[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith "w*+v  
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Contents of Modern Lens Design 2nd Edition A$%Q4jC}  
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1    Introduction         #cj\~T.,,  
1.1    Lens Design Books     4pmTicA~  
1.2    Reference Material     hncS_ZA  
1.3    Specifications     Qy=
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1.4    Lens Design     6o=qJ`m[?  
1.5    Lens Design Program Features     N+CXOI=6x  
1.6    About This Book     W NwJM  
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2    Automatic Lens Design         5q|+p?C  
2.2    The Merit Function         ioC@n8_[G  
2.3    Local Minima     <i_> y~v`  
2.4    The Landscape Lens     u\{qH!?t  
2.5    Types of Merit Function     2qZa9^}  
2.6    Stagnation     lQV|U;~D  
2.7    Generalized Simulated Annealing     ;YK!EMM4!h  
2.8    Considerations about Variables for Optimization     K<@[_W+  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems `y\*m]:  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     9z5"y|$  
2.11    Spectral Weighting     Sao>P[#x  
2.12    How to Get Started     $hG;2v  
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3    Improving a Design     t6'61*)|0  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     DE*MdfP0  
3.2    Glass Changes ( Index and V Values )     ],;D2]<s  
3.3    Splitting Elements     )
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3.4    Separating a Cemented Doublet     -"W)|oC_  
3.5    Compounding an Element     hc-lzYS  
3.6    Vignetting and Its Uses     H
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3.7    Eliminating a Weak Element; the Concentric Problem     n,t6v5>88  
3.8    Balancing Aberrations     79)A%@YHQQ  
3.9    The Symmetrical Principle     OSp?okV  
3.10    Aspheric Surfaces     <jbj/Q )"  
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4    Evaluation: How Good is This Design     I"Q#IvNw  
4.1    The Uses of a Preliminary Evaluation     dCB&c^  
4.2    OPD versus Measures of Performance     {5T0RL{\N  
4.3    Geometric Blur Spot Size versus Certain Aberrations     'oleB_B
  
4.4    Interpreting MTF - The Modulation Transfer Function     ]e^R@w  
4.5    Fabrication Considerations     w[ Axs8N'  
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5    Lens Design Data     ~O \}/I28  
5.1    About the Sample Lens Designs     (# JMB)  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     yh S#&)O  
5.3    Estimating the Potential of a Redesign     |q3f]T&+>{  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     's)fO#  
5.5    Notes on the Interpretation of Ray Intercept Plots     9'1hjd3k  
5.6    Various Evaluation Plot     p1+7<Y:  
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6    Telescope Objective     E@:Q 'g%  
6.1    The Thin Airspaced Doublet     S[vRw]*  
6.2    Merit Function for a Telescope Objective     M]c7D`%s  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     Z.!g9fi8>  
6.4    Spherochromatism     `)"tO&Fn  
6.5    Zonal Spherical Aberration     5v"Y\k+1  
6.6    Induced Aberrations     j5kA^MTG  
6.7    Three-Element Objectives     Vl<`|C>  
6.8    Secondary Spectrum (Apochromatic Systems)     {
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6.9    The Design of an f/7 Apochromatic Triplet     Q~phGD3!~  
6.10    The Diffractive Surface in Lens Design     Q/p(#/y#b  
6.11    A Final Note     yL.^ =  
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7    Eyepieces and Magnifiers     My. dD'C  
7.1    Eyepieces     DB#$~(o  
7.2    A Pair of Magnifier Designs     Y+FP  
7.3    The Simple, Classical Eyepieces     C5Xof|#p|  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     ;v_ls)_,-  
7.5    Four-Element Eyepieces     1YFeVMc  
7.6    Five-Element Eyepieces     ]3}feU+  
7.7    Very High Index Eyepiece/Magnifier     ~]&B>q  
7.8    Six- and Seven-Element Eyepieces     @d&g/ccMxd  
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8    Cooke Triplet Anastigmats     8/Mx5~ R  
8.1    Airspaced Triplet Anastigmats     sc%dh?m7  
8.2    Glass Choice     {(;B5rs  
8.3    Vertex Length and Residual Aberrations     {gsW(T>)  
8.4    Other Design Considerations     qYiv   
8.5    A Plastic, Aspheric Triplet Camera Lens     /9pbnzn  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 3)Zu[c[%'J  
8.7    Possible Improvement to Our “Basic” Triplet     (v!mR+\x  
8.7    The Rear Earth (Lanthanum) Glasses     ZPlPN;J^1  
8.9    Aspherizing the Surfaces     [UoqIU  
8.10    Increasing the Element Thickness     L;3aZt,#O  
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9    Split Triplets     ^p,3)$  
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10    The Tessar, Heliar, and Other Compounded Triplets     ;Z*'
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10.1    The Classic Tessar     [m\,+lG?)j  
10.2    The Heliar/Pentac     `_GO=QQ
 
10.3    The Portrait Lens and the Enlarger Lens     DcN"=Y  
10.4    Other Compounded Triplets     e8{^f]5  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar '*4iqPR;  
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11    Double-Meniscus Anastigmats     Qwv '<  
11.1    Meniscus Components     &U&Zo@ot"x  
11.2    The Hypergon, Totogon, and Metrogon     6}ftBmv  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     x9%-plP  
11.4    Protar, Dagor, and Convertible Lenses     j{)~QD?  
11.5    The Split Dagor     .Vmtx  
11.6    The Dogmar     ;,rnk
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     &Pq\cNYzW  
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12    The Biotar or Double-Gauss Lens     |<rfvsQ.
 
12.1    The Basic Six-Element Version     B7!;]'&d  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 9:-T@u  
12.3    The Seven-Element Biotar - Split-Rear Singlet     i:d`{kJ|[  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     kon5+g9q  
12.5    The Seven-Element Biotar - One Compounded Outer Element     .b,~f  
12.6    The Eight-Element Biotar     N<liS3>  
12.7    A “Doubled Double-Gauss” Relay     lUHtjr  
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13    Telephoto Lenses     &dRjqn^&X  
13.1    The Basic Telephoto     ^wJEfac  
13.2    Close-up or Macro Lenses     b+Vi3V  
13.3    Telephoto Designs     i=L8=8B`  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 3u_
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     dF e4K"  
14.1    The Reverse Telephoto Principle     ,eXFN?CB  
14.2    The Basic Retrofocus Lens     | ]# +v@  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     C8.W5P[U  
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15    Wide Angle Lenses with Negative Outer Lenses     sKd)BA0`  
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16    The Petzval Lens; Head-up Display Lenses     >A($8=+#x  
16.1    The Petzval Portrait Lens     EeB3 }  
16.2    The Petzval Projection Lens     Cw#V`70a  
16.3    The Petzval with a Field Flattener     2r;GcjezH  
16.4    Very Height Speed Petzval Lenses     M"(6&M=?  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     o?wt$j-  
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17    Microscope Objectives     -!TcQzHUs  
17.1    General Considerations     JYV\oV{  
17.2    Classic Objective Design Forms; The Aplanatic Front     v9rVpYc"  
17.3    Flat-Field Objectives     #ZWl=z5aBi  
17.4    Reflecting Objectives     io2@}xZF  
17.5    The Microscope Objective Designs     FJwt?3\u5  
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18    Mirror and Catadioptric Systems     J`<f  
18.1    The Good and Bad Points of Mirrors    
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18.2    The Classic Two-Mirror Systems dB3N%pB^  
18.3    Catadioptric Systems     A(+:S"|@  
18.4    Aspheric Correctors and Schmidt Systems     }0;Sk(B>  
18.5    Confocal Paraboloids     JZ=5Bpw  
18.6    Unobscured Systems     ,|pp67  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     O]{*(J/t  
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19    Infrared and Ultraviolet Systems     ]"sRS`0+  
19.1    Infrared Optics     m}5q]N";x  
19.2    IR Objective Lenses     c'05{C  
19.3    IR Telescope     m*oc)x7'  
19.4    Laser Beam Expanders     Uh}X<d/V  
19,5    Ultraviolet Systems     4AHL3@x  
19.6    Microlithographic Lenses     A1-qtAO]  
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20    Zoom Lenses     t`u!]DHv  
20.1    Zoom Lenses     Tpzw=bC^  
20.2    Zoom Lenses for Point and Shoot Cameras     yX!#a>d"H  
20.3    A 20X Video Zoom Lens     ezZph"&  
20.4    A Zoom Scanner Lens     &{W^W8,%  
20.5    A Possible Zoom Lens Design Procedure     rk,p!}FqL  
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21    Projection TV Lenses and Macro Lenses     O2v.  
21.1    Projection TV Lenses     l>7r2;  
21.2    Macro Lenses     l^r' $;<m  
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22    Scanner/ , Laser Disk and Collimator Lenses     V@Wcb$mgk  
22.1    Monochromatic Systems     2Va4i7"X\  
22.2    Scanner Lenses     g.a| c\WH  
22.3    Laser Disk, Focusing, and Collimator Lenses     4#:\?HAu!  
    D{C:d\ e)$  
23    Tolerance Budgeting     JJ5C}`(  
23.1    The Tolerance Budget     (q~0XE/ a  
23.2    Additive Tolerances     lIh[|]  
23.3    Establishing the Tolerance Budget     kon=il<@  
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24    Formulary $bGD%9 z  
24.1    Sign Conventions, Symbols, and Definitions     ow.j+<M  
24.2    The Cardinal Points     /6U 4S>'(  
24.3    Image Equations     0M8.U  
24.4    Paraxial Ray Tracing (Surface by Surface)     |+NuYz?  
24.5    Invariants     -0 0}if7  
24.6    Paraxial Ray Tracing (Component by Component)     R2LK.bTVn  
24.7    Two-Componenet Relationships     m:{tgcE  
24.8    Third-Order Aberrations – Surface Contributions     irMd jG  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     *IZf^-=Q  
24.10    Stop Shift Equations     NHkL24ve  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     XnXb&@Y  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     ut5yf
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84
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Glossary &iSD/W  
Reference =nVmthGw  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 DO^y;y>  
我怎么瞧不明白。

有没有人呀 9S1#Lr`r  
有个问题想请教大家