"Modern Lens Design" 2nd Edition by Warren J. Smith .drY
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Contents of Modern Lens Design 2nd Edition ErJ/h?+
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1 Introduction 8nu!5 3
1.1 Lens Design Books %\(-<aT
1.2 Reference Material .d}yQ#5z
1.3 Specifications LSA6*Q51
1.4 Lens Design oe.Jm#?2.
1.5 Lens Design Program Features +uSp3gE"
1.6 About This Book tW4X+d"
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2 Automatic Lens Design ~nhO*bs}7{
2.2 The Merit Function Z$g'h1,zW
2.3 Local Minima ?d3FR!
2.4 The Landscape Lens 1U#W=Fg'
2.5 Types of Merit Function ;y. ;U#O
2.6 Stagnation qD4s?j-9
2.7 Generalized Simulated Annealing xEurkR
2.8 Considerations about Variables for Optimization ;4ybkOD
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ['Lo8 [
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits k}F7Jw#.
2.11 Spectral Weighting ]Q ]y*
2.12 How to Get Started p<(a);<L
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3 Improving a Design 7Y[ q)lv
3.1 Lens Design Tip Sheet: Standard Improvement Techniques =
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3.2 Glass Changes ( Index and V Values ) g_IcF><F
3.3 Splitting Elements N2U&TCc
3.4 Separating a Cemented Doublet g%"SAeG<K
3.5 Compounding an Element wW p7N
3.6 Vignetting and Its Uses v0dzM/?*
3.7 Eliminating a Weak Element; the Concentric Problem T)sIV5bk
3.8 Balancing Aberrations rP'%f 6
3.9 The Symmetrical Principle o-Dfud@
3.10 Aspheric Surfaces &gruYZGK
u9|Eos i
4 Evaluation: How Good is This Design vT0Op e6m
4.1 The Uses of a Preliminary Evaluation G#e]J;
4.2 OPD versus Measures of Performance 8^+|I,
4.3 Geometric Blur Spot Size versus Certain Aberrations x%r$/=
4.4 Interpreting MTF - The Modulation Transfer Function XJPIAN~l
4.5 Fabrication Considerations XWAIW=.
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5 Lens Design Data uP%VL}%0
5.1 About the Sample Lens Designs .z_nW1id
5.2 Lens Prescriptions, Drawings, and Aberration Plots &! h~UZ
5.3 Estimating the Potential of a Redesign [KYq01cj
5.4 Scaling a Desing, Its Aberrations, and Its MTF :AFW= e@<
5.5 Notes on the Interpretation of Ray Intercept Plots e|~{X\l
5.6 Various Evaluation Plot "lu^
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6 Telescope Objective FS&QF@dtgf
6.1 The Thin Airspaced Doublet #*qV kPX
6.2 Merit Function for a Telescope Objective 1="]'!2Is
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Qc-W2%
6.4 Spherochromatism KTT!P 4
6.5 Zonal Spherical Aberration $peL1'Evo
6.6 Induced Aberrations N*|EfI|X
6.7 Three-Element Objectives {'A
15
6.8 Secondary Spectrum (Apochromatic Systems) 4qsct@K,
6.9 The Design of an f/7 Apochromatic Triplet ?>*d82yO
6.10 The Diffractive Surface in Lens Design ]~dB|WB
6.11 A Final Note (*\&xRY|C
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7 Eyepieces and Magnifiers `Zo5!"'
7.1 Eyepieces K/C}
7.2 A Pair of Magnifier Designs p gLhxc:
7.3 The Simple, Classical Eyepieces OfBWf6b
7.4 Design Story of an Eyepiece for a 6*30 Binocular 6x(b/`VW
7.5 Four-Element Eyepieces > `eo 0
7.6 Five-Element Eyepieces v"(6rZsa
7.7 Very High Index Eyepiece/Magnifier .O0eSp|e
7.8 Six- and Seven-Element Eyepieces n8!|}J
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8 Cooke Triplet Anastigmats EJC}"%h
8.1 Airspaced Triplet Anastigmats A@lM=
8.2 Glass Choice u;^H =7R
8.3 Vertex Length and Residual Aberrations |>j^$^l~
8.4 Other Design Considerations @(a~p
8.5 A Plastic, Aspheric Triplet Camera Lens Pfvb?Hy
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet `_Iyr3HAf
8.7 Possible Improvement to Our “Basic” Triplet
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8.7 The Rear Earth (Lanthanum) Glasses i=b'_SZ'
8.9 Aspherizing the Surfaces |AvsT{2
8.10 Increasing the Element Thickness
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9 Split Triplets #Qz9{1\G
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10 The Tessar, Heliar, and Other Compounded Triplets Uhh[le2 %
10.1 The Classic Tessar R6;229e
10.2 The Heliar/Pentac !$iwU3~<
10.3 The Portrait Lens and the Enlarger Lens MJe/ \
10.4 Other Compounded Triplets Dy. |bUB!f
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar L67yL( d6a
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11 Double-Meniscus Anastigmats -6F\=
11.1 Meniscus Components L)|hjpQ
11.2 The Hypergon, Totogon, and Metrogon epk
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens CWp>8@v
11.4 Protar, Dagor, and Convertible Lenses hZ<FCY,/?
11.5 The Split Dagor DP*V|)
11.6 The Dogmar ct*~\C6Ze
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 8_D:#i
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12 The Biotar or Double-Gauss Lens uh)f/)6
12.1 The Basic Six-Element Version ;erxB6*
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens |1OF!(:
12.3 The Seven-Element Biotar - Split-Rear Singlet 'g)5vI~'
12.4 The Seven-Element Biotar - Broken Contact Front Doublet z9AX8k(B6
12.5 The Seven-Element Biotar - One Compounded Outer Element bsc b
12.6 The Eight-Element Biotar &{M-<M
12.7 A “Doubled Double-Gauss” Relay M#],#o*G
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13 Telephoto Lenses G7-.d/8|^
13.1 The Basic Telephoto 1?p:66WmR
13.2 Close-up or Macro Lenses $Ovq}Rexc
13.3 Telephoto Designs uZ1G,9
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch R^I4_ZA
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses m:;`mBOc3
14.1 The Reverse Telephoto Principle g( eA?
14.2 The Basic Retrofocus Lens M|z4Dy
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses G8W^XD
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15 Wide Angle Lenses with Negative Outer Lenses 7&|&y
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16 The Petzval Lens; Head-up Display Lenses ;x{J45^
16.1 The Petzval Portrait Lens 8+_e= _3R
16.2 The Petzval Projection Lens z{>
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16.3 The Petzval with a Field Flattener gWjz3ob
16.4 Very Height Speed Petzval Lenses ^j_t{h)W(0
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems =WFG[~8
Wzh#dO?7
17 Microscope Objectives Z=s]@r
17.1 General Considerations )!`>Q|]}Zd
17.2 Classic Objective Design Forms; The Aplanatic Front zZCssn;[
17.3 Flat-Field Objectives 2;ogkPv '
17.4 Reflecting Objectives ~ln96*)M;
17.5 The Microscope Objective Designs [*=UH*:'N
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18 Mirror and Catadioptric Systems i'Q 4touy
18.1 The Good and Bad Points of Mirrors +JFE\>O
18.2 The Classic Two-Mirror Systems +-:G+9L@
18.3 Catadioptric Systems
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18.4 Aspheric Correctors and Schmidt Systems o:/ymeG
18.5 Confocal Paraboloids u@[JX1&3"n
18.6 Unobscured Systems llBW*4'
18.7 Design of a Schmidt-Cassegrain “from Scratch” \]t}N
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19 Infrared and Ultraviolet Systems f+dj6!g5/
19.1 Infrared Optics @z.HyQ_v
19.2 IR Objective Lenses Ba|76OBRJ
19.3 IR Telescope ]M9r<x*
19.4 Laser Beam Expanders nR$Q~`
19,5 Ultraviolet Systems G?{uR6s>#
19.6 Microlithographic Lenses lLeN`{?
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20 Zoom Lenses _/[(&}M
20.1 Zoom Lenses )VR/a
20.2 Zoom Lenses for Point and Shoot Cameras {{4Sgb
20.3 A 20X Video Zoom Lens ZNbb8v
20.4 A Zoom Scanner Lens iX'#~eK*<
20.5 A Possible Zoom Lens Design Procedure +D+Rf,D
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21 Projection TV Lenses and Macro Lenses *e-+~/9~
21.1 Projection TV Lenses /3v`2=b
21.2 Macro Lenses lMBXD?,,J
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22 Scanner/ , Laser Disk and Collimator Lenses 6oLq2Z8uP
22.1 Monochromatic Systems @460r
22.2 Scanner Lenses 7q _.@J
22.3 Laser Disk, Focusing, and Collimator Lenses q]o^Y
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23 Tolerance Budgeting .EoLJHL
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23.1 The Tolerance Budget z@em1W0?Z
23.2 Additive Tolerances APu cA
23.3 Establishing the Tolerance Budget dD8f`*"*=
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24 Formulary Vam4/6
24.1 Sign Conventions, Symbols, and Definitions ;O7<lF\7o
24.2 The Cardinal Points CR<Nau>
24.3 Image Equations -gKo@I
24.4 Paraxial Ray Tracing (Surface by Surface) H-.8{8
24.5 Invariants =XT}&D6
24.6 Paraxial Ray Tracing (Component by Component) ueazAsk3g
24.7 Two-Componenet Relationships eE-@dU?
24.8 Third-Order Aberrations – Surface Contributions A5> ,e|
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ww"HV;i
24.10 Stop Shift Equations ta 66AEc9
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces wtw
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) I=I'O?w
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Glossary k9<P]%
Reference Xy(o0/7F9
Index