"Modern Lens Design" 2nd Edition by Warren J. Smith Os&n
SJ?6{2^
Contents of Modern Lens Design 2nd Edition P`$!@T0=
&Lm-()wb
1 Introduction |TsE-t*E}
1.1 Lens Design Books 2f>PO +4S{
1.2 Reference Material 2 PqS%`XiS
1.3 Specifications G(iJi
1.4 Lens Design
K+Y^>N 4m
1.5 Lens Design Program Features gU&%J4O
1.6 About This Book j}1zdA
D&G"BZx|
2 Automatic Lens Design P 1XK*GZ
2.2 The Merit Function G{Yz8]m
2.3 Local Minima lg:
2.4 The Landscape Lens 5cJ!"
2.5 Types of Merit Function kDvc"
,SD#
2.6 Stagnation 5U`ZbG
2.7 Generalized Simulated Annealing =,y |00l
2.8 Considerations about Variables for Optimization JyL a#\ R
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems uo\ .7[1
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits n">u mM;Eh
2.11 Spectral Weighting =U8Ek;Drp
2.12 How to Get Started tVuWVJ4M
B* kcNlW
3 Improving a Design E/M_lvQ
3.1 Lens Design Tip Sheet: Standard Improvement Techniques A4C+5R
3.2 Glass Changes ( Index and V Values ) x5}'7,A
3.3 Splitting Elements Byl^?5
3.4 Separating a Cemented Doublet VKp*9%9
3.5 Compounding an Element Tm}rH]F&
3.6 Vignetting and Its Uses &H}r%%|A
3.7 Eliminating a Weak Element; the Concentric Problem kOOGw:/
3.8 Balancing Aberrations ncu`vYI.
3.9 The Symmetrical Principle ,DdB^Ig<r
3.10 Aspheric Surfaces N|N3x7=gs
{7u[1[L1
4 Evaluation: How Good is This Design S$)*&46g
4.1 The Uses of a Preliminary Evaluation Hy.AyU|L
4.2 OPD versus Measures of Performance `Z:R Ce^
4.3 Geometric Blur Spot Size versus Certain Aberrations aj8A8ma*}
4.4 Interpreting MTF - The Modulation Transfer Function
$`ZzvZ'r
4.5 Fabrication Considerations Kl7WQg,XOi
IV%zO+
5 Lens Design Data 6E(Qx~iL
5.1 About the Sample Lens Designs > fnh+M
5.2 Lens Prescriptions, Drawings, and Aberration Plots CTX9zrY*T
5.3 Estimating the Potential of a Redesign 6+r$t#
5.4 Scaling a Desing, Its Aberrations, and Its MTF L86n}+
P\
5.5 Notes on the Interpretation of Ray Intercept Plots :B3[:MpL}
5.6 Various Evaluation Plot ,.eWQK~
<,o>Wx*1C
6 Telescope Objective 0a8/B>
6.1 The Thin Airspaced Doublet b@RHc!,>jV
6.2 Merit Function for a Telescope Objective theZ]5_C
6.3 The Design of an f/7 Cemented Doublet Telescope Objective Grs]d-xI
6.4 Spherochromatism {{V8;y
6.5 Zonal Spherical Aberration |*Z$E$k:
6.6 Induced Aberrations ?
WJ> p
6.7 Three-Element Objectives SJD@&m%?[
6.8 Secondary Spectrum (Apochromatic Systems) #/PA A
6.9 The Design of an f/7 Apochromatic Triplet ~wg:!VWA)
6.10 The Diffractive Surface in Lens Design zvABU+{jD
6.11 A Final Note V5+SWXZ
=*p/F
7 Eyepieces and Magnifiers "KcA
7.1 Eyepieces c/c$D;T
7.2 A Pair of Magnifier Designs N0hE4t
7.3 The Simple, Classical Eyepieces f{SB1M
7.4 Design Story of an Eyepiece for a 6*30 Binocular YK|bXSA[
7.5 Four-Element Eyepieces ^u3V
E
7.6 Five-Element Eyepieces ^N8)]F,
7.7 Very High Index Eyepiece/Magnifier x.Q&$#
7.8 Six- and Seven-Element Eyepieces &-(463
Kw#so; e
8 Cooke Triplet Anastigmats /cc\fw1+
8.1 Airspaced Triplet Anastigmats >S$Z
8.2 Glass Choice gV&z2S~"
8.3 Vertex Length and Residual Aberrations .<kqJ|SVi
8.4 Other Design Considerations 'SQG>F Uy
8.5 A Plastic, Aspheric Triplet Camera Lens hiNEJ_f
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet l5L.5$N
8.7 Possible Improvement to Our “Basic” Triplet XL7h}
8.7 The Rear Earth (Lanthanum) Glasses =zwOq(Bh W
8.9 Aspherizing the Surfaces mPq$?gdp
8.10 Increasing the Element Thickness [@yV!#2
R|i/lEq
9 Split Triplets apE
sz9L8f2
10 The Tessar, Heliar, and Other Compounded Triplets ^eW}XRI
10.1 The Classic Tessar B"%{i-v>**
10.2 The Heliar/Pentac re> rr4@
10.3 The Portrait Lens and the Enlarger Lens 1q;#VS/D;H
10.4 Other Compounded Triplets M'_9A
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar (b`]M`Fc
bH"hX
11 Double-Meniscus Anastigmats 3sd"nR?aX
11.1 Meniscus Components )7_"wD`
z
11.2 The Hypergon, Totogon, and Metrogon ~'R(2[L!;
11.3 A Two Element Aspheric Thick Meniscus Camera Lens &=4(l|wcg
11.4 Protar, Dagor, and Convertible Lenses ~|<m,)!
11.5 The Split Dagor uc|45Zxt
11.6 The Dogmar CbN!1E6).
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens WxF:~{
7RZh<