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2007-02-01 00:44 |
"Modern Lens Design" 2nd Edition by Warren J. Smith 56~da ){gd %/,Uk+3p Contents of Modern Lens Design 2nd Edition oqm{<g?2 V[2<ha[n> 1 Introduction W3{5Do.h 1.1 Lens Design Books )8A=yrTIT 1.2 Reference Material e715)_HD 1.3 Specifications a0v1LT6 1.4 Lens Design {7MgN'4 1.5 Lens Design Program Features IEKX'+t' 1.6 About This Book JeSkNs|vB ysP/@;jC 2 Automatic Lens Design @5nkI$>3z 2.2 The Merit Function p44uozbK 2.3 Local Minima $AJy^`E^ 2.4 The Landscape Lens FK,r<+h 2.5 Types of Merit Function \=:g$_l 2.6 Stagnation zw;(:fgY# 2.7 Generalized Simulated Annealing hE3jb.s(> 2.8 Considerations about Variables for Optimization 1oVD Oo 2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ',-X#u
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits <k8rSxn{ 2.11 Spectral Weighting |Z)/ 2.12 How to Get Started X]qp~:4G L bK1CGyA 3 Improving a Design LAjw!QB 3.1 Lens Design Tip Sheet: Standard Improvement Techniques ,Y/>*,J 3.2 Glass Changes ( Index and V Values ) a*ixs'MJ 3.3 Splitting Elements _:z;j{@4 3.4 Separating a Cemented Doublet Iw-6Z+ 94 3.5 Compounding an Element o~z.7q 3.6 Vignetting and Its Uses dL Py%q 3.7 Eliminating a Weak Element; the Concentric Problem kJ:5msKwC 3.8 Balancing Aberrations :zk.^q 3.9 The Symmetrical Principle 6(;[ov1 3.10 Aspheric Surfaces Q0cf] k/f_@8 4 Evaluation: How Good is This Design \>CBam8d 4.1 The Uses of a Preliminary Evaluation SodW5v a 4.2 OPD versus Measures of Performance :zTj"P>"I 4.3 Geometric Blur Spot Size versus Certain Aberrations (IWd?,H,n 4.4 Interpreting MTF - The Modulation Transfer Function Z|7I }i 4.5 Fabrication Considerations >L3p qK
ZXRN?b 5 Lens Design Data .6]cu{K( 5.1 About the Sample Lens Designs .
*+7xL 5.2 Lens Prescriptions, Drawings, and Aberration Plots -^%"w 5.3 Estimating the Potential of a Redesign PDiorW}]k 5.4 Scaling a Desing, Its Aberrations, and Its MTF (?=(eo<N 5.5 Notes on the Interpretation of Ray Intercept Plots ?q8g<-? 5.6 Various Evaluation Plot qdnNapWnc 60gn`s,, 6 Telescope Objective R}YryzV5 6.1 The Thin Airspaced Doublet ]-]@=qYu 6.2 Merit Function for a Telescope Objective JQv
ZTwSI 6.3 The Design of an f/7 Cemented Doublet Telescope Objective 1;sAt;/W8 6.4 Spherochromatism
j7%%/%$o[ 6.5 Zonal Spherical Aberration IBHG1<3 6.6 Induced Aberrations nK;
rEL 6.7 Three-Element Objectives SVeU7Q6- 6.8 Secondary Spectrum (Apochromatic Systems) r/w@Dh]{_ 6.9 The Design of an f/7 Apochromatic Triplet p_y*-,W
( 6.10 The Diffractive Surface in Lens Design Pg}G4L?H;J 6.11 A Final Note DWO: (9QRg; 7 Eyepieces and Magnifiers .jU0Hu{F4 7.1 Eyepieces ",oUVl 7.2 A Pair of Magnifier Designs Ji:@z%osr 7.3 The Simple, Classical Eyepieces Z%d4V<fn 7.4 Design Story of an Eyepiece for a 6*30 Binocular (3S/"ZE 7.5 Four-Element Eyepieces YtKX\q^. 7.6 Five-Element Eyepieces Y\F H4}\S 7.7 Very High Index Eyepiece/Magnifier ?-p aM5Q+ 7.8 Six- and Seven-Element Eyepieces ))zaL2UP. 745PCC'FK 8 Cooke Triplet Anastigmats 6:X\vw 8.1 Airspaced Triplet Anastigmats T7X2$ ' 8.2 Glass Choice =hb87g. 8.3 Vertex Length and Residual Aberrations KAaeaiD 8.4 Other Design Considerations :H k4i%hGk 8.5 A Plastic, Aspheric Triplet Camera Lens agot
( 8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ImW~Jy 8.7 Possible Improvement to Our “Basic” Triplet MH(g<4>* 8.7 The Rear Earth (Lanthanum) Glasses >sY+Y 22U 8.9 Aspherizing the Surfaces k18V4ATE] 8.10 Increasing the Element Thickness qWK7K%-$E ZSf+5{2m 9 Split Triplets CawVC*b3 ZPFTNwf 10 The Tessar, Heliar, and Other Compounded Triplets 7hE=+V8 10.1 The Classic Tessar W u{nC 10.2 The Heliar/Pentac mjc:0hH 10.3 The Portrait Lens and the Enlarger Lens J~6*d,Ry` 10.4 Other Compounded Triplets e6a8ad 10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar "Vy\- ^ ou4?`JF)- 11 Double-Meniscus Anastigmats |EA1+I.&x 11.1 Meniscus Components eHIC'b. 11.2 The Hypergon, Totogon, and Metrogon `84yGXLK 11.3 A Two Element Aspheric Thick Meniscus Camera Lens "aH]4DO 11.4 Protar, Dagor, and Convertible Lenses )8PL7P84 11.5 The Split Dagor o*8 pM`uw 11.6 The Dogmar EPfVS 11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens C*zdHzMj I#%-A 12 The Biotar or Double-Gauss Lens n\,W:G9AR7 12.1 The Basic Six-Element Version j(N9%/4u 12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Q4 S8NqE 12.3 The Seven-Element Biotar - Split-Rear Singlet U{m:{'np(H 12.4 The Seven-Element Biotar - Broken Contact Front Doublet ;trR'~ 12.5 The Seven-Element Biotar - One Compounded Outer Element 1EB`6_>y 12.6 The Eight-Element Biotar $x0F(|wxt 12.7 A “Doubled Double-Gauss” Relay `UPmr50Wq HX^
P9jXT 13 Telephoto Lenses 1k(*o.6 13.1 The Basic Telephoto j'cS_R 13.2 Close-up or Macro Lenses ~d]7 Cl 13.3 Telephoto Designs /GNYv* 13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ~KvCb3~X F*u;'K H|?`n
uiD 14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses (d\bSo$] 14.1 The Reverse Telephoto Principle B(U`Zd 14.2 The Basic Retrofocus Lens s:{%1 / 14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 6IH^rSUSK ':@qE\( 15 Wide Angle Lenses with Negative Outer Lenses pj`-T"Q +g&W | |