"Modern Lens Design" 2nd Edition by Warren J. Smith "w*+v
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Contents of Modern Lens Design 2nd Edition A$%Q4jC}
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1 Introduction #cj\~T.,,
1.1 Lens Design Books 4pmTicA~
1.2 Reference Material hncS_ZA
1.3 Specifications Qy=HrL]x
1.4 Lens Design 6o=qJ`m[?
1.5 Lens Design Program Features N+CXOI=6x
1.6 About This Book W NwJM
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2 Automatic Lens Design 5q|+p?C
2.2 The Merit Function ioC@n8_[G
2.3 Local Minima <i_>
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2.4 The Landscape Lens u\{qH!?t
2.5 Types of Merit Function 2qZa9^}
2.6 Stagnation lQV|U;~D
2.7 Generalized Simulated Annealing ;YK!EMM4!h
2.8 Considerations about Variables for Optimization K<@[_W+
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems `y\*m]:
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 9z5"y|$
2.11 Spectral Weighting Sao>P[#x
2.12 How to Get Started $h G;2v
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3 Improving a Design t6'61*)|0
3.1 Lens Design Tip Sheet: Standard Improvement Techniques DE*MdfP0
3.2 Glass Changes ( Index and V Values ) ],;D2]<s
3.3 Splitting Elements )\{'fF
3.4 Separating a Cemented Doublet -"W )|oC_
3.5 Compounding an Element hc-lzYS
3.6 Vignetting and Its Uses HQq`pG%m6
3.7 Eliminating a Weak Element; the Concentric Problem n,t6v5>88
3.8 Balancing Aberrations 79)A%@YHQQ
3.9 The Symmetrical Principle OSp?okV
3.10 Aspheric Surfaces <jbj/Q )"
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4 Evaluation: How Good is This Design I"Q#IvNw
4.1 The Uses of a Preliminary Evaluation dCB&c^
4.2 OPD versus Measures of Performance {5T0RL{\N
4.3 Geometric Blur Spot Size versus Certain Aberrations 'oleB_B
4.4 Interpreting MTF - The Modulation Transfer Function ]e^R@w
4.5 Fabrication Considerations w[
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5 Lens Design Data ~O \}/I28
5.1 About the Sample Lens Designs (# JMB)
5.2 Lens Prescriptions, Drawings, and Aberration Plots yh S#&)O
5.3 Estimating the Potential of a Redesign |q3f]T&+>{
5.4 Scaling a Desing, Its Aberrations, and Its MTF 's)fO#
5.5 Notes on the Interpretation of Ray Intercept Plots 9'1hjd3k
5.6 Various Evaluation Plot p1+7<Y:
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6 Telescope Objective E@:Q 'g%
6.1 The Thin Airspaced Doublet S[vRw]*
6.2 Merit Function for a Telescope Objective M]c7D`%s
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Z.!g9fi8>
6.4 Spherochromatism `)"tO&Fn
6.5 Zonal Spherical Aberration 5v"Y\k+1
6.6 Induced Aberrations j5kA^MTG
6.7 Three-Element Objectives Vl<`|C>
6.8 Secondary Spectrum (Apochromatic Systems) {={^6@
6.9 The Design of an f/7 Apochromatic Triplet Q~phGD3!~
6.10 The Diffractive Surface in Lens Design Q/p(#/y#b
6.11 A Final Note yL.^ =
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7 Eyepieces and Magnifiers My. dD'C
7.1 Eyepieces DB#$~(o
7.2 A Pair of Magnifier Designs Y+FP
7.3 The Simple, Classical Eyepieces C5Xof|#p|
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;v_ls)_,-
7.5 Four-Element Eyepieces 1YFeVMc
7.6 Five-Element Eyepieces ]3}feU+
7.7 Very High Index Eyepiece/Magnifier ~]&B>q
7.8 Six- and Seven-Element Eyepieces @d&g/ccMxd
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8 Cooke Triplet Anastigmats 8/Mx5~ R
8.1 Airspaced Triplet Anastigmats sc%dh?m7
8.2 Glass Choice {(;B5rs
8.3 Vertex Length and Residual Aberrations {gsW(T>)
8.4 Other Design Considerations qYiv
8.5 A Plastic, Aspheric Triplet Camera Lens /9 pbnzn
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 3)Zu[c[%'J
8.7 Possible Improvement to Our “Basic” Triplet (v!mR+\x
8.7 The Rear Earth (Lanthanum) Glasses ZPlPN;J^1
8.9 Aspherizing the Surfaces [UoqIU
8.10 Increasing the Element Thickness L;3aZt,#O
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9 Split Triplets ^p,3)$
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10 The Tessar, Heliar, and Other Compounded Triplets ;Z*'D}
10.1 The Classic Tessar [m\,+lG?)j
10.2 The Heliar/Pentac `_GO=QQ
10.3 The Portrait Lens and the Enlarger Lens DcN"=Y
10.4 Other Compounded Triplets e8{^f]5
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar '*4iqPR;
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11 Double-Meniscus Anastigmats Qwv '<
11.1 Meniscus Components &U&Zo@ot"x
11.2 The Hypergon, Totogon, and Metrogon 6}ftBmv
11.3 A Two Element Aspheric Thick Meniscus Camera Lens x9%-plP
11.4 Protar, Dagor, and Convertible Lenses j{)~QD ?
11.5 The Split Dagor .Vmtx
11.6 The Dogmar ;,rnk-
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens &Pq\cNYzW
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12 The Biotar or Double-Gauss Lens |<rfvsQ.
12.1 The Basic Six-Element Version B7!;]'&d
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 9:-T@u
12.3 The Seven-Element Biotar - Split-Rear Singlet i:d`{kJ|[
12.4 The Seven-Element Biotar - Broken Contact Front Doublet kon5+g9q
12.5 The Seven-Element Biotar - One Compounded Outer Element .b,~f
12.6 The Eight-Element Biotar N<liS3>
12.7 A “Doubled Double-Gauss” Relay lUHtjr
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13 Telephoto Lenses &dRjqn^&X
13.1 The Basic Telephoto ^wJEfac
13.2 Close-up or Macro Lenses b+Vi3V
13.3 Telephoto Designs i=L8=8B`
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 3u_oRs
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses dF
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14.1 The Reverse Telephoto Principle ,eXFN?CB
14.2 The Basic Retrofocus Lens | ]# +v@
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses C8.W5P[U
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15 Wide Angle Lenses with Negative Outer Lenses sKd)BA0`
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16 The Petzval Lens; Head-up Display Lenses >A($8=+#x
16.1 The Petzval Portrait Lens EeB3 }
16.2 The Petzval Projection Lens Cw#V`70a
16.3 The Petzval with a Field Flattener 2r;GcjezH
16.4 Very Height Speed Petzval Lenses M"(6&M=?
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems o?wt$j-
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17 Microscope Objectives -!TcQzHUs
17.1 General Considerations JYV\oV{
17.2 Classic Objective Design Forms; The Aplanatic Front v9rVpYc"
17.3 Flat-Field Objectives #ZWl=z5aBi
17.4 Reflecting Objectives io2@}xZF
17.5 The Microscope Objective Designs FJwt?3\u5
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18 Mirror and Catadioptric Systems J`<f
18.1 The Good and Bad Points of Mirrors wyw <jH
18.2 The Classic Two-Mirror Systems dB3N%pB^
18.3 Catadioptric Systems A(+:S"|@
18.4 Aspheric Correctors and Schmidt Systems }0;Sk(B>
18.5 Confocal Paraboloids JZ=5Bpw
18.6 Unobscured Systems ,|pp67
18.7 Design of a Schmidt-Cassegrain “from Scratch” O]{*(J/t
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19 Infrared and Ultraviolet Systems ]"sRS`0+
19.1 Infrared Optics m}5q]N";x
19.2 IR Objective Lenses c'05{C
19.3 IR Telescope m*oc)x7'
19.4 Laser Beam Expanders Uh}X<d/V
19,5 Ultraviolet Systems 4AHL3@x
19.6 Microlithographic Lenses A1-qtAO]
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20 Zoom Lenses t`u!]DHv
20.1 Zoom Lenses Tpzw=bC^
20.2 Zoom Lenses for Point and Shoot Cameras yX!#a>d"H
20.3 A 20X Video Zoom Lens ezZph"&
20.4 A Zoom Scanner Lens &{W^W8,%
20.5 A Possible Zoom Lens Design Procedure rk,p!}FqL
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21 Projection TV Lenses and Macro Lenses O2 v.
21.1 Projection TV Lenses l>7r2;
21.2 Macro Lenses l^r' $;<m
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22 Scanner/ , Laser Disk and Collimator Lenses V@Wcb$mgk
22.1 Monochromatic Systems 2Va4i7"X\
22.2 Scanner Lenses g.a| c\WH
22.3 Laser Disk, Focusing, and Collimator Lenses 4#:\?HAu!
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23 Tolerance Budgeting JJ5C}`(
23.1 The Tolerance Budget (q~0XE/ a
23.2 Additive Tolerances lIh[|]
23.3 Establishing the Tolerance Budget kon=il<@
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24 Formulary $bGD%9
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24.1 Sign Conventions, Symbols, and Definitions ow.j+<M
24.2 The Cardinal Points /6U
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24.3 Image Equations 0M8.U
24.4 Paraxial Ray Tracing (Surface by Surface) |+NuYz?
24.5 Invariants -0 0}if7
24.6 Paraxial Ray Tracing (Component by Component) R2LK.bTVn
24.7 Two-Componenet Relationships m:{tgcE
24.8 Third-Order Aberrations – Surface Contributions irMd
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs *IZf^-=Q
24.10 Stop Shift Equations NHkL24ve
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces XnXb&@Y
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ut5yf$%
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Glossary &iSD/W
Reference =nVmthGw
Index