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"Modern Lens Design" 2nd Edition by Warren J. Smith LN@E\wRw{r w8 ?Pb$Fe Contents of Modern Lens Design 2nd Edition 0Y5LDP d98))G~W 1 Introduction yxaT7Oqh% 1.1 Lens Design Books n9]IBIthe 1.2 Reference Material h^o+E2<] 1.3 Specifications hH<6E 1.4 Lens Design DAjG*K{ 1.5 Lens Design Program Features wXr>p)mP 1.6 About This Book M|/oFV .abyYVrN4? 2 Automatic Lens Design Y
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2.2 The Merit Function =dgo!k 2.3 Local Minima RDUT3H6~ 2.4 The Landscape Lens E|HSwTHe 2.5 Types of Merit Function 5~@?>)TBv 2.6 Stagnation vC)"*wYB{ 2.7 Generalized Simulated Annealing OZ(Dpx(Q 2.8 Considerations about Variables for Optimization '8s>rH5[V 2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems :d;[DYFLxb 2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Wyy^gJl 2.11 Spectral Weighting ?r{TOjn 2.12 How to Get Started C-Nuy1o H"#)&a7 3 Improving a Design n11LxGwk 3.1 Lens Design Tip Sheet: Standard Improvement Techniques \bU` 3.2 Glass Changes ( Index and V Values ) tlDYk 3.3 Splitting Elements y\^@p=e 3.4 Separating a Cemented Doublet 7)B&(2D& 3.5 Compounding an Element |w=Ec#)t4 3.6 Vignetting and Its Uses 9 wAA.
-" 3.7 Eliminating a Weak Element; the Concentric Problem j_!bT!8 3.8 Balancing Aberrations 1)$%Jr 3.9 The Symmetrical Principle MQwIPjk8 3.10 Aspheric Surfaces J"diFz+20 ec`bz "1 4 Evaluation: How Good is This Design JDkCUN 5 4.1 The Uses of a Preliminary Evaluation znt)]>f# 4.2 OPD versus Measures of Performance A[RHw< 4.3 Geometric Blur Spot Size versus Certain Aberrations ci`zR9Ks 4.4 Interpreting MTF - The Modulation Transfer Function lwVk(l
Z 4.5 Fabrication Considerations `&7mHa61 fi=0{ 5 Lens Design Data C`dkD0_ 5.1 About the Sample Lens Designs F;#zN 5.2 Lens Prescriptions, Drawings, and Aberration Plots 3I|O^ 5.3 Estimating the Potential of a Redesign {1jpLdCbV^ 5.4 Scaling a Desing, Its Aberrations, and Its MTF Y!Drb-U?; 5.5 Notes on the Interpretation of Ray Intercept Plots >L^xlm%7o 5.6 Various Evaluation Plot NeHx2m+ /dLA`=r Zx 6 Telescope Objective 27m@|M] R 6.1 The Thin Airspaced Doublet H#+\nT2m 6.2 Merit Function for a Telescope Objective yk<VlS 6.3 The Design of an f/7 Cemented Doublet Telescope Objective Hk@r5<{ 6.4 Spherochromatism uG;?vvg> 6.5 Zonal Spherical Aberration bMsECA& 6.6 Induced Aberrations {|z#70 6.7 Three-Element Objectives ZP-dW|<[x 6.8 Secondary Spectrum (Apochromatic Systems) {J2#eiF 6.9 The Design of an f/7 Apochromatic Triplet {&-#s#& 6.10 The Diffractive Surface in Lens Design fmFzW*,E 6.11 A Final Note _lXt8}:+ Jn=42Q:> 7 Eyepieces and Magnifiers :/6()_>bO 7.1 Eyepieces Axlm<3<wf" 7.2 A Pair of Magnifier Designs Tp?-*K 7.3 The Simple, Classical Eyepieces H8&p<= 7.4 Design Story of an Eyepiece for a 6*30 Binocular L=RGL+f1_ 7.5 Four-Element Eyepieces wZjlHe 7.6 Five-Element Eyepieces #1[z;Mk0 7.7 Very High Index Eyepiece/Magnifier |H
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vA 7.8 Six- and Seven-Element Eyepieces 1fY>>*oP gXt O*Rfqk 8 Cooke Triplet Anastigmats l x e`u}[ 8.1 Airspaced Triplet Anastigmats LKx` v90p 8.2 Glass Choice vG~+r<: 8.3 Vertex Length and Residual Aberrations !{(ls< 8.4 Other Design Considerations 9*\g`fWc}{ 8.5 A Plastic, Aspheric Triplet Camera Lens =2%VZE7Vm 8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet +"8}R~`! 8.7 Possible Improvement to Our “Basic” Triplet lm$;:Roj* 8.7 The Rear Earth (Lanthanum) Glasses %G[/H.7s- 8.9 Aspherizing the Surfaces .xl.P7@JJ 8.10 Increasing the Element Thickness L+.H z&*@ BxdX WO 9 Split Triplets (~&w-w3 F+ukAT
10 The Tessar, Heliar, and Other Compounded Triplets s]Gd-j 10.1 The Classic Tessar hbI;Hd 10.2 The Heliar/Pentac rLzW` 10.3 The Portrait Lens and the Enlarger Lens >aG= T{ 10.4 Other Compounded Triplets t`YWwI. 10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ,[X_]e;
O9^T3~x[V 11 Double-Meniscus Anastigmats .x-J44i@/ 11.1 Meniscus Components _R^y\1Qu 11.2 The Hypergon, Totogon, and Metrogon ?YBaO,G9o 11.3 A Two Element Aspheric Thick Meniscus Camera Lens X?/Lz;,& 11.4 Protar, Dagor, and Convertible Lenses Z5B/|{ 11.5 The Split Dagor uw33:G 11.6 The Dogmar ?Vc0) 11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 9i=B DnFjEP^ 12 The Biotar or Double-Gauss Lens "|t!7hC 12.1 The Basic Six-Element Version GoIQ>n 12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens =K(JqSw+M 12.3 The Seven-Element Biotar - Split-Rear Singlet #{*LvI& 12.4 The Seven-Element Biotar - Broken Contact Front Doublet E'EcP4eL 12.5 The Seven-Element Biotar - One Compounded Outer Element s bnjy"Z% 12.6 The Eight-Element Biotar BpH%STEN 12.7 A “Doubled Double-Gauss” Relay 9I.^LZ" {kL&Rv%' 13 Telephoto Lenses g^l RG3a 13.1 The Basic Telephoto 68e[:wf 13.2 Close-up or Macro Lenses UpfZi9v?W 13.3 Telephoto Designs ('hT 13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch iZxt/}1X0 `PlOwj@u0` 1e}8LH7 14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses |^( M{ 14.1 The Reverse Telephoto Principle e |V] 14.2 The Basic Retrofocus Lens sgAzL 14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ;>>C)c4V " e2w&&B- 15 Wide Angle Lenses with Negative Outer Lenses Lm6**v aG{$Ic 16 The Petzval Lens; Head-up Display Lenses =&vFVIhWcf 16.1 The Petzval Portrait Lens 5 1dSFr<# 16.2 The Petzval Projection Lens ,_ .v_ 16.3 The Petzval with a Field Flattener pC(sS0J 16.4 Very Height Speed Petzval Lenses uMmXs%9T 16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems x({C(Q'O
*Y6xvib9* 17 Microscope Objectives QlEd6^& 17.1 General Considerations P^)q=A8Z# 17.2 Classic Objective Design Forms; The Aplanatic Front sKL:p3r 17.3 Flat-Field Objectives A.En+-[\ 17.4 Reflecting Objectives lzhqcL" 17.5 The Microscope Objective Designs 73F5d/n Eu,`7iQ?( 18 Mirror and Catadioptric Systems ,6,]#R
:J 18.1 The Good and Bad Points of Mirrors fex,z%}p 18.2 The Classic Two-Mirror Systems 9P WY52! 18.3 Catadioptric Systems 1m@^E:w 18.4 Aspheric Correctors and Schmidt Systems w>e
s 18.5 Confocal Paraboloids :/N+;- 18 18.6 Unobscured Systems 3EK9,:<Cf 18.7 Design of a Schmidt-Cassegrain “from Scratch” X}A'Cg0y _[h8P9YI4 19 Infrared and Ultraviolet Systems >:1P/U 19.1 Infrared Optics "r'ozf2\ 19.2 IR Objective Lenses zpjqEEY; 19.3 IR Telescope $}o
b,i^W 19.4 Laser Beam Expanders -{jdn%Y7CK 19,5 Ultraviolet Systems F]+~x/! 19.6 Microlithographic Lenses y2|R.EU\m< R 94^4I 20 Zoom Lenses ]$b2a&r9 20.1 Zoom Lenses ~nY]o"8D 20.2 Zoom Lenses for Point and Shoot Cameras z rfUQO 20.3 A 20X Video Zoom Lens Jkt4@h2Q} 20.4 A Zoom Scanner Lens s60
TxB 20.5 A Possible Zoom Lens Design Procedure Y.6SOu5$] ~bK9R0|< 21 Projection TV Lenses and Macro Lenses |>
enp> 21.1 Projection TV Lenses g(4bBa9y 21.2 Macro Lenses .qv'6G r@G#[.*A> 22 Scanner/ , Laser Disk and Collimator Lenses [1yq{n= 22.1 Monochromatic Systems Ea $aUORm 22.2 Scanner Lenses ]9 w76Z 22.3 Laser Disk, Focusing, and Collimator Lenses \cJa;WM> {KL5GowH 23 Tolerance Budgeting 3'`dFY, 23.1 The Tolerance Budget 9 ;i\g= 23.2 Additive Tolerances h*i9m o 23.3 Establishing the Tolerance Budget @.C{OSHE \wvg,j= 24 Formulary yYZxLJ=' 24.1 Sign Conventions, Symbols, and Definitions o4y']JSN 24.2 The Cardinal Points A!i q->+ 24.3 Image Equations /8'S1!zc 24.4 Paraxial Ray Tracing (Surface by Surface) uBrMk 24.5 Invariants @R|'X 24.6 Paraxial Ray Tracing (Component by Component) qoMfSz"( 24.7 Two-Componenet Relationships gb|Q%LS9R 24.8 Third-Order Aberrations – Surface Contributions f .
}c7 24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs KvFMs\o6p 24.10 Stop Shift Equations }2 8= 24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ),}AI/j;zY 24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ?#A]{l eGL1 oXsL9, Glossary J9~i%hzr Reference 8jlLUG:g Index
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