"Modern Lens Design" 2nd Edition by Warren J. Smith f2f2&|7
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Contents of Modern Lens Design 2nd Edition 4v?}K
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1 Introduction ;ifPqLkO
1.1 Lens Design Books j2GTo~muq
1.2 Reference Material w28&qNha
1.3 Specifications *+|,rcI
1.4 Lens Design hq|I%>y
1.5 Lens Design Program Features FOS5?%J
1.6 About This Book +~[>Usf
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2 Automatic Lens Design 92 oUQ EK
2.2 The Merit Function Krw'|<
2.3 Local Minima CAT{)*xc
2.4 The Landscape Lens qvs&*lBY
2.5 Types of Merit Function ,%X"Caz
2.6 Stagnation h%UM<TZ]"
2.7 Generalized Simulated Annealing ][TA7pDPV
2.8 Considerations about Variables for Optimization h7a/]~
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems F>lM[Lu#
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits kuI$VC
2.11 Spectral Weighting #
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2.12 How to Get Started a9N$I@bi]
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3 Improving a Design ]]^r)&pox
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ?[!_f$50]P
3.2 Glass Changes ( Index and V Values ) %)#yMMhR
3.3 Splitting Elements Bag_0.H&m
3.4 Separating a Cemented Doublet \TS.9 >\
3.5 Compounding an Element jb83Y>
3.6 Vignetting and Its Uses &WJ;s*
3.7 Eliminating a Weak Element; the Concentric Problem Min{&?a
3.8 Balancing Aberrations 'Y22HVUX
3.9 The Symmetrical Principle Z/e^G f#i
3.10 Aspheric Surfaces [O@U@bD9
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4 Evaluation: How Good is This Design
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4.1 The Uses of a Preliminary Evaluation 7:'5q]9
4.2 OPD versus Measures of Performance .$U=ngj\t
4.3 Geometric Blur Spot Size versus Certain Aberrations ^OrO&w|
4.4 Interpreting MTF - The Modulation Transfer Function 9 Eqv^0u
4.5 Fabrication Considerations FG5YZrONx
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5 Lens Design Data AvZOR
5.1 About the Sample Lens Designs Egi(z9|Pp
5.2 Lens Prescriptions, Drawings, and Aberration Plots XES$V15
5.3 Estimating the Potential of a Redesign /:ju/~R}
5.4 Scaling a Desing, Its Aberrations, and Its MTF R+5yyk\
5.5 Notes on the Interpretation of Ray Intercept Plots eHc.#OA&
5.6 Various Evaluation Plot 08_<G`r
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6 Telescope Objective nU23D@l
6.1 The Thin Airspaced Doublet vs2xx`Y<Lq
6.2 Merit Function for a Telescope Objective ? ]H'egG6
6.3 The Design of an f/7 Cemented Doublet Telescope Objective !N74y%=M
6.4 Spherochromatism z0 J:"M
6.5 Zonal Spherical Aberration Z5`U+ (
6.6 Induced Aberrations BmFtRbR
6.7 Three-Element Objectives j)mi~i*U
6.8 Secondary Spectrum (Apochromatic Systems) ZK`x(h{p)
6.9 The Design of an f/7 Apochromatic Triplet M!Ywjvw*)3
6.10 The Diffractive Surface in Lens Design Q94p*]W"
6.11 A Final Note 50^CILKo7
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7 Eyepieces and Magnifiers @N6KZn|R
7.1 Eyepieces mMtva}=*
7.2 A Pair of Magnifier Designs :1gcLsF
7.3 The Simple, Classical Eyepieces ge[&og/$
7.4 Design Story of an Eyepiece for a 6*30 Binocular B&sa|'0U
7.5 Four-Element Eyepieces R_duPaWc@
7.6 Five-Element Eyepieces qz
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7.7 Very High Index Eyepiece/Magnifier yJ2A!id
7.8 Six- and Seven-Element Eyepieces IFkU8EK&B
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8 Cooke Triplet Anastigmats :9W)CwZ)V
8.1 Airspaced Triplet Anastigmats &t@|/~%[
8.2 Glass Choice 6BObV/S Jg
8.3 Vertex Length and Residual Aberrations ~-BIUZ;
8.4 Other Design Considerations X({R+
8.5 A Plastic, Aspheric Triplet Camera Lens G\Q0{4w8
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 0c]3 ,#
8.7 Possible Improvement to Our “Basic” Triplet Ql9
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8.7 The Rear Earth (Lanthanum) Glasses K~14;
8.9 Aspherizing the Surfaces ,,~|o3cfq
8.10 Increasing the Element Thickness k7=mxXF
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9 Split Triplets j12khp?
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10 The Tessar, Heliar, and Other Compounded Triplets ^w~Utx4
10.1 The Classic Tessar qdwjg8fo4Z
10.2 The Heliar/Pentac L7B(abT9e
10.3 The Portrait Lens and the Enlarger Lens PHqIfH [
10.4 Other Compounded Triplets JDm7iJxc_
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar NplkhgSj
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11 Double-Meniscus Anastigmats K2ry@haN
11.1 Meniscus Components (\ Gs7
11.2 The Hypergon, Totogon, and Metrogon "kkZK=}Nv
11.3 A Two Element Aspheric Thick Meniscus Camera Lens _.BX#BIF
11.4 Protar, Dagor, and Convertible Lenses 22"/|S
11.5 The Split Dagor so }Kb3 n
11.6 The Dogmar [(/IV+
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <'<{|$Pw
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12 The Biotar or Double-Gauss Lens >@StKj
12.1 The Basic Six-Element Version zP#%ya:I
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ['_G1_p
12.3 The Seven-Element Biotar - Split-Rear Singlet (C!33s1
12.4 The Seven-Element Biotar - Broken Contact Front Doublet @(s"5i.`)
12.5 The Seven-Element Biotar - One Compounded Outer Element ^6Y:9+
12.6 The Eight-Element Biotar "~aCW~
12.7 A “Doubled Double-Gauss” Relay NTL`9b
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13 Telephoto Lenses IQQWp@w#8
13.1 The Basic Telephoto Zn"1qLPF
13.2 Close-up or Macro Lenses /]"2;e-s+
13.3 Telephoto Designs 3qBZzM
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch $K*&Wdo
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses mdPEF)-
14.1 The Reverse Telephoto Principle d=8q/]_p
14.2 The Basic Retrofocus Lens kc-v(WIC
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ~$Pz`amT|
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15 Wide Angle Lenses with Negative Outer Lenses K(B|o6[
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16 The Petzval Lens; Head-up Display Lenses PK|"+I0
16.1 The Petzval Portrait Lens 9?#L/
16.2 The Petzval Projection Lens $r87]y!
16.3 The Petzval with a Field Flattener H}B%OFI \+
16.4 Very Height Speed Petzval Lenses pt+[BF 6P
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems a5# B&|#q
0N19R 5NN8
17 Microscope Objectives l:H}Y3_I
17.1 General Considerations h$~\to$C
17.2 Classic Objective Design Forms; The Aplanatic Front dSm; e_s
17.3 Flat-Field Objectives BV01&.<|
17.4 Reflecting Objectives ?O<D&CvB
17.5 The Microscope Objective Designs >g FEA0-
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18 Mirror and Catadioptric Systems Z/hgr|&}
18.1 The Good and Bad Points of Mirrors @>sZ'M2mq
18.2 The Classic Two-Mirror Systems c})f&Z@<
18.3 Catadioptric Systems I?!7]S n$
18.4 Aspheric Correctors and Schmidt Systems ]~1Xx:X-
18.5 Confocal Paraboloids {`M
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18.6 Unobscured Systems L\Y4$e9bF8
18.7 Design of a Schmidt-Cassegrain “from Scratch” t\%gP@?
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19 Infrared and Ultraviolet Systems uWE
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19.1 Infrared Optics !+# pGSk
19.2 IR Objective Lenses 6@[7
19.3 IR Telescope #N'W+M /
19.4 Laser Beam Expanders =1'vXPv`
19,5 Ultraviolet Systems YXr"
19.6 Microlithographic Lenses qoXncdDHZ
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20 Zoom Lenses 08TeGUjJ
20.1 Zoom Lenses #[C=LGi
20.2 Zoom Lenses for Point and Shoot Cameras _pS|bqF
20.3 A 20X Video Zoom Lens O W|5IEC
20.4 A Zoom Scanner Lens F+3}Gkn
20.5 A Possible Zoom Lens Design Procedure efu'PfZ`&
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21 Projection TV Lenses and Macro Lenses 2)zAX"#/
21.1 Projection TV Lenses t+?m<h6w;l
21.2 Macro Lenses nPU=n[t8O
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22 Scanner/ , Laser Disk and Collimator Lenses ?' :v):J}
22.1 Monochromatic Systems qXw^y
22.2 Scanner Lenses ~d072qUos
22.3 Laser Disk, Focusing, and Collimator Lenses %P2l@}?a
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23 Tolerance Budgeting yHk}'YP
23.1 The Tolerance Budget <_N<L\
23.2 Additive Tolerances -)p
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23.3 Establishing the Tolerance Budget 6SGV}dAx
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24 Formulary [,)G\
24.1 Sign Conventions, Symbols, and Definitions n+XLZf#
24.2 The Cardinal Points \_w>I_=F
24.3 Image Equations Oe["4C
24.4 Paraxial Ray Tracing (Surface by Surface) Sb& $xWL
24.5 Invariants hE|W%~Jx
24.6 Paraxial Ray Tracing (Component by Component) 3\B28m
24.7 Two-Componenet Relationships ,&5\`
24.8 Third-Order Aberrations – Surface Contributions ;n~-z5)
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs QU;bDNq,c
24.10 Stop Shift Equations ac%6eW0#
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces <n-}z[09
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) +M=`3jioL
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Glossary <Cbi5DtR
Reference u9zEhfg8
Index