"Modern Lens Design" 2nd Edition by Warren J. Smith Drk9F"J
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Contents of Modern Lens Design 2nd Edition jWUN~#p!
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1 Introduction 7&'^H8V
1.1 Lens Design Books o@EV>4e y
1.2 Reference Material kOF EH!9&
1.3 Specifications L.l"'=M
1.4 Lens Design *=~
9?
1.5 Lens Design Program Features <*2.B~
1.6 About This Book 4-ZiKM
T/)$}#w0i
2 Automatic Lens Design ] bhzB
2.2 The Merit Function Q(oWaG
2.3 Local Minima u hQ3
2.4 The Landscape Lens j%]i#iqF
2.5 Types of Merit Function $M$oNOT}Y
2.6 Stagnation f^:9gRt
2.7 Generalized Simulated Annealing V6BCW;
2.8 Considerations about Variables for Optimization EG7ki0
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems u9N?B* &{
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 3ZC to[Y
2.11 Spectral Weighting }1N)3~
2.12 How to Get Started :9_K@f?n
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3 Improving a Design H ]}Iw5Z
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ULjW589 zb
3.2 Glass Changes ( Index and V Values ) \1aj !)
3.3 Splitting Elements O0WzDD
3.4 Separating a Cemented Doublet 67/hhO
3.5 Compounding an Element 0 (@8
3.6 Vignetting and Its Uses rQj.W6w=
3.7 Eliminating a Weak Element; the Concentric Problem O`OntYwa>
3.8 Balancing Aberrations +3]@0VM26;
3.9 The Symmetrical Principle i\},
3.10 Aspheric Surfaces o+/x8:
_S2QY7/
4 Evaluation: How Good is This Design Z;7f
D
4.1 The Uses of a Preliminary Evaluation D
GOc!
4.2 OPD versus Measures of Performance fVb&=%e
4.3 Geometric Blur Spot Size versus Certain Aberrations x4.-7%VV%
4.4 Interpreting MTF - The Modulation Transfer Function A}H)ojG'v
4.5 Fabrication Considerations UKMrR9[x*
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5 Lens Design Data i?4vdL8M
5.1 About the Sample Lens Designs t#6gjfIi
5.2 Lens Prescriptions, Drawings, and Aberration Plots aR*z5p2-w
5.3 Estimating the Potential of a Redesign -Ww'wH'2
5.4 Scaling a Desing, Its Aberrations, and Its MTF Gob1V
5.5 Notes on the Interpretation of Ray Intercept Plots DE."XSni
5.6 Various Evaluation Plot S7E:&E&
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6 Telescope Objective ~iEH?J%i1r
6.1 The Thin Airspaced Doublet _2 }i8q:
6.2 Merit Function for a Telescope Objective 5c3 )p^ ]g
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 19 bP0y
6.4 Spherochromatism [M
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6.5 Zonal Spherical Aberration cX E42MM
6.6 Induced Aberrations l4L&hY^
6.7 Three-Element Objectives l_ >^LFOA
6.8 Secondary Spectrum (Apochromatic Systems) ,K3)f.ArYc
6.9 The Design of an f/7 Apochromatic Triplet KosA c'/ M
6.10 The Diffractive Surface in Lens Design l)a]V]oQ
6.11 A Final Note RfEmkb<9Z
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7 Eyepieces and Magnifiers *D*K`dk
7.1 Eyepieces S=eY`,'#R
7.2 A Pair of Magnifier Designs q`"gT;3S
7.3 The Simple, Classical Eyepieces x_2
[+Ol
7.4 Design Story of an Eyepiece for a 6*30 Binocular )z2Tm4>iql
7.5 Four-Element Eyepieces h1FM)n[E7
7.6 Five-Element Eyepieces <M7@JgC &
7.7 Very High Index Eyepiece/Magnifier FUvZMA$
7.8 Six- and Seven-Element Eyepieces 7MOjZD4?
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8 Cooke Triplet Anastigmats hi`\3B
8.1 Airspaced Triplet Anastigmats pWO,yxr:
8.2 Glass Choice T%
Kj >-
8.3 Vertex Length and Residual Aberrations ! Hdg
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8.4 Other Design Considerations HGh`O\f8
8.5 A Plastic, Aspheric Triplet Camera Lens 2/E3~X7
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 6EGh8H f
8.7 Possible Improvement to Our “Basic” Triplet W*}q;ub;
8.7 The Rear Earth (Lanthanum) Glasses _\"7
8.9 Aspherizing the Surfaces `GqS.O}C
8.10 Increasing the Element Thickness Nt $/JBB[$
Bei z*2-}a
9 Split Triplets z )a8
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%_K NAuM
10 The Tessar, Heliar, and Other Compounded Triplets CmY'[ rI
10.1 The Classic Tessar `:}GE@]
10.2 The Heliar/Pentac Ac^}wXp
10.3 The Portrait Lens and the Enlarger Lens `k
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10.4 Other Compounded Triplets 1Xu\Tm\Ux
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ) e;)9~
fS w00F{T
11 Double-Meniscus Anastigmats Q<;f-9q @
11.1 Meniscus Components {y`afu iB
11.2 The Hypergon, Totogon, and Metrogon " < m)Fh;
11.3 A Two Element Aspheric Thick Meniscus Camera Lens iVFHr<zk
11.4 Protar, Dagor, and Convertible Lenses
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11.5 The Split Dagor ++5W_Ooep
11.6 The Dogmar Pi40w+/
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens %h4pI A
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12 The Biotar or Double-Gauss Lens YaFQy0t%/5
12.1 The Basic Six-Element Version M$FQoRwH
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Hhx<k{B@7
12.3 The Seven-Element Biotar - Split-Rear Singlet Y9'Bdm/
12.4 The Seven-Element Biotar - Broken Contact Front Doublet X%h1r`h&
12.5 The Seven-Element Biotar - One Compounded Outer Element &b i Bm
12.6 The Eight-Element Biotar 8N'`kd~6[
12.7 A “Doubled Double-Gauss” Relay iKv{)5
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13 Telephoto Lenses gk >A
13.1 The Basic Telephoto kC!7 <%(
13.2 Close-up or Macro Lenses /=FQ {tLr
13.3 Telephoto Designs AVZ -g/<
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 38>8{Ma
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses V2u^sy
14.1 The Reverse Telephoto Principle :eo2t>zF-<
14.2 The Basic Retrofocus Lens Hd
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses eg3zp gZ
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15 Wide Angle Lenses with Negative Outer Lenses q-KN {y/
3R
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16 The Petzval Lens; Head-up Display Lenses Vv
B%,_\
16.1 The Petzval Portrait Lens # W @6@Mv
16.2 The Petzval Projection Lens &s_[~g<
16.3 The Petzval with a Field Flattener `|8)A)ZVT
16.4 Very Height Speed Petzval Lenses THi*'D/
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 6w0/;8(_m
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17 Microscope Objectives pa~.[cBI
17.1 General Considerations 1Yo9Wf;vP
17.2 Classic Objective Design Forms; The Aplanatic Front ? > *i8*
17.3 Flat-Field Objectives DDw H9*
17.4 Reflecting Objectives 1ZJP.T`
17.5 The Microscope Objective Designs y"<nx3
f[6;)ZA
18 Mirror and Catadioptric Systems /VgA}[%y
18.1 The Good and Bad Points of Mirrors GO.mT/rB
18.2 The Classic Two-Mirror Systems %4Y/-xF}9,
18.3 Catadioptric Systems q=M!YWz
18.4 Aspheric Correctors and Schmidt Systems 9*h? g+\
18.5 Confocal Paraboloids :D-My28'
18.6 Unobscured Systems G +o)s
18.7 Design of a Schmidt-Cassegrain “from Scratch” 6 wYd)MDLL
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19 Infrared and Ultraviolet Systems f\nF2rlu
19.1 Infrared Optics L%# #U'e3
19.2 IR Objective Lenses oP$NTy[
19.3 IR Telescope v/
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19.4 Laser Beam Expanders ?\L@Pr|=Dr
19,5 Ultraviolet Systems Du k v[/60
19.6 Microlithographic Lenses 8{Bcl 5]<
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20 Zoom Lenses 02g}}{be8
20.1 Zoom Lenses I dgha9K
20.2 Zoom Lenses for Point and Shoot Cameras r?{tu82#i
20.3 A 20X Video Zoom Lens aze}ko NE
20.4 A Zoom Scanner Lens x6d+`4
20.5 A Possible Zoom Lens Design Procedure )`!i"
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21 Projection TV Lenses and Macro Lenses ]x8 ^s
21.1 Projection TV Lenses D4g$x'
21.2 Macro Lenses H4ml0SS^
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22 Scanner/ , Laser Disk and Collimator Lenses vn}:$|r$J
22.1 Monochromatic Systems
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22.2 Scanner Lenses ak 9 4"<p
22.3 Laser Disk, Focusing, and Collimator Lenses ~4S@kYe{3K
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23 Tolerance Budgeting ~L)9XK^15
23.1 The Tolerance Budget PE4#dx ^
23.2 Additive Tolerances $TyV<
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23.3 Establishing the Tolerance Budget #] >Z4=]v
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24 Formulary (%=[J/F/
24.1 Sign Conventions, Symbols, and Definitions KP `{ UD)
24.2 The Cardinal Points o(Y j[:+m
24.3 Image Equations ;^za/h>r
24.4 Paraxial Ray Tracing (Surface by Surface) Hy`Ee7 >
24.5 Invariants f'` QW@U
24.6 Paraxial Ray Tracing (Component by Component) 7SO i9JU_
24.7 Two-Componenet Relationships A0P g|M
24.8 Third-Order Aberrations – Surface Contributions r9 G}[# DO
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs [LDsn]{
24.10 Stop Shift Equations &,/_"N"?D
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ~UA:_7#\M
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 8R<2I1xn2
OBp <A+a
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Glossary Q^}6GS$
Reference LxaR1E(Cc'
Index
