"Modern Lens Design" 2nd Edition by Warren J. Smith c1M *w9o
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Contents of Modern Lens Design 2nd Edition :/\KVz'fw}
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1 Introduction ?Ll1B3 f
1.1 Lens Design Books 4D w|
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1.2 Reference Material IO{iQ-Mg
1.3 Specifications -?L3"rxAP
1.4 Lens Design R@
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1.5 Lens Design Program Features sB=s .`9
1.6 About This Book (gEz<}Av.
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2 Automatic Lens Design 9/PX~ j9O?
2.2 The Merit Function *(o^w'5
2.3 Local Minima J?/NJ-F
2.4 The Landscape Lens |[iEi
2.5 Types of Merit Function q
r F:=?`E
2.6 Stagnation rI'kZ0&
2.7 Generalized Simulated Annealing wpf
2.8 Considerations about Variables for Optimization }_fV v{D
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems iUq{c+h
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits +a|u,'u
2.11 Spectral Weighting 5 J
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2.12 How to Get Started GXwQ
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J:dNV <A^
3 Improving a Design l:(?|1_
3.1 Lens Design Tip Sheet: Standard Improvement Techniques \79 aG3MyK
3.2 Glass Changes ( Index and V Values ) 2#Y5*r's\
3.3 Splitting Elements X< uH [
3.4 Separating a Cemented Doublet X=[`+=
3.5 Compounding an Element tg;AF<VI
3.6 Vignetting and Its Uses rW[7
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3.7 Eliminating a Weak Element; the Concentric Problem I@uin|X
3.8 Balancing Aberrations ksV ^Y=]
3.9 The Symmetrical Principle i)[~]D.EH8
3.10 Aspheric Surfaces Z9UNp[ 0
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4 Evaluation: How Good is This Design @O| l A
4.1 The Uses of a Preliminary Evaluation x?2y^3<5
4.2 OPD versus Measures of Performance vq RW^>~-B
4.3 Geometric Blur Spot Size versus Certain Aberrations Mo&Po9
4.4 Interpreting MTF - The Modulation Transfer Function $Hal]
4.5 Fabrication Considerations f/pr
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5 Lens Design Data #4{9l
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5.1 About the Sample Lens Designs / S`d? AV
5.2 Lens Prescriptions, Drawings, and Aberration Plots +f\r?8s
5.3 Estimating the Potential of a Redesign 2KQpmNN
5.4 Scaling a Desing, Its Aberrations, and Its MTF _j?/O)M
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5.5 Notes on the Interpretation of Ray Intercept Plots aZL
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5.6 Various Evaluation Plot c59l/qoz
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6 Telescope Objective \q:PU6q
6.1 The Thin Airspaced Doublet '
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6.2 Merit Function for a Telescope Objective xmwH~UWp
6.3 The Design of an f/7 Cemented Doublet Telescope Objective htHnQ4Q
6.4 Spherochromatism pd oCV
6.5 Zonal Spherical Aberration 8EAkM*D w
6.6 Induced Aberrations ym6 gj#2m
6.7 Three-Element Objectives H:`[ $
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6.8 Secondary Spectrum (Apochromatic Systems) v DVE#Nm_
6.9 The Design of an f/7 Apochromatic Triplet c{cJ>d 0
6.10 The Diffractive Surface in Lens Design J@Qw6J
6.11 A Final Note 'fIirGOl
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7 Eyepieces and Magnifiers X] v.Yk=wu
7.1 Eyepieces 1}jwv_0lL
7.2 A Pair of Magnifier Designs Hbi2amfBu
7.3 The Simple, Classical Eyepieces /@f3|L<1@V
7.4 Design Story of an Eyepiece for a 6*30 Binocular P[a\Q`}L
7.5 Four-Element Eyepieces S`&YY89{&
7.6 Five-Element Eyepieces X5wYfN
7.7 Very High Index Eyepiece/Magnifier cc J!N
7.8 Six- and Seven-Element Eyepieces +)-`$N
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8 Cooke Triplet Anastigmats % yP*Vp,W
8.1 Airspaced Triplet Anastigmats e X q}0-*f
8.2 Glass Choice ?#_] Lzn'
8.3 Vertex Length and Residual Aberrations P]||Xbbp
8.4 Other Design Considerations Pdw[#X<[`
8.5 A Plastic, Aspheric Triplet Camera Lens .+Fh,bNYK
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet x@480r
8.7 Possible Improvement to Our “Basic” Triplet pTk1iGfB
8.7 The Rear Earth (Lanthanum) Glasses "+:~#&r
8.9 Aspherizing the Surfaces #F!'B|n
8.10 Increasing the Element Thickness VJ$UpqVm
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9 Split Triplets RE}$(T=
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10 The Tessar, Heliar, and Other Compounded Triplets 6zJfsKf$
10.1 The Classic Tessar <X1^w
10.2 The Heliar/Pentac #jNN?,ZK
10.3 The Portrait Lens and the Enlarger Lens `+O7IyTM A
10.4 Other Compounded Triplets V+2C!)f(
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 5rx;?yvn
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11 Double-Meniscus Anastigmats ]:vo"{*C
11.1 Meniscus Components 01" b9`jU
11.2 The Hypergon, Totogon, and Metrogon &?gvW//L2
11.3 A Two Element Aspheric Thick Meniscus Camera Lens QSq0{
11.4 Protar, Dagor, and Convertible Lenses .#ASo!O5q
11.5 The Split Dagor 27-GfC=7*
11.6 The Dogmar aZ{]t:]
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens mh=YrDU+L
9akIu.H
12 The Biotar or Double-Gauss Lens /vLdm-4
12.1 The Basic Six-Element Version q:/<^|
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens D<d4"*qo
12.3 The Seven-Element Biotar - Split-Rear Singlet *eonXJYD
12.4 The Seven-Element Biotar - Broken Contact Front Doublet .# [==
12.5 The Seven-Element Biotar - One Compounded Outer Element & KS*rHgt?
12.6 The Eight-Element Biotar u+Q<> >lU
12.7 A “Doubled Double-Gauss” Relay
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13 Telephoto Lenses _w KaFf
13.1 The Basic Telephoto z< c%Xl\$%
13.2 Close-up or Macro Lenses QZs ]'*=#
13.3 Telephoto Designs c;dMXv
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch T ,D(Xh
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses da/Tms`T
14.1 The Reverse Telephoto Principle Lradyo44u\
14.2 The Basic Retrofocus Lens n$O[yRMI[
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses J@vL,C)E6
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15 Wide Angle Lenses with Negative Outer Lenses n$oHr
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16 The Petzval Lens; Head-up Display Lenses gL:Vj %c
16.1 The Petzval Portrait Lens "$Mz>]3&q
16.2 The Petzval Projection Lens Z.D O 2=+=
16.3 The Petzval with a Field Flattener B rO" _
16.4 Very Height Speed Petzval Lenses FbWcq_
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems q&RezHK l
@jxAU7!
17 Microscope Objectives (L3Etan4RE
17.1 General Considerations EDf"1b{PX
17.2 Classic Objective Design Forms; The Aplanatic Front t/57LjV
17.3 Flat-Field Objectives (:P-ef$]C
17.4 Reflecting Objectives L"
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17.5 The Microscope Objective Designs ?8G ggJC
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18 Mirror and Catadioptric Systems 4Lb!Au|Y
18.1 The Good and Bad Points of Mirrors Jb (CH4|7
18.2 The Classic Two-Mirror Systems >3Mz s AH\
18.3 Catadioptric Systems +'VSD`BR
18.4 Aspheric Correctors and Schmidt Systems ;n~-z5)
18.5 Confocal Paraboloids !|#W ,9
18.6 Unobscured Systems !F|#TETr t
18.7 Design of a Schmidt-Cassegrain “from Scratch” <n-}z[09
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19 Infrared and Ultraviolet Systems 8h%oJ4da
19.1 Infrared Optics j
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19.2 IR Objective Lenses h7"c_=w+
19.3 IR Telescope P\lEfsuR
19.4 Laser Beam Expanders L]kd.JJvy
19,5 Ultraviolet Systems o<8( 'j
19.6 Microlithographic Lenses n Uy. gAb
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20 Zoom Lenses S<Os\/*
20.1 Zoom Lenses js..k*j
20.2 Zoom Lenses for Point and Shoot Cameras =G,wR'M
20.3 A 20X Video Zoom Lens LN0pC }F
20.4 A Zoom Scanner Lens 9> 6DA^
20.5 A Possible Zoom Lens Design Procedure u$38"&cmA
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21 Projection TV Lenses and Macro Lenses $ &~moAl
21.1 Projection TV Lenses 2Pm[
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21.2 Macro Lenses /f}!G
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22 Scanner/ , Laser Disk and Collimator Lenses 0 ;O e&Y
22.1 Monochromatic Systems A+w'quXn
22.2 Scanner Lenses $Vp*,oRL
22.3 Laser Disk, Focusing, and Collimator Lenses ]T:a&DHC
L}a-c(G+8
23 Tolerance Budgeting q) j_QbW)
23.1 The Tolerance Budget RH}i=
23.2 Additive Tolerances >'1 [Bh
23.3 Establishing the Tolerance Budget 5(=5GkE)>
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24 Formulary Ls` [7w
24.1 Sign Conventions, Symbols, and Definitions teKx^ 'c'
24.2 The Cardinal Points ZccvZl ;b
24.3 Image Equations \_]X+o;
24.4 Paraxial Ray Tracing (Surface by Surface) ]?6Pt: N2
24.5 Invariants fg)VO6Wo&
24.6 Paraxial Ray Tracing (Component by Component) jP{&U&!i
24.7 Two-Componenet Relationships F1)5"7f
24.8 Third-Order Aberrations – Surface Contributions 4`GOBX1b.y
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 5MCnGg@
24.10 Stop Shift Equations %b[>eIJU#
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces g&*,j+$ }
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) lQM&q
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Glossary rez )$
Reference uCr :+"C
Index
