"Modern Lens Design" 2nd Edition by Warren J. Smith ~ 1p
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Contents of Modern Lens Design 2nd Edition Nbr{)h
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1 Introduction a`}-^;}SW
1.1 Lens Design Books ]Sh&8 #
1.2 Reference Material AK[c!mzx
1.3 Specifications I8m(p+Z=
1.4 Lens Design SLW1]ZaG
1.5 Lens Design Program Features @Z) &3ss
1.6 About This Book /)~M cP3
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2 Automatic Lens Design [X|P(&\hQd
2.2 The Merit Function q;rU}hAzG0
2.3 Local Minima p?Y 1^/
2.4 The Landscape Lens l 1@:&j3h
2.5 Types of Merit Function S5j#&i
2.6 Stagnation aD.A +e s
2.7 Generalized Simulated Annealing BzD S
2.8 Considerations about Variables for Optimization >6Q-e$GS@
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems A/9 w r
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits dG1qrh9_-
2.11 Spectral Weighting p0V w@R=
2.12 How to Get Started #]9yzyb_y
6uD Nqq
3 Improving a Design 0 'gJSrgNI
3.1 Lens Design Tip Sheet: Standard Improvement Techniques IlH*s/
3.2 Glass Changes ( Index and V Values ) Q~jU Z-qN
3.3 Splitting Elements fNQecDuS
3.4 Separating a Cemented Doublet 'i}Q R~pe
3.5 Compounding an Element 'INdZ8j_
3.6 Vignetting and Its Uses H R4^+x
3.7 Eliminating a Weak Element; the Concentric Problem ST O6cNi
3.8 Balancing Aberrations ~#wq sm
3.9 The Symmetrical Principle %.]qkGZe#
3.10 Aspheric Surfaces !y6
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`Do-!G+W
4 Evaluation: How Good is This Design HH^eEh4g
4.1 The Uses of a Preliminary Evaluation F*QGzbv)
4.2 OPD versus Measures of Performance WO|#`HM2
4.3 Geometric Blur Spot Size versus Certain Aberrations )H)HR`
4.4 Interpreting MTF - The Modulation Transfer Function zT.qNtU%
4.5 Fabrication Considerations nP] ~8ViS
gVO[R6C 5C
5 Lens Design Data &P rx=L`
5.1 About the Sample Lens Designs Z O&5C6qa
5.2 Lens Prescriptions, Drawings, and Aberration Plots %|UCs8EFm
5.3 Estimating the Potential of a Redesign *f1MgP*GKF
5.4 Scaling a Desing, Its Aberrations, and Its MTF 8!1vsEqv
5.5 Notes on the Interpretation of Ray Intercept Plots fxjs "rD5
5.6 Various Evaluation Plot [8<)^k
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6 Telescope Objective {@k5e)
Q
6.1 The Thin Airspaced Doublet 7Y:1ji0 l
6.2 Merit Function for a Telescope Objective @`)A )
6.3 The Design of an f/7 Cemented Doublet Telescope Objective op ;OPf,
6.4 Spherochromatism I
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6.5 Zonal Spherical Aberration l9\
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6.6 Induced Aberrations -Zkl\A$>
6.7 Three-Element Objectives
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6.8 Secondary Spectrum (Apochromatic Systems) N\rbnr
6.9 The Design of an f/7 Apochromatic Triplet >osY?9
6.10 The Diffractive Surface in Lens Design s T| 8a
6.11 A Final Note 4; x{@Ln
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7 Eyepieces and Magnifiers tQF,E&Jo8
7.1 Eyepieces 6Z0@4_Y@B6
7.2 A Pair of Magnifier Designs Jc/*w
7.3 The Simple, Classical Eyepieces (z#qkKL{^
7.4 Design Story of an Eyepiece for a 6*30 Binocular ^ As^ hY^p
7.5 Four-Element Eyepieces qy"#XbBeV
7.6 Five-Element Eyepieces Bi9 S1 p
7.7 Very High Index Eyepiece/Magnifier lo Oh }y+
7.8 Six- and Seven-Element Eyepieces YP/BX52 v
>2T DYB|;
8 Cooke Triplet Anastigmats 2/3,%5j_
8.1 Airspaced Triplet Anastigmats uPhFBD 7
8.2 Glass Choice b 'jZ4{+W
8.3 Vertex Length and Residual Aberrations Ru `&>E
8.4 Other Design Considerations QOB>Tv E
8.5 A Plastic, Aspheric Triplet Camera Lens
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8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet rLtB^?A z
8.7 Possible Improvement to Our “Basic” Triplet R_`i=>Z-
8.7 The Rear Earth (Lanthanum) Glasses [2:Q.Zj
8.9 Aspherizing the Surfaces F|Pf-. r`t
8.10 Increasing the Element Thickness E9i
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9 Split Triplets @lRT p
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10 The Tessar, Heliar, and Other Compounded Triplets Y j;KKgk
10.1 The Classic Tessar nkUSd}a`r
10.2 The Heliar/Pentac {26 /SY
10.3 The Portrait Lens and the Enlarger Lens JH C 6l
10.4 Other Compounded Triplets g1UP/hNJ\8
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Gm~jC <
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11 Double-Meniscus Anastigmats qj/
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11.1 Meniscus Components <b !nI
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11.2 The Hypergon, Totogon, and Metrogon rl"$6{Z}
11.3 A Two Element Aspheric Thick Meniscus Camera Lens MEf`&<t
11.4 Protar, Dagor, and Convertible Lenses `f?v_Ui-$
11.5 The Split Dagor ;/ l$&:
11.6 The Dogmar Q]?r&%Y
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens r)E9]"TAB
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12 The Biotar or Double-Gauss Lens d^p af
12.1 The Basic Six-Element Version bk^W]<:z`
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 1j"_@?H[
12.3 The Seven-Element Biotar - Split-Rear Singlet 7L)edR [
12.4 The Seven-Element Biotar - Broken Contact Front Doublet B WRAz*V
12.5 The Seven-Element Biotar - One Compounded Outer Element uy Z
12.6 The Eight-Element Biotar T%zCAfx m
12.7 A “Doubled Double-Gauss” Relay )lh48Ag0t;
bS7rG$n [
13 Telephoto Lenses .LMOmc=(
13.1 The Basic Telephoto F<H[-k*t/
13.2 Close-up or Macro Lenses wiHGTaR
13.3 Telephoto Designs {S[+hUl
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch VAPR I\uM;
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Zcst$Aro
14.1 The Reverse Telephoto Principle ML e o3
14.2 The Basic Retrofocus Lens d^b( Uo=$
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses cC@ . &
]:H((rk
15 Wide Angle Lenses with Negative Outer Lenses Zfwhg4G~
7 uy?%5
16 The Petzval Lens; Head-up Display Lenses B"KDr_,,
16.1 The Petzval Portrait Lens f 0 "N
16.2 The Petzval Projection Lens q+<<Ku(20
16.3 The Petzval with a Field Flattener N!me:|Dn
16.4 Very Height Speed Petzval Lenses 0
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems $U . >]i
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foP
17 Microscope Objectives Z/
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17.1 General Considerations f[r?J/;P9
17.2 Classic Objective Design Forms; The Aplanatic Front ;zq3> A
17.3 Flat-Field Objectives iB- h3/
17.4 Reflecting Objectives -!_\ 4
17.5 The Microscope Objective Designs B8=r^!jEL
ay GYVYi
18 Mirror and Catadioptric Systems ^ &UezDTS
18.1 The Good and Bad Points of Mirrors 8&K1;l }
18.2 The Classic Two-Mirror Systems F6'[8f
18.3 Catadioptric Systems Jeb "t1.$
18.4 Aspheric Correctors and Schmidt Systems ?so=k&I-M
18.5 Confocal Paraboloids 6> L)
18.6 Unobscured Systems XHN*'@
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18.7 Design of a Schmidt-Cassegrain “from Scratch” _Fc :<Ym?
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19 Infrared and Ultraviolet Systems lRO7 Ae
19.1 Infrared Optics g#W/WKvM
19.2 IR Objective Lenses ;pH&YB Y
19.3 IR Telescope O8\ > ?4)
19.4 Laser Beam Expanders yW@0Q:
19,5 Ultraviolet Systems <q}w, XU
19.6 Microlithographic Lenses ^k#.;Q#4
JyiP3whW
20 Zoom Lenses U<|hIv-&
20.1 Zoom Lenses 6x]x>:8
20.2 Zoom Lenses for Point and Shoot Cameras E`A 6GX
20.3 A 20X Video Zoom Lens (B/od # nU
20.4 A Zoom Scanner Lens J`I^F:y*
20.5 A Possible Zoom Lens Design Procedure EdC^L`::
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21 Projection TV Lenses and Macro Lenses BI|BfO%F$j
21.1 Projection TV Lenses Tr\6 AN?o
21.2 Macro Lenses /7`fg0A
G d%X> ~
22 Scanner/ , Laser Disk and Collimator Lenses #E'aa 'P}
22.1 Monochromatic Systems ^i;y2c
22.2 Scanner Lenses J 7/)XS
22.3 Laser Disk, Focusing, and Collimator Lenses < u=k X
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23 Tolerance Budgeting 0`H)c)
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23.1 The Tolerance Budget {e/6iSpT
23.2 Additive Tolerances HxE`"/~.7k
23.3 Establishing the Tolerance Budget FS+v YqwK
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24 Formulary {J[5 {]Je[
24.1 Sign Conventions, Symbols, and Definitions ~#]$YoQ&O
24.2 The Cardinal Points H?H(=
24.3 Image Equations q8=hU D%5C
24.4 Paraxial Ray Tracing (Surface by Surface) 1woB w>g
24.5 Invariants d*cAm$
24.6 Paraxial Ray Tracing (Component by Component) 8T]x4JQ0
24.7 Two-Componenet Relationships mh$ Nwr/W:
24.8 Third-Order Aberrations – Surface Contributions <H]1 6
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs }#bX{?f
24.10 Stop Shift Equations
MYk%p '
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces r5s$#,O/&Q
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) "d3qUk
|to| kU
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Glossary Cju %CE3a
Reference OS{j 5o
Index
