[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith IThd\#=  
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Contents of Modern Lens Design 2nd Edition ^;C&  
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1    Introduction         gcLz}84  
1.1    Lens Design Books     Z$oy;j99
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1.2    Reference Material     [oWkd_dK  
1.3    Specifications     3v* ~CQy9  
1.4    Lens Design     }D/+YG  
1.5    Lens Design Program Features     jDzQw>TX  
1.6    About This Book     voWH.[n^_  
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2    Automatic Lens Design         #-hO\ QdC  
2.2    The Merit Function         nHK(3Z4G  
2.3    Local Minima     Qm%F]nyy  
2.4    The Landscape Lens     H=dIZ  
2.5    Types of Merit Function     @Z)|_  
2.6    Stagnation     u\R?(G&  
2.7    Generalized Simulated Annealing     ^xo<$zn
 
2.8    Considerations about Variables for Optimization     UA[`{rf  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 5*0zI\  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     ,'#TdLe  
2.11    Spectral Weighting     qsj{0Go  
2.12    How to Get Started     m 2H4V+M+  
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3    Improving a Design     k.T=&0J_1  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     ul{x|R  
3.2    Glass Changes ( Index and V Values )     _vQ52H,  
3.3    Splitting Elements     Kg@'mG  
3.4    Separating a Cemented Doublet     qHtQ4_Zn;  
3.5    Compounding an Element     #h5:b`fDF  
3.6    Vignetting and Its Uses     RNIXQns-=S  
3.7    Eliminating a Weak Element; the Concentric Problem     ?H{[u rLn  
3.8    Balancing Aberrations     {@Wv@H+4  
3.9    The Symmetrical Principle     Hxu5Dx5![  
3.10    Aspheric Surfaces     .
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4    Evaluation: How Good is This Design     %&ejO=r  
4.1    The Uses of a Preliminary Evaluation     X-pbSq~5  
4.2    OPD versus Measures of Performance     %1z;l.c  
4.3    Geometric Blur Spot Size versus Certain Aberrations     P8 X07IK  
4.4    Interpreting MTF - The Modulation Transfer Function     4WT
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4.5    Fabrication Considerations     b UG,~\Z  
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5    Lens Design Data     9u=A:n\  
5.1    About the Sample Lens Designs     T^bAO-d#  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     =bKDD<(  
5.3    Estimating the Potential of a Redesign     'K[ml ?_  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     n.%QWhUB  
5.5    Notes on the Interpretation of Ray Intercept Plots     7*:zN
  
5.6    Various Evaluation Plot     AGhenDNV  
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6    Telescope Objective     ]>3Y~KH(  
6.1    The Thin Airspaced Doublet     %"RJi?  
6.2    Merit Function for a Telescope Objective     )ycI.[C  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     N['DqS =  
6.4    Spherochromatism     LG}{ibB  
6.5    Zonal Spherical Aberration     k %I83,+  
6.6    Induced Aberrations     hC
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6.7    Three-Element Objectives     ]HKt7 %,  
6.8    Secondary Spectrum (Apochromatic Systems)     ?d')#WnC  
6.9    The Design of an f/7 Apochromatic Triplet     (qn=BPI  
6.10    The Diffractive Surface in Lens Design     CTMC78=9}  
6.11    A Final Note     G|i0n   
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7    Eyepieces and Magnifiers     h*w9{[L  
7.1    Eyepieces     Y;'<u\^M"  
7.2    A Pair of Magnifier Designs     wMa8HeBE\  
7.3    The Simple, Classical Eyepieces     OVK )]- ~  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     >hunV'vu'  
7.5    Four-Element Eyepieces     ;
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7.6    Five-Element Eyepieces    
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7.7    Very High Index Eyepiece/Magnifier     -L2.cN_  
7.8    Six- and Seven-Element Eyepieces     c3]t"TA,  
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8    Cooke Triplet Anastigmats     )
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8.1    Airspaced Triplet Anastigmats     +p u[JHF  
8.2    Glass Choice     >%/x~UFc5  
8.3    Vertex Length and Residual Aberrations     E@VQxB7+  
8.4    Other Design Considerations     3%vXB=>T!  
8.5    A Plastic, Aspheric Triplet Camera Lens     ||+~8z#+,  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet z} fpV T  
8.7    Possible Improvement to Our “Basic” Triplet     |}zWH=6  
8.7    The Rear Earth (Lanthanum) Glasses     5es t  
8.9    Aspherizing the Surfaces     )JMqC+J3*t  
8.10    Increasing the Element Thickness     +C~h(  
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9    Split Triplets     M/S~"iD  
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10    The Tessar, Heliar, and Other Compounded Triplets     EQ%ooAb8  
10.1    The Classic Tessar     ;i@S}LwL  
10.2    The Heliar/Pentac     Z\ hcK:  
10.3    The Portrait Lens and the Enlarger Lens     mK:gj&N7X|  
10.4    Other Compounded Triplets     JCWTB`EB>  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar I0XJ&P%  
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11    Double-Meniscus Anastigmats     PD#,KqL:  
11.1    Meniscus Components     3W1Lh~Av  
11.2    The Hypergon, Totogon, and Metrogon     i)#-VOhX)  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     (\\;A?  
11.4    Protar, Dagor, and Convertible Lenses     +\!.X_Ij  
11.5    The Split Dagor     .}faWzRH9  
11.6    The Dogmar     Dka,v  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     c4z&HQd  
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12    The Biotar or Double-Gauss Lens     *g5bdQ:Av~  
12.1    The Basic Six-Element Version     /x3*oO1  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens B{Q}^Mcxy  
12.3    The Seven-Element Biotar - Split-Rear Singlet     e5_Hmuk|  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     TY8gB!^  
12.5    The Seven-Element Biotar - One Compounded Outer Element     *6I$N>1  
12.6    The Eight-Element Biotar     Zue3Z{31T  
12.7    A “Doubled Double-Gauss” Relay     5 -i,Tx&:  
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13    Telephoto Lenses     }M4d
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13.1    The Basic Telephoto     A6(Do]M  
13.2    Close-up or Macro Lenses     @O"7@%nu  
13.3    Telephoto Designs     uFr12ZFgK  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch {-A|f  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     &'6/H/J  
14.1    The Reverse Telephoto Principle     ?Q:SVxzUd  
14.2    The Basic Retrofocus Lens     !}Xoqamm  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     u\LNJo| B  
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15    Wide Angle Lenses with Negative Outer Lenses     FjCGD4x1N  
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16    The Petzval Lens; Head-up Display Lenses     2"&GH1  
16.1    The Petzval Portrait Lens     |>Q>d8|k  
16.2    The Petzval Projection Lens     t/ \S9  
16.3    The Petzval with a Field Flattener     z;JV3)E  
16.4    Very Height Speed Petzval Lenses     Sk{skvd;  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     `v-[&  
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17    Microscope Objectives     qU26i"GHp  
17.1    General Considerations     1!uBzO6/$  
17.2    Classic Objective Design Forms; The Aplanatic Front     ?]><#[?'L  
17.3    Flat-Field Objectives     /LFuf`bXV  
17.4    Reflecting Objectives     4/ ` *mPW  
17.5    The Microscope Objective Designs     WK|5:V8E  
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18    Mirror and Catadioptric Systems     7z?;z<VJ  
18.1    The Good and Bad Points of Mirrors     $;5Q mKQ'  
18.2    The Classic Two-Mirror Systems 2^[dy>[y0  
18.3    Catadioptric Systems     YR'F]FI  
18.4    Aspheric Correctors and Schmidt Systems     N.*)-O  
18.5    Confocal Paraboloids     ;JxL>K(  
18.6    Unobscured Systems     L:HvrB
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18.7    Design of a Schmidt-Cassegrain “from Scratch”     a0NiVF-m%  
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19    Infrared and Ultraviolet Systems     ^N7H~CT"  
19.1    Infrared Optics     m>=DJ{KQ  
19.2    IR Objective Lenses     ^ ]9K>}  
19.3    IR Telescope     pU_3Z3CeE  
19.4    Laser Beam Expanders     ?NwrdcQ  
19,5    Ultraviolet Systems     A8f.h5~9  
19.6    Microlithographic Lenses     ^kfqw0!  
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20    Zoom Lenses     z~Q=OPCnY  
20.1    Zoom Lenses     oU|G74e6  
20.2    Zoom Lenses for Point and Shoot Cameras     W>#yXg9  
20.3    A 20X Video Zoom Lens     "$(+M t^  
20.4    A Zoom Scanner Lens     1.14tS-}[4  
20.5    A Possible Zoom Lens Design Procedure     PC9,;T&7_  
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21    Projection TV Lenses and Macro Lenses     Y w0,K&  
21.1    Projection TV Lenses     M\{n+r-m  
21.2    Macro Lenses     "3^tVX%$\[  
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22    Scanner/ , Laser Disk and Collimator Lenses     Ki><~!L  
22.1    Monochromatic Systems     |aDBp  
22.2    Scanner Lenses     y,5qY}P+  
22.3    Laser Disk, Focusing, and Collimator Lenses     `,]Bs*~  
    `X<B+:>v-  
23    Tolerance Budgeting     jn^X{R\  
23.1    The Tolerance Budget     zT>!xGTu7~  
23.2    Additive Tolerances     }JFTe g  
23.3    Establishing the Tolerance Budget     +vkmS  
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24    Formulary s|p I`  
24.1    Sign Conventions, Symbols, and Definitions     3en9TB  
24.2    The Cardinal Points     {KgA V  
24.3    Image Equations     w(@r-2D"  
24.4    Paraxial Ray Tracing (Surface by Surface)     coAXYn  
24.5    Invariants     =zFROB\  
24.6    Paraxial Ray Tracing (Component by Component)     krfXvQJwJ  
24.7    Two-Componenet Relationships     _v&fIo  
24.8    Third-Order Aberrations – Surface Contributions     CyIlv0fd}  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     Gd!-fqNa'x  
24.10    Stop Shift Equations     9rEBq&
 
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     Na91K4r#  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     )9H5'Wh#  
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Glossary $e+sqgU  
Reference +Kk1[fh-  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 #ksDU  
我怎么瞧不明白。

有没有人呀 QjLU@?&  
有个问题想请教大家