"Modern Lens Design" 2nd Edition by Warren J. Smith #vViEBVeN
.
ywVGBvJ
Contents of Modern Lens Design 2nd Edition
q ^Gj
IP
F$9+WS`c
1 Introduction u!b0<E
1.1 Lens Design Books 7]hRAhJ8I
1.2 Reference Material E.^u:0:P
1.3 Specifications #jg3Ku;Y
1.4 Lens Design LrV|Y~
1.5 Lens Design Program Features 9'KOc5@l^
1.6 About This Book pwF])uf*{\
q\~D:z$+CO
2 Automatic Lens Design -&QpQ7q1
2.2 The Merit Function 7'@~TM
2.3 Local Minima Ju.T.)H
2.4 The Landscape Lens lH"VLO2l
2.5 Types of Merit Function uiWo<}t}{
2.6 Stagnation SW Hi iF@
2.7 Generalized Simulated Annealing '2{60t_A
2.8 Considerations about Variables for Optimization T'N/A9{q
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems |1T[P)Q
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits R]o2_r7N"}
2.11 Spectral Weighting lnV!Xuf
2.12 How to Get Started e C&!yY2g
@^HZTuP2;
3 Improving a Design lW]&a"1$
3.1 Lens Design Tip Sheet: Standard Improvement Techniques T3-/+4$0v
3.2 Glass Changes ( Index and V Values ) K{ FBrh
3.3 Splitting Elements |;YDRI
3.4 Separating a Cemented Doublet WTZuf9:
3.5 Compounding an Element i^rHZmT
3.6 Vignetting and Its Uses 1\5po^Oioy
3.7 Eliminating a Weak Element; the Concentric Problem Nm3CeU
3.8 Balancing Aberrations
0rc'SEl
3.9 The Symmetrical Principle "h&[6-0'
3.10 Aspheric Surfaces ^YEMR C
qi8~bQ{rH
4 Evaluation: How Good is This Design ;]2d%Qt
4.1 The Uses of a Preliminary Evaluation ZrWA,~;
4.2 OPD versus Measures of Performance MnptC 1N
4.3 Geometric Blur Spot Size versus Certain Aberrations a%wa3N=v
4.4 Interpreting MTF - The Modulation Transfer Function lK#uyag
4.5 Fabrication Considerations }/7rA)_
Q?dzro4C
5 Lens Design Data -V||1@
|
5.1 About the Sample Lens Designs `V?NS,@$
5.2 Lens Prescriptions, Drawings, and Aberration Plots tCu9
D
5.3 Estimating the Potential of a Redesign M|7{ZE`Y
5.4 Scaling a Desing, Its Aberrations, and Its MTF r<"k
/
5.5 Notes on the Interpretation of Ray Intercept Plots 1c$ce+n~
5.6 Various Evaluation Plot IpVtbDW
~JOC8dO
6 Telescope Objective _No<fz8
6.1 The Thin Airspaced Doublet "GAKi}y">v
6.2 Merit Function for a Telescope Objective g<i>252>
6.3 The Design of an f/7 Cemented Doublet Telescope Objective s18A
6.4 Spherochromatism bWMb@zm
6.5 Zonal Spherical Aberration Qs_]U
6.6 Induced Aberrations L#/<y{
6.7 Three-Element Objectives TZ PUVOtL_
6.8 Secondary Spectrum (Apochromatic Systems) tSaD=# v
6.9 The Design of an f/7 Apochromatic Triplet A)nE+ec1
6.10 The Diffractive Surface in Lens Design !GoHCe[10
6.11 A Final Note {)-3g~
ABhQ7
x|
7 Eyepieces and Magnifiers w-``kID
7.1 Eyepieces g"D:zK)
7.2 A Pair of Magnifier Designs vH]2t.\
7.3 The Simple, Classical Eyepieces wPpern05
7.4 Design Story of an Eyepiece for a 6*30 Binocular }9L;|ul6
7.5 Four-Element Eyepieces Bv}nG|
7.6 Five-Element Eyepieces V_T~5%9Fy
7.7 Very High Index Eyepiece/Magnifier E1|:t$>Ld
7.8 Six- and Seven-Element Eyepieces /Fp@j/50
_;G|3>5u
8 Cooke Triplet Anastigmats .WW|v
8.1 Airspaced Triplet Anastigmats e41r!od
8.2 Glass Choice \B8[UZA.&
8.3 Vertex Length and Residual Aberrations \-:4TuU
8.4 Other Design Considerations VqdR
8.5 A Plastic, Aspheric Triplet Camera Lens D(M^%z2N
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet R9%"Kxm
8.7 Possible Improvement to Our “Basic” Triplet FdMTc(>
8.7 The Rear Earth (Lanthanum) Glasses IPlkv{^
8.9 Aspherizing the Surfaces NQ\<~a`Eq
8.10 Increasing the Element Thickness (APGz,^9#
o>\epQt~/p
9 Split Triplets Gv6#LcF#
hu-6V="^9
10 The Tessar, Heliar, and Other Compounded Triplets O)}5`0@L
10.1 The Classic Tessar Iz I
hC
10.2 The Heliar/Pentac ef
-PlGn
10.3 The Portrait Lens and the Enlarger Lens bcFZ ~B
10.4 Other Compounded Triplets ?rgtbiSW-
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar +v|]RgyW)
/@K1"/fqH
11 Double-Meniscus Anastigmats &fgfCZz'
11.1 Meniscus Components :-1
i1d
11.2 The Hypergon, Totogon, and Metrogon +rOd0?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens /1LQx>1d
11.4 Protar, Dagor, and Convertible Lenses uJL[m(G
11.5 The Split Dagor etH]-S
11.6 The Dogmar "A&