"Modern Lens Design" 2nd Edition by Warren J. Smith OQKg/1
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Contents of Modern Lens Design 2nd Edition $6wSqH?q
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1 Introduction ly[dV.<P
1.1 Lens Design Books 6?<lS.s
1.2 Reference Material hB.8\-}QMq
1.3 Specifications z`E=V
1.4 Lens Design O(8CrKYY
1.5 Lens Design Program Features x}c
1.6 About This Book Zf!Q4a"
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2 Automatic Lens Design Il&7n_ H
2.2 The Merit Function $u~ui@kB
2.3 Local Minima ez[x8M>
2.4 The Landscape Lens a7ZufB/
2.5 Types of Merit Function 87l*Y|osP
2.6 Stagnation cw
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2.7 Generalized Simulated Annealing } (-9d
2.8 Considerations about Variables for Optimization z!bT^_Cc0
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems q&v~9~^}d
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits :AztHf?X
2.11 Spectral Weighting MT>(d*0s
2.12 How to Get Started ?|W3RK;
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3 Improving a Design ^" ?a)KC
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ky[Cx!81C
3.2 Glass Changes ( Index and V Values ) _^GBfM.
3.3 Splitting Elements ]ASw%Lw)
3.4 Separating a Cemented Doublet hjg1By(
3.5 Compounding an Element %pjeA[-m#
3.6 Vignetting and Its Uses ,%IP27bPW
3.7 Eliminating a Weak Element; the Concentric Problem UG`~RO
3.8 Balancing Aberrations g tMR/P:S
3.9 The Symmetrical Principle 7MrHu2rZ=
3.10 Aspheric Surfaces h]&
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4 Evaluation: How Good is This Design ^ei[1#
4.1 The Uses of a Preliminary Evaluation X+A@//,7
4.2 OPD versus Measures of Performance hizM}d-"C
4.3 Geometric Blur Spot Size versus Certain Aberrations
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4.4 Interpreting MTF - The Modulation Transfer Function 5"57F88Y1
4.5 Fabrication Considerations tb~E.Lm\
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5 Lens Design Data 7=?!B#hm!
5.1 About the Sample Lens Designs X5.9~
5.2 Lens Prescriptions, Drawings, and Aberration Plots <CO_JWD
5.3 Estimating the Potential of a Redesign AeEdqX)
5.4 Scaling a Desing, Its Aberrations, and Its MTF |T"vF`Kr(>
5.5 Notes on the Interpretation of Ray Intercept Plots BSHS)_xs
5.6 Various Evaluation Plot gkxHfm
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6 Telescope Objective Rjq\$aY}%
6.1 The Thin Airspaced Doublet B$2GEg]Ri
6.2 Merit Function for a Telescope Objective n!Y_SPg
6.3 The Design of an f/7 Cemented Doublet Telescope Objective u4
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6.4 Spherochromatism F!hjtIkPj
6.5 Zonal Spherical Aberration aG;F=e
6.6 Induced Aberrations L%$-?O|
6.7 Three-Element Objectives \`~YW<D
6.8 Secondary Spectrum (Apochromatic Systems) 64U|]gd$
6.9 The Design of an f/7 Apochromatic Triplet E@k'uyIu
6.10 The Diffractive Surface in Lens Design SN{A@dyt
6.11 A Final Note b1#C,UWK
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7 Eyepieces and Magnifiers 5L2j,]
7.1 Eyepieces Hl%Og$q3
7.2 A Pair of Magnifier Designs bK#ZY
7.3 The Simple, Classical Eyepieces %>+lr%B
7.4 Design Story of an Eyepiece for a 6*30 Binocular iT{4-j7|P4
7.5 Four-Element Eyepieces 55.2UN
7.6 Five-Element Eyepieces xV+\R/)x
7.7 Very High Index Eyepiece/Magnifier {9Qc\Ij
7.8 Six- and Seven-Element Eyepieces tgCp2`n
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8 Cooke Triplet Anastigmats g,WTXRy
8.1 Airspaced Triplet Anastigmats J&'*N:d
8.2 Glass Choice Lct_6?
8.3 Vertex Length and Residual Aberrations Jgr;'U$
8.4 Other Design Considerations mz1m^p)~{
8.5 A Plastic, Aspheric Triplet Camera Lens lGp:rw`
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet [-l>fP0
8.7 Possible Improvement to Our “Basic” Triplet cu5}(
8.7 The Rear Earth (Lanthanum) Glasses ) C~#W
8.9 Aspherizing the Surfaces X$ul=iBs
8.10 Increasing the Element Thickness y=\&z&3$
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9 Split Triplets e^\(bp+83
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10 The Tessar, Heliar, and Other Compounded Triplets YG*<jKcX
10.1 The Classic Tessar +fozE?
10.2 The Heliar/Pentac /J-.K*xKt
10.3 The Portrait Lens and the Enlarger Lens 3C=QWw?
10.4 Other Compounded Triplets Vo{
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 9fbo
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