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2007-02-01 00:44 |
"Modern Lens Design" 2nd Edition by Warren J. Smith .iy4
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Contents of Modern Lens Design 2nd Edition VVeJe"!t
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1 Introduction h&'|^;FM
1.1 Lens Design Books FOk&z!xYKd
1.2 Reference Material 'zYS:W
1.3 Specifications /QQRy_Z1)
1.4 Lens Design G&*P*f1 S
1.5 Lens Design Program Features
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1.6 About This Book O(-p
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2 Automatic Lens Design B7f<XBU6>
2.2 The Merit Function JQ%hh&M\0
2.3 Local Minima W![K#r5T
2.4 The Landscape Lens Hhknjx
2.5 Types of Merit Function R #wZW&N
2.6 Stagnation \ptO4E
2.7 Generalized Simulated Annealing M/W"M9u
2.8 Considerations about Variables for Optimization <wS J K
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 7p1Y g
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ?\Z pVL<>
2.11 Spectral Weighting a
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2.12 How to Get Started bWo
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3 Improving a Design kPX +n+$
3.1 Lens Design Tip Sheet: Standard Improvement Techniques &Sd5]r@+
3.2 Glass Changes ( Index and V Values ) U6&`s%mIa
3.3 Splitting Elements q=X <QhK
3.4 Separating a Cemented Doublet $}&a*c>
3.5 Compounding an Element uz!8=,DFw
3.6 Vignetting and Its Uses 8$}<4 `39
3.7 Eliminating a Weak Element; the Concentric Problem g7zl5^o3 j
3.8 Balancing Aberrations nYx
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3.9 The Symmetrical Principle @7nZjrH
3.10 Aspheric Surfaces :`N&BV
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4 Evaluation: How Good is This Design j#//U2VdN
4.1 The Uses of a Preliminary Evaluation _m9k2[N!
4.2 OPD versus Measures of Performance <O+GXJ2
4.3 Geometric Blur Spot Size versus Certain Aberrations ;U'\"N9
4.4 Interpreting MTF - The Modulation Transfer Function HUx`RX0>
4.5 Fabrication Considerations 0S5xmEzop
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5 Lens Design Data cN d&C'/N
5.1 About the Sample Lens Designs .:?v;rYk{
5.2 Lens Prescriptions, Drawings, and Aberration Plots zx$YNjeV
5.3 Estimating the Potential of a Redesign T ~xVHk1
5.4 Scaling a Desing, Its Aberrations, and Its MTF $V87=_}
5.5 Notes on the Interpretation of Ray Intercept Plots {?yVA
5.6 Various Evaluation Plot +ay C 0
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6 Telescope Objective X;!* D
6.1 The Thin Airspaced Doublet g@'XmT="_
6.2 Merit Function for a Telescope Objective pb97S^K[
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 8xlj,}QO\
6.4 Spherochromatism OL\-SQ&
6.5 Zonal Spherical Aberration A$wC !P|;
6.6 Induced Aberrations b: S$oE
6.7 Three-Element Objectives T:Cq}4k<
6.8 Secondary Spectrum (Apochromatic Systems) fK7
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6.9 The Design of an f/7 Apochromatic Triplet ('7?"npd
6.10 The Diffractive Surface in Lens Design (1CP]5W
6.11 A Final Note bD,21,*z
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7 Eyepieces and Magnifiers M]o]D;N~ l
7.1 Eyepieces HAH\ #WE
7.2 A Pair of Magnifier Designs
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7.3 The Simple, Classical Eyepieces PY.HZ/#d
7.4 Design Story of an Eyepiece for a 6*30 Binocular M5 VW1Ns
7.5 Four-Element Eyepieces YW7w>}aW
7.6 Five-Element Eyepieces r^Ra`:ca
7.7 Very High Index Eyepiece/Magnifier |.9PwD8~VD
7.8 Six- and Seven-Element Eyepieces 7X( 2SI3m
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8 Cooke Triplet Anastigmats )cH\i91
8.1 Airspaced Triplet Anastigmats XgxO:"B
8.2 Glass Choice p.:| Z-W$
8.3 Vertex Length and Residual Aberrations 807+|Ol[
8.4 Other Design Considerations bg|$1ue
8.5 A Plastic, Aspheric Triplet Camera Lens +^9^)Ur|
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet UwW@}cy,L
8.7 Possible Improvement to Our “Basic” Triplet w
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8.7 The Rear Earth (Lanthanum) Glasses Pjh;;k|V
8.9 Aspherizing the Surfaces DQ0S]:tC
8.10 Increasing the Element Thickness ~;oXLCL0})
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9 Split Triplets Cj#wY
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10 The Tessar, Heliar, and Other Compounded Triplets .J -k^+-
10.1 The Classic Tessar T4W20dxL7
10.2 The Heliar/Pentac ~Y43`@3H:
10.3 The Portrait Lens and the Enlarger Lens ddL3w Q
10.4 Other Compounded Triplets D<v<
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 3sV$#l P
o x SSEs
11 Double-Meniscus Anastigmats iJOoO"Ai
11.1 Meniscus Components ;8#6da,
11.2 The Hypergon, Totogon, and Metrogon | K|AUI
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ;jxX /c
11.4 Protar, Dagor, and Convertible Lenses ~0CNCP
11.5 The Split Dagor t!wbT79/
11.6 The Dogmar 4( , .< #
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens r Hq1%)B
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12 The Biotar or Double-Gauss Lens MVM Jl ">
12.1 The Basic Six-Element Version MY{Kq;FvRP
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens y
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12.3 The Seven-Element Biotar - Split-Rear Singlet w5q6c%VZ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 12i` 82>;
12.5 The Seven-Element Biotar - One Compounded Outer Element Q:) 4
12.6 The Eight-Element Biotar ExS&fUn `C
12.7 A “Doubled Double-Gauss” Relay @mw1__?
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13 Telephoto Lenses Rm3W&hQ
13.1 The Basic Telephoto $Ud9v 4
13.2 Close-up or Macro Lenses 53/$8=
13.3 Telephoto Designs jA8Bmwt;w
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch =_&,^h@'3e
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses _&(Wz0
14.1 The Reverse Telephoto Principle dDiy_Q6
14.2 The Basic Retrofocus Lens /E/6(c
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses &7kLSb&|;
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15 Wide Angle Lenses with Negative Outer Lenses dw#pObH|`
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16 The Petzval Lens; Head-up Display Lenses N]8/l:@
16.1 The Petzval Portrait Lens Wv 5= $y
16.2 The Petzval Projection Lens %dw0\:P?Q
16.3 The Petzval with a Field Flattener
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16.4 Very Height Speed Petzval Lenses / !h<+
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems L?N: 4/0;!
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17 Microscope Objectives Dg^s$2
17.1 General Considerations zKk=R6w
17.2 Classic Objective Design Forms; The Aplanatic Front Dt5AG
17.3 Flat-Field Objectives Nba1!5 :M
17.4 Reflecting Objectives Lniz>gSc
17.5 The Microscope Objective Designs WjVm{ 7 ?{
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18 Mirror and Catadioptric Systems JWu0VLo
18.1 The Good and Bad Points of Mirrors kFQo[O]
18.2 The Classic Two-Mirror Systems PtPx (R3
18.3 Catadioptric Systems {2xc/
18.4 Aspheric Correctors and Schmidt Systems C^JtJ v
18.5 Confocal Paraboloids g:^Hex?Yfd
18.6 Unobscured Systems 7F]oK0l_
18.7 Design of a Schmidt-Cassegrain “from Scratch” Mj0jpP<uf
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19 Infrared and Ultraviolet Systems cgcU2N6y;
19.1 Infrared Optics sNG 7fi.|
19.2 IR Objective Lenses { o'(_.{
19.3 IR Telescope JWM4S4yZHR
19.4 Laser Beam Expanders iMYJ VB=
19,5 Ultraviolet Systems ) fuAdG
19.6 Microlithographic Lenses z\k 6."e_&
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20 Zoom Lenses &mJm'Ks
20.1 Zoom Lenses (=%0 x"'
20.2 Zoom Lenses for Point and Shoot Cameras &4t= Y`]SL
20.3 A 20X Video Zoom Lens ) WkN 34Q
20.4 A Zoom Scanner Lens !y1qd
20.5 A Possible Zoom Lens Design Procedure TD ;u"
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21 Projection TV Lenses and Macro Lenses [*vR& 4mk
21.1 Projection TV Lenses 8N<2R T8W
21.2 Macro Lenses 9D5v0Qi
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22 Scanner/ , Laser Disk and Collimator Lenses ],<pZ1V;
22.1 Monochromatic Systems )\e0L/K@
22.2 Scanner Lenses F{&0(6^p!
22.3 Laser Disk, Focusing, and Collimator Lenses ~!fOl)F
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23 Tolerance Budgeting #%CB` l
23.1 The Tolerance Budget gfX it$s
23.2 Additive Tolerances Wsw/ D
23.3 Establishing the Tolerance Budget = b3<}]
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24 Formulary 1VXn`O?LW
24.1 Sign Conventions, Symbols, and Definitions *% ]&5
24.2 The Cardinal Points od/Q"5t[p
24.3 Image Equations GQ9H>Ssz
24.4 Paraxial Ray Tracing (Surface by Surface) Cj)*JZV G
24.5 Invariants ~ Ctq
24.6 Paraxial Ray Tracing (Component by Component) qaBL
24.7 Two-Componenet Relationships uw&p)
24.8 Third-Order Aberrations – Surface Contributions C oe%R(x5
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs t] G hONN
24.10 Stop Shift Equations % &$s0=+
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces GZiN&}5e
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) yD^Q&1
U7xQ 5lph
y $>U[^G[
Glossary OLJ|gunA#
Reference %\ !3tN
Index
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