"Modern Lens Design" 2nd Edition by Warren J. Smith Hu<p?mF#
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Contents of Modern Lens Design 2nd Edition F0@Qgk]\
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1 Introduction 6exRS]BI
1.1 Lens Design Books CD^CUbGk
1.2 Reference Material q^Z~IZ8IT
1.3 Specifications %oAL
1.4 Lens Design Wm<z?.lS
1.5 Lens Design Program Features ./#e1m?.
1.6 About This Book ,5/V@;i
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2 Automatic Lens Design "kX`FaAhY
2.2 The Merit Function HV ;;
2.3 Local Minima 92!JKZe
2.4 The Landscape Lens Q(lku"U'
2.5 Types of Merit Function Ee&hG[sx
2.6 Stagnation +AB6lv
2.7 Generalized Simulated Annealing 3@&bxYXm
2.8 Considerations about Variables for Optimization p ss6Oz8
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ;_iPm?Y8
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ue@8voZhS/
2.11 Spectral Weighting wuKl-:S;Vs
2.12 How to Get Started ,!`SY)
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3 Improving a Design PfyRZ[3)c
3.1 Lens Design Tip Sheet: Standard Improvement Techniques +L0J_.5%^
3.2 Glass Changes ( Index and V Values ) [#0Yt/G
3.3 Splitting Elements +)gGs#2X
3.4 Separating a Cemented Doublet tG/1pW
3.5 Compounding an Element T'8RkDI}-
3.6 Vignetting and Its Uses O7v]p
3.7 Eliminating a Weak Element; the Concentric Problem qtHfz"p
3.8 Balancing Aberrations qh-[L
3.9 The Symmetrical Principle aM), M]m[
3.10 Aspheric Surfaces =HMmrmz:
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4 Evaluation: How Good is This Design 9UP:J0 `
4.1 The Uses of a Preliminary Evaluation
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4.2 OPD versus Measures of Performance }&1Iyb
4.3 Geometric Blur Spot Size versus Certain Aberrations P<u"97@8a
4.4 Interpreting MTF - The Modulation Transfer Function &eIGF1ws
4.5 Fabrication Considerations co/7l sW
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5 Lens Design Data &s:=qQa1
5.1 About the Sample Lens Designs J^fm~P>.
5.2 Lens Prescriptions, Drawings, and Aberration Plots uArR\k(
5.3 Estimating the Potential of a Redesign k,rWa
5.4 Scaling a Desing, Its Aberrations, and Its MTF GQx9u^>
5.5 Notes on the Interpretation of Ray Intercept Plots E:FO_R(Xq
5.6 Various Evaluation Plot J='W+=N
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6 Telescope Objective #XI"@pD
6.1 The Thin Airspaced Doublet h~w4, T
6.2 Merit Function for a Telescope Objective M/{g(|{
6.3 The Design of an f/7 Cemented Doublet Telescope Objective M-Y0xWs
6.4 Spherochromatism x5OC;OQc
6.5 Zonal Spherical Aberration B;!f<"a8
6.6 Induced Aberrations )r9b:c\
6.7 Three-Element Objectives w>qCg XU3
6.8 Secondary Spectrum (Apochromatic Systems)
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6.9 The Design of an f/7 Apochromatic Triplet c&f
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6.10 The Diffractive Surface in Lens Design h>wcT VF
6.11 A Final Note <*u C
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7 Eyepieces and Magnifiers zE`R,:VI
7.1 Eyepieces 8Mu;U3cIW
7.2 A Pair of Magnifier Designs :
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7.3 The Simple, Classical Eyepieces :Q_x/+-
7.4 Design Story of an Eyepiece for a 6*30 Binocular /s
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7.5 Four-Element Eyepieces B,_`btJh
7.6 Five-Element Eyepieces .+E#q&=
7.7 Very High Index Eyepiece/Magnifier Ax!Gu$K2o
7.8 Six- and Seven-Element Eyepieces <tbZj=*O/o
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8 Cooke Triplet Anastigmats ~O:
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8.1 Airspaced Triplet Anastigmats Fk1.iRVzi
8.2 Glass Choice >|3a
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8.3 Vertex Length and Residual Aberrations )`8pd 7<.
8.4 Other Design Considerations &[@\ f^~
8.5 A Plastic, Aspheric Triplet Camera Lens ug*D52?
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet o2=A0ogz?
8.7 Possible Improvement to Our “Basic” Triplet H{V)g
8.7 The Rear Earth (Lanthanum) Glasses s&'BM~WI
8.9 Aspherizing the Surfaces \k@Z7+&7
8.10 Increasing the Element Thickness ->E=&X
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9 Split Triplets #U=;T]!'$
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10 The Tessar, Heliar, and Other Compounded Triplets W#XG;
10.1 The Classic Tessar gUVn;_
10.2 The Heliar/Pentac !QEL"iJ6M'
10.3 The Portrait Lens and the Enlarger Lens T&xt`|
10.4 Other Compounded Triplets }Qrab#v
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar k\N4@UK
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11 Double-Meniscus Anastigmats ,P6=~q3k
11.1 Meniscus Components z^W$%G
11.2 The Hypergon, Totogon, and Metrogon },c,30V'
11.3 A Two Element Aspheric Thick Meniscus Camera Lens O8|*M "
11.4 Protar, Dagor, and Convertible Lenses C+%K6/J(
11.5 The Split Dagor [s`
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11.6 The Dogmar [VSU"AJY
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens v-`h>J!Nx
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12 The Biotar or Double-Gauss Lens &mE?y%
12.1 The Basic Six-Element Version .Q>!B?)
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ]Kdet"+
12.3 The Seven-Element Biotar - Split-Rear Singlet !gP0ndRJ=
12.4 The Seven-Element Biotar - Broken Contact Front Doublet O~@fXMthh
12.5 The Seven-Element Biotar - One Compounded Outer Element NY.k.
12.6 The Eight-Element Biotar K:5eek
12.7 A “Doubled Double-Gauss” Relay ,EEPh>cXc
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13 Telephoto Lenses A0xC,V~z
13.1 The Basic Telephoto R,Oe$J<
13.2 Close-up or Macro Lenses Q:MhjkOr}
13.3 Telephoto Designs .px:e)iW
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ~]uZy=P? 5
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 0ys~2Y!eH
14.1 The Reverse Telephoto Principle nr\q7
14.2 The Basic Retrofocus Lens +F@_Es<6
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses @Doyt{|T
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15 Wide Angle Lenses with Negative Outer Lenses G&9#*<F$c
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16 The Petzval Lens; Head-up Display Lenses c3xl9S,5
16.1 The Petzval Portrait Lens Hs0pW5oZ
16.2 The Petzval Projection Lens E9 Y\X
16.3 The Petzval with a Field Flattener UAYd?r
16.4 Very Height Speed Petzval Lenses c-CYdi@
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ;D2E_!N
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17 Microscope Objectives '2^
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17.1 General Considerations Fu _@!K
17.2 Classic Objective Design Forms; The Aplanatic Front smU4jh9S
17.3 Flat-Field Objectives 'Ud|Ex@A9
17.4 Reflecting Objectives ..KwTf
17.5 The Microscope Objective Designs ~OFvu}]
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18 Mirror and Catadioptric Systems J7&DR^.Sw
18.1 The Good and Bad Points of Mirrors kv?|'DN
18.2 The Classic Two-Mirror Systems "="O >
18.3 Catadioptric Systems v}uJtBG(
18.4 Aspheric Correctors and Schmidt Systems n2ndjE$
18.5 Confocal Paraboloids ",B'k
18.6 Unobscured Systems BzbDZV
18.7 Design of a Schmidt-Cassegrain “from Scratch” B)=~8wsI:Z
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19 Infrared and Ultraviolet Systems <94G
19.1 Infrared Optics uJow7-FD
19.2 IR Objective Lenses U;^[$Aq
19.3 IR Telescope .BZVX=x
19.4 Laser Beam Expanders qfL-r,XS`F
19,5 Ultraviolet Systems t#~?{i@m
19.6 Microlithographic Lenses #hxyOq,
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20 Zoom Lenses |. C1|J'Z
20.1 Zoom Lenses w:ULi3
20.2 Zoom Lenses for Point and Shoot Cameras wNQqfqZ
20.3 A 20X Video Zoom Lens N:BL=}V
20.4 A Zoom Scanner Lens TZB+lj1
20.5 A Possible Zoom Lens Design Procedure 1'KishHK=
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21 Projection TV Lenses and Macro Lenses :nGMtF
21.1 Projection TV Lenses :jem~6i
21.2 Macro Lenses RA1yr+)
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22 Scanner/ , Laser Disk and Collimator Lenses 4tc:.
22.1 Monochromatic Systems 1~5trsB+5
22.2 Scanner Lenses >SI<rR[~%
22.3 Laser Disk, Focusing, and Collimator Lenses B5=($?5^6%
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23 Tolerance Budgeting 8L{u}|{
23.1 The Tolerance Budget
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23.2 Additive Tolerances EESN\_{~.
23.3 Establishing the Tolerance Budget :Ml7G
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24 Formulary f} K`Jm_}?
24.1 Sign Conventions, Symbols, and Definitions KS<Jv;
24.2 The Cardinal Points lpC
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24.3 Image Equations T{Zwm!s
24.4 Paraxial Ray Tracing (Surface by Surface) 6`e@$(dfA
24.5 Invariants #G;X' BN
24.6 Paraxial Ray Tracing (Component by Component) gR gog*z
24.7 Two-Componenet Relationships }STYG`
24.8 Third-Order Aberrations – Surface Contributions <