"Modern Lens Design" 2nd Edition by Warren J. Smith ;JuBybJb
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Contents of Modern Lens Design 2nd Edition D`Cy]j
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1 Introduction B*OEG*t
1.1 Lens Design Books {4F=].!
1.2 Reference Material MyZ5~jnr\
1.3 Specifications <`Xt?K
1.4 Lens Design A!^
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1.5 Lens Design Program Features s![Di
1.6 About This Book }'KHF0
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2 Automatic Lens Design +=Y[RCXT
2.2 The Merit Function o?{-K-'B$
2.3 Local Minima 67tB8X
2.4 The Landscape Lens
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2.5 Types of Merit Function +s j2C
2.6 Stagnation zhC#<
2.7 Generalized Simulated Annealing LJgGX,Kp
2.8 Considerations about Variables for Optimization "C]v
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems `
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2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits )KdEl9 o
2.11 Spectral Weighting UfkQG`G9H
2.12 How to Get Started ^KF%Z2:$
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3 Improving a Design <WiyM[ep
3.1 Lens Design Tip Sheet: Standard Improvement Techniques >2s31
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3.2 Glass Changes ( Index and V Values ) :
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3.3 Splitting Elements O>@ChQF
3.4 Separating a Cemented Doublet V[;^{,;
3.5 Compounding an Element ;u?L>(b
3.6 Vignetting and Its Uses Yn_v'Os2
3.7 Eliminating a Weak Element; the Concentric Problem `C&@6{L
3.8 Balancing Aberrations ^Q#g-"b
3.9 The Symmetrical Principle uPVO!`N3
3.10 Aspheric Surfaces &SW~4 {n:
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4 Evaluation: How Good is This Design N|2PW ~,
4.1 The Uses of a Preliminary Evaluation oFi_
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4.2 OPD versus Measures of Performance sTu]C +A
4.3 Geometric Blur Spot Size versus Certain Aberrations fzJ^`
4.4 Interpreting MTF - The Modulation Transfer Function +C36OcmT~
4.5 Fabrication Considerations 0K(&EpVE
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5 Lens Design Data 6hO]eS
5.1 About the Sample Lens Designs Rn $TYCO
5.2 Lens Prescriptions, Drawings, and Aberration Plots szs.B|3X@*
5.3 Estimating the Potential of a Redesign ZA7b;{o [
5.4 Scaling a Desing, Its Aberrations, and Its MTF GUps\:ss
5.5 Notes on the Interpretation of Ray Intercept Plots 'j9x(T1M1
5.6 Various Evaluation Plot =/+f3
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6 Telescope Objective AIG5a$}&
6.1 The Thin Airspaced Doublet 1wy?<B.f
6.2 Merit Function for a Telescope Objective T(=Z0M
6.3 The Design of an f/7 Cemented Doublet Telescope Objective $}t;c62
6.4 Spherochromatism pS~=T}o
6.5 Zonal Spherical Aberration ?s@=DDB\u
6.6 Induced Aberrations ?$6(@>`f&t
6.7 Three-Element Objectives > ofWHl[-
6.8 Secondary Spectrum (Apochromatic Systems) ROJ=ZYof
6.9 The Design of an f/7 Apochromatic Triplet /^9=2~b
6.10 The Diffractive Surface in Lens Design \gGTkH
6.11 A Final Note qK)T#sh
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7 Eyepieces and Magnifiers f_z]kA
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7.1 Eyepieces }2''}-Nc
7.2 A Pair of Magnifier Designs ";Q}Gs}
7.3 The Simple, Classical Eyepieces X- j@#Qb
7.4 Design Story of an Eyepiece for a 6*30 Binocular y[';@t7CC
7.5 Four-Element Eyepieces /pWKV>tjj
7.6 Five-Element Eyepieces 7 &iav2q
7.7 Very High Index Eyepiece/Magnifier CsJ&,(s(
7.8 Six- and Seven-Element Eyepieces M%bD7naBq
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8 Cooke Triplet Anastigmats :{ Lihe~\
8.1 Airspaced Triplet Anastigmats -VvN1G6.x?
8.2 Glass Choice =C-
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8.3 Vertex Length and Residual Aberrations fuT Bh6w&
8.4 Other Design Considerations %-L
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8.5 A Plastic, Aspheric Triplet Camera Lens bh+m_$X~
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 0|| 5r#
8.7 Possible Improvement to Our “Basic” Triplet ~?Zm3zOCc2
8.7 The Rear Earth (Lanthanum) Glasses fLZ99?J
8.9 Aspherizing the Surfaces <q`|,mc
8.10 Increasing the Element Thickness H`4KhdqR
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9 Split Triplets M9.FtQhK/
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10 The Tessar, Heliar, and Other Compounded Triplets A}[x))r
10.1 The Classic Tessar $U"pdf
10.2 The Heliar/Pentac 8M,$|\U
10.3 The Portrait Lens and the Enlarger Lens <=!FB8 .
10.4 Other Compounded Triplets -Np}<O`./
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar S;tvt/\!Z
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11 Double-Meniscus Anastigmats x$z>.4
11.1 Meniscus Components _adW>-wQ!d
11.2 The Hypergon, Totogon, and Metrogon |Es,$
11.3 A Two Element Aspheric Thick Meniscus Camera Lens y;fnC5Q
11.4 Protar, Dagor, and Convertible Lenses ~En]sj
11.5 The Split Dagor $ve*j=p
11.6 The Dogmar -0+h&CO
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens !`dMTW
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12 The Biotar or Double-Gauss Lens l4YTR4D
12.1 The Basic Six-Element Version Pk&$#J_
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens _e "
12.3 The Seven-Element Biotar - Split-Rear Singlet /}k?Tg/
12.4 The Seven-Element Biotar - Broken Contact Front Doublet h7PIF*7m
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12.5 The Seven-Element Biotar - One Compounded Outer Element .ZupsS9l
12.6 The Eight-Element Biotar +&.39q!
12.7 A “Doubled Double-Gauss” Relay NCVhWD21|
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13 Telephoto Lenses 2BO"mc<#$
13.1 The Basic Telephoto ,L; y>::1
13.2 Close-up or Macro Lenses Pu(kCH{
13.3 Telephoto Designs S<g~VK!Tt
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch WH<\f|xR
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 8peK[sz
14.1 The Reverse Telephoto Principle Ah;`0Hz;
14.2 The Basic Retrofocus Lens zor
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses f.:0T&%G
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15 Wide Angle Lenses with Negative Outer Lenses [j?<&