[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 9$?Sts}6&  
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Contents of Modern Lens Design 2nd Edition #soV'SFG  
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1    Introduction         W=:AOBK  
1.1    Lens Design Books     \47djm
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1.2    Reference Material     :o 8XG  
1.3    Specifications     48IrC_0j  
1.4    Lens Design     3Cw}y55_y  
1.5    Lens Design Program Features     Xwo%DZKN  
1.6    About This Book     awv$ }EFo  
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2    Automatic Lens Design         KTq+JT
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2.2    The Merit Function         er8T:.Py  
2.3    Local Minima     V1&qgAy~  
2.4    The Landscape Lens     ?o6X_UxW!  
2.5    Types of Merit Function     $<QrV,T  
2.6    Stagnation     8c\\-{  
2.7    Generalized Simulated Annealing     F
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2.8    Considerations about Variables for Optimization     [=BccT:b  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems o(k{Ed  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     45?%D}  
2.11    Spectral Weighting     ,v%'2[}  
2.12    How to Get Started     uOO\!Hqq  
2 EWXr+IU.  
3    Improving a Design     )qRH?Hsb7  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     WcGg  
3.2    Glass Changes ( Index and V Values )     f{.4#C'  
3.3    Splitting Elements     r7,}"Pl  
3.4    Separating a Cemented Doublet     #;yxn.</  
3.5    Compounding an Element     fX.1=BjXi  
3.6    Vignetting and Its Uses     *`q?`#1&&.  
3.7    Eliminating a Weak Element; the Concentric Problem     >
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3.8    Balancing Aberrations     M!46^q~-  
3.9    The Symmetrical Principle     N=PSr4  
3.10    Aspheric Surfaces     lA pZC6Iwk  
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4    Evaluation: How Good is This Design     VsJiE0'%  
4.1    The Uses of a Preliminary Evaluation     >%ovL8F  
4.2    OPD versus Measures of Performance     [l3ys  
4.3    Geometric Blur Spot Size versus Certain Aberrations     <5?pa3  
4.4    Interpreting MTF - The Modulation Transfer Function     _u+ 7>  
4.5    Fabrication Considerations     VV{>Kq+&,v  
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5    Lens Design Data     WfD fj  
5.1    About the Sample Lens Designs     egvb#:zW?  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     #R>x]Nt}  
5.3    Estimating the Potential of a Redesign     j^7A}fz  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     9QaE)wt  
5.5    Notes on the Interpretation of Ray Intercept Plots     V)5K/U{  
5.6    Various Evaluation Plot     =W &Mt  
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6    Telescope Objective     y^"@$   
6.1    The Thin Airspaced Doublet     f4 qVUU  
6.2    Merit Function for a Telescope Objective     pCDN9*0/  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     ,3!$mQL=  
6.4    Spherochromatism     ^?$,sS ;Q  
6.5    Zonal Spherical Aberration     tYXE$i  
6.6    Induced Aberrations     X@"G1j >/  
6.7    Three-Element Objectives     Q6W![571;  
6.8    Secondary Spectrum (Apochromatic Systems)     :\vs kk),  
6.9    The Design of an f/7 Apochromatic Triplet     D#G%WT/"  
6.10    The Diffractive Surface in Lens Design     %@Z;;5
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6.11    A Final Note     1X[^^p~^  
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7    Eyepieces and Magnifiers     <sw@P":F  
7.1    Eyepieces     <|3%}?  
7.2    A Pair of Magnifier Designs     \"1>NJn&k)  
7.3    The Simple, Classical Eyepieces     <^\rv42'(2  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     m`9nDiV  
7.5    Four-Element Eyepieces     <)p.GAZ  
7.6    Five-Element Eyepieces     w`;HwK$ ,  
7.7    Very High Index Eyepiece/Magnifier     qXg&E}]:=  
7.8    Six- and Seven-Element Eyepieces     *68 TTBq(  
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8    Cooke Triplet Anastigmats     HeO:=OE~>  
8.1    Airspaced Triplet Anastigmats     4;I\%qes  
8.2    Glass Choice     g_1#if&  
8.3    Vertex Length and Residual Aberrations     a3>/B$pE  
8.4    Other Design Considerations     HT6 [Z1  
8.5    A Plastic, Aspheric Triplet Camera Lens     4WJY+)  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet >UMxlvTg&  
8.7    Possible Improvement to Our “Basic” Triplet     _Z Sp$>)/  
8.7    The Rear Earth (Lanthanum) Glasses     t|$jgM  
8.9    Aspherizing the Surfaces     8 ECX[fw  
8.10    Increasing the Element Thickness     +U2lwd!j  
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9    Split Triplets     *m}8L%<
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10    The Tessar, Heliar, and Other Compounded Triplets     <@<bX  
10.1    The Classic Tessar     HiA E9  
10.2    The Heliar/Pentac     *^uK=CH1?(  
10.3    The Portrait Lens and the Enlarger Lens     ]:Gy]qkO  
10.4    Other Compounded Triplets     -BH/)$-$  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar *3H=t$1G}  
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11    Double-Meniscus Anastigmats     d/bimQ  
11.1    Meniscus Components     Ifn|wrx;g  
11.2    The Hypergon, Totogon, and Metrogon     -;7xUNQ  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     S
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11.4    Protar, Dagor, and Convertible Lenses     y)fMVD"(  
11.5    The Split Dagor     /@F'f@;  
11.6    The Dogmar     lN#j%0MaUo  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     2ZY$/  
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12    The Biotar or Double-Gauss Lens      xgcxA:  
12.1    The Basic Six-Element Version     WM'!|lg  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens :QGkYJ  
12.3    The Seven-Element Biotar - Split-Rear Singlet     byxlC?q7  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     KClkPL!jP  
12.5    The Seven-Element Biotar - One Compounded Outer Element     8YFG*HSa  
12.6    The Eight-Element Biotar     5c` ;~  
12.7    A “Doubled Double-Gauss” Relay     LN|(Z*  
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13    Telephoto Lenses     zr/v.$<  
13.1    The Basic Telephoto     i%-yR DIX  
13.2    Close-up or Macro Lenses     |%C2 cx  
13.3    Telephoto Designs     gsbr8zwG,  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ^eh.Iml'@  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ~HB#7+b  
14.1    The Reverse Telephoto Principle     A|\A|8=b  
14.2    The Basic Retrofocus Lens     f~NS{gL*  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     x/DV>Nfn  
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15    Wide Angle Lenses with Negative Outer Lenses     N4vcd=uG#  
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16    The Petzval Lens; Head-up Display Lenses     ij$NTY=u  
16.1    The Petzval Portrait Lens     @Chl>s  
16.2    The Petzval Projection Lens     Sb[>R(0:  
16.3    The Petzval with a Field Flattener     ,Z~`aHhr  
16.4    Very Height Speed Petzval Lenses     zR<{z  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     .dU91> ~Ov  
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17    Microscope Objectives     gw)4P tb!  
17.1    General Considerations     Cw,a)XB  
17.2    Classic Objective Design Forms; The Aplanatic Front     4 neZw'm  
17.3    Flat-Field Objectives     ^3dc#5]Xf  
17.4    Reflecting Objectives     1eD#-tzV  
17.5    The Microscope Objective Designs     AkQ(V  
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18    Mirror and Catadioptric Systems     rRRh-%.RU  
18.1    The Good and Bad Points of Mirrors     m^QoB  
18.2    The Classic Two-Mirror Systems U4"^NLAq  
18.3    Catadioptric Systems     $VmV>NZ  
18.4    Aspheric Correctors and Schmidt Systems     j2D!=PK;  
18.5    Confocal Paraboloids     \6wltTW]#  
18.6    Unobscured Systems     Ak?9a_f  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     Okci
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19    Infrared and Ultraviolet Systems     =FzmifTc  
19.1    Infrared Optics     Z
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19.2    IR Objective Lenses     Rn
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19.3    IR Telescope     FEk9a^Xyx  
19.4    Laser Beam Expanders     Yh1</C  
19,5    Ultraviolet Systems     !V.]mI  
19.6    Microlithographic Lenses     S%\5"uGa  
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20    Zoom Lenses     T
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20.1    Zoom Lenses     7KlL%\  
20.2    Zoom Lenses for Point and Shoot Cameras     8WytvwB}  
20.3    A 20X Video Zoom Lens     -9om,U`t  
20.4    A Zoom Scanner Lens     >GIQT?O6  
20.5    A Possible Zoom Lens Design Procedure     E<yQB39  
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21    Projection TV Lenses and Macro Lenses     &u:U"j  
21.1    Projection TV Lenses     K}cZK  
21.2    Macro Lenses     :$G^TD/n  
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22    Scanner/ , Laser Disk and Collimator Lenses     fQ9af)d  
22.1    Monochromatic Systems     < dE7+w  
22.2    Scanner Lenses     GG#-x$jK  
22.3    Laser Disk, Focusing, and Collimator Lenses     ^6l5@#)w  
    MEI&]qI  
23    Tolerance Budgeting     D\G 8p;  
23.1    The Tolerance Budget     \;-Yz  
23.2    Additive Tolerances     C/!P&`<6  
23.3    Establishing the Tolerance Budget     cUug}/!I  
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24    Formulary }!K #  
24.1    Sign Conventions, Symbols, and Definitions     F7}yt  
24.2    The Cardinal Points     $D`Kz*/.  
24.3    Image Equations     dU-:#QV6  
24.4    Paraxial Ray Tracing (Surface by Surface)     bD v&;Z  
24.5    Invariants     +IXr4M&3  
24.6    Paraxial Ray Tracing (Component by Component)     ^X#)'\T
 
24.7    Two-Componenet Relationships     _oZ3n2v}@  
24.8    Third-Order Aberrations – Surface Contributions     MTwzL<@$  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     `&=%p|  
24.10    Stop Shift Equations     m<n+1  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     ]fY:+Ru  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     |$tF{\  
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Glossary sB0]lj-[Un  
Reference RQ8"vF#  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 ,7d#t4  
我怎么瞧不明白。

有没有人呀 P#:nXc$  
有个问题想请教大家