus Measures of Performance Xk]:]pl4W
4.3 Geometric Blur Spot Size versus Certain Aberrations {)5tov1
4.4 Interpreting MTF - The Modulation Transfer Function x[dR5
4.5 Fabrication Considerations "pa2,-&
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5 Lens Design Data G<_<j}=
5.1 About the Sample Lens Designs j YVR"D;
5.2 Lens Prescriptions, Drawings, and Aberration Plots !C3ozZ<
5.3 Estimating the Potential of a Redesign &9ZrZ"]
5.4 Scaling a Desing, Its Aberrations, and Its MTF m.g2>r`NU
5.5 Notes on the Interpretation of Ray Intercept Plots &&s3>D^Ta
5.6 Various Evaluation Plot 9ZVzIv(
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6 Telescope Objective pG-9H3[f#
6.1 The Thin Airspaced Doublet m~;}8ObQE
6.2 Merit Function for a Telescope Objective .gP}/dj
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ri?k}XnhX
6.4 Spherochromatism nPRv.h
6.5 Zonal Spherical Aberration 9V0@!M8S
6.6 Induced Aberrations xro%AM
6.7 Three-Element Objectives ,VYUQE>\
6.8 Secondary Spectrum (Apochromatic Systems) w40 -K5wt>
6.9 The Design of an f/7 Apochromatic Triplet Wq"5-U;:w
6.10 The Diffractive Surface in Lens Design !$Whftg
6.11 A Final Note ar[I|
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7 Eyepieces and Magnifiers TYH4r q
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7.1 Eyepieces kwAL]kI
7.2 A Pair of Magnifier Designs d [f,Nu'
7.3 The Simple, Classical Eyepieces /YrBnccqD
7.4 Design Story of an Eyepiece for a 6*30 Binocular 9,J^tN@^
7.5 Four-Element Eyepieces ui .riD[,O
7.6 Five-Element Eyepieces ;%`oS.69
7.7 Very High Index Eyepiece/Magnifier 98ot{+/LK
7.8 Six- and Seven-Element Eyepieces N/V~>UJ0{*
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8 Cooke Triplet Anastigmats ah2L8jN"
8.1 Airspaced Triplet Anastigmats WXmR{za
8.2 Glass Choice y{k65dk-
8.3 Vertex Length and Residual Aberrations 6cVJu%<V
8.4 Other Design Considerations G5!J9@Yi
8.5 A Plastic, Aspheric Triplet Camera Lens 'Z}3XVZEN
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \NF5)]:
8.7 Possible Improvement to Our “Basic” Triplet Ej#pM.
8.7 The Rear Earth (Lanthanum) Glasses 'jA>P\@8
8.9 Aspherizing the Surfaces c_ Dg0
8.10 Increasing the Element Thickness
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9 Split Triplets DOB#PI[/
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10 The Tessar, Heliar, and Other Compounded Triplets S-2@:E
10.1 The Classic Tessar ;^f ;<
10.2 The Heliar/Pentac t#N@0kIX.
10.3 The Portrait Lens and the Enlarger Lens A3s-C+@X
10.4 Other Compounded Triplets 8_=MP[(H
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar k/,7FDO?m
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11 Double-Meniscus Anastigmats A?+cdbxJw
11.1 Meniscus Components L )53o!
11.2 The Hypergon, Totogon, and Metrogon EC`=nGF
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 66C_XT
11.4 Protar, Dagor, and Convertible Lenses ,k |QuOrCh
11.5 The Split Dagor K'f`}y9
11.6 The Dogmar ]rS:#LK
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 4r tNvf5`
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12 The Biotar or Double-Gauss Lens {g7~e{2
12.1 The Basic Six-Element Version 12o6KVV^x
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens r~YxtBZH+
12.3 The Seven-Element Biotar - Split-Rear Singlet X0 ^~`g
12.4 The Seven-Element Biotar - Broken Contact Front Doublet oXFo
12.5 The Seven-Element Biotar - One Compounded Outer Element SSn{,H8/j
12.6 The Eight-Element Biotar KbGz3O'u
12.7 A “Doubled Double-Gauss” Relay OVUJiBp
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13 Telephoto Lenses sL4j@Lt
13.1 The Basic Telephoto _@@.VmZL
13.2 Close-up or Macro Lenses l>*L
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13.3 Telephoto Designs M97MIku~9
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch bR'UhPs-8;
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses +[2ep"5H
14.1 The Reverse Telephoto Principle K};~A?ET,h
14.2 The Basic Retrofocus Lens FjV)QP H
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses
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15 Wide Angle Lenses with Negative Outer Lenses c|s7cG$+-
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16 The Petzval Lens; Head-up Display Lenses {NUI8AL46A
16.1 The Petzval Portrait Lens 1!W'0LPM
16.2 The Petzval Projection Lens BFswqp:
16.3 The Petzval with a Field Flattener tLzb*U8'1w
16.4 Very Height Speed Petzval Lenses UW'@3#<?
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ZtGtJV"H
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17 Microscope Objectives h'.B-y~c
17.1 General Considerations iI Dun Ih
17.2 Classic Objective Design Forms; The Aplanatic Front ")Qhg-l
17.3 Flat-Field Objectives 8k )i-&R
17.4 Reflecting Objectives j1O_Az|3
17.5 The Microscope Objective Designs x4XCR,-
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18 Mirror and Catadioptric Systems vLIaTr gz
18.1 The Good and Bad Points of Mirrors Eg(.L,dj
18.2 The Classic Two-Mirror Systems VQ8Q=!]
18.3 Catadioptric Systems +?v2MsF']
18.4 Aspheric Correctors and Schmidt Systems w5`EJp8MC
18.5 Confocal Paraboloids B^@X1EE
18.6 Unobscured Systems 3c+ps;nh
18.7 Design of a Schmidt-Cassegrain “from Scratch” gMs B1|
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19 Infrared and Ultraviolet Systems R!rj:f!>
19.1 Infrared Optics c@Xb6 z_>
19.2 IR Objective Lenses n;LjKE
19.3 IR Telescope >e!Y 63`
19.4 Laser Beam Expanders j8W<iy
19,5 Ultraviolet Systems \Vx_$E
19.6 Microlithographic Lenses Hm'aD2k
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20 Zoom Lenses AP+%T
20.1 Zoom Lenses 6 IRa$h>H
20.2 Zoom Lenses for Point and Shoot Cameras R$bDj>8
20.3 A 20X Video Zoom Lens Xi0fX$-,
20.4 A Zoom Scanner Lens sAS[wcOQ
20.5 A Possible Zoom Lens Design Procedure l4ru0V8s7
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21 Projection TV Lenses and Macro Lenses h_5CWQSi
21.1 Projection TV Lenses 5c$\DZ(
21.2 Macro Lenses JPM~tp?;<
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22 Scanner/ , Laser Disk and Collimator Lenses G7%f|
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22.1 Monochromatic Systems 1 %8JMq\
22.2 Scanner Lenses JHa\"h
22.3 Laser Disk, Focusing, and Collimator Lenses ?\$6"c<G
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23 Tolerance Budgeting fR]KXfZ
23.1 The Tolerance Budget [1e]_9)p
23.2 Additive Tolerances C!U$<_I\2
23.3 Establishing the Tolerance Budget =w/AJ%6
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24 Formulary }/QtIY#I
24.1 Sign Conventions, Symbols, and Definitions WAf"|
24.2 The Cardinal Points VniU:A
24.3 Image Equations -""(>$b2
24.4 Paraxial Ray Tracing (Surface by Surface) q6}KOO)
24.5 Invariants s8dP=_ `
24.6 Paraxial Ray Tracing (Component by Component) &gcZ4gpH
24.7 Two-Componenet Relationships /[!<rhY
24.8 Third-Order Aberrations – Surface Contributions [\rzXE
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs AdRp{^w
24.10 Stop Shift Equations :!JQ<kV
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces tIS.,CEQF
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ={;7WB$
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Glossary [5]n,toAh
Reference x[xRqC
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Index