[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 2tZ\/6G<  
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Contents of Modern Lens Design 2nd Edition yLQwG.,  
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1    Introduction         U%KsD 4B  
1.1    Lens Design Books     O;m[  
1.2    Reference Material     @m9dB P  
1.3    Specifications     4v.i!U# {  
1.4    Lens Design     (} Y|^uM,  
1.5    Lens Design Program Features     DiSU\?N2'  
1.6    About This Book     j4$NQ]e^4  
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2    Automatic Lens Design         fT5vO.
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2.2    The Merit Function         @Op7OFY%  
2.3    Local Minima     l|fb;Giq=D  
2.4    The Landscape Lens     dl+:u}9M$  
2.5    Types of Merit Function     =/(R_BFna  
2.6    Stagnation     4\m#:fj %  
2.7    Generalized Simulated Annealing     G<`6S5J>hr  
2.8    Considerations about Variables for Optimization     hlFvm$P`M  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems q6eD{/4
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2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     Q
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2.11    Spectral Weighting     +4V"&S|&  
2.12    How to Get Started     E|x t\*  
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3    Improving a Design     QQQN}!xPj  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     iy [W:<c7j  
3.2    Glass Changes ( Index and V Values )     =qS\+  
3.3    Splitting Elements     <UbLds{+Uo  
3.4    Separating a Cemented Doublet     bkIQ?cl<at  
3.5    Compounding an Element     tfPe-U  
3.6    Vignetting and Its Uses     7:n OAN}%  
3.7    Eliminating a Weak Element; the Concentric Problem     #f }OR
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3.8    Balancing Aberrations     >!%+)  
3.9    The Symmetrical Principle     5
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3.10    Aspheric Surfaces     j "e]Ui  
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4    Evaluation: How Good is This Design     }nMp.7b  
4.1    The Uses of a Preliminary Evaluation     jB3Rue:+g  
4.2    OPD versus Measures of Performance     D4PjE@D"H  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ML:H\  
4.4    Interpreting MTF - The Modulation Transfer Function     #* Iyvx  
4.5    Fabrication Considerations     }W nvz;]B  
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5    Lens Design Data     `bjPOA(g  
5.1    About the Sample Lens Designs     j:[#eC  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     lj@ibA]  
5.3    Estimating the Potential of a Redesign     8 G:f[\^  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     0w?G&jjNtM  
5.5    Notes on the Interpretation of Ray Intercept Plots     !5K5;M_Ih"  
5.6    Various Evaluation Plot     >?r8D48`  
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6    Telescope Objective     &'W ~~ir  
6.1    The Thin Airspaced Doublet     eI=:z/p
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6.2    Merit Function for a Telescope Objective     ~jMfm~  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     !Er)|YP  
6.4    Spherochromatism     #>O+!IH
 
6.5    Zonal Spherical Aberration     nOq`Cwh9  
6.6    Induced Aberrations     KWH:tFL.  
6.7    Three-Element Objectives     7o$S6Y;c4  
6.8    Secondary Spectrum (Apochromatic Systems)     #NQx(C  
6.9    The Design of an f/7 Apochromatic Triplet     husk\  
6.10    The Diffractive Surface in Lens Design     )m>Y[)8!  
6.11    A Final Note     Frum@n  
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7    Eyepieces and Magnifiers     j&Y{ CFuZ  
7.1    Eyepieces     Io]KlR@!T  
7.2    A Pair of Magnifier Designs     mxmj  
7.3    The Simple, Classical Eyepieces     [
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7.4    Design Story of an Eyepiece for a 6*30 Binocular     NJPp6RZ%  
7.5    Four-Element Eyepieces     >JT^[i8[  
7.6    Five-Element Eyepieces     "1ov<  
7.7    Very High Index Eyepiece/Magnifier     S=g E'"LT  
7.8    Six- and Seven-Element Eyepieces     #P;vc{ Iq  
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8    Cooke Triplet Anastigmats     X?n($z/{  
8.1    Airspaced Triplet Anastigmats     !_+ok$"d  
8.2    Glass Choice     ]s}9-!{O  
8.3    Vertex Length and Residual Aberrations     {1[f9uPS  
8.4    Other Design Considerations     &eWnS~hJ  
8.5    A Plastic, Aspheric Triplet Camera Lens     VVHL@  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet
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8.7    Possible Improvement to Our “Basic” Triplet     iKAqM{(  
8.7    The Rear Earth (Lanthanum) Glasses     e+Sq&H!@  
8.9    Aspherizing the Surfaces     koy0A/\%  
8.10    Increasing the Element Thickness     KqFiS9 N5  
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9    Split Triplets     Nuc2CB)J  
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10    The Tessar, Heliar, and Other Compounded Triplets     z?.XVk-  
10.1    The Classic Tessar     -\V;Gw8mD  
10.2    The Heliar/Pentac     p9j2jb,qy  
10.3    The Portrait Lens and the Enlarger Lens     Gu#wH  
10.4    Other Compounded Triplets     17yg ~  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar QA# 7T3|  
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11    Double-Meniscus Anastigmats     x)-n[Fu  
11.1    Meniscus Components     *DPKV$  
11.2    The Hypergon, Totogon, and Metrogon     DXx),?s>  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     -'RD%_  
11.4    Protar, Dagor, and Convertible Lenses     *2r(!fJP=^  
11.5    The Split Dagor     # &Z1d(!  
11.6    The Dogmar     oZ!+._9  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     .MW/XnCYs4  
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12    The Biotar or Double-Gauss Lens     'Ad|*
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12.1    The Basic Six-Element Version     i z dJ,8  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens R6qC0@*  
12.3    The Seven-Element Biotar - Split-Rear Singlet     9DaoMOPEI  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     #An_RU6h  
12.5    The Seven-Element Biotar - One Compounded Outer Element     SaiYdJ  
12.6    The Eight-Element Biotar     >3)AO04
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12.7    A “Doubled Double-Gauss” Relay     I0(nRu<  
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13    Telephoto Lenses     tz_WxOQ0  
13.1    The Basic Telephoto     s-),Pv|  
13.2    Close-up or Macro Lenses     Z~HLa  
13.3    Telephoto Designs     Zksow}%  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 1eMaKT_=  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     d6{
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14.1    The Reverse Telephoto Principle     F/0x`l  
14.2    The Basic Retrofocus Lens     S<"`9r)av  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     8 qwOZ d  
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15    Wide Angle Lenses with Negative Outer Lenses     ]M/*Beh  
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16    The Petzval Lens; Head-up Display Lenses     6x"|,,&MD0  
16.1    The Petzval Portrait Lens     }d16xp  
16.2    The Petzval Projection Lens     7.7Z|lJ  
16.3    The Petzval with a Field Flattener     bTc'E#  
16.4    Very Height Speed Petzval Lenses     meR5E?Fm  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     PZSi}j/  
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17    Microscope Objectives     X1\ao[t<;c  
17.1    General Considerations     #{|
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17.2    Classic Objective Design Forms; The Aplanatic Front     I>45xVA  
17.3    Flat-Field Objectives     mY/x|)MmM  
17.4    Reflecting Objectives     h/\/dp/tt  
17.5    The Microscope Objective Designs     5'"l0EuD  
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18    Mirror and Catadioptric Systems     L6"?p-:@'  
18.1    The Good and Bad Points of Mirrors     P>;uS
  
18.2    The Classic Two-Mirror Systems 5.FAuzz  
18.3    Catadioptric Systems     oSB0P  
18.4    Aspheric Correctors and Schmidt Systems     v#Y
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18.5    Confocal Paraboloids     c`4i#R
 
18.6    Unobscured Systems     +B-;.]L T  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     7;H P_oAu  
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19    Infrared and Ultraviolet Systems     h,)UB1  
19.1    Infrared Optics     OQa;EBO  
19.2    IR Objective Lenses     e?eX9yA7F  
19.3    IR Telescope     .GNl31f0  
19.4    Laser Beam Expanders     Gt5'-Hyo  
19,5    Ultraviolet Systems     ICXz(?a  
19.6    Microlithographic Lenses     :gacP?  
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20    Zoom Lenses     g'{hp:  
20.1    Zoom Lenses     D}7G|gX1  
20.2    Zoom Lenses for Point and Shoot Cameras     L4H5#?'  
20.3    A 20X Video Zoom Lens     {_1zIt|  
20.4    A Zoom Scanner Lens     WbDD9ZS  
20.5    A Possible Zoom Lens Design Procedure     PvB-C
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21    Projection TV Lenses and Macro Lenses     ZsepTtY  
21.1    Projection TV Lenses     ck\gazo~q  
21.2    Macro Lenses     jq"iLgEMO  
9Z;"9$+M  
22    Scanner/ , Laser Disk and Collimator Lenses     u!K5jqP  
22.1    Monochromatic Systems     GJIM^  
22.2    Scanner Lenses     $09PZBF,i  
22.3    Laser Disk, Focusing, and Collimator Lenses     29GcNiE`T  
    0xe*\CAo  
23    Tolerance Budgeting     5Bog\mS  
23.1    The Tolerance Budget     3# r`e  
23.2    Additive Tolerances     )A H)*Mg  
23.3    Establishing the Tolerance Budget     ? {vY3~  
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24    Formulary H@!kgaNF
 
24.1    Sign Conventions, Symbols, and Definitions     &[iunJv:eq  
24.2    The Cardinal Points     NamO5(1C  
24.3    Image Equations     (&t8.7O  
24.4    Paraxial Ray Tracing (Surface by Surface)     WjsE#9D!of  
24.5    Invariants     v$i[dZSN[  
24.6    Paraxial Ray Tracing (Component by Component)     5fVm392+  
24.7    Two-Componenet Relationships     lH8e?zJ  
24.8    Third-Order Aberrations – Surface Contributions     h`:
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24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     " .:b43Z  
24.10    Stop Shift Equations     tyyfMA?'L;  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     CEr*VsvjsU  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     }|!9aojr  
.B|a.-oA4  
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Glossary "T,^>xD  
Reference |37y ="  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 xNaDzu"  
我怎么瞧不明白。

有没有人呀 q["T6  
有个问题想请教大家