"Modern Lens Design" 2nd Edition by Warren J. Smith Z(Fsk4,
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Contents of Modern Lens Design 2nd Edition _\waA^ F
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1 Introduction z6 2gF|Uj
1.1 Lens Design Books cf)2GoV>e
1.2 Reference Material /{Ksi+q
1.3 Specifications pt .0%3
1.4 Lens Design DP **pf%j
1.5 Lens Design Program Features ;S5*n:d
1.6 About This Book n=!]!'h\:
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2 Automatic Lens Design 4^vEMq8lB
2.2 The Merit Function (oO*|\9u
2.3 Local Minima U\'.rT[#
2.4 The Landscape Lens q'~?azg:
2.5 Types of Merit Function u~FXO[b
2.6 Stagnation S'm&Ll2i@
2.7 Generalized Simulated Annealing G&$+8r
2.8 Considerations about Variables for Optimization Q/&H3N
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Y^$^B,
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits F`KA^ZI
2.11 Spectral Weighting E/z^~;KA
2.12 How to Get Started vn<z\wVbf
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3 Improving a Design #s'9Ydd
3.1 Lens Design Tip Sheet: Standard Improvement Techniques :#W40rUb
3.2 Glass Changes ( Index and V Values ) Ex2TV7I
3.3 Splitting Elements Nr)v!z~y
3.4 Separating a Cemented Doublet Sn=|Q4ZN
3.5 Compounding an Element H1X3 8
3.6 Vignetting and Its Uses ?;Dh^mc
3.7 Eliminating a Weak Element; the Concentric Problem Kcv7C{-/
3.8 Balancing Aberrations 7ukJ\P5[&1
3.9 The Symmetrical Principle OCmF/B_
3.10 Aspheric Surfaces 5q?2?j/h
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4 Evaluation: How Good is This Design 6Yhd [I3
4.1 The Uses of a Preliminary Evaluation 6U[`CGL66
4.2 OPD versus Measures of Performance ;BzbWvBo
4.3 Geometric Blur Spot Size versus Certain Aberrations ?,~B@Kx
4.4 Interpreting MTF - The Modulation Transfer Function ,>% 2`Z)
4.5 Fabrication Considerations ?oF+?l
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5 Lens Design Data 'F>eieO
5.1 About the Sample Lens Designs &5>R>rnB
5.2 Lens Prescriptions, Drawings, and Aberration Plots 5ZeE& vG2
5.3 Estimating the Potential of a Redesign Ojqbj0E9
5.4 Scaling a Desing, Its Aberrations, and Its MTF >xQgCOi
5.5 Notes on the Interpretation of Ray Intercept Plots iIWz\FM
5.6 Various Evaluation Plot [iVCorU
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6 Telescope Objective T\7z87Q
6.1 The Thin Airspaced Doublet 6[fp e
6.2 Merit Function for a Telescope Objective Sc03vfmo"N
6.3 The Design of an f/7 Cemented Doublet Telescope Objective e0iE6:i
6.4 Spherochromatism d,kh6'g2@
6.5 Zonal Spherical Aberration W"
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6.6 Induced Aberrations BoQLjS{kN
6.7 Three-Element Objectives ^uB9EP*P
6.8 Secondary Spectrum (Apochromatic Systems) +-tvNX%IJ
6.9 The Design of an f/7 Apochromatic Triplet )yvI {
6.10 The Diffractive Surface in Lens Design cojtQD6
6.11 A Final Note jo 0
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7 Eyepieces and Magnifiers w#]> Nf
7.1 Eyepieces NAd|n+[d
7.2 A Pair of Magnifier Designs ":s1}A
7.3 The Simple, Classical Eyepieces '<!
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7.4 Design Story of an Eyepiece for a 6*30 Binocular >iD&n4TK
7.5 Four-Element Eyepieces 7<{g+Q~7*
7.6 Five-Element Eyepieces *J[3f]PBmR
7.7 Very High Index Eyepiece/Magnifier l&3f<e
7.8 Six- and Seven-Element Eyepieces U9k;)fK
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8 Cooke Triplet Anastigmats 2R9AYI
8.1 Airspaced Triplet Anastigmats ]D(!ua5|x`
8.2 Glass Choice '
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8.3 Vertex Length and Residual Aberrations
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8.4 Other Design Considerations X(sHFVU+
8.5 A Plastic, Aspheric Triplet Camera Lens wdS4iQD
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet /5cFa
8.7 Possible Improvement to Our “Basic” Triplet _,*ld#'s
8.7 The Rear Earth (Lanthanum) Glasses vv='.R, D
8.9 Aspherizing the Surfaces VB
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8.10 Increasing the Element Thickness nx{_^sK
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9 Split Triplets wz1fx>Q
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10 The Tessar, Heliar, and Other Compounded Triplets UcaLi&
10.1 The Classic Tessar .|>zQ(7YC
10.2 The Heliar/Pentac dkTewT6'
10.3 The Portrait Lens and the Enlarger Lens
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