"Modern Lens Design" 2nd Edition by Warren J. Smith >]ux3F3\
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Contents of Modern Lens Design 2nd Edition `3VI9GmQ
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1 Introduction =Jw*T[ E
1.1 Lens Design Books 71AYDO
1.2 Reference Material @Z'i7Z
1.3 Specifications }`QZV_
1.4 Lens Design l]wLQqoO
1.5 Lens Design Program Features p\;8?x
1.6 About This Book -['& aey}a
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2 Automatic Lens Design K*DH_\SPK
2.2 The Merit Function ;-py h(
2.3 Local Minima 0<@['W}G
2.4 The Landscape Lens qQDe'f~
2.5 Types of Merit Function t(roj@!x_o
2.6 Stagnation )=K8mt0qob
2.7 Generalized Simulated Annealing 1DAU*^-
2.8 Considerations about Variables for Optimization ETU-6qFtO
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems A. tGr(r
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits c\rP
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2.11 Spectral Weighting ?K2EK'-q
2.12 How to Get Started H#YI7l2
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3 Improving a Design
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques T}Wbt=\M
3.2 Glass Changes ( Index and V Values ) qfCZ
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3.3 Splitting Elements >S }X)4
3.4 Separating a Cemented Doublet Jv3G\9_
3.5 Compounding an Element _MIheCvV
3.6 Vignetting and Its Uses V1d#7rP
3.7 Eliminating a Weak Element; the Concentric Problem "wZvr}xk
3.8 Balancing Aberrations QbHX.:C
3.9 The Symmetrical Principle ZaY|v-
3.10 Aspheric Surfaces R|)l^~x
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4 Evaluation: How Good is This Design ydO G8EI
4.1 The Uses of a Preliminary Evaluation nxuH22:
4.2 OPD versus Measures of Performance .kuNn-$
4.3 Geometric Blur Spot Size versus Certain Aberrations 7@gH{p1
4.4 Interpreting MTF - The Modulation Transfer Function @UdF6:T
4.5 Fabrication Considerations d\3 %5Y
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5 Lens Design Data 0%&}w UjV
5.1 About the Sample Lens Designs xWY\,'+Q
5.2 Lens Prescriptions, Drawings, and Aberration Plots pO)EYla9
5.3 Estimating the Potential of a Redesign Dl0{pGK~
5.4 Scaling a Desing, Its Aberrations, and Its MTF ,!^c`_Q\>@
5.5 Notes on the Interpretation of Ray Intercept Plots DS%]7,g]
5.6 Various Evaluation Plot t D
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6 Telescope Objective
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6.1 The Thin Airspaced Doublet PeiRe
6.2 Merit Function for a Telescope Objective s1[.L~;J
6.3 The Design of an f/7 Cemented Doublet Telescope Objective pV8tn!
6.4 Spherochromatism PY '^:0
6.5 Zonal Spherical Aberration +UziO#D
6.6 Induced Aberrations \5<Z [#{
6.7 Three-Element Objectives /=za
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6.8 Secondary Spectrum (Apochromatic Systems) H-e$~vEbP
6.9 The Design of an f/7 Apochromatic Triplet
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6.10 The Diffractive Surface in Lens Design ~};q/-[r
6.11 A Final Note kFkI[WKyZ
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7 Eyepieces and Magnifiers abS~'r14
7.1 Eyepieces E+<GsN]
7.2 A Pair of Magnifier Designs ~AaEa,LQ
7.3 The Simple, Classical Eyepieces Ug0c0z!b
7.4 Design Story of an Eyepiece for a 6*30 Binocular I~~":~&
7.5 Four-Element Eyepieces $E; Tj|W
7.6 Five-Element Eyepieces j$6Q]5KdoS
7.7 Very High Index Eyepiece/Magnifier J_yXL7d
7.8 Six- and Seven-Element Eyepieces vA6onYjA
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8 Cooke Triplet Anastigmats 6Xo "?f
8.1 Airspaced Triplet Anastigmats cotySio$
8.2 Glass Choice M?('VOy)
8.3 Vertex Length and Residual Aberrations *m>[\)
8.4 Other Design Considerations nW\W<[O9
8.5 A Plastic, Aspheric Triplet Camera Lens 4|Y1W}!0/
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet =)jo}MB
8.7 Possible Improvement to Our “Basic” Triplet as/PM"
8.7 The Rear Earth (Lanthanum) Glasses |${ImP
8.9 Aspherizing the Surfaces s%vy^x29
8.10 Increasing the Element Thickness jd5kkX8=
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9 Split Triplets x7gd6"10^
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10 The Tessar, Heliar, and Other Compounded Triplets )'7Qd(4WT
10.1 The Classic Tessar /7+b.h])^
10.2 The Heliar/Pentac Z'5&N5hx
10.3 The Portrait Lens and the Enlarger Lens ]^wr+9zd
10.4 Other Compounded Triplets @\oZ2sB
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar x}WP1YyT~
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11 Double-Meniscus Anastigmats x)$0Nr62D
11.1 Meniscus Components %`]!atH
11.2 The Hypergon, Totogon, and Metrogon WLVkrTvX
11.3 A Two Element Aspheric Thick Meniscus Camera Lens >PQ?|Uk
11.4 Protar, Dagor, and Convertible Lenses SEi\H$!
11.5 The Split Dagor (OwGp3g
11.6 The Dogmar XMP4YWuVc
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens <ycR/X
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12 The Biotar or Double-Gauss Lens H)&iFq
12.1 The Basic Six-Element Version x11r iK
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens HFyQ$pbBU
12.3 The Seven-Element Biotar - Split-Rear Singlet *$;Zk!sEF
12.4 The Seven-Element Biotar - Broken Contact Front Doublet OfA+|xT&
12.5 The Seven-Element Biotar - One Compounded Outer Element #v~dhx=R
12.6 The Eight-Element Biotar Ii/{xVMD
12.7 A “Doubled Double-Gauss” Relay <rui\/4NJ
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13 Telephoto Lenses /$\8?<Pc".
13.1 The Basic Telephoto F9las#\J
13.2 Close-up or Macro Lenses 8D? $@!-
13.3 Telephoto Designs 4!96k~d}
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch qJonzFp7
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses Q9f5}
14.1 The Reverse Telephoto Principle ,-(D(J;}1
14.2 The Basic Retrofocus Lens pAA)?/&oKV
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses EDnZ/)6Gg
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15 Wide Angle Lenses with Negative Outer Lenses p_JWklg^
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16 The Petzval Lens; Head-up Display Lenses BjTgZ98J
16.1 The Petzval Portrait Lens JwWxM3(%t
16.2 The Petzval Projection Lens [Ne'2z
16.3 The Petzval with a Field Flattener /S~ =qodS
16.4 Very Height Speed Petzval Lenses -lv(@7o~
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ~mK+Q%G5
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17 Microscope Objectives L=HnVgBs
17.1 General Considerations ;qWSfCt/^
17.2 Classic Objective Design Forms; The Aplanatic Front bNm]h.
17.3 Flat-Field Objectives SwO$UqYU=
17.4 Reflecting Objectives BE~-0g$W
17.5 The Microscope Objective Designs @}{uibLD\
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18 Mirror and Catadioptric Systems ;<b7kepR
18.1 The Good and Bad Points of Mirrors II~91IEk
18.2 The Classic Two-Mirror Systems <1*\ ~CX
18.3 Catadioptric Systems P-8QXDdr
18.4 Aspheric Correctors and Schmidt Systems `2x. -
18.5 Confocal Paraboloids :mf&,?
18.6 Unobscured Systems /P]N40_@
18.7 Design of a Schmidt-Cassegrain “from Scratch” _X=6M
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19 Infrared and Ultraviolet Systems ^~bdAO81
19.1 Infrared Optics $T7 qd
19.2 IR Objective Lenses #&L7FBJ"*v
19.3 IR Telescope N{@~(>ee^
19.4 Laser Beam Expanders @B(E&
19,5 Ultraviolet Systems zh\"sxL
19.6 Microlithographic Lenses 7kT X
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20 Zoom Lenses Zv-1*hhHf
20.1 Zoom Lenses mDD96y
20.2 Zoom Lenses for Point and Shoot Cameras o>Dd1
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20.3 A 20X Video Zoom Lens Y(?SE< 4R
20.4 A Zoom Scanner Lens F`{O
20.5 A Possible Zoom Lens Design Procedure `Gl[e4U
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21 Projection TV Lenses and Macro Lenses 2*Pk1vrI
21.1 Projection TV Lenses /nX_Q?mo
21.2 Macro Lenses @qx$b~%
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22 Scanner/ , Laser Disk and Collimator Lenses ) vVf- zU
22.1 Monochromatic Systems $}z/BV1I
22.2 Scanner Lenses h5-yhG
22.3 Laser Disk, Focusing, and Collimator Lenses h9iQn<lp4.
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23 Tolerance Budgeting m!P<#
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23.1 The Tolerance Budget X{ 6a
23.2 Additive Tolerances elpTak@
23.3 Establishing the Tolerance Budget sdyNJh7Jr
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24 Formulary `P*BW,P'T
24.1 Sign Conventions, Symbols, and Definitions =20
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24.2 The Cardinal Points C=cn.CX
24.3 Image Equations 2cRru]VZ5
24.4 Paraxial Ray Tracing (Surface by Surface) C-h?#/#?y
24.5 Invariants nXI8 `7D
24.6 Paraxial Ray Tracing (Component by Component) +/]*ChrS
24.7 Two-Componenet Relationships 3#>%_@<
24.8 Third-Order Aberrations – Surface Contributions DxpJP,wY3
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs PDCb(5
24.10 Stop Shift Equations |k%1mE(+=s
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces b0@K ~O;g
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 7-~)/7L
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Glossary R osU~OK
Reference VEn3b
Index