[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith yOl
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Contents of Modern Lens Design 2nd Edition [C4{C4TX  
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1    Introduction         jG`PyIgw  
1.1    Lens Design Books     i`l;k~rP  
1.2    Reference Material     :* |WE29U  
1.3    Specifications     
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1.4    Lens Design     t&43)TPb.  
1.5    Lens Design Program Features     vqT)=ZC1  
1.6    About This Book     THOYx :Nr;  
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2    Automatic Lens Design         SbUac<  
2.2    The Merit Function         a+v.(mCG  
2.3    Local Minima     C3=0st$  
2.4    The Landscape Lens     r\fkx>  
2.5    Types of Merit Function     6W YVHG  
2.6    Stagnation     Da[#X`Kp$  
2.7    Generalized Simulated Annealing     w8q 2f-K-  
2.8    Considerations about Variables for Optimization     ^"lEa-g&  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems A?n5;mvq#  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     GJU(1%-  
2.11    Spectral Weighting     )xU+M{p-os  
2.12    How to Get Started     %8DI)n#H  
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3    Improving a Design     [C-FJ>=S  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     s."N7F  
3.2    Glass Changes ( Index and V Values )     ODRy  
3.3    Splitting Elements     } @3q;u)  
3.4    Separating a Cemented Doublet     'HV@i)h0%V  
3.5    Compounding an Element     \L?A4Qx)_  
3.6    Vignetting and Its Uses     mIrN~)C4\  
3.7    Eliminating a Weak Element; the Concentric Problem     }3WP:E
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3.8    Balancing Aberrations     2Gj)fMK38  
3.9    The Symmetrical Principle     @R;k@b   
3.10    Aspheric Surfaces     'bH~KK5  
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4    Evaluation: How Good is This Design     ?c"iV  
4.1    The Uses of a Preliminary Evaluation     I%Z=O=  
4.2    OPD versus Measures of Performance     V4Qy^nn1  
4.3    Geometric Blur Spot Size versus Certain Aberrations     !H)!b#_  
4.4    Interpreting MTF - The Modulation Transfer Function     =%I;
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4.5    Fabrication Considerations     }[c.OJ:   
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5    Lens Design Data     &>Z;>6J,  
5.1    About the Sample Lens Designs     b ettOg  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     lc
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5.3    Estimating the Potential of a Redesign     64"DT3:  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     .*+jD^Gr  
5.5    Notes on the Interpretation of Ray Intercept Plots     bQN3\mvY  
5.6    Various Evaluation Plot     I 5ZDP|  
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6    Telescope Objective     b>#dMRK  
6.1    The Thin Airspaced Doublet     ,j(E>g3  
6.2    Merit Function for a Telescope Objective     f\RTO63|O  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     M,oZ_tY%  
6.4    Spherochromatism     ,5T1QWn^f  
6.5    Zonal Spherical Aberration     #tw_`yh  
6.6    Induced Aberrations     QWt3KW8)  
6.7    Three-Element Objectives     '<e$ c  
6.8    Secondary Spectrum (Apochromatic Systems)     @1bl<27  
6.9    The Design of an f/7 Apochromatic Triplet     nLANWQk9  
6.10    The Diffractive Surface in Lens Design     S$40nM  
6.11    A Final Note     Gv#bd05X  
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7    Eyepieces and Magnifiers     BbL]0i  
7.1    Eyepieces     jlqSw4_  
7.2    A Pair of Magnifier Designs     7.)_H  
7.3    The Simple, Classical Eyepieces     bkpN`+c  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     H,7!"!?@N  
7.5    Four-Element Eyepieces     @W==)S%O  
7.6    Five-Element Eyepieces    
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7.7    Very High Index Eyepiece/Magnifier     s%~Nx3,  
7.8    Six- and Seven-Element Eyepieces     1M55!b  
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8    Cooke Triplet Anastigmats     _[l&{,  
8.1    Airspaced Triplet Anastigmats     F,K))325  
8.2    Glass Choice     zF? 6"  
8.3    Vertex Length and Residual Aberrations     +9yMtR  
8.4    Other Design Considerations     Are0Nj&?
 
8.5    A Plastic, Aspheric Triplet Camera Lens     }w>UNGUMh  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet kK:Wr&X0H  
8.7    Possible Improvement to Our “Basic” Triplet     *1:kIi7_  
8.7    The Rear Earth (Lanthanum) Glasses     ]n:R#55A  
8.9    Aspherizing the Surfaces     KilN`?EJ  
8.10    Increasing the Element Thickness     .vi0DuD6  
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9    Split Triplets     ?zVE7;r4U  
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10    The Tessar, Heliar, and Other Compounded Triplets     o,0 Z^"|  
10.1    The Classic Tessar     GyFA1%(o  
10.2    The Heliar/Pentac     ~u[1Vz4#3  
10.3    The Portrait Lens and the Enlarger Lens     ?hURNlR_Q  
10.4    Other Compounded Triplets     N6A|  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar Of9 gS-m  
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11    Double-Meniscus Anastigmats     0Xn,q]@Z  
11.1    Meniscus Components     EF9
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11.2    The Hypergon, Totogon, and Metrogon     &Rz-;66bN  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     ?T|0"|\"'  
11.4    Protar, Dagor, and Convertible Lenses     'b
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11.5    The Split Dagor     6 lEv<)cC  
11.6    The Dogmar     =fB"T+  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     \E05qk_;K  
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12    The Biotar or Double-Gauss Lens     ]z#Ita;  
12.1    The Basic Six-Element Version     RfCu5Kn  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens 5rQu^6&  
12.3    The Seven-Element Biotar - Split-Rear Singlet     |S:erYE,G  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     W}%[i+  
12.5    The Seven-Element Biotar - One Compounded Outer Element     l$R9c+L=  
12.6    The Eight-Element Biotar     u6MU @?  
12.7    A “Doubled Double-Gauss” Relay     n(SeJk%>9  
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13    Telephoto Lenses     slP>;  
13.1    The Basic Telephoto     J5xZLv  
13.2    Close-up or Macro Lenses     xjrL@LO#  
13.3    Telephoto Designs     PZ?kv4  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch .%M8
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     Dg}EI^ d  
14.1    The Reverse Telephoto Principle     0eK>QZ_  
14.2    The Basic Retrofocus Lens     6X4r2Vq  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     gplrJaH@  
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15    Wide Angle Lenses with Negative Outer Lenses     Ies` !W^  
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16    The Petzval Lens; Head-up Display Lenses     j
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16.1    The Petzval Portrait Lens     0;4 YU%u  
16.2    The Petzval Projection Lens     GBT219Z@8  
16.3    The Petzval with a Field Flattener     152LdZevF  
16.4    Very Height Speed Petzval Lenses     \zOsq5}  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     b8Hzl!zO  
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17    Microscope Objectives     F4ylD5Y!  
17.1    General Considerations     >T{TE"XyO|  
17.2    Classic Objective Design Forms; The Aplanatic Front     pkTVQdtRG  
17.3    Flat-Field Objectives     Xc~BHEp  
17.4    Reflecting Objectives     Deq@T {  
17.5    The Microscope Objective Designs     5s>>] .%  
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18    Mirror and Catadioptric Systems     Zvr
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18.1    The Good and Bad Points of Mirrors     S9
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18.2    The Classic Two-Mirror Systems SEE:v+3|  
18.3    Catadioptric Systems      D@]/%;  
18.4    Aspheric Correctors and Schmidt Systems     t oM+Bd:Y  
18.5    Confocal Paraboloids     {xICR ~,*  
18.6    Unobscured Systems     >ZU)bnndA  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     .LbAR u  
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19    Infrared and Ultraviolet Systems     ['3E'q,4&  
19.1    Infrared Optics     !Fs<r)j  
19.2    IR Objective Lenses     &[N_{O|  
19.3    IR Telescope     j9-.bGtm?.  
19.4    Laser Beam Expanders     Ag&K@%|*  
19,5    Ultraviolet Systems     ID<[=es6  
19.6    Microlithographic Lenses     kxmsrQ
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20    Zoom Lenses     (`R heEg@f  
20.1    Zoom Lenses     7|o}m}yVx
 
20.2    Zoom Lenses for Point and Shoot Cameras     [jGE{<Je  
20.3    A 20X Video Zoom Lens     sLSH`Xy?5  
20.4    A Zoom Scanner Lens     $bN_0s0:
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20.5    A Possible Zoom Lens Design Procedure     nB/`~_9  
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21    Projection TV Lenses and Macro Lenses     |:SIyXGbY  
21.1    Projection TV Lenses     [+!+Yn6:  
21.2    Macro Lenses     ?=HoU3  
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22    Scanner/ , Laser Disk and Collimator Lenses     p[;@9!t  
22.1    Monochromatic Systems     \VypkbE+  
22.2    Scanner Lenses     `3z6y&dmx  
22.3    Laser Disk, Focusing, and Collimator Lenses     tJm1Q#||  
    kZR(0, W  
23    Tolerance Budgeting     \KKE&3=  
23.1    The Tolerance Budget     6H
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23.2    Additive Tolerances     o)'06FF\$  
23.3    Establishing the Tolerance Budget     WtXf~ :R  
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24    Formulary 08g2? 5w"  
24.1    Sign Conventions, Symbols, and Definitions     c@KNyBy2  
24.2    The Cardinal Points     &gI*[5v  
24.3    Image Equations     7dOpJjv?)  
24.4    Paraxial Ray Tracing (Surface by Surface)     Fz| r[  
24.5    Invariants     z9v70 q  
24.6    Paraxial Ray Tracing (Component by Component)     u]]mbER*t#  
24.7    Two-Componenet Relationships     W'e{2u  
24.8    Third-Order Aberrations – Surface Contributions     iEbW[sX[4  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     6B}V{2  
24.10    Stop Shift Equations     Gsz$H_  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     Gq7\b({=  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     8<J3Xe  
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#fXy4iL l  
Glossary BG6Lky/omz  
Reference
;R3o$ZlY  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 +,eF(VS!  
我怎么瞧不明白。

有没有人呀 $/Llzpvny  
有个问题想请教大家