"Modern Lens Design" 2nd Edition by Warren J. Smith eESJk14
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Contents of Modern Lens Design 2nd Edition EmR#)c~(W
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1 Introduction wLC|mByq
1.1 Lens Design Books PF-
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1.2 Reference Material pOip$Z
1.3 Specifications '?k*wEu
1.4 Lens Design ~z!U/QR2
1.5 Lens Design Program Features Piz/vH6M}
1.6 About This Book d&0^AvM@
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2 Automatic Lens Design E-irB/0
2.2 The Merit Function xFS`#1
2.3 Local Minima sT3O_20{
2.4 The Landscape Lens |S:St HZm
2.5 Types of Merit Function ,.fGZ4
2.6 Stagnation gKS0!U
2.7 Generalized Simulated Annealing M(S:&GOU
2.8 Considerations about Variables for Optimization mi3 yiR
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems nK6{_Y>
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits j4Cad
2.11 Spectral Weighting |k+Y >I&
2.12 How to Get Started y)!K@
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3 Improving a Design Zcv1%hI
3.1 Lens Design Tip Sheet: Standard Improvement Techniques hM(|d@)
3.2 Glass Changes ( Index and V Values ) 0*8[m+j1
3.3 Splitting Elements dM 7-,9Vc
3.4 Separating a Cemented Doublet ueYZM<],
3.5 Compounding an Element 1<
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3.6 Vignetting and Its Uses }dE0WJcO
3.7 Eliminating a Weak Element; the Concentric Problem `hL16S
3.8 Balancing Aberrations fXBA
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3.9 The Symmetrical Principle $}7/mS@c
3.10 Aspheric Surfaces }S$]MY,*
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4 Evaluation: How Good is This Design X% S?o
4.1 The Uses of a Preliminary Evaluation i}+K;,Da:8
4.2 OPD versus Measures of Performance H{`S/>)[
4.3 Geometric Blur Spot Size versus Certain Aberrations }0|,*BkI
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4.4 Interpreting MTF - The Modulation Transfer Function zD-.bHo>.
4.5 Fabrication Considerations +dk}$w[g
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5 Lens Design Data *^Wx=#w$V
5.1 About the Sample Lens Designs ED @9,W0
5.2 Lens Prescriptions, Drawings, and Aberration Plots hO@'WoniW
5.3 Estimating the Potential of a Redesign 3xh~xE
5.4 Scaling a Desing, Its Aberrations, and Its MTF 4lE
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5.5 Notes on the Interpretation of Ray Intercept Plots BYrj#n5
5.6 Various Evaluation Plot 5R/!e`(m
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6 Telescope Objective soXeHjNl
6.1 The Thin Airspaced Doublet r+;op_
6.2 Merit Function for a Telescope Objective [L"(flY(E
6.3 The Design of an f/7 Cemented Doublet Telescope Objective sV'(y>PP%
6.4 Spherochromatism j}'spKxu
6.5 Zonal Spherical Aberration ">*PH}b
6.6 Induced Aberrations $+)SW{7
6.7 Three-Element Objectives \;}F6g
6.8 Secondary Spectrum (Apochromatic Systems) 7g cr$&+e
6.9 The Design of an f/7 Apochromatic Triplet try'%0}>
6.10 The Diffractive Surface in Lens Design ^N _kiSr
6.11 A Final Note uMtq4.
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7 Eyepieces and Magnifiers |#Bz&T
7.1 Eyepieces &%}6&PWi
7.2 A Pair of Magnifier Designs >Q#_<IcI
7.3 The Simple, Classical Eyepieces 5vxJ|Hse@
7.4 Design Story of an Eyepiece for a 6*30 Binocular znzh$9tH
7.5 Four-Element Eyepieces b'4{l[3~nl
7.6 Five-Element Eyepieces %%}U
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7.7 Very High Index Eyepiece/Magnifier 3G
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7.8 Six- and Seven-Element Eyepieces %:sQ[^0
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8 Cooke Triplet Anastigmats x-,+skZs
8.1 Airspaced Triplet Anastigmats )"2)r{7:
8.2 Glass Choice hMh8)S
8.3 Vertex Length and Residual Aberrations iF?4G^
8.4 Other Design Considerations %Iw6oG
8.5 A Plastic, Aspheric Triplet Camera Lens _$ ]3&P
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ;tP-#Xf
8.7 Possible Improvement to Our “Basic” Triplet SZW`|ajH
8.7 The Rear Earth (Lanthanum) Glasses +*]"Yo~]}
8.9 Aspherizing the Surfaces Ly0^ L-~|
8.10 Increasing the Element Thickness R$IxR=hMx
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9 Split Triplets fgK1+sW
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10 The Tessar, Heliar, and Other Compounded Triplets lO! Yl:;m%
10.1 The Classic Tessar F~2bCy[Z
10.2 The Heliar/Pentac I{U7BZy
10.3 The Portrait Lens and the Enlarger Lens )HQ':ZE$
10.4 Other Compounded Triplets _]@
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar U}<5%"!;
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11 Double-Meniscus Anastigmats :*Lr(-N-
11.1 Meniscus Components j\iE3:94$
11.2 The Hypergon, Totogon, and Metrogon GKTt!MK
11.3 A Two Element Aspheric Thick Meniscus Camera Lens uT:'Kkb!
11.4 Protar, Dagor, and Convertible Lenses n]^zIe^6
11.5 The Split Dagor Jw3VWc
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11.6 The Dogmar ZxLd h8v.
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ce@1#}*
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12 The Biotar or Double-Gauss Lens mQdF+b1o
12.1 The Basic Six-Element Version S-l<+O1fy
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ^)oBa=jL4
12.3 The Seven-Element Biotar - Split-Rear Singlet Vea2 oQq
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ]r|sU.Vl
12.5 The Seven-Element Biotar - One Compounded Outer Element :}'5'oVG
12.6 The Eight-Element Biotar p5`iq~e9
12.7 A “Doubled Double-Gauss” Relay @lpo$lN0R
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13 Telephoto Lenses SO @d\H
13.1 The Basic Telephoto (iQ<
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13.2 Close-up or Macro Lenses .8Eh[yiln
13.3 Telephoto Designs hOZ:r =%
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch }7?_>
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses $eHYy,,
14.1 The Reverse Telephoto Principle 2%4u/
14.2 The Basic Retrofocus Lens O|%03q(
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses wW &q)WOi
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15 Wide Angle Lenses with Negative Outer Lenses Zp8\n:
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16 The Petzval Lens; Head-up Display Lenses t5O '7x
16.1 The Petzval Portrait Lens XhEZTg;
16.2 The Petzval Projection Lens B&