"Modern Lens Design" 2nd Edition by Warren J. Smith :-8u*5QK]`
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Contents of Modern Lens Design 2nd Edition )$i3j
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1 Introduction jTIn@Q
1.1 Lens Design Books wOP}SMn
1.2 Reference Material 5{[0Clb)
1.3 Specifications l+,rc*-j0
1.4 Lens Design #Ba'k6b
1.5 Lens Design Program Features v]>(Ps )R
1.6 About This Book +aap/sYp
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2 Automatic Lens Design "M]]H^r5
2.2 The Merit Function |Can
2.3 Local Minima YVi]f2F%
2.4 The Landscape Lens hGLBFe#3
2.5 Types of Merit Function +{Ttv7l_2
2.6 Stagnation a6C~!{'nW
2.7 Generalized Simulated Annealing xOH@V4z:
2.8 Considerations about Variables for Optimization 4P5wEqU.<
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems jC=_>\<|X*
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits R<U<Y'Y
2.11 Spectral Weighting UWp(3FQ
2.12 How to Get Started Vow+,,oh
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3 Improving a Design 3ly|y{M",
3.1 Lens Design Tip Sheet: Standard Improvement Techniques
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3.2 Glass Changes ( Index and V Values ) _'Z@ < ,L
3.3 Splitting Elements !xSGZD=AD
3.4 Separating a Cemented Doublet ;nbvn
3.5 Compounding an Element qmGB~N|N
3.6 Vignetting and Its Uses 2_p/1Rs
3.7 Eliminating a Weak Element; the Concentric Problem cD]t%`*
3.8 Balancing Aberrations IN"qJ3<k
3.9 The Symmetrical Principle tQ"PCm
3.10 Aspheric Surfaces }j
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4 Evaluation: How Good is This Design vnE,}(M
4.1 The Uses of a Preliminary Evaluation LdL< 5Q[
4.2 OPD versus Measures of Performance _#I0m(
4.3 Geometric Blur Spot Size versus Certain Aberrations rHznXME$wZ
4.4 Interpreting MTF - The Modulation Transfer Function '" 6VfF)*
4.5 Fabrication Considerations HDYoM
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5 Lens Design Data %rkUy?=vu
5.1 About the Sample Lens Designs 2B|3`trY4x
5.2 Lens Prescriptions, Drawings, and Aberration Plots '`n\YO.N
5.3 Estimating the Potential of a Redesign e2>gQ p/
5.4 Scaling a Desing, Its Aberrations, and Its MTF hM-qC|!
5.5 Notes on the Interpretation of Ray Intercept Plots Y) Z>Bi
5.6 Various Evaluation Plot |dvcDx0|K
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6 Telescope Objective 7ORwDR,`5
6.1 The Thin Airspaced Doublet ),86Y:^4
6.2 Merit Function for a Telescope Objective -7CkOZT
6.3 The Design of an f/7 Cemented Doublet Telescope Objective &A>J>b
6.4 Spherochromatism r~X6qC
6.5 Zonal Spherical Aberration 4&tY5m>
6.6 Induced Aberrations ~{J.br`
6.7 Three-Element Objectives OF)X(bi4j
6.8 Secondary Spectrum (Apochromatic Systems) 0 }q/VH57
6.9 The Design of an f/7 Apochromatic Triplet 'n\ZmG{
6.10 The Diffractive Surface in Lens Design <=p"ck@
6.11 A Final Note ,MdCeA%`
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7 Eyepieces and Magnifiers eb7`R81G
7.1 Eyepieces H&I0\upd
7.2 A Pair of Magnifier Designs rz4S"4
7.3 The Simple, Classical Eyepieces sD
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7.4 Design Story of an Eyepiece for a 6*30 Binocular L_/.b%0)
7.5 Four-Element Eyepieces }a8N!g
7.6 Five-Element Eyepieces wI)W:mUZZ
7.7 Very High Index Eyepiece/Magnifier =fm/l-P@
7.8 Six- and Seven-Element Eyepieces fZgZ
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8 Cooke Triplet Anastigmats !5ppA
8.1 Airspaced Triplet Anastigmats P
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8.2 Glass Choice FJ/kumq
8.3 Vertex Length and Residual Aberrations OA[w|Tt
8.4 Other Design Considerations *<J**FhcMu
8.5 A Plastic, Aspheric Triplet Camera Lens Hc}(+wQN%
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Xf:-K(%e
8.7 Possible Improvement to Our “Basic” Triplet ${e{#
8.7 The Rear Earth (Lanthanum) Glasses /Z-|E
8.9 Aspherizing the Surfaces Uj_%U2S$
8.10 Increasing the Element Thickness `CW =*uBH
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9 Split Triplets \SyfEcSf2v
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10 The Tessar, Heliar, and Other Compounded Triplets F&Q:1`y
10.1 The Classic Tessar azN<]u@.
10.2 The Heliar/Pentac K@+&5\y]
10.3 The Portrait Lens and the Enlarger Lens 5'6Oan7dL:
10.4 Other Compounded Triplets "zfy_h
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar r" ^P>8
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11 Double-Meniscus Anastigmats (.Sj"6+
11.1 Meniscus Components Rzw}W7zg[
11.2 The Hypergon, Totogon, and Metrogon /:l>yKI+~
11.3 A Two Element Aspheric Thick Meniscus Camera Lens (tys7og$'
11.4 Protar, Dagor, and Convertible Lenses %G>*Pez%
11.5 The Split Dagor . F_pP2A
11.6 The Dogmar ?bY'J6n.
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ``U>9S"p)
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12 The Biotar or Double-Gauss Lens T=9+
12.1 The Basic Six-Element Version TtlZum\
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens fE,\1LK4
12.3 The Seven-Element Biotar - Split-Rear Singlet Lk4gjs,V
12.4 The Seven-Element Biotar - Broken Contact Front Doublet j%0D:jOY]
12.5 The Seven-Element Biotar - One Compounded Outer Element (zte 'F4
12.6 The Eight-Element Biotar 7iT#dpF/A
12.7 A “Doubled Double-Gauss” Relay bvi
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13 Telephoto Lenses r3;?]r.}7
13.1 The Basic Telephoto 6ID@ 0
13.2 Close-up or Macro Lenses K '7M\:zy
13.3 Telephoto Designs b@"#A8M
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch +uLl3(ml
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Xnpw'<~X
14.1 The Reverse Telephoto Principle xbsp[0I,
14.2 The Basic Retrofocus Lens AKu]c-
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses vjmNS=l
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15 Wide Angle Lenses with Negative Outer Lenses 3P N<J
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16 The Petzval Lens; Head-up Display Lenses ,'Zs")Ydp
16.1 The Petzval Portrait Lens SN'j?-
16.2 The Petzval Projection Lens `B-jwVrN(
16.3 The Petzval with a Field Flattener rUmaKh?v|X
16.4 Very Height Speed Petzval Lenses K+p7yZJ
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems !W^P|:Qt
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17 Microscope Objectives 0QcC5y;
17.1 General Considerations i_Ol vuy~
17.2 Classic Objective Design Forms; The Aplanatic Front Y,n&g45m
17.3 Flat-Field Objectives e#BxlC
17.4 Reflecting Objectives 9#cPEbb~
17.5 The Microscope Objective Designs clyZD`*
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18 Mirror and Catadioptric Systems Vq4g#PcG
18.1 The Good and Bad Points of Mirrors G
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18.2 The Classic Two-Mirror Systems wNMf-~
18.3 Catadioptric Systems *sz:c3{_
18.4 Aspheric Correctors and Schmidt Systems @kBy|5
18.5 Confocal Paraboloids -Ph"#R&
18.6 Unobscured Systems J;wDvt]]1
18.7 Design of a Schmidt-Cassegrain “from Scratch” :< X&y
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19 Infrared and Ultraviolet Systems =e*S h0dK
19.1 Infrared Optics #:[^T,YD0
19.2 IR Objective Lenses m9Xauk$(
19.3 IR Telescope t[}&*2"$/
19.4 Laser Beam Expanders M5c$
19,5 Ultraviolet Systems rJtpTV@.
19.6 Microlithographic Lenses 1{15#W
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20 Zoom Lenses 0Sx$6:-~
20.1 Zoom Lenses 7fE U5@
20.2 Zoom Lenses for Point and Shoot Cameras _O#R,Y2#
20.3 A 20X Video Zoom Lens uidoz
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20.4 A Zoom Scanner Lens *{<460`!q
20.5 A Possible Zoom Lens Design Procedure b@X+vW{S
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21 Projection TV Lenses and Macro Lenses ^J~5k,7jX
21.1 Projection TV Lenses 5LaF'>1yY
21.2 Macro Lenses [jnA? Ge:
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22 Scanner/ , Laser Disk and Collimator Lenses &a8%j+j
22.1 Monochromatic Systems lq}m0}9<
22.2 Scanner Lenses ;suY
22.3 Laser Disk, Focusing, and Collimator Lenses 6v?tZ&,
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23 Tolerance Budgeting !:2_y'hA
23.1 The Tolerance Budget b]5/IT)@O
23.2 Additive Tolerances F rd>+
23.3 Establishing the Tolerance Budget {Ri6975
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24 Formulary C[R|@9NI
24.1 Sign Conventions, Symbols, and Definitions cB0"vbdO
24.2 The Cardinal Points y3@m1>]09
24.3 Image Equations I+eKuWB
24.4 Paraxial Ray Tracing (Surface by Surface) !,<rW<&;
24.5 Invariants >c)-o}bd^
24.6 Paraxial Ray Tracing (Component by Component) |\FJ
24.7 Two-Componenet Relationships .k!<Oqa
24.8 Third-Order Aberrations – Surface Contributions |BEoF[1
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs blx"WVqo
24.10 Stop Shift Equations T-F8[dd^/
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces *JArR1J
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) kF-7OX0)
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Glossary OE/r0C<&
Reference 6GMwB@ b
Index