"Modern Lens Design" 2nd Edition by Warren J. Smith !,Cbb }
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Contents of Modern Lens Design 2nd Edition WuI$
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1 Introduction uvR l`"Y
1.1 Lens Design Books CbxWK#aMmB
1.2 Reference Material UxF9Ko( ]d
1.3 Specifications
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1.4 Lens Design b>#=7;
1.5 Lens Design Program Features nW K7 *
1.6 About This Book TI2K_'
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2 Automatic Lens Design f;OB"p
2.2 The Merit Function tv~Y5e&8
2.3 Local Minima / $s(OFbi#
2.4 The Landscape Lens X(.[rC>
2.5 Types of Merit Function 48 0M|^
2.6 Stagnation /C <p^#g9.
2.7 Generalized Simulated Annealing Nq6;
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2.8 Considerations about Variables for Optimization @)!N{x?
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems jS8B:>
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Q W c^}#!!
2.11 Spectral Weighting %\}5u[ V
2.12 How to Get Started `PI*\t0
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3 Improving a Design _7qa~7?f
3.1 Lens Design Tip Sheet: Standard Improvement Techniques E.0J94>iM
3.2 Glass Changes ( Index and V Values ) -eD]gm
3.3 Splitting Elements MZWv#;.]
3.4 Separating a Cemented Doublet rz`"$g+#
3.5 Compounding an Element ~4twI*f
3.6 Vignetting and Its Uses .A_R6~::
3.7 Eliminating a Weak Element; the Concentric Problem ;|$o z{Ll
3.8 Balancing Aberrations R[* n3
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3.9 The Symmetrical Principle E="uDHw+
3.10 Aspheric Surfaces =:6B`,~C
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4 Evaluation: How Good is This Design Jt<J#M<}7
4.1 The Uses of a Preliminary Evaluation 9 :=:P>
4.2 OPD versus Measures of Performance a({N}ZDo
4.3 Geometric Blur Spot Size versus Certain Aberrations g>gf-2%Uo
4.4 Interpreting MTF - The Modulation Transfer Function })?-)fFD
4.5 Fabrication Considerations i\DU<lD5VN
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5 Lens Design Data q"S,<I<f
5.1 About the Sample Lens Designs =FiO{Aw `N
5.2 Lens Prescriptions, Drawings, and Aberration Plots ;i/? fw[h
5.3 Estimating the Potential of a Redesign JBZ1DZAWC
5.4 Scaling a Desing, Its Aberrations, and Its MTF ~v:IgS
5.5 Notes on the Interpretation of Ray Intercept Plots Y%|dM/a`
5.6 Various Evaluation Plot hd(TKFL^y
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6 Telescope Objective -yBj7F|
6.1 The Thin Airspaced Doublet fU$ _5v4
6.2 Merit Function for a Telescope Objective Zu>-y #Bw
6.3 The Design of an f/7 Cemented Doublet Telescope Objective pp7
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6.4 Spherochromatism R9"}-A
6.5 Zonal Spherical Aberration I36%oA
6.6 Induced Aberrations <%rm?;PBl
6.7 Three-Element Objectives P &@,Z# \
6.8 Secondary Spectrum (Apochromatic Systems) O,v C:av
6.9 The Design of an f/7 Apochromatic Triplet hsYE&Np_Q
6.10 The Diffractive Surface in Lens Design c9c3o{(6Y
6.11 A Final Note bGy|T*@
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7 Eyepieces and Magnifiers Qgv g*KX
7.1 Eyepieces 0 VG;z#{J
7.2 A Pair of Magnifier Designs T (]*jaB
7.3 The Simple, Classical Eyepieces Ai^0{kF6
7.4 Design Story of an Eyepiece for a 6*30 Binocular /& c2y=/'C
7.5 Four-Element Eyepieces guf*>qNr
7.6 Five-Element Eyepieces \i}-Y[Dg
7.7 Very High Index Eyepiece/Magnifier D@ !r?E`
7.8 Six- and Seven-Element Eyepieces gX(Xj@=(&
T/ eX7p1
8 Cooke Triplet Anastigmats vifw
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8.1 Airspaced Triplet Anastigmats D`'Cnt/
8.2 Glass Choice =K|#5p`
8.3 Vertex Length and Residual Aberrations > LN*3&W
8.4 Other Design Considerations 0w< i lJ
8.5 A Plastic, Aspheric Triplet Camera Lens CF\wR;6k
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet D&G?Klq
8.7 Possible Improvement to Our “Basic” Triplet ~ISY( &
8.7 The Rear Earth (Lanthanum) Glasses 7sWe32
8.9 Aspherizing the Surfaces qdmAkYUC
8.10 Increasing the Element Thickness ""|;5kJS4
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9 Split Triplets 1w7XM0SHcn
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10 The Tessar, Heliar, and Other Compounded Triplets B*Om\I
10.1 The Classic Tessar ".N{v1
10.2 The Heliar/Pentac V} 7)>i$A
10.3 The Portrait Lens and the Enlarger Lens v&d 'AB eT
10.4 Other Compounded Triplets R?/xH=u>
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar h| `R[
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11 Double-Meniscus Anastigmats l]Xbd{
11.1 Meniscus Components A"s?;hv\fS
11.2 The Hypergon, Totogon, and Metrogon ur=:Ha
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 4` fV_H.8
11.4 Protar, Dagor, and Convertible Lenses @ uN+]e+3
11.5 The Split Dagor _ 8F;-7Sz
11.6 The Dogmar F< 5kcu#iL
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens KK4e'[Wf
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12 The Biotar or Double-Gauss Lens #3{}(T7
12.1 The Basic Six-Element Version ?9!9l SH6%
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens )R?uz X^qf
12.3 The Seven-Element Biotar - Split-Rear Singlet J7aYi]vI
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 5JK'2J&
12.5 The Seven-Element Biotar - One Compounded Outer Element RP [`\
12.6 The Eight-Element Biotar 7N@[Rtv
12.7 A “Doubled Double-Gauss” Relay BafNF Pc
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13 Telephoto Lenses yGrnzB6 |
13.1 The Basic Telephoto "L1LL
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13.2 Close-up or Macro Lenses 5K682+^5
13.3 Telephoto Designs 'irwecd8
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch JKO *bbj
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 8;c\} D
14.1 The Reverse Telephoto Principle m\/) m]wR
14.2 The Basic Retrofocus Lens Z]bG "K3l
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses "UhE'\()
S~ S>62
15 Wide Angle Lenses with Negative Outer Lenses
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16 The Petzval Lens; Head-up Display Lenses X eY[;}9
16.1 The Petzval Portrait Lens `d4xX@
16.2 The Petzval Projection Lens ,/TmTX--d
16.3 The Petzval with a Field Flattener G %\/[
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16.4 Very Height Speed Petzval Lenses B]}gfVO
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems * 8;< w~
M5d EZ
17 Microscope Objectives F9r/
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17.1 General Considerations %6^nb'l'C
17.2 Classic Objective Design Forms; The Aplanatic Front Tz.okCo]z
17.3 Flat-Field Objectives #f_'&m
17.4 Reflecting Objectives "oFi+']*
17.5 The Microscope Objective Designs c=bK_Z_
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18 Mirror and Catadioptric Systems ] q[( z
18.1 The Good and Bad Points of Mirrors Nge@8
18.2 The Classic Two-Mirror Systems Z)=S>06X Q
18.3 Catadioptric Systems k\*?<g
18.4 Aspheric Correctors and Schmidt Systems D)l\zs%ie
18.5 Confocal Paraboloids |22 vNt_
18.6 Unobscured Systems +/kOU z/]
18.7 Design of a Schmidt-Cassegrain “from Scratch” Vkd_&z7
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19 Infrared and Ultraviolet Systems 1q5S"=+W[
19.1 Infrared Optics YO?o$Hv16
19.2 IR Objective Lenses UWS 91GN@
19.3 IR Telescope |r?0!;bN0
19.4 Laser Beam Expanders s6 (md<r
19,5 Ultraviolet Systems )p> p3b g
19.6 Microlithographic Lenses +F-Y^):
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20 Zoom Lenses Ygkf}n
20.1 Zoom Lenses %{cVG-<_iz
20.2 Zoom Lenses for Point and Shoot Cameras O{7#Xj
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20.3 A 20X Video Zoom Lens a K|
20.4 A Zoom Scanner Lens tX1`/}``
20.5 A Possible Zoom Lens Design Procedure S
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21 Projection TV Lenses and Macro Lenses }U5$~, *p
21.1 Projection TV Lenses $v e$Sq
21.2 Macro Lenses s"w^E\ >6
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22 Scanner/ , Laser Disk and Collimator Lenses \T<F# a
22.1 Monochromatic Systems Qy4Pw\
22.2 Scanner Lenses qxHn+ O!h
22.3 Laser Disk, Focusing, and Collimator Lenses kRb JK
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23 Tolerance Budgeting pr4y*!|Y$
23.1 The Tolerance Budget a|4D6yUw|
23.2 Additive Tolerances 3="vOSJ6&
23.3 Establishing the Tolerance Budget T \- x3i
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24 Formulary *14:^neoI
24.1 Sign Conventions, Symbols, and Definitions T<Q a`|5 >
24.2 The Cardinal Points ya^8mp-
24.3 Image Equations fi ~@J`
24.4 Paraxial Ray Tracing (Surface by Surface) ; qbK[3.
24.5 Invariants 8 *{jxN'M
24.6 Paraxial Ray Tracing (Component by Component) wmXI8'~F&
24.7 Two-Componenet Relationships QkHG `yW
24.8 Third-Order Aberrations – Surface Contributions *mWl=J; u
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs LN<rBF[_:f
24.10 Stop Shift Equations n4 N6]W\5
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ]>k8v6*=
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Q!=`|X|:
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Glossary ev+H{5W8
Reference v JVh%l+
Index
