[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith hKj"Lb9]  
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Contents of Modern Lens Design 2nd Edition ED[`Y.;  
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1    Introduction         %#7Yr(&
 
1.1    Lens Design Books     eX;C.[&7;8  
1.2    Reference Material     fL>>hBCqC  
1.3    Specifications     x8|sdZFxo  
1.4    Lens Design     &z8I@^<  
1.5    Lens Design Program Features     e@|/, W  
1.6    About This Book     5ELKL#(  
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2    Automatic Lens Design         n$&xVaF|  
2.2    The Merit Function         [oqb@J2  
2.3    Local Minima     !Nua  
2.4    The Landscape Lens     z)*7LI  
2.5    Types of Merit Function     b\&|030+  
2.6    Stagnation     RsU!mYs:H  
2.7    Generalized Simulated Annealing     9Kf# jZ  
2.8    Considerations about Variables for Optimization     8K$q6V%#  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems _\uyS',  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     @ W[LA<  
2.11    Spectral Weighting     '[V}]Z>-  
2.12    How to Get Started     G;Jqby8d  
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3    Improving a Design     aAJ'0xnj  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     M@%$9N)gd  
3.2    Glass Changes ( Index and V Values )     g?-HAk6  
3.3    Splitting Elements     >LS*G qjq  
3.4    Separating a Cemented Doublet     FyY<Vx'yQ  
3.5    Compounding an Element     6_1v~#  
3.6    Vignetting and Its Uses     6d4)7PL  
3.7    Eliminating a Weak Element; the Concentric Problem     jG~zpZh  
3.8    Balancing Aberrations     ;]XKe')  
3.9    The Symmetrical Principle     *c<0cHv*  
3.10    Aspheric Surfaces     A"ApWJ3  
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4    Evaluation: How Good is This Design     ':Avh|q3N  
4.1    The Uses of a Preliminary Evaluation     lM/)<I\8  
4.2    OPD versus Measures of Performance     _ljdo`j#N  
4.3    Geometric Blur Spot Size versus Certain Aberrations     2g?O+'JD  
4.4    Interpreting MTF - The Modulation Transfer Function     *%6NuZ  
4.5    Fabrication Considerations     +OM`c7M:  
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5    Lens Design Data     o$disJ  
5.1    About the Sample Lens Designs     bUJ5jkZ)  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     UM[<v9NWE  
5.3    Estimating the Potential of a Redesign    
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5.4    Scaling a Desing, Its Aberrations, and Its MTF     "'i" @CR  
5.5    Notes on the Interpretation of Ray Intercept Plots     (?[^##03MN  
5.6    Various Evaluation Plot     (x"TM),Q  
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6    Telescope Objective     r92C^h0  
6.1    The Thin Airspaced Doublet     y<#?z 8P  
6.2    Merit Function for a Telescope Objective     GP|G[  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     6h8fzqRzc  
6.4    Spherochromatism     3JnBKh\n  
6.5    Zonal Spherical Aberration     e[`u:  
6.6    Induced Aberrations     .~>Uh3S  
6.7    Three-Element Objectives     LY>-kz]  
6.8    Secondary Spectrum (Apochromatic Systems)     7NG^I6WP-  
6.9    The Design of an f/7 Apochromatic Triplet     !w+A3Z>V  
6.10    The Diffractive Surface in Lens Design     r0 mXRZC  
6.11    A Final Note     #A&(b}#:o  
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7    Eyepieces and Magnifiers     IG}`~% Z  
7.1    Eyepieces     _DlkTi5(w  
7.2    A Pair of Magnifier Designs     4&TTPcSt;  
7.3    The Simple, Classical Eyepieces     +aa( YGL  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     gA`x-`  
7.5    Four-Element Eyepieces     /d<"{\o  
7.6    Five-Element Eyepieces     ?uiQ'}
 
7.7    Very High Index Eyepiece/Magnifier     ]6#7TT  
7.8    Six- and Seven-Element Eyepieces     9t`   
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8    Cooke Triplet Anastigmats     w"p,6Ew
 
8.1    Airspaced Triplet Anastigmats     <X
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8.2    Glass Choice     : 5=E>!  
8.3    Vertex Length and Residual Aberrations     zQ[g*  
8.4    Other Design Considerations     @%8Xa7+  
8.5    A Plastic, Aspheric Triplet Camera Lens     Mwm=r//  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet '%k<? *  
8.7    Possible Improvement to Our “Basic” Triplet     ^Md
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8.7    The Rear Earth (Lanthanum) Glasses     XI>|"*-l  
8.9    Aspherizing the Surfaces     =v(MdjwFl  
8.10    Increasing the Element Thickness     ]yzqBb
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9    Split Triplets     z?a<&`W  

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10    The Tessar, Heliar, and Other Compounded Triplets     N;)Y+amg^  
10.1    The Classic Tessar     [8T  
10.2    The Heliar/Pentac     JjH#,@'.  
10.3    The Portrait Lens and the Enlarger Lens     v&.`^O3W  
10.4    Other Compounded Triplets     1Tn0$+$.4  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar H*SEzVb  
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11    Double-Meniscus Anastigmats     CTqAhL 4}  
11.1    Meniscus Components     ]6PX4oK_t  
11.2    The Hypergon, Totogon, and Metrogon     n9qO;X4&  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     vSu|!Xb]  
11.4    Protar, Dagor, and Convertible Lenses     ^iWcuh_n  
11.5    The Split Dagor     < C{-ph  
11.6    The Dogmar     v
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     T2;%@Ghc  
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12    The Biotar or Double-Gauss Lens      8(.DI/  
12.1    The Basic Six-Element Version     ah82S)a`}  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens =U:9A=uEvS  
12.3    The Seven-Element Biotar - Split-Rear Singlet     FW?zJ  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     Nk~Xz  
12.5    The Seven-Element Biotar - One Compounded Outer Element     gH{X?  
12.6    The Eight-Element Biotar     zw13Tu  
12.7    A “Doubled Double-Gauss” Relay     D4CN%^?  
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13    Telephoto Lenses     Y}'8`.  
13.1    The Basic Telephoto     &}TfJ=gj  
13.2    Close-up or Macro Lenses     uxbDRlOS  
13.3    Telephoto Designs     3$]SP1Mc(  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch M"q]jeaM  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     h)O<
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14.1    The Reverse Telephoto Principle    
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14.2    The Basic Retrofocus Lens     mLa0BIP  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     Qv3g 4iJ  

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15    Wide Angle Lenses with Negative Outer Lenses     q>$[<TsE&}  
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16    The Petzval Lens; Head-up Display Lenses     mw^Di  
16.1    The Petzval Portrait Lens     uO4kCK<7C  
16.2    The Petzval Projection Lens     RV
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16.3    The Petzval with a Field Flattener     )gO=5_^u*o  
16.4    Very Height Speed Petzval Lenses     Z*/*P4\  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     9u3~s<  
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17    Microscope Objectives     X>i`z  
17.1    General Considerations     SvlS4C  
17.2    Classic Objective Design Forms; The Aplanatic Front     SC'F,!  
17.3    Flat-Field Objectives     /xK5%cE>B  
17.4    Reflecting Objectives     gk%8iT  
17.5    The Microscope Objective Designs     Bld%d:i  
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18    Mirror and Catadioptric Systems     Q?Au.q],  
18.1    The Good and Bad Points of Mirrors     x]({Po4  
18.2    The Classic Two-Mirror Systems ?[[K6v}q{  
18.3    Catadioptric Systems     p1dqDgF*  
18.4    Aspheric Correctors and Schmidt Systems     ^7l.!s#$b  
18.5    Confocal Paraboloids     0(owFNUBs  
18.6    Unobscured Systems     v>vU]6l  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     ELx?ph-9  
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19    Infrared and Ultraviolet Systems     NW}kvZ  
19.1    Infrared Optics     'O#,;n  
19.2    IR Objective Lenses     ?W
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19.3    IR Telescope     Cm4$&?  
19.4    Laser Beam Expanders     <lk_]+ XJ3  
19,5    Ultraviolet Systems     *{5L*\AZ  
19.6    Microlithographic Lenses     GN36:>VWb  
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20    Zoom Lenses     *^'$YVd#  
20.1    Zoom Lenses     *fBI),bZa  
20.2    Zoom Lenses for Point and Shoot Cameras     PB !\r}Q  
20.3    A 20X Video Zoom Lens     UX-l`ygl  
20.4    A Zoom Scanner Lens     e`1,jt'  
20.5    A Possible Zoom Lens Design Procedure     O*af`J{  
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21    Projection TV Lenses and Macro Lenses     )^&,[Q=i  
21.1    Projection TV Lenses     m6qmZ2<  
21.2    Macro Lenses     5t$ZEp-  
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22    Scanner/ , Laser Disk and Collimator Lenses     >$gWeFu  
22.1    Monochromatic Systems     cJ 5":^O  
22.2    Scanner Lenses     :K!@zT=o  
22.3    Laser Disk, Focusing, and Collimator Lenses     TQx''$j\  
    W\{gBjfE  
23    Tolerance Budgeting     []K5l%  
23.1    The Tolerance Budget     w%,Iy,G@  
23.2    Additive Tolerances     k~ZwHx(%S  
23.3    Establishing the Tolerance Budget     {5+t\~q$  
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24    Formulary =1o
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24.1    Sign Conventions, Symbols, and Definitions     jW6~^>S  
24.2    The Cardinal Points     PI7M3\z  
24.3    Image Equations     {nH. _  
24.4    Paraxial Ray Tracing (Surface by Surface)     Pnb?NVP!^9  
24.5    Invariants     f-5vE9G3y7  
24.6    Paraxial Ray Tracing (Component by Component)     dQ*3s>B[  
24.7    Two-Componenet Relationships     &~ g||rq  
24.8    Third-Order Aberrations – Surface Contributions     YaTJKgi"0  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     <Bc J;X/  
24.10    Stop Shift Equations     f\oB/  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     ffGiNXCM  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     89F^I"Im(  
EthnI7Y  
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Glossary \NbMSC&H  
Reference RdlcJxM  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 hZ!N8nWwNR  
我怎么瞧不明白。

有没有人呀 B<(v\=xZ  
有个问题想请教大家