"Modern Lens Design" 2nd Edition by Warren J. Smith v3/G.B @=
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Contents of Modern Lens Design 2nd Edition 4H%Ai(F}_
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1 Introduction 5
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1.1 Lens Design Books Gy[m4n~Z5
1.2 Reference Material w#$Q?u ,G
1.3 Specifications A3e83g~L
1.4 Lens Design a/
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1.5 Lens Design Program Features X pf: I
1.6 About This Book 9&KiG* .
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2 Automatic Lens Design mvW,nM1Y
2.2 The Merit Function 2HREO@._ )
2.3 Local Minima ytGcigw(P
2.4 The Landscape Lens X[ iQ%Y$/n
2.5 Types of Merit Function bu r0?q
2.6 Stagnation 4}HY= 0Um
2.7 Generalized Simulated Annealing z)y{(gR
2.8 Considerations about Variables for Optimization F Ad4p9[Y
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems &Uk h
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ~@Eu4ip)F
2.11 Spectral Weighting ^ b`aO$
2.12 How to Get Started
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3 Improving a Design 0W >,RR)
3.1 Lens Design Tip Sheet: Standard Improvement Techniques HO
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3.2 Glass Changes ( Index and V Values ) B=+Py%
3.3 Splitting Elements D~JrO]mi
3.4 Separating a Cemented Doublet 3,-xk!W$L
3.5 Compounding an Element ]PjJy/vkjj
3.6 Vignetting and Its Uses iwnFCZVS
3.7 Eliminating a Weak Element; the Concentric Problem 3 N 5b3 F
3.8 Balancing Aberrations ; V\l,
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3.9 The Symmetrical Principle qm=N@@R&
3.10 Aspheric Surfaces p !3!&{
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4 Evaluation: How Good is This Design ?T <2Cl'C
4.1 The Uses of a Preliminary Evaluation BO)Q$*G~JD
4.2 OPD versus Measures of Performance m'.y,@^B
4.3 Geometric Blur Spot Size versus Certain Aberrations J PK( S~
4.4 Interpreting MTF - The Modulation Transfer Function iqP MCOPZ
4.5 Fabrication Considerations "_
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5 Lens Design Data E#m|Sq
5.1 About the Sample Lens Designs #)N}F/Od^
5.2 Lens Prescriptions, Drawings, and Aberration Plots a$ FO5%o
5.3 Estimating the Potential of a Redesign `8D} \w<eI
5.4 Scaling a Desing, Its Aberrations, and Its MTF %gE*x
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5.5 Notes on the Interpretation of Ray Intercept Plots z<9wh2*M
5.6 Various Evaluation Plot U0X? ~ 1
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6 Telescope Objective %ryYa
6.1 The Thin Airspaced Doublet 7awh__@
6.2 Merit Function for a Telescope Objective q t!0 #z8
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ]3i QpL
6.4 Spherochromatism :N
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6.5 Zonal Spherical Aberration @is !VzE
6.6 Induced Aberrations Ga1(T$ |H
6.7 Three-Element Objectives h#7p&F
6.8 Secondary Spectrum (Apochromatic Systems) U^.kp# x#
6.9 The Design of an f/7 Apochromatic Triplet {gwJ>]z"e
6.10 The Diffractive Surface in Lens Design ~y.t amNW
6.11 A Final Note =7212('F
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7 Eyepieces and Magnifiers s/0S]P]}f
7.1 Eyepieces J-wF2*0r<
7.2 A Pair of Magnifier Designs )UgLs|G~
7.3 The Simple, Classical Eyepieces ?(d<n
7.4 Design Story of an Eyepiece for a 6*30 Binocular xaG( 3
7.5 Four-Element Eyepieces c Y(2}Ay
7.6 Five-Element Eyepieces KJ;;825?
7.7 Very High Index Eyepiece/Magnifier L|H:&|F
7.8 Six- and Seven-Element Eyepieces q71 ~Y:7f
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8 Cooke Triplet Anastigmats l OuO~`,J
8.1 Airspaced Triplet Anastigmats T z?0E"yx
8.2 Glass Choice 2j
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8.3 Vertex Length and Residual Aberrations -) Li L
8.4 Other Design Considerations `!A<XiAOmM
8.5 A Plastic, Aspheric Triplet Camera Lens VW/ICX~"d
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet @n Oj6b
8.7 Possible Improvement to Our “Basic” Triplet ;bhD:$NB X
8.7 The Rear Earth (Lanthanum) Glasses E6zSM l5b
8.9 Aspherizing the Surfaces 7`_`V&3s
8.10 Increasing the Element Thickness J70r`
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9 Split Triplets Cl>{vS N
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10 The Tessar, Heliar, and Other Compounded Triplets P ")1_!
10.1 The Classic Tessar +l) [A{
10.2 The Heliar/Pentac "vL,c]D
10.3 The Portrait Lens and the Enlarger Lens _(%;O:i
10.4 Other Compounded Triplets {GP#/5$=
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ,z0~VS:g 8
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11 Double-Meniscus Anastigmats x^]J^L45
11.1 Meniscus Components `+0K~k|DC
11.2 The Hypergon, Totogon, and Metrogon )j/b `V6
11.3 A Two Element Aspheric Thick Meniscus Camera Lens D(&XmC[\Y
11.4 Protar, Dagor, and Convertible Lenses NA;OT7X[
11.5 The Split Dagor u]uZc~T
11.6 The Dogmar ews{0
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens cy
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12 The Biotar or Double-Gauss Lens (2 9BS(|!
12.1 The Basic Six-Element Version i_<GSUTTr/
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens e[l#r >NT
12.3 The Seven-Element Biotar - Split-Rear Singlet 3 =-XA2zJ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet H05xt$J
12.5 The Seven-Element Biotar - One Compounded Outer Element VteMsL/H
12.6 The Eight-Element Biotar Lh
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12.7 A “Doubled Double-Gauss” Relay }2+*E}g
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13 Telephoto Lenses 6s(.u l
13.1 The Basic Telephoto 8RaR XnJ
13.2 Close-up or Macro Lenses ] b'" l
13.3 Telephoto Designs C=,O'U(ep
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch l:- < CbG
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses PDN bhUAV
14.1 The Reverse Telephoto Principle s )9d\{
14.2 The Basic Retrofocus Lens >\4"k4d}
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses >#[,OU} N
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15 Wide Angle Lenses with Negative Outer Lenses ag{cm' .
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16 The Petzval Lens; Head-up Display Lenses ;5!M+nk
16.1 The Petzval Portrait Lens )y"8Bx=x4
16.2 The Petzval Projection Lens A(6n- zL
16.3 The Petzval with a Field Flattener C2(VYw
16.4 Very Height Speed Petzval Lenses o_R_
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems " rU
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17 Microscope Objectives A w"Y_S8.
17.1 General Considerations Hkzx(yTi
17.2 Classic Objective Design Forms; The Aplanatic Front >e M> Y@8=
17.3 Flat-Field Objectives Gph:'3
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17.4 Reflecting Objectives `/RcE.5n\@
17.5 The Microscope Objective Designs }!*CyO*
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18 Mirror and Catadioptric Systems d<_#Q7]I4
18.1 The Good and Bad Points of Mirrors p,K!'\
18.2 The Classic Two-Mirror Systems W'" p:Uh q
18.3 Catadioptric Systems u`?v-
18.4 Aspheric Correctors and Schmidt Systems J-5E# v
18.5 Confocal Paraboloids k@}g?X`8
18.6 Unobscured Systems w{89@ XRC
18.7 Design of a Schmidt-Cassegrain “from Scratch” kO/]mNLG
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19 Infrared and Ultraviolet Systems Aq;WQyZ2
19.1 Infrared Optics RH~I/4e
19.2 IR Objective Lenses R
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19.3 IR Telescope SL 5QhP
19.4 Laser Beam Expanders 12LGWhDp
19,5 Ultraviolet Systems 8>AST,
19.6 Microlithographic Lenses 0dCg/wJx
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20 Zoom Lenses 1w} D fI
20.1 Zoom Lenses
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20.2 Zoom Lenses for Point and Shoot Cameras pE381Cw
20.3 A 20X Video Zoom Lens cxz\1Vphd
20.4 A Zoom Scanner Lens `G "&IQ8.
20.5 A Possible Zoom Lens Design Procedure k] iyx
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21 Projection TV Lenses and Macro Lenses IC D; a
21.1 Projection TV Lenses d^qTY?k.
21.2 Macro Lenses }NY! z ^
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22 Scanner/ , Laser Disk and Collimator Lenses &F~97F)A)
22.1 Monochromatic Systems >SW c
22.2 Scanner Lenses |31/*J!@z*
22.3 Laser Disk, Focusing, and Collimator Lenses s_
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23 Tolerance Budgeting w= kW~gg
23.1 The Tolerance Budget t~M0_TnXlP
23.2 Additive Tolerances iq<nuO
23.3 Establishing the Tolerance Budget C Xh >'K
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24 Formulary P2g}G4qf
24.1 Sign Conventions, Symbols, and Definitions M,dp;
24.2 The Cardinal Points J0FJ@@
24.3 Image Equations #tN!^LLi
24.4 Paraxial Ray Tracing (Surface by Surface) x:iLBYf
24.5 Invariants ZmAo9>'Kg
24.6 Paraxial Ray Tracing (Component by Component) g_;4@jwTP"
24.7 Two-Componenet Relationships X86r`}
24.8 Third-Order Aberrations – Surface Contributions {xRO.699
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs D]?yGI_
24.10 Stop Shift Equations v,Uu )Z
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces D_M73s!U
24.12 Conversion of Aberrations to Wavefront Deformation (OPD)
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Glossary ,m[#<}xXA
Reference JQDS3v=1$
Index
