"Modern Lens Design" 2nd Edition by Warren J. Smith ](v,2(}=
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Contents of Modern Lens Design 2nd Edition Ph%ylS/T{
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1 Introduction (n8?+GCa
1.1 Lens Design Books \y%"tJ~N{
1.2 Reference Material \At~94
1.3 Specifications ']fyD3N
1.4 Lens Design n#Dy
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1.5 Lens Design Program Features 1*G&ZI
1.6 About This Book )/JVp>
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2 Automatic Lens Design vea{o35!
2.2 The Merit Function 8(l0\R,%+z
2.3 Local Minima 38m9t'
2.4 The Landscape Lens ("PZ!z1m1
2.5 Types of Merit Function |bSAn*6b
2.6 Stagnation .a :7|L#a
2.7 Generalized Simulated Annealing rqiH!R
2.8 Considerations about Variables for Optimization 5Za<]qxr
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems SmD#hE[
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits TTl9xs,nO
2.11 Spectral Weighting `7y3C\zyQ
2.12 How to Get Started @%2crJnkS
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3 Improving a Design #<B?+gzFM{
3.1 Lens Design Tip Sheet: Standard Improvement Techniques \p(0H6
3.2 Glass Changes ( Index and V Values ) -T1R}ew*t
3.3 Splitting Elements sk<S`J,M/_
3.4 Separating a Cemented Doublet "%+||IyW
3.5 Compounding an Element 1 oKY7i$
3.6 Vignetting and Its Uses :Zkjtr.\
3.7 Eliminating a Weak Element; the Concentric Problem Sin)]zG~0
3.8 Balancing Aberrations 2]Cn<zJ
3.9 The Symmetrical Principle FN/l/OSb
3.10 Aspheric Surfaces y7CXE6Y
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4 Evaluation: How Good is This Design [tSv{
4.1 The Uses of a Preliminary Evaluation j DEym&-
4.2 OPD versus Measures of Performance RA!m,"RM
4.3 Geometric Blur Spot Size versus Certain Aberrations bv(+$YR
4.4 Interpreting MTF - The Modulation Transfer Function "N_@q2zF
4.5 Fabrication Considerations UtJfO`m9P
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5 Lens Design Data )'g4Ty
5.1 About the Sample Lens Designs +h/OQ]`/m
5.2 Lens Prescriptions, Drawings, and Aberration Plots p=eSJ*
5.3 Estimating the Potential of a Redesign RrrlfF ms
5.4 Scaling a Desing, Its Aberrations, and Its MTF SeS ZMv
5.5 Notes on the Interpretation of Ray Intercept Plots %
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5.6 Various Evaluation Plot 35AH|U7b
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6 Telescope Objective W7~_XI
6.1 The Thin Airspaced Doublet muF&t'k
6.2 Merit Function for a Telescope Objective
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective }*%=C!m4R!
6.4 Spherochromatism C"`\[F`.k
6.5 Zonal Spherical Aberration ^t<L
6.6 Induced Aberrations ;,TT!vea
6.7 Three-Element Objectives FMn|cO.vEP
6.8 Secondary Spectrum (Apochromatic Systems) ]Hi1^Y<
6.9 The Design of an f/7 Apochromatic Triplet AVU'rsXA
6.10 The Diffractive Surface in Lens Design +/n]9l]#h
6.11 A Final Note tRc3<>
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7 Eyepieces and Magnifiers knHrMD;
7.1 Eyepieces cdH`#X
7.2 A Pair of Magnifier Designs ^mI`P}5Y
7.3 The Simple, Classical Eyepieces @q]!C5
7.4 Design Story of an Eyepiece for a 6*30 Binocular uQW[2f
7.5 Four-Element Eyepieces #=Xa(<t
7.6 Five-Element Eyepieces iH]0
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7.7 Very High Index Eyepiece/Magnifier }V.fY3J-
7.8 Six- and Seven-Element Eyepieces 1y U!rEH
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8 Cooke Triplet Anastigmats hZUS#75M5
8.1 Airspaced Triplet Anastigmats TQ/#
8.2 Glass Choice R*LPwJuv
8.3 Vertex Length and Residual Aberrations _3f/lG?&-
8.4 Other Design Considerations F/A)2 H_
8.5 A Plastic, Aspheric Triplet Camera Lens WRAv>s9
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet kaEu\@%n
8.7 Possible Improvement to Our “Basic” Triplet uF|[MWcy0#
8.7 The Rear Earth (Lanthanum) Glasses e1bV&
8.9 Aspherizing the Surfaces Of-gG~
8.10 Increasing the Element Thickness 7|"G
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9 Split Triplets WwSyw?T
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10 The Tessar, Heliar, and Other Compounded Triplets 436SIh
10.1 The Classic Tessar r`u 9MJ*
10.2 The Heliar/Pentac uSCI
10.3 The Portrait Lens and the Enlarger Lens pAN$c"
10.4 Other Compounded Triplets ih:%U
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar <bv9X?U
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11 Double-Meniscus Anastigmats m]=G73jzO
11.1 Meniscus Components B]7QOf"
11.2 The Hypergon, Totogon, and Metrogon P8CIKoKCV
11.3 A Two Element Aspheric Thick Meniscus Camera Lens waV4~BdL
11.4 Protar, Dagor, and Convertible Lenses T z+Y_
11.5 The Split Dagor }_Sgor83n
11.6 The Dogmar X)9|ZF2`
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens e<Oz%
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12 The Biotar or Double-Gauss Lens a5@lWpQsV
12.1 The Basic Six-Element Version "bO]AG
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens !$o9:[B
12.3 The Seven-Element Biotar - Split-Rear Singlet ,Qe`(vU*s
12.4 The Seven-Element Biotar - Broken Contact Front Doublet )=,;-&AR
12.5 The Seven-Element Biotar - One Compounded Outer Element yaX%<KBa\
12.6 The Eight-Element Biotar
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12.7 A “Doubled Double-Gauss” Relay ?* dfIc
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13 Telephoto Lenses H{d/%}7[v
13.1 The Basic Telephoto .M\0+,%/
13.2 Close-up or Macro Lenses ,}Ic($To
13.3 Telephoto Designs IifH=%2Y
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch R*O6Z"h
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses JlH5 <:#PN
14.1 The Reverse Telephoto Principle -f(<2i
14.2 The Basic Retrofocus Lens jin?;v
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses `jDmbD
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15 Wide Angle Lenses with Negative Outer Lenses :4238J8
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16 The Petzval Lens; Head-up Display Lenses BQ~&gy{
16.1 The Petzval Portrait Lens g[xn0rG
16.2 The Petzval Projection Lens Yg`z4U'6~
16.3 The Petzval with a Field Flattener b@[5xv\J
16.4 Very Height Speed Petzval Lenses Nx(y_.I{K
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Tj=g[)+K
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17 Microscope Objectives h"Q&E'0d
17.1 General Considerations H*dQT y,
17.2 Classic Objective Design Forms; The Aplanatic Front 'P-FeN^
17.3 Flat-Field Objectives ]p~,C*UH0
17.4 Reflecting Objectives ?DJ,YY9P
17.5 The Microscope Objective Designs :cTwp K
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18 Mirror and Catadioptric Systems C
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18.1 The Good and Bad Points of Mirrors 9D mQ
18.2 The Classic Two-Mirror Systems ( KG>lTdN
18.3 Catadioptric Systems DfP
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18.4 Aspheric Correctors and Schmidt Systems tZY(r
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18.5 Confocal Paraboloids q|ZQsFZ
18.6 Unobscured Systems DcLx[C
18.7 Design of a Schmidt-Cassegrain “from Scratch” b;sjw5cm_
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19 Infrared and Ultraviolet Systems o//PlG~
19.1 Infrared Optics "PPn^{bYm
19.2 IR Objective Lenses !7[Rhk7bW
19.3 IR Telescope +xtR`Y"
19.4 Laser Beam Expanders <?iwi[S
19,5 Ultraviolet Systems y3C$%yv0
19.6 Microlithographic Lenses LaiUf_W #X
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20 Zoom Lenses uBC*7Mkm
20.1 Zoom Lenses X<"W@
20.2 Zoom Lenses for Point and Shoot Cameras g8w5X!Z
20.3 A 20X Video Zoom Lens )Ikx0vDFQ
20.4 A Zoom Scanner Lens <El6?ml@
20.5 A Possible Zoom Lens Design Procedure A@"CrVE
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21 Projection TV Lenses and Macro Lenses 47XQZ-}4
21.1 Projection TV Lenses C_Z[ul
21.2 Macro Lenses n.Q?@\}2
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22 Scanner/ , Laser Disk and Collimator Lenses 7uRXu>h
22.1 Monochromatic Systems -xf=dzm)
22.2 Scanner Lenses ~3 z10IG
22.3 Laser Disk, Focusing, and Collimator Lenses 7nHlDPps)
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23 Tolerance Budgeting G l*C"V
23.1 The Tolerance Budget vrIM!~*W
23.2 Additive Tolerances eESJk14
23.3 Establishing the Tolerance Budget P
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24 Formulary n2H2G_-L[
24.1 Sign Conventions, Symbols, and Definitions {N$G|bm]u<
24.2 The Cardinal Points ]7^YPFc+
24.3 Image Equations 2FS,B\d
24.4 Paraxial Ray Tracing (Surface by Surface) S<LHNZu|^A
24.5 Invariants c;bp[Y3R
24.6 Paraxial Ray Tracing (Component by Component) l>M&S^/s j
24.7 Two-Componenet Relationships CtA0W\9w5a
24.8 Third-Order Aberrations – Surface Contributions #3u;Ox
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs @4b"0ne}h
24.10 Stop Shift Equations )vk$]<$
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 4>Q6!"
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) @hWt.qO3s
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Glossary 0BIH.ZV#
Reference ]baO{pJi
Index