"Modern Lens Design" 2nd Edition by Warren J. Smith P+xZaf
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Contents of Modern Lens Design 2nd Edition {ib`mC^
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1 Introduction Rp#SqRy`
1.1 Lens Design Books 2mRso.Ah
1.2 Reference Material W!g
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1.3 Specifications Z6I!4K
1.4 Lens Design \hz)oC
1.5 Lens Design Program Features rqIt}(J
1.6 About This Book +x1sV *S
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2 Automatic Lens Design 'EQAG' YV
2.2 The Merit Function (/^&3xs9
2.3 Local Minima j2z$kw%
2.4 The Landscape Lens |Z<adOg
2.5 Types of Merit Function &8N\
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2.6 Stagnation :?,&u,8
2.7 Generalized Simulated Annealing ,F1$Of/'@\
2.8 Considerations about Variables for Optimization `JC!uc
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems uBM1;9h
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits N4Ym[l
2.11 Spectral Weighting @[^H*^1|g
2.12 How to Get Started [4gv_g
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3 Improving a Design _T1e##Sq,
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ?FLjvmE9
3.2 Glass Changes ( Index and V Values ) ',.Xn`c
3.3 Splitting Elements #(7OvW+y
3.4 Separating a Cemented Doublet ;,<s'5icyg
3.5 Compounding an Element |1neCP@ng
3.6 Vignetting and Its Uses (wTg aV1
3.7 Eliminating a Weak Element; the Concentric Problem wL{Qni3A
3.8 Balancing Aberrations P?I"y,_ p
3.9 The Symmetrical Principle {uw]s<
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3.10 Aspheric Surfaces )TLDNpH?J
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4 Evaluation: How Good is This Design V/03m3!q
4.1 The Uses of a Preliminary Evaluation U_:/>8})d
4.2 OPD versus Measures of Performance </fzBaTo
4.3 Geometric Blur Spot Size versus Certain Aberrations zUOYH4+
4.4 Interpreting MTF - The Modulation Transfer Function b_B4
4.5 Fabrication Considerations f}fM%0/5
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5 Lens Design Data B%,0zb+-L
5.1 About the Sample Lens Designs V
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5.2 Lens Prescriptions, Drawings, and Aberration Plots Ay{4R
5.3 Estimating the Potential of a Redesign 'RPe5 vB
5.4 Scaling a Desing, Its Aberrations, and Its MTF ]`lTkh
5.5 Notes on the Interpretation of Ray Intercept Plots !#'*@a
5.6 Various Evaluation Plot v"^G9u
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6 Telescope Objective ZqSczS7uf
6.1 The Thin Airspaced Doublet >B iJ/[9
6.2 Merit Function for a Telescope Objective cc@y
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 7{p,<Uz<"U
6.4 Spherochromatism RxAZ<8T_
6.5 Zonal Spherical Aberration 4kIy4x'*
6.6 Induced Aberrations Tfj%Sb,zM
6.7 Three-Element Objectives Cjw|.c`
6.8 Secondary Spectrum (Apochromatic Systems) um[.r,++
6.9 The Design of an f/7 Apochromatic Triplet Hi
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6.10 The Diffractive Surface in Lens Design WXJ%bH
6.11 A Final Note i`X/d=
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7 Eyepieces and Magnifiers Mq-;sPsFP
7.1 Eyepieces $[H3O(B0*
7.2 A Pair of Magnifier Designs R+P1 +5
7.3 The Simple, Classical Eyepieces 0PZpE
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7.4 Design Story of an Eyepiece for a 6*30 Binocular xw`Pq6
7.5 Four-Element Eyepieces 7%C6gU!r
7.6 Five-Element Eyepieces h]I ^%7
7.7 Very High Index Eyepiece/Magnifier p2\@E}
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7.8 Six- and Seven-Element Eyepieces y<kW2<?
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8 Cooke Triplet Anastigmats E-CZk_K9
8.1 Airspaced Triplet Anastigmats >]FRHJo_
8.2 Glass Choice li(g?|AD
8.3 Vertex Length and Residual Aberrations U4Il1|
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8.4 Other Design Considerations Zhf+u
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8.5 A Plastic, Aspheric Triplet Camera Lens L_Z>*s&
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 3b~k)t4R
8.7 Possible Improvement to Our “Basic” Triplet y4+Km*am,W
8.7 The Rear Earth (Lanthanum) Glasses :GK]"sNC
8.9 Aspherizing the Surfaces ih~ R?W
8.10 Increasing the Element Thickness ttgb"Wb%S
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9 Split Triplets [$$i1%c%Z<
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10 The Tessar, Heliar, and Other Compounded Triplets ).5$c0`U&
10.1 The Classic Tessar Re-4y5f
10.2 The Heliar/Pentac kyMWO*>|
10.3 The Portrait Lens and the Enlarger Lens z`XX[9$qm
10.4 Other Compounded Triplets U8 '}(
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Y$ZZ0m
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11 Double-Meniscus Anastigmats ><^
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11.1 Meniscus Components uS;N&6;:
11.2 The Hypergon, Totogon, and Metrogon )k$ +T%
11.3 A Two Element Aspheric Thick Meniscus Camera Lens t
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11.4 Protar, Dagor, and Convertible Lenses Dwn.0|E
11.5 The Split Dagor 0sIwU!=vm
11.6 The Dogmar h_n`E7&bG
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens >We4F2?
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12 The Biotar or Double-Gauss Lens p%[/
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12.1 The Basic Six-Element Version $9bLD
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens fgdqp8~
12.3 The Seven-Element Biotar - Split-Rear Singlet GUSEbIz):
12.4 The Seven-Element Biotar - Broken Contact Front Doublet vq=nG]cE)
12.5 The Seven-Element Biotar - One Compounded Outer Element b*(74 >XY
12.6 The Eight-Element Biotar jnho*,X
12.7 A “Doubled Double-Gauss” Relay ir!/{IQx
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13 Telephoto Lenses 0o7*5| T4
13.1 The Basic Telephoto F!ZE4S_
13.2 Close-up or Macro Lenses +VT/c
13.3 Telephoto Designs @L0xU??"|
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ZW7z[,tk<.
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses stQRl_('
14.1 The Reverse Telephoto Principle %\$~B?At
14.2 The Basic Retrofocus Lens =S#9\W&