"Modern Lens Design" 2nd Edition by Warren J. Smith AqV09 $
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Contents of Modern Lens Design 2nd Edition JFkN=YR8
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1 Introduction _1>SG2h{fV
1.1 Lens Design Books :`0'GM" `
1.2 Reference Material v:rD3=M-
1.3 Specifications .E+OmJwD
1.4 Lens Design
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1.5 Lens Design Program Features }#yU'#|d
1.6 About This Book |',M_
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2 Automatic Lens Design I@n*[EC
2.2 The Merit Function &Nc[$H7<
2.3 Local Minima <7=&DpjI7F
2.4 The Landscape Lens (VgNb&Yo9
2.5 Types of Merit Function QVIcb;&:}
2.6 Stagnation gjW\
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2.7 Generalized Simulated Annealing UTZ776`S&X
2.8 Considerations about Variables for Optimization DH5bpg&T
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 7\mDBG
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits w#*/ y?"D
2.11 Spectral Weighting M_k`%o
2.12 How to Get Started -=>sTMWpr
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3 Improving a Design A -Mj|V
3.1 Lens Design Tip Sheet: Standard Improvement Techniques B@-|b
3.2 Glass Changes ( Index and V Values ) ?4^};wDb2
3.3 Splitting Elements N99[.mErU
3.4 Separating a Cemented Doublet p-.Ri^p
3.5 Compounding an Element 4~!Eje!
3.6 Vignetting and Its Uses O?CdAnhQc`
3.7 Eliminating a Weak Element; the Concentric Problem R"@7m!IA
3.8 Balancing Aberrations hM?`x(P
3.9 The Symmetrical Principle
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3.10 Aspheric Surfaces >-!r9"8@
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4 Evaluation: How Good is This Design d$pYo)8o({
4.1 The Uses of a Preliminary Evaluation `M&P[.9Pz
4.2 OPD versus Measures of Performance 9I85EcT^4"
4.3 Geometric Blur Spot Size versus Certain Aberrations _=pWG^a
4.4 Interpreting MTF - The Modulation Transfer Function )1WMlG
4.5 Fabrication Considerations ;_}~%-_
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5 Lens Design Data ;AKwx|I$g
5.1 About the Sample Lens Designs axX{6
5.2 Lens Prescriptions, Drawings, and Aberration Plots ]D O&x+Rb
5.3 Estimating the Potential of a Redesign 69>/@<
5.4 Scaling a Desing, Its Aberrations, and Its MTF PSPTL3_~
5.5 Notes on the Interpretation of Ray Intercept Plots Pb#P`L7OB
5.6 Various Evaluation Plot `?l3Ct*
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6 Telescope Objective CphFv!k'Z
6.1 The Thin Airspaced Doublet S_6g~PHsr
6.2 Merit Function for a Telescope Objective A_Rrcsl4
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >z(wf>2J
6.4 Spherochromatism K4:
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6.5 Zonal Spherical Aberration 09'oz*v{#
6.6 Induced Aberrations J96uyS*
6.7 Three-Element Objectives 9UV9h_.x
6.8 Secondary Spectrum (Apochromatic Systems) @Gt`Ds9=
6.9 The Design of an f/7 Apochromatic Triplet 3f"C!l]Xu
6.10 The Diffractive Surface in Lens Design pe.Ml7o"
6.11 A Final Note RND9D\7
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7 Eyepieces and Magnifiers /'ZKS T4
7.1 Eyepieces {=67XrWN1
7.2 A Pair of Magnifier Designs R::zuv
7.3 The Simple, Classical Eyepieces kO1}?dWpa
7.4 Design Story of an Eyepiece for a 6*30 Binocular nq1
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7.5 Four-Element Eyepieces /&r|ec5
7.6 Five-Element Eyepieces M*w' 1fT
7.7 Very High Index Eyepiece/Magnifier sef]>q
7.8 Six- and Seven-Element Eyepieces nBkh:5E5%
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8 Cooke Triplet Anastigmats {L].T#
8.1 Airspaced Triplet Anastigmats ?^}_j
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8.2 Glass Choice ?F_)-
8.3 Vertex Length and Residual Aberrations lNz]HiD
8.4 Other Design Considerations FH8k'Hxg
8.5 A Plastic, Aspheric Triplet Camera Lens O(c@PJem
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet /`3#4=5-
8.7 Possible Improvement to Our “Basic” Triplet eklgLU-+fW
8.7 The Rear Earth (Lanthanum) Glasses 5pfYEofK[
8.9 Aspherizing the Surfaces :Wc_Utt
8.10 Increasing the Element Thickness u#@RM^738d
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9 Split Triplets lq>AGw
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10 The Tessar, Heliar, and Other Compounded Triplets Z+4D.bA
10.1 The Classic Tessar o:~LF6A-
10.2 The Heliar/Pentac 2%]Z
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10.3 The Portrait Lens and the Enlarger Lens Z.1>
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10.4 Other Compounded Triplets Ch19h8M
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Ji?#.r`"n
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11 Double-Meniscus Anastigmats qtMD CXZ^n
11.1 Meniscus Components [%pRfjM
11.2 The Hypergon, Totogon, and Metrogon ,6{iT,~@8
11.3 A Two Element Aspheric Thick Meniscus Camera Lens <CZgQ\Mt
11.4 Protar, Dagor, and Convertible Lenses ,eRQu.
11.5 The Split Dagor T^:fn-S}=
11.6 The Dogmar E=$p^s
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 3I $>uR
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12 The Biotar or Double-Gauss Lens b?T
12.1 The Basic Six-Element Version H,y4`p 0
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Zsx3/}
12.3 The Seven-Element Biotar - Split-Rear Singlet G^;>8r
12.4 The Seven-Element Biotar - Broken Contact Front Doublet y >+mc7n
12.5 The Seven-Element Biotar - One Compounded Outer Element [0y$! f4
12.6 The Eight-Element Biotar 2VoKr)
12.7 A “Doubled Double-Gauss” Relay M{mSd2
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13 Telephoto Lenses m@Rtlb
13.1 The Basic Telephoto =0
13.2 Close-up or Macro Lenses Ii&7rdoxe
13.3 Telephoto Designs 3\:y8|
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch bt$)Xu<R
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses (Pbg[AY
14.1 The Reverse Telephoto Principle AUe# RP
14.2 The Basic Retrofocus Lens F?-R$<Cn2~
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses SUM4Di7
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15 Wide Angle Lenses with Negative Outer Lenses ,9D+brm
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16 The Petzval Lens; Head-up Display Lenses >znRyQ~bM
16.1 The Petzval Portrait Lens n$n7-7
16.2 The Petzval Projection Lens '#/G,%m<!i
16.3 The Petzval with a Field Flattener alq%H}FF
16.4 Very Height Speed Petzval Lenses De&6 9
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems m3<+yz$!r
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17 Microscope Objectives "vZ!vt#'Y
17.1 General Considerations $~;D9
17.2 Classic Objective Design Forms; The Aplanatic Front *%/~mSx
17.3 Flat-Field Objectives Yz$3;
17.4 Reflecting Objectives s?R2B)a
17.5 The Microscope Objective Designs ^BQrbY
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18 Mirror and Catadioptric Systems \</b4iR)LT
18.1 The Good and Bad Points of Mirrors ?>"Yr,b?
18.2 The Classic Two-Mirror Systems ig}A9j?]
18.3 Catadioptric Systems <FI-zca
18.4 Aspheric Correctors and Schmidt Systems ?';OD3-
18.5 Confocal Paraboloids ,\2:/>2
18.6 Unobscured Systems zOgTQs"ZH
18.7 Design of a Schmidt-Cassegrain “from Scratch” F#
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19 Infrared and Ultraviolet Systems Rp7ntI:
19.1 Infrared Optics V'*~L\;pU
19.2 IR Objective Lenses a2Pf/D]n
19.3 IR Telescope A+J*e
19.4 Laser Beam Expanders %wcSM~w
19,5 Ultraviolet Systems Ig]iT
19.6 Microlithographic Lenses X4l@woh%
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20 Zoom Lenses \.YS%"Vz
20.1 Zoom Lenses $Iv2j">3)
20.2 Zoom Lenses for Point and Shoot Cameras JM1R ;i6
20.3 A 20X Video Zoom Lens t58e(dgi
20.4 A Zoom Scanner Lens l7# yZ*<v
20.5 A Possible Zoom Lens Design Procedure ,C%eBna4Iq
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21 Projection TV Lenses and Macro Lenses
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21.1 Projection TV Lenses ;bHV
21.2 Macro Lenses {:@tQdM:i8
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22 Scanner/ , Laser Disk and Collimator Lenses 9z)5Mdf1j
22.1 Monochromatic Systems E|'h]NY
22.2 Scanner Lenses @2'Mt}R>
22.3 Laser Disk, Focusing, and Collimator Lenses Z R/#V7Pj
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23 Tolerance Budgeting 5waKI?4F
23.1 The Tolerance Budget zg-2C>(6a
23.2 Additive Tolerances Hx,0zS%>
23.3 Establishing the Tolerance Budget K2%w0ohC
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24 Formulary UG=K|OXWJ
24.1 Sign Conventions, Symbols, and Definitions a7N!B' y
24.2 The Cardinal Points q.,JVGMS
24.3 Image Equations `{qG1
24.4 Paraxial Ray Tracing (Surface by Surface) @v}/zS
24.5 Invariants mZd ,
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24.6 Paraxial Ray Tracing (Component by Component) sc,Xw:YO
24.7 Two-Componenet Relationships _h}kp\sps
24.8 Third-Order Aberrations – Surface Contributions giz7{Ai
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs EkziAON
24.10 Stop Shift Equations BcI|:qv|
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces +TXX$)3%
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) !.d@L6
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Glossary B(M6@1m_
Reference y*X_T,K8
Index