"Modern Lens Design" 2nd Edition by Warren J. Smith ]a |;G
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Contents of Modern Lens Design 2nd Edition 8 (h
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1 Introduction ` DllW{l
1.1 Lens Design Books DF|lUO]:
1.2 Reference Material 6:tr8 X_
1.3 Specifications vl~
1.4 Lens Design UBHQz c+,
1.5 Lens Design Program Features ;OJ0}\*iP8
1.6 About This Book @CI6$
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2 Automatic Lens Design W8h\ s {
2.2 The Merit Function gbf=H8]
2.3 Local Minima =?Md&%j
2.4 The Landscape Lens qML*Kwg
2.5 Types of Merit Function Vot+gCZ
2.6 Stagnation jF_I4H
2.7 Generalized Simulated Annealing pP,bW~rk
2.8 Considerations about Variables for Optimization Z|S 7 " ,
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems i O|,,;_
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits * .VZ(wX
2.11 Spectral Weighting +M&S
2.12 How to Get Started u`@FA?+E1
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3 Improving a Design % <|KJb4?
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 9,eR=M]+:
3.2 Glass Changes ( Index and V Values ) !QS<;)N@
3.3 Splitting Elements " z'!il#
3.4 Separating a Cemented Doublet wR$8drn]Rq
3.5 Compounding an Element _N';` wjDY
3.6 Vignetting and Its Uses XqH<)B
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3.7 Eliminating a Weak Element; the Concentric Problem {~I_rlo n
3.8 Balancing Aberrations *v/*_6f*
3.9 The Symmetrical Principle VVl-cU
3.10 Aspheric Surfaces `3oP^ #
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4 Evaluation: How Good is This Design Vdk+1AX
4.1 The Uses of a Preliminary Evaluation A'(F%0NF6
4.2 OPD versus Measures of Performance zL8A?G)= M
4.3 Geometric Blur Spot Size versus Certain Aberrations (r\h dLX
4.4 Interpreting MTF - The Modulation Transfer Function 0N ;d)3
4.5 Fabrication Considerations &r u0i@?)
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5 Lens Design Data *7ro [
5.1 About the Sample Lens Designs }*R6p?L5
5.2 Lens Prescriptions, Drawings, and Aberration Plots +qf{ '|H
5.3 Estimating the Potential of a Redesign 4:g:$s|SE[
5.4 Scaling a Desing, Its Aberrations, and Its MTF M6#(F7hB
5.5 Notes on the Interpretation of Ray Intercept Plots J3+8s [oJ>
5.6 Various Evaluation Plot {U-EBXV
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6 Telescope Objective L(8dK
6.1 The Thin Airspaced Doublet F
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6.2 Merit Function for a Telescope Objective UdJV;T'rm
6.3 The Design of an f/7 Cemented Doublet Telescope Objective uZI a-b
6.4 Spherochromatism mDf WR
6.5 Zonal Spherical Aberration p
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6.6 Induced Aberrations
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6.7 Three-Element Objectives wwn}enEz,x
6.8 Secondary Spectrum (Apochromatic Systems) ]!:Y]VYN)\
6.9 The Design of an f/7 Apochromatic Triplet We?:DM
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6.10 The Diffractive Surface in Lens Design ZE` {J =,
6.11 A Final Note >K%x44|
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7 Eyepieces and Magnifiers ,$-PC=Ti(
7.1 Eyepieces [F EQ@
7.2 A Pair of Magnifier Designs
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7.3 The Simple, Classical Eyepieces Q 4q#/z
7.4 Design Story of an Eyepiece for a 6*30 Binocular Zh^w)}(W
7.5 Four-Element Eyepieces O hEL9"\<
7.6 Five-Element Eyepieces Di n)5CxFX
7.7 Very High Index Eyepiece/Magnifier glgk>83I+
7.8 Six- and Seven-Element Eyepieces '7s!N F2
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8 Cooke Triplet Anastigmats 55p=veq \
8.1 Airspaced Triplet Anastigmats )zo ;r!eP
8.2 Glass Choice KL4/"$l]
8.3 Vertex Length and Residual Aberrations .SN]hLV5
8.4 Other Design Considerations |3m%d2V*hF
8.5 A Plastic, Aspheric Triplet Camera Lens Z]BR Mx
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Dzr5 qP?#
8.7 Possible Improvement to Our “Basic” Triplet ,RQ- w2 j?
8.7 The Rear Earth (Lanthanum) Glasses T`sM4 VWqU
8.9 Aspherizing the Surfaces rI/KrBM
8.10 Increasing the Element Thickness ]U%Tm>s.
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9 Split Triplets Vk-_H)*r
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10 The Tessar, Heliar, and Other Compounded Triplets "#jKk6{I0
10.1 The Classic Tessar {wI0 =U
10.2 The Heliar/Pentac E"=$p $k
10.3 The Portrait Lens and the Enlarger Lens Di*>PE@
10.4 Other Compounded Triplets cDg27xOUi
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar plfB} p
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11 Double-Meniscus Anastigmats 6EY4@0%A
11.1 Meniscus Components 'Iu(lpF&
11.2 The Hypergon, Totogon, and Metrogon p<4':s;*
11.3 A Two Element Aspheric Thick Meniscus Camera Lens *Y Ox`z!R
11.4 Protar, Dagor, and Convertible Lenses whCv9)x
11.5 The Split Dagor u:ISwAp
11.6 The Dogmar ^iNR(cwgX
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 0P(}e[~Z
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12 The Biotar or Double-Gauss Lens 7[L C*nrr
12.1 The Basic Six-Element Version . {I7sUQ
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens n :P}K?lg
12.3 The Seven-Element Biotar - Split-Rear Singlet 2dfA}i> k
12.4 The Seven-Element Biotar - Broken Contact Front Doublet
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12.5 The Seven-Element Biotar - One Compounded Outer Element STe;Sr&p
12.6 The Eight-Element Biotar ? t-2oLE
12.7 A “Doubled Double-Gauss” Relay |4vk @0 L
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13 Telephoto Lenses V QI7lJV"
13.1 The Basic Telephoto G1 rgp>m
13.2 Close-up or Macro Lenses ^gG,}GTl
13.3 Telephoto Designs ( C&f~U
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ,P^"X5$
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses *RPI$0
14.1 The Reverse Telephoto Principle +\4=G@P.J
14.2 The Basic Retrofocus Lens -IE;5f#e
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses Be QJ/`
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15 Wide Angle Lenses with Negative Outer Lenses <d4^gAfs*
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16 The Petzval Lens; Head-up Display Lenses o%:e Yl
16.1 The Petzval Portrait Lens x)*[>d2yd
16.2 The Petzval Projection Lens v!2`hq O
16.3 The Petzval with a Field Flattener Oaui@q
16.4 Very Height Speed Petzval Lenses mYCGGwD
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Jy9&=Qh
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17 Microscope Objectives fOfp.`n
17.1 General Considerations g(1'i 1
17.2 Classic Objective Design Forms; The Aplanatic Front y^ohns5{
17.3 Flat-Field Objectives Y3?kj@T`i
17.4 Reflecting Objectives ; ?!sU
17.5 The Microscope Objective Designs 5@Sb[za
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18 Mirror and Catadioptric Systems Ks4TBi&J
18.1 The Good and Bad Points of Mirrors [30e>bSf`
18.2 The Classic Two-Mirror Systems p~t $ll0s
18.3 Catadioptric Systems @ B+];lr/-
18.4 Aspheric Correctors and Schmidt Systems -
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18.5 Confocal Paraboloids q+<TD#xoL
18.6 Unobscured Systems Js'|N%pi
18.7 Design of a Schmidt-Cassegrain “from Scratch” ^-DK<jZ^
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19 Infrared and Ultraviolet Systems @_;6 L
19.1 Infrared Optics Z=#!FZ{
19.2 IR Objective Lenses OnG?@sW+4!
19.3 IR Telescope ;kY=}=9
19.4 Laser Beam Expanders c8(.bmvF
19,5 Ultraviolet Systems |nD`0 Rbw
19.6 Microlithographic Lenses yt?# T #
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20 Zoom Lenses BzD S
20.1 Zoom Lenses Q9(
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20.2 Zoom Lenses for Point and Shoot Cameras BJqM=<nQ
20.3 A 20X Video Zoom Lens [.2>=3T
20.4 A Zoom Scanner Lens !$j'F? 2 >
20.5 A Possible Zoom Lens Design Procedure xMe[/7) 4
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21 Projection TV Lenses and Macro Lenses Xs4`bbap
21.1 Projection TV Lenses Ox58L>:0m
21.2 Macro Lenses uJi|@{V
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22 Scanner/ , Laser Disk and Collimator Lenses W)KV"A3C
22.1 Monochromatic Systems \hg12],#:@
22.2 Scanner Lenses ur; 8uv2o
22.3 Laser Disk, Focusing, and Collimator Lenses ST O6cNi
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23 Tolerance Budgeting IyMKV$"
23.1 The Tolerance Budget nfc&.(6x<
23.2 Additive Tolerances X"yLo8y8$
23.3 Establishing the Tolerance Budget -q[?,h
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24 Formulary ZZ.GpB.
24.1 Sign Conventions, Symbols, and Definitions j#29L"
24.2 The Cardinal Points JD.WH|sZ5
24.3 Image Equations 5K,Y6I&$SJ
24.4 Paraxial Ray Tracing (Surface by Surface) >XB Lm`a
24.5 Invariants t'^/}=c-
24.6 Paraxial Ray Tracing (Component by Component) Y6+nfh_
24.7 Two-Componenet Relationships )8yNqnD
24.8 Third-Order Aberrations – Surface Contributions }=NjFK_6
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs -|g~--@Q
24.10 Stop Shift Equations cO'
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces <~'\~Z d+
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) yKi* 8N"e<
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Glossary oTZNW
Reference @Kp2l<P
Index
