"Modern Lens Design" 2nd Edition by Warren J. Smith z77>W}d
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Contents of Modern Lens Design 2nd Edition Dz6xx?
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1 Introduction pLtw|S'4
1.1 Lens Design Books U\tx{CsSz
1.2 Reference Material 0zB[seyE
1.3 Specifications O.( 2
1.4 Lens Design tj[E!
1.5 Lens Design Program Features r.\L@Y<
1.6 About This Book jTcv&`fAz
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2 Automatic Lens Design OpEH4X.Z
2.2 The Merit Function ()?83Xj[c
2.3 Local Minima '1gfXC
2.4 The Landscape Lens >9dD7FH
2.5 Types of Merit Function lt&(S)
2.6 Stagnation P$#: $U@
2.7 Generalized Simulated Annealing 1d<Uwb>
2.8 Considerations about Variables for Optimization 4>>=TJ!M
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems d/&>
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits '6 F-%
2.11 Spectral Weighting }Ze*/p-
2.12 How to Get Started }Pg}"fb^
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3 Improving a Design aLGq<6Ja
3.1 Lens Design Tip Sheet: Standard Improvement Techniques o6k#neB>=.
3.2 Glass Changes ( Index and V Values ) ~(QfVpRnV=
3.3 Splitting Elements jfY7ich
3.4 Separating a Cemented Doublet E>|X'I?r^
3.5 Compounding an Element {}$7B p
3.6 Vignetting and Its Uses @a?7D;+<
3.7 Eliminating a Weak Element; the Concentric Problem Mz(Vf1pi%
3.8 Balancing Aberrations QkdcW>:a7
3.9 The Symmetrical Principle bItcF$#!!!
3.10 Aspheric Surfaces zl|z4j'Irc
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4 Evaluation: How Good is This Design Y"GNJtsL "
4.1 The Uses of a Preliminary Evaluation qJrT
4.2 OPD versus Measures of Performance U\Wo&giP[
4.3 Geometric Blur Spot Size versus Certain Aberrations #_wq#rF
4.4 Interpreting MTF - The Modulation Transfer Function :eVZ5?F
4.5 Fabrication Considerations ){5Nod{}a
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5 Lens Design Data W-=6:y#A
5.1 About the Sample Lens Designs ;/j2(O^
5.2 Lens Prescriptions, Drawings, and Aberration Plots \g39>;iR
5.3 Estimating the Potential of a Redesign 9Ux(
5.4 Scaling a Desing, Its Aberrations, and Its MTF ecghY=%
5.5 Notes on the Interpretation of Ray Intercept Plots ;=ddv@
5.6 Various Evaluation Plot bP&QFc
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6 Telescope Objective J~k9jeq9
6.1 The Thin Airspaced Doublet l<`>
6.2 Merit Function for a Telescope Objective J,2V&WuV0r
6.3 The Design of an f/7 Cemented Doublet Telescope Objective "+F'WCJ-(*
6.4 Spherochromatism uw}Rr7q
6.5 Zonal Spherical Aberration vjuFVJwL
6.6 Induced Aberrations YA4 D?'
6.7 Three-Element Objectives ^Co$X+
6.8 Secondary Spectrum (Apochromatic Systems) vwU1}H
6.9 The Design of an f/7 Apochromatic Triplet 9{toPED
6.10 The Diffractive Surface in Lens Design TN2Ln?[xU
6.11 A Final Note -Uwxmy +
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7 Eyepieces and Magnifiers #X}HF $t{=
7.1 Eyepieces 6l]X{ A.
7.2 A Pair of Magnifier Designs 1UP=(8j/
7.3 The Simple, Classical Eyepieces ~zqb{o^pT
7.4 Design Story of an Eyepiece for a 6*30 Binocular +WH\,E
7.5 Four-Element Eyepieces ]ordqulq1
7.6 Five-Element Eyepieces
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7.7 Very High Index Eyepiece/Magnifier *;o%*:
7.8 Six- and Seven-Element Eyepieces i}) s4%a
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8 Cooke Triplet Anastigmats /T w{JO#Q
8.1 Airspaced Triplet Anastigmats v`HER6
8.2 Glass Choice Z[oF4 z
8.3 Vertex Length and Residual Aberrations H3A$YkK [
8.4 Other Design Considerations h:
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8.5 A Plastic, Aspheric Triplet Camera Lens f!9i6
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet m@td[^O-
8.7 Possible Improvement to Our “Basic” Triplet e8F]m`{_"
8.7 The Rear Earth (Lanthanum) Glasses ;w7 mr1
8.9 Aspherizing the Surfaces ] G&*HMtp
8.10 Increasing the Element Thickness 8>&@"j
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9 Split Triplets u^"
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10 The Tessar, Heliar, and Other Compounded Triplets sT M;l,
10.1 The Classic Tessar ^3;B4tj[
10.2 The Heliar/Pentac 6Y9N=\`
10.3 The Portrait Lens and the Enlarger Lens No^gKh24
10.4 Other Compounded Triplets 5R7x%3@L
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar yqT !A
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11 Double-Meniscus Anastigmats i\i%WiRl
11.1 Meniscus Components ujU,O%.n
11.2 The Hypergon, Totogon, and Metrogon p5G'})x
11.3 A Two Element Aspheric Thick Meniscus Camera Lens (2g
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11.4 Protar, Dagor, and Convertible Lenses VW-qQe
11.5 The Split Dagor H+v&4} f
11.6 The Dogmar NJUKH1lIhR
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <J/ =$u/
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12 The Biotar or Double-Gauss Lens Y6` xb`
12.1 The Basic Six-Element Version Z>hTL_|]a{
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens VmS_(bM
12.3 The Seven-Element Biotar - Split-Rear Singlet 4Yj1Etq.E
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 2Ez<Iw
12.5 The Seven-Element Biotar - One Compounded Outer Element 82r8K|L.<y
12.6 The Eight-Element Biotar a3@E`Z
12.7 A “Doubled Double-Gauss” Relay Q Be6\oq
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13 Telephoto Lenses Ds9)e&yYrb
13.1 The Basic Telephoto !nv wRQ
13.2 Close-up or Macro Lenses
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13.3 Telephoto Designs ;Shu
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Q+:y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5^B79A"}
14.1 The Reverse Telephoto Principle ij"~]I
14.2 The Basic Retrofocus Lens a=z] tTs4
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Abc{<4 z0?
Q]ersA8 V>
15 Wide Angle Lenses with Negative Outer Lenses g`XngRb|j
^HKXm#vAB
16 The Petzval Lens; Head-up Display Lenses @@65t'3S
16.1 The Petzval Portrait Lens @!8aZB3odt
16.2 The Petzval Projection Lens /9`4f "
16.3 The Petzval with a Field Flattener WtT;y|W
16.4 Very Height Speed Petzval Lenses dWAt#xII
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems c;l!i-
Q:}]-lJg
17 Microscope Objectives w,UE0i9I
17.1 General Considerations B*,6;lCjX
17.2 Classic Objective Design Forms; The Aplanatic Front !~ox;I}S
17.3 Flat-Field Objectives bi<<z-q`wJ
17.4 Reflecting Objectives ;Qi:j^+P)
17.5 The Microscope Objective Designs )U/jD
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18 Mirror and Catadioptric Systems s8h*nZ)v
18.1 The Good and Bad Points of Mirrors odv2 (\
18.2 The Classic Two-Mirror Systems U3(+8}Q
18.3 Catadioptric Systems 8z=#
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18.4 Aspheric Correctors and Schmidt Systems m,.Y:2?*V
18.5 Confocal Paraboloids |[\;.gT K
18.6 Unobscured Systems o) )` "^
18.7 Design of a Schmidt-Cassegrain “from Scratch” _imuyt".+
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19 Infrared and Ultraviolet Systems RSX27fb4
19.1 Infrared Optics |RX#5Q>z
19.2 IR Objective Lenses c~ss^[qx|
19.3 IR Telescope u`bD`kfT>
19.4 Laser Beam Expanders Pv -4psdw
19,5 Ultraviolet Systems ?qh-#,O9B
19.6 Microlithographic Lenses %a%xUce&-X
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20 Zoom Lenses ?UnQ?F(+G<
20.1 Zoom Lenses 7;>|9k
20.2 Zoom Lenses for Point and Shoot Cameras K;F1'5+=D
20.3 A 20X Video Zoom Lens Knwy%5.Z
20.4 A Zoom Scanner Lens e3I""D{)[=
20.5 A Possible Zoom Lens Design Procedure zsL@0]e&
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21 Projection TV Lenses and Macro Lenses c(Q@5@1y:
21.1 Projection TV Lenses ZW4f "
21.2 Macro Lenses (0-Ol9[
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22 Scanner/ , Laser Disk and Collimator Lenses qng ~,m
22.1 Monochromatic Systems HuhQ|~C+~
22.2 Scanner Lenses v~$V
22.3 Laser Disk, Focusing, and Collimator Lenses \xYVnjG,
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23 Tolerance Budgeting C'6I< YX
23.1 The Tolerance Budget nY'V,v[F
23.2 Additive Tolerances = oAS(7o
23.3 Establishing the Tolerance Budget #GzALF97
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24 Formulary qTsy'y;Z
24.1 Sign Conventions, Symbols, and Definitions IJ^~,+
24.2 The Cardinal Points %>+uEjbT
24.3 Image Equations (_FU3ZW!
24.4 Paraxial Ray Tracing (Surface by Surface) &Ok1j0~~
24.5 Invariants { _9O4 +
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24.6 Paraxial Ray Tracing (Component by Component) gInh+XZs
24.7 Two-Componenet Relationships s.J4&2Q
24.8 Third-Order Aberrations – Surface Contributions zWY988fX0
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ,54z9F`
24.10 Stop Shift Equations QLqtE;;)JK
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces "O34 E?ql.
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) !XPjRd q
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Glossary 7l *
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Reference [ZWAXl
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Index