"Modern Lens Design" 2nd Edition by Warren J. Smith W#\};P
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Contents of Modern Lens Design 2nd Edition m;+1;B
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1 Introduction xA'#JN<*
1.1 Lens Design Books P:-/3
1.2 Reference Material x&/Syb
1.3 Specifications +Y]*>afG
1.4 Lens Design &r5%WRzpYT
1.5 Lens Design Program Features -x\ l<\*
1.6 About This Book H g_
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2 Automatic Lens Design `"mK\M
2.2 The Merit Function }J'w z;t1
2.3 Local Minima 4x?u5L
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2.4 The Landscape Lens UkbQ'P+oS
2.5 Types of Merit Function H1qw1[%0y
2.6 Stagnation Dlf=N$BL7d
2.7 Generalized Simulated Annealing i{[H3 p8
2.8 Considerations about Variables for Optimization |A/_Qe|s2
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems [#6Esy8|
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits dB)hW'J?
2.11 Spectral Weighting UZ3Aq12U}a
2.12 How to Get Started RW [<e
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3 Improving a Design }e =GvWGa
3.1 Lens Design Tip Sheet: Standard Improvement Techniques #&KE_ n
3.2 Glass Changes ( Index and V Values ) J3S+| x h~
3.3 Splitting Elements (wF$"c3'{
3.4 Separating a Cemented Doublet !
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3.5 Compounding an Element =V]i?31 [
3.6 Vignetting and Its Uses l"y 9XO|
3.7 Eliminating a Weak Element; the Concentric Problem pYUkd!K"
3.8 Balancing Aberrations 3Il/3\
3.9 The Symmetrical Principle \ 1'R}B@;
3.10 Aspheric Surfaces V*uu:
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4 Evaluation: How Good is This Design K2`Wc Ee
4.1 The Uses of a Preliminary Evaluation :!15>ML;-
4.2 OPD versus Measures of Performance %)ov,p |
4.3 Geometric Blur Spot Size versus Certain Aberrations -+@~*$
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4.4 Interpreting MTF - The Modulation Transfer Function ~0G X~{;r
4.5 Fabrication Considerations Z@O
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5 Lens Design Data 5<?$/H|7T
5.1 About the Sample Lens Designs O[B_7
5.2 Lens Prescriptions, Drawings, and Aberration Plots jN>UW} ?
5.3 Estimating the Potential of a Redesign >(KUY X?p
5.4 Scaling a Desing, Its Aberrations, and Its MTF "E !p 1
5.5 Notes on the Interpretation of Ray Intercept Plots y+R$pz X
5.6 Various Evaluation Plot #| E. y^IC
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6 Telescope Objective W?Abx
6.1 The Thin Airspaced Doublet &Sp:?I-
6.2 Merit Function for a Telescope Objective 4<Y[L'UaA@
6.3 The Design of an f/7 Cemented Doublet Telescope Objective )W JI=jl
6.4 Spherochromatism 4>`w9
6.5 Zonal Spherical Aberration *X5LyO3-gP
6.6 Induced Aberrations [/j-d
6.7 Three-Element Objectives cNC BbOMr
6.8 Secondary Spectrum (Apochromatic Systems) )PNk
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6.9 The Design of an f/7 Apochromatic Triplet PP|xIAc
6.10 The Diffractive Surface in Lens Design j'cCX[i
6.11 A Final Note uoc- qmm
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7 Eyepieces and Magnifiers {'aqOlw3<j
7.1 Eyepieces I@v.Hqg+7
7.2 A Pair of Magnifier Designs 5X|aa>/
7.3 The Simple, Classical Eyepieces H 8k| >4
7.4 Design Story of an Eyepiece for a 6*30 Binocular /^ 7
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7.5 Four-Element Eyepieces YP97 D n
7.6 Five-Element Eyepieces $R36`wk
7.7 Very High Index Eyepiece/Magnifier )+R3C%
7.8 Six- and Seven-Element Eyepieces ( h,F{7
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8 Cooke Triplet Anastigmats x 9s` H)
8.1 Airspaced Triplet Anastigmats R_DQtLI
8.2 Glass Choice f89<o#bm7h
8.3 Vertex Length and Residual Aberrations Mt0|`=64
8.4 Other Design Considerations |8ZAE%/d
8.5 A Plastic, Aspheric Triplet Camera Lens C.p*mO&N
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet CcE TS}Q0C
8.7 Possible Improvement to Our “Basic” Triplet EJY: C9W
8.7 The Rear Earth (Lanthanum) Glasses BtZm_SeA
8.9 Aspherizing the Surfaces cn{l
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8.10 Increasing the Element Thickness EatDT*!
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9 Split Triplets 0C_Qp% Z
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10 The Tessar, Heliar, and Other Compounded Triplets 1-<Xi-=^{t
10.1 The Classic Tessar Rv o<ISp
10.2 The Heliar/Pentac
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10.3 The Portrait Lens and the Enlarger Lens oaE3Aa
10.4 Other Compounded Triplets !{\c`Z<#
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar U {v_0\ES
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11 Double-Meniscus Anastigmats ktb. fhO
11.1 Meniscus Components '(*D3ysU
11.2 The Hypergon, Totogon, and Metrogon 6 , ~aV
11.3 A Two Element Aspheric Thick Meniscus Camera Lens \ 02e
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11.4 Protar, Dagor, and Convertible Lenses h~t]WN
11.5 The Split Dagor Sj+#yct -
11.6 The Dogmar @,.H)\a4
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ~46ed3eGzi
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12 The Biotar or Double-Gauss Lens iqYc& }k,
12.1 The Basic Six-Element Version e{/\znBS%
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 7ac3N
12.3 The Seven-Element Biotar - Split-Rear Singlet E}+A)7m A
12.4 The Seven-Element Biotar - Broken Contact Front Doublet xa:P(x 3[
12.5 The Seven-Element Biotar - One Compounded Outer Element X)S4rW%
12.6 The Eight-Element Biotar }_x oT9HUr
12.7 A “Doubled Double-Gauss” Relay I+SL0
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13 Telephoto Lenses J4; " .Y=
13.1 The Basic Telephoto n\4+xZr
13.2 Close-up or Macro Lenses ^,gKA\Wli
13.3 Telephoto Designs oY: " nE
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch |@nXl ZE
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses
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14.1 The Reverse Telephoto Principle (;3jmdJhK
14.2 The Basic Retrofocus Lens # L R[6l
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ^C{a'
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15 Wide Angle Lenses with Negative Outer Lenses M?o`tWLhF
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16 The Petzval Lens; Head-up Display Lenses rO~D{)Nu
16.1 The Petzval Portrait Lens ;I0/zeM%
16.2 The Petzval Projection Lens %JZIg!
16.3 The Petzval with a Field Flattener 7E' C o|
16.4 Very Height Speed Petzval Lenses 0=iJT4IEJ
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems
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17 Microscope Objectives ^B/{
17.1 General Considerations LO229`ARr|
17.2 Classic Objective Design Forms; The Aplanatic Front 0I K' ]C
17.3 Flat-Field Objectives UJI1n?~
17.4 Reflecting Objectives A`KTm (
17.5 The Microscope Objective Designs V/Tp &+Z.c
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18 Mirror and Catadioptric Systems 2iu;7/
18.1 The Good and Bad Points of Mirrors C~B^sG@;
18.2 The Classic Two-Mirror Systems q$K~BgFzpZ
18.3 Catadioptric Systems 0M"E6 z)9
18.4 Aspheric Correctors and Schmidt Systems H >B:jJf
18.5 Confocal Paraboloids x]:mc%4-Z
18.6 Unobscured Systems x ;I*Ho
18.7 Design of a Schmidt-Cassegrain “from Scratch” UkUdpZ.[il
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19 Infrared and Ultraviolet Systems
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19.1 Infrared Optics .d2s4q\
19.2 IR Objective Lenses g8C+j6uR0
19.3 IR Telescope BB-`=X~:m
19.4 Laser Beam Expanders rRMC< .=
19,5 Ultraviolet Systems t|/ /oEY
19.6 Microlithographic Lenses &lD4-_2J
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20 Zoom Lenses ;Wr$hDt^
20.1 Zoom Lenses 7 ]Z*]GRX
20.2 Zoom Lenses for Point and Shoot Cameras q+z,{K
20.3 A 20X Video Zoom Lens zr,jaR;
20.4 A Zoom Scanner Lens /{lls2ycW%
20.5 A Possible Zoom Lens Design Procedure +um;
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21 Projection TV Lenses and Macro Lenses |Q{ l ]D
21.1 Projection TV Lenses 0-@wa K
21.2 Macro Lenses #M:W?&.
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22 Scanner/ , Laser Disk and Collimator Lenses kys?% Y1
22.1 Monochromatic Systems kn! J`"b
22.2 Scanner Lenses 9QpKB
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22.3 Laser Disk, Focusing, and Collimator Lenses 4CDmq[AVS[
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23 Tolerance Budgeting q+N}AKa wB
23.1 The Tolerance Budget rh+OgK i
23.2 Additive Tolerances # xO`k1W.
23.3 Establishing the Tolerance Budget (T@ov~ @
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24 Formulary !nu#r$K(
24.1 Sign Conventions, Symbols, and Definitions _PuMZjGL
24.2 The Cardinal Points Si;e_ a
24.3 Image Equations 9J<KR #M
24.4 Paraxial Ray Tracing (Surface by Surface) X%;,r
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24.5 Invariants 0j3j/={|.1
24.6 Paraxial Ray Tracing (Component by Component) L-fAT'!'
24.7 Two-Componenet Relationships !a0HF p$9
24.8 Third-Order Aberrations – Surface Contributions 8gZ5D
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs Q
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24.10 Stop Shift Equations $XJe )
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces p 0-\G6
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) R^D~ic
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Glossary \ PL92HV
Reference FC(m)S2
Index
