"Modern Lens Design" 2nd Edition by Warren J. Smith \_
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Contents of Modern Lens Design 2nd Edition g60k R7;\
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1 Introduction ''(rC38
1.1 Lens Design Books damG*-7Svx
1.2 Reference Material }h=PW'M{
1.3 Specifications T-#4hY`
1.4 Lens Design v3aPHf
1.5 Lens Design Program Features =7JSJ98
1.6 About This Book q-+:1E
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2 Automatic Lens Design $btu=_|f
2.2 The Merit Function 0QT:@v2R
2.3 Local Minima >[Wjzg
2.4 The Landscape Lens uorX;yekC
2.5 Types of Merit Function Q`W2\Kod]
2.6 Stagnation ]'"Sa<->
2.7 Generalized Simulated Annealing s[sv4hq
2.8 Considerations about Variables for Optimization x+j@YWDpG"
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems aG83@ABx
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits [@ev%x,
2.11 Spectral Weighting P1Z"}Qw
2.12 How to Get Started p20JUzy
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3 Improving a Design #G.eiqh$a
3.1 Lens Design Tip Sheet: Standard Improvement Techniques SDC'S]{ew
3.2 Glass Changes ( Index and V Values ) W;yc)JB
3.3 Splitting Elements Uns%6o
3.4 Separating a Cemented Doublet Ps>:|j+
3.5 Compounding an Element e.skE>&
3.6 Vignetting and Its Uses W} i6{Vh
3.7 Eliminating a Weak Element; the Concentric Problem .wD
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3.8 Balancing Aberrations >x JzV
3.9 The Symmetrical Principle ":8\2Qp
3.10 Aspheric Surfaces ;aV3j/
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4 Evaluation: How Good is This Design ",.f
4.1 The Uses of a Preliminary Evaluation kqm(D#
4.2 OPD versus Measures of Performance DH
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4.3 Geometric Blur Spot Size versus Certain Aberrations Q(]m1\a
4.4 Interpreting MTF - The Modulation Transfer Function ,puoq{
4.5 Fabrication Considerations 7;o:r$08&}
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5 Lens Design Data zQ|2D*W
5.1 About the Sample Lens Designs `VKFA<T
5.2 Lens Prescriptions, Drawings, and Aberration Plots Lo%vG{yTr
5.3 Estimating the Potential of a Redesign YD'gyP4
5.4 Scaling a Desing, Its Aberrations, and Its MTF <@"rI>=
5.5 Notes on the Interpretation of Ray Intercept Plots Rey+3*zUb
5.6 Various Evaluation Plot XZb=;tYo
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6 Telescope Objective B`Z3e%g#
6.1 The Thin Airspaced Doublet Tc/^h4xH
6.2 Merit Function for a Telescope Objective }[;ZZm?
6.3 The Design of an f/7 Cemented Doublet Telescope Objective JFVx&
6.4 Spherochromatism n2bhCd]j<b
6.5 Zonal Spherical Aberration L@{'J
6.6 Induced Aberrations &liON1GLM
6.7 Three-Element Objectives "D
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6.8 Secondary Spectrum (Apochromatic Systems) X|T|iB,vT
6.9 The Design of an f/7 Apochromatic Triplet /"8e,
6.10 The Diffractive Surface in Lens Design dGYR
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6.11 A Final Note 1H-Y3G>jN
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7 Eyepieces and Magnifiers 7b[sW|{
7.1 Eyepieces {&,p<5o
7.2 A Pair of Magnifier Designs P!W%KobZ7|
7.3 The Simple, Classical Eyepieces z3uR1vF'
7.4 Design Story of an Eyepiece for a 6*30 Binocular ^)~Smj^d
7.5 Four-Element Eyepieces x 4+WZYv3
7.6 Five-Element Eyepieces ^x\VMd3*w
7.7 Very High Index Eyepiece/Magnifier fA6IW(_bi
7.8 Six- and Seven-Element Eyepieces s#s">hMrI
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8 Cooke Triplet Anastigmats 3p=Xv%xd
8.1 Airspaced Triplet Anastigmats (Lgea
8.2 Glass Choice no3yzF3Hi
8.3 Vertex Length and Residual Aberrations n?fy@R
8.4 Other Design Considerations YCD|lL#
8.5 A Plastic, Aspheric Triplet Camera Lens (N9-YP?qm
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet wuH*a3(
8.7 Possible Improvement to Our “Basic” Triplet + +}!Gfc?s
8.7 The Rear Earth (Lanthanum) Glasses gB'ajX=OA/
8.9 Aspherizing the Surfaces -`PziGl@<
8.10 Increasing the Element Thickness ]zol?
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9 Split Triplets _u[tv,
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10 The Tessar, Heliar, and Other Compounded Triplets YRlf U5
10.1 The Classic Tessar \#HW.5
10.2 The Heliar/Pentac {$z54nvw$
10.3 The Portrait Lens and the Enlarger Lens 2R&\qZ<
10.4 Other Compounded Triplets hI:.Qp`r
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar m
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11 Double-Meniscus Anastigmats Mk}T
11.1 Meniscus Components ]%Eh"
11.2 The Hypergon, Totogon, and Metrogon =~+ WJN
11.3 A Two Element Aspheric Thick Meniscus Camera Lens D5lQ0_IeW
11.4 Protar, Dagor, and Convertible Lenses irAXXg
11.5 The Split Dagor ,W}:vdC
11.6 The Dogmar \jiE:Qt
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens -{\(s=%
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12 The Biotar or Double-Gauss Lens Xf`e 4
12.1 The Basic Six-Element Version k`:zQd^T
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens m.K cTM%j
12.3 The Seven-Element Biotar - Split-Rear Singlet ^X96yj'?
12.4 The Seven-Element Biotar - Broken Contact Front Doublet lp
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12.5 The Seven-Element Biotar - One Compounded Outer Element qdix@@
12.6 The Eight-Element Biotar ;bE/(nz M
12.7 A “Doubled Double-Gauss” Relay 1B4Qj`:+0
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13 Telephoto Lenses >5CK&6
13.1 The Basic Telephoto ,.<mj !YE
13.2 Close-up or Macro Lenses ;ek*2Lh
13.3 Telephoto Designs CPOHqK`k
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 3+ 6Ed;P
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 1"H;Tr|
14.1 The Reverse Telephoto Principle =LaEEL
14.2 The Basic Retrofocus Lens pa!BJ]~
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Gm|-[iUTG]
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15 Wide Angle Lenses with Negative Outer Lenses bXs=<`>
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16 The Petzval Lens; Head-up Display Lenses d6J/)nl
16.1 The Petzval Portrait Lens 4CM'I~
16.2 The Petzval Projection Lens Ixa0;nxj
16.3 The Petzval with a Field Flattener ;QBS0x\f@
16.4 Very Height Speed Petzval Lenses 4qid+ [B
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 8%9 C<+.R
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17 Microscope Objectives N9w"Lb
17.1 General Considerations j.q}OK
17.2 Classic Objective Design Forms; The Aplanatic Front 1 $&@wG
17.3 Flat-Field Objectives q/ljH_-
17.4 Reflecting Objectives X!]v4ma`
17.5 The Microscope Objective Designs u}5CzV `
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18 Mirror and Catadioptric Systems h5P_kZJ
18.1 The Good and Bad Points of Mirrors qfDG.Zee#
18.2 The Classic Two-Mirror Systems o Xm
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18.3 Catadioptric Systems { M**a
18.4 Aspheric Correctors and Schmidt Systems &r1(1<
18.5 Confocal Paraboloids ,31 ?
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18.6 Unobscured Systems fmW{c mr|
18.7 Design of a Schmidt-Cassegrain “from Scratch” Jy(G
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19 Infrared and Ultraviolet Systems YlrN^rO
19.1 Infrared Optics 3]*Kz*i
19.2 IR Objective Lenses G8av5zR
19.3 IR Telescope 4LTm&+(5
19.4 Laser Beam Expanders es)^^kGj6f
19,5 Ultraviolet Systems Pe_O(
19.6 Microlithographic Lenses >5FTBe[D
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20 Zoom Lenses V%8(zt
20.1 Zoom Lenses \W*L9azr
20.2 Zoom Lenses for Point and Shoot Cameras A*OqUq/H`;
20.3 A 20X Video Zoom Lens wK(]E%\
20.4 A Zoom Scanner Lens 9#z$GO|<
20.5 A Possible Zoom Lens Design Procedure @ VWED
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21 Projection TV Lenses and Macro Lenses eAlOMSL\
21.1 Projection TV Lenses wKM9fs
21.2 Macro Lenses p":u]Xgb
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22 Scanner/ , Laser Disk and Collimator Lenses 99=~vNn
22.1 Monochromatic Systems !UoA6C:
22.2 Scanner Lenses ~(R=3
22.3 Laser Disk, Focusing, and Collimator Lenses Py; 5z
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23 Tolerance Budgeting Yz/Blh%V
23.1 The Tolerance Budget 'ZF6 Z9
23.2 Additive Tolerances Tw-NIT)
23.3 Establishing the Tolerance Budget 1$0Kvvg[
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24 Formulary GQbr}xX.#
24.1 Sign Conventions, Symbols, and Definitions
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24.2 The Cardinal Points nCq'=L,m
24.3 Image Equations 95,]86
24.4 Paraxial Ray Tracing (Surface by Surface) u}%OC43
24.5 Invariants MH.+pqIv^
24.6 Paraxial Ray Tracing (Component by Component) uRb48Qy2
24.7 Two-Componenet Relationships 2_wue49-l
24.8 Third-Order Aberrations – Surface Contributions H,%bKl#
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs (%B{=w}8
24.10 Stop Shift Equations _pTcSp3
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces :Qge1/
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) j=O+U_w
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Glossary #Pg#\v|7#>
Reference
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Index