"Modern Lens Design" 2nd Edition by Warren J. Smith #Zm`*s`
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Contents of Modern Lens Design 2nd Edition <\^o
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1 Introduction .Od:#(aq
1.1 Lens Design Books PuP"(
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1.2 Reference Material $# h U_vr
1.3 Specifications 0(y*EJA$
1.4 Lens Design r*`e%`HU
1.5 Lens Design Program Features #H~55 ))F
1.6 About This Book }U_^zQfaj
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2 Automatic Lens Design $v XY"-k
2.2 The Merit Function n>v 1<^
2.3 Local Minima
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2.4 The Landscape Lens 7He"IJ
2.5 Types of Merit Function "rn
2.6 Stagnation n{4 iW_/D
2.7 Generalized Simulated Annealing o!BCR:
2.8 Considerations about Variables for Optimization fxcE1=a
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems A5Jadz ~
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Y5GN7.
2.11 Spectral Weighting 9Ad%~qciY
2.12 How to Get Started \7LL neq
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3 Improving a Design LG,? ,%_s
3.1 Lens Design Tip Sheet: Standard Improvement Techniques wMCMrv:
3.2 Glass Changes ( Index and V Values ) "> Qxb .Y}
3.3 Splitting Elements RkG?R3e
3.4 Separating a Cemented Doublet 5>9Q<*
3.5 Compounding an Element i\IpS@/{-v
3.6 Vignetting and Its Uses bKS/T^UQ
3.7 Eliminating a Weak Element; the Concentric Problem */K[ B(G
3.8 Balancing Aberrations epnZ Gz,A
3.9 The Symmetrical Principle %.$!VTO"
3.10 Aspheric Surfaces q<E7q Y+
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4 Evaluation: How Good is This Design hFA |(l6
4.1 The Uses of a Preliminary Evaluation ^ZsIQ4 @`
4.2 OPD versus Measures of Performance L8D=F7
4.3 Geometric Blur Spot Size versus Certain Aberrations 9\!&c<i=
4.4 Interpreting MTF - The Modulation Transfer Function ?/&X _O
4.5 Fabrication Considerations R WY>`.su
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5 Lens Design Data <o()14
5.1 About the Sample Lens Designs 3/vtx9D
5.2 Lens Prescriptions, Drawings, and Aberration Plots ODu/B'*
5.3 Estimating the Potential of a Redesign =~O3j:<6
5.4 Scaling a Desing, Its Aberrations, and Its MTF $CB&>?~
5.5 Notes on the Interpretation of Ray Intercept Plots -btNwE6[.
5.6 Various Evaluation Plot &pI\VIx ?
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6 Telescope Objective v>K |h H
6.1 The Thin Airspaced Doublet L?u {v X
6.2 Merit Function for a Telescope Objective |h $Gs2
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ^r}Uu~A>
6.4 Spherochromatism DH\Ox>b=
6.5 Zonal Spherical Aberration ]rGd!"q
6.6 Induced Aberrations lJ AzG,f
6.7 Three-Element Objectives Q% aF~
6.8 Secondary Spectrum (Apochromatic Systems) D?E
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6.9 The Design of an f/7 Apochromatic Triplet g[i;>XyP
6.10 The Diffractive Surface in Lens Design FiQ&g*=|
6.11 A Final Note 6'*6t S
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7 Eyepieces and Magnifiers a'` i#U
7.1 Eyepieces 60 ~*$`
7.2 A Pair of Magnifier Designs \KJTR0EB:>
7.3 The Simple, Classical Eyepieces !m\B y%(
7.4 Design Story of an Eyepiece for a 6*30 Binocular 27gHgz}}
7.5 Four-Element Eyepieces / w dvm4
7.6 Five-Element Eyepieces Z=-#{{bv
7.7 Very High Index Eyepiece/Magnifier KD#zsL)3
7.8 Six- and Seven-Element Eyepieces Qq{tX
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8 Cooke Triplet Anastigmats ui8$ F
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8.1 Airspaced Triplet Anastigmats EM<W+YU
8.2 Glass Choice k7:ISj J
8.3 Vertex Length and Residual Aberrations fPN/Mxu
8.4 Other Design Considerations d.ywH;
8.5 A Plastic, Aspheric Triplet Camera Lens (Ajhf}zJ
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet <2 j$P Y9
8.7 Possible Improvement to Our “Basic” Triplet ,FYA*}[
8.7 The Rear Earth (Lanthanum) Glasses ? }^ y6
8.9 Aspherizing the Surfaces zk70D_}L
8.10 Increasing the Element Thickness xz@*V>QT
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9 Split Triplets ~+ae68{p
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10 The Tessar, Heliar, and Other Compounded Triplets fc:87ZR{ K
10.1 The Classic Tessar B7A.~' =
10.2 The Heliar/Pentac jY9 tq[~/
10.3 The Portrait Lens and the Enlarger Lens i]zh8|">
10.4 Other Compounded Triplets ^38k xwh
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar cJT_Qfxx
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11 Double-Meniscus Anastigmats 'lC=k7@x
11.1 Meniscus Components 4cm~oZ
11.2 The Hypergon, Totogon, and Metrogon pkIQ,W{Ke
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 8oHIXnK
11.4 Protar, Dagor, and Convertible Lenses ] %7m+-h@
11.5 The Split Dagor vRmzjd~
11.6 The Dogmar V '.gE6we
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens #I ,c'Vj
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12 The Biotar or Double-Gauss Lens "}uu-5]3
12.1 The Basic Six-Element Version ,iiI5FR
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens :'H}b*VWx
12.3 The Seven-Element Biotar - Split-Rear Singlet 7}=MVp] )S
12.4 The Seven-Element Biotar - Broken Contact Front Doublet >SZuN"r8`
12.5 The Seven-Element Biotar - One Compounded Outer Element $43CNnf3N
12.6 The Eight-Element Biotar @ux g;dyI~
12.7 A “Doubled Double-Gauss” Relay K/( Z\lL
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13 Telephoto Lenses qqYQ/4Ajw
13.1 The Basic Telephoto u 8~5e
13.2 Close-up or Macro Lenses s0Y7`uD^
13.3 Telephoto Designs C`oB [
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch a<pEVV\NB~
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ,;=
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14.1 The Reverse Telephoto Principle @bFl8-
14.2 The Basic Retrofocus Lens \bSakh71
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses R'1"`@f G
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15 Wide Angle Lenses with Negative Outer Lenses Df $Yn
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16 The Petzval Lens; Head-up Display Lenses G)5Uiu:^X
16.1 The Petzval Portrait Lens k"`^vV[{F
16.2 The Petzval Projection Lens ] %5gPfv[T
16.3 The Petzval with a Field Flattener Yj>\WH
16.4 Very Height Speed Petzval Lenses w^ $$'5=
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems MIv,$
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17 Microscope Objectives #
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17.1 General Considerations ,+g0#8?p^x
17.2 Classic Objective Design Forms; The Aplanatic Front mc6W"
17.3 Flat-Field Objectives M
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17.4 Reflecting Objectives ~;uW)
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17.5 The Microscope Objective Designs \?k"AtL
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18 Mirror and Catadioptric Systems wB*}XJah
18.1 The Good and Bad Points of Mirrors j62oA$z
18.2 The Classic Two-Mirror Systems H%Sx*|
18.3 Catadioptric Systems 6<Z k%[7t
18.4 Aspheric Correctors and Schmidt Systems Eid~4a
18.5 Confocal Paraboloids "8yD qm
18.6 Unobscured Systems 52Q~` t7F
18.7 Design of a Schmidt-Cassegrain “from Scratch” s[/) v:
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19 Infrared and Ultraviolet Systems zU>bT20x/
19.1 Infrared Optics EO.}{1m=hx
19.2 IR Objective Lenses 7!,
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19.3 IR Telescope \o!B:Vb<
19.4 Laser Beam Expanders V_Y2 @4
19,5 Ultraviolet Systems M#]URS2h<O
19.6 Microlithographic Lenses E'_$?wWn 5
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20 Zoom Lenses P?U}@U ~9
20.1 Zoom Lenses fL R.2vJ
20.2 Zoom Lenses for Point and Shoot Cameras ^F$iD ( f
20.3 A 20X Video Zoom Lens 1A 9Gf
20.4 A Zoom Scanner Lens v%2Jm!i+
20.5 A Possible Zoom Lens Design Procedure \M-$| 04Qt
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21 Projection TV Lenses and Macro Lenses Q -S5( "
21.1 Projection TV Lenses ehYGw2
21.2 Macro Lenses ;!N_8{
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22 Scanner/ , Laser Disk and Collimator Lenses qgLj^{
22.1 Monochromatic Systems N u9+b"Wr
22.2 Scanner Lenses lF1ieg"i M
22.3 Laser Disk, Focusing, and Collimator Lenses q1o)l
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23 Tolerance Budgeting h7W<$ \P
23.1 The Tolerance Budget #_OrS/H
23.2 Additive Tolerances +aIy':P
23.3 Establishing the Tolerance Budget ! _UBw7Zm
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24 Formulary _:,U$W
24.1 Sign Conventions, Symbols, and Definitions
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24.2 The Cardinal Points c1Ta!p{%
24.3 Image Equations W_N!f=HW
24.4 Paraxial Ray Tracing (Surface by Surface) *6%r2l 'kZ
24.5 Invariants f)K1j{TZ
24.6 Paraxial Ray Tracing (Component by Component) S~LT Lv:>
24.7 Two-Componenet Relationships 0 xg6
24.8 Third-Order Aberrations – Surface Contributions ('.r_F
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ['n;e:*
24.10 Stop Shift Equations a7Rg!%r
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces qy|si4IU8,
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) , =kQJ|
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Glossary gcf EJN4'
Reference ^iq$zHbc0u
Index
