"Modern Lens Design" 2nd Edition by Warren J. Smith q%&JAX=
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Contents of Modern Lens Design 2nd Edition q)N]*~
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1 Introduction vU(uu:U9
1.1 Lens Design Books |-+ IF,j
1.2 Reference Material kxvzAKz~
1.3 Specifications =o_Ua^mr
1.4 Lens Design YL[n85l>1
1.5 Lens Design Program Features };/;L[,G
1.6 About This Book )SjhOvm
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2 Automatic Lens Design v^A4%e<8^r
2.2 The Merit Function u([|^~H]
2.3 Local Minima xOY
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2.4 The Landscape Lens @}{lp'8FYi
2.5 Types of Merit Function |J:|56kVZq
2.6 Stagnation
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2.7 Generalized Simulated Annealing Q{K'#
2.8 Considerations about Variables for Optimization h;C/} s
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems h&|PHI
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits MJ.K,e
2.11 Spectral Weighting mZG)#gW[
2.12 How to Get Started ]wxjd
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3 Improving a Design WWBm*?U
3.1 Lens Design Tip Sheet: Standard Improvement Techniques GBg~NkC7.
3.2 Glass Changes ( Index and V Values ) Vf*Z }'
3.3 Splitting Elements F9}j iCom
3.4 Separating a Cemented Doublet `AcUxnO
3.5 Compounding an Element WgTD
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3.6 Vignetting and Its Uses Z~S%|{&Br
3.7 Eliminating a Weak Element; the Concentric Problem _/c1b>kcso
3.8 Balancing Aberrations kN~:Bh$
3.9 The Symmetrical Principle 4it^-M
3.10 Aspheric Surfaces B=d
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4 Evaluation: How Good is This Design ,%=SO 82W
4.1 The Uses of a Preliminary Evaluation )hy(0 D
4.2 OPD versus Measures of Performance N e<D'-
4.3 Geometric Blur Spot Size versus Certain Aberrations d YliC
4.4 Interpreting MTF - The Modulation Transfer Function 1-=ZIHW
4.5 Fabrication Considerations Y W9+.Dc`
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5 Lens Design Data iVSN>APe
5.1 About the Sample Lens Designs :5W8S6[o
5.2 Lens Prescriptions, Drawings, and Aberration Plots t@vVE{`
5.3 Estimating the Potential of a Redesign G(;hJ'LT
5.4 Scaling a Desing, Its Aberrations, and Its MTF `qs[a}%'>"
5.5 Notes on the Interpretation of Ray Intercept Plots iwVsq_[]L
5.6 Various Evaluation Plot ABaK60.O[O
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6 Telescope Objective 6"djX47j
6.1 The Thin Airspaced Doublet V<A$eb>6
6.2 Merit Function for a Telescope Objective C{<H)?]*BF
6.3 The Design of an f/7 Cemented Doublet Telescope Objective jY1^I26E
6.4 Spherochromatism $o%:ST4
6.5 Zonal Spherical Aberration DQI
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6.6 Induced Aberrations Da3Z>/S
6.7 Three-Element Objectives 'c/S$_r
6.8 Secondary Spectrum (Apochromatic Systems) ^&Vj m
6.9 The Design of an f/7 Apochromatic Triplet EA``G8Vn>
6.10 The Diffractive Surface in Lens Design <zWMTVaC
6.11 A Final Note q@=3`yQ
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7 Eyepieces and Magnifiers /$'|`jKsB
7.1 Eyepieces mMOjV_
7.2 A Pair of Magnifier Designs dJ(<zz+;b
7.3 The Simple, Classical Eyepieces MLT^7'y
7.4 Design Story of an Eyepiece for a 6*30 Binocular p>=i'~lQ6
7.5 Four-Element Eyepieces qokCVI-\
7.6 Five-Element Eyepieces MU>6s`6O
7.7 Very High Index Eyepiece/Magnifier uc>]-4
7.8 Six- and Seven-Element Eyepieces kxH`
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8 Cooke Triplet Anastigmats p#aB0H3
8.1 Airspaced Triplet Anastigmats 90Bn}@t=Q
8.2 Glass Choice `e[>S
8.3 Vertex Length and Residual Aberrations s+<`iH9Hm
8.4 Other Design Considerations M .oH,Kd6
8.5 A Plastic, Aspheric Triplet Camera Lens "$#<+H>O
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet y!M# #K*
8.7 Possible Improvement to Our “Basic” Triplet *!r"+?0gN
8.7 The Rear Earth (Lanthanum) Glasses #ZyY(S1.
8.9 Aspherizing the Surfaces nKnQ%R
8.10 Increasing the Element Thickness 5ktFL<^5T
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9 Split Triplets
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10 The Tessar, Heliar, and Other Compounded Triplets 2DNB?,uP,'
10.1 The Classic Tessar qYP;`L}o#
10.2 The Heliar/Pentac -!QVM\t
10.3 The Portrait Lens and the Enlarger Lens cd._q2
10.4 Other Compounded Triplets Y(&rlL(sPK
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar "lRxatM
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11 Double-Meniscus Anastigmats -2B3 xIZJ
11.1 Meniscus Components S|
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11.2 The Hypergon, Totogon, and Metrogon /hSEm.<
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Vji:,k=3\
11.4 Protar, Dagor, and Convertible Lenses H7
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11.5 The Split Dagor n{I1ZlEeh
11.6 The Dogmar kB9@
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens NjbIt=y
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12 The Biotar or Double-Gauss Lens L/?jtF:o
12.1 The Basic Six-Element Version {X10,
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 1hY%ZsjC
12.3 The Seven-Element Biotar - Split-Rear Singlet 8?N![D\@
12.4 The Seven-Element Biotar - Broken Contact Front Doublet \Mzr[dI
12.5 The Seven-Element Biotar - One Compounded Outer Element ~e_
12.6 The Eight-Element Biotar \0n<6^y
12.7 A “Doubled Double-Gauss” Relay qVssw* GDB
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13 Telephoto Lenses 3b?8<*
13.1 The Basic Telephoto ?vP6~$*B
13.2 Close-up or Macro Lenses ?c<uN~fC=
13.3 Telephoto Designs (#BOcx5J]
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch w<u@L
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses <+UJgB
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14.1 The Reverse Telephoto Principle uD\rmO{
14.2 The Basic Retrofocus Lens .I0M'L~!/L
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Vn65:" O
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15 Wide Angle Lenses with Negative Outer Lenses y~'%PUN
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16 The Petzval Lens; Head-up Display Lenses 7+;.Q
16.1 The Petzval Portrait Lens E/<n"'0ek
16.2 The Petzval Projection Lens seVT|z
16.3 The Petzval with a Field Flattener E|A~T7G=
16.4 Very Height Speed Petzval Lenses D?FmlDTr[
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 5+2qx)FZ
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17 Microscope Objectives zY2x_}#Q\"
17.1 General Considerations vdh[%T,&
17.2 Classic Objective Design Forms; The Aplanatic Front [P|kY
17.3 Flat-Field Objectives P%;lHC #i
17.4 Reflecting Objectives |\xTcS|d
17.5 The Microscope Objective Designs Pk;1q?tGw
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18 Mirror and Catadioptric Systems .u'MMe>^
18.1 The Good and Bad Points of Mirrors A2!pbeG
18.2 The Classic Two-Mirror Systems Yx&d\/9
18.3 Catadioptric Systems MDZPp;\)
18.4 Aspheric Correctors and Schmidt Systems KGGnypx`
18.5 Confocal Paraboloids Uz=ol.E
18.6 Unobscured Systems rk47$36X
18.7 Design of a Schmidt-Cassegrain “from Scratch” 'w=aLu5dY
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19 Infrared and Ultraviolet Systems E#Ol{6
19.1 Infrared Optics o;21|[z
19.2 IR Objective Lenses qDcoccEf
19.3 IR Telescope ?zf3AZ9
19.4 Laser Beam Expanders Res4;C
19,5 Ultraviolet Systems &Ez+4.srkh
19.6 Microlithographic Lenses |h\A5_0_
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20 Zoom Lenses R?y_tho4A
20.1 Zoom Lenses \;iOQqv0&
20.2 Zoom Lenses for Point and Shoot Cameras j'OXT<n*
20.3 A 20X Video Zoom Lens QX42^]({;c
20.4 A Zoom Scanner Lens BY9Z}/{j
20.5 A Possible Zoom Lens Design Procedure e jR_3K^
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21 Projection TV Lenses and Macro Lenses Dk&(QajL
21.1 Projection TV Lenses ac6@E4 _
21.2 Macro Lenses +~|Jn_:A f
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22 Scanner/ , Laser Disk and Collimator Lenses 1!yd(p=cL
22.1 Monochromatic Systems aPRMpY-YC3
22.2 Scanner Lenses i(ZzE
22.3 Laser Disk, Focusing, and Collimator Lenses z "z
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23 Tolerance Budgeting _pzYmQ
23.1 The Tolerance Budget i'10qWz
23.2 Additive Tolerances #R7hk5/8n}
23.3 Establishing the Tolerance Budget B%`|W@v
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24 Formulary ?B@3A)a
24.1 Sign Conventions, Symbols, and Definitions pNZ3vTs6
24.2 The Cardinal Points !/ dH"h
24.3 Image Equations s8'!1rHd
24.4 Paraxial Ray Tracing (Surface by Surface) ko|M2\
24.5 Invariants IwOL1\'T4
24.6 Paraxial Ray Tracing (Component by Component) k!G{#(++&6
24.7 Two-Componenet Relationships `GlOl-
24.8 Third-Order Aberrations – Surface Contributions 6pt|Crvu
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs J1w3g,
24.10 Stop Shift Equations
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces s
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) |`pBI0Sjo
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Glossary mY[*Cj3WJ
Reference bSn={O"M
Index