"Modern Lens Design" 2nd Edition by Warren J. Smith p 8Ts5n
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Contents of Modern Lens Design 2nd Edition aZ@Ke$jD
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1 Introduction XM>ByfD{
1.1 Lens Design Books S_ e }>-
1.2 Reference Material &=xm>;`3
1.3 Specifications ;:a7rN"(
1.4 Lens Design r8}GiP0|
1.5 Lens Design Program Features }I9\=jT
1.6 About This Book l%rwJLN1
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2 Automatic Lens Design 7P.C~,+D%P
2.2 The Merit Function jun>(7
2.3 Local Minima 9#@dQ/*
2.4 The Landscape Lens hd8:| _
2.5 Types of Merit Function 2_R'Kl![
2.6 Stagnation t%/Y^N;
2.7 Generalized Simulated Annealing MX xRM~
2.8 Considerations about Variables for Optimization 1wi{lJaz
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits S6`4&0'
2.11 Spectral Weighting eICk}gfun
2.12 How to Get Started BJ @tUn
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3 Improving a Design ~NMal]Fwx
3.1 Lens Design Tip Sheet: Standard Improvement Techniques LTm2B_+
3.2 Glass Changes ( Index and V Values ) `/Zi=.rr
3.3 Splitting Elements A|O7W|"W
3.4 Separating a Cemented Doublet #y~^!fdp9
3.5 Compounding an Element gV91=Pj
3.6 Vignetting and Its Uses (B}+uI{
3.7 Eliminating a Weak Element; the Concentric Problem !dv
3.8 Balancing Aberrations N;9@-Tb
3.9 The Symmetrical Principle d@8=%x:
3.10 Aspheric Surfaces ?R&,1~h
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4 Evaluation: How Good is This Design <9@I50;
4.1 The Uses of a Preliminary Evaluation 1t
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4.2 OPD versus Measures of Performance 7^A;.x
4.3 Geometric Blur Spot Size versus Certain Aberrations wyMj^+ 2m
4.4 Interpreting MTF - The Modulation Transfer Function [ft#zxCJ
4.5 Fabrication Considerations x24
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5 Lens Design Data fq~<^B
5.1 About the Sample Lens Designs .:B]
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5.2 Lens Prescriptions, Drawings, and Aberration Plots L6fc_Mo.EE
5.3 Estimating the Potential of a Redesign j{C+`~O
5.4 Scaling a Desing, Its Aberrations, and Its MTF kQxY"HD
5.5 Notes on the Interpretation of Ray Intercept Plots *Sm$FMWQ
5.6 Various Evaluation Plot T9osueh4
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6 Telescope Objective K{%}kUj>
6.1 The Thin Airspaced Doublet ^z-e"
6.2 Merit Function for a Telescope Objective s/ibj@h
6.3 The Design of an f/7 Cemented Doublet Telescope Objective <]r.wn=}M
6.4 Spherochromatism >?ZH[A
6.5 Zonal Spherical Aberration Dt0S"`^=k
6.6 Induced Aberrations 7?:7}xb-
6.7 Three-Element Objectives /d ?)
6.8 Secondary Spectrum (Apochromatic Systems) %=xR$<D
6.9 The Design of an f/7 Apochromatic Triplet {0+gPTp
6.10 The Diffractive Surface in Lens Design )cNG)F
6.11 A Final Note [cv7s=U%
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7 Eyepieces and Magnifiers gk >-h,>"
7.1 Eyepieces $?YRy_SI
7.2 A Pair of Magnifier Designs w4H3($
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7.3 The Simple, Classical Eyepieces L1D{LzlBti
7.4 Design Story of an Eyepiece for a 6*30 Binocular -9Wx;u4]o
7.5 Four-Element Eyepieces O,>1GKw"\
7.6 Five-Element Eyepieces I2hX;pk,
7.7 Very High Index Eyepiece/Magnifier H[#s&Fk2
7.8 Six- and Seven-Element Eyepieces JEL=,0J
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8 Cooke Triplet Anastigmats ~'2)E/IeV
8.1 Airspaced Triplet Anastigmats JhRXfIK>{
8.2 Glass Choice m=b~Wf39
8.3 Vertex Length and Residual Aberrations (.-3q;)6
8.4 Other Design Considerations RUC
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8.5 A Plastic, Aspheric Triplet Camera Lens eN fo8xUG
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet jbcJ\2
8.7 Possible Improvement to Our “Basic” Triplet 4h\MSTF*
8.7 The Rear Earth (Lanthanum) Glasses oqH811
8.9 Aspherizing the Surfaces F2WUG
8.10 Increasing the Element Thickness PdcF
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9 Split Triplets :[z=u
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10 The Tessar, Heliar, and Other Compounded Triplets Y
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10.1 The Classic Tessar Pf5RlpL:p
10.2 The Heliar/Pentac |q"WJQ
10.3 The Portrait Lens and the Enlarger Lens B- =*"H?q
10.4 Other Compounded Triplets +h_'hz&HlS
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar #m{K
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11 Double-Meniscus Anastigmats r e.chQ6
11.1 Meniscus Components D ksSD
11.2 The Hypergon, Totogon, and Metrogon 9`yG[OA
11.3 A Two Element Aspheric Thick Meniscus Camera Lens *xR;}%s\
11.4 Protar, Dagor, and Convertible Lenses h<U<KO
11.5 The Split Dagor m:CiXM
11.6 The Dogmar 7K>FCT
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Y0fX\6=h
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12 The Biotar or Double-Gauss Lens Z(Fsk4,
12.1 The Basic Six-Element Version /_}xTP"9
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 0l#gS;
12.3 The Seven-Element Biotar - Split-Rear Singlet R`q*a_
12.4 The Seven-Element Biotar - Broken Contact Front Doublet KoVy,@
12.5 The Seven-Element Biotar - One Compounded Outer Element mJe;BU"y]
12.6 The Eight-Element Biotar Mk9'
12.7 A “Doubled Double-Gauss” Relay Y+75}]B
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13 Telephoto Lenses ,6:ya8vB
13.1 The Basic Telephoto ,=whwl "tA
13.2 Close-up or Macro Lenses 6<jh0=$
13.3 Telephoto Designs 1^ZQXUzl%i
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch S e/VOzzg
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses +U_> Bo
14.1 The Reverse Telephoto Principle 5m{!Rrb
14.2 The Basic Retrofocus Lens aTF~rAne<
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses c+chwU0W
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15 Wide Angle Lenses with Negative Outer Lenses 9,wd,,ta
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16 The Petzval Lens; Head-up Display Lenses 8wz%e(
16.1 The Petzval Portrait Lens -02cI}e
16.2 The Petzval Projection Lens yk OJhd3
16.3 The Petzval with a Field Flattener aZEi|\VU
16.4 Very Height Speed Petzval Lenses Ht|No
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems I:l<t*
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17 Microscope Objectives ]7" W(
17.1 General Considerations yx?Z&9z <