"Modern Lens Design" 2nd Edition by Warren J. Smith gb_k^wg~1'
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Contents of Modern Lens Design 2nd Edition fhp][)g;
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1 Introduction }x1*4+Y1
1.1 Lens Design Books HLcK d`$/
1.2 Reference Material {!hA^[}|
1.3 Specifications n.$wW
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1.4 Lens Design 9L'R;H?L
1.5 Lens Design Program Features wA<#E6^vG
1.6 About This Book lvz&7Z b
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2 Automatic Lens Design Iz\IQa
2.2 The Merit Function 85 tQHm6j
2.3 Local Minima X}v]iX
2.4 The Landscape Lens %Ot^G%34
2.5 Types of Merit Function ~Xg@,?Zr
2.6 Stagnation S:GX!6>
2.7 Generalized Simulated Annealing N8|
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2.8 Considerations about Variables for Optimization D'Gmua]I
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems yA+:\%y$
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits L
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2.11 Spectral Weighting ,IW$XD
2.12 How to Get Started "7pd(p *C
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3 Improving a Design 3%<xM/#
3.1 Lens Design Tip Sheet: Standard Improvement Techniques nx >PZb
3.2 Glass Changes ( Index and V Values ) \$Nx`daFi
3.3 Splitting Elements *@r)3
3.4 Separating a Cemented Doublet |8b*BnS
3.5 Compounding an Element 1e>,QX
3.6 Vignetting and Its Uses 'o2x7~C@
3.7 Eliminating a Weak Element; the Concentric Problem Ncu\;K\N
3.8 Balancing Aberrations W|@/<K$V
3.9 The Symmetrical Principle el*C8TWlw
3.10 Aspheric Surfaces ||&EmH
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4 Evaluation: How Good is This Design WX}"Pj/6
4.1 The Uses of a Preliminary Evaluation 4#Fz!Km
4.2 OPD versus Measures of Performance v(\kSlJ
4.3 Geometric Blur Spot Size versus Certain Aberrations 6t|FuTC
4.4 Interpreting MTF - The Modulation Transfer Function ZgL4$%
4.5 Fabrication Considerations [*O#6Xu
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5 Lens Design Data m1X0stFRs"
5.1 About the Sample Lens Designs \KmjA)(
5.2 Lens Prescriptions, Drawings, and Aberration Plots /u
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5.3 Estimating the Potential of a Redesign f_r1(o5:Y
5.4 Scaling a Desing, Its Aberrations, and Its MTF RbJ,J)C>
5.5 Notes on the Interpretation of Ray Intercept Plots 42?X)n>
5.6 Various Evaluation Plot I%43rdoPe
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6 Telescope Objective "]ow1{
6.1 The Thin Airspaced Doublet dIG(7~
6.2 Merit Function for a Telescope Objective #k1%}k=
6.3 The Design of an f/7 Cemented Doublet Telescope Objective /YWoDHL
6.4 Spherochromatism /s>ZT8vaAs
6.5 Zonal Spherical Aberration qTnfiYG}
6.6 Induced Aberrations zlmb_akJ
6.7 Three-Element Objectives 'Lft\.C
6.8 Secondary Spectrum (Apochromatic Systems) AfG!(AF`
6.9 The Design of an f/7 Apochromatic Triplet |*0oz=
6.10 The Diffractive Surface in Lens Design `Njv#K} U
6.11 A Final Note 1o7
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7 Eyepieces and Magnifiers ,>n 4
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7.1 Eyepieces ip4:px-
7.2 A Pair of Magnifier Designs >+=)Q,|R
7.3 The Simple, Classical Eyepieces R/M:~h~F!
7.4 Design Story of an Eyepiece for a 6*30 Binocular w8*+l0
7.5 Four-Element Eyepieces +d6/*}ht
7.6 Five-Element Eyepieces
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7.7 Very High Index Eyepiece/Magnifier Ud0%O
7.8 Six- and Seven-Element Eyepieces >A|6kzC
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8 Cooke Triplet Anastigmats . \*Z:
8.1 Airspaced Triplet Anastigmats .!Kdi| a)
8.2 Glass Choice KL!k'4JNY
8.3 Vertex Length and Residual Aberrations ^9o;=!D!9
8.4 Other Design Considerations \Nu(+G?e
8.5 A Plastic, Aspheric Triplet Camera Lens MI|DOp
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ^u#!Yo.!(
8.7 Possible Improvement to Our “Basic” Triplet "xlf6pm%
8.7 The Rear Earth (Lanthanum) Glasses lNQ t
8.9 Aspherizing the Surfaces $!Z6?+
8.10 Increasing the Element Thickness o;mXk2
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9 Split Triplets ="RDcf/
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10 The Tessar, Heliar, and Other Compounded Triplets L$h.VQv+
10.1 The Classic Tessar oYnA 3
10.2 The Heliar/Pentac WEUr;f
10.3 The Portrait Lens and the Enlarger Lens n8Jx;j
10.4 Other Compounded Triplets A?q[C4-BO,
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar zv!%u=49
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11 Double-Meniscus Anastigmats m1=3@>
11.1 Meniscus Components 3x9O<H}
11.2 The Hypergon, Totogon, and Metrogon D{h1"q
11.3 A Two Element Aspheric Thick Meniscus Camera Lens zTBr<:
11.4 Protar, Dagor, and Convertible Lenses x`w
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11.5 The Split Dagor [[QrGJr
11.6 The Dogmar X^#48*"a
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens mQBq-;
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12 The Biotar or Double-Gauss Lens 4s~YqP{K
12.1 The Basic Six-Element Version oL#^=vid"
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ,IxAt&kN
12.3 The Seven-Element Biotar - Split-Rear Singlet -*k%'Gr
12.4 The Seven-Element Biotar - Broken Contact Front Doublet (1%u`#5n-N
12.5 The Seven-Element Biotar - One Compounded Outer Element g4P059
12.6 The Eight-Element Biotar O82T| 0uw
12.7 A “Doubled Double-Gauss” Relay TS)p2#
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13 Telephoto Lenses /}r%DND'
13.1 The Basic Telephoto *nluK
13.2 Close-up or Macro Lenses |Rw0$he
13.3 Telephoto Designs :^71,An >E
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Z&@X4X"q
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ]]Ypi=<'
14.1 The Reverse Telephoto Principle
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14.2 The Basic Retrofocus Lens <g5Btwo%
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses tfvX0J
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15 Wide Angle Lenses with Negative Outer Lenses Z_D8}$!
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16 The Petzval Lens; Head-up Display Lenses [#kfl
16.1 The Petzval Portrait Lens n`? j.
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16.2 The Petzval Projection Lens ..3TB=Z#
16.3 The Petzval with a Field Flattener @a)@1:=Rm
16.4 Very Height Speed Petzval Lenses [Oe$E5qv)]
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems J2Ocf&y;
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17 Microscope Objectives !]&a/$U
17.1 General Considerations +|).dm
17.2 Classic Objective Design Forms; The Aplanatic Front Xz4!#,z/
17.3 Flat-Field Objectives 4Z"DF)+}
17.4 Reflecting Objectives j?29_Az
17.5 The Microscope Objective Designs mm'n#%\G
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18 Mirror and Catadioptric Systems oU% rP
18.1 The Good and Bad Points of Mirrors 49^;T;'v
18.2 The Classic Two-Mirror Systems BJ<hP9#
18.3 Catadioptric Systems rXuhd [!(P
18.4 Aspheric Correctors and Schmidt Systems DGj:qd(
18.5 Confocal Paraboloids m:d
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18.6 Unobscured Systems @zB {Ig
18.7 Design of a Schmidt-Cassegrain “from Scratch” ~t n*y4uK
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19 Infrared and Ultraviolet Systems t@QaxZIlt;
19.1 Infrared Optics T|Sz~nO}f
19.2 IR Objective Lenses b/5?)!I
19.3 IR Telescope Ovv~ymj
19.4 Laser Beam Expanders e3"GC_*#
19,5 Ultraviolet Systems 1T!b#x4
19.6 Microlithographic Lenses Jm0P~E[n
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20 Zoom Lenses v*<hE>J0
20.1 Zoom Lenses WW\u}z.QJ
20.2 Zoom Lenses for Point and Shoot Cameras b%L8mX
20.3 A 20X Video Zoom Lens Zk__CgS#
20.4 A Zoom Scanner Lens v{$X2z_$w
20.5 A Possible Zoom Lens Design Procedure 21bvSK
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21 Projection TV Lenses and Macro Lenses F?\XhoJ3G
21.1 Projection TV Lenses msM
21.2 Macro Lenses Xa=oryDt
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22 Scanner/ , Laser Disk and Collimator Lenses 6x)7=_:0
22.1 Monochromatic Systems *9y)B|P^
22.2 Scanner Lenses q,F\8M\$
22.3 Laser Disk, Focusing, and Collimator Lenses D)U
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23 Tolerance Budgeting s]50Y-C
23.1 The Tolerance Budget jOa .h
23.2 Additive Tolerances >8D!K0?E
23.3 Establishing the Tolerance Budget R2vT\ 6xv
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24 Formulary Yrs7F.Y"
24.1 Sign Conventions, Symbols, and Definitions , 7KP
24.2 The Cardinal Points JS<S?j?*/
24.3 Image Equations $wg5q\Rv
24.4 Paraxial Ray Tracing (Surface by Surface) KiAWr-~gJ
24.5 Invariants >!848J
24.6 Paraxial Ray Tracing (Component by Component) zsFzF`[k
24.7 Two-Componenet Relationships njtz,qt_;G
24.8 Third-Order Aberrations – Surface Contributions ~7+7{9g
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs T$%r?p(s
24.10 Stop Shift Equations "s]r"(MX
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces Q@?8-
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) C]414Ibi
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Glossary g5M=$y/H
Reference CuC1s>
Index